THE CROSS WORD
PUZZLE BOOK
Third Series
If you wish a copy of The Book of the Correct Answers for The Cross Word Puzzle Book—Third Series, sent with our compliments, use the enclosed postal.
Should you lose the postal, ten cents in stamps, sent to Simon and Schuster (The Plaza Publishing Company), 37 West 57th Street, New York City, will bring a copy of the answers by return mail.
A recent questionnaire shows that the overwhelming majority of cross word puzzle fans prefer to get the answers on application rather than with the book. This makes the solving of the puzzles more entertaining and more instructive.
Please turn to pages 114–121 of this book for announcements of importance to all interested in Cross Word Puzzles.
Printed by the Select Printing Company, New York
Bound by the H. Wolff Company, New York
Third Series (PUBLISHED NOVEMBER 7, 1924) | |
First Edition | 40,000 copies |
Second Edition | 25,000 copies |
Total Third Series To-date | 65,000 copies |
Second Series (PUBLISHED AUGUST 10, 1924) | |
First Edition | 10,000 copies |
Second Edition | 10,000 copies |
Third Edition | 15,000 copies |
Fourth Edition | 25,000 copies |
Fifth Edition | 25,000 copies |
Sixth Edition | 25,000 copies |
Seventh Edition | 25,000 copies |
Total Second Series To-date | 135,000 copies |
First Series (PUBLISHED APRIL 18, 1924) | |
First Edition | 3,600 copies |
Second Edition | 3,600 copies |
Third Edition | 5,000 copies |
Fourth Edition | 5,000 copies |
Fifth Edition | 6,000 copies |
Sixth Edition | 10,000 copies |
Seventh Edition | 15,000 copies |
Eighth Edition | 25,000 copies |
Ninth Edition | 25,000 copies |
Tenth Edition | 25,000 copies |
Eleventh Edition | 25,000 copies |
Total First Series To-date | 148,200 copies |
TOTAL TO-DATE | 348,200 copies |
Copyright, 1924, and All Rights Reserved by
SIMON AND SCHUSTER, INC.
THE PLAZA PUBLISHING COMPANY
37 West 57th Street
New York, N. Y.
The publishers and editors of the Cross Word Puzzle Books wish to record the debt of all Cross Word fans to The New York World for its pioneer work in the field. Cross Word Puzzles have been run in the Sunday World for over twenty years and their present nation-wide vogue had its origin in and received its greatest impetus from the Puzzle Page of the Sunday World Magazine. The fifty cross word puzzles in this book are all entirely new and have never been printed before in any publication.
The original Cross Word Puzzle Books, published by Simon and Schuster, are the only ones officially endorsed by the Amateur Cross Word Puzzle League of America and edited in conformity with the rules of cross word puzzle construction promulgated by the League and printed on page 9 of this book. [1]
Controversy, which is the breath of life to any of the arts or sciences, has reared its head among the ranks of Cross Word solvers. The air is filled with ’tis and ’tain’t. The clan is divided into schools, which is well for the vitality of puzzling. It is undoubtedly true that a house divided against itself cannot stand; but it is also veritable that an art divided against itself flourisheth exceedingly.
The schism that is causing all the noise, reduced to its simplest terms, is stated in the question, “Shall the Cross Word Puzzle be made hard or easy?”
On the one hand stand the pundits, with thesaurus and dictionary armed. They crave queer words and exotic definitions. They thrill to the cross-clue unravelling of some strange combination of vowels and consonants resembling nothing ever uttered by human tongue, but which their reference-books declare is a genuine word, with meanings and inflections and everything. They delight in extracting a simple word from its definition of secondary or tertiary meaning: when “express generally” is solved as “air” they greet the word so often defined as “mixture of gases” with cries of delight; “introduce as an antagonist” is found to be “pit,” and tears of joy are shed over the relief from the common “hole” or “depression.”
Thus the solvers who revel in the recondite. Opposed to them stand the serried ranks of those whose pleasure lies in the accomplishment; who do not wish their onward march to [2]victory delayed by forests of Javanese shrubs or oceans full of rajidae with enlarged pectoral fins. Nor do they wish words torn far from their daily, or at least semi-weekly, use. A Leer by the river’s brim a simple Sly Glance is to them, and not an Annealing-furnace.
A third element enters the lists at this point—the constructors. When a man has a superb puzzle almost finished, with complete interlock and no abbreviations or unkeyed letters, he frequently finds a space left into which nothing will go except a particularly rare combination of letters—let us say, for example, TIL. The constructor runs hastily through his vocabulary and finds no TIL; he has a vague recollection of such a word somewhere in his poetic remembrances; but the familiar abbreviation of “until” is “till,” and the constructor has no wish to add the damning parenthesis-enclosed “poet. contr.” after his definition. He tries all the combinations possible; none will fit. Torn between despair and hope he seeks Webster’s Unabridged. Trembling finger runs down the columns. Ah! Between “tikur” and “tilbury,” in small type, as though ashamed of existence, he finds what he seeks. “Til—Sesame.” Into the construction goes the word, and the puzzle is finished. Observe that the constructor had no desire to introduce this exotic syllable; he did not even know that there was such a word in any language. If he could have written “tic,” or “tie,” or “tin,” or “tip,” or “tis,” or “tit,” he would have done so. But “til” was his sole refuge, and the Unabridged bore him nobly out. Thus, says the constructor, why should the solver rage when he discovers “sesame” among the definitions? Let him try to make one himself, etc., etc.
Returning a moment to the pundits’ side of the argument, observe a fact. If any solver had been asked, before he took [3]up cross words, to give offhand the name of Egypt’s sun-god, a three-letter word meaning island, a four-letter word for handbag, the name of a large Australian bird, or the sash affected by the ladies of cherry-blossom land, it is odds but that he would have been reduced to stammering evasions. But even a tyro at the glorious game can now rattle off by rote the words Ra, Uit, Etui, Moa, Obi. In running down the definitions of a new puzzle it is not the household words that set him scribbling frantically, but such old friends as the above. So, contend the punditti, a word that may be a nameless horror at the moment becomes through association a friend in time of trouble.
True enough, answer the believers in the simplicities, but the introduction of such words is evidence of laziness on the part of the constructor. Moreover, their constant use tends to eliminate them, their places to be taken by other literal monstrosities. And there is much in this contention. Where now are the Emu and the Eel? Time was, and not so long ago, that every other construction was the combined aviary and aquarium necessary to harbor these two; today they are one with Nineveh and Tyre. And so it may well be with Ra and Uit and Etui. They will march one by one into the shades where lurk the other gallant words that died of over-work. And the strange combinations that take their places will also abide their little hour, and go their way.
Once again the constructor beats on the table and demands to be heard. “Where,” he asks, “do I get off? Am I to be barred from including words that finish my design because a group of you insist that no word not included in everyday vocabularies appear in the little white squares? Or am I to suffer under the lash of scorn because a few of you mock my brilliant construction wherein no exotic letter-combination [4]rears its head?—a construction that cost me more time than if I had allowed a few oddities, I may add. What am I to do?”
“Go as far as you like!” cry the Recondites.
“Stick to the common words!” insist the Champions of the Plain.
Of course, these admonitions do not help the constructor in the least. He is the ham in the verbal sandwich—necessary, but spread rather thin and squashed flat. It is in the nature of things that this should be so. No creator has had a different experience. You can please some of the people, and the rest of it. It is part of the penalty of the builder to receive criticism. Scarce have the birth-pangs passed when the child is the storm-center of a tempest of contradictory comment.
It is, of course, an indeterminable debate. The Simplicities have their case, as have the Abstrusities. In the meantime, short of erasure and complete rebirth, the constructor’s pattern remains. For better, for worse, for easier, for harder, in the pocket edition or the Unabridged, his words cross and twine all among the blacks and the whites.
In the meantime, the schism remains. What is to come of it, we know not. Whatever the decision may be, the constructor will not change his status. Once a constructor, always between the millstones.
Prosper Buranelli
F. Gregory Hartswick
Margaret Petherbridge
[5]
By
Ruth Franc von Phul
(Cross Word Puzzle Champion of the World)1
Once from the world I sought surcease
Between a novel’s covers pressed;
No longer there I look for peace;
Of anodynes I’ve found the best.
So, when the sun sinks in the west
Sunk, too, are husband, friends and cook—
Where do I find my treasure chest?
All in the leaves of the Cross Word Book.
If from ennui you seek release
Purchase this book; don’t beg; invest!
Madame, she will love ze fine service
A caller intrudes? Hein? Kill ze pest!
Oh, Noah Webster, you are blest
When for a clue in your works I look—
Where is all life from “less” to “crest”?
All in the leaves of the Cross Word Book.
What galleon sought the Golden Fleece?
What is the Welsh for “eagle’s nest”?
What is a Flemish tartan crease?
Who was it asked the Erse for “breast”?
Who can define a Baltic jest?
Who ever called it a six-pronged hook!
You will discern them, mixed and messed,
All in the leaves of the Cross Word Book.
Prince: if from affairs your soul craves rest,
Hie you to some abandoned nook.
There for your mind seek a gayer test
All in the leaves of the Cross Word Book.
[6]
(Two neighbors, Mrs. Wordsworth and Mrs. Frazee, are spending a warm summer afternoon together on the former’s front porch. They are sewing.)
Mrs. W.—What is that you are working at, my dear?
Mrs. F.—I’m tatting Joe’s initials on his moreen vest. Are you making that ebon garment for yourself?
Mrs. W.—Yea. Just a black dress for every day. Henry says I look rather naif in black.
Mrs. F.—Well, perhaps; but it’s a bit too anile for me. Give me something in indigo or, say, ecru.
Mrs. W.—Quite right. There is really no neb in such solemn investments.
Mrs. F.—Stet.
Mrs. W.—By the way, didn’t I hear that your little Junior met with an accident?
Mrs. F.—Yes. The little oaf fell from an apse and fractured his artus.
Mrs. W.—Egad!
Mrs. F.—And to make matters worse Dr. Bloop botched it so that we had to trek into town to a specialist. How Dr. Bloop makes his sal is a rebus to me.
Mrs. W.—The zany.
Mrs. F.—Joe’s ire was so aroused that he told Dr. Bloop [7]right to his visage that he was a dolt and an ort. Is your offspring well?
Mrs. W.—Not entirely. He was abed yester with a severe megrim, dark arcs neath his orbs and as pale as talc.
Mrs. F.—Renal?
Mrs. W.—That is moot. You see, Dicky is so active.
Mrs. F.—A perfect icon of his pater; restless as a little emu.
Mrs. W.—He took a canoe out on the tarn and paddled over to the ait. There he stepped into a fen and got his feet roric.
Mrs. F.—Boys have such an elan for the eau.
Mrs. W.—Why can’t they play on the muirs and in the wald nearby? I gave him a drachm of ricin and thank goodness he was better this morn.
Mrs. F.—I’m so glad. This torrid weather is very trying. One’s vitality reaches its nadir in this heat, and to add to the discomfort I have an incompetent serf to contend with.
Mrs. W.—Oh, this esne problem. The last one I had was such a schelm I had to let her go. Would you drink a nice cold beaker of negus? I’m so sere.
Mrs. F.—Don’t trouble yourself, my dear.
Mrs. W.—Not at all. It’s Henry’s favorite quaff and he insists upon it being on the ice at all times. He gets quite roiled if it isn’t.
Mrs. F.—Well, we must humor our sires. I hate to hear them gnar.
(They are interrupted by piercing juvenile shrieks growing rapidly louder and nearer. Junior and Dicky, ages six [8]and seven, burst into view around the corner of the house. They take final kicks at each other before smothering their sobs in the laps of their respective mothers.)
Mrs. F.—Why, Junior, what is this?
Mrs. W.—Come, come, Dicky, aren’t you ashamed of such——
Dicky (Howling)—W-well, it’s h-his fault. He said I was a five-letter word meaning a human being with inferior intelligence and wit!
Junior—And he called me a four-letter word meaning an invisible particle of matter!
Dicky—And that’s what you are.
(They mix it up once more and are disentangled with difficulty.)
Mrs. F.—I think we had better be going, Mrs. Wordsworth. I’m so sorry.
Mrs. W.—Male progeny will be male progeny, you know.
(Mrs. F. drags Junior away.)
Dicky—(Yelling after him with much feeling)—ATOM!!
Junior—(Not too gently)—MORON!!!
N. D. Plume+Jean
—Reprinted by permission from F. P. A.’s Conning Tower, The N. Y. World. [9]
Reported by the Committee on Rules, and adopted by The Amateur Cross Word Puzzle League of America at its meeting, September 27, 1924, in The Wanamaker Auditorium, New York City.
1. Pattern
2. Words
3. Definitions
[10]
There are two essential points that must be remembered by initiates into the cross word puzzlers’ fraternity. First, the numbers in the squares refer to the definitions; secondly, there should be but one letter to each white square.
Figure 1 shows a cross word puzzle challenging each and every one of us to solve it. Looking the puzzle over we find that 1 horizontal calls for a seven letter word meaning “disparage.” That is not so easy, so we leave it temporarily. We go on to the next one, which is a three letter word meaning “a cereal grass.” What else could it be but OAT? Therefore we ink in OAT in the proper squares. “Vice Admiral.” That most assuredly must be VA. We place that into position. The ninth, tenth and eleventh do not come to our minds immediately, so we pass them up. We will catch them on the cross check. Twelve is familiar, however, and with a little thought we place LO in the vacant squares. The rest do not come to us, so we leave them also, and turn to the verticals.
EXAMPLE
1 | 2 | 3 | 4 | 5 | ||
6 | ||||||
7 | 8 | 9 | ||||
10 | 11 | |||||
12 | 13 | 14 | ||||
15 | 16 | |||||
17 |
Fig. 1
DEFINITIONS
Horizontal
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|
Vertical
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[11]
Looking over the diagram (See Figure 2) we find that one vertical calls for a seven letter word whose third and fifth letters are V and L respectively and which is defined as “evolve.” The V and the L give us the clue. The word is DEVELOP. We place it in the diagram. Two, three and four are easy, for we have three clues to work on and we find the proper words without much difficulty. The next one is beyond us, so we go on to the one numbered 8. We find that a three letter word—starting with A—meaning “gone by,” is needed. The clues of A and O enable us to get that without much trouble, and we place AGO in the square. We pass by nine, but thirteen is easy. “A male sheep?” Why, of course, the word is RAM.
1 | 2 | 3 | 4 | 5 | ||
6 O | A | T | ||||
7 V | 8 A | 9 | ||||
10 | 11 | |||||
12 L | O | 13 | 14 | |||
15 | 16 | |||||
17 |
Fig. 2
1 D | 2 T | 3 R | 4 A | 5 | ||
E | 6 O | A | T | |||
7 V | 8 A | T | 9 | |||
10 E | G | 11 | ||||
12 L | O | 13 R | 14 | |||
O | 15 | A | 16 | |||
17 P | M |
Fig. 3
From now on the going is easy. We have plenty of clues to the words that we do not know. (See Figure 3.) Rechecking the horizontals, we find that we have the first, third, fourth and fifth letters of “disparage,” and with their aid we easily see that the word is DETRACT. Looking for a two letter word meaning “an edge-tool,” we soon find that there is but one word that will fit. We place AX in position. With nine vertical beginning with an A it is easy to find that ARE is the proper word. Ten horizontal [12]proves to be EGG and eleven becomes ART. We say to ourselves that if we could only get five vertical we would have the puzzle solved. Well, why not? Is the second letter an a, e, i, o, or u? The definition gives it as “a web.” What word will fit but TEXTURE? We place that into position. Now, we find that we have the puzzle almost completed. Fifteen horizontal needs a three letter word meaning “impair.” Its middle letter must be an A. With the A to guide us that is simple. The word is “SAP.” Fifteen and sixteen being two letter words are easily found, and we place SO and PI into position. We now find that we have the puzzle completed with one exception. Seventeen horizontal has to be found. Its first, third, fourth, fifth and seventh letters are P OMI E. A consonant is needed for the second letter, and R seems to be the most logical choice. That gives us the word, which is defined as “agreement.” (See Figure 4.)
1 D | E | 2 T | 3 R | 4 A | C | 5 T |
E | 6 O | A | T | E | ||
7 V | 8 A | T | 9 A | X | ||
10 E | G | G | 11 A | R | T | |
12 L | O | 13 R | 14 E | U | ||
O | 15 S | A | 16 P | R | ||
17 P | R | O | M | I | S | E |
Fig. 4
We settle back into our chair with a sigh of content at the thought of a job well done. But that is not the finish. Rather it is but the start. Now that we have tasted the pleasures of cross word puzzling, we are loath to give our time to anything else. What other amusement offers the pleasure, instruction and satisfaction that is to be found in Cross Word Puzzles? There is but one answer to that question, and—foregoing the movies—we settle down to the elusive task of tracking words to their lairs. [13]
Don’t get scared if you can’t guess the first horizontal word. Go through the list till you find a definition that you’re sure of. That is the simplest method of beginning the solution. When you have written in all the words you are sure of, you will have plenty of clues for the unknowns.
Don’t spend too much time with the long words unless you are sure of them. They will appear when the short ones have been solved. Of course, not all the short ones are easy, but they are generally more readily attended to than the long ones. Also, there are more of them, increasing the chances of finding familiar faces among the definitions.
If you think a word is right, pencil it in lightly till you are sure. This saves erosion of paper and temper. But never hesitate to try a word that may be right. The trial and error method holds in puzzling as it does in life.
Remember that the horizontals furnish a sure check on the verticals, and vice versa.
If you are hopelessly stuck, try another puzzle. Inspiration sometimes waits for a return engagement.
A pleasant feeling of something attempted, something done, accompanies the solution of a cross word puzzle. It’s good for the inferiority complex. [15]
By Moby Dick
This Christmas tree is a tour de force in consecutive two-letter words. Even the veriest beginner should finish it in a half hour, for the words are all fair and should come to mind immediately. This is a case where the rule on ratio of black squares to white is purposely violated for appropriateness of design.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |||
9 | 10 | 11 | 12 | |||||||
13 | 14 | 15 | 16 | |||||||
17 | 18 | |||||||||
19 | 20 | 21 | 22 | |||||||
23 | 24 | |||||||||
25 | 26 | |||||||||
27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | |||
35 | 36 |
[14]
HORIZONTAL
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VERTICAL
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[17]
By Hugo Kladeviko and James McIntyre
These contributors have made one for the tots. Likewise it is a good one for beginners at cross word puzzling. Warm up on this one for the holy terrors that later on will beset you.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||||
10 | 11 | |||||||||||
12 | 13 | 14 | 15 | 16 | 17 | |||||||
18 | 19 | 20 | 21 | 22 | ||||||||
23 | 24 | 25 | 26 | |||||||||
27 | 28 | 29 | 30 | |||||||||
31 | 32 | |||||||||||
33 | 34 | 35 | 36 | 37 | 38 | |||||||
39 | 40 | 41 | 42 | 43 | 44 | |||||||
45 | 46 | 47 | 48 | |||||||||
49 | 50 | 51 | 52 | 53 | ||||||||
54 | 55 | 56 | ||||||||||
57 | 58 |
[16]
HORIZONTAL
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VERTICAL
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[19]
By Albert Buran
Here is the puzzle that Mrs. Ruth von Phul did in four minutes and twenty seconds, thereby winning the Ladies’ Championship, at the tournament held in Wanamaker’s Auditorium in September. See if you can clip a second off that record.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |||
9 | 10 | 11 | 12 | |||||||
13 | 14 | |||||||||
15 | 16 | 17 | 18 | 19 | ||||||
20 | 21 | 22 | ||||||||
23 | ||||||||||
24 | 25 | 26 | ||||||||
27 | 28 | 29 | 30 | |||||||
31 | 32 | 33 | ||||||||
34 | 35 | 36 | 37 | |||||||
38 | 39 |
[18]
HORIZONTAL
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VERTICAL
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[21]
By B. Benas
After you have struggled with a terror and want to rest your weary brain, here’s the puzzle for you. Nice and easy and well put together.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | |||
11 | 12 | 13 | ||||||||||
14 | 15 | 16 | 17 | |||||||||
18 | 19 | 20 | 21 | |||||||||
22 | 23 | 24 | 25 | 26 | ||||||||
27 | 28 | 29 | 30 | |||||||||
31 | 32 | |||||||||||
33 | 34 | 35 | 36 | 37 | 38 | |||||||
39 | 40 | 41 | 42 | 43 | ||||||||
44 | 45 | 46 | 47 | 48 | ||||||||
49 | 50 | 51 | 52 | |||||||||
53 | 54 | 55 | 56 | |||||||||
57 | 58 |
[20]
HORIZONTAL
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VERTICAL
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[23]
By Frank A. Ford
An unusual disposition of blacks and a pretty symmetry. Decorative patterns give an esthetic charm to cross word puzzling. Before you finish you will have brought home the bacon.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||
13 | 14 | 15 | 16 | |||||||||||
17 | 18 | 19 | 20 | |||||||||||
21 | 22 | 23 | 24 | 25 | ||||||||||
26 | 27 | 28 | 29 | |||||||||||
30 | 31 | 32 | 33 | 34 | 35 | |||||||||
36 | 37 | 38 | 39 | 40 | 41 | |||||||||
42 | 43 | 44 | ||||||||||||
45 | 46 | 47 | 48 | |||||||||||
49 | 50 | 51 | ||||||||||||
52 | 53 | 54 | 55 | 56 | 57 | 58 | ||||||||
59 | 60 | 61 | 62 | 63 | 64 | |||||||||
65 | 66 | 67 | 68 | |||||||||||
69 | 70 | 71 | 72 | 73 | ||||||||||
74 | 75 | 76 |
[22]
HORIZONTAL
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VERTICAL
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[25]
By Ambrosian
This puzzle was used in the All Comers Contest, held at Wanamaker’s Auditorium in September. The time of the winner, W. F. Hunter of Sound Beach, Conn. was 6 minutes, 40⅕ seconds.
1 | 2 | 3 | 4 | 5 | 6 | 7 | ||||
8 | 9 | 10 | ||||||||
11 | 12 | 13 | 14 | |||||||
15 | 16 | 17 | 18 | |||||||
19 | 20 | 21 | 22 | |||||||
23 | ||||||||||
24 | 25 | |||||||||
26 | 27 | 28 | 29 | |||||||
30 | 31 | 32 | 33 | 34 | ||||||
35 | 36 | |||||||||
37 | 38 | 39 |
[24]
HORIZONTAL
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VERTICAL
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[27]
By Leonard J. Brightman
Over sixty three-letter words here!
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||||
13 | 14 | 15 | 16 | 17 | ||||||||||||
18 | 19 | 20 | 21 | |||||||||||||
22 | 23 | 24 | 25 | |||||||||||||
26 | 27 | 28 | 29 | 30 | 31 | |||||||||||
32 | 33 | 34 | 35 | 36 | 37 | 38 | ||||||||||
39 | 40 | 41 | 42 | 43 | 44 | 45 | ||||||||||
46 | 47 | 48 | 49 | 50 | ||||||||||||
51 | 52 | 53 | 54 | 55 | 56 | |||||||||||
57 | 58 | |||||||||||||||
59 | 60 | 61 | 62 | 63 | ||||||||||||
64 | 65 | 66 | 67 | |||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | 74 | ||||||||||
75 | 76 | 77 | 78 | 79 | 80 | |||||||||||
81 | 82 | 83 | 84 | 85 | 86 | |||||||||||
87 | 88 | 89 | 90 | 91 | 92 | 93 | ||||||||||
94 | 95 | 96 | 97 | |||||||||||||
98 | 99 | 100 | ||||||||||||||
101 | 102 |
[26]
HORIZONTAL
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VERTICAL
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[29]
By W. C. Brooks
Introduce this animal to your menagerie. He has a spotted coat which may give him a terrible aspect. But you’ll find him gentle and kindly most all the time.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | ||||
12 | 13 | 14 | ||||||||||||
15 | 16 | 17 | 18 | 19 | 20 | 21 | ||||||||
22 | 23 | 24 | 25 | 26 | 27 | |||||||||
28 | 29 | 30 | 31 | 32 | 33 | 34 | ||||||||
35 | 36 | 37 | 38 | |||||||||||
39 | 40 | 41 | 42 | |||||||||||
43 | 44 | |||||||||||||
45 | 46 | 47 | 48 | 49 | 50 | 51 | ||||||||
52 | 53 | 54 | 55 | 56 | ||||||||||
57 | 58 | 59 | 60 | 61 | ||||||||||
62 | 63 | 64 | 65 | 66 | 67 | 68 | ||||||||
69 | 70 | 71 | 72 | 73 | 74 | |||||||||
75 | 76 | 77 | 78 | |||||||||||
79 | 80 |
[28]
HORIZONTAL
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VERTICAL
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[31]
By Gregorian
This puzzle was used in the mixed doubles contest held in Wanamaker’s Auditorium in September, when Mr. and Mrs. William A. Stern II successfully defended their title. Their time was 6 minutes, 15 seconds.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |
9 | 10 | |||||||
11 | 12 | 13 | ||||||
14 | 15 | 16 | ||||||
17 | 18 | 19 | ||||||
20 | 21 | 22 | 23 | |||||
24 | 25 | |||||||
26 | 27 | 28 | 29 | 30 | ||||
31 | 32 | |||||||
33 | 34 | 35 | 36 | |||||
37 | 38 | 39 | ||||||
40 | 41 | 42 | ||||||
43 | 44 |
[30]
HORIZONTAL
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VERTICAL
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[33]
By H. Emerson Hough
This a neat construction which is filled with pleasant, diverting words. We recommend it for the comfortable hour after dinner.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | ||||||
12 | 13 | 14 | 15 | 16 | ||||||||||||
17 | 18 | 19 | 20 | 21 | 22 | |||||||||||
23 | 24 | 25 | 26 | 27 | ||||||||||||
28 | 29 | 30 | 31 | 32 | 33 | |||||||||||
34 | 35 | 36 | 37 | 38 | 39 | |||||||||||
40 | 41 | 42 | 43 | 44 | 45 | 46 | ||||||||||
47 | 48 | 49 | 50 | 51 | 52 | 53 | ||||||||||
54 | 55 | |||||||||||||||
56 | 57 | 58 | 59 | 60 | 61 | |||||||||||
62 | 63 | 64 | 65 | 66 | 67 | 68 | ||||||||||
69 | 70 | 71 | 72 | 73 | ||||||||||||
74 | 75 | 76 | 77 | 78 | ||||||||||||
79 | 80 | 81 | 82 | 83 | 84 | |||||||||||
85 | 86 | 87 | 88 | 89 | 90 | |||||||||||
91 | 92 | 93 | 94 | |||||||||||||
95 | 96 | 97 | 98 |
[32]
HORIZONTAL
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VERTICAL
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[35]
By Gregorian
Good work with a stunt pattern. Note the fine tree trunk. This is one of those puzzles that are built around a central crossing of long words. A day of joy and feasting to you!
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40 |
[34]
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[37]
By George E. Wilcox
We learned a few new useful words from this one. When you’ve worked out a new word in a puzzle, and studied its definition and pondered over its spelling, the chances are ten to one you’ll recognize it next time you see or hear it.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||
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58 | 59 | 60 | 61 | 62 | 63 | |||||||||
64 | 65 | 66 | ||||||||||||
67 | 68 |
[36]
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[39]
By Samuel W. Phillips
We decided to call this a doodle bug because it is essentially doable. And it oughtn’t to bite any of you if you handle it gently and don’t stick your pencil in its eye.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||
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65 | 66 | 67 | 68 | 69 | 70 | 71 | ||||||||
72 | 73 | 74 | ||||||||||||
75 | 76 |
[38]
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[41]
By Major
Cross word puzzles must be something like an intricate plan of a battle. The army delights in them. Here is one with word masses locking at center, masses of good, useful words. Map out your campaign—keep at it until the last long smile.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||
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32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | |||||||||
40 | 41 | 42 | 43 | 44 | 45 | 46 | ||||||||||
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51 | 52 | |||||||||||||||
53 | 54 | 55 | 56 | 57 | ||||||||||||
58 | 59 | 60 | 61 | 62 | ||||||||||||
63 | 64 | 65 | 66 | 67 | 68 | 69 | ||||||||||
70 | 71 | 72 | 73 | 74 | ||||||||||||
75 | 76 | 77 | 78 | 79 | ||||||||||||
80 | 81 | 82 | 83 | 84 | ||||||||||||
85 | 86 | 87 | 88 | |||||||||||||
89 | 90 | 91 |
[40]
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[43]
By Jupiter
Even the eight unkeyed letters in the center can’t detract from the solid worth of this nectar for the gods. We’re glad we didn’t take the modest author’s suggestion to throw it in the wastebasket.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||
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33 | 34 | 35 | 36 | 37 | 38 | 39 | ||||||||
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48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | |||||
58 | 59 | 60 | 61 | |||||||||||
62 | 63 | 64 | 65 | 66 | ||||||||||
67 | 68 | 69 | ||||||||||||
70 | 71 | 72 |
[42]
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[45]
By Madeleine Lubetty
A neater example of Cross Word construction one doesn’t come across often in one’s pursuit of the horizontal and vertical. Don’t worry about the unkeyed letters—the design and words more than make up for them.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||
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58 | 59 |
[44]
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[47]
By Agnes Stewart
Though non-symmetrical, this pattern shapes itself to spell out a number of fascinating words. You chemists ought to know all your symbols by heart at the rate those useful two-letter combinations are being brought into the limelight by cross words.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | ||||||
15 | 16 | 17 | 18 | ||||||||||||||||
19 | 20 | 21 | 22 | 23 | 24 | 25 | |||||||||||||
26 | 27 | 28 | 29 | 30 | |||||||||||||||
31 | 32 | 33 | 34 | ||||||||||||||||
35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | |||||||||||
44 | 45 | 46 | 47 | 48 | 49 | 50 | |||||||||||||
51 | 52 | 53 | 54 | 55 | |||||||||||||||
56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | ||||||||||||
64 | 65 | 66 | 67 | 68 | 69 | ||||||||||||||
70 | 71 | 72 | |||||||||||||||||
73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | ||||||||||||
81 | 82 | 83 | 84 | 85 | 86 | 87 | |||||||||||||
88 | 89 | 90 | 91 | 92 | |||||||||||||||
93 | 94 | 95 | 96 | 97 | 98 | ||||||||||||||
99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | ||||||||||||
107 | 108 | 109 | 110 | 111 | |||||||||||||||
112 | 113 | 114 | 115 | ||||||||||||||||
116 | 117 | 118 | 119 | 120 | 121 | ||||||||||||||
122 | 123 | 124 |
[46]
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[49]
By H. R. Koegler
This two winged puzzle is of the sort that compels education. You can’t solve it without learning something. What’s better to learn than a new word.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||||||||
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17 | 18 | 19 | 20 | |||||||||||||||||
21 | 22 | 23 | 24 | 25 | 26 | 27 | ||||||||||||||
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39 | 40 | 41 | 42 | 43 | 44 | |||||||||||||||
45 | 46 | 47 | 48 | 49 | ||||||||||||||||
50 | 51 | 52 | 53 | 54 | ||||||||||||||||
55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | |||||||||||||
63 | 64 | 65 | ||||||||||||||||||
66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | ||||||||||||
75 | 76 | 77 | 78 | 79 | ||||||||||||||||
80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | ||||||||||||
89 | 90 | 91 | 92 | |||||||||||||||||
93 | 94 | 95 | 96 | 97 | ||||||||||||||||
98 | 99 | 100 | 101 | 102 | 103 | |||||||||||||||
104 | 105 | 106 | 107 | 108 | 109 | |||||||||||||||
110 | 111 | 112 | 113 | |||||||||||||||||
114 | 115 | 116 | 117 | 118 | ||||||||||||||||
119 | 120 |
[48]
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[51]
By Joseph A. Margolies
Remember Puzzle 73 in Series II? Mr. Margolies swore at that time that it was his second and last, but here he is again, and more power to his left elbow—it’s better than ever.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||
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59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | ||||||||||
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72 | 73 | 74 | 75 | 76 | 77 | |||||||||||||
78 | 79 | 80 | 81 | 82 | ||||||||||||||
83 | 84 | 85 | 86 | 87 | 88 | |||||||||||||
89 | 90 | 91 | 92 | 93 | ||||||||||||||
94 | 95 | 96 | 97 | 98 | 99 | |||||||||||||
100 | 101 | 102 | 103 | |||||||||||||||
104 | 105 | 106 |
[50]
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[53]
By John Fasel
A little too much black for the best construction, but full of ease such as delights the puzzler in his more languid hours. Whet your appetite with this, and then try stronger meat.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | |||||||
11 | 12 | 13 | 14 | 15 | 16 | |||||||||||
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68 | 69 | 70 | 71 | 72 | 73 | |||||||||||
74 | 75 | 76 | 77 | 78 | 79 | 80 | ||||||||||
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88 | 89 | 90 |
[52]
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[55]
By Alfred A. Wicklund
Conscience compels the editors to warn the solver of several troublous words lying unobtrusively among a collection of pleasant and easily diverting ones. But that is the delight of cross word puzzling. The solver likes a little pain mixed with his pleasure.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | |||
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57 | 58 | 59 |
[54]
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[57]
By Madge Sweeney
Fine masses of words, but not too difficult. A few unkeyed letters. Most puzzlers complain about them, and we don’t blame them. At the same time, it is good dictionary practise to hunt along among the “pal”s until you come to “pali.”
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | ||||
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31 | 32 | 33 | 34 | |||||||||||
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48 | 49 | |||||||||||||
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55 | 56 | 57 | 58 | 59 | 60 | |||||||||
61 | 62 | 63 | ||||||||||||
64 | 65 | 66 |
[56]
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[59]
By Isidore Edelstein
Not much here to make you go around the house shouting, “a twenty-seven letter word meaning ‘cat’s eyeballs.’ ” Mr. Edelstein by no means makes himself a fiend, as some of the constructors do.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |||||||
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33 | 34 | 35 | 36 | 37 | 38 | |||||||||||||
39 | 40 | 41 | 42 | 43 | 44 | |||||||||||||
45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | |||||||||||
53 | 54 | 55 | 56 | |||||||||||||||
57 | 58 | |||||||||||||||||
59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | |||||||||||
67 | 68 | 69 | 70 | |||||||||||||||
71 | 72 | 73 | 74 | |||||||||||||||
75 | 76 | 77 | 78 | 79 | 80 | 81 | ||||||||||||
82 | 83 | 84 | 85 | 86 | 87 | 88 | ||||||||||||
89 | 90 | 91 | 92 | 93 | ||||||||||||||
94 | 95 | 96 | 97 | 98 | 99 | |||||||||||||
100 | 101 | 102 | 103 | |||||||||||||||
104 | 105 | 106 |
[58]
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[61]
By Harry R. Torr
It is pleasant sometimes to get away from the even square construction. This constructor does it quite neatly. He has a nice selection of easy and difficult words.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | ||||||
11 | 12 | 13 | 14 | 15 | |||||||||||
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20 | 21 | 22 | 23 | 24 | 25 | ||||||||||
26 | 27 | 28 | 29 | ||||||||||||
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38 | 39 | 40 | |||||||||||||
41 | 42 | ||||||||||||||
43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | ||||||||
51 | 52 | 53 | |||||||||||||
54 | 55 | 56 | 57 | 58 | 59 | ||||||||||
60 | 61 | 62 | 63 | 64 | 65 | ||||||||||
66 | 67 | 68 | 69 | 70 | |||||||||||
71 | 72 | 73 | 74 | ||||||||||||
75 | 76 | 77 | 78 |
[60]
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[63]
By Captain F. F. Stewart
If you have never solved a cross word puzzle before, this one might be good for a starter. Captain Stewart displays an admirable taste for simple words, even though he must have his black squares to get them.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | ||||||||
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21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | ||||||||||
30 | 31 | 32 | 33 | 34 | ||||||||||||||
35 | 36 | 37 | 38 | |||||||||||||||
39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | |||||||||||
47 | 48 | |||||||||||||||||
49 | 50 | 51 | ||||||||||||||||
52 | 53 | 54 | 55 | |||||||||||||||
56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | ||||||||||
65 | 66 | 67 | ||||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | ||||||||||
77 | 78 | 79 | 80 | 81 | ||||||||||||||
82 | 83 | 84 | 85 | |||||||||||||||
86 | 87 | 88 | ||||||||||||||||
89 | 90 | |||||||||||||||||
91 | 92 | 93 |
[62]
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[65]
By Agnes Stewart
Good words here, the kind that may not be on the tip of your tongue, but which you will add to your vocabulary for speaking or writing. Try out Horizontal 23, 25 or 86 at your next dinner party.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | |||||
14 | 15 | 16 | 17 | 18 | |||||||||||||
19 | 20 | 21 | 22 | ||||||||||||||
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31 | 32 | 33 | 34 | 35 | 36 | ||||||||||||
37 | 38 | 39 | 40 | 41 | |||||||||||||
42 | 43 | 44 | 45 | 46 | |||||||||||||
47 | 48 | 49 | 50 | 51 | |||||||||||||
52 | 53 | 54 | 55 | ||||||||||||||
56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | ||||||||||
64 | 65 | 66 | 67 | ||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | ||||||||||||
74 | 75 | 76 | 77 | 78 | 79 | 80 | |||||||||||
81 | 82 | 83 | 84 | ||||||||||||||
85 | 86 | 87 | 88 | 89 | |||||||||||||
90 | 91 | 92 | 93 | ||||||||||||||
94 | 95 | 96 |
[64]
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[67]
By R. T. and C. K.
The spread eagled “X” seems to be one of the most natural ways of disposing blacks in a cross word puzzle. Do you know, by the way, that some of the most fascinating problems in cross word puzzling lie in the difficulty and ease involved in the various designs of the blacks.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||||||
14 | 15 | 16 | 17 | 18 | 19 | |||||||||||||
20 | 21 | 22 | 23 | 24 | 25 | |||||||||||||
26 | 27 | 28 | 29 | 30 | 31 | |||||||||||||
32 | 33 | 34 | 35 | 36 | ||||||||||||||
37 | 38 | 39 | 40 | 41 | 42 | |||||||||||||
43 | 44 | 45 | 46 | 47 | ||||||||||||||
48 | 49 | 50 | 51 | 52 | 53 | 54 | ||||||||||||
55 | 56 | 57 | 58 | 59 | 60 | 61 | ||||||||||||
62 | 63 | 64 | ||||||||||||||||
65 | 66 | 67 | 68 | 69 | 70 | 71 | ||||||||||||
72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | |||||||||||
80 | 81 | 82 | 83 | 84 | ||||||||||||||
85 | 86 | 87 | 88 | 89 | 90 | 91 | ||||||||||||
92 | 93 | 94 | 95 | 96 | ||||||||||||||
97 | 98 | 99 | 100 | 101 | 102 | |||||||||||||
103 | 104 | 105 | 106 | 107 | 108 | |||||||||||||
109 | 110 | 111 | 112 | |||||||||||||||
113 | 114 |
[66]
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[69]
By Charlotte G. Davis
Good design, good words, good puzzle. Bring forth the Venus Pencil. This one will give you the time of your life.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||
15 | 16 | 17 | 18 | 19 | 20 | |||||||||||||
21 | 22 | 23 | 24 | 25 | 26 | 27 | ||||||||||||
28 | 29 | 30 | 31 | 32 | 33 | |||||||||||||
34 | 35 | 36 | 37 | 38 | 39 | |||||||||||||
40 | 41 | 42 | 43 | 44 | 45 | |||||||||||||
46 | 47 | 48 | 49 | 50 | 51 | |||||||||||||
52 | 53 | 54 | 55 | 56 | ||||||||||||||
57 | 58 | 59 | 60 | 61 | ||||||||||||||
62 | 63 | 64 | 65 | 66 | 67 | |||||||||||||
68 | 69 | 70 | 71 | |||||||||||||||
72 | 73 | 74 | 75 | 76 | 77 | |||||||||||||
78 | 79 | 80 | 81 | |||||||||||||||
82 | 83 | 84 | 85 | 86 | 87 | |||||||||||||
88 | 89 | 90 | 91 | 92 | 93 | |||||||||||||
94 | 95 | 96 | 97 | 98 | 99 | |||||||||||||
100 | 101 | 102 | 103 | 104 | ||||||||||||||
105 | 106 | 107 | 108 | 109 | 110 | |||||||||||||
111 | 112 | 113 |
[68]
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[71]
By P. R. Brown
This diamond studded puzzle is truly a gem. It should prove only moderately difficult, for all its pretty designs. (You know, of course, that a handsome design often leads the builder into difficulties from which he escapes by resort to some musty word concealed in the depths of the dictionary.)
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||||||
14 | 15 | 16 | 17 | 18 | 19 | |||||||||||||
20 | 21 | 22 | 23 | 24 | 25 | 26 | ||||||||||||
27 | 28 | 29 | 30 | 31 | ||||||||||||||
32 | 33 | |||||||||||||||||
34 | 35 | 36 | 37 | |||||||||||||||
38 | 39 | 40 | 41 | 42 | 43 | 44 | ||||||||||||
45 | 46 | 47 | 48 | 49 | ||||||||||||||
50 | 51 | 52 | 53 | |||||||||||||||
54 | 55 | 56 | ||||||||||||||||
57 | 58 | 59 | 60 | |||||||||||||||
61 | 62 | 63 | 64 | 65 | 66 | |||||||||||||
67 | 68 | 69 | 70 | 71 | 72 | 73 | ||||||||||||
74 | 75 | 77 | 78 | 79 | ||||||||||||||
80 | 81 | |||||||||||||||||
82 | 83 | 84 | 85 | |||||||||||||||
86 | 87 | 88 | 89 | 90 | 91 | 92 | ||||||||||||
93 | 94 | 95 | 96 | 97 | ||||||||||||||
98 | 99 |
[70]
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[73]
By Dennis R. Smith
We are told that puzzles put people to sleep and prevent nervous breakdowns by taking the subject’s mind off his troubles. This one should have therapeutic qualities, for according to the ratio rule it could have at least 38 black squares, whereas it has only 33.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||
14 | 15 | 16 | ||||||||||||
17 | 18 | 19 | 20 | 21 | ||||||||||
22 | 23 | 24 | 25 | |||||||||||
26 | 27 | 28 | 29 | 30 | ||||||||||
31 | 32 | 33 | 34 | |||||||||||
35 | 36 | 37 | 38 | |||||||||||
39 | 40 | |||||||||||||
41 | 42 | 43 | 44 | 45 | ||||||||||
46 | 47 | 48 | 49 | 50 | 51 | |||||||||
52 | 53 | 54 | 55 | |||||||||||
56 | 57 | 58 | 59 | 60 | ||||||||||
61 | 62 | 63 | 64 | |||||||||||
65 | 66 | 67 | 68 | |||||||||||
69 | 70 |
[72]
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[75]
By M. H. Foster
Doesn’t this look easy, a simple little pattern that seems certain to be filled with such words as “dog” and “cat?” The editors did not want the solver to have the shock of picking this one as a light ten minutes, and then find himself involved in tormenting perplexities.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||||
10 | 11 | 12 | ||||||||||
13 | 14 | 15 | 16 | |||||||||
17 | 18 | 19 | 20 | 21 | ||||||||
22 | 23 | 24 | 25 | |||||||||
26 | 27 | 28 | 29 | |||||||||
30 | ||||||||||||
31 | 32 | 33 | 34 | 35 | ||||||||
36 | 37 | 38 | 39 | |||||||||
40 | 41 | 42 | ||||||||||
43 | 44 | 45 | 46 | |||||||||
47 | 48 | 49 | 50 | |||||||||
51 | 52 |
[74]
HORIZONTAL
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VERTICAL
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[77]
By Aard-vark
The gentleman whose nom-de-plume appears above—look it up if you think there ain’t no such word—is a highly trained dictionary hound. He pulls out some amazing words sometimes.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||
14 | 15 | 16 | ||||||||||||
17 | 18 | 19 | 20 | |||||||||||
21 | 22 | 23 | 24 | 25 | 26 | |||||||||
27 | 28 | 29 | ||||||||||||
30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | ||||||
39 | 40 | 41 | 42 | |||||||||||
43 | 44 | 45 | 46 | 47 | 48 | |||||||||
49 | 50 | 51 | 52 | 53 | 54 | |||||||||
55 | 56 | 57 | 58 | 59 | ||||||||||
60 | 61 | 62 | 63 | |||||||||||
64 | 65 | 66 | 67 | 68 | 69 | 70 | ||||||||
71 | 72 | 73 | 74 | 75 | 76 | |||||||||
77 | 78 | 79 | 80 | |||||||||||
81 | 82 | 83 |
[76]
HORIZONTAL
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VERTICAL
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[79]
By Irvan Neckerman
Mr. Neckerman, well enough known to those that solved the first two Cross Word Puzzle Books, has concocted one of his choice brews. That is to say, he has found some unsuspected words.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||||
10 | 11 | |||||||||||
12 | 13 | 14 | ||||||||||
15 | 16 | 17 | 18 | |||||||||
19 | 20 | 21 | ||||||||||
22 | 23 | 24 | ||||||||||
25 | 26 | 27 | 28 | 29 | 30 | 31 | ||||||
32 | 33 | 34 | 35 | |||||||||
36 | 37 | 38 | 39 | 40 | ||||||||
41 | 42 | 43 | 44 | 45 | 46 | |||||||
47 | 48 | 49 | ||||||||||
50 | 51 | 52 | ||||||||||
53 | 54 |
[78]
HORIZONTAL
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VERTICAL
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[81]
By Mr. and Mrs. Ottokar T. Cadek
This winged masterpiece represents an achievement in the interlocking of long words in a beautiful design. All hats off to the constructors!
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||||||||||||
15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | ||||||||||||||||||||
24 | 25 | 26 | 27 | 28 | 29 | |||||||||||||||||||||||
30 | 31 | 32 | 33 | 34 | 35 | 36 | ||||||||||||||||||||||
37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | |||||||||||||||||||||
45 | 46 | 47 | 48 | 49 | 50 | 51 | ||||||||||||||||||||||
52 | 53 | 54 | 55 | 56 | ||||||||||||||||||||||||
57 | 58 | 59 | ||||||||||||||||||||||||||
60 | 61 | 62 | ||||||||||||||||||||||||||
63 | 64 | 65 | 66 | 67 | ||||||||||||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | |||||||||||||||||||
78 | 79 | 80 | 81 | 82 | 83 | |||||||||||||||||||||||
84 | 85 | 86 | 87 | 88 | 89 | |||||||||||||||||||||||
90 | 91 | 92 | 93 | 94 | ||||||||||||||||||||||||
95 | 96 | 97 | 98 | 99 | ||||||||||||||||||||||||
100 | 101 | 102 | 103 | 104 | 105 | 106 | ||||||||||||||||||||||
107 | 108 | 109 | 110 | 111 | 112 | 113 | ||||||||||||||||||||||
114 | 115 | 116 | 117 | 118 | ||||||||||||||||||||||||
119 | 120 | 121 | 122 | 123 | ||||||||||||||||||||||||
124 | 125 | 126 | ||||||||||||||||||||||||||
127 | 128 | |||||||||||||||||||||||||||
129 | 130 | |||||||||||||||||||||||||||
[80]
HORIZONTAL
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VERTICAL
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[83]
By “Old Nick”
Many puzzlers will find an ideal example of what a Cross Word should be. In design, interlock, words and definitions it is very near to perfection. Constructors can learn a thing or two here.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||||
15 | 16 | 17 | 18 | 19 | ||||||||||||||||
20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | |||||||||||||
28 | 29 | 30 | 31 | 32 | 33 | 34 | ||||||||||||||
35 | 36 | 37 | 38 | |||||||||||||||||
39 | 40 | 41 | ||||||||||||||||||
42 | 43 | 44 | 45 | |||||||||||||||||
46 | 47 | 48 | 49 | 50 | 51 | 52 | ||||||||||||||
53 | 54 | 55 | 56 | 57 | 58 | 59 | ||||||||||||||
60 | 61 | 62 | 63 | 64 | 65 | |||||||||||||||
66 | 67 | |||||||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | |||||||||||||||
74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | ||||||||||||
83 | 84 | 85 | 86 | 87 | 88 | 89 | ||||||||||||||
90 | 91 | 92 | 93 | |||||||||||||||||
94 | 95 | 96 | ||||||||||||||||||
97 | 98 | 99 | 100 | |||||||||||||||||
101 | 102 | 103 | 104 | 105 | 106 | 107 | ||||||||||||||
108 | 109 | 110 | 111 | 112 | 113 | 114 | ||||||||||||||
115 | 116 | 117 | 118 | 119 | 120 | |||||||||||||||
121 | 122 |
[82]
HORIZONTAL
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VERTICAL
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[85]
By Irvan Neckerman
Mr. Neckerman thinks obsolete words need an airing. He’s afraid they’ll get motheaten. We’ll say he does his best to prevent any such catastrophe.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||
10 | 11 | |||||||||
12 | 13 | 14 | ||||||||
15 | 16 | |||||||||
17 | 18 | 19 | ||||||||
20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | |||
28 | 29 | |||||||||
30 | 31 | 32 | ||||||||
33 | 34 | |||||||||
35 | 36 |
[84]
HORIZONTAL
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VERTICAL
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[87]
By Knacker
Here’s a stiff one, with enough mythology and history in it to keep even the scholars guessing. But the marvellous double interlock and the presence of only four unkeyed letters should help out in the solution. Knacker didn’t care what problems he set himself in this construction.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | ||
22 | 23 | 24 | ||||||||||||||||||||
25 | 26 | 27 | 28 | 29 | 30 | |||||||||||||||||
31 | 32 | 33 | 34 | |||||||||||||||||||
35 | 36 | 37 | 38 | |||||||||||||||||||
39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | |||||||||||
51 | 52 | 53 | 54 | 55 | ||||||||||||||||||
56 | 57 | 58 | 59 | 60 | ||||||||||||||||||
61 | 62 | 63 | 64 | 65 | 66 | 67 | ||||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | |||||||||||||||||
74 | 75 | 76 | 77 | 78 | ||||||||||||||||||
79 | 80 | 81 | ||||||||||||||||||||
82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | |||||||||||||
92 | 93 | 94 | 95 | 96 | 97 | |||||||||||||||||
98 | 99 | 100 | 101 | 102 | 103 | |||||||||||||||||
104 | 105 | 106 | 107 | |||||||||||||||||||
108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | |||||||||||||||
116 | 117 | 118 | 119 | 120 | ||||||||||||||||||
121 | 122 | 123 | 124 | 125 | ||||||||||||||||||
126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | |||||||||||||
136 | 137 | 138 | 139 | |||||||||||||||||||
140 | 141 | 142 | 143 | 144 | 145 | |||||||||||||||||
146 | 147 | 148 |
[86]
HORIZONTAL
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VERTICAL
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[89]
By Gertrude B. Chestresmith
Here is an ornamental design with some useful words in it. The locking is very pretty and as for that circus animal in its midst, it’s about time he strayed into a Cross Word Puzzle.
1 | 2 | 3 | 4 | 5 | 6 | 7 | ||||||||||
8 | 9 | 10 | 11 | 12 | 13 | 14 | ||||||||||
15 | 16 | 17 | 18 | |||||||||||||
19 | 20 | 21 | 22 | 23 | ||||||||||||
24 | 25 | 26 | 27 | 28 | ||||||||||||
29 | 30 | 31 | 32 | 33 | ||||||||||||
34 | 35 | 36 | 37 | 38 | 39 | 40 | ||||||||||
41 | 42 | 43 | 44 | |||||||||||||
45 | 46 | 47 | ||||||||||||||
48 | 49 | 50 | 51 | |||||||||||||
52 | 53 | 54 | 55 | 56 | 57 | 58 | ||||||||||
59 | 60 | 61 | 62 | 63 | ||||||||||||
64 | 65 | 66 | 67 | |||||||||||||
68 | 69 | 70 | 71 | 72 | ||||||||||||
73 | 74 | 75 | 76 | 77 | ||||||||||||
78 | 79 | 80 | ||||||||||||||
81 |
[88]
HORIZONTAL
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VERTICAL
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[91]
By M. B. Gillung
Some of these concoctions of short words are terrors. This one is by no means the most difficult puzzle in the book, but it has places where you may have to stop for a moment’s thought.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | ||||
16 | 17 | 18 | 19 | |||||||||||||||
20 | 21 | 22 | 23 | 24 | 25 | |||||||||||||
26 | 27 | 28 | 29 | 30 | 31 | |||||||||||||
32 | 33 | 34 | 35 | 36 | ||||||||||||||
37 | 38 | 39 | 40 | 41 | 42 | |||||||||||||
43 | 44 | 45 | 46 | 47 | 48 | |||||||||||||
49 | 50 | 51 | 52 | |||||||||||||||
53 | 54 | 55 | 56 | 57 | 58 | |||||||||||||
59 | 60 | 61 | 62 | |||||||||||||||
63 | 64 | 65 | 66 | 67 | ||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | |||||||||||||
74 | 75 | 76 | 77 | 78 | 79 | |||||||||||||
80 | 81 | 82 | 83 | 84 | ||||||||||||||
85 | 86 | 87 | 88 | 89 | ||||||||||||||
90 | 91 | 92 | 93 | 94 | 95 | |||||||||||||
96 | 97 | 98 | 99 | 100 | ||||||||||||||
101 | 102 | 103 | 104 | 105 | ||||||||||||||
106 | 107 |
[90]
HORIZONTAL
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VERTICAL
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[93]
By Margaret Wade
If the constructor felt like Weary Willie after filling in this criss-cross pattern, which has only twelve unkeyed letters, there are bound to be a lot of W. W.’s among those who try to solve it.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | ||||
12 | 13 | 14 | ||||||||||||
15 | 16 | 17 | ||||||||||||
18 | 19 | 20 | 21 | |||||||||||
22 | 23 | 24 | 25 | |||||||||||
26 | 27 | 28 | 29 | |||||||||||
30 | 31 | 32 | ||||||||||||
33 | 34 | |||||||||||||
35 | 36 | 37 | 38 | 39 | 40 | |||||||||
41 | 42 | 43 | 44 | 45 | 46 | |||||||||
47 | 48 | 49 | 50 | |||||||||||
51 | 52 | 53 | 54 | |||||||||||
55 | 56 | 57 | 58 | |||||||||||
59 | 60 | |||||||||||||
61 | 62 |
[92]
HORIZONTAL
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VERTICAL
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[95]
By Mr. and Mrs. Ottokar T. Cadek
Mr. Cadek is quite a figure in that field of music where the string quartette raises its austere voice. But no feat of counterpoint is more difficult than the placing against each other of two long words such as in 19 and 26 Horizontal or 72 and 78 Horizontal.
1 | 2 | 3 | 4 | |||||||||||||||
5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ||||||||||
14 | 15 | 16 | 17 | |||||||||||||||
18 | 19 | 20 | 21 | 22 | 23 | |||||||||||||
24 | 25 | 26 | 27 | |||||||||||||||
28 | 29 | 30 | 31 | |||||||||||||||
32 | 33 | 34 | 35 | |||||||||||||||
36 | 37 | 38 | 39 | 40 | 41 | |||||||||||||
42 | 43 | 44 | 45 | 46 | ||||||||||||||
47 | 48 | 49 | ||||||||||||||||
50 | 51 | 52 | 53 | 54 | 55 | |||||||||||||
56 | 57 | 58 | 59 | 60 | 61 | |||||||||||||
62 | 63 | 64 | 65 | |||||||||||||||
66 | 67 | 68 | 69 | 70 | ||||||||||||||
71 | 72 | 73 | 74 | 75 | 76 | |||||||||||||
77 | 78 | 79 | 80 | |||||||||||||||
81 | 82 | 83 | 84 | |||||||||||||||
85 | 86 | 87 | 88 | |||||||||||||||
89 |
[94]
HORIZONTAL
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VERTICAL
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[97]
By Daniel O’Leary
The old slogan—“one cross word leads to another”—seems to have been taken literally here. Get out your Webster New International before calling the whole family into conference.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | ||||
18 | 19 | 20 | ||||||||||||||||||
21 | 22 | 23 | 24 | 25 | ||||||||||||||||
26 | 27 | 28 | 29 | 30 | 31 | |||||||||||||||
32 | 33 | 34 | 35 | 36 | ||||||||||||||||
37 | 38 | 39 | 40 | 41 | 42 | |||||||||||||||
43 | 44 | 45 | 46 | 47 | ||||||||||||||||
48 | 49 | 50 | 51 | |||||||||||||||||
52 | 53 | 54 | 55 | 56 | 57 | 58 | ||||||||||||||
59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | |||||||||||||
67 | 68 | 69 | 70 | |||||||||||||||||
71 | 72 | 73 | 74 | 75 | 76 | 77 | ||||||||||||||
78 | 79 | 80 | 81 | 82 | 83 | |||||||||||||||
84 | 85 | 86 | 87 | |||||||||||||||||
88 | 89 | 90 | 91 | 92 | 93 | 94 | ||||||||||||||
95 | 96 | 97 | 98 | 99 | 100 | 101 | ||||||||||||||
102 | 103 | 104 | 105 | 106 | ||||||||||||||||
107 | 108 | 109 | 110 | 111 | 112 | |||||||||||||||
113 | 114 | 115 | 116 | 117 | 118 | |||||||||||||||
119 | 120 | 121 | ||||||||||||||||||
122 | 123 | 124 |
[96]
HORIZONTAL
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VERTICAL
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[99]
By Sergeant
This one comes from West Point. Note the fine central backbones of long words. You will observe something interesting about these two. Incidentally, is there anything finer than the way difficulties dissolve once long words like these flash into your mind?
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||
15 | 16 | 17 | 18 | |||||||||||||||
19 | 20 | 21 | 22 | 23 | 24 | |||||||||||||
25 | 26 | 27 | 28 | 29 | 30 | |||||||||||||
31 | 32 | 33 | 34 | 35 | 36 | |||||||||||||
37 | 38 | 39 | 40 | 41 | ||||||||||||||
42 | 43 | 44 | 45 | 46 | 47 | |||||||||||||
48 | 49 | 50 | 51 | |||||||||||||||
52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | |||||||||
62 | ||||||||||||||||||
63 | 64 | 65 | 66 | |||||||||||||||
67 | 68 | 69 | 70 | |||||||||||||||
71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | |||||||||
81 | 82 | 83 | 84 | 85 | ||||||||||||||
86 | 87 | 88 | 89 | 90 | 91 | |||||||||||||
92 | 93 | 94 | 95 | 96 | 97 | |||||||||||||
98 | 99 | 100 | 101 | 102 | 103 | |||||||||||||
104 | 105 | 106 | 107 | |||||||||||||||
108 | 109 |
[98]
HORIZONTAL
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VERTICAL
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[101]
By Mrs. H. A. Wolfe
Don’t get seasick, although it is a little difficult. We have to do something to please those crusty puzzlers who snort with contempt at easy problems.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |||||
17 | 18 | 19 | 20 | |||||||||||||||||
21 | 22 | 23 | 24 | 25 | 26 | 27 | ||||||||||||||
28 | 29 | 30 | 31 | |||||||||||||||||
32 | 33 | 34 | 35 | 36 | ||||||||||||||||
37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | |||||||||||||
45 | 46 | 47 | 48 | 49 | 50 | |||||||||||||||
51 | 52 | 53 | 54 | 55 | 56 | 57 | ||||||||||||||
58 | 59 | 60 | 61 | 62 | ||||||||||||||||
63 | 64 | 65 | 66 | 67 | 68 | |||||||||||||||
69 | 70 | 71 | ||||||||||||||||||
72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | ||||||||||||
81 | 82 | 83 | 84 | |||||||||||||||||
85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | |||||||||||||
93 | 94 | 95 | 96 | 97 | 98 | 99 | ||||||||||||||
100 | 101 | 102 | 103 | 104 | 105 | |||||||||||||||
106 | 107 | 108 | 109 | 110 | ||||||||||||||||
111 | 112 | 113 | 114 | 115 | 116 | 117 | ||||||||||||||
118 | 119 | 120 | 121 | 122 | 123 | 124 | ||||||||||||||
125 | 126 | 127 | 128 | 129 | ||||||||||||||||
130 | 131 | 132 |
[100]
HORIZONTAL
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VERTICAL
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[103]
By Mrs. Eric Crull
Some people mumble their words, but what is more appropriate than this waffling of Mrs. Crull’s? This is medium well done—by which we refer not to quality, but to difficulty. Try it when the simple ones seem too easy and the difficult ones too tough.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | |||||
15 | 16 | 17 | 18 | 19 | ||||||||||||||
20 | 21 | 22 | 23 | |||||||||||||||
24 | 25 | 26 | 27 | 28 | 29 | |||||||||||||
30 | 31 | 32 | 33 | 34 | ||||||||||||||
35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | |||||||||||
43 | 44 | 45 | 46 | 47 | ||||||||||||||
48 | 49 | 50 | 51 | 52 | 53 | 54 | ||||||||||||
55 | 56 | 57 | 58 | 59 | 60 | |||||||||||||
61 | 62 | |||||||||||||||||
63 | 64 | 65 | 66 | 67 | ||||||||||||||
68 | 69 | 70 | 71 | 72 | 73 | 74 | ||||||||||||
75 | 76 | 77 | 78 | 79 | 80 | |||||||||||||
81 | 82 | 83 | 84 | 85 | 86 | |||||||||||||
87 | 88 | 89 | 90 | |||||||||||||||
91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | ||||||||||
100 | 101 | 102 | 103 | 104 | 105 | |||||||||||||
106 | 107 | 108 | 109 | |||||||||||||||
110 | 111 |
[102]
HORIZONTAL
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VERTICAL
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[105]
By Mrs. E. I. Ashton
This puzzle is well named, to say the least, and those curving question marks will try the endurance of the solver to the utmost. Some of you will get out your Atlases and love this. Others in despair will throw themselves in the Siberian river and drown their woes. Good luck to all of you!
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | |||||||
11 | 12 | 13 | 14 | 15 | 16 | 17 | ||||||||||
18 | 19 | 20 | 21 | 22 | 23 | 24 | ||||||||||
25 | 26 | 27 | 28 | 29 | 30 | |||||||||||
31 | 32 | 33 | 34 | |||||||||||||
35 | 36 | 37 | 38 | 39 | ||||||||||||
40 | 41 | 42 | ||||||||||||||
43 | 44 | 45 | 46 | 47 | 48 | 49 | ||||||||||
50 | 51 | 52 | 53 | |||||||||||||
54 | 55 | 56 | 57 | 58 | ||||||||||||
59 | 60 | 61 | 62 | 63 | 64 | |||||||||||
65 | 66 | 67 | 68 | |||||||||||||
69 | 70 | 71 | 72 | 73 | ||||||||||||
74 | 75 | 76 | 77 | |||||||||||||
78 | 79 | |||||||||||||||
80 | 81 | 82 |
[104]
HORIZONTAL
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VERTICAL
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[107]
By Frank A. Ford
Mr. Ford is not one of those puzzle builders, who, grown sated with simple things, grow perverse in their madness for the dark and recondite. And, if you are inclined to call Mr. Ford a Master of Unkeyed Letters—well, just try your hand at constructing a twenty-one square puzzle.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | ||||||
16 | 17 | 18 | 19 | 20 | ||||||||||||||||
21 | 22 | 23 | 24 | 25 | 26 | 27 | ||||||||||||||
28 | 29 | 30 | 31 | 32 | 33 | |||||||||||||||
34 | 35 | 36 | 37 | 38 | 39 | |||||||||||||||
40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | |||||||||||||
48 | 49 | 50 | 51 | 52 | 53 | |||||||||||||||
54 | 55 | 56 | 57 | 58 | ||||||||||||||||
59 | 60 | 61 | 62 | 63 | 64 | 65 | ||||||||||||||
66 | 67 | 68 | 69 | 70 | 71 | 72 | ||||||||||||||
73 | 74 | |||||||||||||||||||
75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | ||||||||||
86 | 87 | 88 | 89 | 90 | 91 | |||||||||||||||
92 | 93 | 94 | 95 | 96 | 97 | 98 | ||||||||||||||
99 | 100 | 101 | 102 | 103 | 104 | |||||||||||||||
105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | |||||||||||||
113 | 114 | 115 | 116 | 117 | 118 | 119 | ||||||||||||||
120 | 121 | 122 | 123 | 124 | 125 | |||||||||||||||
126 | 127 | 128 | 129 | 130 | 131 | |||||||||||||||
132 | 133 | 134 | 135 | 136 | ||||||||||||||||
137 | 138 | 139 |
[106]
HORIZONTAL
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VERTICAL
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[109]
By Irvan Neckerman
How does he get that way? Here are some conversational words cheek to cheek with monstrosities dragged forth from their native obscurity. We warn all those to whom an obscure word is as a red flag to a bull to keep away from here.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | ||||
13 | 14 | 15 | 16 | ||||||||||||
17 | 18 | 19 | |||||||||||||
20 | 21 | 22 | |||||||||||||
23 | 24 | 25 | |||||||||||||
26 | 27 | 28 | 29 | ||||||||||||
30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | |||||
41 | 42 | 43 | 44 | 45 | |||||||||||
46 | 47 | 48 | |||||||||||||
49 | 50 | 51 | 52 | 53 | |||||||||||
54 | 55 | 56 | |||||||||||||
57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | ||||
69 | 70 | 71 | |||||||||||||
72 | 73 | 74 | |||||||||||||
75 | 76 | 77 | |||||||||||||
78 | 79 | 80 |
[108]
HORIZONTAL
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VERTICAL
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[111]
By Charley Cinderglass and Stoney Lonesome
Remember “West Pointer” in Series I? The soldiers are at it again. There ought to be some healthful dictionary practice here. 37 Vertical, by the way, appears to have been conned from some erudite work on natural history. (Might as well tell you that the two unkeyed letters are U and O.)
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||||||||||
10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | ||||||||||
19 | 20 | 21 | 22 | 23 | ||||||||||||||
24 | 25 | 26 | 27 | 28 | ||||||||||||||
29 | 30 | 31 | 32 | 33 | ||||||||||||||
34 | 35 | 36 | 37 | 38 | ||||||||||||||
39 | 40 | 41 | 42 | |||||||||||||||
43 | 44 | 45 | 46 | |||||||||||||||
47 | 48 | 49 | 50 | |||||||||||||||
51 | ||||||||||||||||||
52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | |||||||||
62 | 63 | 64 | 65 | |||||||||||||||
66 | 67 | 68 | ||||||||||||||||
69 | 70 | 71 | 72 | 73 | 74 | |||||||||||||
75 | 76 | 77 | 78 | 79 | ||||||||||||||
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[113]
By J. T. Delaney
“With such friends one does not need enemies,” an old proverb goes. Mr. Delaney is a familiar friend to followers of The Cross Word Puzzle Books, but the editors will bet that many a one has said that his worst enemy could not have given him more cold sweats.
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[115]
By Mrs. E. I. Ashton
Hoboken proves that it not only can manufacture Venus, the largest selling quality pencil in the world, but also some of the hardest puzzles. As a special reward for solving this puzzle you can receive a Venus Perfect Colored Pencil by sending the correct solution to the American Lead Pencil Co., 220 Fifth Avenue, New York.
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[114]
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[116]
WORD PUZZLERS
Have the Best Opportunity to a Correct Solution When Equipped With
WEBSTER’S NEW
INTERNATIONAL DICTIONARY
“The Supreme Authority”
It contains over 407,000 words, including thousands of the new terms.
12,000 Geographical Names
32,000 Biographical Entries
Scholarly Treatment of Synonyms
One successful contestant of a word contest offering cash prizes writes:
“Have won nearly $2,000.00 this year. Utterly impossible to accomplish success without the NEW INTERNATIONAL.”
WRITE for specimen pages and prices. Free pocket maps if you name this publication.
Why not be in the Winning Class?
Let the New International serve you
WEBSTER’S COLLEGIATE
The Best Abridged Dictionary
Have you seen this attractive, compact volume, based upon WEBSTER’S NEW INTERNATIONAL—the “Supreme Authority”? So light, so handy, so well printed that it is a real pleasure to use it. The large vocabulary, rich with information so often needed by the busy reader and student, will be treasured by all users of English. It is full of helps for those who wish to speak or write effectively. This specimen of fine bookmaking is just the volume for the home or office. It is just the thing for a lady’s writing desk, a gentleman’s table, or a tourist’s satchel.
106,000 Words and Phrases, including New Words.
1256 Pages. 1700 Illustrations.
Superior is the word that BEST describes this volume.
G. & C. MERRIAM CO., SPRINGFIELD, MASS. [117]
Special party boards may be obtained separately, printed on stiff cardboard. Several copies of the same puzzle are ideal for a party.
In solving the puzzles in this book, you may possibly have thought it good fun to stage a Cross Word Puzzle Party. Heretofore, this called for one copy of The Cross Word Puzzle Book for each person. But this is rather expensive, unless you plan to give a great many parties.
Furthermore, it is almost certain that at least one person in your party has done all or most of the puzzles in this book and, therefore, would have an unfair advantage in the contest.
Responding to a general request, therefore, we have prepared three puzzles specially constructed by the editors of this book for party use, and printed separately on stiff cardboard (8×12 inches). In other words, everyone at a party can now have his own puzzle, and a contest can be arranged to see who will be the first to turn in a perfect solution.
This was first done at the Cross Word Puzzle Convention held at the Ambassador Hotel, New York, on May 18, 1924. Everybody there agreed that it was an intensely exciting and enjoyable party. A contest of this sort can be made really thrilling by scoring each contestant’s time with a stop-watch and noting the number of errors. The winner is the first person turning in a 100 per cent correct solution.
The price per puzzle (diagram and definitions) printed on stiff board (so that you won’t have to lean on a book or table) is ten cents. Each puzzle comes in an individually sealed envelope. You may order as many or as few as you require for your party. Merely give the letter (A, B or C) of the puzzle (or puzzles) you wish, and state the quantity of each. Send ten cents for each copy you order. They will be sent to you post-paid. They may be had only direct from the publishers.
These puzzles come in three grades of difficulty: Puzzle A—Easy, Puzzle B—Moderately Difficult, and Puzzle C—Difficult. Choose the one you think best adapted to the individuals who will be at your party. The price is the same: ten cents for each card in a sealed envelope.
For experienced puzzlers we have also printed on similar cardboards three puzzle designs, X, Y, and Z, each a bit more complicated than the previous one. A delightful party can be arranged by dividing the party into teams of two or three and setting the teams to constructing puzzles for each other. The price of these blank puzzles is also ten cents each.
Whether or not you have a definite party in mind, we suggest that you order some of these puzzle-cards at once. You will appreciate having them on hand for one of those informal occasions when friends drop in. Send in your order today to
SIMON AND SCHUSTER, INC.
THE PLAZA PUBLISHING COMPANY
37 West 57th Street
New York, N. Y.
[118]
You can get one hundred hours more of this delightful and instructive pastime from
THE
CROSS WORD
PUZZLE BOOKS
(First Series—Blue Jacket)
(Second Series—Yellow Jacket)
Containing Fifty More New, Never-Before-Printed Cross Word Puzzles—Ranging from Mild Ones to Tantalizing Terrors—The same Format as this Book—The same Price—Only $1.35—And Again the Life-Saving Pencil and Eraser!
“The Real Literature of Escape”
and “The Eighth Lively Art”
The Cross Word Puzzle Books,
First, Second and Third Series,
Are Sold By All Book-Stores
or write to
SIMON & SCHUSTER, Inc.
[Plaza Publishing Company]
37 West 57th Street New York, N. Y.
[119]
Alert Boys and Girls Will Enjoy and Derive Excellent Educational Benefits from
The CHILDREN’S
CROSS WORD
PUZZLE BOOK
By Jane Black
Have the youngsters join the happy throngs of Cross Word puzzle fans! Here is a book which will captivate and stimulate them.
It begins with small three-square cross word formations, alphabetically arranged, accompanied by definitions that the average youngster will understand and enjoy.
Gradually, the puzzles, which are printed in color, become larger and more difficult, thus giving the children an excellent opportunity to improve their minds while they are having the time of their lives.
There is a detailed explanation of the best methods of trailing the elusive words, and a delightful foreword in verse.
In this book, children can really have the thrill of unravelling an honest-to-goodness mystery.
There is no game more irresistibly fascinating than cross word puzzles.
In every way this is an ideal book for children—64 fascinating pages—only $1.00—at all book-stores.
Published by the Publishers
of
The Famous Cross Word Puzzle Books
SIMON & SCHUSTER, Inc.
[Plaza Publishing Company]
37 West 57th Street New York, N. Y.
[120]
Another Fascinating and Instructive Book for Boys and Girls
THE
CROSS WORD
PUZZLE BOOK
for YOUNG FOLKS
by
Rosetta C. Goldsmith
And
Sylvia Weil
This book is as alluringly beautiful as it is instructive and absorbing.
It is hand-lettered throughout.
Each puzzle diagram is in the form of a striking pictorial design appealing strongly to the youngster’s imagination.
Bound in boards with a beautiful three-color picture cover.
The Puzzles themselves will thrill all wide-awake boys and girls.
[Price 75c.]
At all book stores or direct from the Publishers
SIMON & SCHUSTER, Inc.
[Plaza Publishing Company]
37 West 57th Street New York, N. Y.
[121]
OTHER SIMON AND SCHUSTER BOOKS
JOSEPH PULITZER, HIS LIFE AND LETTERS By Don C. Seitz
A thrilling and distinguished chronicle of one of the most amazing careers in recent American life. With many of the glamorous elements of the Page letters and the Bok autobiography, it has a dramatic intensity all its own. ($5.00)
THE COMMON SENSE OF TENNIS By William T. Tilden, II
The World’s greatest tennis player discusses all phases of the game in lucid, stimulating, and authoritative style. This is an entirely new book written as the first volume in the new Common Sense Library. ($1.50)
THE COMMON SENSE OF MONEY AND INVESTMENTS By Merryle Stanley Rukeyser
The financial editor of The New York Evening Journal explains for the average man and woman the essentials of earning, saving, spending, and investing money—a genuinely helpful and fascinating volume in the new Common Sense Library. ($1.50)
HARVEY LANDRUM, A Novel By Ridley Wills
The story of a man with a weak chin—so exciting, so true, so human that the name “Harvey Landrum” may well become a common noun. Out of 241 novels submitted this is the only one we are publishing. ($2.00)
THE FIRST TANGRAM BOOK By F. Gregory Hartswick
(Adventures of The Beautiful Princess in Triangle Land)
A new kind of children’s book, with all the enchantment of the old. By using the four colored sets of “tangrams” provided with this beautiful book, the boys and girls can make their own illustrations to their hearts’ content. ($2.50)
POEMS By Irwin Edman
From sheer delight you read this verse over and over again. The volume contains a group of striking “Portraits”—ironic character-studies in verse of typical men and women. ($1.50)
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org.
When printing puzzles from this ebook, please note that the black squares have their background color set to black using CSS. To properly print them as black, you may need to adjust the printer settings of your browser to print those backgrounds. Please verify the print-preview before printing.
This eBook is produced by the Online Distributed Proofreading Team at www.pgdp.net.
Title: | The cross word puzzle book: third series | |
Author: | Prosper Buranelli (1890–1960) | Info https://viaf.org/viaf/41419344/ |
Author: | Frederic Gregory Hartswick (1891–) | Info https://viaf.org/viaf/6288249/ |
Author: | Margaret Petherbridge | Info https://viaf.org/viaf/302285860/ |
File generation date: | 2022-08-20 19:36:10 UTC | |
Language: | English | |
Original publication date: | 1924 | |
Keywords: | Crossword puzzles | |
Puzzles |
In the original book, the hints appear on the left-hand side page, and the diagram on the right-hand side page. To better work in unpaged media, this order has been changed.
The following corrections have been applied to the text:
Page | Source | Correction | Edit distance |
---|---|---|---|
8 | [Not in source] | ) | 1 |
50 | Consanguinous | Consanguineous | 1 |
50 | cromium | chromium | 1 |
64 | Hindooism | Hinduism | 2 |
71 | 76 | [Deleted] | 2 |
74 | Descendents | Descendants | 1 |
88 | . | of | 3 |
110, 110 | . | [Deleted] | 1 |
110 | gastrapod | gastropod | 1 |
112 | obectively | objectively | 1 |
114 | [Not in source] | the | 4 |
117 | [Not in source] | . | 1 |
117 | Abassador | Ambassador | 1 |
118 | Yellow | Blue | 5 |
118 | Blue | Yellow | 5 |