The Project Gutenberg EBook of The Happy Castaway, by Emmett McDowell This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Happy Castaway Author: Emmett McDowell Release Date: October 7, 2020 [EBook #63401] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE HAPPY CASTAWAY *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
BY ROBERT E. McDOWELL
Being space-wrecked and marooned is tough
enough. But to face the horrors of such a
planet as this was too much. Imagine Fawkes'
terrible predicament; plenty of food—and
twenty seven beautiful girls for companions.
[Transcriber's Note: This etext was produced from
Planet Stories Spring 1945.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Jonathan Fawkes opened his eyes. He was flat on his back, and a girl was bending over him. He detected a frightened expression on the girl's face. His pale blue eyes traveled upward beyond the girl. The sky was his roof, yet he distinctly remembered going to sleep on his bunk aboard the space ship.
"You're not dead?"
"I've some doubt about that," he replied dryly. He levered himself to his elbows. The girl, he saw, had bright yellow hair. Her nose was pert, tip-tilted. She had on a ragged blue frock and sandals.
"Is—is anything broken?" she asked.
"Don't know. Help me up." Between them he managed to struggle to his feet. He winced. He said, "My name's Jonathan Fawkes. I'm a space pilot with Universal. What happened? I feel like I'd been poured out of a concrete mixer."
She pointed to the wreck of a small space freighter a dozen feet away. Its nose was buried in the turf, folded back like an accordion. It had burst open like a ripe watermelon. He was surprised that he had survived at all. He scratched his head. "I was running from Mars to Jupiter with a load of seed for the colonists."
"Oh!" said the girl, biting her lips. "Your co-pilot must be in the wreckage."
He shook his head. "No," he reassured her. "I left him on Mars. He had an attack of space sickness. I was all by myself; that was the trouble. I'd stay at the controls as long as I could, then lock her on her course and snatch a couple of hours' sleep. I can remember crawling into my bunk. The next thing I knew you were bending over me." He paused. "I guess the automatic deflectors slowed me up or I would have been a cinder by this time," he said.
The girl didn't reply. She continued to watch him, a faint enigmatic smile on her lips. Jonathan glanced away in embarrassment. He wished that pretty women didn't upset him so. He said nervously, "Where am I? I couldn't have slept all the way to Jupiter."
The girl shrugged her shoulders.
"I don't know."
"You don't know!" He almost forgot his self-consciousness in his surprise. His pale blue eyes returned to the landscape. A mile across the plain began a range of jagged foothills, which tossed upward higher and higher until they merged with the blue saw-edge of a chain of mountains. As he looked a puff of smoke belched from a truncated cone-shaped peak. A volcano. Otherwise there was no sign of life: just he and the strange yellow-headed girl alone in the center of that vast rolling prairie.
"I was going to explain," he heard her say. "We think that we are on an asteroid."
"We?" he looked back at her.
"Yes. There are twenty-seven of us. We were on our way to Jupiter, too, only we were going to be wives for the colonists."
"I remember," he exclaimed. "Didn't the Jupiter Food-growers Association enlist you girls to go to the colonies?"
She nodded her head. "Only twenty-seven of us came through the crash."
"Everybody thought your space ship hit a meteor," he said.
"We hit this asteroid."
"But that was three years ago."
"Has it been that long? We lost track of time." She didn't take her eyes off him, not for a second. Such attention made him acutely self conscious. She said, "I'm Ann. Ann Clotilde. I was hunting when I saw your space ship. You had been thrown clear. You were lying all in a heap. I thought you were dead." She stooped, picked up a spear.
"Do you feel strong enough to hike back to our camp? It's only about four miles," she said.
"I think so," he said.
Jonathan Fawkes fidgeted uncomfortably. He would rather pilot a space ship through a meteor field than face twenty-seven young women. They were the only thing in the Spaceways of which he was in awe. Then he realized that the girl's dark blue eyes had strayed beyond him. A frown of concentration marred her regular features. He turned around.
On the rim of the prairie he saw a dozen black specks moving toward them.
She said: "Get down!" Her voice was agitated. She flung herself on her stomach and began to crawl away from the wreck. Jonathan Fawkes stared after her stupidly. "Get down!" she reiterated in a furious voice.
He let himself to his hands and knees. "Ouch!" he said. He felt like he was being jabbed with pins. He must be one big bruise. He scuttled after the girl. "What's wrong?"
The girl looked back at him over her shoulder. "Centaurs!" she said. "I didn't know they had returned. There is a small ravine just ahead which leads into the hills. I don't think they've seen us. If we can reach the hills we'll be safe."
"Centaurs! Isn't there anything new under the sun?"
"Well, personally," she replied, "I never saw a Centaur until I was wrecked on this asteroid." She reached the ravine, crawled head foremost over the edge. Jonathan tumbled after her. He hit the bottom, winced, scrambled to his feet. The girl started at a trot for the hills. Jonathan, groaning at each step, hobbled beside her.
"Why won't the Centaurs follow us into the hills?" he panted.
"Too rough. They're like horses," she said. "Nothing but a goat could get around in the hills."
The gulley, he saw, was deepening into a respectable canyon, then a gorge. In half a mile, the walls towered above them. A narrow ribbon of sky was visible overhead. Yellow fern-like plants sprouted from the crevices and floor of the canyon.
They flushed a small furry creature from behind a bush. As it sped away, it resembled a cottontail of Earth. The girl whipped back her arm, flung the spear. It transfixed the rodent. She picked it up, tied it to her waist. Jonathan gaped. Such strength and accuracy astounded him. He thought, amazons and centaurs. He thought, but this is the year 3372; not the time of ancient Greece.
The canyon bore to the left. It grew rougher, the walls more precipitate. Jonathan limped to a halt. High boots and breeches, the uniform of Universal's space pilots, hadn't been designed for walking. "Hold on," he said. He felt in his pockets, withdrew an empty cigarette package, crumpled it and hurled it to the ground.
"You got a cigarette?" he asked without much hope.
The girl shook her head. "We ran out of tobacco the first few months we were here."
Jonathan turned around, started back for the space ship.
"Where are you going?" cried Ann in alarm.
He said, "I've got a couple of cartons of cigarettes back at the freighter. Centaurs or no centaurs, I'm going to get a smoke."
"No!" She clutched his arm. He was surprised at the strength of her grip. "They'd kill you," she said.
"I can sneak back," he insisted stubbornly. "They might loot the ship. I don't want to lose those cigarettes. I was hauling some good burley tobacco seed too. The colonists were going to experiment with it on Ganymede."
"No!"
He lifted his eyebrows. He thought, she is an amazon! He firmly detached her hand.
The girl flicked up her spear, nicked his neck with the point of it. "We are going to the camp," she said.
Jonathan threw himself down backwards, kicked the girl's feet out from under her. Like a cat he scrambled up and wrenched the spear away.
A voice shouted: "What's going on there?"
He paused shamefacedly. A second girl, he saw, was running toward them from up the canyon. Her bare legs flashed like ivory. She was barefooted, and she had black hair. A green cloth was wrapped around her sarong fashion. She bounced to a stop in front of Jonathan, her brown eyes wide in surprise. He thought her sarong had been a table cloth at one time in its history.
"A man!" she breathed. "By Jupiter and all its little moons, it's a man!"
"Don't let him get away!" cried Ann.
"Hilda!" the brunette shrieked. "A man! It's a man!"
A third girl skidded around the bend in the canyon. Jonathan backed off warily.
Ann Clotilde cried in anguish: "Don't let him get away!"
Jonathan chose the centaurs. He wheeled around, dashed back the way he had come. Someone tackled him. He rolled on the rocky floor of the canyon. He struggled to his feet. He saw six more girls race around the bend in the canyon. With shouts of joy they flung themselves on him.
Jonathan was game, but the nine husky amazons pinned him down by sheer weight. They bound him hand and foot. Then four of them picked him up bodily, started up the canyon chanting: "He was a rocket riding daddy from Mars." He recognized it as a popular song of three years ago.
Jonathan had never been so humiliated in his life. He was known in the spaceways from Mercury to Jupiter as a man to leave alone. His nose had been broken three times. A thin white scar crawled down the bronze of his left cheek, relic of a barroom brawl on Venus. He was big, rangy, tough. And these girls had trounced him. Girls! He almost wept from mortification.
He said, "Put me down. I'll walk."
"You won't try to get away?" said Ann.
"No," he replied with as much dignity as he could summon while being held aloft by four barbarous young women.
"Let him down," said Ann. "We can catch him, anyway, if he makes a break."
Jonathan Fawkes' humiliation was complete. He meekly trudged between two husky females, who ogled him shamelessly. He was amazed at the ease with which they had carried him. He was six feet three and no light weight. He thought enviously of the centaurs, free to gallop across the plains. He wished he was a centaur.
The trail left the canyon, struggled up the precipitate walls. Jonathan picked his way gingerly, hugged the rock. "Don't be afraid," advised one of his captors. "Just don't look down."
"I'm not afraid," said Jonathan hotly. To prove it he trod the narrow ledge with scorn. His foot struck a pebble. Both feet went out from under him. He slithered halfway over the edge. For one sickening moment he thought he was gone, then Ann grabbed him by the scruff of his neck, hauled him back to safety. He lay gasping on his stomach. They tied a rope around his waist then, and led him the rest of the way to the top like a baby on a leash. He was too crestfallen to resent it.
The trail came out on a high ridge. They paused on a bluff overlooking the prairie.
"Look!" cried Ann pointing over the edge.
A half dozen beasts were trotting beneath on the plain. At first, Jonathan mistook them for horses. Then he saw that from the withers up they resembled men. Waists, shoulders, arms and heads were identical to his own, but their bodies were the bodies of horses.
"Centaurs!" Jonathan Fawkes said, not believing his eyes.
The girls set up a shout and threw stones down at the centaurs, who reared, pawed the air, and galloped to a safe distance, from which they hurled back insults in a strange tongue. Their voices sounded faintly like the neighing of horses.
Amazons and centaurs, he thought again. He couldn't get the problem of the girls' phenomenal strength out of his mind. Then it occurred to him that the asteroid, most likely, was smaller even than Earth's moon. He must weigh about a thirtieth of what he usually did, due to the lessened gravity. It also occurred to him that they would be thirty times as strong. He was staggered. He wished he had a smoke.
At length, the amazons and the centaurs tired of bandying insults back and forth. The centaurs galloped off into the prairie, the girls resumed their march. Jonathan scrambled up hills, skidded down slopes. The brunette was beside him helping him over the rough spots.
"I'm Olga," she confided. "Has anybody ever told you what a handsome fellow you are?" She pinched his cheek. Jonathan blushed.
They climbed a ridge, paused at the crest. Below them, he saw a deep valley. A stream tumbled through the center of it. There were trees along its banks, the first he had seen on the asteroid. At the head of the valley, he made out the massive pile of a space liner.
They started down a winding path. The space liner disappeared behind a promontory of the mountain. Jonathan steeled himself for the coming ordeal. He would have sat down and refused to budge except that he knew the girls would hoist him on their shoulders and bear him into the camp like a bag of meal.
The trail debouched into the valley. Just ahead the space liner reappeared. He imagined that it had crashed into the mountain, skidded and rolled down its side until it lodged beside the stream. It reminded him of a wounded dinosaur. Three girls were bathing in the stream. He looked away hastily.
Someone hailed them from the space ship.
"We've caught a man," shrieked one of his captors.
A flock of girls streamed out of the wrecked space ship.
"A man!" screamed a husky blonde. She was wearing a grass skirt. She had green eyes. "We're rescued!"
"No. No," Ann Clotilde hastened to explain. "He was wrecked like us."
"Oh," came a disappointed chorus.
"He's a man," said the green-eyed blonde. "That's the next best thing."
"Oh, Olga," said a strapping brunette. "Who'd ever thought a man could look so good?"
"I did," said Olga. She chucked Jonathan under the chin. He shivered like an unbroken colt when the bit first goes in its mouth. He felt like a mouse hemmed in by a ring of cats.
A big rawboned brute of a girl strolled into the circle. She said, "Dinner's ready." Her voice was loud, strident. It reminded him of the voices of girls in the honky tonks on Venus. She looked at him appraisingly as if he were a horse she was about to bid on. "Bring him into the ship," she said. "The man must be starved."
He was propelled jubilantly into the palatial dining salon of the wrecked liner. A long polished meturilium table occupied the center of the floor. Automatic weight distributing chairs stood around it. His feet sank into a green fiberon carpet. He had stepped back into the Thirty-fourth Century from the fabulous barbarian past.
With a sigh of relief, he started to sit down. A lithe red-head sprang forward and held his chair. They all waited politely for him to be seated before they took their places. He felt silly. He felt like a captive princess. All the confidence engendered by the familiar settings of the space ship went out of him like wind. He, Jonathan Fawkes, was a castaway on an asteroid inhabited by twenty-seven wild women.
As the meal boisterously progressed, he regained sufficient courage to glance timidly around. Directly across the table sat a striking, grey-eyed girl whose brown hair was coiled severely about her head. She looked to him like a stenographer. He watched horrified as she seized a whole roast fowl, tore it apart with her fingers, gnawed a leg. She caught him staring at her and rolled her eyes at him. He returned his gaze to his plate.
Olga said: "Hey, Sultan."
He shuddered, but looked up questioningly.
She said, "How's the fish?"
"Good," he mumbled between a mouthful. "Where did you get it?"
"Caught it," said Olga. "The stream's full of 'em. I'll take you fishing tomorrow." She winked at him so brazenly that he choked on a bone.
"Heaven forbid," he said.
"How about coming with me to gather fruit?" cried the green-eyed blonde; "you great big handsome man."
"Or me?" cried another. And the table was in an uproar.
The rawboned woman who had summoned them to dinner, pounded the table until the cups and plates danced. Jonathan had gathered that she was called Billy.
"Quiet!" She shrieked in her loud strident voice. "Let him be. He can't go anywhere for a few days. He's just been through a wreck. He needs rest." She turned to Jonathan who had shrunk down in his chair. "How about some roast?" she said.
"No." He pushed back his plate with a sigh. "If I only had a smoke."
Olga gave her unruly black hair a flirt. "Isn't that just like a man?"
"I wouldn't know," said the green-eyed blonde. "I've forgotten what they're like."
Billy said, "How badly wrecked is your ship?"
"It's strewn all over the landscape," he replied sleepily.
"Is there any chance of patching it up?"
He considered the question. More than anything else, he decided, he wanted to sleep. "What?" he said.
"Is there any possibility of repairing your ship?" repeated Billy.
"Not outside the space docks."
They expelled their breath, but not for an instant did they relax the barrage of their eyes. He shifted position in embarrassment. The movement pulled his muscles like a rack. Furthermore, an overpowering lassitude was threatening to pop him off to sleep before their eyes.
"You look exhausted," said Ann.
Jonathan dragged himself back from the edge of sleep. "Just tired," he mumbled. "Haven't had a good night's rest since I left Mars." Indeed it was only by the most painful effort that he kept awake at all. His eyelids drooped lower and lower.
"First it's tobacco," said Olga; "now he wants to sleep. Twenty-seven girls and he wants to sleep."
"He is asleep," said the green-eyed blonde.
Jonathan was slumped forward across the table, his head buried in his arms.
"Catch a hold," said Billy, pushing back from the table. A dozen girls volunteered with a rush. "Hoist!" said Billy. They lifted him like a sleepy child, bore him tenderly up an incline and into a stateroom, where they deposited him on the bed.
Ann said to Olga; "Help me with these boots." But they resisted every tug. "It's no use," groaned Ann, straightening up and wiping her bright yellow hair back from her eyes. "His feet have swollen. We'll have to cut them off."
At these words, Jonathan raised upright as if someone had pulled a rope.
"Cut off whose feet?" he cried in alarm.
"Not your feet, silly," said Ann. "Your boots."
"Lay a hand on those boots," he scowled; "and I'll make me another pair out of your hides. They set me back a week's salary." Having delivered himself of this ultimatum, he went back to sleep.
Olga clapped her hand to her forehead. "And this," she cried "is what we've been praying for during the last three years."
The next day found Jonathan Fawkes hobbling around by the aid of a cane. At the portal of the space ship, he stuck out his head, glanced all around warily. None of the girls were in sight. They had, he presumed, gone about their chores: hunting, fishing, gathering fruits and berries. He emerged all the way and set out for the creek. He walked with an exaggerated limp just in case any of them should be hanging around. As long as he was an invalid he was safe, he hoped.
He sighed. Not every man could be waited on so solicitously by twenty-seven handsome strapping amazons. He wished he could carry it off in cavalier fashion. He hobbled to the creek, sat down beneath the shade of a tree. He just wasn't the type, he supposed. And it might be years before they were rescued.
As a last resort, he supposed, he could hide out in the hills or join the centaurs. He rather fancied himself galloping across the plains on the back of a centaur. He looked up with a start. Ann Clotilde was ambling toward him.
"How's the invalid?" she said, seating herself beside him.
"Hot, isn't it?" he said. He started to rise. Ann Clotilde placed the flat of her hand on his chest and shoved. "Ooof!" he grunted. He sat down rather more forcibly than he had risen.
"Don't get up because of me," she informed him. "It's my turn to cook, but I saw you out here beneath the trees. Dinner can wait. Jonathan do you know that you are irresistible?" She seized his shoulders, stared into his eyes. He couldn't have felt any more uncomfortable had a hungry boa constrictor draped itself in his arms. He mopped his brow with his sleeve.
"Suppose the rest should come," he said in an embarrassed voice.
"They're busy. They won't be here until I call them to lunch. Your eyes," she said, "are like deep mysterious pools."
"Sure enough?" said Jonathan with involuntary interest. He began to recover his nerve.
She said, "You're the best looking thing." She rumpled his hair. "I can't keep my eyes off you."
Jonathan put his arm around her gingerly. "Ouch!" He winced. He had forgotten his sore muscles.
"I forgot," said Ann Clotilde in a contrite voice. She tried to rise. "You're hurt."
He pulled her back down. "Not so you could notice it," he grinned.
"Well!" came the strident voice of Billy from behind them. "We're all glad to hear that!"
Jonathan leaped to his feet, dumping Ann to the ground. He jerked around. All twenty-six of the girls were lined up on the path. Their features were grim. He said: "I don't feel so well after all."
"It don't wash," said Billy. "It's time for a showdown."
Jonathan's hair stood on end. He felt rather than saw Ann Clotilde take her stand beside him. He noticed that she was holding her spear at a menacing angle. She said in an angry voice: "He's mine. I found him. Leave him alone."
"Where do you get that stuff?" cried Olga. "Share and share alike, say I."
"We could draw straws for him," suggested the green-eyed blonde.
"Look here," Jonathan broke in. "I've got some say in the matter."
"You have not," snapped Billy. "You'll do just as we say." She took a step toward him.
Jonathan edged away in consternation.
"He's going to run!" Olga shouted.
Jonathan never stopped until he was back in the canyon leading to the plain. His nerves were jumping like fleas. He craved the soothing relaxation of a smoke. There was, he remembered, a carton of cigarettes at the wreck. He resumed his flight, but at a more sober pace.
At the spot where he and Ann had first crawled away from the centaurs, he scrambled out of the gulley, glanced in the direction of his space ship. He blinked his eyes, stared. Then he waved his arms, shouted and tore across the prairie. A trim space cruiser was resting beside the wreck of his own. Across its gleaming monaloid hull ran an inscription in silver letters: "INTERSTELLAR COSMOGRAPHY SOCIETY."
Two men crawled out of Jonathan's wrecked freighter, glanced in surprise at Jonathan. A third man ran from the cruiser, a Dixon Ray Rifle in his hand.
"I'm Jonathan Fawkes," said the castaway as he panted up, "pilot for Universal. I was wrecked."
A tall elderly man held out his hand. He had a small black waxed mustache and Van Dyke. He was smoking a venusian cigarette in a yellow composition holder. He said, "I'm Doctor Boynton." He had a rich cultivated voice, and a nose like a hawk. "We are members of the Interstellar Cosmography Society. We've been commissioned to make a cursory examination of this asteroid. You had a nasty crack up, Mr. Fawkes. But you are in luck, sir. We were on the point of returning when we sighted the wreck."
"I say," said the man who had run out of the cruiser. He was a prim, energetic young man. Jonathan noted that he carried the ray gun gingerly, respectfully. "We're a week overdue now," he said. "If you have any personal belongings that you'd like to take with you, you'd best be getting them aboard."
Jonathan's face broke into a grin. He said, "Do any of you know how to grow tobacco?"
They glanced at each other in perplexity.
"I like it here," continued Jonathan. "I'm not going back."
"What?" cried the three explorers in one breath.
"I'm going to stay," he repeated. "I only came back here after the cigarettes."
"But it will be three years before the asteroid's orbit brings it back in the space lanes," said Doctor Boynton. "You don't possibly expect to be picked up before then!"
Jonathan shook his head, began to load himself with tools, tobacco seed, and cigarettes.
"Odd." Doctor Boynton shook his head, turned to the others. "Though if I remember correctly, there was quite an epidemic of hermits during the medieval period. It was an esthetic movement. They fled to the wilderness to escape the temptation of women."
Jonathan laughed outright.
"You are sure you won't return, young man?"
He shook his head. They argued, they cajoled, but Jonathan was adamant. He said, "You might report my accident to Universal. Tell them to stop one of their Jupiter-bound freighters here when the asteroid swings back in the space ways. I'll have a load for them."
Inside the ship, Doctor Boynton moved over to a round transparent port hole. "What a strange fellow," he murmured. He was just in time to see the castaway, loaded like a pack mule, disappear in the direction from which he had come.
Robinson Crusoe was going back to his man (?) Friday—all twenty-seven of them.
End of the Project Gutenberg EBook of The Happy Castaway, by Emmett McDowell *** END OF THIS PROJECT GUTENBERG EBOOK THE HAPPY CASTAWAY *** ***** This file should be named 63401-h.htm or 63401-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/3/4/0/63401/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.