The Project Gutenberg eBook of A visit to a farm house, by S. W.

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: A visit to a farm house
       or, An introduction to various subjects connected with rural
       economy. Seventh Edition revised and corrected.

Author: S. W.

Editor: T. H.

Release Date: May 29, 2022 [eBook #68171]

Language: English

Produced by: Charlene Taylor and the Online Distributed Proofreading
             Team at https://www.pgdp.net (This file was produced from
             images generously made available by The Internet
             Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK A VISIT TO A FARM HOUSE ***






[Illustration:

                              _A Tribute of
                                 REGARD,
                               PRESENTED BY
                             Thy Affectionate
                                 Friend_]




[Illustration: Frontispiece.

_The Farm Yard._]




                                    A
                                  VISIT
                                    TO
                              A FARM HOUSE;
                                   OR,
                             AN INTRODUCTION
                                    TO
                             VARIOUS SUBJECTS
                              CONNECTED WITH
                              RURAL ECONOMY.

                    EMBELLISHED WITH BEAUTIFUL PLATES.

                                _By S. W._
                      AUTHOR OF “A VISIT TO LONDON.”

                             SEVENTH EDITION,
                          REVISED AND CORRECTED
                                _By T.H._

                                 LONDON:
                    WILLIAM DARTON, 58, HOLBORN HILL.
                    And to be had of all Booksellers.

                                  1820.
                      (Entered at Stationers’ Hall.)

                          [PRICE HALF-A-CROWN.]




PREFACE.


This little Work was undertaken to excite the attention of those
children, who live in the country, to the various objects by which they
are surrounded; and to furnish those residing in the metropolis and other
large cities, with some information relative to rural economy, which
their situation prevents them acquiring by personal observation.

The author acknowledges that she is totally incompetent deeply to discuss
the phenomena of nature, or the science of agriculture; she should
indeed think it inconsistent to introduce scientific researches into
a Work of this kind. But a slight investigation of the simple arts by
which the nourishment of man is effected, or of some of those wonders of
creative power which daily present themselves to view, cannot, in her
opinion, be deemed an improper exercise even at an early age.




VISITS TO A FARM HOUSE.




CHAPTER I.

_Cows._


“What a delightful morning!” exclaimed little Arthur Benson on opening
his eyes, and seeing the sun shine bright into his room; “Charles,
Charles,” continued he, turning to his brother, who was still asleep,
“let us get up directly, and we shall have time for a little walk before
grandpapa and grandmamma come down stairs.” Charles obeyed the summons,
and they were soon dressed. They then went into the garden, and from the
garden into the field adjoining; both highly pleased with all they saw,
for they had never slept out of London before, and the country was quite
a new scene to them. “See,” said Charles, “how all the cows are gathered
together by that gate; and here comes a man they call old Ralph with a
pail on his arm. Pray, Ralph, what do the cows want there?” “They want
to be milked,” said Ralph, “and through that gate is the way to the farm
yard.” “Are _you_ going to milk them, and may we come with you?” inquired
Arthur.

Leave being given, they tripped along by the side of the good old
servant; but both stood at some distance behind when they came near the
cows, as they felt rather afraid of going close to such large animals.
“Why, now, masters, what is there to be afraid of?” said Ralph, who found
they had left off talking and suddenly shrunk back. “The cows will not
hurt you, if you do not hurt them.” “Don’t they sometimes toss people
with their great horns?” asked Charles. “Here and there you may meet with
a vicious one,” replied the man, “but in common they are very gentle.”

_Arthur._ I remember my papa told me never to run in the way of the cows
that we meet in London streets.

_Ralph._ Aye, that is a very different thing. The poor cattle are not
used to be there, so sometimes they may be frightened; and then, the
butchers are often cruel, and will beat and drive them about, as I have
heard, so that for what I know it may be best to keep out of their way;
but here there is nothing of the sort. I do not ill use them, and they
are always quiet with me.

The little Bensons then recovered from their fears, and wanted to milk
the cows themselves. The trial was made, and they were surprised to find
that they were not able to do it as well as Ralph. Had they been older,
they would have known that there are many things which are easy to those
who are accustomed to do them, that one who had never tried would find
difficult.

“Pray, Ralph,” asked Arthur, “why has the young calf that thing full of
spikes round his mouth? See, he wants to suck the black cow, and she will
not let him. Cannot you take it off?”

“Oh no, master Arthur, it is time the calf should be weaned. He is old
enough now to eat grass, and we want the milk for the dairy; so we put
the spikes on him, and because of them, as they would hurt her, the
mother will not let him suck any more.”

“Is he to be killed?” inquired Charles.

“Not at present,” replied the old man. “Master means to keep him to draw
in the team.”

“To draw in the team!” said Charles with some surprise.

“Yes,” returned Ralph; “we have always a team of oxen. You may see them
ploughing in that field yonder; just there,” continued he, pointing with
his finger, “beyond the holly hedge.”

“I see them; I see them,” said Arthur. “Poor creatures! how slow they go!
Are not they tired, Ralph?” “No, sir,” replied Ralph, “they do not move
so quick as horses; but they are vastly stronger. And though it is not
always quite so easy to manage them, yet on the whole they answer very
well.”

Ralph had now finished milking: and taking the little boys into the
stable, he showed them a baby calf, as he called it, that was to be sold
to the butcher the next day.

[Illustration: _Page 6._

_The baby Calf._

_London. Published by W. Darton Jun. Oct. 5, 1815._]

“O you pretty little thing!” said Arthur. “Only look, Charles, at these
spots on its back. I should like to have it for my own. Why must it be
killed, pray?”

_Ralph._ To serve us for food, master Arthur. If we were to suffer all
the cattle to live, they would eat all the grass and corn that we could
grow; and then we should be starved, and you would not like that.

_Arthur._ No, I don’t want to starve; only I do not like to have things
killed.

At this moment Mr. Mansfield came into the stable.

“We were talking about this poor calf, grandpapa,” said Charles. “Ralph
says it is to be killed to-morrow to make veal. I am sorry for it; it
has such a pretty coat!”

“It cannot be helped, my dear,” replied his grandfather. “But when it
is dead, do you know what will be done with its pretty coat?” The boys
answering they did not, “It will be sold,” said he, “to the tanner, who
dresses the skins of cattle, or _hides_ as they are called; and when it
is properly prepared, it makes that beautiful, smooth kind of leather,
that the large books you were looking at last night were bound with. It
is often prepared to write upon, and is then called vellum. The skins of
oxen and cows make a thick coarse leather, such as the soles of our boots
and shoes.”

“And what becomes of the hair?” asked Charles.

“After the hide has been soaked for a long time,” replied Mr. Mansfield,
“it comes off easily, and is put into that kind of mortar which is used
to plaster walls, in order to keep them from crumbling and falling away.
Did you never see in a white wall broken down in part, a heap of short
hairs, and here and there perhaps a little loose piece of mortar hanging
to them?”

Arthur said he had, but he did not know it was cow-hair; and added, he
could not have thought it could have been of any use.

“Every thing is of use, my dear,” said Mr. Mansfield. “I doubt if you
can name a part of the cow that will not turn to some account.”

“What the hoofs, grandpapa?” said Charles.

“Yes, Charles,” returned Mr. Mansfield. “The hoofs and the parings of
the skin, by being boiled down to a strong jelly, make the glue which
carpenters use to join things together.”

_Arthur._ The horns—Oh, I know what is done with the horns. I have seen
horn lanterns, and I have got a little box at home that mamma says is
made of horn.

_Mr. Mansfield._ Very well, Arthur. And you may have seen boxes, and
knife-handles, and combs, and many other things, made of the bones of the
ox. Even the dung is of some use. It is a good manure for land; it is
used in the process for bleaching linen; and poor women pick it up when
it is dry, and make fires of it, to save coals.




CHAPTER II.

_The Dairy._


Mrs. Mansfield, hearing how much her little grandsons had been pleased
with the cows, after breakfast took them into the dairy, to show them
what was done with the milk which those useful animals give in such large
quantities. The dairy was a little room with a brick floor, facing the
north, and kept very cool, by means of a latticed window that let in
fresh air. It was necessary that it should be built in that way, because
heat soon turns milk sour. Round the room were fixed a sort of trays
lined with lead, which then were all filled with milk.

“Grandmamma, what is to be done with this milk?” inquired Arthur.

“It is set for cream,” answered Mrs. Mansfield; “and the cream will be
made into butter.”

_Charles._ How is butter made, pray?

_Grandmamma._ Come here, and I will show you. The milk is poured into
these trays, which are not deep, but broad, so as to cover a large space.
When it has stood some time, the cream or greasy part, which at first is
mixed with the milk, rises to the top in the manner you now see. Then
it is skimmed off with this ladle, and put into a pan by itself. This
is done twice a-day; and when there is cream enough, it is churned into
butter.

_Charles._ Is there any churn here, grandmamma? Sister Kate has got a
plaything churn, but I never saw one fit for real use.

Mrs. Mansfield pointed to a large barrel fixed on a stand, with a
winch handle to turn it, and told him that was the churn. Charles was
surprised, and said it was not at all like his sister’s.

_Grandmamma._ Perhaps not. Sometimes they are made like a pail, with a
long stick to pull up and down; but these I have give less trouble, and,
I believe, are now common.

[Illustration: _Page 14._

_The Dairy._

_London. Published by W. Darton Junʳ. Oct. 5, 1815._]

_Arthur._ Well, grandmamma, how is this used?

_Grandmamma._ The cream is put in through that little square door, which
is then shut quite close; and when the churn has been turned a good
while, it is changed into butter.

_Charles._ So then butter is nothing but cream shaken about? I should
like to see it made.

_Grandmamma._ You cannot see it now, my dear, because Rose churned
yesterday. But I will give you a little cream in a phial: and you may
shake it till you make it into butter.

_Arthur._ Oh, can _we_ make it so? I should like it very much indeed, if
you please, ma’am.

Mrs. Mansfield fetched a phial, and the two boys amused themselves a long
time with their experiment. But they found that with all their pains they
could not turn the whole into butter; their grandmamma told them there
was always some waste; that it was called buttermilk, and given to the
pigs.

Arthur and Charles, quite proud of their success, went to look for
Rose, that they might tell her they could make butter as well as she.
They found her in the dairy, where their attention was drawn to a new
circumstance. Rose was standing before a large tub, full of a white
substance rather thicker than jelly, which she was very diligently
employed in breaking.

They forgot the butter they had intended to boast of, and both began to
ask a variety of questions, which she answered with great good humour.

_Both the Boys._ What is that for? What are you doing now, Rose?

_Rose._ Making cheese.

_Charles._ Making cheese? Well, since I have been at my grandpapa’s, I
have seen things I never saw before.

_Arthur._ But how do you make it, Rose? What have you got there?

_Rose._ Curd.

_Arthur._ What is curd?

_Rose._ It is made from milk, master Arthur. When the cream is taken off,
we take the milk and mix it with rennet, and then—

_Arthur._ Rennet! What is that?

_Rose._ A sour juice that is made by boiling a part of the inside of a
calf. We put a little rennet to the milk, which makes it part into curds
and whey. This thick white part is the curd, and the thin watery part is
called whey.

_Arthur._ Is that the whey people take for a cold?

_Rose._ No. That kind of whey is made with wine instead of rennet; but
the curd parts just in the same manner as this.

_Charles._ I will ask our Sally to let me look at it the next time she
makes whey. But why do you break it?

_Rose._ That there may be no lumps. Wait a little, if you please, and you
shall see how I go on.

She then took a large round bag made of coarse cloth, into which she put
all the curd, and pressed it with very heavy weights in order to squeeze
out as much of the whey as she could. This done, she turned it out of
the bag into a vat which has holes like a cullender, and, leaving it to
drain, then told them the cheese was finished.

“I did not know,” said Charles, “it was so easy to make cheese. But what
is the rind, pray?”

“’Tis the same as the rest,” replied Rose; “only, being left to the air,
it grows hard in time.” Then leading them into another room, she showed
them a great number of cheeses; some were still soft, having been lately
made; others, that had been longer kept, were grown quite hard.

“What is the whey good for?’ asked Charles, as they came back through the
dairy.

“We give it to the pigs,” said Rose.

“So then,” said Arthur to himself as he walked away, “_butter and cheese
are both made from milk; but the butter is the greasy part, and the
cheese is the curdy_.”

“Yes, master Arthur,” said Rose, “you are right, for that is our way
of making butter and cheese in this country: but in many places, where
richer cheese is made, they use the milk without skimming off the cream;
and to make good cream cheese, the cream only is used when skimmed from
the milk.”




CHAPTER III.

_The Pigs._


When dinner-time came, it happened that there were brought to table some
custards and gooseberry tarts, of which Charles was tempted to eat very
greedily. He had already been twice helped, and the servant was going to
carry away the remainder of a tart that had been left in the dish, when
Charles, not satisfied whilst any remained, stopped him, and once more
filled his plate with it.

The footman stared; and his grandpapa and grandmamma looked at him with
surprise, but said nothing.

In the evening Mr. Mansfield led his grandsons into the yard, just at
the time his man was giving the pigs their supper. Arthur and Charles
were diverted at the eagerness with which the whole family squeaked and
grunted over their food, which they devoured with the utmost haste,
treading one over another as they scrambled for a share.

“O grandpapa,” exclaimed Charles, “how droll it is to see the pigs eat!
Look there! look there! One has got a cabbage leaf, and another wants it.
Now it has got it away, and it eats it as fast as ever it can. And now
it is come for more. I dare say they will soon empty the trough.”

“Perhaps so,” replied his grandpapa, smiling. “Pigs are as fond of
cabbage leaves and bean stalks, as little boys are of gooseberry pie.”

Charles blushed.

“Hey, Charles!” continued he, putting his hand upon his head so as to
look full in his face, “this is not the first time to-day I thought I had
a pig for my companion. Do you know any body that ate voraciously, and at
last _emptied the dish_?”

Charles softly answered, “Yes, sir.”

“Well, I believe he is ashamed of his greediness,” said Mr. Mansfield;
“I only advise him another time to be more upon his guard for fear we
should take him for a pig.”

As they were sauntering about, a sow with a fine litter of pigs at her
heels came across the yard.

“Pray, sir,” asked Arthur, “how many pigs may a sow have at once?”

“From ten to twenty,” said Mr. Mansfield. “But as she has not milk enough
to suckle so many, she casts off some, and seldom brings up more than
twelve.”

_Arthur._ What food do they like best, sir?

[Illustration: _Page 24._

_The Pigs._

_London. Published by W. Darton Junʳ. Oct. 5, 1815._]

_Grandpapa._ They are not very difficult. They will eat almost any kind
of rubbish and offal: but vegetables of all sorts are best for them.
Cabbage stalks, potatoe parings, bean and pea shells, they like very
well; and it is a good way to turn them out into the forests, where they
meet with plenty of acorns, and mast nuts that grow upon beach trees.
With their long snouts they turn up the ground, that they may get at the
roots or plants: to prevent this, we are obliged to have a ring thrust
through their noses, otherwise they would do a great deal of mischief.

_Charles._ Are they of much use, grandpapa?

_Grandpapa._ Not whilst they are alive. When dead, the flesh, you know,
is eaten, and is called pork, or bacon if salted in a particular manner.
The lard, or some of the fat, is used in making many sorts of plasters,
and the bristles are formed into brushes of various kinds; and are used
by shoemakers and others in sewing leather, instead of needles.

_Arthur._ I like _little pigs_ much better than I do great old ones.

_Grandpapa._ I cannot say the hog is a favourite animal with me. He is
not only ugly, but his habits of life are disagreeable. You may have
observed that he is very fond of grouting in the mire. Neither his
grunting nor his squeaking is pleasant music; and the whole race are so
greedy, that, if they have food enough, they will eat till they are too
heavy to stand on their legs; even then they will lie on their sides, and
eat still. Sometimes the sow will go so far as to devour her own young.

_Arthur._ Indeed? The unnatural brute!

_Grandpapa._ I should have told you that their stomach is made very
large, and requires an unusual quantity of food. But if we are disgusted
with the manners of a hog, we should be careful not to imitate them; as
filth, gluttony, and want of natural affection, must surely be ten times
more shocking in the creature man, who is blessed with reason.




CHAPTER IV.

_Sheep-Shearing._


The following day being appointed for sheep-shearing, a number of men and
boys assembled at an early hour in the great barn. Arthur and Charles
went with their grandpapa to see the process, and were greatly pleased
with the hurry and bustle of the scene. The sheep were penned in a fold
close to the barn, and were fetched away by the lads one by one, as fast
as the shearers were ready for them. A few days before, they had all
been washed at a mill-pond, so that their fleeces were beautifully white,
and they were so thick as to make the animals appear almost twice as
large as they really were.

[Illustration: _Page 28._

_Sheep Shearing._

_London. Published by W. Darton Junʳ. Octʳ. 5, 1815._]

Arthur observed with surprise, that the poor creatures were perfectly
quiet during the time of their being shorn; although they struggled with
terror when they were first brought out, and bleated piteously as soon as
they were set at liberty.

He wondered at the ease with which the men laid them on the ground, and
afterwards turned them over from side to side, as was necessary in the
course of the shearing. After watching one of the shearers for some time,
he began the following conversation with him:—

_Arthur._ Good man, does not it hurt the sheep to be pulled about in that
way?

_The Man._ They do not like it; but I try to hurt them as little as I can.

_Arthur._ Are you not afraid of cutting them with the shears, when you
put them down into the middle of the wool?

_The Man._ We take care to feel our way, but now and then they get an
unlucky snip. That man there, that stands by the door, has some tar that
he puts to them if they chance to be hurt.

_Arthur._ Poor things! how cold they must feel when they lose such a
quantity of wool!

_The Man._ It is time they should be shorn now, master. This is their
winter coat, as one may say; and if it was left much longer, by little
and little it would fall off of itself.

_Arthur._ Then why don’t you let it come off of itself, instead of taking
all this trouble, and teasing the sheep?

_The Man._ My service to you, sir! What, are we to lose the wool, or to
follow the sheep from place to place wherever they choose to stray, in
order to gather it after them? No, no; they may suffer a little at first,
but if the weather is warm they soon get over it.

_Arthur._ How many can you shear in a day, good man?

_The Man._ Why, fifty, more or less. The quickest hands can finish one in
ten minutes.

Charles during this time was helping a little girl to pick up the loose
locks of wool that were scattered over the floor. His brother turned
round, and saw how he was employed. What should _he_ do? Every one was
busy besides himself, and he could not bear to be the only idle person.
A message came to fetch away one of the women, whose task it was to
roll up the fleeces and pile them together on a heap. Arthur offered to
take her place; and, after a few trials, he learned to tie them up very
dexterously. He continued at this employment for some time, and rejoiced
to find himself of some use.

Mr. Mansfield at length called the two boys to go away. They immediately
obeyed; and Charles, taking hold of his grandpapa’s hand, asked him if he
did not think a sheep-shearing was a most charming thing.

_Grandpapa._ It does very well in its season, my dear boy. Wool is so
useful, that the shearing-time always gives me pleasure.

_Arthur._ What shall you do with it, grandpapa?

_Grandpapa._ I shall sell it to the wool-stapler; and, after it has
passed through the hands of different manufacturers, you may perhaps meet
with it again in some shop, though so altered as not to be known for the
same. It will then be in the shape of flannel, worsted, cloth, or perhaps
some kind of stuff.

“That is all very droll,” said Charles. “But when will there be another
sheep-shearing, grandpapa?”

“Not till this day twelvemonth, my dear,” returned Mr. Mansfield. “Wool
does not grow very fast. In two or three weeks you will see the sheep
covered with a little short wool; and the traces of the shears will then
be worn away. As winter comes on, it grows thicker and longer; but that
is not a time to rob them of their fleece. At last the year will come
round, and then they will be again ready for the shearer.”

“I am fond of sheep,” said Arthur; “and I like little lambs, they look so
innocent.”

_Grandpapa._ They are gentle, timid creatures, and require the care of
man more than almost any other animal; as they have neither strength to
defend themselves when attacked by their enemies, nor swiftness to run
from danger.

_Arthur._ And they pay us for the care we take of them, by letting us
have their wool?

_Grandpapa._ Indeed they do, Arthur; but not by their wool alone, for
they are useful in more ways than one. Mutton, which you know is the
flesh of the sheep, is one of the most wholesome meats we have; some
parts of the fat are melted down to make tallow. The skin is sometimes
made into parchment, and sometimes into leather, for gloves, shoes, and
other things: and parts of the guts are twisted into strings for musical
instruments.

_Charles._ What enemies have sheep, grandpapa? You have said they can’t
defend themselves against their enemies.

_Grandpapa._ Wherever there are wild beasts, Charles, they have many
enemies, as they all prey upon the sheep. Eagles will attack young lambs;
so will foxes; and even dogs, if they are fierce, and not properly
trained.

_Arthur._ But I have often seen a dog along with a flock of sheep.

_Grandpapa._ Yes; the breed that is called the shepherd’s dog is very
useful in managing them. They seldom bite, but will fetch those back
that have gone astray; and by barking at them alone, guide the whole
flock much more easily than a man can do. When they have done their
business, you may see them come back to the shepherd, and follow him as
quietly as possible.

In the evening a supper was provided to refresh the shearers after their
hard day’s work, consisting of legs of mutton, and plum-puddings, with
plenty of good ale. All was jollity and mirth. During the day a constant
buz of many voices might have been heard even at some distance from the
barn; but the business they were engaged in did not allow time for much
talk. At night, on the contrary, they had nothing to do but to divert
themselves, and every tongue was heard. They told merry stories without
end, sang songs, and drank to the health of their kind master. Mr.
Mansfield himself staid with them for some time, encouraging them to be
cheerful, and walked about to see that every body was helped. At length,
he left the party, followed by his grand-children, who immediately
retired to rest, highly satisfied with the pleasures of the day.




CHAPTER V.

_A Walk through the Fields._


The next morning, Mr. Mansfield asked the little boys if they were
disposed for a walk. Arthur replied that he should like it very much;
but Charles said he would rather stay at home with his grandmamma;
accordingly they set off without him.

“What pretty purple flowers grow in that field!” observed Arthur, when
they had proceeded a little way. “Pray, grandpapa, what are they?”

“That is a field of clover,” replied Mr. Mansfield; “and it will soon be
cut for hay.”

_Arthur._ I never saw such pretty hay as that.

_Grandpapa._ Oh, there will be no beauty in it. On the contrary, it looks
much coarser and browner than what is made of common grass, which is
called meadow hay.

_Arthur._ What becomes of the flowers then?

_Grandpapa._ They dry and wither away. You do not suppose they would live
when cut down. Did you ever see how hay is made?

_Arthur._ Yes, a great many times. A number of men and women go into
a field and turn the grass, and then they put it into cocks, and
afterwards make a stack of it.

_Grandpapa._ Why do they do all that?

_Arthur._ To make it into hay.

_Grandpapa._ Yes. But why does turning it about make grass into hay?

Arthur said he did not know.

_Grandpapa._ Then I will tell you. The grass when cut down is full of
moisture. If you squeeze a blade in your fingers, it will be damp; and
that dampness is called sap. Now, while the sap is in it the grass will
not keep. If you were to make it into a stack, it would soon rot, and
smell so putrid you would not like to go near it. But when it is turned
about to the sun and the wind, till the sap is dried away, there is no
more danger, and you may stack it, and keep it for a long time.

_Arthur._ But if I had a field, grandpapa, I would never make hay. My
horses should go in and eat the grass when they wanted it; and I would
save myself the trouble of working for them.

_Grandpapa._ I am afraid, Arthur, you would make a lazy farmer. Do not
you know that nothing in this world is to be had without trouble? and if
you are so very sparing of your pains, I fear you will not succeed very
well.

_Arthur._ Why not, pray, sir?

_Grandpapa._ Did you ever take notice of the grass in the winter?

_Arthur._ Yes; I believe it is then short and black.

_Grandpapa._ The blackness is nothing but the earth among it; it is very
thin at that time of the year. Did you ever observe a field just before
it was cut for hay?

_Arthur._ Oh, yes. Do you know, grandpapa, we all took a walk in a field
a little while ago; and the grass was so very long that it came up to the
top of my legs; and little Kate cried, and could not get on at all.

_Grandpapa._ You see then, that as there is much grass in summer and
but little in winter, your horses at one time would have more than they
could eat, and at another would starve. Yet this would be owing to your
own fault: for God gives enough for the whole year; and all he requires
of us is, that we should in the season of plenty lay up for the time of
need.




CHAPTER VI.

_The Walk continued._


The next field they came to was sown with rye, which Mr. Mansfield
said was a species of corn; and, although much coarser than wheat, was
frequently made into bread, and in many places formed the chief food of
the poor. He desired his grandson to gather an ear or two, that he might
learn to distinguish between that and barley, which grew in the field
through which they were next to pass.

Arthur pulled up a root of rye, and then ran to overtake his
grandfather, who by this time had got over the stile, and was slowly
crossing the barley field.

“Well, Arthur, what difference do you find in the growth of these two
kinds of corn?” asked Mr. Mansfield.

_Arthur._ Indeed, grandpapa, I don’t see any, except that the rye grows
very high, as high as the top of your hat, and that the barley only comes
to my elbow.

_Mr. Mansfield._ That is one difference, to be sure. Examine them well,
and perhaps you may discover some other.

_Arthur._ Oh, yes, I see, sir. The spikes of the rye are neither so fine
nor so long as in the barley.

_Mr. Mansfield._ Very true again. So you see you need never mistake
between them. The straw of the rye is the longest, but the beard (you
should not call it the spikes) is shorter and coarser.

_Arthur._ I think the long beard of the barley gives it rather a silky
look, as it waves about with the wind. Pray, grandpapa, is barley sown to
make bread too?

_Mr. Mansfield._ Sometimes it is used for that purpose; but the greatest
part of what we grow in England is for making beer.

_Arthur._ Beer! Is it possible that barley can make beer? Do you know,
sir, how it is done?

_Mr. Mansfield._ Yes; and you shall hear, if you wish to know. All grain
is the seed of the plant; and before it can be put to any use it must be
taken out of the ear. Now, to do that, it is thrashed with an instrument
called a flail. I suppose you have seen one, have you not?

_Arthur._ I remember once passing at some distance from a barn, where a
man was swinging something about, that looked like a bent stick; and he
beat the ground with it, and somebody said he was thrashing.

_Mr. Mansfield._ That he certainly was. The corn was spread upon the
barn-floor, and he was beating out the grain with a flail. The next
business is to separate it from the chaff, or outside skin. This is
sometimes done by turning a machine very quickly so as to cause a wind,
which blows away the chaff, for it is as light as a feather. A more
simple method is, to throw the corn across from one side of the barn to
the other, against the wind. The chaff, being so light, is soon blown
back, whilst the corn goes on a little further, and falls in a heap by
itself.

_Arthur._ But, dear grandpapa, what has this to do with making beer?

_Mr. Mansfield._ All in good time, my dear boy. You must _get at_ the
barley before you can _use_ it, must you not? The method of winnowing
I have described, relates principally to wheat (for barley is without
chaff); but the barley must be thrashed, and separated from the ear;
after which it is put for some days into a cistern of water. It is
then taken out and laid in heaps; when it ferments, and is ready to
shoot out in the same manner as if sown in the ground. Afterwards it is
spread thinly over a floor, and frequently turned; and when partly dry
is carried to a kiln, a kind of oven, where it is dried. Having passed
through all this process it is called malt, and the man whose business it
is, is termed a maltster.

_Arthur._ I thought brewers made beer?

_Mr. Mansfield._ You were right. Brewers buy malt. They grind it, and
then pour hot water upon it, to get out its strength and goodness. The
liquor thus obtained, which is sweet-wort, becomes the most valuable part
of the commodity; for the malt has lost its virtue, and is called grains,
and is only used to feed pigs and cattle. The wort is afterwards boiled
with hops, which give it a bitterish taste instead of a sickly sweet, and
keep it wholesome and good. Then it takes the name of beer; and after
fermenting for a little while may be put into casks and kept for use.
And now, Arthur, do you think that you understand brewing? Shall you
recollect that malt is barley prepared in a particular way? and that beer
is made by pouring warm water on the malt, and afterwards boiling it with
hops?

_Arthur._ I think I shall, grandpapa.




CHAPTER VII.

_The Pony._


As Mr. Mansfield and Arthur were returning from their walk, in a lane
at a little distance from the house they were met by Charles, who had
mounted a pony belonging to his grandfather: it had taken fright, and
was running away at full speed. Mr. Mansfield stopped it by catching
hold of the bridle; and as soon as he was satisfied that no mischief had
happened, and Charles was sufficiently recovered to be able to talk, he
inquired what had led him to try his skill in horsemanship.

[Illustration: _Page 52._

_Charles on the Poney._

_London. Published by W. Darton Junʳ. Oct. 5, 1815._]

“Why, grandpapa,” replied Charles, “Robert had just come home with the
pony, and left him at the gate; and I wanted to ride; so I got upon him,
and he ran away with me.”

_Mr. Mansfield._ As you have never been used to ride, my dear Charles,
you had better not get upon strange horses when you are alone. I wonder
too that Plover should run away; he is in general very gentle.

_Charles._ At first he would keep his head over the gate, and I could not
get him to move. So I hit him with a stick I had in my hand, and that set
him off in a gallop.

_Mr. Mansfield._ I fancy all was owing to your want of skill; for Plover
is a very quiet creature, and easily managed; but he will not bear
ill usage; therefore, if you beat him much, I am not surprised at the
accident.

_Arthur._ I am sure, grandpapa, Charles did not mean to be cruel, and use
the horse ill.

_Mr. Mansfield._ He is so good a boy that I do not suspect him of it;
and I only meant to give him a caution against another time. No, my dear
children, I hope you will never take pleasure in wanton cruelty. My heart
has often ached at the barbarities I have seen practised on poor dumb
creatures.

_Arthur._ Once when I was walking with papa, we saw a man beating a
horse about the head with the butt end of his whip, and my papa advised
him not to do so; but he said it was his own horse, and he had a right to
do as he liked.

_Mr. Mansfield._ Nothing can give a man a right to be cruel. We may, it
is true, make what use we please of our beasts, as long as we treat them
well, for they were made for our convenience; but God Almighty has given
to them life and feeling the same as he has to us; and we make him angry
with us whenever we use them ill.

“I often think, grandpapa, that it is very strange such large creatures
as these,” said Arthur, patting Plover, who now walked quietly by the
side of his master, “should suffer us to get upon their backs, and
manage them as we please. They are much stronger than we are; and I
wonder they do not drive us away, and not carry us, and refuse to draw
our coaches and do every thing we like.”

_Mr. Mansfield._ It would be astonishing, Arthur, if we did not consider
that our reason gives us a great advantage over all brutes. Some of them,
it is true, are much larger, some much stronger, and others much swifter
than we; but by means of our understanding we can conquer the strongest,
and tame the fiercest of them.

_Charles._ How can we tame them, pray, sir?

_Mr. Mansfield._ By methods which they cannot resist. Plover is stronger
than you, but a boy of your size who understands riding would be able to
manage him. He would pull the bridle on this side, or on that, according
as he wished him to turn; and as he pulled, the bit would hurt the
horse’s mouth just enough to make him willing to go where he was wanted:
therefore, by our knowing how to manage a bit and a bridle, we are more
than a match for a horse in spite of his great strength.

_Arthur._ I understand you now, grandpapa. And I have something to tell
you. As we were taking a walk a little while ago, a dog came barking and
snapping, and I thought he was going to bite me; but my mamma called out,
“Don’t be frightened, Arthur; pick up a stone to throw at the dog, and it
will send him away.” So I did, and to be sure he slunk off at once. Now
was not it my reason that made me conquer the dog, though the dog could
bite harder than myself?

_Mr. Mansfield._ Exactly so. You see, then, that although our bodies are
naturally weak and helpless, yet by our reason we are furnished with the
means of strength and defence. So God has ordained; and therefore, though
he will not suffer us to be cruel to any of his creatures, yet, as our
Bible tells us, he said at the beginning of the world, that the fear and
dread of man should be for ever upon all animals.

As Mr. Mansfield finished these words, they reached the stable yard, and
Ralph came forward to unharness the pony.

“Plover must be shod to-morrow, sir,” said he, as he looked at one of his
hinder feet.

“Is not it cruel, grandpapa,” asked Charles, “to drive nails into the
horse’s feet?”

_Mr. Mansfield._ No, my dear, it is not. The nails only go into the
hoofs, which are very hard, and have not any feeling; but if we did not
put on these iron shoes, the hoofs, hard as they are, would soon be
battered to pieces when they travel over rough and gravelled ground.

_Arthur._ Dead horses are of no use; are they, sir?

_Mr. Mansfield._ Their flesh is given to dogs; but the skin, when
converted into leather, is used for making harness and some other things.




CHAPTER VIII.

_A Visit to the Windmill._


“Do you know, my dear,” said Mrs. Mansfield to her husband, when they
were sitting at tea, “the miller has forgotten to send home the flour he
promised to let us have last week; and Sarah has just told me we have not
enough in the house to bake to-morrow! So what must we do? Can you spare
one of the men to go over and inquire about it?”

“I am afraid, my dear,” said Mr. Mansfield, “they are all busy at
present; but when Ralph comes in he may go of the errand.”

“It has just occurred to me,” rejoined Mrs. Mansfield, “that if you are
disposed for another walk this fine evening, you might go yourself and
take the children with you; and it will be a nice treat to them, for I
know they have never seen a mill.”

“Ah, do go, grandpapa; will you, grandpapa? it will be so very
delightful!” said both the boys at the same instant.

“Well, bring me my hat then,” said their indulgent grandfather. “I did
not intend to stir again to-night; but if it will give you pleasure, my
dear boys——”

“Thank you, sir! thank you, sir!” cried Charles, running for the hat.

“I hope you won’t be tired though,” said Arthur. “You shall rest upon my
shoulder all the way; and do not be afraid of leaning all your weight,
for I shall be able to bear it very well.”

“You shall have my shoulder to rest upon too,” exclaimed Charles: “So I
dare say, grandpapa, you will not be tired.”

“Indeed,” replied Mr. Mansfield, putting one hand upon the shoulder of
each, as he rose from the chair, “with two such kind little supporters, I
shall not be easily fatigued.”

As they walked, Charles expressed his joy that they were going to see the
inside of a mill, which was what he had long wished to do. “And, pray,”
inquired he, “what is it like?”

_Mr. Mansfield._ That you will see when you get to it: in the mean time,
Arthur, examine this wheat. I showed you barley and rye in the morning.

“There is no beard to this,” said Arthur.

_Mr. Mansfield._ No; and the ear is heavier and larger. Gather one, and
count the number of grains it contains.

Charles pulled violently, and drew up a root that had seven stalks
growing from it.

[Illustration: _Farm House Page 64._

_The Mill._

_London. Published by W. Darton Jun. Oct. 5, 1815._]

“Hold, you wasteful little fellow!” cried his grandpapa. “I did not tell
you to root up my field at one stroke. Let me see, however. Observe what
a wonderful increase here is. These seven stalks have all sprung from
one single grain, and each ear contains, perhaps, twenty grains; which
gives us in all a hundred and forty grains instead of one.”

_Arthur._ That is astonishing, indeed! So there always grows a hundred
and forty times as much wheat as is sown?

_Mr. Mansfield._ No, no, I did not say that. In this instance it is
so; and sometimes it may even happen to produce more; but a great deal
of seed rots in the ground, without ever growing at all: of what does
come up, some is spoilt before it is ripe, and the ears that come to
perfection do not all yield so well as these. I believe, therefore, that
taking the kingdom throughout, we only gather about eight times the
quantity we sow.

_Arthur._ How long is wheat growing, pray, sir?

_Mr. Mansfield._ Nine or ten months generally. No sooner is the harvest
of one year got in, than we begin to prepare for that of the ensuing
year. We plough the land, and sow it again immediately. Some seed,
indeed, is not sown before the spring, but that never produces quite such
good crops.

_Charles._ What is the use of ploughing, grandpapa?

_Mr. Mansfield._ To break up the earth, which would otherwise get so hard
that no corn could grow in it. When a field has been ploughed, a man
walks over it, and scatters the seed all over the field. Then it is raked
in by an instrument full of great iron teeth, called a harrow. Care must
afterwards be taken to keep it free from weeds, but besides that nothing
more can be done. It is left for the rain to water, and the sun to ripen
it.

_Charles._ And when it is quite ripe, then the harvest comes, does it
not, sir?

_Mr. Mansfield._ Yes. Then the reapers go into the field, and cut down
the corn with their sickles. They tie it up in bundles, which are called
sheaves, when it is carried into barns, and thrashed out for use.

As they were conversing in this manner they arrived at the mill; and
when Mr. Mansfield had given his orders, he asked leave to lead his
grandchildren over it. He then explained to them, how the sails, being
turned round by the wind, were the occasion of turning different wheels
in the inside of the building. He next pointed out to them two large flat
stones, shut up in a kind of box. “You may see,” said he, “that all the
corn is made to pass between these stones. The understone is fixed; but
the upper one turns round, and presses so heavily upon it, as to bruise
and grind the corn to powder.”

“I understand you, grandpapa,” returned Charles. “And is that all that is
done here?”

_Mr. Mansfield._ Not all, Charles; for the corn, though ground into
meal, wants sifting. To do that, there is a contrivance called a
boulting engine, and you may look at it if you step this way.

Mr. Mansfield then opened a little door in the large wooden box, or
bin, that contained the engine; when a quantity of fine flour flew out
into their faces, and powdered them all over. The boulter was made of
frame-work, five or six feet long, round which a canvas was tightly
strained. “Now,” said Mr. Mansfield, “the meal is put into this boulting
machine, which turns round, you see, very fast when the mill is at work.
The quickness of its motion causes the fine flour to fly off through the
canvas; but the coarse and husky part, which is bran, not being able to
do that, falls to the bottom by itself. The use of shutting it up in this
box, is to prevent the flour from being scattered over the mill.”

The Bensons and their grandfather remained at the mill till they had
thoroughly examined every part of it. They received much pleasure from
seeing the different wheels and contrivances, and were diverted to find,
when they came away, that they were so covered with flour as to look
almost as white as millers.

As they were returning home, Arthur observed, that having first seen
the wheat growing, and afterwards ground, they only wanted now to know
how flour was made into bread, to understand the whole process from
beginning to end.

Mr. Mansfield replied, that he could easily explain that. The flour was
mixed with a proper quantity of water, and a little yeast put in to make
it rise. “This,” said he, “is well kneaded together, and then it is put
into an oven and baked.”

“But what is yeast?” inquired Charles.

_Mr. Mansfield._ A scum that rises on the top of new beer.

_Arthur._ Have not I, sir, seen to-day, some of all the different kinds
of corn that grow here?

_Mr. Mansfield._ I do not recollect our having met with oats. They do not
grow in one compact ear like the rest, for every grain has a separate
little foot-stalk to itself. In this part of the country they are chiefly
given to horses; but in Scotland, and the north of England, oatmeal cakes
are frequently eaten instead of bread.

“And now,” continued he, “I am not sorry to find myself near home. You,
Arthur, may likewise be glad to rest yourself, for you have been stumping
about almost all day.”

The boys declared they were not at all tired, and thanked their grandpapa
for the pleasure he had procured them.




CHAPTER IX.

_Poultry._


“Grandmamma, pray where are you going?” asked Charles one morning, on
seeing his grandmother walk out at the garden door.

“To feed my chickens, my love,” returned she.

“Then I will go with you, if I may,” said Charles. “And so will I,” said
Arthur: and he threw down his peg-top in a corner.

“My speckled hen,” said Mrs. Mansfield, “came off her nest, yesterday,
with a fine brood of chickens.”

_Arthur._ That is the one, is not it, ma’am, that has been sitting so
close ever since we came?

_Grandmamma._ Yes, and for a fortnight before, which makes in all three
weeks; the time hens always sit on their eggs.

_Charles._ I think they must be tired of keeping still so long.

_Grandmamma._ I believe, Charles, you would be tired of such confinement;
but birds do not seem to mind it at all. Though so active at other times;
when they have laid their eggs, they are quite contented to sit still
till the young ones are hatched.

_Arthur._ Do all birds sit for three weeks, grandmamma?

_Grandmamma._ No: ducks and geese sit for a month; and pigeons and
smaller birds for about a fortnight. Now you may give them some of these
grits, and then you will have the pleasure of seeing them peck.

_Charles._ Let me have a handful, if you please. Chick, chick, chick,
chick! come here, poor chickey, and I will give you something to eat.
Dear grandmamma! they will not let me catch them; and look at the old
hen, she is almost ready to fly at me.

_Grandmamma._ She is afraid you are going to hurt her chickens, when she
sees you run after them. Hens are often very fierce, if any one offers to
meddle with their young ones.

_Charles._ Well then, poor things! I will not take you up in my hand, but
I will give you your food on the ground. How pretty they look! They are
the colour of my canary bird.

_Arthur._ I see the old hen does not eat much herself. She only pecks
about the grits, to show them to her chickens.

_Grandmamma._ She is a very good mother; so we will give her some barley.
That is the best food for the old ones.

_Arthur._ See, Charles, how oddly they drink! They turn up their heads
whenever they swallow.

_Grandmamma._ By that means they let the water trickle down their
throats.

[Illustration: _Farm House Page 76._

_The Poultry Yard._

_London. Published by W. Darton Jun. Oct. 5, 1815._]

_Arthur._ Then why do not we do so when we drink?

_Grandmamma._ Because our throats are not formed the same as birds’;
for we are provided with a muscle, which carries down the liquor by its
motion.

_Charles._ How the pretty creatures creep under their mother’s wings!
and she puffs her feathers out, and makes herself as large as she can to
cover them all.

_Grandmamma._ You see how Providence has provided for the welfare of all
his creatures. Whilst they are too young to take care of themselves,
he gives to the parent a strong affection towards them, and wisdom
sufficient to bring them up. The mother, though generally timorous, and
easily frightened, to preserve her young ones will boldly turn round
and face almost any danger. You observed that the hen forgot her own
hunger, when she was teaching the little chickens to peck; now she covers
them with her wings to keep them from the cold, which, as they are not
completely fledged, would probably kill them if it were not for her care.

_Charles._ And what will she do when these little things are grown as big
as she is?

_Grandmamma._ Long before that time she will have cast them off. Brutes
never care for their young when they are able to shift for themselves.

_Arthur._ That is very different from us. I do not think my mamma will
cast us off as long as she lives.

_Grandmamma._ I do not think she will. And I hope, my dear boys, that
in return you will never neglect _her_. A chicken, you see, could not
be reared unless the hen took care of it; but a child requires constant
attention for many years; and even when grown up, the fondness of the
parents still continues. Surely, then, nothing can excuse ingratitude and
undutifulness towards them.

_Arthur._ No, grandmamma: so for the future I will always mind what my
papa and mamma say to me; and I will try never to do any thing that I
think they won’t like.

_Grandmamma._ That is a very good resolution, and I hope you will keep
to it.—— Well, Charles, what do you say to the pigeons? They are pretty
birds, are they not?

_Charles._ Indeed, ma’am, they are. I was looking at them falling head
over heels, when up in the air.

_Grandmamma._ Those are called tumblers, that fly in that way. There are
many kinds of pigeons. The white ones out there, with tails that stand up
somewhat like hens’, are called fan-tails.

_Arthur._ What must we feed the pigeons with?

_Grandmamma._ You may give them a few tares, if you like; but here we
have no occasion to supply them with much food, for they come to the barn
doors, and pick up the corn that is scattered about.

_Charles._ Are all those one brood, that sit together on the top of that
cart-house?

_Grandmamma._ No. Pigeons never lay more than two eggs at one time; and
the pair that are hatched commonly continue mates to one another all
their lives.

_Charles._ Now let us look at the ducks and geese, if you please. The
pond is nearly covered with them, I see.

_Arthur._ How very small some of them are! I should have thought that
they were too young to be able to swim.

_Grandmamma._ Oh, they take to the water as soon as they leave the
egg-shell. They are web-footed, and that enables them to swim.

_Charles._ What is being web-footed, ma’am?

_Grandmamma._ Having a skin to fill up all the space between the toes.
When they swim, they paddle, or strike with their broad feet against the
water; which gives them motion onwards.

_Arthur._ I suppose, grandmamma, you keep poultry for the sake of eating
them!

_Grandmamma._ You are right. But do you know what is done with the
feathers?

_Charles._ No.

_Arthur._ I do, ma’am. Beds and pillows are stuffed with them.

_Grandmamma._ And what use is made of the long quill feathers, that grow
in the goose’s wing?

_Arthur._ I never have been told.

_Grandmamma._ The quill part, by being cut into shape, is converted into
pens for writing.

_Charles._ Do only geese furnish pens?

_Grandmamma._ Some people write with crow-quills: but they are too small
for a bold hand; so that they are very little used. The quills of the
turkey are too hard; and those of ducks and chickens, on the contrary,
are as much too soft. Swan quills, however, make excellent pens; but they
are too scarce to be in general use.




CHAPTER X.

_The Deer._


In Mr. Mansfield’s neighbourhood resided a Mr. Ashley, a gentleman of
large fortune, and of a very obliging disposition. He had heard that
Arthur and Charles Benson were at their grandpapa’s on a visit, and one
day he sent for them to play with his son William, a little boy nearly
of their own age. The Bensons went, and William took them into the park,
where they amused themselves for some time by the play of trap-ball. The
game was at last suddenly broken off by master Ashley, who threw down the
bat upon the ground, exclaiming that his pretty tame fawn was coming in
sight, and that he must go and stroke it. The Bensons were rather sorry
to be interrupted in their play; but, as they had been early taught, that
it was often necessary to give up their own inclinations to the wishes of
others, they left off with the utmost good humour. “Look at the pretty
creature!” said William Ashley, caressing the fawn. “I wish I had a bit
of bread here: it would eat it out of my hand.”

“I have found a piece of biscuit in the corner of my pocket,” said
Charles. “Here it is. I will feed it, if you please.”

“How old is he?” inquired Arthur.

“Six weeks, or two months, I do not recollect which,” replied William.
“But see, here comes the mother! I thought she could not be far off, for
does never desert their young ones until the end of the summer.”

The little party was still admiring the fawn, when Mr. Ashley came, and
told them that dinner was almost ready.

“We will come, papa,” said William, “as soon as we have done counting the
spots upon my little fawn’s back.”

“Pray,” inquired Charles, “are all deer spotted?”

_Mr. Ashley._ No: their colour is various. Some are of a reddish cast,
some of a deep brown, some white, and others spotted like these. Observe
the herd that are feeding under those trees, and you will see a great
difference amongst them.

“And those, sir,” said Arthur, “have all fine branching horns.”

“They are stags,” returned Mr. Ashley. “The does are the females, and
never have any horns. But perhaps you did not know that even stags are
without, for a part of every year?”

_Arthur._ Indeed, sir, I did not, and shall be obliged to you if you will
tell me about it.

_Mr. Ashley._ I will readily. Towards the latter end of February, stags
shed their horns, and soon after fresh ones begin to grow. These are at
first very tender; and the flies, when they are in that state, are often
extremely troublesome to the poor animals. Whilst the horns are off, they
separate from each other, and endeavour to hide themselves from every
other creature, as they are then incapable of making any defence; but in
about three months, when the new ones have grown to their full size, they
associate together again in large herds.

After these observations, the whole party returned to the house, and
entered the dining-parlour, and their conversation was interrupted by
the inquiries which Mrs. Ashley made, after the health of Mr. and Mrs.
Mansfield: but soon after dinner, William renewed the subject, by asking
his father, whether he might be permitted the next season to hunt with
the stag hounds?

Mr. Ashley replied, that he was much too young; and then turning to
Charles, he asked him if it was his wish also to be a sportsman?

“Indeed, sir,” returned Charles, “I don’t thoroughly understand what you
mean by a sportsman; and I never wished nor even thought about it.”

“Oh, a sportsman,” said William, “is a man who is fond of hunting and
shooting, and other field sports; and if you knew what they were, I am
sure you would like them, for I think they must be the greatest pleasures
of life.”

“In what way do they hunt?” inquired Arthur.

_William._ Why, a stag is turned out into the country, and then, fly
where he will, a whole pack of dogs follow him in full cry; and a number
of gentlemen, mounted on fine horses, gallop after with the greatest
possible speed: and they don’t mind what they come to; for they leap over
gates, and hedges, and ditches, and ride down hills that are almost as
steep as precipices; and at last, when the stag can run no further, he is
caught by the dogs, who kill him; but sometimes his life is saved, that
he may be hunted again another day.

“What a cruel diversion!” exclaimed Arthur, shocked at the thought of
what the stag must suffer. “I am sure I could never take pleasure in
tormenting a poor animal in that way.”

“We huntsmen do not think of the _poor animals_,” returned Mr. Ashley.

“Perhaps not, my dear,” said his wife; “but your want of thought will not
prevent them from feeling pain and terror; and I must own, I am always
surprised when men of humanity join in such barbarous sports.”

“Do you hunt any thing besides deer?” asked Charles.

_Mr. Ashley._ Yes, my dear, foxes and hares; the former with fox-hounds,
and the latter with harriers.

_Arthur._ Pray, sir, are deer ever wild in this country?

_Mr. Ashley._ Not the kind that we have in our parks, which are fallow
deer; but there is another species, properly called stags, somewhat
larger, differing in a few particulars from those that are wild in our
forests. I do not mean that every body has a right to take them; for they
are accounted the property of the king.

_William._ I forget, papa, where you told me that fallow deer were first
brought from.

_Mr. Ashley._ It is said, they came originally from Bengal: but they
were brought here from Norway by King James the first; and England is
now more famous for venison than any other country in the world.

_Charles._ Is any use made of the skins, pray, sir?

_Mr. Ashley._ Yes: the skin both of the buck and doe makes the soft thick
leather, of which gentlemen’s riding breeches and gloves are made. The
horns are very hard and solid, and make excellent handles for knives and
other utensils. They likewise contain a salt, called salt of hartshorn,
from which is extracted spirit of hartshorn.

_Mrs. Ashley._ How should you like to go to Lapland, and ride over the
snow in a sledge drawn by rein deer?

_Charles._ By rein deer, ma’am? What, have deer strength enough to draw
carriages?

_Mrs. Ashley._ The rein deer, my love, is a very extraordinary creature.
It inhabits Lapland, and other cold countries, and answers to the
inhabitants the purpose of most of the animals we have among us. It
serves them instead of a horse, and draws their sledges with amazing
swiftness over the frozen country. It supplies them too with milk and
cheese, instead of the cow; and answers the purpose of our sheep, in
furnishing them with warm covering.

Providence, who has thus formed the rein deer capable of supplying the
numerous wants of man, has provided with wonderful care for its support.
That dreary country, where no grass will grow, and not any herb which we
are accustomed to see, is nevertheless covered all over with a species of
white moss, which serves as food for it. This is its only pasture; and it
gets at it in winter, by scratching away the snow with its hinder legs.

_Arthur._ Is the rein deer good to eat, pray, ma’am?

_Mr. Ashley._ It is. So, when it has lived about sixteen years, the
Laplander generally kills him for the sake of his flesh and his skin.




CHAPTER XI.

_The Pheasantry._


Mr. Ashley’s pleasure-grounds were very extensive; and in one corner of
the park he had inclosed four or five acres of land for keeping rare and
curious birds.

Early in the afternoon, he proposed to his young visitors to take a walk
to the pheasantry, as it was called; an offer which they gladly accepted.
They entered the inclosure by going through a pretty cottage, where an
old man lived who had the care of the birds.

The cottage was deserted; but outside the back door they found Maddox
asleep in a chair, and his little grand-daughter Peggy hard at work by
his side.

Peggy rose, and curtsied in a very pretty manner. Then having roused the
old man, by telling him that ’squire Ashley was come, she sat down again
to her needle. But master William, who was very fond of her, begged she
would leave her work while they stayed, and look after the birds with
them. On a grass plot close to the cottage there were three or four
hens under baskets; and they had each a little brood belonging to them,
which the Bensons mistook for bantams. But Peggy said they were young
pheasants; their eggs they often set under hens, as they made the best
mothers of any fowl.

“Are these _all_ we are to see?” inquired Arthur.

“No, sir,” replied Peggy; “we have many that are full grown; only they
are now scattered about, and hid among the bushes. I’ll call them.”

She then fetched out a pan with some of their food, which she scattered
over the grass, calling at the same time in a particular manner.
Presently several pheasants came from their hiding-places. They were
rather shy at first; but by degrees they ventured nearer, and at last
began to eat the food that was thrown to them. The boys admired their
beauty. The plumage of some was of a fine gold colour, variegated
with streaks of purple and green. These they learnt were called gold
pheasants. The silver pheasants were very handsome, although not quite so
showy. They were of a clear white, streaked likewise with purple on the
neck and breast. The common pheasant was not equal in beauty to these;
but it had notwithstanding a great variety of colours, and was remarkably
brilliant.

“What do you feed them with?” asked Charles.

“Ants’ eggs and curds are most proper for them,” said Peggy: “but they
will eat oats and barley; and they pick up wood-lice, and earwigs, and
other insects.”

A loud squalling now diverted the attention of the little party to
another object. They looked up, and saw it proceeded from a peacock,
which was perched on the top of a high tree.

Charles inquired if any thing was the matter with him; he was answered
that they always made such noise. A little further in the woods they
found another peacock. His beautiful long tail did not trail after him
in the usual way, for he had spread it, so as to make the feathers stand
straight out from his body; and the eyes, or large spots in the ends of
the feathers, being raised one above the other, had a very pretty effect.
In this state he marched about with a proud air, and turned himself
round and round, as if to exhibit his gaudy appearance to every body
present.

Arthur observed another bird with a fine neck and head like the peacock,
but without his beautiful tail. In answer to his inquiries, Mr.
Ashley told him that it was a pea-hen, and added, that, with very few
exceptions, the females, throughout the feathered race, were greatly
inferior in beauty to the males.

The party now returned to the house, and Arthur, who liked to know to
what purpose every thing was applied, asked Mr. Ashley, what was the use
of the fine birds they had seen?

“They are merely kept as curiosities,” answered that gentleman. “Now and
then we kill a young pea-fowl, to eat as a delicacy; but my chief motive
in keeping them is, that I may have the pleasure of showing them to my
friends.”

“Pheasants are eaten sometimes, I know,” said Charles.

“Yes,” said William; “but not gold and silver pheasants. The common ones
that fly about wild, are killed in the shooting season by the sportsmen,
the same as partridges and other game.”

_Charles._ What do you mean by game?

_Mr. Ashley._ Game denotes such kind of birds, or beasts, as are taken or
killed by fowling and hunting.

They were now arrived at the house, and Mr. Ashley left them; but the
boys, at the request of Arthur, resumed their game of trapball.




CHAPTER XII

_The Story of Old Maddox._


The next morning at breakfast, the two boys entertained their grandpapa
and grandmamma with a full account of what they had seen on the preceding
day; and both dwelt with particular pleasure on the beauty of the
pheasants.

“Did you take notice of Harry Maddox, the old man who has the care of
them?” inquired Mr. Mansfield.

The children replied, that he was for some time talking with Mr. Ashley;
but that he took no notice of them, and that they had observed nothing
particular about him.

“That, man,” said Mr. Mansfield, “shabby and mean as he now appears, was
once in possession of considerable property. It was his idleness alone
that reduced him to poverty.”

“How so, grandpapa?” inquired Charles. “Pray tell us about him.”

“I was going to do so,” returned Mr. Mansfield, “in the hope that the
history of his misfortunes might be a lesson to you, not to fall into the
fault that has occasioned his ruin.

“Maddox’s father rented a capital farm, a few miles from this village.
Harry was a school-fellow of mine, so that in his childhood I saw a
great deal of him. He had some good qualities. He always spoke the truth,
and I don’t recollect that he ever did any thing spiteful, or injured
another purposely. His great fault was a habit of constant idleness. At
play-time, when the rest of the boys were amusing themselves at their
different sports, Maddox might always be found sitting on the stump of an
old tree, that once overshadowed the playground; and all his employment
was to scratch up the earth with a stick. This was so constantly the
case, that the stump was called by the boys _Maddox’s seat_; and I have
been told that it still goes by the same name; though, most likely, the
circumstance that gave rise to it has long been forgotten. You may
suppose that in school hours Harry did not gain much credit. He was
oftener in disgrace than any boy amongst us. He stood near the bottom
of the lowest class, and I do not know that he ever made his way much
higher. Indeed, how should he? for all the time that he ought to have
spent in learning his lessons, he passed in merely holding the book in
his hand, or twisting the corners of the leaves.”

_Charles._ But I should have thought he would have been punished if he
could not say his lesson; and he would not like that, I suppose.

_Mr. Mansfield._ Perhaps he did not like punishment; but he liked the
trouble of avoiding it still less. Indeed, after a smart caning, he would
sometimes sit down to his book, and learn as much in half an hour as most
of us could in a whole one. His being able to do so, as our good master
used to say, made him so much the more inexcusable. “If, Maddox, you were
dull by nature, and could not learn,” I remember his telling him one
day, when the boy was crying, and begging not to be flogged, “I should
pity you; and, as long as you did your best, should never be angry: but
you have really a good understanding, and this idleness is unpardonable,
and you need not hope to escape correction.” Correction, however, and
encouragement, were equally thrown away upon Maddox; and he left school
at fifteen, after having passed a miserable time, scolded by the masters
and derided by the boys.

_Arthur._ What became of him then, grandpapa?

_Mr. Mansfield._ His father took him home, intending to bring him up
to farming: but he found he could make nothing of him; so he put him
apprentice to a brewer in a good way of business.

However, Harry still continued idle, and learned nothing, so that when he
was out of his time, his master was very glad to get rid of so useless
a hand, and declared he would have nothing further to say to him;
notwithstanding he was then in want of a partner, and old Mr. Maddox,
the father, had offered to advance a considerable sum, if he would give
him a share of the business.

Some time after this, he married; and his father then set him up in a
brewery by himself, and gave him all that was necessary to begin trade
with.

His success, however, was just what might have been expected. He did not
like to give himself trouble; and his beer was so bad, that nobody would
buy it. In short, he lost all his customers, and ran into debt; so that
every thing he had was taken away to pay his creditors.

The kind father once more received his son, with his wife and family,
into his own house; and instead of being angry, he tried to console him
for his misfortunes, by telling him, that as long as he had a shilling
in the world he should share it with him; and that, by industry and
frugality, they might yet do very well. One would have thought that such
great kindness, and the distresses he had brought upon himself, would
have had some effect on the mind of young Maddox; and indeed they had:
for a short time, he went on pretty well, but he soon relapsed into his
former habits of indolence. As long, however, as his father lived, he did
not know what it was to want. It is true, he was accustomed to lie in bed
till noon, and then to doze in an arm chair the greatest part of the day.
But his father was always up before the dawn, and continued to attend to
the concerns of his farm till after the sun was set; for he found that
much additional industry was required, to enable him to support such
a large increase to his household. Harry at length lost his excellent
parent, and had the misfortune, not long after, to bury his wife.

_Charles._ Ah, poor Maddox! How badly off he must have been then,
grandpapa!

_Mr. Mansfield._ He was, indeed, my dear. All good management was at
an end, both in the house and in the fields. He took no care of his
children himself, nor did he provide any body to look after them for
him. His sons, in consequence of this neglect, grew up very wild young
men. They were always in company with the most worthless fellows in the
neighbourhood; and at last one of them ran away to sea, and never was
heard of more. The youngest girl fell into an ill state of health, and
perished from want of care and nursing. The eldest daughter, mother to
the little Peggy whom you saw at the cottage, was the only one of the
children that grew up to be a comfort to herself, or to her family. She
married at a very early age, but, unfortunately for Peggy, died some time
ago.

_Arthur._ So poor Peggy has no mother! What a sad thing for her!

_Mr. Mansfield._ She has no father neither, my dear: but we will talk
more of her by and by, if I have not tired you with my long story.

_Charles._ Oh, you need not be afraid of tiring us, grandpapa. We like to
hear you very much, and I want to know how Maddox went on with his farm.

_Mr. Mansfield._ Why, he left his farm to take care of itself; and when
the men went to him for directions, he used to tell them to begone about
their business, and do as they would, for he should not trouble himself
about the matter. So perhaps one wanted to sow beans, when another wanted
to sow corn; and then they would get into a quarrel, and not work at
all. By this means, the seed was never put into his fields till after it
had begun to grow up in all the country round: and as he took no care
to keep his land clean, it was always choked with weeds; and, in all
the time he was a farmer, he had not a single good crop. His fences too
were left in the most ruinous state, and his neighbour’s cattle used to
get into his fields through the gaps in the hedges, and do much mischief
among his corn and hay. Then sometimes his own beasts trespassed in the
same manner upon the grounds of other people, and he was obliged to pay
for the damage they did; and if they were sent to the pound, it was some
expense to him to redeem them.

_Arthur._ What do you mean, sir, by saying they were sent to the pound?

_Mr. Mansfield._ A pound is a small spot inclosed with high rails, in
which cattle that go astray may be confined; and the person whose office
it is to keep the pound claims a certain fee when they are sent for by
the owner.

Maddox’s farm belonged to Mr. Ashley; and when the lease was out, his
landlord refused to grant him another. From the time of the old man’s
death, the rents had been very irregularly paid; and besides, Mr. Ashley
did not choose to let any part of his estate to a man who suffered it to
go to ruin.

_Charles._ Indeed, I think he was in the right. I should not like to
have my fields, that might be kept in nice order, like yours, grandpapa,
spoilt from want of proper care. But what became of Maddox, then?

_Mr. Mansfield._ He hired a wretched cottage, and lived for some time
upon the little money he had by him. When that was gone, he was actually
reduced to beggary. He had scarcely a rag to cover him, and could
barely get food to keep him alive. I happened to hear of his miserable
situation, and I called on Mr. Ashley, to consult about what could be
done for him.

_Arthur._ And what did Mr. Ashley say?

_Mr. Mansfield._ He said he was sorry to hear of his distress; and would
be glad to relieve him, if it were in his power. “But,” he added, “what
can I do? It is not proper to maintain a strong, hearty man, like
Maddox, in idleness. He learned so little when he was young, that I know
he can hardly read or write; therefore, I cannot make him my steward.
If I hire him as a labourer, he will not do a day’s work in the year;
and I am sure, for the pains he would take, my deer might all be lost,
or stolen, if I made him deer-keeper.” Soon after this conversation,
however, Mr. Ashley inclosed a part of his park, for keeping pheasants,
and then he resolved to intrust the care of them to Harry Maddox, and
ordered that he should take little Peggy to live with him; for the poor
girl just before had had the misfortune to lose both her parents.

_Charles._ Oh, you promised just now to tell us something about Peggy.

_Mr. Mansfield._ I have only to say, that her character is the very
reverse of her grandfather’s. She is a notable, active girl, and does a
wonderful deal for her age. As Mr. Maddox still continues the same, the
birds would be sadly neglected, if it were not for her care. Mr. Ashley
puts her to school, where she learns to work: and I believe she keeps
both her own and the old man’s clothes in very tolerable order. The
cottage, too, is neat and clean, though there is no one to do any thing
but herself.

“I thought she was a nice girl,” said Charles. “She was at work, you
know, Arthur, yesterday afternoon, when we went there.”

“Yes,” replied Arthur, “and the old man was fast asleep. What a contrast
between them!”

“You see,” rejoined Mr. Mansfield, “though she is but a child, in how
respectable a light her industry makes her appear. She acquires the
esteem of all who know her, and she has the satisfaction of feeling that
she does not live in vain. As for poor old Maddox, I don’t know from
what source his satisfactions can arise. The review of his past life
can afford him no comfort; and if he looks forward to the close of his
present existence, he must be shocked at the account to which he will
then be called, for duties neglected, talents misemployed, and a family
ruined, through his want of care.”

_Arthur._ Well, I have often been told that I ought to be a good boy,
and mind my lessons; but I did not know before, that idleness could lead
to so much mischief. I always thought that, when I was a man, I should
attend to my business as a matter of course.

_Mr. Mansfield._ Ah, my dear child, you are much mistaken, if you suppose
that you will be able to get the better of your faults, only by growing
older. Now is the time for you to acquire good habits of all sorts; and
if you neglect to do so, depend upon it, that when you become a man,
you will find the task only rendered a great deal more difficult, from
having been so long delayed.

“Very true, my dear,” said Mrs. Mansfield. “Besides, little folks should
consider, that it is not their future advantage alone which should lead
them to take pains with their studies—it is one of the absolute duties
of their infant state. God Almighty did not mean that any of us should
be idle at any time; and a child who is idle when he ought to be at his
book, as much transgresses the will of God, as a man who neglects his
trade, or a woman who takes no care of her family.”

“I think,” said Mr. Mansfield, starting up as he looked at his watch,
“that whilst I have been prating away in favour of industry, I seem to
have forgotten that I have a thousand concerns to attend to. But I will
no longer act in a way so contrary to my precepts. And so good morning to
you, I am off till dinner-time.”

[Illustration: _Page 127._

_Chap. XIII._

_A pleasant Ride._

_London. Published by W. Darton Jun. Oct. 1815._]




CHAPTER XIII.

_A pleasant Ride._


The story of Maddox had a very good effect upon the minds of the young
Bensons. They immediately brought out their books, and spent some time in
reading and learning their lessons. Afterwards Mrs. Mansfield heard them
the catechism, and explained to them some parts of it which they did not
clearly understand.

When Mr. Mansfield came in to dinner, he said that he should be obliged
in the afternoon to go upon business to a place about ten miles off; and
he asked his wife, if she would like to accompany him in their one-horse
chaise.

“Thank you, my dear,” returned Mrs. Mansfield; “but it would give me more
pleasure if you would take the boys. I know they would enjoy a ride, and
they have been very good this morning.”

“Have they so?” said the obliging grandpapa. “Why then, if you will give
up your place, I will take them very willingly. I like the company of
good children.”

The party thus settled, dinner was quickly dispatched; the chaise stood
ready at the door, and the boys jumped into it with a look of pleasure on
their countenances that can more easily be fancied than described.

Part of the road they were to travel lay through a large forest. Here
they had an opportunity of seeing a variety of trees; and Mr. Mansfield
answered with the greatest readiness every question they put to him
concerning them.

“What tree is that, grandpapa?” inquired Charles, pointing to one that
grew near the road; “the one, I mean, that has such an amazing large
trunk, and the branches of it spread so wide all round?”

_Mr. Mansfield._ It is an oak, my dear; the most valuable timber tree
that grows.

_Arthur._ What are timber trees?

_Mr. Mansfield._ Trees that are used in building houses and ships; they
are principally oaks, elms, and ash-trees.

_Arthur._ And you say that the oak is the most valuable of them all; pray
what makes it so?

_Mr. Mansfield._ The wood is very hard, and tough; not apt to splinter,
nor liable to be eaten by worms; and as it remains sound for a great
while when under water, it answers very well for building ships, or for
piles, or bridges; in short, for any thing that requires strength and
durability.

They now came to a part of the forest where many large oaks had been
recently felled. Leafless, and stript of all, but the stumps of the
larger branches, they lay at length upon the ground, and made a striking
contrast to the green and flourishing trees that grew around.

Charles inquired, what made them look so white? Mr. Mansfield replied,
that they had been stript of their bark, or outer skin, which was used
by the tanner, in the process of manufacturing leather. “Indeed,” added
he, “every part of the oak may be employed in tanning; the saw-dust, the
leaves, all have a binding quality, that, in process of time, will harden
the raw hide of beasts into leather.”

“Acorns grow upon oaks, don’t they, sir?” said Charles.

“To be sure they do,” answered Arthur. “I have seen them in abundance
since we have been riding. Are they good to eat, grandpapa?”

_Mr. Mansfield._ _You_ would find them bitter and disagreeable, but pigs
and deer fatten upon them. Did you ever take notice of the cups?

As he said this, he broke off a bough from a tree which they were
passing, and gave it to the boys to examine.

“Would you suppose,” asked he, “that these large oaks, that cover so
much ground, and form the glory of the forest, all sprung from acorns no
larger than these?”

“It is very wonderful,” said Arthur. “Pray, sir, are they long growing?”

_Mr. Mansfield._ An oak seldom comes to perfection in less than two
hundred years, and they will sometimes live four or five hundred. Our
English oaks are particularly esteemed, but they are much fewer in
number than they once were. In ancient times, before there were so
many inhabitants, and when cultivation was little attended to, almost
the whole island was but one forest. It has been cleared by degrees,
however, and converted into corn and pasture land; and we have only now
a few forests of any size. In consequence of this, oak timber is much
scarcer than it used to be. If you go into old houses, that were built
two or three centuries ago, you will see nothing but oaken floors and
oaken wainscots. Now the case is altered, and people are obliged to be
contented with wood of a very inferior quality. Deal, for instance, is
much used for the purposes I have mentioned.

_Charles._ Are there any deal trees in this forest, grandpapa?

_Mr. Mansfield._ There are no such things as deal trees, Charles. It is
the wood of the fir, which, when cut up into timber, is called deal. By
and by, I will point out to you a plantation of firs, of which there
are several different species. They are all ever-greens; that is, they
do not lose their leaves in winter. The Scotch fir is the most hardy,
and thrives well on the bleak mountains of the north. It may likewise
be reckoned the most useful; for it supplies us with the best deal
for making masts of ships, floors, wainscots, tables, boxes, and other
things. The trunk and branches afford excellent pitch and tar. The roots,
when divided into small splinters, are sometimes burnt by poor people
instead of candles. The outer bark is used, as well as that of the oak,
in tanning leather; and I have heard that there is a place in Scotland
where they make ropes of the inner bark; and that in some of the northern
countries of Europe, in times of scarcity, they grind it, and mix it with
their flour when they make bread.

_Arthur._ I see another large tree, grandpapa, but it does not look like
the oak.

_Mr. Mansfield._ ’Tis a beech, a very useful tree to the cabinet-maker.
Its branches, you observe, slope gently downwards, instead of growing
straight out, and it is more full of leaf than the oak. That tree on the
left is an ash. Its foliage is very light. The wood is much used for
making implements of husbandry, particularly hop-poles.

“And _there_ is a fine stately tree!” observed Charles; “is it another
beech?”

_Mr. Mansfield._ No, Charles, that is an elm; a timber tree of great
value. You may often see them in hedgerows, and they are frequently
planted in rows to make avenues in parks. The inner part of the wood
is almost as solid and heavy as iron; and is therefore much used in
mill-work, and to make axle-trees, keels of boats, chairs, and coffins.

“Pray, pray,” interrupted Arthur, “look at that tree a little way off,
how the leaves flutter with the wind! They are in constant motion; but
yet it is very calm, and all the other trees are still.”

“That tree,” replied Mr. Mansfield, “is called an aspen, or trembling
poplar. It is the nature of it to be in that constant agitation, whether
the wind is high or not.”

“What is done with the aspen?” inquired Charles.

_Mr. Mansfield._ The stem is bored for water-pipes, and is made into
milk-pails, clogs, and pattens.

The business which Mr. Mansfield had to transact, detained them so long
that it grew very dark as they were returning home; and the little boys
were surprised, in the midst of the gloom, to see a bright shining speck
upon the ground. “What is that, what is that, grandpapa?” they exclaimed
at the same instant. “It looks,” added Charles, “as if one of the stars
had fallen to the earth.” “And I see another, and another,” said Arthur,
laughing: “oh, what can they be?”

“They are glow-worms,” replied Mr. Mansfield; “and you may find numbers
of them, after dark, at this time of the year.”

“They are very pretty,” said Arthur. “I should like to see one near.
Will you be so kind, sir, as to stop for a moment, and let me get out and
fetch one?”

Mr. Mansfield consented, and Arthur jumped out, and presently returned
in triumph with his prize. They then saw that the glow-worm was a small
insect, something bigger than a wood-louse; and that the brightness
proceeded from a part under the tail. The light it gave was strong enough
for them to see what time it was by their grandfather’s watch, when held
close to it.

“I have been trying, grandpapa,” said Arthur, after having sat still for
some time, with the glow-worm in his hand, “to find what it is that
occasions the light; but I cannot make it out.”

“I believe, Arthur,” said Mr. Mansfield, smiling, “that this wonderful
little insect has puzzled philosophers much wiser than you. I never heard
its luminous appearance explained in a very satisfactory manner; and not
at all in a way that _you_ would understand.”

_Charles._ There is no difficulty in finding out glow-worms, let it be
ever so dark.

_Mr. Mansfield._ Your observation, my dear, brings to my mind a pretty
fable I once read about a glow-worm; and the moral of it is, that we
ought not to boast of any external advantages we may possess, or despise
those who happen to be without them; since the very things we are proud
of, often bring down misfortunes upon us.

_Arthur._ But what was the fable, grandpapa? In my book they always put
the fable first; but you have begun with the moral.

_Mr. Mansfield._ “A glow-worm, vain of her beauty, began to upbraid a
poor humble wood-louse, that lay beside her. ‘Dost not thou admire my
splendid tail,’ said she, ‘that sends forth a light almost as glorious as
the stars? Insignificant reptile that _thou_ art! wonder at thy boldness,
in venturing so near to one of my brilliant appearance. What admiration
wilt _thou_ acquire, or when wilt _thou_ become the pride and glory of
the night?’

“The wood-louse replied with great humility, ‘Happy in myself, I do not
wish to draw the attention of others; and if I have not thy beauty to
boast of, I am at least without thy pride.’

“A nightingale, who was singing in a neighbouring bush, attracted by
the light of the glow-worm, flew to the spot where she lay, and seizing
the vain insect in her beak, carried it away to feast her family. The
wood-louse, concealed in darkness, escaped the enemy’s notice.”




CHAPTER XIV.

_Bees._


The next morning, on the little boys getting up, they were surprised at
hearing a tinkling sound just under their windows. They were induced, as
soon as they were ready, to run down into the garden, to see what was
going forward.

Mrs. Mansfield was the person who occasioned the noise, by striking the
lid of a tin saucepan with a large key.

“Oh, grandmamma, what are you about?” exclaimed Arthur, laughing. “I
should have taken you for my little sister Kate, amusing herself by
making, what she would call, a _pretty noise_.”

“I do it, my dear, to prevent the bees from going away,” replied Mrs.
Mansfield. “Don’t you see what swarms are flying about?”

“Yes,” returned Arthur. “But what have they to do with the key and the
saucepan lid?”

[Illustration: _Page 142._

_Chap. XIV._

_The Bees._

_London. Published by W. Darton Junʳ. Oct. 1ˢᵗ. 1815._]

“All these,” said Mrs. Mansfield, “are young bees, that have been hatched
this summer; and now that they are grown up, the hive is too small to
contain them. They therefore have left it; and are going to seek another
place for themselves; and it is generally supposed that a tinkling noise
will keep them from going to a distance; though, whether it has any
effect or not, I cannot pretend to determine.”

By this time the bees had settled in a cluster on the branch of a tree,
where they all hung together in one great mass. Old Ralph then took an
empty hive, and shook them into it, having previously covered his hands
and face, that he might not be stung.

“How do bees make honey, grandmamma?” inquired Charles.

_Mrs. Mansfield._ By means of their long trunks they suck up the
sweetness that is in the cups of flowers.

_Charles._ And is that honey?

_Mrs. Mansfield._ Not until it has been further prepared by the bees,
who swallow it, and then throw it up again, after having digested it in
their stomachs.

_Charles._ Bees make wax too, do not they?

_Mrs. Mansfield._ Yes: come to this bed of flowers, and you will see them
at work.

“I observe,” said Arthur, after having watched them attentively for some
time, “that they every moment stroke their legs over one another; is that
of any use?”

_Mrs. Mansfield._ It is in order to put the yellow dust, which they
collect from the flowers, and of which the wax is made, upon their hinder
thighs: a few short hairs on them form a kind of basket, on purpose to
receive it. When they have collected as much as they can carry, they fly
back to the hive to deposit it there.

_Arthur._ And what use do they make of it, grandmamma?

_Mrs. Mansfield._ After having kneaded and properly prepared it, they
make it into the honey-comb, or little cells which contain the honey; and
when the cells are full, the bees stop them up with a little more wax, to
preserve it as food for the winter.

_Arthur._ Then how do we get it?

_Mrs. Mansfield._ The hive is held over brimstone, which kills the bees,
and then we take out the honey-combs. Some people adopt a method of
taking the honey without destroying the bees; but I do not know whether
that is less cruel in the end; for the poor things are then frequently
starved in the winter, for want of their proper food.

_Arthur._ Have not I heard something about a queen-bee?

_Mrs. Mansfield._ Very probably you have. There is a queen to every
hive; and she is larger than the rest. She very seldom comes abroad, and
whenever she does, she is attended by a number of her subjects. They are
so much attached to her, that, if she dies, they make a mournful humming,
and unless another queen be given to them, will at last pine away, and
die too.

“How very surprising!” said Charles. “Who would have thought that such
little insects could show so much attachment to each other?”

_Mrs. Mansfield._ The natural history of the bee is full of wonders, my
dear. Besides the queen, there are two different sorts, the drones and
the working bees.

The drones seldom leave the hive, and never assist to procure honey. When
the time comes for making up their winter stores, they are, therefore,
all killed by the working bees as useless members of society. As they are
without stings, they are unable to defend themselves. The working bees
compose the most numerous body of the state. They have the care of the
hive, collect wax and honey from the flowers, make the wax into combs,
feed the young, keep the hive clean, turn out all strangers, and employ
themselves in promoting the general good.

_Arthur._ They are very industrious, indeed, Charles! Do you recollect
Dr. Watts’s little hymn about the Busy Bee?

_Charles._ Yes, brother; I was just thinking of it.

_Mrs. Mansfield._ Repeat it then will you, my love? After the account I
have been giving you, we shall attend to it with particular pleasure.

    _Charles._ How doth the little busy bee
                 Improve each shining hour!
               And gather honey all the day
                 From every opening flower!

               How skilfully she builds her cell!
                 How neat she spreads the wax!
               And labours hard to store it well
                 With the sweet food she makes!

               In work of labour, or of skill,
                 I would be busy too;
               For Satan finds some mischief still
                 For idle hands to do.

               In books, or work, or healthful play,
                 Let my first years be past;
               That I may give, for every day,
                 A good account at last.




CHAPTER XV.

_An Evening Stroll._


As the weather was remarkably pleasant, Mrs. Mansfield proposed having
tea earlier than usual, that they might afterwards have time for a walk;
and the rest of the party approving the scheme, they set off in high
spirits, the moment that meal was concluded. Mrs. Mansfield was not a
very good walker, but she leaned upon her husband’s arm, and enjoyed
the fineness of the evening. It was not their intention to go to any
great distance from home; so when they came to a stile, or the stump of
a tree, she sat down to rest herself, and take a view of the country;
during which time, the little boys amused themselves by running backwards
and forwards, and would frequently pick up some flower or curious little
pebble, and bring it to their grandpapa, to inquire its name and use. As
they were proceeding gently by the side of a large pond, they saw a great
number of birds skimming over the surface in all directions. In answer to
Arthur’s inquiries, Mr. Mansfield replied that they were swallows, and
that they were flying about in quest of food.

“What food,” asked Charles, “can they possibly expect to find growing
upon the pond?”

“Flies and insects,” answered his grandfather, “are the proper food for
swallows; and many of them constantly sport on the water.”

“And swallows,” said Mrs. Mansfield, “are thought to be of great use, by
destroying so many millions of them, which would otherwise multiply so
fast, as to be quite a nuisance to the world.”

_Charles._ Can they catch them as they fly?

_Mrs. Mansfield._ Yes, my dear. Their mouths are made large that they
may take in their prey the more easily; and indeed, every part of the
swallow is wonderfully adapted to its nature and manner of living.

_Arthur._ How do you mean, grandmamma?

_Mrs. Mansfield._ As in pursuit of insects it is necessary for them to
be almost constantly on the wing, their bodies are very light and small;
and the wings being long in proportion, they fly with great ease and
swiftness. This is more particularly needful to them, because they are
birds of passage; that is, they go to different countries according to
the season of the year. They come over here in large flocks about the
middle of April; and in October they assemble again in great numbers, and
fly across the sea to some warmer climate. They make their nests with
clay, and line them with feathers and soft grass, and build them chiefly
a little way down the tops of chimneys, or under the eaves of houses. As
they have little occasion to be upon the ground, their legs are short and
ill adapted for walking.

“Your observation, my dear,” said Mr. Mansfield, “that swallows are
formed in the best manner possible for their habits of life, is perfectly
just; but it should not be confined to them. The God of Nature has
equally adapted every other kind of bird, and, I may add, every animal,
to the state for which he designed it.”

_Arthur._ Has he, indeed, grandpapa! I wish you would tell me about them,
then. I should like you should give me an account of every creature that
lives.

_Mr. Mansfield._ Oh, my dear! I am much too ignorant of Natural History
to be able to do that. Indeed, I know very little of it; but the more
I read and the more I observe, the greater reason I see to admire the
wonderful goodness and wisdom of the Almighty.

At this instant, Charles, who had been running to a little distance,
returned with great speed, bringing with him, by the hinder leg, a dead
animal he had picked up, rather smaller than a common rat, but broader in
proportion to its length.

“What is this, what is this?” asked he.

“A mole,” replied Mrs. Mansfield, who saw it first.

“A mole!” repeated her husband: “Oh, bring it to us, then. This little
animal, Arthur, will serve as an instance of what I was saying; for no
creature can be more exactly suited to its mode of life.”

“How, sir?” inquired Arthur.

“In the first place,” returned Mr. Mansfield, “you should be informed
that the mole lives almost constantly under ground; as its food consists
of worms and little insects that it finds in the earth. It is therefore
necessary for it to be able to work its way through the earth; and if you
examine it well, you will find it admirably constructed for that purpose.”

“Indeed,” said Arthur, “_I_ see nothing very particular in it.”

_Mr. Mansfield._ Look at its fore-feet. They are broad, strong, and
short; not set straight from the body, but inclining a little sideways.
By means of this position, it is enabled, as it burrows its way, to cast
off the mould on each side, so as to make for itself a hollow passage in
the middle. Their breadth likewise serves the purpose of hands, to form
their nests, scoop out the earth, and seize their prey. The form of the
body is equally well contrived. The fore part is thick and strong, so
that it can dig its way with wonderful quickness, either to pursue its
prey or to escape from its enemies; whilst the hinder parts being small
and taper, enable it to pass easily through the loose earth that the
fore-feet had flung behind.

“It is of a clean black colour,” said Charles; “and the hair is short,
thick, and very soft.”

“True,” said Mr. Mansfield. “And the skin is so tough that it would
require a sharp knife to cut it. It is not therefore liable to be injured
by flints, or other stones that it may meet with in its passage under
ground. Now let me see which of you can find its eyes.”

_Charles._ The eyes, the eyes! grandpapa, this mole must be without eyes!

_Arthur._ I would find them if I could, but it certainly has none.

Mr. Mansfield parted the hair, and pointed out two very small specks.
“The smallness of the eyes,” said he, “is to this animal a peculiar
happiness. Had they been larger, they would have been liable to frequent
injuries, from the mould falling into them; and of what use would they be
to him, when destined to pass his whole life where no light could reach
him?”

_Arthur._ But then, sir, how do they see to get their food?

_Mr. Mansfield._ They do _not see_ it, Arthur; they find it out by their
smell, which as well as their hearing is very acute: so that, though
nearly blind, they are not without the means of providing for their
support, and of knowing how to avoid danger. The eye is, therefore,
merely given them to let them know that they are out of the way when
they see the light. The mole shows great art in skinning worms, which it
always does before it eats them; stripping the skin from end to end,
and squeezing out all the contents of the body. During summer they run
in search of snails and worms, in the night-time, among the grass; which
often makes them the prey of owls. Moles do a good deal of mischief in
fields and gardens; because, by running under the earth, they loosen the
roots of plants and corn. But yet they are of use, as every thing living
is, in the grand system of Nature: their prey would without them so
multiply, that they themselves would commit greater mischief than we fear
from moles.




CHAPTER XVI.

_The Return Home._


The next day was the day appointed for the young Bensons to return home.
They rose earlier than usual, that they might have time to walk round the
farm, and take a last look at the objects that had given them so much
pleasure. They first went to the poultry-yard, and took with them some
tares, to feed a pigeon that was grown so tame as to fly down when he saw
them, and perch upon their heads. Their next business was to take leave
of Plover the pony, for whom they had both conceived a great affection;
for, after Charles’s fright, Mr. Mansfield had given them several lessons
in riding, and they had learned to manage him tolerably well, and were
exceedingly delighted with the exercise.

They were stroking him, and lamenting that they should have no more
rides, when old Ralph came up.

Honest Ralph was much attached to his master, and was disposed to love
his grandchildren for his sake; and their constant civility and good
humour conspired to make them favourites.

As he had heard what they said, he very obligingly brought out the
saddle and bridle; and, harnessing the pony, told them that breakfast was
not yet ready, and that they should have a ride the last morning.

These words “the last morning” brought the tears into Charles’s eyes;
but as he had a good deal of fortitude, he strove to suppress them, and,
mounting Plover, galloped away to a distance, that he might not be seen
to cry. Presently after Arthur took his turn, and, as it grew late, they
then went in doors.

They found Mr. and Mrs. Mansfield in the parlour, and the post-chaise,
in which they were to set off, already at the door. They were therefore
obliged to hurry over their breakfast, that they might not keep their
grandfather waiting for them; for the old gentleman had engaged to
accompany his grandsons to London, where he was to remain for a few days.
Mrs. Mansfield kissed both the boys over and over again, and charged them
to give her love to their papa and mamma, and little sister. She bestowed
upon them great commendations for their good conduct and docility during
the whole of their stay, and told them that, as they had enjoyed their
visit, she hoped they would repeat it at some future opportunity.

Arthur and Charles pressed her hand, and returned her embraces; but their
voices failed when they attempted to thank her for the great kindness she
had shown them.

At length the moment of separation came; but before they stepped into the
chaise, they went round to shake hands with all the servants, who had
assembled about the door, in order to see them set off, and wish them
good-bye.

When the carriage drove off, a gloom hung for a short time upon the
countenances of the young travellers; but it cleared away by degrees, as
their attention was diverted to new objects, and in a short time they
entirely recovered their gaiety.

After they had travelled some miles, Mr. Mansfield informed them that
they were then upon a new road, which a few years before had been cut
through a steep hill. “You observe,” said he, “that we have a high bank
on each side of us, so that we seem to be almost buried between the two.
The spot where we now are was formerly level with the top of the banks,
and made a part of the same field with them; and the old road then went
several miles further about, to avoid this hill. But now that the ground
has been cut away so as to leave the road on a gentle ascent, coming this
way saves time, and is less fatiguing to horses.”

“It must have been a work of great labour,” said Arthur.

“Certainly,” returned Mr. Mansfield; “but it is nothing in comparison to
some works that have been accomplished. What should you think of making
canals, or artificial rivers, for forty or fifty miles together, where
before was dry land?”

“Is it possible,” said Charles, “that that should ever have been done!”

“Undoubtedly, my dear, in several places,” observed Mr. Mansfield. “When
a number of men, Charles, unite together in the same work, with prudence
and industry, it is difficult to say what they _cannot_ do.”

The travellers did not arrive in London till late in the evening. Arthur
and Charles rejoiced to meet again their dear parents and sister, from
whom they had never before separated; and they felt, that though they
might enjoy an occasional excursion, yet for a constancy no place was so
happy or desirable as HOME.


THE END.

_London: William Darton, 58, Holborn-Hill._




CHILDREN’S BOOKS

                               PUBLISHED BY
                             WILLIAM DARTON,
                        58, Holborn-hill, London.


1. A VISIT to LONDON; containing a Description of the principal
Curiosities in the British Metropolis. With six Copper-plates, price 2s.
6d.

2. The SHIPWRECK; or Misfortune the Inspirer of virtuous Sentiments. By
Mrs. Pilkington. 18mo. price 2s. 6d. half bound, with Copper-plates.

3. AUNT MARY’s New Year’s GIFT to GOOD little BOYS and GIRLS who are
LEARNING to READ. By the Author of “Aunt Mary’s Tales,” “Ornaments
Discovered,” &c. 18mo. price 1s. 6d. half bound, with Copper-plates.

4. STORIES for CHILDREN; chiefly confined to Words of Two Syllables. By
the Author of “Aunt Mary’s Tales,” &c. 18mo. price 1s. 6d. half bound,
with Copper-plates.

5. The ALCHEMIST. By the Author of “Ornaments Discovered,” &c. 18mo.
price 2s. 6d. half bound.

6. The METAMORPHOSES; or Effects of Education: a Tale. By the Author of
“The Ornaments Discovered,” &c. 18mo. price 2s. 6d. half bound.

7. LITTLE LESSONS for LITTLE FOLKS; containing, 1. The Little Sweepers.
2. The Mistake. 3. The Widow and her only Son. 4. Ask and Learn. 5.
Village Annals; or Truth and Falsehood. By Mary Belson, Author of
“Industry and Idleness,” “Modern Goody Two-Shoes,” “Adventures of Thomas
Two-Shoes,” “William’s Secret,” “The History of Peggy and her Mammy,” &c.
18mo. price 2s. 6d. half bound.

8. The YOUNG MORALIST; consisting of Allegorical and Entertaining Essays,
in Prose and Verse. Fifth Edition, enlarged; with occasional Notes and
Illustrations. By G. Wright, Esq. Editor of “Mental Pleasures,” &c. 18mo.
price 2s. 6d. half bound, with Copper-plates.

9. The ORPHAN GIRL; a Moral Tale, founded on Facts. By Mary Robson,
Author of “Ornaments Discovered,” &c. 18mo. price 2s. half bound, with
Copper-plates.

10. THIRTY-TWO REMARKABLE PLACES IN OLD ENGLAND, for the Instruction and
Entertainment of Youth. Price 6d. with Nine Copper-plate Views; and 1s.
with Eighteen Views.

11. MARY and her CAT; in Words not exceeding Two Syllables. A New
Edition, with New Plates. Price 6d. plain, or 1s. with the Plates
coloured.

12. The GEOGRAPHICAL PRIMER, designed for the Younger Classes of
Learners, and calculated to advance them, by natural and easy Gradations,
to a perfect Acquaintance with the Elements of the Science: with an
Appendix, containing Fourteen Hundred Questions on the principal Maps. By
J. H. Wiffen. 18mo. 3s. bound in red.

13. ROBIN HOOD; being a complete History of all the Notable and Merry
Exploits performed by him and his Men, on many Occasions. With Eight fine
Copper-plates. Price 6d. plain, or 1s. coloured.

14. GRATEFUL TRIBUTES, or Recollections of Infancy; containing the Poems
of My Father, Mother, Brother, Sister, Uncle, Aunty, Mammy, Bible,
Grandfather, Grandmother, and Childhood. A New Edition, 18mo. with Six
Plates, price 6d. or square with coloured Plates, price 1s. 6d.

15. BARBAULD’S HYMNS, in Prose, for Children; calculated to impress the
infant Mind with early Devotion. With beautiful Copper-plates, price 6d.
or coloured, 1s.

16. The PLEASING, INTERESTING, and AFFECTING HISTORY of PRINCE LEE
BOO; with an Account of the Pellew Islands. Embellished with elegant
Copper-plates, price 1s.

17. The ADVENTURES of THOMAS TWO-SHOES: being a Sequel to that of
“The Modern Goody Two-Shoes,” By Mary Belson, Author of “Industry and
Idleness,” &c. Price 1s. with Copper-plates.

18. PROFITABLE AMUSEMENT FOR CHILDREN; or Familiar Tales combining useful
Instruction with pleasing Entertainment. By the Author of “Learning
better than House and Land.” Price 2s. half bound.

19. FOOD for the YOUNG; adapted to the Mental Capacities of Children of
tender Years. By a Mother. Price 2s. half bound, with Copper-plates.

20. The WINTER SCENE; to amuse and instruct the Rising Generation. By M.
H. Price 2s. half bound, with Copper-plates.

21. The BOOK of BEASTS, beautifully coloured, with a Description of each:
adapted to the Capacities of Infant Minds; in Words of Two and Three
Syllables. Price 1s. 6d.

22. The BOOK of BIRDS, beautifully coloured with a Description of each:
adapted to the Capacities of Infant Minds; in Words of Two and Three
Syllables. Price 1s. 6d.

23. The ADVENTURES of ROBINSON CRUSOE, the York Mariner; embellished with
Copper-plates. Price 6d. and a larger Edition, price 1s. with several
Cuts.

24. The UNION ATLAS, containing Thirty-eight new and improved Maps of
all the Empires, Kingdoms, and States, in the known World; designed as
a Companion to the various Gazetteers and Books of Geography now in
Use. The whole clearly engraved by Artists of eminence, and carefully
coloured; including Maps of the Roman Empire, and of Ancient Greece.
Imperial 4to. price, half bound and full coloured, 20s.

25. ANIMAL CREATION; or The Power of the Supreme Being attempted to be
unfolded to the Minds of the Rising Generation. By a Parent. Containing
many Engravings of Animals in Wood. Price 6d.

26. DIX’S JUVENILE ATLAS, containing forty-four Maps, with plain
Directions for copying them; designed for Junior Classes. 4to. half
bound, price 10s. 6d. plain, or 14s. full coloured.

27. The LITTLE VOCABULARY, intended as an Introduction to any of the
larger Spelling Books, and particularly designed to assist Mothers in the
Instruction of their young Children. By Mrs. Lovechild, price 6d.

28. EASY READING: adapted to the Capacities of Children from Five to
Seven Years old; designed to advance them by natural and easy Gradations
to the perusal of larger Works; being a Companion to, and intended to
follow, the “Little Vocabulary.” Divided into a Number of short Lessons,
and embellished with many Wood-cuts. By Mrs. Lovechild, price 1s.

29. The YELLOW SHOE-STRINGS; or, The Good Effects of Obedience to
Parents, price 1s. with Copper-plates.

30. The MODERN GOODY TWO-SHOES; exemplifying the good Consequences
of early attention to Learning and Virtue. By Mary Belson, Author of
“Industry and Idleness,” &c. Price 1s. with Copper-plates.

31. HENRY; a Story for Little Boys and Girls from Five to Seven Years
old. By Frances Boyer Vaux. Two Parts, price 1s. each, with Copper-plates.

32. LECTURES at my SCHOOL; or, Play-Ground Conversations. By a Friend
to Youth. Illustrated with fifty elegant Engravings, price 2s. 6d. half
bound.

33. LEARNING better than HOUSE and LAND as exemplified in the History of
Harry Johnson and Dick Hobson. By J. Carey, LL.D. 2s. 6d. half bound.

34. The ADVENTURES of a DONKEY. By Arabella Argus, Author of “The
Juvenile Spectator.” 18mo. price 2s. 6d. half bound.

35. The SCRIPTURE ALPHABET. By a Parent, for his Children. Illustrated
with Twenty-Seven Engravings from Scripture, price 1s. or, coloured, 1s.
6d.

36. The ADVENTURES of the CELEBRATED LITTLE THOMAS DELLOW, who was stolen
from his Parents on the 18th of November, 1811, and restored to them on
the 3d of January, 1812. Illustrated by Eight characteristic Engravings,
price 1s.

37. LONDON: a Descriptive Poem. Second Edition, corrected, and
illustrated with elegant Views on Copper-plates, price 1s.

38. The FRENCH and ENGLISH PRIMER; or, An easy Vocabulary of Twelve
Hundred common Words; for the Use of Children. By the Abbe Bossut; price
9d.

39. The ORPHAN BOY; or A Journey to Bath. Founded on Fact. By Mary
Belson, price 2s. half bound, with Plates.

40. The WONDERS of ANIMATED NATURE; consisting of Descriptions at large,
and engraved Representations of the principal Animals and Birds in the
Royal Menageries of London and Paris. Translated from La Cepede, with
considerable Additions by the English Editor. 8vo. half bound, price. 8s.

41. The GOOD BOY’s SOLILOQUY; containing his Parent’s Instructions
relative to his Disposition and Manners. Illustrated with Sixteen
Copper-plates, price One Shilling.

42. The FIRST, or MOTHER’S CATECHISM; containing Common Things necessary
to be known at an Early Age. By the Rev. David Blair; price 9d.

43. The ORNAMENTS DISCOVERED. By the Author of “Aunt Mary’s Tales,”
“Alchemist,” “Metamorphoses,” “New Year’s Gift,” and “Stories for
Children.” 18mo. price 2s. 6d. half bound.

44. The RAMBLES of a BUTTERFLY. By Mary Belson. With Plates, 18mo. price
2s. half bound.

45. A DESCRIPTION of the most remarkable TREES, PLANTS, and SHRUBS, in
all Parts of the WORLD; illustrated with several curious Anecdotes of
their wonderful Properties: and at the same time manifesting infinite
Wisdom in the formation of those valuable Productions so beneficial to
all Mankind. By Joseph Taylor, Author of “Tales of the Robin.” 12mo.
price 4s. half bound, with several Plates.

46. PORTRAITS of CURIOUS CHARACTERS in LONDON, &c. with Descriptive and
Entertaining Anecdotes. Price 1s. sewed, or 1s. 6d. half bound. The
Portraits are accompanied with a Biographical Sketch of each Character,
which will be found highly interesting.

47. The ADVENTURES and CONVERSATIONS of a SUMMER’S MORNING: intended to
entertain and instruct the Minds of Youth. A New Edition, improved. By
Wm. Wiseacre, Esq, price 1s. 6d. half bound.

48. The FIRST STEP to KNOWLEDGE; being an easy Introduction to the
various English Spelling Books. By the Rev. J. Goldsmith. Twenty-eighth
edition, price 6d.

49. The INVITED ALPHABET; or, Address of A to B; containing his friendly
Proposal for the Amusement and Instruction of good Children, with
Twenty-five Engravings on Copper-plates, price 1s. 6d.

50. The ASSEMBLED ALPHABET; or, Acceptance of A’s Invitation; concluding
with a Glee for three Voices: being a Sequel to the “Invited Alphabet.”
With elegant Copper-plate Engravings, price 1s. 6d.

51. INFANTINE ERUDITION, concluding with a Glee for three Voices; to
which are added, the Figure Dancers, The whole intended as a Supplement
to the “Invited” and “Assembled” Alphabets: illustrated with beautiful
Copper-plates, price 1s. 6d.

52. JUVENILE PLUTARCH; containing Accounts of the Lives of Celebrated
Children, and of the Infancy of Persons who have been Illustrious for
their Virtues or Talents. With Plates, two vols. price 5s.

53. The JUVENILE SPECTATOR; being Observations on the Tempers, Manners,
and Foibles, of various young Persons, interspersed with such lively
Matter, as, it is presumed, will amuse as well as instruct. By Arabella
Argus. 12mo. Two vols. in one, price 8s. neatly half bound, with several
Copper-plates.

54. The WONDERS of the HORSE; recorded in Anecdotes, and interspersed
with Poetry. By Joseph Taylor, Author of “Tales of the Robin.” Price 2s.
6d. half bound, with Copper-plates.

55. REFLECTIONS for the SEVEN DAYS of the WEEK, written fur the use of
the Young; and expressly designed for those Children who are educated at
the Public Expense. By Elizabeth Belson, price 6d.

56. CLASSICAL ENIGMAS, adapted to every Month in the Year; composed
from the English and Roman Histories, Heathen Mythology, and Names of
famous Writers: to which are added, Riddles, Transpositions, Charades,
and Queries: Meant to amuse Youths of all Ages, and at the same time to
exert their Memories, by calling to mind what they have read at different
times. By Anne Ritson, price 6d.

57. A GRAMMATICAL CATECHISM, in two parts, with Notes, for the Use of
Schools; exhibiting a Compendium of Grammar, in Question and Answer:
designed for the purpose of Examination in that Study. By Mrs. Thackwray,
Walworth. Price 1s.

58. PEGGY and her MAMMY. By Mary Elliott, (late Belson,) Author of
“Industry and Idleness,” &c. With Copper-plates, price 1s.

59. WILLIAM’S SECRET. By Mary Elliott, (late Belson,) Author of “Industry
and Idleness,” &c. With Copper-plates, price 1s.

60. The WAX-TAPER; or, Effects of Bad Habits. By Mary Elliott, (late
Belson,) Author of “Industry and Idleness,” &c. With Copper-plates, price
1s.

61. A New HISTORY of ENGLAND, from the Invasion by Julius Caesar to the
present Time, in two Parts. With many Copper-plates, price 1s. each part.

“The memory of things past ought not to be extinguished by length of
time; nor great and admirable actions remain destitute of glory.”
Herodotus.

62. FRANKLIN’S WAY to WEALTH; or, Poor Richard Improved: to which is
added, “How to make _Much of a Little_,” earnestly recommended to the
Industrious Poor; also “Alphabetical Maxims,” worthy the remembrance and
regard of all. An entire new Edition, with several Copper-plates. By Bob
Short, price 6d.

63. A NEW and ENTERTAINING ALPHABET, for Young Children; where some
Instruction may be gained, and much Amusement; embellished with
Twenty-six Engravings, price 6d.

64. DIVINE and MORAL SONGS, for the use of Children. By Isaac Watts, D.D.
with many Plates, price 6d.

[Illustration:

                             WILLIAM DARTON,
                               _Wholesale_
                               BOOKSELLER,
                           _58, Holborn Hill._
                                 LONDON.

                           Maps, Charts & Plans
                          of every description.

             _Extensive collections of Books for the Use of_
                         CHILDREN & YOUNG PEOPLE
                                  _and_
                              WORKS of MERIT
                          as soon as Published.

               _School Books in every branch of Education;
                       and Books in all Languages._

                   Arts, Sciences, & Polite Literature,
                                either in
                       _Plain or Elegant Bindings_.]

*** END OF THE PROJECT GUTENBERG EBOOK A VISIT TO A FARM HOUSE ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that:

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg-tm trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.