The Project Gutenberg EBook of Drawings, by Frederic Remington This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Drawings Author: Frederic Remington Release Date: July 7, 2020 [EBook #62570] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK DRAWINGS *** Produced by Chuck Greif (This file was produced from images available at The Internet Archive) DRAWINGS BY FREDERIC REMINGTON [Illustration] NEW YORK: R. H. RUSSELL LONDON: LAWRENCE & BULLEN MDCCCXCVII Copyright, 1897, by Robert Howard Russell. Printed in the United States. Concerning the Contents SOME time ago I was spending a driven but happy forenoon among those shops where guns, and fishing tackle, and tents, and all the various necessities of a Western holiday are found. My time was crowded, and against the column of items on my list only a few checks had been made, when I reached “Groceries.” Now, unless you have spent such forenoons and holidays yourself, the visit among the guns and fishing tackle may seem to raise questions of greater moment than any which could occur in the grocery shop. But this is not so. A man soon learns what weapons he prefers, and enters with his mind settled in advance; whereas, when it comes to evaporated vegetables, condensed soups, and pellets that can expand into a meal, you pause over each novelty, and with divided purpose wretchedly choose and unchoose until you are scarce more manlike than a woman. At least, such is my case; and having no minutes to squander this forenoon, I had pencilled my supplies to avoid discussion and temptation. Even while I was directing how I wished the parcels tied, mentioning that they were to be much jolted on the backs of horses, the shopman looked suddenly alert, and said this sounded like a camping trip. Yes, I told him in my elation, I was bound for the head waters of Wind River in Wyoming. Instantly the merchant fell from him; every trace of groceries left his expression; his eye beamed with eagerness, and he asked in the voice of one who gives the countersign, “Have you ever been to Arizona?” and hearing that I had, “I served there under Crook!” he exclaimed. Then names of the North and the South came to his lips--San Carlos, San Simon, the Gila, the Chiricahuas, the Tonto Basin, the forks of the Owyhee, Boise, Bidwell, Harney--he spoke of many familiar to me; and next we were hard at it, this old soldier and myself, exchanging enthusiasms, gossiping in comradeship among the dried prunes. Thus I wasted minutes that I could not spare, yet lost nothing by it; my parcels were put up right. And when this errand was finished, he watched me depart from the shop door, and sighed, “I should like to see it all again!” Since that day I have gone back to him, not always to buy groceries, but just to pass the word, and thus in the midst of city streets to conjure up Arizona, or Idaho, or Wyoming. My journeys through those regions have come after his time. I know none of his dangers and not many of his hardships. But I too have seen Summer and Winter in the Rocky Mountains, and the sun rise; and have slept and marched on trails where he went once. Between us is established a freemasonry: both of us have been _out there_; both of us understand. It matters not that one was an enlisted man campaigning against Indians, while the other is nothing but a voluntary pilgrim to the wilderness. Upon both alike has the wilderness set its spell. Yes; we certainly understand. And what is this spell? Scarcely danger, for I have met no dangers worthy of the name. Scarcely freedom, since the enlisted man can do by no means what he pleases. Scarcely the immortal lift and purity of that great air, which I feel, indeed, but to which I can not remember hearing any trooper allude. Neither will the splendor of Nature explain it; the inspiring vastness, the transfigurations of the sunset, the swimming oceans of color, rich, subtle, endless, the more inexhaustible as the more observed. Only the pilgrims value these things. The chance for riches it certainly is not, nor the chance for crime. Crime and Fortune are there as everywhere; but the lost pocket-book is returned when it would not be in a city, and you meet with few that are troubling about dollars. Bloody and sudden as death often is there, it is not the planned murder so much as the quick blow of personal vengeance, the primitive man dealing with his fellow as in justice he expects his fellow will deal with him. Finally, it is not adventure alone. Though roving spirits have come to their own upon the plains, and with Indians and cattle-driving have let loose the fervid energy no town gave room for, dreamers strayed there too, many dreamers, and found happiness. In all of this I am speaking of the wilderness as it was once, and almost is no more. But you will find the dreamers still, now and then, riding alone from horizon to horizon, paddling upon sequestered rivers, hermiting in quiet cabins, all of them escaped from social codes, reaping the reward and paying the penalty in that archaic silence. For indeed the silence of that world seems to have come unbroken from behind Genesis, to have been earlier than the beginning, to make one with the planets, to have known mysteries, that dwindle Rome to a show. The little sounds of earth do not break it. In it the painted Indian walks naked, the twin of its mystery. In it you can wake or sleep, and no man hinders. Whatever law there is, rises from the ground or falls from the stars. For the very living, life seems to mingle with the origin before the dust has returned to dust. That is the spell for trooper or for pilgrim. From empire to empire, our wise brains have devised conventions that we may live together, but our unwise hearts crave the something that wisdom has renounced for us. So most of those you will meet in the wilderness, be they doers or dreamers, have followed the heart’s desire and escaped back to Nature. Ah, there is a lotus also in the West! It has drugged many that have never returned. But if you wisely tear yourself from it and re-enter the fold of civilization, and in respectable content sell groceries, for instance, your heart will remind you of _out there_, now and then, a word like Owyhee or Wind River will give you a homesickness for the nameless magic of the plains. Those happy ones who have known it meet always in that freemasonry which set the soldier and me talking like old acquaintances. And therefore I am going to show him these drawings; for every one will speak to him of _out there_. He will rejoice in their truth--indeed truth is a pale word--it is the vibrating thing itself which seems to rise out of these pages. Even to me they flash and throb with life I have lived, and how much more to a man whose years preceded mine and who had dangers where I had none! I have stood before many paintings of the West. Paintings of mountains, paintings of buffalo, paintings of Indians--the whole mystic and heroic pageant of our American soil; the only greatly romantic thing our generation has known, the last greatly romantic thing our Continent holds; indeed the poetic episode most deeply native that we possess. Long before my eyes looked upon its beautiful domain, I studied the paintings; but when Remington came with only a pencil, I forgot the rest! And now I have seen for myself, and know how he has caught alive not only the roped calf, or the troop cook sucking his comfortable corn-cob, the day-by-day facts of the wilderness, but the eternal note also, the pity and the awe of that epic life. He has made them visible by his art, and set them down as a national treasure. Look at the Pony War Dance. That wild fury of religion, that splendor of savagery clashes down to us from the Stone Age. If you will open the Old Testament where Joshua delayed the course of the sun, or they blew down a city wall with a trumpet, you will come upon the same spirit. Look at the Medicine-men and the lightning. Again man’s untamed original soul communes with a God of vengeance and terror. Is it not like Elijah and the fire-stroke from heaven upon the altar? Then turn to the Sheep-herder’s breakfast. Unless you have known that solitude, no words of mine can tell you how Remington has been a poet here. With some lines and smears on paper he has expressed that lotus mystery of the wilderness. He has taken a ragged vagrant with a frying-pan and connected him with the eternal. The dog, the pack-saddle, the ass, the dim sheep in the plain, those tender outlines of bluffs and ridges--it is Homer or the Old Testament again; time and the present world have no part here! Perhaps you do not value all this as I do. Perhaps the seamy side shuts you from the rest, and you shrink from the brutality of man and the suffering of beast. I have heard people speak thus sometimes, and give thanks for their books, and their bathrooms, for the opera, and for Europe where they can travel in a landscape seasoned by history. Well, Europe is richer, much richer, than any desert, and it is toward its use and comprehension, on the whole, that our struggling faces are set. Our fond, quack-ridden Republic looks, after all, toward the old world for its teaching. But we have a landscape seasoned by mystery, where chiefs and heroes move, fit subjects for the poet. If you do not see this, perhaps you are too near. Let me ask you to think of the bloody slaughters in Homer, and of all the great art you know from him to the present day; has not the terrible its share of notice? Doubtless you would have stopped Homer’s reciting to you how bodies were hacked to pieces beneath the walls of Troy, and how swinish were sometimes the companions of Ulysses. But now you read it all with pleasure. Do you believe Art would have amounted to much if it had excluded pain and ugliness and narrowed its gaze upon the beautiful alone? At any rate I am glad that we have Remington, one of the kind that makes us aware of things we could not have seen for ourselves. We have been scarce enough in native material for Art to let go what the soil provides us. We have often failed to value what the intelligent foreigner seizes upon at once. And I think as the Frontier recedes into tradition, fewer of us will shrink from its details. If Remington did nothing further, already has he achieved: he has made a page of American history his own. OWEN WISTER. DRAWINGS [Illustration: Forsythe’s Fight on the Republican River, 1868--The Charge of Roman Nose.] [Illustration: Coronado’s March--Colorado.] [Illustration: The Missionary and the Medicine Man.] [Illustration: Hunting a Beaver Stream--1840.] [Illustration: The Hungry Winter.] [Illustration: Fight Over a Water Hole.] [Illustration: When His Heart is Bad.] [Illustration: A Citadel of the Plains.] [Illustration: On the Northwest Coast.] [Illustration: The Sheep Herder’s Breakfast.] [Illustration: The Gold Bug.] [Illustration: An Overland-Station: Indians Coming in with the Stage.] [Illustration: The Well in the Desert.] [Illustration: The Borderland of the Other Tribe.] [Illustration: Her Calf.] [Illustration: A Government Pack Train.] [Illustration: The Charge.] [Illustration: The Pony War-Dance.] [Illustration: The Coming Storm.] [Illustration: His Death Song.] [Illustration: Protecting a Wagon Train.] [Illustration: The Water in Arizona.] [Illustration: Government Scouts--Moonlight.] [Illustration: A Crow Scout.] [Illustration: A Mountain Lion Hunting.] [Illustration: Coyotes.] [Illustration: Hostiles Watching the Column.] [Illustration: Satisfying the Demands of Justice: The Head.] [Illustration: Sketch-Book Notes.] [Illustration: The Punchers.] [Illustration: Riding-Herd in the Rain.] [Illustration: Mexican Vaqueros Breaking a “Bronc.” [Illustration: A “Sun Fisher.” [Illustration: A Running Bucker.] [Illustration: Riding the Range--Winter.] [Illustration: Snow Indian, or the Northwest Type.] [Illustration: Nez Percé Indian.] [Illustration: A Cheyenne Warrior.] [Illustration: A Greaser.] [Illustration: A Captain of Infantry in Field Rig.] [Illustration: A “Wind Jammer.” [Illustration: Cavalry Column Out of Forage.] [Illustration: Half-Breed Horse Thieves of the Northwest.] [Illustration: A Misdeal.] [Illustration: Over the Foot-Hills.] [Illustration: Taking the Robe.] [Illustration: Cowboy Leading Calf.] [Illustration: Cow Pony Pathos.] [Illustration: The Cavalry Cook with Water.] [Illustration: A Modern Cavalry Camp.] [Illustration: Fox Terriers Fighting a Badger.] [Illustration: High Finance at the Cross-Roads.] [Illustration: Sketch-Book Notes.] [Illustration: The Indian Soldier.] [Illustration: The Squaw Pony.] [Illustration: U. S. Dragoon, ’47.] [Illustration: A Scout, 1868.] [Illustration: U. S. Cavalry Officer on Campaign.] [Illustration: A Reservation Indian.] [Illustration: Solitude.] [Illustration: The Twilight of the Indian. End of the Project Gutenberg EBook of Drawings, by Frederic Remington *** END OF THIS PROJECT GUTENBERG EBOOK DRAWINGS *** ***** This file should be named 62570-0.txt or 62570-0.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/2/5/7/62570/ Produced by Chuck Greif (This file was produced from images available at The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.