The Project Gutenberg eBook, A Roadside Harp, by Louise Imogen Guiney

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook.

Title: A Roadside Harp

A Book of Verses

Author: Louise Imogen Guiney

Release Date: June 1, 2017 [eBook #54822]

Language: English

Character set encoding: UTF-8

***START OF THE PROJECT GUTENBERG EBOOK A ROADSIDE HARP***

 

E-text prepared by Emmy, MWS,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive
(https://archive.org)


This ebook is dedicated to
Emmy
friend, colleague, mentor, role model
who fell off the planet far too soon.

Divider

Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/roadsideharpbook00guinuoft

 


 

 

 

A Roadside Harp


Cover

By Miss Guiney.


THE WHITE SAIL, AND OTHER POEMS. 16mo, gilt top, $1.25.

SONGS AT THE START. 16mo, $1.00.

A ROADSIDE HARP. 16mo.

HOUGHTON, MIFFLIN & CO.
Boston and New York.


Title page

A ROADSIDE HARP
A BOOK OF VERSES BY
LOUISE IMOGEN GUINEY

Highway, since you my chief Parnassus be,
And that my Muse, to some ears not unsweet,
Tempers her words to trampling horses’ feet,
More oft than to a chamber melody!

BOSTON AND NEW YORK
HOUGHTON MIFFLIN AND
COMPANY M DCCC XCIII


COPYRIGHT, 1893
BY LOUISE IMOGEN GUINEY
ALL RIGHTS RESERVED

The Riverside Press, Cambridge, Mass., U.S.A.
Electrotyped and Printed by H. O. Houghton & Co.


TO DORA AND HESTER SIGERSON

There in the Druid brake
If the cuckoo be awake
Again, O take my rhyme!
And keep it long for the sake
Of a bygone primrose-time;
You of the star-bright head
That twilight thoughts sequester,
You to your native fountains led
Like to a young Muse garlanded:
Dora, and Hester.
March, 1893.

TABLE OF CONTENTS

  Page
PETER RUGG the Bostonian  1
A Ballad of Kenelm 8
Vergniaud in the Tumbril 10
Winter Boughs 13
M. A. 1822–1888 13
W. H. 1778–1830 14
The Vigil-at-Arms 14
A Madonna of Domenico Ghirlandajo 15
Spring Nightfall 15
A Friend’s Song for Simoisius 16
Athassel Abbey 17
Florentin 18
Friendship Broken 19
A Song of the Lilac 20
In a Ruin, after a Thunder-Storm 21
The Cherry Bough 21
Two Irish Peasant Songs 23
The Japanese Anemone 25
Tryste Noel 26
A Talisman 27
Heathenesse 27
For Izaak Walton 28
Sherman: “An Horatian Ode” 29
When on the Marge of Evening 32
Rooks in New College Gardens 32
Open, Time 33
The Knight Errant (Donatello’s Saint George) 34
To a Dog’s Memory 35
A Seventeenth-Century Song 36
On the Pre-Reformation Churches about Oxford 37
The Still of the Year 38
A Foot-note to a Famous Lyric 39
T. W. P. 1819–1892 41
Summum Bonum 41
Saint Florent-le-Vieil 42
Hylas 42
Nocturne 43
The Kings 44
Alexandriana 47
London: Twelve Sonnets.  
On First Entering Westminster Abbey 55
Fog 55
St. Peter-ad-Vincula 56
Strikers in Hyde Park 56
Changes in the Temple 57
The Lights of London 58
Doves 58
In the Reading-Room of the British Museum 59
Sunday Chimes in the City 59
A Porch in Belgravia 60
York Stairs 61
In the Docks 61
1

A ROADSIDE HARP. POEMS
BY LOUISE IMOGEN GUINEY


Peter Rugg the Bostonian

I

THE mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.
“And when wilt thou be home, Father?”
“And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away.”
He answers straight, he answers short,
“At noon of the seventh day.”
“Fail not to come, if God so will,
And the weather be kind and clear.”
“Farewell, farewell! But who am I
A blockhead rain to fear?
God willing or God unwilling,
I have said it, I will be here.”
He gathers up the sunburnt boy
And from the gate is sped;
He shakes the spark from the stones below,
2
The bloom from overhead,
Till the last roofs of his own town
Pass in the morning-red.
Upon a homely mission
North unto York he goes,
Through the long highway broidered thick
With elder-blow and rose;
And sleeps in sound of breakers
At every twilight’s close.
Intense upon his heedless head
Frowns Agamenticus,
Knowing of Heaven’s challenger
The answer: even thus
The Patience that is hid on high
Doth stoop to master us.

II

Full light are all his parting dreams;
Desire is in his brain;
He tightens at the tavern-post
The fiery creature’s rein:
“Now eat thine apple, six years’ child!
We face for home again.”
They had not gone a many mile
With nimble heart and tongue,
When the lone thrush grew silent
The walnut woods among;
And on the lulled horizon
A premonition hung.
3
The babes at Hampton schoolhouse,
The wife with lads at sea,
Search with a level-lifted hand
The distance bodingly;
And farmer folk bid pilgrims in
Under a safe roof-tree.
The mowers mark by Newbury
How low the swallows fly,
They glance across the southern roads
All white and fever-dry,
And the river, anxious at the bend,
Beneath a thinking sky.
But there is one abroad was born
To disbelieve and dare:
Along the highway furiously
He cuts the purple air.
The wind leaps on the startled world
As hounds upon a hare;
With brawl and glare and shudder ope
The sluices of the storm;
The woods break down, the sand upblows
In blinding volleys warm;
The yellow floods in frantic surge
Familiar fields deform.
From evening until morning
His skill will not avail,
And as he cheers his youngest born,
His cheek is spectre-pale;
For the bonnie mare from courses known
Has drifted like a sail!

4 III

On some wild crag he sees the dawn
Unsheathe her scimitar.
“Oh, if it be my mother-earth,
And not a foreign star,
Tell me the way to Boston,
And is it near or far?”
One watchman lifts his lamp and laughs:
“Ye’ve many a league to wend.”
The next doth bless the sleeping boy
From his mad father’s end;
A third upon a drawbridge growls:
“Bear ye to larboard, friend.”
Forward and backward, like a stone
The tides have in their hold,
He dashes east, and then distraught
Darts west as he is told,
(Peter Rugg the Bostonian,
That knew the land of old!)
And journeying, and resting scarce
A melancholy space,
Turns to and fro, and round and round,
The frenzy in his face,
And ends alway in angrier mood,
And in a stranger place,
Lost! lost in bayberry thickets
Where Plymouth plovers run,
And where the masts of Salem
Look lordly in the sun;
5 Lost in the Concord vale, and lost
By rocky Wollaston!
Small thanks have they that guide him,
Awed and aware of blight;
To hear him shriek denial
It sickens them with fright:
“They lied to me a month ago
With thy same lie to-night!”
To-night, to-night, as nights succeed,
He swears at home to bide,
Until, pursued with laughter
Or fled as soon as spied,
The weather-drenchèd man is known
Over the country side!

IV

The seventh noon ’s a memory,
And autumn ’s closing in;
The quince is fragrant on the bough,
And barley chokes the bin.
“O Boston, Boston, Boston!
And O my kith and kin!”
The snow climbs o’er the pasture wall,
It crackles ’neath the moon;
And now the rustic sows the seed,
Damp in his heavy shoon;
And now the building jays are loud
In canopies of June.
For season after season
The three are whirled along,
6 Misled by every instinct
Of light, or scent, or song;
Yea, put them on the surest trail,
The trail is in the wrong.
Upon those wheels in any path
The rain will follow loud,
And he who meets that ghostly man
Will meet a thunder-cloud,
And whosoever speaks with him
May next bespeak his shroud.
Tho’ nigh two hundred years have gone,
Doth Peter Rugg the more
A gentle answer and a true
Of living lips implore:
“Oh, show me to my own town,
And to my open door!”

V

Where shall he see his own town
Once dear unto his feet?
The psalms, the tankard to the King,
The beacon’s cliffy seat,
The gabled neighborhood, the stocks
Set in the middle street?
How shall he know his own town
If now he clatters thro’?
Much men and cities change that have
Another love to woo;
And things occult, incredible,
They find to think and do.
7 With such new wonders since he went
A broader gossip copes,
Across the crowded triple hills,
And up the harbor slopes,
Tradition’s self for him no more
Remembers, watches, hopes.
But ye, O unborn children!
(For many a race must thrive
And drip away like icicles
Ere Peter Rugg arrive,)
If of a sudden to your ears
His plaint is blown alive;
If nigh the city, folding in
A little lad that cries,
A wet and weary traveller
Shall fix you with his eyes,
And from the crazy carriage lean
To spend his heart in sighs:—
“That I may enter Boston,
Oh, help it to befall!
There would no fear encompass me,
No evil craft appall;
Ah, but to be in Boston,
God willing, after all!”—
Ye children, tremble not, but go
And lift his bridle brave
In the one Name, the dread Name,
That doth forgive and save,
And lead him home to Copp’s Hill ground,
And to his fathers’ grave.
Divider

8

A Ballad of Kenelm

“In Clent cow-batch, Kenelm King born Lieth under a thorn.”

IT was a goodly child,
Sweet as the gusty May;
It was a knight that broke
On his play,
A fair and coaxing knight:
“O little liege!” said he,
“Thy sister bids thee come
After me.
“A pasture rolling west
Lies open to the sun,
Bright-shod with primroses
Doth it run;
And forty oaks be nigh,
Apart, and face to face,
And cow-bells all the morn
In the space.
“And there the sloethorn bush
Beside the water grows,
And hides her mocking head
Under snows;
Black stalks afoam with bloom,
And never a leaf hath she:
Thou crystal of the realm,
Follow me!”
Uplooked the undefiled:
“All things, ere I was born
My sister found; now find
Me the thorn.”
9 They travelled down the lane,
An hour’s dust they made:
The belted breast of one
Bore a blade.
The primroses were out,
The aislèd oaks were green,
The cow-bells pleasantly
Tinked between;
The brook was beaded gold,
The thorn was burgeoning,
Where evil Ascobert
Slew the King.
He hid him in the ground,
Nor washed away the dyes,
Nor smoothed the fallen curls
From his eyes.
No father had the babe
To bless his bed forlorn;
No mother now to weep
By the thorn.
There fell upon that place
A shaft of heavenly light;
The thorn in Mercia spake
Ere the night:
“Beyond, a sister sees
Her crownèd period,
But at my root a lamb
Seeth God.”
Unto each, even so.
As dew before the cloud,
10 The guilty glory passed
Of the proud.
Boy Kenelm has the song,
Saint Kenelm has the bower;
His thorn a thousand years
Is in flower!
Divider

Vergniaud in the Tumbril

I

THE wheels are silent, the cords are slack,
The terrible faces are surging back.
France, they too love thee! bid that keep plain;
The wrath and carnage I stayed afar
Colleagues of my white conscience are:
Accept my slayers, accept me slain!
Shed for days, in its olden guise
The quiet delicate snake-skin lies
To cheat a boy on his woodland stroll:
What if he crush it? Others see
Beauty’s miracle under a tree
Supple in mail, and adroit, and whole;
The shaper rid of a shape, and thence
(Growth of an outgrown excellence),
Mounted with infinite might and speed,
Freed like a soul to the heaven it dreamed;
Over life that was, and death that seemed
A victory and a revenge indeed!
11
As the serpent moves to the open spring,
The while a mock, a delusive thing
Sole in sight of the crowd may be,
So ye, my martyrs, arise, advance!
For what is left at the feet of France
It is our failure, it is not we.

II

Not to ourselves our strength we brought:
Inexpiable the Hand that wrought
In us the ruin of no redress,
The storm, the effort, the pang, the fire,
The premonition, the vast desire,
The primal passion of righteousness!
Scarce by the pitiful thwarted plan,
The haste, or the studious fears of man
Drawing a discord from best delight,
The measure is meted of God most wise;
Nor the future, with her adjusted eyes,
Shall speak us false in our dying fight.
But e’en to me now some use is clear
In the builded truth down-beaten here
For any along the way to spurn,
Since ever our broken task may stand
Disaster’s college in one saved land,
Whence many a stripling state shall learn.
12
Out of the human shoots the divine:
Be the Republic our only sign,
For whose life’s glory our lives have been
Ambassadors on a noble way
Tempest-driven, and sent astray
The first and the final good between.
Close to the vision undestroyed,
The hope not compassed and yet not void,
We perish so; but the world shall mark
On the hilltop of our work we died,
With joy of the groom before the bride,
With a dawn-cry thro’ the battle’s dark.

III

O last save me on the scaffold’s round!
Take heart, that after a thirst profound
The cup of delicious death is near,
And whoso hold it, or whence it flow,
O drink it to France, to France! and know
For the gift thou givest, thou hast her tear.
True seed thou wert of the sunnier hour,
Honorable, and burst to flower
Late in a hell-pit poison-walled:
Farewell, mortality lopped and pale,
Thou body that wast my friend! and Hail,
Dear spirit already!... My name is called.
Divider

13

Winter Boughs

HOW tender and how slow, in sunset’s cheer,
Far on the hill, our quiet treetops fade!
A broidery of northern seaweed, laid
Long in a book, were scarce more fine and clear.
Frost, and sad light, and windless atmosphere
Have breathed on them, and of their frailties made
Beauty more sweet than summer’s builded shade,
Whose green domes fall, to bring this wonder here.
O ye forgetting and outliving boughs,
With not a plume, gay in the jousts before,
Left for the Archer! so, in evening’s eye,
So stilled, so lifted, let your lover die,
Set in the upper calm no voices rouse,
Stript, meek, withdrawn, against the heavenly door.
Divider

M. A. 1822–1888

GOOD oars, for Arnold’s sake
By Laleham lightly bound,
And near the bank, O soft,
Darling swan!
Let not the o’erweary wake
From this his natal ground,
But where he slumbered oft,
Slumber on.
Divider

14

W. H. 1778–1830

BETWEEN the wet trees and the sorry steeple,
Keep, Time, in dark Soho, what once was Hazlitt,
Seeker of Truth, and finder oft of Beauty;
Beauty ’s a sinking light, ah, none too faithful;
But Truth, who leaves so here her spent pursuer,
Forgets not her great pawn: herself shall claim it.
Therefore sleep safe, thou dear and battling spirit,
Safe also on our earth, begetting ever
Some one love worth the ages and the nations!
Nothing falls under to thine eyes eternal.
Sleep safe in dark Soho: the stars are shining,
Titian and Wordsworth live; the People marches.
Divider

The Vigil-at-Arms

KEEP holy watch with silence, prayer, and fasting
Till morning break, and all the bugles play;
Unto the One aware from everlasting
Dear are the winners: thou art more than they.
Forth from this peace on manhood’s way thou goest,
Flushed with resolve, and radiant in mail;
Blessing supreme for men unborn thou sowest,
O knight elect! O soul ordained to fail!
Divider

15

A Madonna of Domenico Ghirlandajo

LET thoughts go hence as from a mountain spring,
Of the great dust of battle clean and whole,
And the wild birds that have no nest nor goal
Fold in a young man’s breast their trancèd wing;
For thou art made of purest Light, a thing
Art gave, beyond her own devout control;
And Light upon thy seeing, suffering soul
Hath wrought a sign for many journeying;
Our sign. As up a wayside, after rain,
When the blown beeches purple all the height
And clouds sink to the sea-marge, suddenly
The autumn sun (how soft, how solemn-bright!)
Moves to the vacant dial, so is lain
God’s meaning Hand, thou chosen, upon thee.
Divider

Spring Nightfall

APRIL is sad, as if the end she knew.
The maple’s misty red, the willow’s gold
Face-deep in nimble water, seem to hold
In hope’s own weather their autumnal hue.
There is no wind, no star, no sense of dew,
But the thin vapors gird the mountain old,
And the moon, risen before the west is cold,
Pale with compassion slopes into the blue.
Under the shining dark the day hath passed
Shining; so even of thee was home bereaved,
Thou dear and pensive spirit! overcast
Hardly at all, but drawn from light to light,
Who in the doubtful hour, and unperceived,
Rebuked adoring hearts with change and flight.
Divider

16

A Friend’s Song for Simoisius

THE breath of dew, and twilight’s grace,
Be on the lonely battle-place;
And to so young, so kind a face,
The long, protecting grasses cling!
(Alas, alas,
The one inexorable thing!)
In rocky hollows cool and deep,
The bees our boyhood hunted sleep;
The early moon from Ida’s steep
Comes to the empty wrestling-ring.
(Alas, alas,
The one inexorable thing!)
Upon the widowed wind recede
No echoes of the shepherd’s reed,
And children without laughter lead
The war-horse to the watering.
(Alas, alas,
The one inexorable thing!)
Thou stranger Ajax Telamon!
What to the loveliest hast thou done,
That ne’er with him a maid may run
Across the marigolds in spring?
(Alas, alas,
The one inexorable thing!)
With footstep separate and slow
The father and the mother go,
Not now upon an urn they know
To mingle tears for comforting.
(Alas, alas,
The one inexorable thing!)
17
The world to me has nothing dear
Beyond the namesake river here:
O Simois is wild and clear!
And to his brink my heart I bring;
(Alas, alas,
The one inexorable thing!)
My heart no more, if that might be,
Would stay his waters from the sea,
To cover Troy, to cover me,
To save us from the perishing.
(Alas, alas,
The one inexorable thing!)
Divider

Athassel Abbey

FOLLY and Time have fashioned
Of thee a songless reed;
O not-of-earth-impassioned!
Thy music ’s mute indeed.
Red from the chantry crannies
The orchids burn and swing,
And where the arch began is
Rest for a raven’s wing;
And up the bossy column
Quick tails of squirrels wave,
And black, prodigious, solemn,
A forest fills the nave.
Still faithfuller, still faster,
To ruin give thy heart:
18
Perfect before the Master
Aye as thou wert, thou art.
But I am wind that passes
In ignorant wild tears,
Uplifted from the grasses,
Blown to the void of years,
Blown to the void, yet sighing
In thee to merge and cease,
Last breath of beauty’s dying,
Of sanctity, of peace!
Tho’ use nor place forever
Unto my soul befall,
By no belovèd river
Set in a saintly wall,
Do thou by builders given
Speech of the dumb to be,
Beneath thine open heaven,
Athassel! pray for me.
Divider

Florentin

HEART all full of heavenly haste, too like the bubble bright
On loud little water floating half of an April night,
Fled from the ear in music, fled from the eye in light,
19
Dear and stainless heart of a boy! No sweeter thing can be
Drawn to the quiet centre of God who is our sea;
Whither, thro’ troubled valleys, we also follow thee.
Divider

Friendship Broken

I

WE chose the faint chill morning, friend and friend,
Pacing the twilight out beneath an oak,
Soul calling soul to judgment; and we spoke
Strange things and deep as any poet penned,
Such truth as never truth again can mend,
Whatever arts we win, what gods invoke;
It was not wrath, it made nor strife nor smoke:
Be what it may, it had a solemn end.
Farewell, in peace. We of the selfsame throne
Are foeman vassals; pale astrologers,
Each a wise sceptic of the other’s star.
Silently, as we went our ways alone,
The steadfast sun, whom no poor prayer deters,
Drew high between us his majestic bar.

II

Mine was the mood that shows the dearest face
Thro’ a long avenue, and voices kind
Idle, and indeterminate, and blind
20
As rumors from a very distant place;
Yet, even so, it gathered the first chase
Of the first swallows where the lane’s inclined,
An ebb of wavy wings to serve my mind
For round Spring’s vision. Ah, some equal grace
(The calm sense of seen beauty without sight)
Befell thee, honorable heart! no less
In patient stupor walking from the dawn;
Albeit thou too wert loser of life’s light,
Like fallen Adam in the wilderness,
Aware of naught but of the thing withdrawn.
Divider

A Song of the Lilac

ABOVE the wall that ’s broken,
And from the coppice thinned,
So sacred and so sweet
The lilac in the wind!
And when by night the May wind blows
The lilac-blooms apart,
The memory of his first love
Is shaken on his heart.
In tears it long was buried,
And trances wrapt it round;
O how they wake it now,
The fragrance and the sound!
For when by night the May wind blows
The lilac-blooms apart,
The memory of his first love
Is shaken on his heart.
Divider

21

In a Ruin, after a Thunder-Storm

KEEP of the Norman, old to flood and cloud!
Thou dost reproach me with thy sunset look,
That in our common menace, I forsook
Hope, the last fear, and stood impartial proud:
Almost, almost, while ether spake aloud,
Death from the smoking stones my spirit shook
Into thy hollow as leaves into a brook,
No more than they by heaven’s assassins cowed.
But now thy thousand-scarrèd steep is flecked
With the calm kisses of the light delayed,
Breathe on me better valor: to subject
My soul to greed of life, and grow afraid
Lest, ere her fight’s full term, the Architect
See downfall of the stronghold that He made.
Divider

The Cherry Bough

IN a new poet’s and a new friend’s honor,
Forth from the scornèd town and her gold-getting,
Come men with lutes and bowls, and find a welcome
Here in my garden,
Find bowers and deep shade and windy grasses,
And by the south wall, wet and forward-jutting,
One early branch fire-tipped with Roman cherries.
O naught is absent,
22
O naught but you, kind head that far in prison
Sunk on a weary arm, feels no god’s pity
Stroking and sighing where the kingly laurels
Were once so plenty,
Nor dreams, from revels and strange faces turning,
How on the strength of my fair tree that knew you,
I lean to-day, when most my heart is laden
With your rich verses!
Since, long ago, in other gentler weather
Ere wrath and exile were, you lay beneath it,
(Your symbol then, your innocent wild brother,
Glad with your gladness,)
What has befallen in the world of wonder,
That still it puts forth bubbles of sweet color,
And you, and you that burst our eyes with beauty,
Are sapped and rotten?
Alas! When my young guests have done with singing,
I break it, leaf and fruit, my garden’s glory,
And hold it high among them, and say after:
“O my poor Ovid,
“Years pass, and loves pass too; and yet remember
For the clear time when we were boys together,
These tears at home are shed; and with you also
Your bough is dying.”
Divider

23

Two Irish Peasant Songs

I

I KNEAD and I spin, but my life is low the while,
Oh, I long to be alone, and walk abroad a mile,
Yet if I walk alone, and think of naught at all,
Why from me that ’s young should the wild tears fall?
The shower-stricken earth, the earth-colored streams,
They breathe on me awake, and moan to me in dreams,
And yonder ivy fondling the broke castle-wall,
It pulls upon my heart till the wild tears fall.
The cabin-door looks down a furze-lighted hill,
And far as Leighlin Cross the fields are green and still;
But once I hear the blackbird in Leighlin hedges call,
The foolishness is on me, and the wild tears fall!

II

’Tis the time o’ the year, if the quicken-bough be staunch,
The green, like a breaker, rolls steady up the branch,
And surges in the spaces, and floods the trunk, and heaves
In little angry spray that is the under-white of leaves;
24
And from the thorn in companies the foamy petals fall,
And waves of jolly ivy wink along a windy wall.
’Tis the time o’ the year the marsh is full of sound,
And good and glorious it is to smell the living ground.
The crimson-headed catkin shakes above the pasture-bars,
The daisy takes the middle field and spangles it with stars,
And down the bank into the lane the primroses do crowd,
All colored like the twilight moon, and spreading like a cloud!
’Tis the time o’ the year, in early light and glad,
The lark has a music to drive a lover mad;
The downs are dripping nightly, the breathèd damps arise,
Deliciously the freshets cool the grayling’s golden eyes,
And lying in a row against the chilly north, the sheep
Inclose a place without a wind for tender lambs to sleep.
’Tis the time o’ the year I turn upon the height
To watch from my harrow the dance of going light;
25
And if before the sun be hid, come slowly up the vale
Honora with her dimpled throat, Honora with her pail,
Hey, but there ’s many a March for me, and many and many a lass!
I fall to work and song again, and let Honora pass.
Divider

The Japanese Anemone

ALL summer the breath of the roses around
Exhales with a delicate, passionate sound;
And when from a trellis, in holiday places,
They croon and cajole, with their slumberous faces,
A lad in the lane must slacken his paces.
Fragrance of these is a voice in a bower:
But low by the wall is my odorless flower,
So pure, so controlled, not a fume is above her,
That poet or bee should delay there and hover;
For she is a silence, and therefore I love her.
And never a mortal by morn or midnight
Is called to her hid little house of delight;
And she keeps from the wind, on his pillages olden,
Upon a true stalk in rough weather upholden,
Her winter-white gourd with the hollow moon-golden.
While ardors of roses contend and increase,
Methinks she has found how noble is peace,
26
Like a spirit besought from the world to dissever,
Not absent to men, tho’ resumed by the Giver,
And dead long ago, being lovely for ever.
Divider

Tryste Noel

THE Ox he openeth wide the Doore
And from the Snowe he calls her inne,
And he hath seen her Smile therefore,
Our Ladye without Sinne.
Now soone from Sleepe
A Starre shall leap,
And soone arrive both King and Hinde;
Amen, Amen:
But O, the place co’d I but finde!
The Ox hath husht his voyce and bent
Trewe eyes of Pitty ore the Mow,
And on his lovelie Neck, forspent,
The Blessed lays her Browe.
Around her feet
Full Warme and Sweete
His bowerie Breath doth meeklie dwell;
Amen, Amen:
But sore am I with Vaine Travèl!
The Ox is host in Juda’s stall,
And Host of more than onelie one,
For close she gathereth withal
Our Lorde her littel Sonne.
Glad Hinde and King
Their Gyfte may bring
27
But wo’d to-night my Teares were there,
Amen, Amen:
Between her Bosom and His hayre!
Divider

A Talisman

TAKE Temperance to thy breast,
While yet is the hour of choosing,
As arbitress exquisite
Of all that shall thee betide;
For better than fortune’s best
Is mastery in the using,
And sweeter than anything sweet
The art to lay it aside!
Divider

Heathenesse

NO round boy-satyr, racing from the mere,
Shakes on the mountain-lawn his dripping head
This many a May, your sister being dead,
Ye Christian folk! your sister great and dear.
To breathe her name, to think how sad-sincere
Was all her searching, straying, dreaming, dread,
How of her natural night was Plato bred,
A star to keep the ways of honor clear,
Who will not sigh for her? who can forget
Not only unto campèd Israel,
Nor martyr-maids that as a bridegroom met
The Roman lion’s roar, salvation fell?
To Him be most of praise that He is yet
Your God thro’ gods not inaccessible.
Divider

28

For Izaak Walton

WHAT trout shall coax the rod of yore
In Itchen stream to dip?
What lover of her banks restore
That sweet Socratic lip?
Old fishing and wishing
Are over many a year.
O hush thee, O hush thee! heart innocent and dear.
Again the foamy shallows fill,
The quiet clouds amass,
And soft as bees by Catherine Hill
At dawn the anglers pass,
And follow the hollow,
In boughs to disappear.
O hush thee, O hush thee! heart innocent and dear.
Nay, rise not now, nor with them take
One silver-freckled fool!
Thy sons to-day bring each an ache
For ancient arts to cool.
But, father, lie rather
Unhurt and idle near;
O hush thee, O hush thee! heart innocent and dear.
While thought of thee to men is yet
A sylvan playfellow,
Ne’er by thy marble they forget
In pious cheer to go.
As air falls, the prayer falls
O’er kingly Winchester:
O hush thee, O hush thee! heart innocent and dear.
Divider

29

Sherman: “An Horatian Ode”

THIS was the truest man of men,
The early-armored citizen,
Who had, with most of sight,
Most passion for the right;
Who first forecasting treason’s scope
Able to sap the Founders’ hope,
First to the laic arm
Cried ultimate alarm;
Who bent upon his guns the while
A misconceived and aching smile,
And felt, thro’ havoc’s part,
A torment of the heart,
Sure, when he cut the moated South
From Shiloh to Savannah’s mouth,
Braved grandly to the end,
To conquer like a friend;
In whom the Commonwealth withstood
Again the Carolinian blood,
The beautiful proud line
Beneath an evil sign,
And taught his foes and doubters still
How fatal is a good man’s will,
That like a sun or sod
Thinks not itself, but God!
Many the captains of our wrath
Sought thus the pious civic path,
Knowing in what a land
Their destiny was planned,
30
And after, with a forward sense,
A simple Roman excellence,
Pledge in their spirit bore
That war should be no more.
Thrice Roman he, who saw the shock
(Calm as a weather-wrinkled rock,)
Roll in the Georgian fen;
And steadfast aye as then
In plenitude of old control
That asked, secure of his own soul,
No pardon and no aid,
If clear his way were made,
Would have nor seat nor bays, nor bring
The Cæsar in him to be king,
But with abstracted ear
Rode pleased without a cheer.
Now he declines from peace and age,
And home, his triple heritage,
The last and dearest head
Of all our perfect dead,
O what if sorrow cannot reach
Far in the shallow fords of speech,
But leads us silent round
The sad Missouri ground,
Where on her hero Freedom lays
The scroll and blazon of her praise,
And bids to him belong
Arms trailing, and a song,
31
And broken flags with ruined dyes
(Bright once in young and dying eyes),
Against the morn to shake
For love’s familiar sake?
The blessèd broken flags unfurled
Above a healed and happier world!
There let them droop, and be
His tent of victory;
There, in each year’s auguster light,
Lean in, and loose their red and white,
Like apple-blossoms strewn
Upon his burial-stone.
For nothing more, the ages thro’,
Can nature or the nation do
For him who helped retrieve
Our life, as we believe,
Save that we also, trooping by
In sound yet of his battle-cry,
Safeguard with general mind
Our pact as brothers kind,
And, ever nearer to our star,
Adore indeed not what we are,
But wise reprovings hold
Thankworthier than gold;
And bear in faith and rapture such
As can eternal issues touch,
Whole from the final field,
Our father Sherman’s shield.
Divider

32

When on the Marge of Evening

WHEN on the marge of evening the last blue light is broken,
And winds of dreamy odor are loosened from afar,
Or when my lattice opens, before the lark has spoken,
On dim laburnum-blossoms, and morning’s dying star,
I think of thee, (O mine the more if other eyes be sleeping!)
Whose great and noonday splendor the many share and see,
While sacred and forever, some perfect law is keeping
The late and early twilight alone and sweet for me.
Divider

Rooks in New College Gardens

THRO’ rosy cloud, and over thorny towers,
Their wings with all the autumn distance filled,
From Isis’ valley border hundred-hilled,
The rooks are crowding home as evening lowers:
Not for men only and their musing hours,
By battled walls did gracious Wykeham build
These dewy spaces early sown and stilled,
These dearest inland melancholy bowers.
Blest birds! A book held open on the knee
Below, is all they know of Adam’s blight:
With surer art the while, and simpler rite,
33
They follow Truth in some monastic tree,
Where breathe against their innocent breasts by night
The scholar’s star, the star of sanctity.
Divider

Open, Time

OPEN, Time, and let him pass
Shortly where his feet would be!
Like a leaf at Michaelmas
Swooning from the tree,
Ere its hour the manly mind
Trembles in a sure decrease,
Nor the body now can find
Any hold on peace.
Take him, weak and overworn;
Fold about his dying dream
Boyhood, and the April morn,
And the rolling stream:
Weather on a sunny ridge,
Showery weather, far from here;
Under some deep-ivied bridge,
Water rushing clear:
Water quick to cross and part,
(Golden light on silver sound),
Weather that was next his heart
All the world around!
Soon upon his vision break
These, in their remembered blue;
34
He shall toil no more, but wake
Young, in air he knew.
He has done with roofs and men.
Open, Time, and let him pass,
Vague and innocent again,
Into country grass.
Divider

The Knight Errant (Donatello’s Saint George)

SPIRITS of old that bore me,
And set me, meek of mind,
Between great dreams before me,
And deeds as great behind,
Knowing humanity my star
As first abroad I ride,
Shall help me wear, with every scar,
Honor at eventide.
Let claws of lightning clutch me
From summer’s groaning cloud,
Or ever malice touch me,
And glory make me proud.
O give my youth, my faith, my sword,
Choice of the heart’s desire:
A short life in the saddle, Lord!
Not long life by the fire.
Forethought and recollection
Rivet mine armor gay!
The passion for perfection
Redeem my failing way!
35
The arrows of the tragic time
From sudden ambush cast,
With calm angelic touches ope
My Paradise at last!
I fear no breathing bowman,
But only, east and west,
The awful other foeman
Impowered in my breast.
The outer fray in the sun shall be,
The inner beneath the moon;
And may Our Lady lend to me
Sight of the Dragon soon!
Divider

To a Dog’s Memory

THE gusty morns are here,
When all the reeds ride low with level spear;
And on such nights as lured us far of yore,
Down rocky alleys yet, and thro’ the pine,
The Hound-star and the pagan Hunter shine:
But I and thou, ah, field-fellow of mine,
Together roam no more.
Soft showers go laden now
With odors of the sappy orchard-bough,
And brooks begin to brawl along the march;
The late frost steams from hollow sedges high;
The finch is come, the flame-blue dragon-fly,
The cowslip’s common gold that children spy,
The plume upon the larch.
36
There is a music fills
The oaks of Belmont and the Wayland hills
Southward to Dewing’s little bubbly stream,
The heavenly weather’s call! Oh, who alive
Hastes not to start, delays not to arrive,
Having free feet that never felt a gyve
Weigh, even in a dream?
But thou, instead, hast found
The sunless April uplands underground,
And still, wherever thou art, I must be.
My beautiful! arise in might and mirth,
For we were tameless travellers from our birth;
Arise against thy narrow door of earth,
And keep the watch for me.
Divider

A Seventeenth-Century Song

SHE alone of Shepherdesses
With her blue disdayning eyes,
Wo’d not hark a Kyng that dresses
All his lute in sighes:
Yet to winne
Katheryn,
I elect for mine Emprise.
None is like her, none above her,
Who so lifts my youth in me,
That a littel more to love her
Were to leave her free!
But to winne
Katheryn,
Is mine utmost love’s degree.
37
Distaunce, cold, delay, and danger,
Build the four walles of her bower;
She ’s noe Sweete for any stranger,
She ’s noe valley flower:
And to winne
Katheryn,
To her height my heart can Tower!
Uppe to Beautie’s promontory
I will climb, nor loudlie call
Perfect and escaping glory
Folly, if I fall:
Well to winne
Katheryn!
To be worth her is my all.
Divider

On the Pre-Reformation Churches about Oxford

I

IMPERIAL Iffley, Cumnor bowered in green,
And Templar Sandford in the boatman’s call,
And sweet-belled Appleton, and Wytham wall
That doth upon adoring ivies lean;
Meek Binsey; Dorchester where streams convene
Bidding on graves her solemn shadow fall;
Clear Cassington that soars perpetual;
Holton and Hampton, and ye towers between:
If one of all in your sad courts that come,
Belovèd and disparted! be your own,
Kin to the souls ye had, while time endures,
38
Known to each exiled, each estrangèd stone
Home in the quarries of old Christendom,—
Ah, mark him: he will lay his cheek to yours.

II

Is this the end? is this the pilgrim’s day
For dread, for dereliction, and for tears?
Rather, from grass and air and many spheres
In prophecy his spirit sinks away;
And under English eaves, more still than they,
Far-off, incoming, wonderful, he hears
The long-arrested and believing years
Carry the sea-wall! Shall he, sighing, say,
“Farewell to Faith, for she is dead at best
Who had such beauty”? or with kisses lain
For witness on her darkened doors, go by
With a new psalm: “O banished light so nigh!
Of them was I who bore thee and who blest;
Even here remember me when thou shalt reign.”
Divider

The Still of the Year

UP from the willow-root
Subduing agonies leap;
The squirrel and the purple moth
Turn over amid their sleep;
The icicled rocks aloft
Burn saffron and blue alway,
And trickling and tinkling
The snows of the drift decay.
O mine is the head must hang
39
And share the immortal pang!
Winter or spring is fair;
Thaw ’s hard to bear.
Heigho! my heart ’s sick.
Sweet is cherry-time, sweet
A shower, a bobolink,
And the little trillium-blossom
Tucked under her leaf to think;
But here in the vast unborn
Is the bitterest place to be,
Till striving and longing
Shall quicken the earth and me.
What change inscrutable
Is nigh us, we know not well;
Gone is the strength to sigh
Either to live or die.
Heigho! my heart ’s sick.
Divider

A Foot-note to a Famous Lyric

TRUE love’s own talisman, which here
Shakespeare and Sidney failed to teach,
A steel-and-velvet Cavalier
Gave to our Saxon speech:
Chief miracle of theme and touch
That upstart enviers adore:
I could not love thee, dear, so much,
Loved I not Honour more.
No critic born since Charles was king
But sighed in smiling, as he read:
40
“Here ’s theft of the supremest thing
A poet might have said!”
Young knight and wit and beau, who won
Mid war’s adventure, ladies’ praise,
Was’t well of you, ere you had done,
To blight our modern bays?
O yet to you, whose random hand
Struck from the dark whole gems like these,
Archaic beauty, never planned
Nor reared by wan degrees,
Which leaves an artist poor, and art
An earldom richer all her years;
To you, dead on your shield apart,
Be “Ave!” passed in tears.
How shall this singing era spurn
Her master, and in lauds be loath?
Your worth, your work, bid us discern
Light exquisite in both.
’T was virtue’s breath inflamed your lyre,
Heroic from the heart it ran;
Nor for the shedding of such fire
Lives since a manlier man.
And till your strophe sweet and bold
So lovely aye, so lonely long,
Love’s self outdo, dear Lovelace! hold
The pinnacles of song.
Divider

41

T. W. P. 1819–1892

FRIEND who hast gone, and dost enrich to-day
New England brightly building far away,
And crown her liberal walk
With company more choice, and sweeter talk,
Look not on Fame, but Peace; and in a bower
Receive at last her fulness and her power:
Nor wholly, pure of heart!
Forget thy few, who would be where thou art.
Divider

Summum Bonum

WAITING on Him who knows us and our need,
Most need have we to dare not, nor desire,
But as He giveth, softly to suspire
Against His gift, with no inglorious greed,
For this is joy, tho’ still our joys recede;
And, as in octaves of a noble lyre,
To move our minds with His, and clearer, higher,
Sound forth our fate; for this is strength indeed.
Thanks to His love let earth and man dispense
In smoke of worship when the heart is stillest,
A praying more than prayer: “Great good have I,
Till it be greater good to lay it by;
Nor can I lose peace, power, permanence,
For these smile on me from the thing Thou willest!”
Divider

42

Saint Florent-le-Vieil

THE spacious open vale, the vale of doom,
Is full of autumn sunset; blue and strong
The semicirque of water sweeps among
Her lofty acres, each a martyr’s tomb;
And slowly, slowly, melt into the gloom
Two little idling clouds, that look for long
Like roseleaf bodies of two babes in song
Correggio left to flush a convent room.
Dear hill deflowered in the frantic war!
In my day, rather, have I seen thee blest
With pastoral roofs to break the darker crest
Of apple-woods by many-islèd Loire,
And fires that still suffuse the lower west,
Blanching the beauty of thine evening star.
Divider

Hylas

JAR in arm, they bade him rove
Thro’ the alder’s long alcove,
Where the hid spring musically
Gushes to the ample valley.
(There ’s a bird on the under bough
Fluting evermore and now:
“Keep—young!” but who knows how?)
Down the woodland corridor,
Odors deepened more and more;
Blossomed dogwood, in the briers,
Struck her faint delicious fires;
Miles of April passed between
Crevices of closing green,
And the moth, the violet-lover,
By the wellside saw him hover.
43
Ah, the slippery sylvan dark!
Never after shall he mark
Noisy ploughmen drinking, drinking,
On his drownèd cheek down-sinking;
Quit of serving is that wild,
Absent, and bewitchèd child,
Unto action, age, and danger,
Thrice a thousand years a stranger.
Fathoms low, the naiads sing
In a birthday welcoming;
Water-white their breasts, and o’er him,
Water-gray, their eyes adore him.
(There ’s a bird on the under bough
Fluting evermore and now:
“Keep—young!” but who knows how?)
Divider

Nocturne

THE sun that hurt his lovers from on high
Is fallen; she more merciful is nigh,
The blessèd one whose beauty’s even glow
Gave never wound to any shepherd’s eye.
Above our pausing boat in shallows drifted,
Alone her plaintive form ascends the sky.
O sing! the water-golds are deepening now,
A hush is come upon the beechen bough;
She shines the while on thee, as saint to saint
Sweet interchanged adorings may allow:
Sing, dearest, with that lily throat uplifted;
They are so like, the holy Moon and thou!
Divider

44

The Kings

A MAN said unto his angel:
“My spirits are fallen thro’,
And I cannot carry this battle,
O brother! what shall I do?
“The terrible Kings are on me,
With spears that are deadly bright,
Against me so from the cradle
Do fate and my fathers fight.”
Then said to the man his angel:
“Thou wavering, foolish soul,
Back to the ranks! What matter
To win or to lose the whole,
“As judged by the little judges
Who hearken not well, nor see?
Not thus, by the outer issue,
The Wise shall interpret thee.
“Thy will is the very, the only,
The solemn event of things;
The weakest of hearts defying
Is stronger than all these Kings.
“Tho’ out of the past they gather,
Mind’s Doubt and Bodily Pain,
And pallid Thirst of the Spirit
That is kin to the other twain,
“And Grief, in a cloud of banners,
And ringletted Vain Desires,
And Vice, with the spoils upon him
Of thee and thy beaten sires,
45
“While Kings of eternal evil
Yet darken the hills about,
Thy part is with broken sabre
To rise on the last redoubt;
“To fear not sensible failure,
Nor covet the game at all,
But fighting, fighting, fighting,
Die, driven against the wall!”
46

47 ALEXANDRIANA

48

49

Alexandriana

I

I LAID the strewings, sweetest, on thine urn;
I lowered the torch, I poured the cup to Dis.
Now hushaby, my little child, and learn
Long sleep how good it is.
In vain thy mother prays, wayfaring hence,
Peace to her heart, where only heartaches dwell;
But thou more blest, O wild intelligence!
Forget her, and Farewell.

II

Gentle Grecian passing by,
Father of thy peace am I:
Wouldst thou now, in memory,
Give a soldier’s flower to me,
Choose the flag I named of yore
Beautiful Worth-dying-for,
That shall wither not, but wave
All the year above my grave.

III

Light thou hast of the moon,
Shade of the dammar-pine,
Here on thy hillside bed;
Fair befall thee, O fair
Lily of womanhood,
Patient long, and at last
Here on thy hillside bed,
Happier: ah, Blæsilla!

50IV

Two white heads the grasses cover:
Dorcas, and her lifelong lover.
While they graced their country closes
Simply as the brooks and roses,
Where was lot so poor, so trodden,
But they cheered it of a sudden?
Fifty years at home together,
Hand in hand, they went elsewhither,
Then first leaving hearts behind
Comfortless. Be thou as kind.

V

Upon thy level tomb, till windy winter dawn,
The fallen leaves delay;
But plain and pure their trace is, when themselves are torn
From delicate frost away.
As here to transient frost the absent leaf is, such
Thou wert and art to me:
So on my passing life is thy long-passèd touch,
O dear Alcithoë!

VI

Hail, and be of comfort, thou pious Xeno,
Late the urn of many a kinsman wreathing;
On thine own shall even the stranger offer
Plentiful myrtle.

VII

Here lies one in the earth who scarce of the earth was moulded,
Wise Æthalides’ son, himself no lover of study,
51
Cnopus, asleep, indoors: the young invincible runner.
They from the cliff footpath that see on the grave we made him,
Tameless, slant in the wind, the bare and beautiful iris,
Stop short, full of delight, and shout forth: “See, it is Cnopus
Runs, with white throat forward, over the sands to Chalcis!”

VIII

Ere the Ferryman from the coast of spirits
Turn the diligent oar that brought thee thither,
Soul, remember: and leave a kiss upon it
For thy desolate father, for thy sister,
Whichsoever be first to cross hereafter.

IX

Jaffa ended, Cos begun
Thee, Aristeus. Thou wert one
Fit to trample out the sun:
Who shall think thine ardors are
But a cinder in a jar?

X

Me, deep-tressèd meadows, take to your loyal keeping,
Hard by the swish of sickles ever in Aulon sleeping,
Philophron, old and tired, and glad to be done with reaping!

52XI

As wind that wasteth the unmarried rose,
And mars the golden breakers in the bay,
Hurtful and sweet from heaven forever blows
Sad thought that roughens all our quiet day;
And elder poets envy while they weep
Ion, whom first the gods to covert brought,
Here under inland olives laid asleep,
Most wise, most happy, having done with thought.

XII

Cows in the narrowing August marshes,
Cows in a stretch of water
Motionless,
Neck on neck overlapped and drooping;
These in their troubled and dumb communion,
Thou on the steep bank yonder,
Pastora!
No more ever to lead and love them,
No more ever. Thine innocent mourners
Pass thy tree in the evening
Heavily,
Hearing another herd-girl calling.

XIII

Praise thou the Mighty Mother for what is wrought, not me,
A nameless nothing-caring head asleep against her knee.
Divider

53

LONDON:
TWELVE SONNETS

54

55

On First Entering Westminster Abbey

THABOR of England! since my light is short
And faint, O rather by the sun anew
Of timeless passion set my dial true,
That with thy saints and thee I may consort,
And wafted in the calm Chaucerian port
Of poets, seem a little sail long due,
And be as one the call of memory drew
Unto the saddle void since Agincourt!
Not now for secular love’s unquiet lease
Receive my soul, who rapt in thee erewhile
Hath broken tryst with transitory things;
But seal with her a marriage and a peace
Eternal, on thine Edward’s holy isle,
Above the stormy sea of ended kings.
Divider

Fog

LIKE bodiless water passing in a sigh,
Thro’ palsied streets the fatal shadows flow,
And in their sharp disastrous undertow
Suck in the morning sun, and all the sky.
The towery vista sinks upon the eye,
As if it heard the Hebrew bugles blow,
Black and dissolved; nor could the founders know
How what was built so bright should daily die.
Thy mood with man ’s is broken and blent in,
City of Stains! and ache of thought doth drown
56
The primitive light in which thy life began;
Great as thy dole is, smirchèd with his sin,
Greater and elder yet the love of man
Full in thy look, tho’ the dark visor ’s down.
Divider

St. Peter-ad-Vincula

TOO well I know, pacing the place of awe,
Three queens, young save in trouble, moulder by;
More in his halo, Monmouth’s mocking eye,
The eagle Essex in a harpy’s claw;
Seymour and Dudley, and stout heads that saw
Sundown of Scotland: how with treasons lie
White martyrdoms; rank in a company
Breaker and builder of the eternal law.
Oft as I come, the hateful garden-row
Of ruined roses hanging from the stem,
Where winds of old defeat yet batter them,
Infects me: suddenly must I depart,
Ere thought of men’s injustice then and now
Add to these aisles one other broken heart.
Divider

Strikers in Hyde Park

A WOOF reversed the fatal shuttles weave,
How slow! but never once they slip the thread.
Hither, upon the Georgian idlers’ tread,
Up spacious ways the lindens interleave,
57
Clouding the royal air since yester-eve,
Come men bereft of time and scant of bread,
Loud, who were dumb, immortal, who were dead,
Thro’ the cowed world their kingdom to retrieve.
What ails thee, England? Altar, mart, and grange
Dream of the knife by night; not so, not so
The clear Republic waits the general throe,
Along her noonday mountains’ open range.
God be with both! for one is young to know
The other’s rote of evil and of change.
Divider

Changes in the Temple

THE cry is at thy gates, thou darling ground,
Again; for oft ere now thy children went
Beggared and wroth, and parting greeting sent
Some red old alley with a dial crowned;
Some house of honor, in a glory bound
With lives and deaths of spirits excellent;
Some tree rude-taken from his kingly tent
Hard by a little fountain’s friendly sound.
O for Virginius’ hand, if only that
Maintain the whole, and spoil these spoilings soon!
Better the scowling Strand should lose, alas,
Her peopled oasis, and where it was
All mournful in the cleared quadrangle sat
Echo, and ivy, and the loitering moon.
Divider

58

The Lights of London

THE evenfall, so slow on hills, hath shot
Far down into the valley’s cold extreme,
Untimely midnight; spire and roof and stream
Like fleeing spectres, shudder and are not.
The Hampstead hollies, from their sylvan plot
Yet cloudless, lean to watch as in a dream,
From chaos climb with many a sudden gleam,
London, one moment fallen and forgot.
Her booths begin to flare; and gases bright
Prick door and window; all her streets obscure
Sparkle and swarm with nothing true nor sure,
Full as a marsh of mist and winking light;
Heaven thickens over, Heaven that cannot cure
Her tear by day, her fevered smile by night.
Divider

Doves

AH, if man’s boast and man’s advance be vain,
And yonder bells of Bow, loud-echoing home,
And the lone Tree foreknow it, and the Dome,
The monstrous island of the middle main;
If each inheritor must sink again
Under his sires, as falleth where it clomb
Back on the gone wave the disheartened foam?—
I crossed Cheapside, and this was in my brain.
What folly lies in forecasts and in fears!
Like a wide laughter sweet and opportune,
59
Wet from the fount, three hundred doves of Paul’s
Shook their warm wings, drizzling the golden noon,
And in their rain-cloud vanished up the walls.
“God keeps,” I said, “our little flock of years.”
Divider

In the Reading-Room of the British Museum

PRAISED be the moon of books! that doth above
A world of men, the fallen Past behold,
And fill the spaces else so void and cold
To make a very heaven again thereof;
As when the sun is set behind a grove,
And faintly unto nether ether rolled,
All night his whiter image and his mould
Grows beautiful with looking on her love.
Thou therefore, moon of so divine a ray,
Lend to our steps both fortitude and light!
Feebly along a venerable way
They climb the infinite, or perish quite;
Nothing are days and deeds to such as they,
While in this liberal house thy face is bright.
Divider

Sunday Chimes in the City

ACROSS the bridge, where in the morning blow
The wrinkled tide turns homeward, and is fain
Homeward to drag the black sea-goer’s chain,
And the long yards by Dowgate dipping low;
60
Across dispeopled ways, patient and slow,
Saint Magnus and Saint Dunstan call in vain:
From Wren’s forgotten belfries, in the rain,
Down the blank wharves the dropping octaves go.
Forbid not these! Tho’ no man heed, they shower
A subtle beauty on the empty hour,
From all their dark throats aching and outblown;
Aye in the prayerless places welcome most,
Like the last gull that up a naked coast
Deploys her white and steady wing, alone.
Divider

A Porch in Belgravia

WHEN, after dawn, the lordly houses hide
Till you fall foul of it, some piteous guest,
Some girl the damp stones gather to their breast,
Her gold hair rough, her rebel garment wide,
Who sleeps, with all that luck and life denied
Camped round, and dreams how seaward and southwest
Blue over Devon farms the smoke-rings rest,
And sheep and lambs ascend the lit hillside,
Dear, of your charity, speak low, step soft,
Pray for a sinner. Planet-like and still,
Best hearts of all are sometimes set aloft
61
Only to see and pass, nor yet deplore
Even Wrong itself, crowned Wrong inscrutable,
Which cannot not have been for evermore.
Divider

York Stairs

MANY a musing eye returns to thee,
Against the lurid street disconsolate,
Who kept in green domains thy bridal state,
With young tide-waters leaping at thy knee;
And lest the ravening smoke, and enmity,
Corrode thee quite, thy lover sighs, and straight
Desires thee safe afar, too graceful gate!
Throned on a terrace of the Boboli.
Nay, nay, thy use is here. Stand queenly thus
Till the next fury; teach the time and us
Leisure and will to draw a serious breath:
Not wholly where thou art the soul is cowed,
Nor the fooled capital proclaims aloud
Barter is god, while Beauty perisheth.
Divider

In the Docks

WHERE the bales thunder till the day is done,
And the wild sounds with wilder odors cope;
Where over crouching sail and coiling rope,
Lascar and Moor along the gangway run;
Where stifled Thames spreads in the pallid sun,
A hive of anarchy from slope to slope;
62
Flag of my birth, my liberty, my hope,
I see thee at the masthead, joyous one!
O thou good guest! So oft as, young and warm,
To the home-wind thy hoisted colors bound,
Away, away from this too thoughtful ground,
Sated with human trespass and despair,
Thee only, from the desert, from the storm,
A sick mind follows into Eden air.

 


 

Transcriber's Note
The cover was created by the transcriber using elements from the original publication and is placed in the public domain.

 

 


***END OF THE PROJECT GUTENBERG EBOOK A ROADSIDE HARP***

******* This file should be named 54822-h.htm or 54822-h.zip *******

This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/4/8/2/54822

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:

Dr. Gregory B. Newby
Chief Executive and Director
[email protected]

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.