The Project Gutenberg EBook of Songs for Parents, by John Farrar This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Songs for Parents Author: John Farrar Release Date: November 7, 2008 [EBook #1664] Last Updated: January 26, 2013 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SONGS FOR PARENTS *** Produced by Stewart A. Levin, Curtis Farrar, and David Widger
Here's a rhyme for Barbara, Laughing white and pink, Here's a rhyme for smiling Ted, And one for Wink. Now Dick's not much at reading rhymes, He'd rather sit and fish. Well here's a couple of verses, Dick, Read them if you wish!
CONTENTS
Song for a Child Watching Clouds
I'd like to be a gypsy With gold rings in my ears, Along the road to sit and sing, And not do another thing For years and years; A road to dream upon by day, A fire for dreams at night, Free to wander far away, Free to shout and free to play, Quite impolite. I'd pitch my tent beside a wall, All apple trees within, And if the apples didn't fall, I wouldn't hesitate at all. I'd climb—and sin! But if the weather wasn't fine, If all the world were rain, If there weren't anywhere to dine And goose-flesh quivered up my spine— I might come home again!
A frog's a very happy thing, Cool and green in early spring, Quick and silver through the pool, With no thought of books or school. Oh, I want to be a frog, Sunning, stretching on a log, Blinking there in splendid ease, Swimming naked when I please, Nosing into magic nooks, Quiet marshes, noisy brooks. Free! And fit for anything! Oh, to be a frog in spring!
If I were a rocket Shot high across the night, I'd rather burst in silver stars Than green or purple light; For then, perhaps, I'd fool the moon, Although she's very wise, And thinking me a baby star She'd keep me in the skies.
I'd like to dream my own dreams, Instead of dreaming those The silly sandman brings along Like moving picture shows. I'd like to dream of palaces, Of magic meadowlands, Of silver gates and golden thrones And chanting fairy bands; Of seas of spraying jewels, Of dancing crystal ships, Of the queen of all the elves herself— Two rubies for her lips; But, alas! I never dream such things, And when I jump and wake As an oozy ogre clutches me— It's just a stomach ache!
I'd like to be a water-lily sleeping on the river, Where solemn rushes whisper, and funny ripples quiver. All day I'd watch the blue sky—all night I'd watch the black, Floating in the soft waves, dreaming on my back, And when I'd tired of dreaming, I'd call a passing fish, "I want to find the sea!" I'd shout, "Come! You can grant my wish!" He'd bite me from my moorings, and softly I would slip To the center of the river like an ocean-going ship. The waves would laugh upon me. The wind would blow me fast, And oh, what shores and wonders would greet me as I passed! Yes, if I were a water-lily, I'd sail to sea in state— A green frog for my captain—and a dragon-fly for mate!
Have you ever watched the clowns at play, White, red and black on circus day? They're always very, very gay. I wonder how they stay that way! I'd like to be a clown, Playing tricks around the town, Turning somersaults and springs, As if they were easy things, Laughing morning, noon and night, Being such a funny sight! Do you think, then, I'd grow tired of fun, Laughing so from sun to sun? Or, when performances are done, Do clown-folk cry like anyone?
I like to go out in the night When there's neither a sound nor a light, With my hands and feet bare, And the wind in my hair, Not a nurse nor a parent in sight; But only the night, moon and me As I dance in the dew joyfully, Quite daring and bold For there's no one to scold, Because there is no one to see.
Apple blossoms look like snow, They're different, though. Snow falls softly, but it brings Noisy things: Sleighs and bells, forts and fights, Cosy nights. But apple blossoms when they go, White and slow, Quiet all the orchard space, Till the place Hushed with falling sweetness seems Filled with dreams.
I wonder if God sits alone Upon the highest mountain stone To stir the clouds and drop the rain, And then to pick it up again. I wonder if he sends the brooks Foaming from their distant nooks, And, sitting there in robes of gray, Turns rivers on at break of day.
The scarlet trumpet flowers are gay And yet they never seem to play, They never trumpet up the dawn Nor blow retreat across the lawn. But oh, to-day I heard a strain, A happy, martial, quick refrain, As down across the garden grass I saw the marching flowers pass: Gaudy phlox and flaunting rose, Stiff and straight and on their toes, And, blaring from the garden wall, The trumpet flower led them all.
If I were a tiny fairy With nothing else to do But to wriggle into flowers All the long day through, I'd dance among the roses, I'd take a stately walk, Balancing precisely On an Easter-lily stalk. For play I'd choose the jonquils, For swimming, poppy cups, For jokes and tricks and tiny naps, The Johnny-jump-ups! But on some quiet evening, I'd leave my fairy band, And on a star-flower through the sky I'd sail to fairyland.
Who laid the egg that hatched the moon? Was it the earth, I wonder, Was it the sun, the clouds, or rain, Was it night or thunder? If I were mother to the moon I'd spank her every day Until she learned to stay at home And never run away!
I've watched the clouds by day and night, Great fleecy ones all filled with light, Gray beasts that steal across the sky, And little fellows slipping by. Sometimes they seem like sheep at play, Sometimes when they are dull and gray The pale sun seems a ship to me, Sailing through a rolling sea; And I've seen faces in them too, Funny white men on the blue, They look so many different ways, And not one single cloudlet stays; But on across the heavens they blow, I often wonder where they go, Now sometime, maybe when I die, I, too, will wander through the sky.
If I were a violet I'd think it a shame To be always so simple and modest and tame, To be hidden away like a hermit or nun While the hare-brained pink roses can dance in the sun! But consider the naughty wild ways of the rose— There must be respectable flowers, I suppose!
Why is the lily so stately and still? Why doesn't she dance like the gay daffodil? Why doesn't she blush like the rose or the pink, Or, like mischievous pansy, indulge in a wink? Do you think it's because she is holier than they, Or did God just decide he would make her that way?
My garden was silly and stubborn; I worked, but the weeds worked, too; I dug and scraped and scrambled— They hustled themselves and grew; Now Ted's garden's fine and cleanly, He has lettuce and roses and peas— Oh, most probably plants are like children— They only behave when they please!
I wonder where the rabbits go Who leave their tracks across the snow; For when I follow to their den The tracks always start out again.
High and proud on the barnyard fence Walks rooster in the morning. He shakes his comb, he shakes his tail And gives his daily warning. "Get up, you lazy boys and girls, It's time you should be dressing!" I wonder if he keeps a clock, Or if he's only guessing.
The rainbow comes across the hill, It shines upon the sky, until It frightens all the tears from rain, And then it hides itself again. Now when I'm very tired of play I'll cross that rainbow bridge some day; And while dear nurse and father scold, I'll reach the end—and find the gold!
The windmill stands up like a flower on the hill With its petals a-whirling—they seldom stay still— And its funny old voice creaking all the long day As it scolds little breezes for running away.
The cat-fish with whiskers that lives in the brook, Is an ugly old beast with the wickedest look. I suppose there were mouse-fish one time in brook town Till that ugly old cat-fish gulped all of them down.
You and I shall travel far, We'll pass the old earth by, We'll ride the moon and drive a star Across the evening sky. We'll flash upon the milky way To pay Dame Night a call— But should we happen on old Day— We'd fall and fall and fall.
I used to build me castles of moisty sand and shells, And dream they were for princesses who wove me magic spells; But yesterday along the beach my fairy princess came— And she's too big for castles—now isn't that a shame!
The birches that dance on the top of the hill Are so slender and young that they cannot keep still, They bend and they nod at each whiff of a breeze, For you see they are still just the children of trees. But the birches below in the valley are older, They are calmer and straighter and taller and colder. Perhaps when we've grown up as solemn and grave, We, too, will have children who do not behave!
Oh, so cool In his deep green pool Was a frog on a log one day! He would blink his eyes As he snapped at flies, For his mother was away, For his mother was away! Now that naughty frog Left his own home log And started out to play. He flipped and he flopped And he never stopped Till he reached the great blue bay, Till he reached the great blue bay! Alas, with a swish Came a mighty fish, And swallowed him where he lay. Now it's things like this That never miss Little frogs who don't obey, Little frogs who don't obey!
I know that there are dragons, St. George's, Jason's, too, And many modern dragons With scales of green and blue; But though I've been there many times And carefully looked through, I can't find a dragon In the cages at the zoo!
If I had just one penny On the Fourth of July, Oh, what a problem it would be To think what I should buy! With lollypops and fire-works, With cakes and whiz-bangs, too, With tops and candy cigarettes, Whatever should I do? Torpedoes have a splendid noise, But noise is quickly past, And the sweetness of a lollypop Is something that will last.
The fireflies in the valley Are having their display Among the river willows Like little bits of day! Come, light your silver sparkler And wave it in the air. Go dance among the willows And sprinkle sparkles there. Then, oh, the world will wonder To see the willows shine, And even the fireflies will not know Their tiny sparks from mine.
The sun has a face that is laughing and red When nurse pulls me out in the morning from bed; But he's not half so sly as the silly old moon, Who winks when I'm sent to my bedroom too soon.
The cuckoo in the clock by day Is usually very gay; And that's because, with people near, There's not a thing for him to fear; But when the sitting room is dim And no one's there to welcome him— How tremblingly he must come out To flap his wings and look about. Why! Only just the other night The cuckoo stopped the clock from fright!
I'm only a little toy dough-boy, And I have neither sorrows nor fears; But I patiently wait, With my gun pointed straight And my helmet pulled down on my ears. The ugly wood lions and tigers May show their white teeth if they please, If the whole Noah's ark Should threaten and bark It wouldn't unstiffen my knees. And some day when you are a soldier With your helmet pulled down on your ears I'll still be as straight As I wonder and wait, Standing my watch through the years.
If I should meet a king or queen Upon the street some day, Do you think that I'd be frightened? Why, I'd know just what to say. "Your reverend majesties," I'd say, And humbly bow the knee, "I am your very humble swain, And will you honor me?" The king would strike my shoulder With a sword of passing might, He'd lift me grandly to my feet, He'd say, "Arise, O Knight!" Oh, I would not be frightened, For I've seen kings galore, Don't you think it's just to learn of them That playing cards are for?
Oh, there are very many kinds Of crackers, great and small, Saltines and ginger-snaps and such, I'd like to eat them all; But there's a kind of cracker That I need much worse, A bright red giant cracker To set off under nurse!
The drum's a very quiet fellow When he's left alone; But oh, how he does roar and bellow, Rattle, snap and groan, Clatter, spatter, dash and patter, Rumble, shriek and moan Whene'er I take my sticks in hand And beat him soundly for the band.
Now I'll play at being queen, Hold my head quite stiff and haughty, Always proud and never naughty, Sweeping grandly down the green. Or I'll be a moonlight fairy, Bobbing lightly on the river, Dancing where the shadows quiver, Winged and shining, swift and wary. If the doctor thinks I'm sick, He's just silly. I am not! I'm just tired and very hot, Hating drink that's sweet and thick. Flowers dance across the walls, Mother's face seems far away, She's the audience, I'm the play, She will clap for curtain calls. No!—I do not want to play! Seven thrones around my bed, Circling gold about my head— Angels always fly away!
If I were a stately sailboat, I'd sail to Zanzibar, I'd sail the seven secret seas, Where the secret cities are, And some day I'd be sailing with the wind before my prow, And all the mermaids of the sea would clamber up the bow. They'd beckon me with laughter, They'd beckon me with smiles, They'd show me cakes and candies In half a dozen styles, They'd promise me a life of ease Eating sweets beneath the seas, They'd promise me a life of play— A never ending holiday; But I would say quite plainly, And, oh, how stern I'd look! Do you think that you can tempt me While Sally is our cook? If I were a little fire balloon I'd float aloft to Mars, I'd pay a call on Venus And chatter with the stars, And just as I'd be fluttering across the yellow moon, The angels would come singing a solemn Sunday tune. They'd beckon to me gravely, They'd tell me I could stay, They'd show me all the jewels That pave the milky way. They'd promise me a golden crown And silver robes like eider-down, They'd give me harps with shiny strings And wonderfully fluffy wings; BUT—I would tell them plainly I didn't want to die— Till all the angel cooks had learned How Sally makes mince pie!
A bundle is a funny thing, It always sets me wondering; For whether it is thin or wide You never know just what's inside. Especially on Christmas week, Temptation is so great to peek! Now wouldn't it be much more fun If shoppers carried things undone?
I'm very fond of candles With their quaint coquettish way, But alas! I wooed too often, And now my life's to pay. They knew I was important When they decked the Christmas tree, Yes, they hung me on the tip-top For all the world to see. But, alas! A lady candle Has come with me to the top, And I'm melting with affection, I'm dying drop by drop.
I'm just a shiny tinsel star, Boxed all the time as such things are, And only used just once a year, Oh, life is very dull and drear! A real star has far fields to roam, A tinsel star must stay at home. It is a terrible vexation To be a silly imitation!
If all the world were candy And the sky were frosted cake, Oh, it would be a splendid job For a mouse to undertake! To eat a path of sweetmeats Through candy forest aisles— Explore the land of Pepper-mint Stretched out for miles and miles. To gobble up a cloudlet, A little cup-cake star, To swim a lake of liquid sweet With shores of chocolate bar. But, best of all the eating, Would be the toothsome fat, Triumphant hour of mouse-desire, To eat a candy cat!
Last night I crept across the snow, Where only tracking rabbits go, And then I waited quite alone Until the Christmas radiance shone! At midnight twenty angels came, Each white and shining like a flame. At midnight twenty angels sang, The stars swung out like bells and rang. They lifted me across the hill, They bore me in their arms until A greater glory greeted them. It was the town of Bethlehem. And gently, then, they set me down, All worshipping that holy town, And gently, then, they bade me raise My head to worship and to praise. And gently, then, the Christ smiled down. Ah, there was glory in that town! It was as if the world were free And glistening with purity. And in that vault of crystal blue, It was as if the world were new, And myriad angels, file on file, Glorified in the Christ-child's smile. It was so beautiful to see Such glory, for a child like me, So beautiful, it does not seem It could have been a Christmas dream.
John Chipman Farrar (1896-1974), late of the New York publishing firm of Farrar, Straus and Giroux, attended Yale University where his poem "Portraits" was the Yale University Prize Poem in 1916. After serving during the First World War as an intelligence officer with the U.S. Air Service, Farrar returned to Yale and graduated in 1919. His first book "Forgotten Shrines" was published late that same year as the second volume of the Yale Series of Younger Poets, reprinted in 1971, over half a century later.
After graduation, Farrar turned to publishing and literary criticism, editing George H. Doran Company's periodical "The Bookman". Between 1927 and 1929, Farrar was editor at Doubleday, Doran and Company. In mid- 1929, he and two sons of the famous mystery writer Mary Robert Rinehart started the publishing firm if Farrar and Rinehart, Inc. His connection with that firm lasted until 1945, although he was absent during the war years assisting in U.S. government psychological war efforts. Farrar and Rinehart was later absorbed by Henry Holt.
As a young editor in New York, Farrar volunteered in 1922 for the organizing committee of an American chapter of PEN (originally Poets, Essayists and Novelists) founded in England the year before by Sappho (Amy Dawson Scott) to foster support of visiting foreign writers. PEN grew quickly to become an international advocate for freedom of expression and continues its activism to this day. (See http://www.pen.org)
After the Second World War, the American chapter of PEN foundered for lack of direction. Farrar, co-principal of the newly formed publishing house of Farrar, Straus and Company, now Farrar, Straus and Giroux, stepped in to refocus its energies and recruit dozens of new members. He served as president twice, once from 1951-1953 and again from 1963-1965.
In his roles as both and editor and a publisher, Farrar had a lasting impact on literature through the years. Farrar, Straus & Giroux has published many Nobel Laureates (20 as of 1995) and dozens of distinguished poets and authors. It is my privilege to reprint this etext of some of his own work for posterity.
—Stewart A. Levin
End of the Project Gutenberg EBook of Songs for Parents, by John Farrar *** END OF THIS PROJECT GUTENBERG EBOOK SONGS FOR PARENTS *** ***** This file should be named 1664-h.htm or 1664-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/6/1664/ Produced by Stewart A. Levin, Curtis Farrar, and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.