The Project Gutenberg EBook of The Used People Lot, by Irving Fang

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: The Used People Lot

Author: Irving Fang

Release Date: October 21, 2019 [EBook #60545]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE USED PEOPLE LOT ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

It's had it. Finished. Done. My wonderful red Thunderflash, I thought to myself, isn't worth the electricity to atomize it to Kingdom Come.

Ever since that drunk in his two-seat Charioteer plowed into the rear end with such force that even my radar repellant couldn't stop it, my Thunderflash had been out of kilter. The specialists my garage recommended worked over it for two days, but couldn't get it to running the way it did new.

And what was I supposed to do for an automobile now? I had signed the customary 40-year pact for half my salary to pay for it. That meant I would still be shelling out by 2117.

Weeping over it wasn't going to do any good. It was stuck on the fifth level expressway and that was that. I levered myself out (at least the ejector still worked) then got behind the car and gave it a good old-fashioned push to get it on an off-ramp, out of the stream of traffic.

After I parked I remembered I was heading for a date with Jenny. I checked my wallet. No, not enough for a taxi there. I would just have to phone her to cancel the date.

Reluctantly I pushed the tip of my tongue against my tooth telephone.

"Operator," said the operator.

"Poplar 3104, please."

"Thank you. One moment. I'll ache it for you."

She dialed the number of the tooth telephone in Jenny's mouth, so the two fine wires sent gentle electric currents into the nerve. On the third ache Jenny clicked the receiver open with the tip of her tongue.

"Hello?"

"Jenny, this is Arnold. I won't be able to come over this evening."

"But we had a date," Jenny said in a petulant voice.

"I know, but my car broke down."

"Again?"

"Yes, honey."

"Why don't you do something about it?" Jenny complained.

"But baby, what can I do? I've been to the garage. I've been to the specialists. I'm so broke on account of these repair bills I've been living on macaroni concentrate for the last couple of weeks."

Jenny, my beautiful sweetheart, was distinctly unhappy. "Don't come to me with your troubles," she replied. "In fact, you don't have to come to me at all until you can come like a gentleman."

"Aw, listen just a minute, Jenny," I started to plead. But it was too late. Jenny had clicked off.

A fine thermokettle of fish! A month ago I had a shiny lifetime car and was romancing the best looking girl in town. Then one drunk comes along and my car is next to useless and my girl is mad at me.

Feeling in a distinctly blue mood I moved my tongue to the other side of my mouth and shoved on my tooth radio. I rolled the tongue over the bottom of the tooth until I got a program with some blues music. Just the way I felt. The blues. I sat in the front seat of my Thunderflash and listened to the music echoing against my tonsils.

After the song came the inevitable commercial. Only this was a new one. The announcer said:

"Here's some big, big, big news from Grinning Gregory, your largest volume dealer in lifetime cars. Gregory announced today that his used people lots are nearly empty. Yes, Grinning Gregory's used people lots are nearly empty. And that means good, good, good news for you car owners with lifetime contracts who would like new cars.

"Grinning Gregory has added to his stocks of new Orions, Thunderflashes, Galaxies, Solars, Charioteers, Protons and Fords. For the first time in two years, yes, the first time in two years, he has more new cars than new people to sell them to.

"So he is offering a limited number of them to used people, you folks who have had cars, on his conveniently located used people lots. Come on down and let some of Grinning Gregory's new cars look you over. Be sure and bring photostats of your credit ratings and official car histories. Hurry, hurry, hurry and avoid the rush to Grinning Gregory's used people lots."

The commercial ended and was replaced by music.

Gosh, that was exciting news. Ever since the accident I had given up hope of ever owning a decent running car again, automobile prices and government restrictions being what they were.

I clicked on my tooth telephone and ached my garage mechanic to come by and pick up my car. Then I took my credit rating and official car history from the glove compartment and caught a helibus to the nearest of Grinning Gregory's used people lots.

A lot of guys were already there before me, most of them in the same fix I was. They had been in accidents or they were divorced and their wives got custody of the car, although they still had to pay for it.

Some of them had been on the lot for some time and looked a little shopworn under the lights and fluttering pennants, but they hadn't found a car yet that would take them. We were all classified as used people, a lot less desirable than people who hadn't signed for cars yet.

One of Grinning Gregory's contract brokers lined us up in a row facing the path the cars would come by robot direction. The fellow to my right slicked his hair down neatly and began shining his shoe-tops on the backs of his trouser legs.

"Sure hope I get selected," he whispered nervously to me. "Boy, don't you sometimes wish you were living a couple of hundred years ago when cars were cheap enough so that people were doing the picking?"

"Not me," I told him. "Drive that junk? I'll admit you didn't have to swear but a couple of years of your life away. But look at all you get now in a car."

"Mmm, I suppose you're right," he said. "My Orion was stolen a year ago when I accidentally cut off the burglar photocell. The police never did find it and I've been trying ever since to get another one."

"This is the first time I've tried," I said. "My car...."

"Ssh," he interrupted. "Here they come."

A procession of new cars, led by a beautiful green Solar convertible, inched its way along the row of hopeful buyers, all of us with our credit ratings and car histories pinned to our lapels.

Each car's robot mechanism recorded our statistics, took our pictures, noted our heights, weights and appearances, then began to correlate the data.

By government order the robot mechanism was directed to select its most promising future owner. A sobersides bank president, for example, might dearly love to change his big black Galaxy sedan for a low-slung Charioteer sports car, but sports cars were planned with crew-cutted college boys in mind, so the bank president would be likely to end up with another big Galaxy. Of course, the payment rate was fixed and the contracts were almost always for 40 years. A tie salesman might want a Galaxy to make an impression on his neighbors, but he'd probably wind up with a Proton or a Thunderflash like I had. I was a tie salesman.

The Solar came abreast of me. I stood straight and smiling as it began to note my statistics. It flashed a 23 when it was done.

Not so good. That put me in the 23 percentile rank of its desirability. The next car, a rhinestone Ford, gave me a 28. I was rated 22, 31, 14 (by a Galaxy), 27, 35 and 30 by the next six cars. That was the way it went for the whole procession. I received the highest rating, 58, from an experimental model Proton that was no longer in production, but I knew it was rating everybody higher and I was pretty gloomy.

Imagine my surprise when my name was called out as one of the possible choices. I went into the broker's office and was told the Proton would select me if I would get rid of all but ten years of my Thunderflash contract. That meant I had to find someone to take my car and 27 years of my contract, since I had been paying for three years of the 40. The price of the Proton, the broker told me, was scaled down to a 30-year contract because it was an off-model.

But who would take my heap with a 27-year contract attached to it? The broker said Grinning Gregory might go for five years, just out of the goodness of his big, big, big heart. I wouldn't get that kind of a deal anywhere else, the broker said.

Maybe I wouldn't, but that didn't do me much good. I needed someone to take 27 years.

Harry! Why didn't I think of Harry before? He didn't have a car yet. Skinflint Harry didn't want to sign the standard 40-year contract for a car and he had been shopping around for second-hand cars. Besides, good old Harry knew how crazy I was about Jenny. He had even taken her out a couple of times.

I gave Harry an ache on the telephone and told him I'd be right over. Then I ached the garage and the mechanic told me he could get my Thunderflash in pretty good running condition again, even though he couldn't promise anything permanent. I caught a helibus to my friend's apartment.

"Harry, old pal, I've got the chance of a lifetime for both of us."

Harry eyed me suspiciously. "How's that?" he asked.

"Well, here's the deal. You know my real fine Thunderflash? You said it was a sharp car. It is. It's a first class car. But ever since that slight accident, I've had just a wee bit of trouble with it. Not much, you understand, but it's niggling enough to annoy my girl, Jenny. You remember Jenny, the girl you used to go with before I cut you out? Ha! Ha! Anyhow, Jenny wants me to get another car. A newer one."

"But how can you?" Harry asked. "You already have one."

"That's just it, old buddy," I replied. "Grinning Gregory has one of those experimental model Protons. It's a beauty, shimmering orange with purple wheels and bearskin upholstery. You'd love it. They'll let me have it on a 30-year contract if I can sell 27 years of my Thunderflash contract. So here's what I'm going to do for you, pal. I'll keep ten years of the contract and let you have the Thunderflash for the rest. You'll be getting a three-year-old car with 13 years of the contract taken care of. Now is that a deal or is that a deal!"

Harry wasn't convinced. "What's wrong with your car?"

"Oh, hardly anything."

"What's hardly anything?"

"Not even worth mentioning."

"What's not worth mentioning?"

"To tell the truth, the frame is just the least trifle out of line and every once in a great while it makes the rear wheel twist sideways."

"I don't know," said Harry.

"Good old cautious, hard-headed Harry," I told him. "You are getting the deal of a lifetime and doing a good, loyal friend a big favor besides."

"I still don't know, Arnold," said Harry.

"All right. When will you know?"

"Let me sleep on it tonight."

"OK, Harry."

I went home in high spirits. I knew Harry would come through for me and take that wreck off my hands. He always was a man with an eye out for a deal.

I slept late the next morning, but by afternoon I was over to the used people lot to tell them to hold the Proton for me for another day. Instead, they tapped me over the head with the news that someone came in that morning and bought it. And they didn't have another one like it that would accept me.

Another hope gone astray! I caught a helibus to the garage and picked up my Thunderflash after paying a whopping repair bill. I drove to Jenny's house to convince her it was just as good as new.

Jenny's mother met me at the door.

"Hello, Arnold," she said with the big smile of greeting she always gave me. "I'm glad to see you and I hope you'll keep dropping over to see me, but Jenny isn't here any more."

"Not here?"

"I'm afraid not."

"Where is she?"

"She eloped less than an hour ago. You remember the boy she used to go with, Harry? He came by in a beautiful new car. It was shimmering orange with purple wheels and bearskin upholstery and...."

End of the Project Gutenberg EBook of The Used People Lot, by Irving Fang

*** END OF THIS PROJECT GUTENBERG EBOOK THE USED PEOPLE LOT ***

***** This file should be named 60545-h.htm or 60545-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/0/5/4/60545/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.