The Project Gutenberg EBook of Index of the Project Gutenberg Works of William Butler Yeats, by William Butler Yeats This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of William Butler Yeats Author: William Butler Yeats Editor: David Widger Release Date: June 16, 2019 [EBook #59768] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF YEATS *** Produced by David Widger
PAGE | |
THE WIND AMONG THE REEDS: | |
THE HOSTING OF THE SIDHE
|
3 |
THE EVERLASTING VOICES
|
4 |
THE MOODS
|
4 |
THE LOVER TELLS OF THE ROSE IN HIS HEART
|
5 |
THE HOST OF THE AIR
|
6 |
THE FISHERMAN
|
8 |
A CRADLE SONG
|
9 |
INTO THE TWILIGHT
|
10 |
THE SONG OF WANDERING AENGUS
|
11 |
THE HEART OF THE WOMAN
|
13 |
THE LOVER MOURNS FOR THE LOSS OF LOVE
|
14 |
HE MOURNS FOR THE CHANGE THAT HAS COME UPON HIM AND HIS BELOVED AND
LONGS FOR THE END OF THE WORLD
|
15 |
HE BIDS HIS BELOVED BE AT PEACE
|
17 |
HE REPROVES THE CURLEW
|
18 |
HE REMEMBERS FORGOTTEN BEAUTY
|
19 |
A POET TO HIS BELOVED
|
20 |
HE GIVES HIS BELOVED CERTAIN RHYMES
|
20 |
TO MY HEART, BIDDING IT HAVE NO FEAR
|
21 |
THE CAP AND BELLS
|
22 |
THE VALLEY OF THE BLACK PIG
|
24[vi] |
THE LOVER ASKS FORGIVENESS BECAUSE OF HIS MANY MOODS
|
25 |
HE TELLS OF A VALLEY FULL OF LOVERS
|
27 |
HE TELLS OF THE PERFECT BEAUTY
|
28 |
HE HEARS THE CRY OF THE SEDGE
|
28 |
HE THINKS OF THOSE WHO HAVE SPOKEN EVIL OF HIS BELOVED
|
29 |
THE BLESSED
|
30 |
THE SECRET ROSE
|
32 |
MAID QUIET
|
33 |
THE TRAVAIL OF PASSION
|
34 |
THE LOVER PLEADS WITH HIS FRIEND FOR OLD FRIENDS
|
35 |
A LOVER SPEAKS TO THE HEARERS OF HIS SONGS IN COMING DAYS
|
36 |
THE POET PLEADS WITH THE ELEMENTAL POWERS
|
37 |
HE WISHES HIS BELOVED WERE DEAD
|
39 |
HE WISHES FOR THE CLOTHS OF HEAVEN
|
39 |
HE THINKS OF HIS PAST GREATNESS WHEN A PART OF THE CONSTELLATIONS OF
HEAVEN
|
40 |
THE OLD AGE OF QUEEN MAEVE | 41 |
BAILE AND AILLINN | 51 |
IN THE SEVEN WOODS: | |
IN THE SEVEN WOODS
|
63 |
THE ARROW
|
66 |
THE FOLLY OF BEING COMFORTED
|
67[vii] |
OLD MEMORY
|
68 |
NEVER GIVE ALL THE HEART
|
69 |
THE WITHERING OF THE BOUGHS
|
70 |
ADAMâ?TS CURSE
|
72 |
RED HANRAHANâ?TS SONG ABOUT IRELAND
|
74 |
THE OLD MEN ADMIRING THEMSELVES IN THE WATER
|
75 |
UNDER THE MOON
|
76 |
THE HOLLOW WOOD
|
78 |
O DO NOT LOVE TOO LONG
|
79 |
THE PLAYERS ASK FOR A BLESSING ON THE PSALTERIES AND ON THEMSELVES
|
80 |
THE HAPPY TOWNLAND
|
82 |
EARLY POEMS. | |
BALLADS AND LYRICS: | |
TO SOME I HAVE TALKED WITH BY THE FIRE. A DEDICATION TO A VOLUME OF
EARLY POEMS
|
89 |
THE SONG OF THE HAPPY SHEPHERD
|
91 |
THE SAD SHEPHERD
|
94 |
THE CLOAK, THE BOAT, AND THE SHOES
|
96 |
ANASHUYA AND VIJAYA
|
97 |
THE INDIAN UPON GOD
|
103 |
THE INDIAN TO HIS LOVE
|
105 |
THE FALLING OF THE LEAVES
|
106 |
EPHEMERA
|
107 |
THE MADNESS OF KING GOLL
|
109[viii] |
THE STOLEN CHILD
|
113 |
TO AN ISLE IN THE WATER
|
116 |
DOWN BY THE SALLEY GARDENS
|
117 |
THE MEDITATION OF THE OLD FISHERMAN
|
118 |
THE BALLAD OF FATHER Oâ?THART
|
119 |
THE BALLAD OF MOLL MAGEE
|
121 |
THE BALLAD OF THE FOXHUNTER
|
124 |
THE BALLAD OF FATHER GILLIGAN
|
127 |
THE LAMENTATION OF THE OLD PENSIONER
|
130 |
THE FIDDLER OF DOONEY
|
131 |
THE DEDICATION TO A BOOK OF STORIES SELECTED FROM THE IRISH
NOVELISTS
|
132 |
THE ROSE: | |
TO THE ROSE UPON THE ROOD OF TIME
|
139 |
FERGUS AND THE DRUID
|
141 |
THE DEATH OF CUCHULAIN
|
144 |
THE ROSE OF THE WORLD
|
149 |
THE ROSE OF PEACE
|
150 |
THE ROSE OF BATTLE
|
151 |
A FAERY SONG
|
153 |
THE LAKE ISLE OF INNISFREE
|
154 |
A CRADLE SONG
|
155 |
THE SONG OF THE OLD MOTHER
|
156 |
THE PITY OF LOVE
|
156 |
THE SORROW OF LOVE
|
157 |
WHEN YOU ARE OLD
|
158 |
THE WHITE BIRDS
|
159 |
A DREAM OF DEATH
|
161[ix] |
A DREAM OF A BLESSED SPIRIT
|
162 |
THE MAN WHO DREAMED OF FAERYLAND
|
163 |
THE TWO TREES
|
165 |
TO IRELAND IN THE COMING TIMES
|
167 |
THE WANDERINGS OF OISIN | 169 |
NOTES | 227 |
PAGE | |
THE KING'S THRESHOLD | 1 |
ON BAILE'S STRAND | 69 |
DEIRDRE | 125 |
THE SHADOWY WATERS | 179 |
APPENDIX I: | |
ACTING VERSION OF 'THE SHADOWY WATERS'
|
231 |
APPENDIX II: | |
A DIFFERENT VERSION OF DEIRDRE'S ENTRANCE
|
251 |
APPENDIX III: | |
THE LEGENDARY AND MYTHOLOGICAL FOUNDATION OF THE PLAYS
|
254 |
APPENDIX IV: | |
THE DATES AND PLACES OF PERFORMANCE OF PLAYS
|
256 |
PAGE | |
THE COUNTESS CATHLEEN | 1 |
THE LAND OF HEART'S DESIRE | 89 |
THE UNICORN FROM THE STARS, | |
BY LADY GREGORY AND W. B. YEATS | 121 |
APPENDIX: | |
THE COUNTESS CATHLEEN | 209 |
NOTES | 214 |
PAGE | |
THE HOUR-GLASS | 1 |
CATHLEEN NI HOULIHAN | 31 |
THE GOLDEN HELMET | 55 |
THE IRISH DRAMATIC MOVEMENT | 79 |
APPENDIX I: | |
'THE HOUR-GLASS'
|
233 |
APPENDIX II: | |
'CATHLEEN NI HOULIHAN'
|
240 |
APPENDIX III: | |
'THE GOLDEN HELMET'
|
243 |
APPENDIX IV: | |
DATES AND PLACES OF THE FIRST PERFORMANCE OF NEW PLAYS PRODUCED BY
THE NATIONAL THEATRE SOCIETY AND ITS PREDECESSORS
|
244 |
THE CELTIC TWILIGHT | |
PAGE | |
THIS BOOK
|
1 |
A TELLER OF TALES
|
3 |
BELIEF AND UNBELIEF
|
6 |
MORTAL HELP
|
9 |
A VISIONARY
|
11 |
VILLAGE GHOSTS
|
17 |
'DUST HATH CLOSED HELEN'S EYE'
|
27 |
A KNIGHT OF THE SHEEP
|
39 |
AN ENDURING HEART
|
44 |
THE SORCERERS
|
48 |
THE DEVIL
|
54 |
HAPPY AND UNHAPPY THEOLOGIANS
|
56 |
THE LAST GLEEMAN
|
63 |
REGINA, REGINA PIGMEORUM VENI
|
73 |
'AND FAIR, FIERCE WOMEN'
|
78 |
ENCHANTED WOODS
|
82 |
MIRACULOUS CREATURES
|
89 |
ARISTOTLE OF THE BOOKS
|
91 |
THE SWINE OF THE GODS
|
92 |
A VOICE
|
94 |
KIDNAPPERS
|
96 |
THE UNTIRING ONES
|
106 |
EARTH, FIRE AND WATER
|
110 |
THE OLD TOWN
|
112 |
THE MAN AND HIS BOOTS
|
115 |
A COWARD
|
117 |
THE THREE O'BYRNES AND THE EVIL FAERIES
|
119 |
DRUMCLIFF AND ROSSES
|
121 |
THE THICK SKULL OF THE FORTUNATE
|
131 |
THE RELIGION OF A SAILOR
|
134 |
CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY
|
136 |
THE EATERS OF PRECIOUS STONES
|
138 |
OUR LADY OF THE HILLS
|
140 |
THE GOLDEN AGE
|
144 |
A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF
THEIR GHOSTS AND FAERIES
|
146 |
WAR
|
152 |
THE QUEEN AND THE FOOL
|
155 |
THE FRIENDS OF THE PEOPLE OF FAERY
|
162 |
DREAMS THAT HAVE NO MORAL
|
172 |
BY THE ROADSIDE
|
190 |
'INTO THE TWILIGHT'
|
193 |
STORIES OF RED HANRAHAN: | |
RED HANRAHAN
|
197 |
THE TWISTING OF THE ROPE
|
213 |
HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN
|
225 |
RED HANRAHAN'S CURSE
|
231 |
HANRAHAN'S VISION
|
242 |
THE DEATH OF HANRAHAN
|
250 |
PAGE | |
WHAT IS 'POPULAR POETRY'? | 1 |
SPEAKING TO THE PSALTERY | 13 |
MAGIC | 23 |
THE HAPPIEST OF THE POETS | 55 |
THE PHILOSOPHY OF SHELLEY'S POETRY | 71 |
AT STRATFORD-ON-AVON | 111 |
WILLIAM BLAKE AND THE IMAGINATION | 131 |
WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE 'DIVINE COMEDY' | 138 |
SYMBOLISM IN PAINTING | 176 |
THE SYMBOLISM OF POETRY | 185 |
THE THEATRE | 200 |
THE CELTIC ELEMENT IN LITERATURE | 210 |
THE AUTUMN OF THE BODY | 230 |
THE MOODS | 238 |
THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 240 |
THE RETURN OF ULYSSES | 243 |
IRELAND AND THE ARTS | 249 |
THE GALWAY PLAINS | 259 |
EMOTION OF MULTITUDE | 264 |
PAGE | |
THE SECRET ROSE: | |
DEDICATION | 3 |
TO THE SECRET ROSE | 5 |
THE CRUCIFIXION OF THE OUTCAST | 7 |
OUT OF THE ROSE | 20 |
THE WISDOM OF THE KING | 31 |
THE HEART OF THE SPRING | 42 |
THE CURSE OF THE FIRES AND OF THE SHADOWS | 51 |
THE OLD MEN OF THE TWILIGHT | 61 |
WHERE THERE IS NOTHING, THERE IS GOD | 69 |
OF COSTELLO THE PROUD, OF OONA THE
DAUGHTER OF DERMOTT AND OF THE BITTER TONGUE
|
78 |
ROSA ALCHEMICA | 103 |
THE TABLES OF THE LAW | 141 |
THE ADORATION OF THE MAGI | 165 |
EARLY STORIES. | |
JOHN SHERMAN | 183 |
DHOYA | 283 |
PAGE | |
DISCOVERIES: | |
PROPHET, PRIEST AND KING | 3 |
PERSONALITY AND THE INTELLECTUAL ESSENCES | 8 |
THE MUSICIAN AND THE ORATOR | 12 |
A GUITAR PLAYER | 13 |
THE LOOKING-GLASS | 14 |
THE TREE OF LIFE | 15 |
THE PRAISE OF OLD WIVES' TALES | 18 |
THE PLAY OF MODERN MANNERS | 20 |
HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN? | 22 |
WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET | 24 |
CONCERNING SAINTS AND ARTISTS | 29 |
THE SUBJECT MATTER OF DRAMA | 32 |
THE TWO KINDS OF ASCETICISM | 36 |
IN THE SERPENT'S MOUTH | 38 |
THE BLACK AND THE WHITE ARROWS | 39 |
HIS MISTRESS'S EYEBROWS | 39 |
THE TRESSES OF THE HAIR | 41 |
A TOWER ON THE APENNINE | 42 |
THE THINKING OF THE BODY | 43 |
RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART | 45 |
THE HOLY PLACES | 48[vi] |
EDMUND SPENSER | 51 |
POETRY AND TRADITION | 91 |
MODERN IRISH POETRY | 113 |
LADY GREGORY'S CUCHULAIN OF MUIRTHEMNE | 131 |
LADY GREGORY'S GODS AND FIGHTING MEN | 147 |
MR. SYNGE AND HIS PLAYS | 171 |
LIONEL JOHNSON | 183 |
THE PATHWAY | 189 |
BIBLIOGRAPHY | 197 |
RED HANRAHAN. |
THE TWISTING OF THE ROPE. |
HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN. |
RED HANRAHAN'S CURSE. |
HANRAHAN'S VISION. |
THE DEATH OF HANRAHAN. |
THE TROOPING FAIRIES— | PAGE | |
The Fairies | 3 | |
Frank Martin and the Fairies | 5 | |
The Priest's Supper | 9 | |
The Fairy Well of Lagnanay | 13 | |
Teig O'Kane and the Corpse | 16 | |
Paddy Corcoran's Wife | 31 | |
Cusheen Loo | 33 | |
The White Trout; A Legend of Cong | 35 | |
The Fairy Thorn | 38 | |
The Legend of Knockgrafton | 40 | |
A Donegal Fairy | 46 | |
Changelings— | ||
The Brewery of Egg-shells | 48 | |
The Fairy Nurse | 51 | |
Jamie Freel and the Young Lady | 52 | |
The Stolen Child | 59 | |
The Merrow— | ||
The Soul Cages | 61 | |
Flory Cantillon's Funeral | 75 | |
THE SOLITARY FAIRIES— | ||
The Lepracaun; or, Fairy Shoemaker | 81 | |
Master and Man | 84 | |
Far Darrig in Donegal | 90 | |
The Piper and the Puca | 95 | |
Daniel O'Rourke | 97 | |
The Kildare Pooka | 105 | |
How Thomas Connolly met the Banshee | 108 | |
A Lamentation for the Death of Sir Maurice Fitzgerald | 112 | |
The Banshee of the MacCarthys | 113 | |
GHOSTS— | ||
A Dream | 129 | |
Grace Connor | 130 | |
A Legend of Tyrone | 132 | |
The Black Lamb | 134 | |
The Radiant Boy | 136 | |
The Fate of Frank M'Kenna | 139 | |
WITCHES, FAIRY DOCTORS— | [Pg viii] | |
Bewitched Butter (Donegal) | 149 | |
A Queen's County Witch | 151 | |
The Witch Hare | 154 | |
Bewitched Butter (Queen's County) | 155 | |
The Horned Women | 165 | |
The Witches' Excursion | 168 | |
The Confessions of Tom Bourke | 170 | |
The Pudding Bewitched | 185 | |
T'YEER-NA-N-OGE— | ||
The Legend of O'Donoghue | 201 | |
Rent-Day | 203 | |
Loughleagh (Lake of Healing) | 206 | |
Hy-Brasail.—The Isle of the Blest | 212 | |
The Phantom Isle | 213 | |
SAINTS, PRIESTS— | ||
The Priest's Soul | 215 | |
The Priest of Coloony | 220 | |
The Story of the Little Bird | 222 | |
Conversion of King Laoghaire's Daughters | 224 | |
King O'Toole and his Goose | 224 | |
THE DEVIL— | ||
The Demon Cat | 229 | |
The Long Spoon | 231 | |
The Countess Kathleen O'Shea | 232 | |
The Three Wishes | 235 | |
GIANTS— | ||
The Giant's Stairs | 260 | |
A Legend of Knockmany | 266 | |
KINGS, QUEENS, PRINCESSES, EARLS, ROBBERS— | ||
The Twelve Wild Geese | 280 | |
The Lazy Beauty and her Aunts | 286 | |
The Haughty Princess | 290 | |
The Enchantment of Gearoidh Iarla | 294 | |
Munachar and Manachar | 296 | |
Donald and his Neighbours | 299 | |
The Jackdaw | 303 | |
The Story of Conn-eda | 306 | |
NOTES | 319 |
PAGE | |
All Souls’ Night | 1 |
Suggested by a Picture of a Black Centaur | 6 |
Thoughts upon the Present State of the World | 7 |
The New Faces | 14 |
A Prayer for My Son | 14 |
Cuchulain the Girl and the Fool | 16 |
The Wheel | 18 |
A New End for ‘The King’s Threshold’ | 18 |
NOTES | |
Note on ‘Thoughts Upon the Present State of the World’ Section Six | 23 |
Note on The New End to ‘The King’s Threshold’ | 24 |
page | |
The Hosting of the Sidhe | 1 |
The Everlasting Voices | 3 |
The Moods | 4 |
Aedh tells of the Rose in his Heart | 5 |
The Host of the Air | 7 |
Breasal the Fisherman | 10 |
A Cradle Song | 11 |
Into the Twilight | 13 |
The Song of Wandering Aengus | 15 |
The Song of the old Mother | 17 |
The Fiddler of Dooney | 18 |
The Heart of the Woman | 20 |
Aedh Laments the Loss of Love | 21 |
Mongan laments the Change that has come upon him and his Beloved | 22 |
Michael Robartes bids his Beloved be at Peace | 24[vi] |
Hanrahan reproves the Curlew | 26 |
Michael Robartes remembers forgotten Beauty | 27 |
A Poet to his Beloved | 29 |
Aedh gives his Beloved certain Rhymes | 30 |
To my Heart, bidding it have no Fear | 31 |
The Cap and Bells | 32 |
The Valley of the Black Pig | 35 |
Michael Robartes asks Forgiveness because of his many Moods | 37 |
Aedh tells of a Valley full of Lovers | 40 |
Aedh tells of the perfect Beauty | 42 |
Aedh hears the Cry of the Sedge | 43 |
Aedh thinks of those who have spoken Evil of his Beloved | 44 |
The Blessed | 45 |
The Secret Rose | 47 |
Hanrahan laments because of his Wanderings | 51 |
The Travail of Passion | 52 |
The Poet pleads with his Friend for old Friends | 54[vii] |
Hanrahan speaks to the Lovers of his Songs in coming Days | 55 |
Aedh pleads with the Elemental Powers | 57 |
Aedh wishes his Beloved were Dead | 59 |
Aedh wishes for the Cloths of Heaven | 60 |
Mongan thinks of his past Greatness | 61 |
Notes | 65 |
page | |
The Wild Swans at Coole | 1 |
In Memory of Major Robert Gregory | 4 |
An Irish Airman foresees his Death | 13 |
Men improve with the Years | 14 |
The Collar-Bone of a Hare | 15 |
Under the Round Tower | 17 |
Solomon to Sheba | 19 |
The Living Beauty | 21 |
A Song | 22 |
To a Young Beauty | 23 |
To a Young Girl | 24 |
The Scholars | 25 |
Tom O'Roughley | 26 |
The Sad Shepherd | 27 |
Lines written in Dejection | 39 |
The Dawn | 40[viii] |
On Woman | 41 |
The Fisherman | 44 |
The Hawk | 46 |
Memory | 47 |
Her Praise | 48 |
The People | 50 |
His Phoenix | 54 |
A Thought from Propertius | 58 |
Broken Dreams | 59 |
A Deep-Sworn Vow | 63 |
Presences | 64 |
The Balloon of the Mind | 66 |
To a Squirrel at Kyle-Na-Gno | 67 |
On being asked for a War Poem | 68 |
In Memory of Alfred Pollexfen | 69 |
Upon a Dying Lady | 72 |
Ego Dominus Tuus | 79 |
A Prayer on going into my House | 86 |
The Phases of the Moon | 88 |
The Cat and the Moon | 102 |
The Saint and the Hunchback | 104[ix] |
Two Songs of a Fool | 106 |
Another Song of a Fool | 108 |
The Double Vision of Michael Robartes | 109 |
Note | 115 |
WHAT IS ‘POPULAR POETRY’? | 1 |
SPEAKING TO THE PSALTERY | 16 |
MAGIC | 29 |
THE HAPPIEST OF THE POETS | 70 |
THE PHILOSOPHY OF SHELLEY’S POETRY | 90 |
AT STRATFORD-ON-AVON | 142 |
WILLIAM BLAKE AND THE IMAGINATION | 168 |
WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 |
SYMBOLISM IN PAINTING | 226 |
THE SYMBOLISM OF POETRY | 237 |
THE THEATRE | 257 |
THE CELTIC ELEMENT IN LITERATURE | 270 |
THE AUTUMN OF THE BODY | 296 |
THE MOODS | 306 |
THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 |
THE RETURN OF ULYSSES | 312 |
IRELAND AND THE ARTS | 320 |
THE GALWAY PLAINS | 333 |
EMOTION OF MULTITUDE | 339 |
Prophet, Priest and King | Page 1 |
Personality and the Intellectual Essences | 5 |
The Musician and the Orator | 9 |
A Banjo Player | 10 |
The Looking-glass | 11 |
The Tree of Life | 12 |
The Praise of Old Wives’ Tales | 15 |
The Play of Modern Manners | 16 |
Has the Drama of Contemporary Life a Root of its Own | 18 |
Why the Blind Man in Ancient Times was made a Poet | 20 |
Concerning Saints and Artists | 24 |
The Subject Matter of Drama | 27 |
The Two Kinds of Asceticism | 30 |
In the Serpent’s Mouth | 32 |
The Black and the White Arrows | 33 |
His Mistress’s Eyebrows | 33 |
The Tresses of the Hair | 35 |
A Tower on the Apennine | 36 |
The Thinking of the Body | 37 |
Religious Belief necessary to symbolic Art | 39 |
The Holy Places | 41 |
PAGE | |
Thoughts on Lady Gregory’s Translations | |
I. Cuchulain and his Cycle | 1 |
II. Fion and his Cycle | 12 |
Preface to the First Edition of the Well of the Saints | 36 |
Discoveries | |
Prophet, Priest and King | 49 |
Personality and the Intellectual Essences | 56 |
The Musician and the Orator | 61 |
A Guitar Player | 63 |
The Looking-glass | 65 |
The Tree of Life | 67 |
The Praise of Old Wives’ Tales | 71 |
The Play of Modern Manners | 73 |
Has the Drama of Contemporary Life a Root of its Own? | 76 |
Why the Blind Man in Ancient Times was made a Poet | 79 |
Concerning Saints and Artists | 85 |
The Subject Matter of Drama | 89 |
The Two Kinds of Asceticism | 94 |
In the Serpent’s Mouth | 97 |
The Black and the White Arrows | 99 |
His Mistress’s Eyebrows | 100 |
The Tresses of the Hair | 103 |
A Tower on the Apennines | 104 |
The Thinking of the Body | 106 |
Religious Belief Necessary to Religious Art | 109 |
The Holy Places | 113 |
Poetry and Tradition | 116 |
Preface to the First Edition of John M. Synge’s Poems and Translations | 139 |
J. M. Synge and the Ireland of his Time | 146 |
The Tragic Theatre | 196 |
John Shawe-Taylor | 208 |
Edmund Spenser | 213 |
PAGE | |
Book I | |
Four Years 1887-1891 | 3 |
Book II | |
Ireland after the Fall of Parnell | 83 |
Book III | |
Hodos Camelionis | 135 |
Book IV | |
The Tragic Generation | 157 |
Book V | |
The Stirring of the Bones | 225 |
PAGE | ||
Responsibilities, 1912-1914— | ||
Introductory Rhymes | 1 | |
The Grey Rock | 3 | |
The Two Kings | 11 | |
To a Wealthy Man | 29 | |
September 1913 | 32 | |
To a Friend whose Work has come to Nothing | 34 | |
Paudeen | 35 | |
To a Shade | 36 | |
When Helen Lived | 39 | |
The Attack on 'The Playboy of the Western World,'—1907 | 40 | |
The Three Beggars | 41 | |
The Three Hermits | 45 | |
Beggar to Beggar cried | 47 | |
The Well and the Tree | 49 | |
Running to Paradise | 50 | |
The Hour before Dawn | 52 | |
The Player Queen | 59 | |
The Realists | 61 | |
The Witch | 62 | |
The Peacock | 63 | |
[vi] | The Mountain Tomb | 64 |
To a Child dancing in the Wind | 66 | |
A Memory of Youth | 68 | |
Fallen Majesty | 70 | |
Friends | 71 | |
The Cold Heaven | 73 | |
That the Night come | 75 | |
An Appointment | 76 | |
The Magi | 77 | |
The Dolls | 78 | |
A Coat | 80 | |
Closing Rhymes | 81 | |
From the Green Helmet and other Poems, 1909-1912— | ||
His Dream | 85 | |
A Woman Homer sung | 87 | |
The Consolation | 89 | |
No Second Troy | 91 | |
Reconciliation | 92 | |
King and No King | 94 | |
Peace | 96 | |
Against Unworthy Praise | 97 | |
The Fascination of What's Difficult | 99 | |
A Drinking Song | 101 | |
The Coming of Wisdom with Time | 102 | |
On hearing that the Students of our New University have joined the Ancient Order of Hibernians | 103 | |
To a Poet | 104 | |
[vii] | The Mask | 105 |
Upon a House shaken by the Land Agitation | 106 | |
At the Abbey Theatre | 108 | |
These are the Clouds | 110 | |
At Galway Races | 112 | |
A Friend's Illness | 113 | |
All Things can tempt me | 114 | |
The Young Man's Song | 115 | |
The Hour-Glass—1912 | 117 | |
Notes | 181 |
DEDICATION OF VOLUMES ONE AND TWO OF PLAYS FOR AN IRISH THEATRE |
WHERE THERE IS NOTHING. |
ACT
I. |
ACT
II. |
ACT
III. |
ACT
IV. |
ACT
V. |
The King's Threshold |
On Baile's Strand |
GANCONAGH'S APOLOGY. | 1 |
PART I. JOHN SHERMAN LEAVES BALLAH. | 3 |
I | 5 |
II | 17 |
III | 27 |
IV | 39 |
PART II. MARGARET LELAND. | 43 |
I | 45 |
II | 51 |
III | 55 |
IV | 60 |
V | 67 |
VI | 70 |
VII | 72 |
VIII | 75 |
IX | 77 |
PART III. JOHN SHERMAN REVISITS BALLAH. | 83 |
I | 85 |
II | 88 |
III | 91 |
PART IV. THE REV. WILLIAM HOWARD. | 101 |
I | 103 |
II | 111 |
III | 114 |
IV | 125 |
V | 134 |
VI | 138 |
PART V. JOHN SHERMAN RETURNS TO BALLAH. | 143 |
I | 145 |
II | 149 |
III | 154 |
IV | 165 |
DHOYA. | 171 |
I | 173 |
II | 182 |
III | 190 |
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