The Project Gutenberg eBook, Sister Songs, by Francis Thompson This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Sister Songs An Offering to Two Sisters Author: Francis Thompson Release Date: February 1, 2015 [eBook #1731] [This file was first posted on November 4, 1998] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK SISTER SONGS***
Transcribed from the 1908 Burns and Oates edition by David Price, email [email protected]
BY
FRANCIS THOMPSON
BURNS & OATES
28, ORCHARD STREET
LONDON, W.: 1908
This poem, though new in the sense of being now for the first time printed, was written some four years ago, about the same date as the Hound of Heaven in my former volume.
One image in the Proem was an unconscious plagiarism from the beautiful image in Mr. Patmore’s St. Valentine’s Day:—
“O baby Spring,
That flutter’st sudden ’neath the breast of Earth,
A month before the birth!”
Finding I could not disengage it without injury to the passage in which it is embedded, I have preferred to leave it, with this acknowledgment to a Poet rich enough to lend to the poor.
FRANCIS THOMPSON.
1895.
p. vTo
Monica and Madeline (Sylvia) Meynell
Shrewd winds and
shrill—were these the speech of May?
A ragged, slag-grey sky—invested so,
Mary’s spoilt nursling! wert thou wont to
go?
Or thou, Sun-god and
song-god, say
Could singer pipe one tiniest linnet-lay,
While Song did turn away his face from song?
Or who could
be
In spirit or in body hale for long,—
Old Æsculap’s best
Master!—lacking thee?
p. 2At length,
then, thou art here!
On the
earth’s lethèd ear
Thy voice of light rings out exultant, strong;
Through dreams she stirs and murmurs at that summons dear:
From its red leash my heart
strains tamelessly,
For Spring leaps in the womb of the young year!
Nay, was it not brought forth
before,
And we waited,
to behold it,
Till the
sun’s hand should unfold it,
What the year’s young bosom
bore?
Even so; it came, nor knew we that it came,
In the
sun’s eclipse.
Yet the birds have plighted
vows,
And from the branches pipe each other’s name;
Yet the season all the boughs
Has kindled to the
finger-tips,—
Mark yonder, how the long laburnum drips
Its jocund spilth of fire, its honey of wild flame!
Yea, and myself put on swift quickening,
And answer to the presence of a sudden Spring.
From cloud-zoned pinnacles of the secret spirit
p.
3Song falls precipitant in dizzying streams;
And, like a mountain-hold when war-shouts stir it,
The mind’s recessèd fastness casts to light
Its gleaming multitudes, that from every height
Unfurl the flaming of a thousand dreams.
Now therefore, thou who bring’st the year to birth,
Who guid’st the bare and dabbled feet of
May;
Sweet stem to that rose Christ, who from the earth
Suck’st our poor prayers, conveying them to Him;
Be aidant, tender Lady, to my lay!
Of thy two maidens somewhat must I say,
Ere shadowy twilight lashes, drooping, dim
Day’s dreamy eyes from us;
Ere eve has struck and furled
The beamy-textured tent transpicuous,
Of webbèd coerule wrought and woven calms,
Whence has paced forth the
lambent-footed sun.
And Thou disclose my flower of song upcurled,
Who from Thy fair irradiant
palms
Scatterest all love and loveliness as alms;
Yea, Holy One,
Who coin’st Thyself to beauty for the world!
p.
4Then, Spring’s little children,
your lauds do ye upraise
To Sylvia, O Sylvia, her sweet, feat
ways!
Your lovesome labours lay away,
And trick you out in holiday,
For syllabling to Sylvia;
And all you birds on branches, lave your mouths with
May,
To bear with me this burthen,
For singing to Sylvia.
The leaves dance,
the leaves sing,
The leaves dance in the breath of the Spring.
I bid them
dance,
I bid them sing,
For the limpid
glance
Of my ladyling;
For the gift to the Spring of a dewier spring,
For God’s good grace of this ladyling!
I know in the lane, by the hedgerow track,
The long, broad grasses underneath
Are warted with rain like a toad’s knobbed back;
But here May weareth a rainless wreath.
In the new-sucked milk of the sun’s bosom
Is dabbled the mouth of the daisy-blossom;
The smouldering rosebud chars through its sheath;
The lily stirs her snowy limbs,
p. 6Ere she
swims
Naked up through her cloven green,
Like the wave-born Lady of Love Hellene;
And the scattered snowdrop exquisite
Twinkles and
gleams,
As if the showers of the sunny beams
Were splashed from the earth in drops of light.
Everything
That is child of
Spring
Casts its bud or blossoming
Upon the stream of my delight.
Their voices, that scents are,
now let them upraise
To Sylvia, O Sylvia, her sweet, feat
ways!
Their lovely mother them array,
And prank them out in holiday,
For syllabling to Sylvia;
And all the birds on branches lave their mouths with
May,
To bear with me this burthen,
For singing to Sylvia.
While thus I stood in mazes bound
Of vernal sorcery,
I heard a dainty dubious sound,
As of goodly melody;
Which first was faint as if in swound,
Then burst so suddenly
In warring concord all around,
That, whence this thing might be,
To see
The very marrow longed in me!
It seemed of air, it seemed of ground,
And never any witchery
Drawn from pipe, or reed, or string,
Made such dulcet ravishing.
’Twas like no earthly instrument,
Yet had something of them all
In its rise, and in its fall;
As if in one sweet consort there were blent
Those archetypes celestial
Which our endeavouring instruments recall.
p.
8So heavenly flutes made murmurous plain
To heavenly viols, that again
—Aching with music—wailed back pain;
Regals release their notes, which rise
Welling, like tears from heart to eyes;
And the harp thrills with thronging sighs.
Horns in mellow flattering
Parley with the cithern-string:—
Hark!—the floating, long-drawn note
Woos the throbbing cithern-string!
Their pretty, pretty prating those
citherns sure upraise
For homage unto Sylvia, her sweet, feat
ways:
Those flutes do flute their vowelled lay,
Their lovely languid language say,
For lisping to Sylvia;
Those viols’ lissom bowings break the heart of
May,
And harps harp their burthen,
For singing to Sylvia.
Now at that music and that
mirth
Rose, as ’twere, veils from earth;
p. 9And I spied
How beside
Bud, bell, bloom, an elf
Stood, or was the flower itself
’Mid
radiant air
All the fair
Frequence swayed in irised wavers.
Some against the gleaming rims
Their bosoms prest
Of the kingcups, to the brims
Filled with sun, and their white limbs
Bathèd in those golden lavers;
Some on the brown, glowing breast
Of that Indian maid, the pansy,
(Through its tenuous veils confest
Of swathing light), in a quaint fancy
Tied her knot of yellow favours;
Others dared open draw
Snapdragon’s dreadful jaw:
Some, just sprung from out the soil,
Sleeked and shook their rumpled fans
Dropt with sheen
p. 10Of moony
green;
Others, not yet extricate,
On their hands leaned their weight,
And writhed them free with mickle toil,
Still folded in their veiny vans:
And all with an unsought accord
Sang together from the sward;
Whence had come, and from sprites
Yet unseen, those delights,
As of tempered musics blent,
Which had given me such content.
For haply our best instrument,
Pipe or cithern, stopped or strung,
Mimics but some spirit tongue.
Their amiable voices, I bid them
upraise
To Sylvia, O Sylvia, her sweet, feat
ways;
Their lovesome labours laid away,
To linger out this holiday
In syllabling
to Sylvia;
While all the birds on branches lave their mouths with
May,
p. 11To bear
with me this burthen,
For singing to Sylvia.
Next I saw, wonder-whist,
How from the atmosphere a mist,
So it seemed, slow uprist;
And, looking from those elfin swarms,
I was
’ware
How the air
Was all populous with forms
Of the Hours, floating down,
Like Nereids through a watery town.
Some, with languors of waved arms,
Fluctuous oared their flexile way;
Some were borne half resupine
On the aërial hyaline,
Their fluid limbs and rare array
Flickering on the wind, as quivers
Trailing weed in running rivers;
And others, in far prospect seen,
Newly loosed on this terrene,
p.
12Shot in piercing swiftness came,
With hair a-stream like pale and goblin flame.
As crystálline ice in water,
Lay in air each faint daughter;
Inseparate (or but separate dim)
Circumfused wind from wind-like vest,
Wind-like vest from wind-like limb.
But outward from each lucid breast,
When some passion left its haunt,
Radiate surge of colour came,
Diffusing blush-wise, palpitant,
Dying all the filmy frame.
With some sweet tenderness they would
Turn to an amber-clear and glossy gold;
Or a fine sorrow, lovely to behold,
Would sweep them as the sun and wind’s joined flood
Sweeps a greening-sapphire sea;
Or they would glow enamouredly
Illustrious sanguine, like a grape of blood;
Or with mantling poetry
Curd to the tincture which the opal hath,
Like rainbows thawing in a moonbeam bath.
p. 13So paled
they, flushed they, swam they, sang melodiously.
Their chanting, soon fading,
let them, too, upraise
For homage unto Sylvia, her sweet, feat
ways;
Weave with suave float their wavèd
way,
And colours take of holiday,
For
syllabling to Sylvia;
And all the birds on branches lave their mouths with
May,
To bear with me this burthen,
For singing
to Sylvia.
Then, through those
translucencies,
As grew my senses clearer clear,
Did I see, and did I hear,
How under an elm’s canopy
Wheeled a flight of Dryades
Murmuring measured melody.
Gyre in gyre their treading was,
Wheeling with an adverse flight,
In twi-circle o’er the grass,
p.
14These to left, and those to right;
All the band
Linkèd by each other’s hand;
Decked in raiment stainèd as
The blue-helmèd aconite.
And they advance with flutter, with grace,
To the dance
Moving on with a dainty pace,
As blossoms mince it on river swells.
Over their heads their cymbals shine,
Round each ankle gleams a twine
Of twinkling bells—
Tune twirled golden from their cells.
Every step was a tinkling sound,
As they glanced in their dancing-ground,
Clouds in cluster with such a sailing
Float o’er the light of the wasting moon,
As the cloud of their gliding veiling
Swung in the sway of the dancing-tune.
There was the clash of their cymbals clanging,
Ringing of swinging bells clinging their feet;
And the clang on wing it seemed a-hanging,
p.
15Hovering round their dancing so fleet.—
I stirred, I rustled more than meet;
Whereat they broke to the left and right,
With eddying robes like aconite
Blue of helm;
And I beheld to the foot o’ the elm.
They have not tripped those dances,
betrayed to my gaze,
To glad the heart of Sylvia, beholding of their
maze;
Through barky walls have slid away,
And tricked them in their holiday,
For other than for
Sylvia;
While all the birds on branches lave their mouths with
May,
And bear with me this burthen,
For singing to Sylvia.
Where its umbrage was
enrooted,
Sat
white-suited,
Sat green-amiced, and bare-footed,
Spring amid her minstrelsy;
There she sat amid her ladies,
p. 16Where the
shade is
Sheen as Enna mead ere Hades’
Gloom fell thwart Persephone.
Dewy buds were interstrown
Through her tresses hanging down,
And her feet
Were most
sweet,
Tinged like sea-stars, rosied brown.
A throng of children like to flowers were sown
About the grass beside, or clomb her knee:
I looked who were that favoured company.
And one there
stood
Against the
beamy flood
Of sinking day, which, pouring its abundance,
Sublimed the illuminous and volute redundance
Of locks that, half dissolving, floated round her face;
As see I
might
Far off a lily-cluster poised in sun
Dispread its gracile curls of
light
I knew what chosen child was there in place!
I knew there might no brows be, save of one,
With such Hesperian fulgence compassèd,
p. 17Which in
her moving seemed to wheel about her head.
O Spring’s little children,
more loud your lauds upraise,
For this is even Sylvia, with her sweet, feat
ways!
Your lovesome labours lay away,
And prank you out in holiday,
For
syllabling to Sylvia;
And all you birds on branches, lave your mouths with
May,
To bear with me this
burthen
For singing
to Sylvia!
Spring, goddess, is it thou, desirèd
long?
And art thou girded round with this young train?—
If ever I did do thee ease in song,
Now of thy grace let me one meed obtain,
And list thou to
one plain.
Oh, keep still
in thy train
After the years when others therefrom fade,
This tiny, well-belovèd
maid!
To whom the gate of my heart’s fortalice,
With all which
in it is,
p. 18And the
shy self who doth therein immew him
’Gainst what loud leagurers battailously woo him,
I, bribèd
traitor to him,
Set open for one
kiss.
Then suffer, Spring, thy
children, that lauds they should upraise
To Sylvia, this Sylvia, her sweet, feat
ways;
Their lovely labours lay away,
And trick them out in holiday,
For
syllabling to Sylvia;
And that all birds on branches lave their mouths with
May,
To bear with me this burthen,
For singing
to Sylvia.
A
kiss? for a child’s kiss?
Aye, goddess, even for this.
Once, bright Sylviola! in days not far,
Once—in that nightmare-time which still doth haunt
My dreams, a grim, unbidden visitant—
Forlorn, and faint, and stark,
p. 19I had
endured through watches of the dark
The abashless inquisition of each star,
Yea, was the outcast mark
Of all those
heavenly passers’ scrutiny;
Stood bound and
helplessly
For Time to shoot his barbèd minutes at me;
Suffered the trampling hoof of every hour
In night’s
slow-wheelèd car;
Until the tardy dawn dragged me at length
From under those dread wheels; and, bled of
strength,
I waited the inevitable last.
Then there came
past
A child; like thee, a spring-flower; but a flower
Fallen from the budded coronal of Spring,
And through the city-streets blown withering.
She passed,—O brave, sad, lovingest, tender
thing!—
And of her own scant pittance did she give,
That I might eat
and live:
Then fled, a swift and trackless fugitive.
Therefore I
kissed in thee
The heart of Childhood, so divine for me;
p. 20And her, through what sore ways,
And what unchildish days,
Borne from me now, as then, a trackless fugitive.
Therefore I kissed in thee
Her, child! and innocency,
And spring, and all things that have gone from me,
And that shall never be;
All vanished hopes, and all most hopeless bliss,
Came with thee to my kiss.
And ah! so long myself had strayed afar
From child, and woman, and the boon earth’s green,
And all wherewith life’s face is fair beseen;
Journeying its journey bare
Five suns, except of the all-kissing sun
Unkissed of
one;
Almost I had
forgot
The healing
harms,
And whitest witchery, a-lurk in that
Authentic cestus of two girdling arms:
And I remembered not
The subtle sanctities which dart
From childish lips’ unvalued precious brush,
p. 21Nor how it
makes the sudden lilies push
Between the loosening fibres of the heart.
Then, that thy
little kiss
Should be to me
all this,
Let workaday wisdom blink sage lids thereat;
Which towers a flight three hedgerows high, poor bat!
And straightway charts me out the empyreal air.
Its chart I wing not by, its canon of worth
Scorn not, nor reck though mine should breed it mirth:
And howso thou and I may be disjoint,
Yet still my falcon spirit makes her point
Over the covert
where
Thou, sweetest quarry, hast put in from her!
(Soul, hush these sad numbers,
too sad to upraise
In hymning bright Sylvia, unlearn’d in such
ways!
Our mournful moods lay we away,
And prank our thoughts in holiday,
For
syllabling to Sylvia;
When all the birds on branches lave their mouths with
May,
To bear with us this burthen,
For singing
to Sylvia!)
Then thus Spring, bounteous lady, made
reply:
“O lover of me and all my progeny,
For grace to
you
I take her ever to my retinue.
Over thy form, dear child, alas! my art
Cannot prevail; but mine immortalising
Touch I lay upon
thy heart.
Thy soul’s
fair shape
In my unfading mantle’s green I drape,
And thy white mind shall rest by my devising
A Gideon-fleece amid life’s dusty drouth.
If Even burst yon globèd yellow grape
(Which is the sun to mortals’ sealèd sight)
Against her
stainèd mouth;
Or if
white-handed light
Draw thee yet dripping from the quiet pools,
Still lucencies
and cools,
Of sleep, which all night mirror constellate dreams;
Like to the sign which led the Israelite,
Thy soul,
through day or dark,
A visible brightness on the chosen ark
p. 23Of thy sweet body and pure,
Shall it assure,
With auspice large and tutelary gleams,
Appointed solemn courts, and covenanted streams.”
Cease, Spring’s little
children, now cease your lauds to raise;
That dream is past, and Sylvia, with her
sweet, feat ways.
Our lovèd labour, laid away,
Is smoothly ended; said our say,
Our syllable
to Sylvia.
Make sweet, you birds on branches! make sweet
your mouths with May!
But borne is this burthen,
Sung unto Sylvia.
And now, thou elder
nursling of the nest;
Ere all the intertangled west
Be one
magnificence
Of multitudinous blossoms that o’errun
The flaming brazen bowl o’ the burnished sun
Which they do
flower from,
How shall I ’stablish thy memorial?
Nay, how or with what countenance shall I come
To plead in my
defence
For loving thee
at all?
I who can scarcely speak my fellows’ speech,
Love their love, or mine own love to them teach;
A bastard barred from their inheritance,
Who seem, in this dim shape’s uneasy nook,
Some sun-flower’s spirit which by luckless chance
Has mournfully its tenement mistook;
p. 25When it
were better in its right abode,
Heartless and happy lackeying its god.
How com’st thou, little tender thing of white,
Whose very touch full scantly me beseems,
How com’st thou resting on my vaporous dreams,
Kindling a wraith there of earth’s vernal
green?
Even so as I
have seen,
In night’s aërial sea with no wind
blust’rous,
A ribbèd tract of cloudy malachite
Curve a shored
crescent wide;
And on its slope marge shelving to the night
The stranded moon lay quivering like a lustrous
Medusa newly washed up from the
tide,
Lay in an oozy pool of its own deliquious light.
Yet hear how my excuses may prevail,
Nor, tender white orb, be thou opposite!
Life and life’s beauty only hold their revels
In the abysmal ocean’s luminous levels.
There, like the
phantasms of a poet pale,
The exquisite marvels sail:
Clarified silver; greens and azures frail
p. 26As if the
colours sighed themselves away,
And blent in supersubtile interplay
As if they swooned into each other’s arms;
Repured
vermilion,
Like ear-tips
’gainst the sun;
And beings that, under night’s swart pinion,
Make every wave upon the harbour-bars
A beaten yolk of
stars.
But where day’s glance turns baffled from the deeps,
Die out those
lovely swarms;
And in the immense profound no creature glides or creeps.
Love and love’s beauty only hold their
revels
In life’s familiar, penetrable levels:
What of its
ocean-floor?
I dwell there
evermore.
From almost
earliest youth
I raised the
lids o’ the truth,
And forced her bend on me her shrinking sight;
Ever I knew me Beauty’s eremite,
In antre of this lowly body set.
p. 27Girt with a thirsty solitude of
soul.
Nathless I not
forget
How I have, even as the anchorite,
I too, imperishing essences that console.
Under my ruined passions, fallen and sere,
The wild dreams stir like little radiant girls,
Whom in the moulted plumage of the year
Their comrades sweet have buried to the curls.
Yet, though their dedicated amorist,
How often do I bid my visions hist,
Deaf to them, pleading all their piteous fills;
Who weep, as weep the maidens of the mist
Clinging the necks of the unheeding hills:
And their tears wash them lovelier than before,
That from grief’s self our sad delight grows more,
Fair are the soul’s uncrispèd calms, indeed,
Endiapered with many a spiritual form
Of
blosmy-tinctured weed;
But scarce itself is conscious of the store
Suckled by it, and only after storm
Casts up its loosened thoughts upon the shore.
To this end my deeps are
stirred;
p. 28And I deem well why life unshared
Was ordainèd me of yore.
In pairing-time, we know, the
bird
Kindles to its deepmost
splendour,
And the tender
Voice is tenderest in its
throat;
Were its love, for ever nigh
it,
Never by it,
It might keep a vernal note,
The crocean and amethystine
In their pristine
Lustre linger on
its coat.
Therefore must my song-bower lone
be,
That my tone be
Fresh with dewy
pain alway;
She, who scorns my dearest care
ta’en,
An uncertain
Shadow of the
sprite of May.
And is my song sweet, as they
say?
’Tis sweet for one whose voice has no reply,
Save silence’s sad cry:
And are its plumes a burning bright array?
p. 29They burn
for an unincarnated eye
A bubble, charioteered by the inward breath
Which, ardorous for its own invisible lure,
Urges me glittering to aërial death,
I am rapt towards that bodiless paramour;
Blindly the uncomprehended tyranny
Obeying of my heart’s impetuous might.
The earth and all its planetary
kin,
Starry buds tangled in the whirling hair
That flames round the Phoebean wassailer,
Speed no more ignorant, more predestined flight,
Than I, her viewless
tresses netted in.
As some most beautiful one, with lovely taunting,
Her eyes of guileless guile o’ercanopies,
Does her hid
visage bow,
And miserly your covetous gaze allow,
By inchmeal, coy
degrees,
Saying—“Can you see me now?”
Yet from the mouth’s reflex you guess the wanting
Smile of the
coming eyes
In all their upturned grievous witcheries,
Before that
sunbreak rise;
p. 30And each
still hidden feature view within
Your mind, as eager scrutinies detail
The moon’s young rondure through the shamefast veil
Drawn to her gleaming chin:
After this wise,
From the enticing smile of earth and skies
I dream my unknown Fair’s refusèd gaze;
And guessingly her love’s close traits devise,
Which she with subtile
coquetries
Through little human glimpses slow displays,
Cozening my
mateless days
By sick,
intolerable delays.
And so I keep mine uncompanioned ways;
And so my touch, to golden poesies
Turning love’s bread, is bought at hunger’s price.
So,—in the inextinguishable wars
Which roll song’s Orient on the sullen night
Whose ragged banners in their own despite
Take on the tinges of the hated light,—
So Sultan Phoebus has his Janizars.
p. 31But if
mine unappeasèd cicatrices
Might get them
lawful ease;
Were any gentle passion hallowed me,
Who must none other breath of passion feel
Save such as winnows to the fledgèd heel
The tremulous Paradisal
plumages;
The conscious sacramental trees
Which ever be
Shaken celestially,
Consentient with enamoured wings, might know my love for thee.
Yet is there more, whereat none guesseth, love!
Upon the ending of my deadly night
(Whereof thou hast not the surmise, and slight
Is all that any mortal knows thereof),
Thou wert to me that earnest of day’s
light,
When, like the back of a gold-mailèd saurian
Heaving its slow length from Nilotic slime,
The first long gleaming fissure runs Aurorian
Athwart the yet dun firmament of prime.
Stretched on the margin of the cruel sea
Whence they had
rescued me,
With faint and painful pulses was I lying;
p. 32Not yet
discerning well
If I had ’scaped, or were an icicle,
Whose thawing is
its dying.
Like one who sweats before a despot’s gate,
Summoned by some presaging scroll of fate,
And knows not whether kiss or dagger wait;
And all so sickened is his countenance,
The courtiers buzz, “Lo, doomed!” and look at him
askance:—
At Fate’s
dread portal then
Even so stood I,
I ken,
Even so stood I, between a joy and fear,
And said to mine own heart, “Now if the end be
here!”
They say,
Earth’s beauty seems completest
To them that on
their death-beds rest;
Gentle lady! she smiles
sweetest
Just ere she
clasp us to her breast.
And I,—now my Earth’s countenance grew
bright,
Did she but smile me towards that nuptial-night?
But whileas on such dubious bed I lay,
One unforgotten day,
As a sick child waking sees
p. 33Wide-eyed
daisies
Gazing on it from its hand,
Slipped there for its dear
amazes;
So between thy father’s
knees
I saw
thee stand,
And through my
hazes
Of pain and fear thine eyes’ young wonder shone.
Then, as flies scatter from a carrion,
Or rooks in spreading gyres like broken smoke
Wheel, when some sound their quietude has broke,
Fled, at thy countenance, all that doubting spawn:
The heart which I had questioned
spoke,
A cry impetuous from its depths was drawn,—
“I take the omen of this face of dawn!”
And with the omen to my heart cam’st thou.
Even with a
spray of tears
That one light draft was fixed there for the years.
And
now?—
The hours I tread ooze memories of thee, Sweet!
Beneath my casual feet.
With rainfall as the lea,
p. 34The day is
drenched with thee;
In little exquisite surprises
Bubbling deliciousness of thee arises
From sudden places,
Under the common traces
Of my most lethargied and customed paces.
As an Arab
journeyeth
Through a sand of Ayaman,
Lean Thirst, lolling its cracked
tongue,
Lagging by his side along;
And a rusty-wingèd Death
Grating its low flight before,
Casting ribbèd shadows
o’er
The blank desert, blank and
tan:
He lifts by hap toward where the morning’s roots are
His weary stare,—
Sees, although they plashless mutes are,
Set in a silver air
Fountains of gelid shoots are,
Making the daylight fairest
fair;
Sees the palm and tamarind
p. 35Tangle the
tresses of a phantom wind;—
A sight like innocence when one has sinned!
A green and maiden freshness smiling there,
While with
unblinking glare
The tawny-hided desert crouches watching her.
’Tis
a vision:
Yet the greeneries Elysian
He has known in tracts afar;
Thus the enamouring fountains
flow,
Those the very palms that grow,
By rare-gummed Sava, or Herbalimar.—
Such a
watered dream has tarried
Trembling on my desert arid;
Even so
Its lovely
gleamings
Seemings show
Of things not
seemings;
And I gaze,
Knowing that, beyond my ways,
Verily
p. 36All these
are, for these are she.
Eve no gentlier lays her cooling
cheek
On the burning brow of the sick
earth,
Sick with death,
and sick with birth,
Aeon to aeon, in secular fever twirled,
Than thy shadow
soothes this weak
And distempered
being of mine.
In all I work, my hand includeth thine;
Thou rushest
down in every stream
Whose passion frets my spirit’s deepening gorge;
Unhood’st mine eyas-heart, and fliest my dream;
Thou
swing’st the hammers of my forge;
As the innocent moon, that nothing does but shine,
Moves all the labouring surges of the world.
Pierce where thou wilt the springing thought in
me,
And there thy pictured countenance lies enfurled,
As in the cut fern lies the imaged tree.
This poor song that sings of
thee,
This fragile song, is but a curled
Shell outgathered from thy sea,
And murmurous still of its nativity.
p. 37Princess
of Smiles!
Sorceress of most unlawful-lawful wiles!
Cunning pit for gazers’
senses,
Overstrewn with innocences!
Purities gleam white like
statues
In the fair lakes of thine
eyes,
And I watch the sparkles that
use
There to rise,
Knowing these
Are bubbles from the calyces
Of the lovely thoughts that
breathe
Paving, like water-flowers, thy spirit’s floor beneath.
O
thou most dear!
Who art thy sex’s complex harmony
God-set more facilely;
To thee may love draw near
Without one blame or fear,
Unchidden save by his humility:
Thou Perseus’ Shield! wherein I view secure
The mirrored Woman’s fateful-fair allure!
Whom Heaven still leaves a twofold dignity,
p. 38As
girlhood gentle, and as boyhood free;
With whom no most diaphanous webs enwind
The barèd limbs of the rebukeless mind.
Wild Dryad! all unconscious of thy tree,
With which indissolubly
The tyrannous time shall one day make thee whole;
Whose frank arms pass unfretted through its bole:
Who wear’st thy femineity
Light as entrailèd blossoms, that shalt find
It erelong silver shackles unto thee.
Thou whose young sex is yet but in thy soul;—
As hoarded in the vine
Hang the gold skins of undelirious wine,
As air sleeps, till it toss its limbs in breeze:—
In whom the mystery which lures and sunders,
Grapples and thrusts apart;
endears, estranges;
—The dragon to its own Hesperides—
Is gated under slow-revolving changes,
Manifold doors of heavy-hingèd years.
So once, ere Heaven’s eyes were filled with
wonders
To see Laughter rise from
Tears,
p. 39Lay in beauty not yet mighty,
Conchèd
in translucencies,
The antenatal Aphrodite,
Caved magically under magic seas;
Caved dreamlessly beneath the dreamful seas.
“Whose
sex is in thy soul!”
What think we of
thy soul?
Which has no parts, and cannot
grow,
Unfurled not from an embryo;
Born of full stature, lineal to control;
And yet a pigmy’s yoke must undergo.
Yet must keep pace and tarry, patient, kind,
With its unwilling scholar, the dull, tardy mind;
Must be obsequious to the body’s powers,
Whose low hands mete its paths, set ope and close its ways;
Must do obeisance to the days,
And wait the little pleasure of the hours;
Yea, ripe for kingship, yet must be
Captive in statuted minority!
So is all power fulfilled, as soul in thee.
p. 40So still
the ruler by the ruled takes rule,
And wisdom weaves itself i’ the loom o’ the fool.
The splendent sun no splendour can display,
Till on gross things he dash his broken ray,
From cloud and tree and flower re-tossed in prismy spray.
Did not obstruction’s vessel hem it in,
Force were not force, would spill itself in vain
We know the Titan by his champèd chain.
Stay is heat’s cradle, it is rocked therein,
And by check’s hand is burnished into light;
If hate were none, would love burn lowlier bright?
God’s Fair were guessed scarce but for opposite sin;
Yea, and His Mercy, I do think it well,
Is flashed back from the brazen gates of Hell.
The heavens
decree
All power fulfil itself as soul in thee.
For supreme Spirit subject was to clay,
And Law from its own servants learned a law,
And Light besought a lamp unto its way,
And Awe was
reined in awe,
At one small house of Nazareth;
p. 41And
Golgotha
Saw Breath to breathlessness resign its breath,
And Life do homage for its crown to death.
So is all power, as soul in thee increased!
But, knowing this, in knowledge’s despite
I fret against the law severe that stains
Thy spirit with
eclipse;
When—as a nymph’s carven head sweet
water drips,
For others oozing so the cool delight
Which cannot steep her stiffened mouth of
stone—
Thy nescient lips repeat maternal strains.
Memnonian lips!
Smitten with singing from thy mother’s east,
And murmurous with music not their own:
Nay, the lips flexile, while the mind alone
A passionless
statue stands.
Oh, pardon,
innocent one!
Pardon at thine unconscious
hands!
“Murmurous with music not their own,” I say?
And in that saying how do I missay,
p. 42When from the
common sands
Of poorest common speech of common day
Thine accents sift the golden musics out!
And ah, we poets, I misdoubt,
Are little more
than thou!
We speak a lesson taught we know not how,
And what it is that from us
flows
The hearer better than the utterer knows.
Thou
canst foreshape thy word;
The poet is not
lord
Of the next syllable may come
With the returning pendulum;
And what he plans to-day in
song,
To-morrow sings it in another tongue.
Where the last leaf fell from his
bough,
He knows not if a leaf shall
grow,
Where he sows he doth not reap,
He reapeth where he did not
sow;
He sleeps, and dreams forsake his
sleep
To meet him on his waking way.
Vision will mate him not by law and vow:
p. 43Disguised in life’s most
hodden-grey,
By the most beaten road of everyday
She waits him, unsuspected and unknown.
The hardest pang whereon
He lays his mutinous head may be a Jacob’s stone.
In the most iron crag his foot can tread
A Dream may strew her bed,
And suddenly his limbs entwine,
And draw him down through rock as sea-nymphs might through
brine.
But, unlike those feigned temptress-ladies who
In guerdon of a night the lover slew,
When the embrace has failed, the rapture fled,
Not he, not he, the wild sweet witch is dead!
And, though he cherisheth
The babe most strangely born from out her death,
Some tender trick of her it hath, maybe,—
It is not she!
Yet, even as the air is rumorous of fray
Before the first shafts of the sun’s
onslaught
From gloom’s black harness
splinter,
p. 44And Summer move on Winter
With the trumpet of the March, and the pennon of the May;
As gesture outstrips thought;
So, haply, toyer with ethereal strings!
Are thy blind repetitions of high things
The murmurous gnats whose aimless hoverings
Reveal song’s summer in the
air;
The outstretched hand, which cannot thought declare,
Yet is
thought’s harbinger.
These strains the way for thine own strains prepare;
We feel the music moist upon this breeze,
And hope the congregating poesies.
Sundered yet by thee from us
Wait, with wild eyes luminous,
All thy wingèd things that are to be;
They flit against thee, Gate of Ivory!
They clamour on the portress Destiny,—
“Set her wide, so we may issue through!
Our vans are quick for that they have to do!”
Suffer still your young desire;
Your plumes but bicker at the tips with fire,
p. 45Tarry
their kindling; they will beat the higher.
And thou, bright girl, not long shalt thou repeat
Idly the music from thy mother caught;
Not vainly has
she wrought,
Not vainly from the cloudward-jetting turret
Of her aërial mind, for thy weak feet,
Let down the silken ladder of her thought.
She bare thee with a double pain,
Of the body and the spirit;
Thou thy fleshly weeds hast ta’en,
Thy diviner weeds inherit!
The precious streams which through thy young lips roll
Shall leave their lovely delta in thy soul:
Where sprites of so essential kind
Set their paces,
Surely they shall leave behind
The green traces
Of their sportance in the mind,
And thou shalt, ere we well may know it,
Turn that
daintiness, a poet,—
Elfin-ring
Where sweet
fancies foot and sing.
p. 46So it may be, so it shall
be,—
Oh, take the prophecy from me!
What if the old fastidious sculptor, Time,
This crescent marvel of his
hands
Carveth all too painfully,
And I who prophesy shall never see?
What if the niche of its predestined rhyme,
Its aching niche, too long expectant stands?
Yet shall he after sore delays
On some exultant day of days
The white enshrouding childhood
raise
From thy fair spirit, finished for our gaze;
While we (but ’mongst that
happy “we”
The prophet cannot be!)
While we behold with no astonishments,
With that serene fulfilment of delight
Wherewith we view the sight
When the stars pitch the golden
tents
Of their high campment on the plains of night.
Why should amazement be our satellite?
What wonder in such things?
If angels have hereditary wings,
p.
47If not by Salic law is handed down
The poet’s crown,
To thee, born in the purple of the throne,
The laurel must
belong:
Thou, in thy
mother’s right
Descendant of Castalian-chrismed kings—
O Princess of the Blood of
Song!
Peace; too impetuously have I been winging
Toward vaporous heights which beckon and beguile
I sink back, saddened to my inmost
mind;
Even as I list a-dream that mother singing
The poesy of sweet tone, and sadden, while
Her voice is cast in troubled wake
behind
The keel of her keen spirit.
Thou art enshrined
In a too primal innocence for this eye—
Intent on such untempered radiancy—
Not to be pained; my clay can scarce endure
Ungrieved the effluence near of essences so pure.
Therefore, little, tender maiden,
Never be thou overshaden
With a mind whose canopy
p. 48Would shut out the sky from thee;
Whose tangled branches intercept Heaven’s light:
I will not feed my unpastured
heart
On thee, green pleasaunce as thou
art,
To lessen by one flower thy happy daisies white.
The water-rat is earth-hued like the runlet
Whereon he swims; and how in me should lurk
Thoughts apt to neighbour thine, thou creature sunlit?
If through long
fret and irk
Thine eyes within their browed recesses were
Worn caves where thought lay couchant in its lair;
Wert thou a spark among dank leaves, ah ruth!
With age in all thy veins, while all thy heart was youth;
Our contact might run smooth.
But life’s Eoan dews still moist thy ringèd hair;
Dian’s chill finger-tips
Thaw if at night they happen on thy lips;
The flying fringes of the sun’s cloak frush
The fragile leaves which on those warm lips blush;
And joy only lurks
retirèd
In the dim gloaming of thine
irid.
p. 49Then since
my love drags this poor shadow, me,
And one without the other may not be,
From both I
guard thee free.
It still is much, yes, it is
much,
Only—my dream!—to love my love of thee;
And it is much, yes, it is
much,
In hands which thou hast touched to feel thy touch
In voices which have mingled with thine own
To hear a double
tone.
As anguish, for supreme expression prest,
Borrows its saddest tongue from
jest,
Thou hast of absence so create
A presence more importunate;
And thy voice pleads its sweetest
suit
When it is mute.
I thank the once accursèd
star
Which did me teach
To make of Silence my familiar,
Who hath the rich reversion of thy speech,
Since the most charming sounds thy thought can wear,
Cast off, fall to that pale attendant’s share;
And thank the gift which made my
mind
p. 50A
shadow-world, wherethrough the shadows wind
Of all the loved and lovely of my kind.
Like a
maiden Saxon, folden,
As she flits, in
moon-drenched mist;
Whose curls streaming
flaxen-golden,
By the misted
moonbeams kist,
Dispread their filmy floating
silk
Like honey
steeped in milk:
So, vague goldenness remote,
Through my thoughts I watch thee
float.
When the snake summer casts her blazoned skin
We find it at the turn of autumn’s path,
And think it summer that rewinded hath,
Joying therein;
And this enamouring slough of thee, mine elf,
I take it for thyself;
Content. Content? Yea, title it content.
The very loves that belt thee must prevent
My love, I know, with their legitimacy:
As the metallic vapours, that are swept
Athwart the sun, in his light intercept
p. 51The very
hues
Which their conflagrant elements effuse.
But, my love, my heart, my
fair,
That only I should see thee
rare,
Or tent to the hid core thy rarity,—
This were a mournfulness more piercing far
Than that those other loves my own must bar,
Or thine for others leave thee none for me.
But on a
day whereof I think,
One shall dip his hand to drink
In that still water of thy
soul,
And its imaged tremors race
Over thy joy-troubled face,
As the intervolved reflections
roll
From a shaken fountain’s
brink,
With swift light wrinkling its
alcove.
From the hovering wing of Love
The warm stain shall flit roseal on thy cheek,
Then, sweet blushet! whenas he,
The destined paramount of thy universe,
Who has no worlds to sigh for, ruling thee,
p.
52Àscends his vermeil throne of empery,
One grace alone
I seek.
Oh! may this treasure-galleon of my verse,
Fraught with its golden passion, oared with cadent rhyme,
Set with a towering press of fantasies,
Drop safely down
the time,
Leaving mine islèd self behind it far
Soon to be sunken in the abysm of seas,
(As down the years the splendour voyages
From some long ruined and night-submergèd
star),
And in thy subject sovereign’s havening heart
Anchor the freightage of its virgin ore;
Adding its
wasteful more
To his own overflowing treasury.
So through his river mine shall reach thy sea,
Bearing its
confluent part;
In his pulse
mine shall thrill;
And the quick heart shall quicken from the heart that’s
still.
Ah! help, my Dæmon that hast served me
well!
p.
53Not at this last, oh, do not me disgrace!
I faint, I sicken, darkens all my sight,
As, poised upon this unprevisioned height,
I lift into its
place
The utmost aery traceried pinnacle.
So; it is builded, the high tenement,
—God
grant—to mine intent!
Most like a palace of the Occident,
Up-thrusting, toppling maze on
maze,
Its mounded blaze,
And washèd by the sunset’s rosy waves,
Whose sea drinks rarer hue from those rare walls it laves.
Yet wail, my spirits, wail!
So few therein to enter shall prevail!
Scarce fewer could win way, if their desire
A dragon baulked, with involuted spire,
And writhen snout spattered with yeasty fire.
For at the elfin portal hangs a horn
Which none can wind aright
Save the appointed knight
Whose lids the fay-wings brushed when he was born.
p. 54All others stray forlorn,
Or glimpsing, through the blazoned windows scrolled
Receding labyrinths lessening tortuously
In half obscurity;
With mystic images, inhuman, cold,
That flameless torches hold.
But who can wind that horn of might
(The horn of dead Heliades) aright,—
Straight
Open for him shall roll the conscious gate;
And light leap up from all the torches there,
And life leap up in every torchbearer,
And the stone faces kindle in the glow,
And into the blank eyes the irids grow,
And through the dawning irids ambushed meanings show.
Illumined this
wise on,
He threads securely the far intricacies,
With brede from Heaven’s wrought vesture
overstrewn;
Swift Tellus’ purfled tunic, girt upon
With the blown chlamys of her fluttering seas;
p. 55And the freaked kirtle of the
pearlèd moon:
Until he gain the structure’s core, where stands—
A toil of magic hands—
The unbodied spirit of the sorcerer,
Most strangely rare,
As is a vision remembered in the
noon;
Unbodied, yet to mortal seeing clear,
Like sighs exhaled in eager atmosphere.
From human haps and mutabilities
It rests exempt, beneath the edifice
To which itself
gave rise;
Sustaining centre to the bubble of stone
Which, breathed from it, exists by it alone.
Yea, ere Saturnian earth her child consumes,
And I lie down with outworn ossuaries,
Ere death’s grim tongue anticipates the tomb’s
Siste
viator, in this storied urn
My living heart
is laid to throb and burn,
Till end be ended, and till ceasing cease.
And thou by whom this strain hath parentage;
Wantoner between the yet untreacherous claws
p.
56Of newly-whelped existence! ere he pause,
What gift to thee can yield the archimage?
For coming
seasons’ frets
What aids, what
amulets,
What softenings,
or what brightenings?
As Thunder writhes the lash of his long lightnings
About the growling heads of the brute main
Foaming at mouth, until it wallow again
In the scooped oozes of its bed of pain;
So all the gnashing jaws, the leaping heads
Of hungry menaces, and of ravening dreads,
Of pangs
Twitch-lipped, with quivering nostrils and immitigate fangs,
I scourge beneath the torment of my charms
That their repentless nature fear to work thee harms.
And as yon Apollonian harp-player,
Yon wandering
psalterist of the sky,
With flickering strings which scatter melody,
The silver-stolèd damsels of the sea,
Or lake, or
fount, or stream,
Enchants from their ancestral heaven of waters
p. 57To Naiad
it through the unfrothing air;
My song enchants so out of
undulous dream
The glimmering shapes of its dim-tressèd
daughters,
And missions each to be thy minister.
Saying; “O ye,
The organ-stops of being’s harmony;
The blushes on existence’s pale face,
Lending it
sudden grace;
Without whom we should but guess Heaven’s worth
By blank negations of this sordid earth,
(So haply to the blind may
light
Be but gloom’s undetermined opposite);
Ye who are thus as the refracting air
Whereby we see Heaven’s sun before it rise
Above the dull line of our mortal skies;
As breathing on the strainèd ear that sighs
From comrades viewless unto strainèd eyes,
Soothing our terrors in the lampless night;
Ye who can make this world where all is deeming
What world ye list, being arbiters of seeming;
Attend upon her ways, benignant powers!
p. 58Unroll ye
life a carpet for her feet,
And cast ye down before them blossomy hours,
Until her going shall be clogged with sweet!
All dear emotions whose new-bathèd hair,
Still streaming from the soul, in love’s warm air
Smokes with a mist of tender fantasies;
All these,
And all the heart’s wild growths which, swiftly bright,
Spring up the crimson agarics of a night,
No pain in withering, yet a joy arisen;
And all thin shapes more exquisitely rare,
More subtly fair,
Than these weak ministering words have spell to prison
Within the magic circle of this rhyme;
And all the fays who in our creedless clime
Have sadly ceased
Bearing to other children childhood’s proper feast;
Whose robes are fluent crystal, crocus-hued,
Whose wings are wind a-fire, whose
mantles wrought
From spray that
falling rainbows shake
p. 59These, ye familiars to my wizard
thought,
Make things of journal custom unto
her;
With lucent feet imbrued,
If young Day tread, a glorious
vintager,
The wine-press of the purple-foamèd east;
Or round the nodding sun, flush-faced and sunken,
His wild bacchantes drunken
Reel, with rent woofs a-flaunt, their westering rout.
—But lo! at length the day is lingered out,
At length my Ariel lays his viol by;
We sing no more to thee, child, he and I;
The day is lingered out:
In slow wreaths folden
Around yon
censer, spherèd, golden,
Vague Vesper’s fumes aspire;
And glimmering to eclipse
The long laburnum drips
Its honey of wild flame, its jocund spilth of fire.
Now pass your ways,
fair bird, and pass your ways,
If you will;
p. 60I have
you through the days!
A flit or hold you still,
And perch you where you list
On what wrist,—
You are mine
through the times!
I have caught you fast for ever in a tangle of sweet
rhymes.
And in your
young maiden morn,
You may scorn,
But you must be
Bound and
sociate to me;
With this thread from out the tomb my dead hand shall tether
thee!
Go, sister-songs, to that sweet sister-pair
For whom I have your frail limbs fashionèd,
And framèd
feateously;—
For whom I have your frail limbs fashionèd
With how great shamefastness and how great dread,
p. 61Knowing
you frail, but not if you be fair,
Though framèd
feateously;
Go unto them from me.
Go from my shadow to their sunshine sight,
Made for all sights’
delight;
Go like twin swans that oar the surgy storms
To bate with pennoned snows in candent air:
Nigh with abasèd head,
Yourselves linked sisterly, that sister-pair,
And go in presence there;
Saying—“Your young eyes cannot see our forms,
Nor read the yearning of our looks aright;
But time shall trail the veilings from our hair,
And cleanse your seeing with his euphrasy,
(Yea, even your bright seeing make more bright,
Which is all sights’
delight),
And ye shall know us for what things we be.
“Whilom, within a poet’s calyxed
heart,
A dewy love we trembled all apart;
Whence it took rise
Beneath your radiant eyes,
p. 62Which
misted it to music. We must long,
A floating haze of silver subtile song,
Await love-laden
Above each maiden
The appointed hour that o’er the hearts of you—
As vapours into dew
Unweave, whence they were
wove,—
Shall turn our loosening musics back to love.”
When the last stir
of bubbling melodies
Broke as my chants sank underneath the wave
Of dulcitude, but sank again to rise
Where man’s embaying mind those waters lave,
(For music hath its Oceanides
Flexuously floating through their parent seas,
And such are these),
I saw a vision—or may it be
The effluence of a dear desired reality?
I saw two spirits high,—
Two spirits, dim within the silver smoke
Which is for ever woke
By snowing lights of fountained Poesy.
Two shapes they were familiar as love;
They were those souls, whereof
One twines from finest gracious daily things,
Strong, constant, noticeless, as are heart-strings
p. 64The golden
cage wherein this song-bird sings;
And the other’s sun gives hue to all my flowers,
Which else pale flowers of Tartarus would grow,
Where ghosts watch ghosts of blooms in ghostly bowers;—
For we do know
The hidden player by his harmonies,
And by my thoughts I know what still hands thrill the keys.
And to these twain—as from the
mind’s abysses
All thoughts draw toward the awakening heart’s sweet
kisses,
With proffer of their wreathen fantasies,—
Even so to
these
I saw how many brought their garlands fair,
Whether of song, or simple love, they were,—
Of simple love, that makes best garlands fair.
But one I marked who lingered still behind,
As for such souls no seemly gift had he:
He was not of their strain,
Nor worthy of so bright beings to entertain,
p. 65Nor fit
compeer for such high company.
Yet was he, surely, born to them in mind,
Their youngest nursling of the spirit’s kind.
Last stole this one,
With timid glance, of watching eyes adread,
And dropped his frightened flower when all were gone;
And where the frail flower fell, it witherèd.
But yet methought those high souls smiled thereon;
As when a child, upstraining at your knees
Some fond and fancied nothings, says, “I give you
these!”
***END OF THE PROJECT GUTENBERG EBOOK SISTER SONGS***
***** This file should be named 1731-h.htm or 1731-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/7/3/1731 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.