The Project Gutenberg eBook, The Lamplighter, by Charles Dickens This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Lamplighter Author: Charles Dickens Release Date: January 11, 2015 [eBook #927] [This file was first posted on May 30, 1997] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE LAMPLIGHTER***
Transcribed from the 1905 Chapman & Hall edition (The Works of Charles Dickens, volume 28) by David Price, email [email protected]
By CHARLES DICKENS
LONDON: CHAPMAN & HALL, LD.
NEW YORK: CHARLES SCRIBNER’S SONS
1905
‘If you talk of Murphy and Francis Moore, gentlemen,’ said the lamplighter who was in the chair, ‘I mean to say that neither of ’em ever had any more to do with the stars than Tom Grig had.’
‘And what had he to do with ’em?’ asked the lamplighter who officiated as vice.
‘Nothing at all,’ replied the other; ‘just exactly nothing at all.’
‘Do you mean to say you don’t believe in Murphy, then?’ demanded the lamplighter who had opened the discussion.
‘I mean to say I believe in Tom Grig,’ replied the chairman. ‘Whether I believe in Murphy, or not, is a matter between me and my conscience; and whether Murphy believes in himself, or not, is a matter between him and his conscience. Gentlemen, I drink your healths.’
The lamplighter who did the company this honour, was seated in the chimney-corner of a certain tavern, which has been, time out of mind, the Lamplighters’ House of Call. He sat in the midst of a circle of lamplighters, and was the cacique, or chief of the tribe.
If any of our readers have had the good fortune to behold a lamplighter’s funeral, they will not be surprised to learn that lamplighters are a strange and primitive people; that they rigidly adhere to old ceremonies and customs which have been handed down among them from father to son since the first public lamp was lighted out of doors; that they intermarry, and betroth their children in infancy; that they enter into no plots or conspiracies (for who ever heard of a traitorous lamplighter?); that they commit no crimes against the laws of their country (there being no instance of a murderous or burglarious lamplighter); that they are, in short, notwithstanding their apparently volatile and restless character, a highly moral and reflective people: having among themselves as many traditional observances as the Jews, and being, as a body, if not as old as the hills, at least as old as the streets. It is an article of their creed that the first faint glimmering of true civilisation shone in the first street-light maintained at the public expense. They trace their existence and high position in the public esteem, in a direct line to the heathen mythology; and hold that the history of Prometheus himself is but a pleasant fable, whereof the true hero is a lamplighter.
‘Gentlemen,’ said the lamplighter in the chair, ‘I drink your healths.’
‘And perhaps, Sir,’ said the vice, holding up his glass, and rising a little way off his seat and sitting down again, in token that he recognised and returned the compliment, ‘perhaps you will add to that condescension by telling us who Tom Grig was, and how he came to be connected in your mind with Francis Moore, Physician.’
‘Hear, hear, hear!’ cried the lamplighters generally.
‘Tom Grig, gentlemen,’ said the chairman, ‘was one of us; and it happened to him, as it don’t often happen to a public character in our line, that he had his what-you-may-call-it cast.’
‘His head?’ said the vice.
‘No,’ replied the chairman, ‘not his head.’
‘His face, perhaps?’ said the vice. ‘No, not his face.’ ‘His legs?’ ‘No, not his legs.’ Nor yet his arms, nor his hands, nor his feet, nor his chest, all of which were severally suggested.
‘His nativity, perhaps?’
‘That’s it,’ said the chairman, awakening from his thoughtful attitude at the suggestion. ‘His nativity. That’s what Tom had cast, gentlemen.’
‘In plaster?’ asked the vice.
‘I don’t rightly know how it’s done,’ returned the chairman. ‘But I suppose it was.’
And there he stopped as if that were all he had to say; whereupon there arose a murmur among the company, which at length resolved itself into a request, conveyed through the vice, that he would go on. This being exactly what the chairman wanted, he mused for a little time, performed that agreeable ceremony which is popularly termed wetting one’s whistle, and went on thus:
‘Tom Grig, gentlemen, was, as I have said, one of us; and I may go further, and say he was an ornament to us, and such a one as only the good old times of oil and cotton could have produced. Tom’s family, gentlemen, were all lamplighters.’
‘Not the ladies, I hope?’ asked the vice.
‘They had talent enough for it, Sir,’ rejoined the chairman, ‘and would have been, but for the prejudices of society. Let women have their rights, Sir, and the females of Tom’s family would have been every one of ’em in office. But that emancipation hasn’t come yet, and hadn’t then, and consequently they confined themselves to the bosoms of their families, cooked the dinners, mended the clothes, minded the children, comforted their husbands, and attended to the house-keeping generally. It’s a hard thing upon the women, gentlemen, that they are limited to such a sphere of action as this; very hard.
‘I happen to know all about Tom, gentlemen, from the circumstance of his uncle by his mother’s side, having been my particular friend. His (that’s Tom’s uncle’s) fate was a melancholy one. Gas was the death of him. When it was first talked of, he laughed. He wasn’t angry; he laughed at the credulity of human nature. “They might as well talk,” he says, “of laying on an everlasting succession of glow-worms;” and then he laughed again, partly at his joke, and partly at poor humanity.
‘In course of time, however, the thing got ground, the experiment was made, and they lighted up Pall Mall. Tom’s uncle went to see it. I’ve heard that he fell off his ladder fourteen times that night, from weakness, and that he would certainly have gone on falling till he killed himself, if his last tumble hadn’t been into a wheelbarrow which was going his way, and humanely took him home. “I foresee in this,” says Tom’s uncle faintly, and taking to his bed as he spoke—“I foresee in this,” he says, “the breaking up of our profession. There’s no more going the rounds to trim by daylight, no more dribbling down of the oil on the hats and bonnets of ladies and gentlemen when one feels in spirits. Any low fellow can light a gas-lamp. And it’s all up.” In this state of mind, he petitioned the government for—I want a word again, gentlemen—what do you call that which they give to people when it’s found out, at last, that they’ve never been of any use, and have been paid too much for doing nothing?’
‘Compensation?’ suggested the vice.
‘That’s it,’ said the chairman. ‘Compensation. They didn’t give it him, though, and then he got very fond of his country all at once, and went about saying that gas was a death-blow to his native land, and that it was a plot of the radicals to ruin the country and destroy the oil and cotton trade for ever, and that the whales would go and kill themselves privately, out of sheer spite and vexation at not being caught. At last he got right-down cracked; called his tobacco-pipe a gas-pipe; thought his tears were lamp-oil; and went on with all manner of nonsense of that sort, till one night he hung himself on a lamp-iron in Saint Martin’s Lane, and there was an end of him.
‘Tom loved him, gentlemen, but he survived it. He shed a tear over his grave, got very drunk, spoke a funeral oration that night in the watch-house, and was fined five shillings for it, in the morning. Some men are none the worse for this sort of thing. Tom was one of ’em. He went that very afternoon on a new beat: as clear in his head, and as free from fever as Father Mathew himself.
‘Tom’s new beat, gentlemen, was—I can’t exactly say where, for that he’d never tell; but I know it was in a quiet part of town, where there were some queer old houses. I have always had it in my head that it must have been somewhere near Canonbury Tower in Islington, but that’s a matter of opinion. Wherever it was, he went upon it, with a bran-new ladder, a white hat, a brown holland jacket and trousers, a blue neck-kerchief, and a sprig of full-blown double wall-flower in his button-hole. Tom was always genteel in his appearance, and I have heard from the best judges, that if he had left his ladder at home that afternoon, you might have took him for a lord.
‘He was always merry, was Tom, and such a singer, that if there was any encouragement for native talent, he’d have been at the opera. He was on his ladder, lighting his first lamp, and singing to himself in a manner more easily to be conceived than described, when he hears the clock strike five, and suddenly sees an old gentleman with a telescope in his hand, throw up a window and look at him very hard.
‘Tom didn’t know what could be passing in this old gentleman’s mind. He thought it likely enough that he might be saying within himself, “Here’s a new lamplighter—a good-looking young fellow—shall I stand something to drink?” Thinking this possible, he keeps quite still, pretending to be very particular about the wick, and looks at the old gentleman sideways, seeming to take no notice of him.
‘Gentlemen, he was one of the strangest and most mysterious-looking files that ever Tom clapped his eyes on. He was dressed all slovenly and untidy, in a great gown of a kind of bed-furniture pattern, with a cap of the same on his head; and a long old flapped waistcoat; with no braces, no strings, very few buttons—in short, with hardly any of those artificial contrivances that hold society together. Tom knew by these signs, and by his not being shaved, and by his not being over-clean, and by a sort of wisdom not quite awake, in his face, that he was a scientific old gentleman. He often told me that if he could have conceived the possibility of the whole Royal Society being boiled down into one man, he should have said the old gentleman’s body was that Body.
‘The old gentleman claps the telescope to his eye, looks all round, sees nobody else in sight, stares at Tom again, and cries out very loud:
‘“Hal-loa!”
‘“Halloa, Sir,” says Tom from the ladder; “and halloa again, if you come to that.”
‘“Here’s an extraordinary fulfilment,” says the old gentleman, “of a prediction of the planets.”
‘“Is there?” says Tom. “I’m very glad to hear it.”
‘“Young man,” says the old gentleman, “you don’t know me.”
‘“Sir,” says Tom, “I have not that honour; but I shall be happy to drink your health, notwithstanding.”
‘“I read,” cries the old gentleman, without taking any notice of this politeness on Tom’s part—“I read what’s going to happen, in the stars.”
‘Tom thanked him for the information, and begged to know if anything particular was going to happen in the stars, in the course of a week or so; but the old gentleman, correcting him, explained that he read in the stars what was going to happen on dry land, and that he was acquainted with all the celestial bodies.
‘“I hope they’re all well, Sir,” says Tom,—“everybody.”
‘“Hush!” cries the old gentleman. “I have consulted the book of Fate with rare and wonderful success. I am versed in the great sciences of astrology and astronomy. In my house here, I have every description of apparatus for observing the course and motion of the planets. Six months ago, I derived from this source, the knowledge that precisely as the clock struck five this afternoon a stranger would present himself—the destined husband of my young and lovely niece—in reality of illustrious and high descent, but whose birth would be enveloped in uncertainty and mystery. Don’t tell me yours isn’t,” says the old gentleman, who was in such a hurry to speak that he couldn’t get the words out fast enough, “for I know better.”
‘Gentlemen, Tom was so astonished when he heard him say this, that he could hardly keep his footing on the ladder, and found it necessary to hold on by the lamp-post. There was a mystery about his birth. His mother had always admitted it. Tom had never known who was his father, and some people had gone so far as to say that even she was in doubt.
‘While he was in this state of amazement, the old gentleman leaves the window, bursts out of the house-door, shakes the ladder, and Tom, like a ripe pumpkin, comes sliding down into his arms.
‘“Let me embrace you,” he says, folding his arms about him, and nearly lighting up his old bed-furniture gown at Tom’s link. “You’re a man of noble aspect. Everything combines to prove the accuracy of my observations. You have had mysterious promptings within you,” he says; “I know you have had whisperings of greatness, eh?” he says.
‘“I think I have,” says Tom—Tom was one of those who can persuade themselves to anything they like—“I’ve often thought I wasn’t the small beer I was taken for.”
‘“You were right,” cries the old gentleman, hugging him again. “Come in. My niece awaits us.”
‘“Is the young lady tolerable good-looking, Sir?” says Tom, hanging fire rather, as he thought of her playing the piano, and knowing French, and being up to all manner of accomplishments.
‘“She’s beautiful!” cries the old gentleman, who was in such a terrible bustle that he was all in a perspiration. “She has a graceful carriage, an exquisite shape, a sweet voice, a countenance beaming with animation and expression; and the eye,” he says, rubbing his hands, “of a startled fawn.”
‘Tom supposed this might mean, what was called among his circle of acquaintance, “a game eye;” and, with a view to this defect, inquired whether the young lady had any cash.
‘“She has five thousand pounds,” cries the old gentleman. “But what of that? what of that? A word in your ear. I’m in search of the philosopher’s stone. I have very nearly found it—not quite. It turns everything to gold; that’s its property.”
‘Tom naturally thought it must have a deal of property; and said that when the old gentleman did get it, he hoped he’d be careful to keep it in the family.
‘“Certainly,” he says, “of course. Five thousand pounds! What’s five thousand pounds to us? What’s five million?” he says. “What’s five thousand million? Money will be nothing to us. We shall never be able to spend it fast enough.”
‘“We’ll try what we can do, Sir,” says Tom.
‘“We will,” says the old gentleman. “Your name?”
‘“Grig,” says Tom.
‘The old gentleman embraced him again, very tight; and without speaking another word, dragged him into the house in such an excited manner, that it was as much as Tom could do to take his link and ladder with him, and put them down in the passage.
‘Gentlemen, if Tom hadn’t been always remarkable for his love of truth, I think you would still have believed him when he said that all this was like a dream. There is no better way for a man to find out whether he is really asleep or awake, than calling for something to eat. If he’s in a dream, gentlemen, he’ll find something wanting in flavour, depend upon it.
‘Tom explained his doubts to the old gentleman, and said that if there was any cold meat in the house, it would ease his mind very much to test himself at once. The old gentleman ordered up a venison pie, a small ham, and a bottle of very old Madeira. At the first mouthful of pie and the first glass of wine, Tom smacks his lips and cries out, “I’m awake—wide awake;” and to prove that he was so, gentlemen, he made an end of ’em both.
‘When Tom had finished his meal (which he never spoke of afterwards without tears in his eyes), the old gentleman hugs him again, and says, “Noble stranger! let us visit my young and lovely niece.” Tom, who was a little elevated with the wine, replies, “The noble stranger is agreeable!” At which words the old gentleman took him by the hand, and led him to the parlour; crying as he opened the door, “Here is Mr. Grig, the favourite of the planets!”
‘I will not attempt a description of female beauty, gentlemen, for every one of us has a model of his own that suits his own taste best. In this parlour that I’m speaking of, there were two young ladies; and if every gentleman present, will imagine two models of his own in their places, and will be kind enough to polish ’em up to the very highest pitch of perfection, he will then have a faint conception of their uncommon radiance.
‘Besides these two young ladies, there was their waiting-woman, that under any other circumstances Tom would have looked upon as a Venus; and besides her, there was a tall, thin, dismal-faced young gentleman, half man and half boy, dressed in a childish suit of clothes very much too short in the legs and arms; and looking, according to Tom’s comparison, like one of the wax juveniles from a tailor’s door, grown up and run to seed. Now, this youngster stamped his foot upon the ground and looked very fierce at Tom, and Tom looked fierce at him—for to tell the truth, gentlemen, Tom more than half suspected that when they entered the room he was kissing one of the young ladies; and for anything Tom knew, you observe, it might be his young lady—which was not pleasant.
‘“Sir,” says Tom, “before we proceed any further, will you have the goodness to inform me who this young Salamander”—Tom called him that for aggravation, you perceive, gentlemen—“who this young Salamander may be?”
‘“That, Mr. Grig,” says the old gentleman, “is my little boy. He was christened Galileo Isaac Newton Flamstead. Don’t mind him. He’s a mere child.”
‘“And a very fine child too,” says Tom—still aggravating, you’ll observe—“of his age, and as good as fine, I have no doubt. How do you do, my man?” with which kind and patronising expressions, Tom reached up to pat him on the head, and quoted two lines about little boys, from Doctor Watts’s Hymns, which he had learnt at a Sunday School.
‘It was very easy to see, gentlemen, by this youngster’s frowning and by the waiting-maid’s tossing her head and turning up her nose, and by the young ladies turning their backs and talking together at the other end of the room, that nobody but the old gentleman took very kindly to the noble stranger. Indeed, Tom plainly heard the waiting-woman say of her master, that so far from being able to read the stars as he pretended, she didn’t believe he knew his letters in ’em, or at best that he had got further than words in one syllable; but Tom, not minding this (for he was in spirits after the Madeira), looks with an agreeable air towards the young ladies, and, kissing his hand to both, says to the old gentleman, “Which is which?”
‘“This,” says the old gentleman, leading out the handsomest, if one of ’em could possibly be said to be handsomer than the other—“this is my niece, Miss Fanny Barker.”
‘“If you’ll permit me, Miss,” says Tom, “being a noble stranger and a favourite of the planets, I will conduct myself as such.” With these words, he kisses the young lady in a very affable way, turns to the old gentleman, slaps him on the back, and says, “When’s it to come off, my buck?”
‘The young lady coloured so deep, and her lip trembled so much, gentlemen, that Tom really thought she was going to cry. But she kept her feelings down, and turning to the old gentleman, says, “Dear uncle, though you have the absolute disposal of my hand and fortune, and though you mean well in disposing of ’em thus, I ask you whether you don’t think this is a mistake? Don’t you think, dear uncle,” she says, “that the stars must be in error? Is it not possible that the comet may have put ’em out?”
‘“The stars,” says the old gentleman, “couldn’t make a mistake if they tried. Emma,” he says to the other young lady.
‘“Yes, papa,” says she.
‘“The same day that makes your cousin Mrs. Grig will unite you to the gifted Mooney. No remonstrance—no tears. Now, Mr. Grig, let me conduct you to that hallowed ground, that philosophical retreat, where my friend and partner, the gifted Mooney of whom I have just now spoken, is even now pursuing those discoveries which shall enrich us with the precious metal, and make us masters of the world. Come, Mr. Grig,” he says.
‘“With all my heart, Sir,” replies Tom; “and luck to the gifted Mooney, say I—not so much on his account as for our worthy selves!” With this sentiment, Tom kissed his hand to the ladies again, and followed him out; having the gratification to perceive, as he looked back, that they were all hanging on by the arms and legs of Galileo Isaac Newton Flamstead, to prevent him from following the noble stranger, and tearing him to pieces.
‘Gentlemen, Tom’s father-in-law that was to be, took him by the hand, and having lighted a little lamp, led him across a paved court-yard at the back of the house, into a very large, dark, gloomy room: filled with all manner of bottles, globes, books, telescopes, crocodiles, alligators, and other scientific instruments of every kind. In the centre of this room was a stove or furnace, with what Tom called a pot, but which in my opinion was a crucible, in full boil. In one corner was a sort of ladder leading through the roof; and up this ladder the old gentleman pointed, as he said in a whisper:
‘“The observatory. Mr. Mooney is even now watching for the precise time at which we are to come into all the riches of the earth. It will be necessary for he and I, alone in that silent place, to cast your nativity before the hour arrives. Put the day and minute of your birth on this piece of paper, and leave the rest to me.”
‘“You don’t mean to say,” says Tom, doing as he was told and giving him back the paper, “that I’m to wait here long, do you? It’s a precious dismal place.”
‘“Hush!” says the old gentleman. “It’s hallowed ground. Farewell!”
‘“Stop a minute,” says Tom. “What a hurry you’re in! What’s in that large bottle yonder?”
‘“It’s a child with three heads,” says the old gentleman; “and everything else in proportion.”
‘“Why don’t you throw him away?” says Tom. “What do you keep such unpleasant things here for?”
‘“Throw him away!” cries the old gentleman. “We use him constantly in astrology. He’s a charm.”
‘“I shouldn’t have thought it,” says Tom, “from his appearance. Must you go, I say?”
‘The old gentleman makes him no answer, but climbs up the ladder in a greater bustle than ever. Tom looked after his legs till there was nothing of him left, and then sat down to wait; feeling (so he used to say) as comfortable as if he was going to be made a freemason, and they were heating the pokers.
‘Tom waited so long, gentlemen, that he began to think it must be getting on for midnight at least, and felt more dismal and lonely than ever he had done in all his life. He tried every means of whiling away the time, but it never had seemed to move so slow. First, he took a nearer view of the child with three heads, and thought what a comfort it must have been to his parents. Then he looked up a long telescope which was pointed out of the window, but saw nothing particular, in consequence of the stopper being on at the other end. Then he came to a skeleton in a glass case, labelled, “Skeleton of a Gentleman—prepared by Mr. Mooney,”—which made him hope that Mr. Mooney might not be in the habit of preparing gentlemen that way without their own consent. A hundred times, at least, he looked into the pot where they were boiling the philosopher’s stone down to the proper consistency, and wondered whether it was nearly done. “When it is,” thinks Tom, “I’ll send out for six-penn’orth of sprats, and turn ’em into gold fish for a first experiment.” Besides which, he made up his mind, gentlemen, to have a country-house and a park; and to plant a bit of it with a double row of gas-lamps a mile long, and go out every night with a French-polished mahogany ladder, and two servants in livery behind him, to light ’em for his own pleasure.
‘At length and at last, the old gentleman’s legs appeared upon the steps leading through the roof, and he came slowly down: bringing along with him, the gifted Mooney. This Mooney, gentlemen, was even more scientific in appearance than his friend; and had, as Tom often declared upon his word and honour, the dirtiest face we can possibly know of, in this imperfect state of existence.
‘Gentlemen, you are all aware that if a scientific man isn’t absent in his mind, he’s of no good at all. Mr. Mooney was so absent, that when the old gentleman said to him, “Shake hands with Mr. Grig,” he put out his leg. “Here’s a mind, Mr. Grig!” cries the old gentleman in a rapture. “Here’s philosophy! Here’s rumination! Don’t disturb him,” he says, “for this is amazing!”
‘Tom had no wish to disturb him, having nothing particular to say; but he was so uncommonly amazing, that the old gentleman got impatient, and determined to give him an electric shock to bring him to—“for you must know, Mr. Grig,” he says, “that we always keep a strongly charged battery, ready for that purpose.” These means being resorted to, gentlemen, the gifted Mooney revived with a loud roar, and he no sooner came to himself than both he and the old gentleman looked at Tom with compassion, and shed tears abundantly.
‘“My dear friend,” says the old gentleman to the Gifted, “prepare him.”
‘“I say,” cries Tom, falling back, “none of that, you know. No preparing by Mr. Mooney if you please.”
‘“Alas!” replies the old gentleman, “you don’t understand us. My friend, inform him of his fate.—I can’t.”
‘The Gifted mustered up his voice, after many efforts, and informed Tom that his nativity had been carefully cast, and he would expire at exactly thirty-five minutes, twenty-seven seconds, and five-sixths of a second past nine o’clock, a.m., on that day two months.
‘Gentlemen, I leave you to judge what were Tom’s feelings at this announcement, on the eve of matrimony and endless riches. “I think,” he says in a trembling voice, “there must be a mistake in the working of that sum. Will you do me the favour to cast it up again?”—“There is no mistake,” replies the old gentleman, “it is confirmed by Francis Moore, Physician. Here is the prediction for to-morrow two months.” And he showed him the page, where sure enough were these words—“The decease of a great person may be looked for, about this time.”
‘“Which,” says the old gentleman, “is clearly you, Mr. Grig.”
‘“Too clearly,” cries Tom, sinking into a chair, and giving one hand to the old gentleman, and one to the Gifted. “The orb of day has set on Thomas Grig for ever!”
‘At this affecting remark, the Gifted shed tears again, and the other two mingled their tears with his, in a kind—if I may use the expression—of Mooney and Co.’s entire. But the old gentleman recovering first, observed that this was only a reason for hastening the marriage, in order that Tom’s distinguished race might be transmitted to posterity; and requesting the Gifted to console Mr. Grig during his temporary absence, he withdrew to settle the preliminaries with his niece immediately.
‘And now, gentlemen, a very extraordinary and remarkable occurrence took place; for as Tom sat in a melancholy way in one chair, and the Gifted sat in a melancholy way in another, a couple of doors were thrown violently open, the two young ladies rushed in, and one knelt down in a loving attitude at Tom’s feet, and the other at the Gifted’s. So far, perhaps, as Tom was concerned—as he used to say—you will say there was nothing strange in this: but you will be of a different opinion when you understand that Tom’s young lady was kneeling to the Gifted, and the Gifted’s young lady was kneeling to Tom.
‘“Halloa! stop a minute!” cries Tom; “here’s a mistake. I need condoling with by sympathising woman, under my afflicting circumstances; but we’re out in the figure. Change partners, Mooney.”
‘“Monster!” cries Tom’s young lady, clinging to the Gifted.
‘“Miss!” says Tom. “Is that your manners?”
‘“I abjure thee!” cries Tom’s young lady. “I renounce thee. I never will be thine. Thou,” she says to the Gifted, “art the object of my first and all-engrossing passion. Wrapt in thy sublime visions, thou hast not perceived my love; but, driven to despair, I now shake off the woman and avow it. Oh, cruel, cruel man!” With which reproach she laid her head upon the Gifted’s breast, and put her arms about him in the tenderest manner possible, gentlemen.
‘“And I,” says the other young lady, in a sort of ecstasy, that made Tom start—“I hereby abjure my chosen husband too. Hear me, Goblin!”—this was to the Gifted—“Hear me! I hold thee in the deepest detestation. The maddening interview of this one night has filled my soul with love—but not for thee. It is for thee, for thee, young man,” she cries to Tom. “As Monk Lewis finely observes, Thomas, Thomas, I am thine, Thomas, Thomas, thou art mine: thine for ever, mine for ever!” with which words, she became very tender likewise.
‘Tom and the Gifted, gentlemen, as you may believe, looked at each other in a very awkward manner, and with thoughts not at all complimentary to the two young ladies. As to the Gifted, I have heard Tom say often, that he was certain he was in a fit, and had it inwardly.
‘“Speak to me! Oh, speak to me!” cries Tom’s young lady to the Gifted.
‘“I don’t want to speak to anybody,” he says, finding his voice at last, and trying to push her away. “I think I had better go. I’m—I’m frightened,” he says, looking about as if he had lost something.
‘“Not one look of love!” she cries. “Hear me while I declare—”
‘“I don’t know how to look a look of love,” he says, all in a maze. “Don’t declare anything. I don’t want to hear anybody.”
‘“That’s right!” cries the old gentleman (who it seems had been listening). “That’s right! Don’t hear her. Emma shall marry you to-morrow, my friend, whether she likes it or not, and she shall marry Mr. Grig.”
‘Gentlemen, these words were no sooner out of his mouth than Galileo Isaac Newton Flamstead (who it seems had been listening too) darts in, and spinning round and round, like a young giant’s top, cries, “Let her. Let her. I’m fierce; I’m furious. I give her leave. I’ll never marry anybody after this—never. It isn’t safe. She is the falsest of the false,” he cries, tearing his hair and gnashing his teeth; “and I’ll live and die a bachelor!”
‘“The little boy,” observed the Gifted gravely, “albeit of tender years, has spoken wisdom. I have been led to the contemplation of woman-kind, and will not adventure on the troubled waters of matrimony.”
‘“What!” says the old gentleman, “not marry my daughter! Won’t you, Mooney? Not if I make her? Won’t you? Won’t you?”
‘“No,” says Mooney, “I won’t. And if anybody asks me any more, I’ll run away, and never come back again.”
‘“Mr. Grig,” says the old gentleman, “the stars must be obeyed. You have not changed your mind because of a little girlish folly—eh, Mr. Grig?”
‘Tom, gentlemen, had had his eyes about him, and was pretty sure that all this was a device and trick of the waiting-maid, to put him off his inclination. He had seen her hiding and skipping about the two doors, and had observed that a very little whispering from her pacified the Salamander directly. “So,” thinks Tom, “this is a plot—but it won’t fit.”
‘“Eh, Mr. Grig?” says the old gentleman.
‘“Why, Sir,” says Tom, pointing to the crucible, “if the soup’s nearly ready—”
‘“Another hour beholds the consummation of our labours,” returned the old gentleman.
‘“Very good,” says Tom, with a mournful air. “It’s only for two months, but I may as well be the richest man in the world even for that time. I’m not particular, I’ll take her, Sir. I’ll take her.”
‘The old gentleman was in a rapture to find Tom still in the same mind, and drawing the young lady towards him by little and little, was joining their hands by main force, when all of a sudden, gentlemen, the crucible blows up, with a great crash; everybody screams; the room is filled with smoke; and Tom, not knowing what may happen next, throws himself into a Fancy attitude, and says, “Come on, if you’re a man!” without addressing himself to anybody in particular.
‘“The labours of fifteen years!” says the old gentleman, clasping his hands and looking down upon the Gifted, who was saving the pieces, “are destroyed in an instant!”—And I am told, gentlemen, by-the-bye, that this same philosopher’s stone would have been discovered a hundred times at least, to speak within bounds, if it wasn’t for the one unfortunate circumstance that the apparatus always blows up, when it’s on the very point of succeeding.
‘Tom turns pale when he hears the old gentleman expressing himself to this unpleasant effect, and stammers out that if it’s quite agreeable to all parties, he would like to know exactly what has happened, and what change has really taken place in the prospects of that company.
‘“We have failed for the present, Mr. Grig,” says the old gentleman, wiping his forehead. “And I regret it the more, because I have in fact invested my niece’s five thousand pounds in this glorious speculation. But don’t be cast down,” he says, anxiously—“in another fifteen years, Mr. Grig—”
“Oh!” cries Tom, letting the young lady’s hand fall. “Were the stars very positive about this union, Sir?”
‘“They were,” says the old gentleman.
‘“I’m sorry to hear it,” Tom makes answer, “for it’s no go, Sir.”
‘“No what!” cries the old gentleman.
‘“Go, Sir,” says Tom, fiercely. “I forbid the banns.” And with these words—which are the very words he used—he sat himself down in a chair, and, laying his head upon the table, thought with a secret grief of what was to come to pass on that day two months.
‘Tom always said, gentlemen, that that waiting-maid was the artfullest minx he had ever seen; and he left it in writing in this country when he went to colonize abroad, that he was certain in his own mind she and the Salamander had blown up the philosopher’s stone on purpose, and to cut him out of his property. I believe Tom was in the right, gentlemen; but whether or no, she comes forward at this point, and says, “May I speak, Sir?” and the old gentleman answering, “Yes, you may,” she goes on to say that “the stars are no doubt quite right in every respect, but Tom is not the man.” And she says, “Don’t you remember, Sir, that when the clock struck five this afternoon, you gave Master Galileo a rap on the head with your telescope, and told him to get out of the way?” “Yes, I do,” says the old gentleman. “Then,” says the waiting-maid, “I say he’s the man, and the prophecy is fulfilled.” The old gentleman staggers at this, as if somebody had hit him a blow on the chest, and cries, “He! why he’s a boy!” Upon that, gentlemen, the Salamander cries out that he’ll be twenty-one next Lady-day; and complains that his father has always been so busy with the sun round which the earth revolves, that he has never taken any notice of the son that revolves round him; and that he hasn’t had a new suit of clothes since he was fourteen; and that he wasn’t even taken out of nankeen frocks and trousers till he was quite unpleasant in ’em; and touches on a good many more family matters to the same purpose. To make short of a long story, gentlemen, they all talk together, and cry together, and remind the old gentleman that as to the noble family, his own grandfather would have been lord mayor if he hadn’t died at a dinner the year before; and they show him by all kinds of arguments that if the cousins are married, the prediction comes true every way. At last, the old gentleman being quite convinced, gives in; and joins their hands; and leaves his daughter to marry anybody she likes; and they are all well pleased; and the Gifted as well as any of them.
‘In the middle of this little family party, gentlemen, sits Tom all the while, as miserable as you like. But, when everything else is arranged, the old gentleman’s daughter says, that their strange conduct was a little device of the waiting-maid’s to disgust the lovers he had chosen for ’em, and will he forgive her? and if he will, perhaps he might even find her a husband—and when she says that, she looks uncommon hard at Tom. Then the waiting-maid says that, oh dear! she couldn’t abear Mr. Grig should think she wanted him to marry her; and that she had even gone so far as to refuse the last lamplighter, who was now a literary character (having set up as a bill-sticker); and that she hoped Mr. Grig would not suppose she was on her last legs by any means, for the baker was very strong in his attentions at that moment, and as to the butcher, he was frantic. And I don’t know how much more she might have said, gentlemen (for, as you know, this kind of young women are rare ones to talk), if the old gentleman hadn’t cut in suddenly, and asked Tom if he’d have her, with ten pounds to recompense him for his loss of time and disappointment, and as a kind of bribe to keep the story secret.
‘“It don’t much matter, Sir,” says Tom, “I ain’t long for this world. Eight weeks of marriage, especially with this young woman, might reconcile me to my fate. I think,” he says, “I could go off easy after that.” With which he embraces her with a very dismal face, and groans in a way that might move a heart of stone—even of philosopher’s stone.
‘“Egad,” says the old gentleman, “that reminds me—this bustle put it out of my head—there was a figure wrong. He’ll live to a green old age—eighty-seven at least!”
‘“How much, Sir?” cries Tom.
‘“Eighty-seven!” says the old gentleman.
‘Without another word, Tom flings himself on the old gentleman’s neck; throws up his hat; cuts a caper; defies the waiting-maid; and refers her to the butcher.
‘“You won’t marry her!” says the old gentleman, angrily.
‘“And live after it!” says Tom. “I’d sooner marry a mermaid with a small-tooth comb and looking-glass.”
‘“Then take the consequences,” says the other.
‘With those words—I beg your kind attention here, gentlemen, for it’s worth your notice—the old gentleman wetted the forefinger of his right hand in some of the liquor from the crucible that was spilt on the floor, and drew a small triangle on Tom’s forehead. The room swam before his eyes, and he found himself in the watch-house.’
‘Found himself where?’ cried the vice, on behalf of the company generally.
‘In the watch-house,’ said the chairman. ‘It was late at night, and he found himself in the very watch-house from which he had been let out that morning.’
‘Did he go home?’ asked the vice.
‘The watch-house people rather objected to that,’ said the chairman; ‘so he stopped there that night, and went before the magistrate in the morning. “Why, you’re here again, are you?” says the magistrate, adding insult to injury; “we’ll trouble you for five shillings more, if you can conveniently spare the money.” Tom told him he had been enchanted, but it was of no use. He told the contractors the same, but they wouldn’t believe him. It was very hard upon him, gentlemen, as he often said, for was it likely he’d go and invent such a tale? They shook their heads and told him he’d say anything but his prayers—as indeed he would; there’s no doubt about that. It was the only imputation on his moral character that ever I heard of.’
***END OF THE PROJECT GUTENBERG EBOOK THE LAMPLIGHTER***
***** This file should be named 927-h.htm or 927-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/9/2/927 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.