The Project Gutenberg EBook of Mimsy's Joke, by Millard Grimes

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: Mimsy's Joke

Author: Millard Grimes

Release Date: November 14, 2020 [EBook #63749]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK MIMSY'S JOKE ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net







MIMSY'S JOKE

By MILLARD GRIMES

Nance smiled foolishly. The long trip back to
Earth from Mars wouldn't be at all dull. It might
well be one long delicious chuckle over a great,
grim and incredible joke. And wouldn't Nance's
little cocker spaniel appreciate it most of all?

[Transcriber's Note: This etext was produced from
Planet Stories March 1954.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


He was lying in the grass and his cute little cocker spaniel was nibbling on his ear when the message came. He was breathing the fragrant air of spring and feeling cool spring breeze and the solid earth under the grass beneath him, while the dog with doleful eyes delighted him with her tricks.

His name was Oscar Nance, and he was the world's top archaeologist. That was why the message came to him when the UN began selecting a crew for Earth's first expedition to Mars.

"We want you," the message read. It was an invitation that was difficult to refuse. He cuffed the cocker on the ear. She barked softly and let her tongue hang out at the cutest angle. "Good-bye, Mimsy," he said. The dog was all he had on this world. "I'll miss you, lady," Nance told the dog. She licked his hand.

Then Nance raised his six-three form from the soft grass and started with a careless gait toward the boarding house where he lived during infrequent visits to his home town. Usually he took Mimsy with him on his trips but he knew this trip would not be available for pets.

He stopped at the house and told his landlady to be sure and take care of the dog while he was gone. "I sure will," the landlady told him. She already had Mimsy's supper of liver and dog biscuits waiting on the hearth.

A day later, Oscar Nance became a part of man's grandest adventure....

The place where the first earth ship to Mars landed was very cold and very dead. The commander of the expedition was a gruff, retired Army general who had a smattering of science and a great deal of command. His crew, with the exception of two handy men, was composed of the leading persons in all branches of Terran science. None of them were women, and most of them were young.

Oscar Nance was 34. He had been around the world 10 times, with particular emphasis on Easter Island and the Antarctica.

The ship had taken two weeks to bridge the gap between Earth and Mars. The voyage had been smooth. Every man aboard knew his job, and they were following a plan that the U.N. had worked on for 20 years. Boone, the commander, had been a top general in World War III. He was efficient, stern, colorless to the point that he was almost colorful.

Immediately upon landing, Boone had dispatched two cats to take the first steps onto Mars. The cats suffered no ill effects, and now the Commander was preparing for the crew to explore the new world.

He pointed to Nance and Zoologist Braun. "You, Nance, and Braun, and myself, will form one group," he said. He quickly divided the remaining twelve men into three groups. One was to stay at the ship, the other two would be exploring units.

When the small group of Earthmen descended from the ship to alien soil, Commander Boone's businesslike manner seemed to take much of the glamour from the moment. "No heroics, Commander?" Physicist Allgood asked.

Boone was not a man for ceremony. "We're here," he said. "We must see what is here. We must get back."


What was there was not a great deal. Some vegetation did exist, and there was a thin coat of snow spread over the few scraggly trees. Commander Boone surveyed the surrounding land through his spyglass, then suddenly lowered it with a set expression on his face. "There's a city to the North," he announced. He checked the group's immediate enthusiasm with a harsh bellow. "There's no movement there," he barked. "And from the looks of the buildings there's been no life there for centuries. However, if there is intelligent life, we will find it there, but it may not be friendly."

Boone studied the buildings to the North for another moment, then turned to Nance and Braun. "We three will explore the city," he rasped into the thin air. "You others will fan out in other directions and meet back here in an hour." He paused emphatically. "If we do not come back, bring every weapon in the ship when you come to get us. I repeat, life here, if any, may not be friendly. That is why we can't afford to risk the whole party on an expedition to the city."

Nance and Braun followed the stern old General as he set out on foot in a northward direction. The other parties went their own way. The three men spoke sparingly during the hour's walk to the buildings. Mars was too quiet, almost like a funeral parlor, Nance thought, and perhaps the corpses were waiting on their slabs in the city now rising before them. The air was tolerable but cold, and the sun was fighting a losing battle with a heavy fog. Nance finally made out the form of the structures when they were only a mile away. As they drew nearer, he noticed that the buildings were made of solid stone, apparently, and rivaled the pyramids in height. There were gigantic cracks in the walls of many, and a few had crumbled to the ground.

As the three entered the city, Nance dropped to his knees and examined the stone closely. "Good Lord," he gasped. "Mars must have been deserted for thousands of years. It would require that long for stone like this to deteriorate."

Boone stared at the winding street between the fallen buildings. "Then no intelligent life exists here," he said.

Braun looked up from a small flower which he'd found. "I challenge that statement, Commander," he said. "Life could exist here today. Perhaps the life that is here just doesn't know how to keep house very well, and let the work of its ancestors go to ruin."

"Well, then, let's investigate," Boone ordered. He led the way into the nearest structure, a gnarled hand falling close to the automatic which hung at his side. But there was nothing in the building save the rubble of a dead civilization and rusted machines which once must have given life and meaning to Mars.

They left and went on to the second building. Here they found life.

Life was in a back room that had one small window to admit light. Nance entered. The light was so dim that he did not see it at first. He saw it when it moved, slowly, clumsily in a far corner, as if awaking from a long sleep. Nance quickly shone his flashlight over the room and onto the life.

"Commander Boone, Braun, come here," he shouted. The other two men were at his side almost instantly.

Nance directed his beam of light to the face of the creature in the corner. The creature looked remarkably like a man. He had huge jowls and long overlapping ears, and was somewhat fat. He blinked tiny eyes at the light for a moment and finally managed to get a look at his visitors.

In English, he growled, "So you've come at last." The flash quivered in Nance's hand. He remembered his first trip into the pyramids, and suddenly he knew how he would have felt if King Tut's mummy had spoken to him—in English.

Boone's voice quavered. "It speaks English. That's not possible."

It was gruff, drawling English, sometimes not plain, but it was English. And it kept coming. "I've waited so long," the creature said. He lifted an arm in welcome. Nance noted the fingers were joined together. "I've waited and paid with each moment for an error my ancestors made." He moved his shaggy head and surveyed the crumbled room. "Now my abode is not fit to receive guests," he rumbled.

"Who.... What are you?" Commander Boone managed, making a gallant effort to sound authoritative.

Braun suddenly laughed. "He looks like a comic strip St. Bernard," he roared, and then laughed some more at the thought. Boone glared at him, obviously not sharing his mirth.

The creature laughed also. He leaned his head back and laughed uproariously. "My name is Staang," he said. "I am a Martian ... naturally ... in your language. And I am something more than a Martian in your language." A new wave of laughter shook the creature.

"Are there any more here like you?" Commander Boone demanded.

"A few, just a few," Staang said. "But won't you sit down. There's not much to offer you in the way of comfort, but the floor will do. There must be things you'd like to ask me."

Staang rose to his feet with evident effort. "Moving," he grunted, "how I detest moving." He took a box from an indenture in the wall and began eating the contents, apparently a type of meat. He ate the bone and all. Staang glared at his guests through shaggy eyebrows and smiled. "You're puzzled," he said. "You don't understand my knowing about you, do you?" He seemed extremely pleased with himself.

Nance began doing the talking. "Do you mean Martians have visited the Earth?" he asked.

Staang chuckled loudly. "Yes ... yes, I do mean that. Come, let me tell you a story, my friends. I am sure you will find it most interesting."

"Wait a minute," Boone barked, his hand now touching his gun. "We're here for facts. You're coming back to our ship—peacefully or by force."

"Peacefully, I assure you, Commander," Staang said. "But my story—"

"Let him tell it," Braun said. "Maybe it will explain things. And a lot needs explaining. He seems to have been expecting us."

"I have, I have," the Martian muttered, disposing of the last of his food. He threw the box into a corner already piled high with rubble. "You saw the buildings here in this ... what was once a great city. These buildings are a few which are left of a civilization which grew weary. 'Twas not a young race as the one which fostered your world, but an old race which tired of working—even of thinking. The civilization went untended, until finally my ancestors decided they would have to invade another world to find servants to relieve Martians of the work—and the thinking—which they had grown to dislike so much. They reasoned that with proper servants they would have nothing to do but eat and sleep as they wanted.

"So my people invaded another planet."

"You had space travel then?" Boone demanded. "How long ago was this?"

"Three thousand ... maybe four thousand years ago as you count time."

"But with space travel four thousand years ago," Nance stammered, "it seems the first planet you would have visited would have been ours—Earth."

Staang laughed again. "Perhaps it was," he said. "But let me finish my story."

"As I said, my people were fat and lazy, as I am now. Thus, open fighting as a means of bringing another race to be our slaves was out of the question. They had to find another way. And they did.

"Our first troops were sent to Agar, and they reported very satisfactory results. Soon, practically the whole population migrated to Agar and the Agarians became our slaves. A few Martians, such as my ancestors, remained here. They kept the record of this invasion and also recorded all correspondence between this planet and Agar. Ah, would they had gone also, so that today I would have nothing to do but eat and sleep, as most of my race does—on Agar." He yawned at the thought. "Do not think badly of my race," he implored suddenly. "Some day your people also will grow old and tired."

Boone grabbed Staang by the arm and shook him firmly. "But where does Earth come in?" he demanded.

Staang gazed at the stern old General and then once again burst into peals of laughter. "You see," he giggled. "We Martians have another name for your Earth. We call it Agar. Your world is the one my ancestors invaded thousands of years ago. Your people are my people's slaves until today."

"Wh ... what is he saying?" Nance stammered.

"You're crazy," Boone bellowed. "Now I know that you are crazy."

"That was the nice thing about our invasion." Staang explained patiently. "The Earthmen did not even realize that they were being invaded—do not even realize today that they are slaves. My people, in their long stay on Earth, have grown even lazier, and particularly their brains have become sluggish during the long years of inaction. Also there have been slight handicaps incurred because of conditions on your world.

"For thousands of years there was regular communication between this planet and our invaders on Earth. The records were kept faithfully by the few Martians remaining here, and in my long years of almost complete solitude I learned your language and the history of my people on your world. I knew that perhaps in my lifetime Earthmen would reach this planet. One of my people predicted in 1396 that your world would attain space travel in the latter part of the 20th century."

Nance stumbled for words. What creatures of Earth could this being be speaking of, that had such power and progress.

But Staang was talking again in his gruff tones. "Correspondence ceased before my birth. I suppose my people grew too lazy, but the main objective had been reached. There is no work for the higher class Martians on your world, only an easy life with servants plenteous."

"Wait," spoke up Braun. "You said higher class Martian. Are there different breeds?"

"Oh, there are many breeds of Martians. Naturally, we had a slave type here in the height of our civilization, and these slaves were worked into your scheme of things to continue being slaves. They aid you Earthmen so that you may better serve the aristocrat Martians."

"But why haven't we seen the Martians?" Braun exclaimed. "I've seen nothing on Earth like you."

"No?" said Staang. "Our records say you Earthmen love us and are happy to serve."


Nance had been studying Staang's features with a practiced eye, the incredibility of his thoughts silencing his tongue.

But suddenly he realized that the creature was telling the truth—to a point. He knew that the Martians had invaded Earth. "Look at him, Commander," Nance said. "Don't you see the resemblance. Martians are on Earth, but we call them—"

"Good Grief!" exclaimed Commander Boone.

Staang snickered. "You call us 'Man's Best Friend,' I believe," he offered.

Braun gasped, "Dogs."

"Of course," Nance said. "Notice Staang's droopy ears, the long nose, his hands and feet resemble paws. And since Earth's gravity is greater than Mars', wouldn't that tend to pull a person's arms toward the ground, making them essentially four-footed, instead of two-armed and two-legged as Staang still is.

"That's what happened to the Martians when they came to Earth, but I don't suppose they cared. It probably made it easier to walk, and they got what they wanted. After all, don't we feed the dogs, provide them a place to sleep. They have no real work to do, and only a few are mistreated. Hounds and others of that type must be the slaves Staang is speaking of. The poodles, terriers, and cockers—those strictly pets—must be the higher type." He almost choked when he got to cocker. He tried not to think of Mimsy as an invader, with him as her slave, but he realized that it amounted to that. Now the landlady was being her slave.

Braun couldn't restrain another wild laugh as he stared at Staang. "Why, he is a St. Bernard," he roared.

A bewildered expression covered Boone's stern face. "The irony," he gasped. "But you're right. The dogs do lead the kind of life on Earth that would be desirable to creatures grown too lazy to even think. But to imagine that the ancestors of our dogs once built this city. It's incredible."

"Good Lord," Braun remarked. "Here we have been expecting and talking about invasions from Mars for years, and we'd already been invaded centuries ago. What a laugh they must have had."

Staang was listening in obvious amusement. "Our invasion was logical," he said. "Done in a way so as not to offend anyone. Although one creature has resented our invasion and fought as continually. It is called a flea, I believe. But the records say men have done everything possible to rid us of this pest."

"Even the great rulers of your land, who are waited on hand and foot, are servants of we Martians."

Boone raised his hand for silence. His features were crestfallen. His expedition had not uncovered what Earth would be glad to hear. "We must go," he said, but the old authority was gone from his voice.

Staang raised himself to elbows. "Wait, will you not take me with you?"

Boone paused and looked back at the shaggy figure in the gloom. He could see Staang trudging a snowy path with a keg of brandy around his neck. Almost instinctively he patted Staang on the head. "No, old boy," he said. "You stay here and put this in the record."

Braun whispered to Nance, "Evidently the Commander has a dog to whom he's not so stern."

They left Staang to his food and sleep. There was nothing of much interest on Mars except the old, old cities so long deserted.

So the great expedition departed, to go back to Earth to see the invaders—the Martians they had traveled 38,000,000 miles to see on another world. They wanted to tell Earth of the grim and incredible joke that had been played on her ... and Nance meant to have a long talk with Mimsy.






End of the Project Gutenberg EBook of Mimsy's Joke, by Millard Grimes

*** END OF THIS PROJECT GUTENBERG EBOOK MIMSY'S JOKE ***

***** This file should be named 63749-h.htm or 63749-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/3/7/4/63749/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.