Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Catalogue of Works Literary Art and Music Author: W. Reeves Release Date: May 1, 2016 [EBook #51902] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY *** Produced by Judith Wirawan, deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
W. REEVES
AND
REEVES & TURNER'S
Publications
ALSO . . . .
Books on . . .
Freemasonry.
London:
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W.C.
How to Memorize Music: With numerous Musical Examples. By C. F. Kenyon, cr. 8vo, 1s.
Treatise on the Training of Boy's Voices: With Examples and Exercises and Chapters on Choir-Organization. Compiled for the Use of Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s.
Graduated Course of Exercises for Boy Choristers: With Pianoforte Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s.
Interludes. Seven Lectures by H. C. Banister. Collected and Edited by Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.)
ORGAN MUSIC.
(All with ped. obb.)(Prices Music-net).
Chopin's Nocturne (Op. 9, No. 2) | 1s. 6d. | E. H. Lemare. |
Forward! Grand March | 1s. 6d. | E. H. Sugg. |
Lebanon March (Smallwood) | 2s. | Dr. Westbrook. |
Grand Festival March, "Illogan" | 2s. | H. C. Tonking. |
(also arr. for Piano solo; and Vn. & Pi.) | ||
Overture to William Tell (Rossini) | 2s. 6d. | A. Whittingham. |
Overture to Oberon (Weber) | 2s. | A. Whittingham. |
Overture to Freischütz (Weber) | 2s. | A. Whittingham. |
Six Pieces for Church Use (arr.) | 1s. | W. Smallwood. |
8vo cloth, 300 pp., 3s. 6d.
HONE (William), Ancient Mysteries described, especially the English Miracle Plays founded on the Apocryphal New Testament Story, extant among the unpublished MSS. in the British Museum, including notices of Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, etc., with Engravings and Index.
8vo, cloth, 3s. 6d.
HONE (William), The Apocryphal New Testament, being all the Gospels, Epistles and other pieces now extant attributed in the first four centuries to Jesus Christ, his Apostles and their Companions and not included in the New Testament by its compilers.
In 4 Volumes, 8vo. Price £2 2s.
Handsomely bound in designed buckram cloth.
⁂ One Hundred Copies specially printed on hand-made paper supplied
By Spalding & Hodge. Price £4 4s. net, bound in Vellum,
Essays & Letters of MONTAIGNE.
Edited by WILLIAM CAREW HAZLITT.
NEW AND ENLARGED INDEX
An Entirely New Edition formed from a Collation of
the Foreign Quotations; a fresh English rendering and
a careful revision of the text throughout. Some
account of the Life of Montaigne, Notes to
which are added, a Translation of all
the Letters known to be extant.
Portraits, Facsimile Letter, and other Illustrations.
Mr. Hazlitt's Montaigne,—An entirely new Edition text of Montaigne's Essays and Letters (founded on the now extremely scarce one published in 1877 in three volumes octavo) has now been brought to completion (Publisher, Messrs. Reeves and Turner) and will, partly by reason of enlarged introductory matter and partly by additional notes, extend to four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's father, though bearing his own name on the title, and he merely contributed the Preface. The book has now at length been adapted to the last French Variorum so far as possible, and innumerable errors of the former English versions have been rectified. The Biographical account of the essayist has been considerably amplified and instead of the sixteen Letters given in 1877 there are thirty-five, many of which are of interest and importance towards understanding the Life of the Author. A salient feature in the present undertaking is to have substituted for the English colloquial equivalents, or rather supposed equivalents of the great Frenchman's language, the words which he actually uses or the sense, which he actually intends to convey; and the difference is often curious and sometimes immense between him and his English renderers.—The Athenæum.
In the Press.
Modern Orchestral Instruments
Their Origin, Construction, and Use.
BEING A PRACTICAL ILLUSTRATED HANDBOOK
For the use of
AMATEURS OR STUDENTS.
With many additional Illustrations, Tables, an . . . . . .
. . . . . . . . . . . . Appendix, and an Explanatory Index.
BY
K. SCHLESINGER.
Classical Works.
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Anthon's Horace, Edited by Rev. James Boyd, LL.D., thick post 8vo, 5s. 6d.
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MASTERSINGERS | APPRECIATIONS OF MUSIC AND MUSICIANS WITH AN ESSAY ON HECTOR BERLIOZ . . . . . . |
By FILSON YOUNG |
Contents.—The Pastoral Symphony—Tristan and Isolda—Bach's Organ Fugues—Mozart's Requiem—Tschiakowsky's Sixth Symphony—The Composer in England—Charles Hallé—Camille Saint-Saëns—An Irish Musician—Hector Berlioz.
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"THUS SPAKE ZARATHUSTRA"
By F. NIETZSCHE, A BOOK FOR ALL AND NONE. TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory Discourse, with Critical and Bibliographical Notices, Part I.
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—EDITOR.
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THE ART OF MODULATING.
A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL EXAMPLES. By HENRY C. BANISTER.
Not only at Examinations—viva voce—but in Actual Experience, is ability required to pass rapidly, with very little "process" from one key to another.
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THE LIFE OF HENRY GEORGE.
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Important Critical Contribution.
CHOPIN: the man and his music.
BY JAMES HUNEKER,
Author of "Mezzotints in Modern Music."
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CHAFFERS (Wm.), MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY AND PORCELAIN, with Historical Notices of each Manufactory, preceded by an Introductory Essay on Ancient Pottery and on the Vasa Fictilia of England and Mediæval Earthenware Vessels, with over 3,500 Potters Marks and Illustrations, revised and edited by F. Litchfield, ornamental cloth, Ninth Edition, with Additional Information and Marks, 42s.
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CHAFFERS (W.), A HISTORY OF ENGLISH GOLDSMITHS AND PLATEWORKERS (Gilda Aurifa-brorum) and their Marks stamped on Plate, copied in facsimile from celebrated Examples and the earliest Records preserved at Goldsmiths' Hall, London, with their names, addresses and dates of entry, 2,500 Illustrations; also Historical Account of the Goldsmiths' Company and their Hall Marks and Regalia; the Mint; Closing of the Exchequer; Goldsmith Bankers; Shop Signs, a Copious Index, etc., a New Edition, 267 pp., roy. 8vo, cloth, 12s.
CHAFFERS (W.), COLLECTOR'S HANDBOOK OF MARKS AND MONOGRAMS ON POTTERY AND PORCELAIN OF THE RENAISSANCE AND MODERN PERIOD, selected from his larger work, New Edition Revised and considerably Augmented by F. Litchfield, Twelfth Thousand, 234 pp., post 8vo, cloth, gilt, 6s.
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COBBETT (W.), RURAL RIDES in the Counties of Surrey, Kent, Sussex, Hants., Wilts., Gloucestershire, etc., edited with Life, New Notes, and the addition of a copious Index, New Edition by Pitt Cobbett, map and portrait, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth gilt, 12s. 6d.
Cobbett's "Rural Rides" is to us a delightful book, but it is one which few people know. We are not sure that up to the present time it was impossible to get a nice edition of it. We are therefore glad to see that Messrs. Reeves & Turner's recently published edition is a very creditable production—two handy well-filled volumes.—Gardening.
KEATS (John), THE POETICAL WORKS OF JOHN KEATS (large type), given from his own Editions and other Authentic Sources, and collated with many Manuscripts, edited by H. Buxton Forman, portrait, Seventh Edition, 8 pp., cr. 8vo, buckram, 7s. 6d.
THE LETTERS OF JOHN KEATS (Large type), Complete Revised Edition, with a Portrait not published in previous Editions and 24 Contemporary Views of Places visited by Keats, Edited by H. Duxton Forman, 519 pages, cr. 8vo. buckram. 8s.
LORD CHESTERFIELD'S LETTERS TO HIS SON.—Edited with Occasional Elucidatory Notes, Translations of all the Latin, French and Italian Quotations, and a Biographical Notice of the Author. By Chas. Stokes Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d.
FLAGELLATION AND THE FLAGELLANTS, A History of the Rod, in all Countries by the Rev. W. M. Cooper. Plates and Cuts, thick cr. 8vo, cloth, 7s. 6d. (pub. 12s. 6d.)
THE AWAKENING OF WOMEN: or Woman's Part in Evolution, by Frances Swiney, crown 8vo, cloth, 5s. net.
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PERCY BYSSHE SHELLEY, Poet and Pioneer, a Biographical Study by H. S. Salt, etched portrait, cr. 8vo, cloth, 3s. 6d.
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SIDONIA THE SORCERESS, by William Meinhold. Translated by Lady Wilde, with the Amber Witch, translated by Lady Duff Gordon, in 2 vols., crown 8vo, 8s. 6d. 1894
THOMSON (James, "B. V."), POETICAL WORKS, The City of Dreadful Night, Vane's Story, Weddah and Om-el-Bonain, Voice from the Hell, and Poetical Remains, Edited by B. Dobell, with Memoir and Portrait, 2 vols, thick cr. 8vo, cloth, 12s. 6d.
THOMSON (James, "B. V."), BIOGRAPHICAL AND CRITICAL STUDIES, 483 pages, cr. 8vo, cloth. 6s.
LIFE OF DAVID GARRICK, by J. Smyth, post 8vo, boards, 1s.
RUDIMENTS OF GREEK GRAMMAR, by E. Wettenhall, D.D., translated by Rev. G. N. Wright, numerous annotations and Questions for Examination, by Rev. G. B. Wheeler, 3s.
Comte (Auguste), A Discourse on the Positive Spirit, Explanatory Notes by E. S. Beesly, M.A., cr. 8vo. cloth, 2s. net.
Outspoken Essays on Social Subjects: By Ernest Belfort Bax, cr. 8vo, cloth, 2s. 6d.
A Creed for Christian Socialists, with Expositions by Charles William Stubbs, D.D. (The Dean of Ely). Cr. 8vo, cloth, 2s. (paper, 1s.)
Comte (Auguste), General View of Positivism, translated by J. H. Bridges. 2nd Edition, cr. 8vo, cloth, 2s. 6d.
The Social Aspects of Christianity, and other Essays by Richard T. Ely, Ph.D. Cr. 8vo, cloth, 2s. (paper, 1s.)
Progress and Poverty, by Henry George. Cloth, 1s. 6d., (paper, 1s.) or Cabinet Edition, cloth, 2s. 6d.
Karl Marx's Theory of Value (Complete), forming the First 9 Chapters of "Capital." Cr. 8vo, cloth, 2s. (paper, 1s.)
Looking Backward, by Edward Bellamy, with copious Index and Portrait. Limp cloth, 1s. 6d., Cabinet Edition, Steel Portrait, 2s. 6d. (also cheap editions, paper covers, 6d. and 1s.)
Co-operative Commonwealth: Exposition of Modern Socialism, by L. Gronlund. English Edition. Third Edition. Edited by B. Shaw. Cr. 8vo, cloth, 2s. (paper, 1s.)
Tennyson as a Thinker, by Henry S. Salt, paper, 6d. (or large paper copies, 1s. 6d.)
Patriotism and Christianity, by Count Leo Tolstoy. Cr. 8vo, cloth, 1s. (paper, 6d.)
Laws of Eternal Life: Being Studies in the Church Catechism by Rev. Stewart D. Headlam. Cr. 8vo, cloth, 2s. (paper, 1s.)
London Rookeries and Collier's Slums.—A Plea for More Breathing Room. By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. sewed, 1s.
More Light and Air for Londoners.—By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. 4to, sewed, 1s.
Ruskin's Notes of the Pictures of Mr. Holman Hunt, Exhibited at the Rooms of the Fine Art Society, 1886, With Criticisms by John Ruskin and other Comments, sewed, 8vo, 1s.
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What is Property? An Inquiry into the Principle of Right and of Government, by P. J. Proudhon, Translated by B. R. Tucker, crown 8vo, cloth, 3s. 6d.
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Rent, Interest and Wages, or the Real Bearings of the Land Question. By Michael Flürscheim. Third Edition, Revised, cr. 8vo, paper 1s. (cloth 2s.)
HISTORICAL, BIOGRAPHICAL WORKS, ETC.
Musical History and Biography (Revised Edition to 1903). By F. J. Crowest, post 8vo, sewed 1s. (cloth, 2s.)
Makers of Music, Biographical Sketches of the Great Composers, With Chronological Summaries of their Works, and Facsimiles from Musical MSS. of Bach, Handel, Purcell, Dr. Arne, Gluck, Haydn, Mozart, Beethoven, Weber, Schubert, Berlioz, Mendelssohn, Chopin, Schumann, Wagner, Verdi, Gounod, Brahms and Greig, with General Chronological Table. By R. Farquharson Sharp, Portrait of Purcell, Second Edition, cr. 8vo, cloth, 5s.
How to Manage a Choral Society. By N. Kilburn, 2nd Edition, post 8vo., 6d.
Wagner's Parsifal and the Bayreuth Fest-Spielhaus. By N. Kilburn, cr. 8vo., 6d.
Wagner, A Sketch of his Life and Works, by N. Kilburn, 6d.
Woman as a Musician, an art Historical Study by F. R. Ritter, 8vo., 1s.
Sixty Years of Music: A Record of the Art in England during the Victorian Era, containing 70 Portrait of the most Eminent Musicians, oblong quarto, boards, cloth back, 2s. 6d.
Cherubini, Memorials illustrative of his Life, by E. Bellasis, thick cr. 8vo, cloth, 6s.
The Bach Letters. Letters of Samuel Wesley, relating to the Introduction into England of the Works of Bach. Ed. by E. Wesley. 2nd Edition, 8vo, cl., 2s. 6d.
Mezzotints in Modern Music, Brahms, Tchaïkovsky, Chopin, Strauss, Liszt, and Wagner, By Jas. Huneker, cr. 8vo, cloth, gilt top, 7s. 6d.
Sketches of English Glee Composers, Historical, Biographical and Critical (From about 1735-1866), by D. Baptie, post 8vo, cloth, 5s.
History of Hungarian Music, by J. Kaldy (Director of the Royal Hungarian Opera), cr. 8vo, bevelled cloth, 2s. 6d. net.
Franz Liszt, by T. Carlaw Martin, 6d.
Half a Century of Music in England, 1837-1887, By F. Hueffer, 8vo, cloth, 3s. 6d. (pub. 8s. 6d.)
Templeton and Malibran: Reminiscences of these Renowned Singers, with Original Letters and Anecdotes, 3 Authentic Portraits by Mayall, 8vo, cloth, 2s. 6d.
Balfe, His Life and Works, by W. A. Barrett, cr. 8vo, bevelled cloth, 3s. 6d. (pub. 7s. 6d.)
Statham (H. H.), Form and Design in Music, a Brief Outline of the Æsthetic conditions of the Art, addressed to general Readers (in a readable Literary form ... in everyday language), 8vo, cloth, 2s (pub. 5s.)
Beethoven, by Richard Wagner, with a Supplement from the Philosophical Works of Arthur Schopenhauer, trans. by Edward Dannreuther, 2nd Ed., cr. 8vo, cl., 6s.
Chopin, Life of, by Franz Liszt, new and very much Enlarged Edition, Englished in full now for the first time by John Broadhouse, cr. 8vo, cloth, 6s.
Wagner, Der Ring des Nibelungen, being the story concisely told of Das Rhinegold, Die Walküre, Siegfried and Götterdämmerung, by N. Kilburn, post 8vo, 9d.
Box (C.), Church Music in the Metropolis, its Past and present Condition, with Notes Critical and Explanatory, post 8vo, cloth, 3s.
The Past and the Future, Inaugural Lecture at Gresham College, Nov. 1890, by J. Frederick Bridge Mus. Doc., cr. 8vo, sewed, 6d.
English Hymn Tunes from the 16th Century to the Present Time, by the Rev. A. W. Malim, containing 21 Musical Illustrations, 8vo, sewed, 1s.
Beethoven, Life of, by Louis Nohl, translated by John J. Lalor, 2nd Edition, cr. 8vo, bevelled cloth, gilt edges, 3s. 6d.
English Glee and Madrigal Writers, by W. A. Barrett, 8vo, cloth, 2s. 6d.
Life and Works of Handel. By A. Whittingham. 1s. (cloth, 1s. 6d.)
Life and Works of Mozart. By A. Whittingham. 1s. (cloth, 1s. 6d.)
Beethoven Depicted by his Contemporaries, by Ludwig Nohl, translated by E. Hill, 2nd Edition, thick cr. 8vo, cloth, 7s. 6d.
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Dictionary of Musicians, (Cocks') New and Enlarged Edition brought completely up to date, post 8vo, sewed, 1s., cloth, 1s. 6d.
Music, A First Book for Beginners embodying the most recent English and Continental Teaching by a Professor [Alfred Whittingham], post 8vo, 4d.
The two principal objects kept in view in writing this little book were Thoroughness of Definition and Regular Order in the arrangement of Subjects. It differs from all other similar Works in that all the Technical Terms in Music are introduced in the Answers not in the Questions.
Counterpoint: A Simple and Intelligible Treatise, Containing the most Important Rules of all Text Books, in Catechetical Form; (Forming an Answer to the Question "What is Counterpoint?") Intended for Beginners. By A. Livingstone Hirst, cr. 8vo, sewed, 9d.
Dictionary of 2500 British Musicians, from the Earliest Times, by F. J. Crowest, cr. 8vo, stiff cover, 1s.
Manual of Musical History, from the Epoch of Ancient Greece to our present time by Dr. F. L. Ritter, 2nd Edition, cr. 8vo, cl., 2s. 6d.
On Conducting, by Richard Wagner, translated by E. Dannreuther, Second Edition, cr. 8vo, cloth, 5s.
DUDLEY BUCK'S Complete Pronouncing Dictionary of Musical Terms. By Dr. Dudley Buck. Third Edition with the Pronunciation of each Term accurately given, cr. 8vo, paper cover 6d., (cloth 1s.)
The Student's Helmholtz, Musical Acoustics or the Phenomena of Sound as connected with Music, by John Broadhouse, with more than 100 Illustrations, 3rd Edition, cr. 8vo, cloth, 7s. 6d.
The Student's History of Music. History of Music, from the Christian Era to the present time by Dr. F. L. Ritter. 3rd Edition, thick cr. 8vo., cloth, 7s. 6d.
Harmony and the Classification of Chords, with Questions and Exercises, by Dr. J. H. Lewis, Vol. 1, 8vo, boards, cloth back, 5s.
Musical Analysis. A Handbook for Students, with Musical Illustrations, by H. C. Banister, crown 8vo, folio, cloth, 2s.
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Purity in Music, by A. F. Thibaut. Translated by J. Broadhouse. Schumann says: "A fine book about music, read it frequently." Crown 8vo., cloth, 2s. 6d.
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Dr. Ahn's First French Course. Edited by S. Bartlett (Head Master Mercers' and Stationers' School), Post 8vo., cloth, 1s. 6d.
Harmonising of Melodies, A Text-Book for Students and Beginners, by H. C. Banister, cr. 8vo, cloth, 2s.
Musical Shorthand for Composers, Students of Harmony, Counterpoint, etc., can be written very rapidly and is more legible than printed music, with Specimens from Bach, Handel, Chopin, Wagner, Mendelssohn, Spohr, Mozart, etc., by Francis Taylor, 14 pages, 12mo, 6d.
"Composers and Students of Music expend a vast amount of time in mere painful mechanism." We have only six totally unlike signs. These from their simplicity can be written with great rapidity, one dip of the pen sufficing for an entire page, and the writing being as legible as possible.—Preface.
WORKS ON THE PIANOFORTE, &c.
Piano Teaching. Advice to Pupils and Young Teachers, by F. Le Couppey (Prof. in the Conservatory of Paris, etc.), Translated from the 3rd French Edition by M. A. Bierstadt, post 8vo, cloth, 2s.
Greater Works of Chopin, (Polonaises, Mazurkas, Nocturnes, etc.), and how they should be played, by J. Kleczynski, translated by Miss N. Janotha and edited by Sutherland Edwards, with Portrait, Facsimile, etc., cr. 8vo, cloth, 5s.
Pianoforte Teacher's Guide, by L. Plaidy, translated by Fanny Raymond Ritter, cr. 8vo, boards, 1s.
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Ehrenfechter (C. A.), Technical Study in the art of Pianoforte Playing (Deppe's principles), with numerous illustrations, fourth edition, cr. 8vo, bevelled cl., 2s. 6d.
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Ehrenfechter (C. A.), Delivery in the Art of Pianoforte Playing, on Rhythm, Measure, Phrasing, Tempo, cr. 8vo, cloth, 2s.
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Beethoven's Symphonies in their Ideal Significance, explained by Ernst von Elterlein, translated by Francis Weber, with an account of the facts relating to Beethoven's 10th Symphony, by L. Nohl, Second Edition, with Portrait, cr. 8vo, cloth, 3s. 6d.
Pianoforte Scales in Thirds and Sixths for Each Hand in all the Major and Minor Keys, Fingered and Arranged by M. Rock, folio, 2s.
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How to Play Chopin. The Works of Chopin and their proper Interpretation. By Kleczynski, translated by A. Whittingham, 5th. Ed., Woodcut and Music Illus. Post 8vo, cloth, 3s. 6d.
Schumann's Rules Maxims for young Musicians, 4d.
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Reeves' Vamping Tutor, Art of Extemporaneous Accompaniment or Playing by ear on the Pianoforte, rapidly enabling anyone having an ear for music (with or without any knowledge of musical notation) to accompany Waltzes, Polkas, Songs, and with equal facility in any key, with practical examples, including Ma Normandi (in C), Lilla's a Lady, The Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s.
Mozart's Don Giovanni, a Commentary, from the 3rd French Edition of Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s. 6d.
Tuning the Pianoforte.—Smith (Hermann), The Art of Tuning the Pianoforte, a New and Comprehensive Treatise to enable the musician to Tune his Pf. upon the system founded on the Theory of Equal Temperament, cr. 8vo, limp cloth, New Edition Thoroughly Revised, 2s.
A History of Pianoforte Music, With Critical Estimates of its Greatest Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo, cloth, 3s. 6d.
Transposition at Sight, For Students of the Organ and Pianoforte, by H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d.
THE VIOLIN.
How to Repair Violins and other Musical Instruments[Pg 16] With Diagrams, by Alfred F. Common, cr. 8vo, boards, 1s.
Information for Players, Owners, Dealers and Makers of Bow Instruments, also for String Manufacturers, taken from Personal Experiences, Studies and Observations by William Hepworth, with Illustrations of Stainer and Guarnerius Violins, etc., cr. 8vo, cloth, 2s. 6d.
Notice of Anthony Stradivari, the celebrated Violin Maker known by the name of Stradivarius, preceded by Historical and Critical Researches on the origin and Transformations of Bow Instruments, and followed by a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by J. Bishop, Facsimile, 8vo, cloth, 5s.
Biographical Dictionary of Fiddlers, including Performers on the Violoncello and Double Bass, Past and Present, containing a Sketch of their Artistic Career, together with Notes of their Compositions, by A. Mason Clarke, 9 Portraits, post 8vo, cloth, 5s.
How to Make a Violin, Practically Treated, 2 Folding Plates and many Illustrations, by J. Broadhouse, cr. 8vo, bevelled cloth, 3s. 6d.
Violin Manufacture in Italy and its German Origin, by Dr. E. Schebek, translated by W. E. Lawson, 8vo., sewed, 1s.
Sketches of Great Violinists and Great Pianists. Biographical and Anecdotal, with Account of the Violin and Early Violinists (Viotti, Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann (Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt), by G. T. Ferris; Second Edition, cr. 8vo, bevelled cloth, 3s. 6d. (or gilt edges, 4s. 6d.)
Facts about Fiddles, Violins Old and New. By J. Broadhouse, 3rd Edition, 6d.
Technics of Violin Playing. By Karl Courvoisier. With Illustrations, 8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) Highly commended by Joachim.
How to Play the Fiddle, for Beginners on the Violin. By H. W. and G. Gresswell. 7th edition, 1s. (cloth, 2s.)
Autobiography of Louis Spohr. 2 vols in 1, thick 8vo, cloth, 7s. 6d. (pub. 15s.)
Treatise on the Structure and Preservation of the Violin and all other Bow Instruments, together with an account of the most celebrated makers and of the genuine characteristics of their Instruments, by J. A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s.
ORGAN WORKS.
Modern Organ Tuning, the How and Why, clearly explaining the Nature of the Organ Pipe and the System of Equal Temperament together with an Historic Record of the Evolution of the Diatonic Scale from the Greek Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d.
Analysis of Mendelssohn's Organ Works, a Study of their Structural Features, for the use of Students, 127 Musical Examples, portrait and facsimiles, cr. 8vo, bevelled cloth, 4s. 6d.
Organist's Quarterly Journal of Original Compositions. Edited by Dr. W. Spark, 5s. per part. For Contents see end of Catalogue.
New Series Volume, 160 large pages, oblong folio, bound in cloth, 18s.
Rink's Practical Organ School: A New Edition, Carefully Revised. The Pedal Part printed on a separate Staff, and the Preface, Remarks and Technical Terms translated from the German, expressly for this edition by John Hiles. The Six Books Complete, handsomely bound in red cloth, gilt edges, ob. folio, 10s. 6d. (issued at 20s.), or the six parts 7s. 6d. (issued at 6s. each.)
Organs and Organists in Parish Churches, A Handbook of the Law relating to the Custody, Control and Use of Organs, and to the Position, Lights, and Disabilities of Organists, to which is Added a Chapter on the Hiring of Pianos, and on "The Three Years System," by William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq., Barrister-at-Law, cr. 8vo, cloth, 2s. 6d.
A Short History of the Organ, Organists, and Services of the Chapel of Alleyn's College, Dulwich, with Extracts from the Diary of the Founder, by W. H. Stocks, cr. 8vo, sewed, 1s.
The Influence of the Organ in History. By Dudley Buck, 1s.
Henry Smart's Organ Compositions Analysed. By J. Broadhouse, cr. 8vo, cloth, 2s. 6d.
Reform in Organ Building, by Thomas Casson, 6d.
The Organ, Its Compass, Tablature, and Short and Incomplete Octaves, by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth back, 4s. 6d.
Catechism for the Harmonium and American Organ, by John Hiles, post 8vo, sewed, 1s.
Rimbault (Dr. E. F.), The Early English Organ Builders and their Works, from the 15th Century to the Period of the Great Rebellion, an unwritten chapter on the History of the Organ, Well printed, with woodcuts, post 8vo, cloth, 3s. 6d.
VOICE AND SINGING.
Twelve Lessons on Breathing and Breath Control, for Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.
Twenty Lessons on the Development of the Voice, or Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.
50 Musical Hints to Clergymen, Management of Breath, Classification of Male Voices, Management of the Voice, The Service, with twenty specially written Exercises by Geo. F. Grover, 1s.
Catechism of Part Singing and the Choral Services. By John Hiles, 3rd Edition, thick post 8vo, price 1s.
Advice to Singers on every point of interest in reference to the Vocal Organs.
How to Sing an English Ballad. By E. Philp, 7th Edition, 6d.
Vocal Exercises for Choirs and Schools. By Dr. Westbrook, 2d.
Rudiments of Vocal Music. With 42 Preparatory Exercises, Rounds and Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d.
Some Famous Songs, an Art Historical Sketch. By F. R. Ritter, 1s.
Voice Production and Vowel Enunciation, by F. F. Mewburn Levien, Diagrams by Arthur C. Behrend, post 8vo, 6d.
Position and Action in Singing, a Study of the True Conditions of Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J. Myer, cr. 8vo, 4s. 6d.
National School of Opera in England; being The Substance of a Paper read before the Licentiates of Trinity College, March, 1882, by Frank Austin, post 8vo, sewed, 6d.
How to Understand Wagner's "Ring of the Nibelung," being the Story and a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried" and the "Dusk of the Gods," with a number of Musical Examples by Gustave Kobbé, Sixth Edition, post 8vo, cloth, 3s. 6d.
"To be appreciated in the smallest way Wagner must be studied in advance."—Illustrated London News.
Rational Accompaniment to the Psalms by F. Gilbert Webb, post 8vo, 6d.
How to Play from Score.—Treatise on Accompaniment from Score on the Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d.
Choir Lists for Sunday Services.
No. 1. Morning and Evening, printed in red, 1s. 4d. per 100.
No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per 100.
No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100.
No. 4. Morning and Even., printed in red, 1s. 6d. per 100.
No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong, Second Evensong, Gothic Letter, printed in red, 6d. per dozen, 3s. per 100.
Choir Attendance Register, 8vo, cloth.
No. 1. Ruled for a Choir of 20 or less, for one year, beginning at any date, 1s. 6d.
No. 2. Ruled for a Choir of 40 or less, for one year, beginning at any date, 2s.
No. 3. Ruled for a choir of 60 or less, for one year, beginning at any date, 2s. 6d.
Performing Edition.
The Creation, A Sacred Oratorio composed by Joseph Haydn, Vocal Score, The Pianoforte Accompaniment arranged and the whole edited by G. A. Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s.
From Lyre to Muse, A History of the Aboriginal Union of Music and Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d.
Popular Part Songs.
1. Merrily goes the Mill, by T. B. Southgate, 1d.
2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d.
3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d.
4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d.
5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d.
6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill Sibley, 3d.
TO ALL MUSICIANS.— |
Here is something worth reading and when you have read it send for a copy without delay. |
[Special price see below.] |
The Publisher of The Musical Standard has secured the whole of the copies left unsold at 14/-net by Messrs. S. Low, Marston and Company, Ltd., of the work entitled
THE
NATIONAL PORTRAIT GALLERY
OF
BRITISH MUSICIANS.
BY JOHN WARRINER, Mus.D.,
Trinity College, Dublin.
INTRODUCTION BY JOSEPH BENNETT.
Over 500 Photo Portraits
Of well-known and eminent living Musicians of Great Britain
and Ireland, with short Biographical notice of each.
The Whole Bound in One Handsome oblong folio Volume, cloth lettered. Offered for 7/6 post free (or 8/-post free abroad).
KING'S ROYAL ALBUMS, Nos. 1 and 2.
NATIONAL AND PATRIOTIC SONG ALBUM.
With Pianoforte Accompaniment. In 2 Bks., 1s. each.
Book 1. | Book 2. |
God Save the King | Hearts of Oak |
God Bless the Prince of Wales | Stand United |
There's a Land (Dear England) | The Cause of England's Greatness |
Victoria | The Last Rose of Summer |
God Bless our Sailor Prince | The Leather Bottle |
Here's a Health unto His Majesty | Home, Sweet Home |
Lord of the Sea | Three Cheers for the Red, White and Blue |
Roast Beef of Old England | The Minstrel Boy |
The Blue Bells of Scotland | The British Grenadiers |
Tom Bowling | Auld Lang Syne |
Come Lassies and Lads | Rule Britannia |
Ye Mariners of England | |
The Bay of Biscay |
King's Royal Albums, No. 3. Price 1/-
10 MARCHES FOR THE PIANO. BY J. P. SOUSA.
1. The Washington Post. | 6. The Corcoran Cadets. |
2. Manhatton Beach. | 7. Our Flirtation. |
3. The Liberty Bell. | 8. March past of the Rifle Regiment. |
4. High School Cadets. | 9. March past of the National Fencibles. |
5. The Belle of Chicago. | 10. Semper Fidelis. |
King's Royal Album, No. 4. Price 1/-
SIX ORGAN PIECES FOR CHURCH USE.
Edited by William Smallwood.
With Ped. Obb., Selections from rarely known works.
1. Moderato con moto | 4. Andante Religioso |
2. Adagio Expressivo | 5. Andante con moto |
3. Andante Moderato | 6. Lento Cantabile |
King's Royal Album, No. 5. Price 1/-
SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.
Belgium (Galop). | Esmeralda (Transcription on Levey's Popular Song). |
Belle of Madrid (Tempi di Polka). | Placid Stream (Morceau). |
Emmeline (Galop). | The Seasons (Galop). |
King's Royal Album, No. 6. Price 6d.
BALFE'S ROSE OF CASTILLE, 6 Favourite Melodies, easily arranged for the Pianoforte by E. F. Rimbault.
1. Convent Cell (The).
2. 'Twas Rank and Fame.
3. Tho' fortune darkly o'er me frown.
4. I am a simple Muleteer.
5. I'm not the Queen.
6. List to the Gay Castanet.
King's Royal Album, No. 7. Price 1s.
10 MARCHES. By J. P. SOUSA.
Arranged for Mandoline and Piano.
1. The Washington Post. | 6. The Corcoran Cadets. |
2. Manhatton Beach. | 7. Our Flirtation. |
3. The Liberty Bell. | 8. March past of the Rifle Regiment. |
4. High School Cadets. | 9. March past of the National Fencibles. |
5. The Bell of Chicago. | 10. Semper Fidelis. |
King's Royal Album, No. 8. Price 1s.
10 MARCHES. By J. P. SOUSA.
Arranged for Banjo and Piano. (Contents as No. 7.)
King's Royal Album, No. 9. Price 1s.
10 MARCHES. By J. P. SOUSA.
Arranged for Violin and Piano. (Contents as No. 7.)
King's Royal Album, No. 10. Price 1s.
10 MARCHES. By J. P. SOUSA.
Arranged for American Organ. (Contents as No. 7.)
King's Royal Album, No. XI.
GRIEG'S "PEER GYNT" SUITE.
1. Dance of the Gnomes. | 4. Amitrass' Dance. |
2. Ases Death. | 5. Solvejags Song. |
3. Morning. |
King's Royal Album, No. 12.
GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION.
1. Arietta. | 5. Popular Melody. |
2. Waltzer. | 6. Norwegian Melody. |
3. Watchman's Song. | 7. National Song. |
4. Fairy Dance. | 8. Norwegian Bridal March. |
King's Royal Album, No. 13.
GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH.
King's Royal Album, No. 14.
HIAWATHA MANDOLINE ALBUM.
Arranged by Sydney Osborne.
1. Hiawatha Cake Walk | 5. Over the Waves Waltz |
2. Minnehaha Cake Walk | 6. Donau Wellen Waltz |
3. Alice Where Art Thou | 7. Blue Danube Waltz |
4. Kathleen Mavourneen |
King's Royal Album, No. 15.
ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM.
By Edwin M. Flavell.
1. Andante con Moto | 6. Prayer |
2. Evensong | 7. Canzonetta |
3. March in F | 8. A Call to Battle |
4. Chorale | 9. Souvenir |
5. A Plaintive Song | 10. Allegro |
King's Royal Album, No. 16.
12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM.
By J. E. Newell.
1. Postludium | 7. Offertoire |
2. Communion | 8. Andante Piacevole |
3. Andante con Moto | 9. Morning Prayer |
4. Prelude | 10. Loud Voluntary |
5. Diapason Movement | 11. Sketch |
6. Faith "Melody" | 12. Recessional March |
Modern Church Music.
1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price 2d.
2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our Souls Inspire," by Thomas Adams, F.R.C.O., price 2d.
3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d.
4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d.
5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d.
6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d.
7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins, J. M. W. Young, price 1-1/2d.
8. Te Deum, by T. E. Spinney, 1-1/2d.
9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d.
10. Story of the Cross, Music by H. Clifton Bowker, 2d.
12. Story of the Cross, Music by Dr. Geo. Prior, 2d.
13. The Lord's Prayer, Music by Ernest Austin, 2d.
American Organ, Folio, Edited by Alfred Whittingham, in Six Books, 1s. each, complete paper covers, 3s., cloth bound, 5s.
Pianoforte (Solo).
Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.
Lefebure-Wely's St. Sulpice. Reminiscence by W. Smallwood, 1s. 6d.
Album Leaves: Pianoforte Sketches, without Octaves, by F. W. Davenport, 1s. 6d. each Number.
No. 1. | Waltz in F |
Dance in G | |
No. 2. | A Little Fugue in F minor |
Caprice in C | |
No. 3. | Prelude in G |
Melody in G | |
No. 4. | Sonatina in C |
Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.
Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d.
Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s.
Grand Festival March, "Illogan," by H. C. Tonking, 2s.
Pianoforte (4 Hands.)
Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans, 3s.
Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s.
Violin.
A Selection of Favourite Airs arranged for the Violin by Henry Farmer, complete 1s. 6d., Piano Acc. ad lib. 2s. 6d.
Contents.
1. Theme. Variations (Mozart).
2. With Verdure Clad (Haydn).
3. German Shepherd's Song and Rataplain (Figlia del Reggimento).
4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante).
5. Mecco tu Vieni (La Straniera).
Violin and piano.
Grand Festival March, "Illogan," by H. C. Tonking, 2s.
MANUSCRIPT MUSIC PAPER.
(a) 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 sheets), the lot 2/6.
This is pre-eminently the Musical Students' Paper, as it is light, portable, smooth and easy to write upon; each sheet, too, will hold a large quantity of matter. There is no paper better suited for Exercises on Counterpoint and Harmony.
(b) 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 staves or Organ Music, 5 quires (120 sheets), the lot, 5/-
The paper is of the same size as ordianry oblong folio, Organ Music, e.g., English Organ Music, Best's Arrangements, etc.
(c) 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), the lot 5/-
Exactly the same in size as ordinary folio printed music so that upon it Songs of Organ Pieces may be written just as they are to be printed. It is a very useful paper, as Manuscript music written on it can be bound with Printed Music.
(d) 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6.
(e) 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), the lot 3/6.
(f) 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), the lot 5/-
(g) 12 Staves, folio music size (ruled even), 10 by 14, 5 quires (120 sheets), the lot 5/-
(h) 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6.
The Organist's Quarterly Journal.
Of Original Compositions. |
Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.
Price 5/-each, or Subscription, 10/6 for 4 issues.
New Series, Volume, containing 160 large pages, all with ped. obb., bound in cloth, 18s.
Part 12, New Series.
1. In Memoriam | Rev. Geof. C. Ryly, M.A., Mus. Bac. Oxon. |
2. Toccata | G. B. Polleri. |
3. Overture from Epiphany | Alfred King, M.D. |
Part XI., New Series.
1. Prelude and Fugue with Postlude | E. A. Chamberlayne. |
2. Prelude and Fugue | F. Young. |
3. Fugue | Archibald Donald. |
4. Fugue | William Hope. |
Part 10, New Series.
1. Fugue | Archibald Donald. |
2. Prelude and Fugue with Postlude | E. A. Chamberlayne. |
3. Prelude and Fugue | F. Young. |
Part 9, New Series.
1. Andante con Moto | W. A. Montgomery, L.T.C.L. |
2. Fantasia in E minor | Cuthbert Harris, Mus. B. |
3. Postlude at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet W. Conradi,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany. | |
4. Harvest March | Henry J. Poole. |
Part 8, New Series.
1. Scherzo Minuet | W. Mullineux, Organist of the Town Hall, Bolton. |
2. Introduction to the Hymn on the Passion, "O Haupt Voll Blut und Wunden" | W. Conradi. Organist Paul's Church, Schwerin, Germany. |
3. Thesis and Antithesis, or Dispute, Appeasement, Conciliation. | W. Conradi, Organist Paul's Church, Schwerin, Germany. |
4. Carillon in E | Cuthbert Harris, Mus.B., F.R.C.O., &c. |
5. Andante "Hope" | Inglis Bervon. |
6. Orchestral March in C | James Crapper, L. Mus., Organist of the Parish Ch., Kirkcudbright. |
Part 7, New Series.
1. Andante Grazioso in G | Chas. E. Melville, F.R.C.O. |
2. Polish Song, Arranged for the organ by Percival Garrett. | Chopin. |
3. Introduction, Variations, and Finale on the Hymn Tune "Rockingham." | Ch. R. Fisher, Mus. B. |
4. Two Soft Movements | W. C. Filey, I.S.M. |
1. "Espérance." | 2. "Tendrerse." |
5. Andante in A flat | W. Griffiths, Mus. B., Org. of St. Sepulchre Church, Northampton. |
6. Fugue, 4 Voice, 3 Subjects | Dr. J. C. Tilly. |
Part 6, New Series.
1. Con Moto Moderato in C | Orlando A. Mansfield, Mus.B., F.R.C.O. |
2. Tempo Di Menuetto | Geo. H. Ely. |
3. Dirge In Memoriam, Reginald Adkins | J. E. Adkins, F.R.C.O. |
4. Andante in F | R. H. Heath. |
5. Aberystwyth Offertoire | J. G. Mountford. |
6. Andante in D (Prière) | E. Evelyn Barron, M.A. |
Part 5, New Series.
1. Allegretto Scherzando in A flat | W. E. Ashmall. |
2. Andante Religioso in G | Dr. J. Bradford. |
3. March Pomposo in E flat | Charles Darnton. |
4. Andante Con Moto "Twilight" | Ch. R. Fisher, Mus.B. |
5. Minuet In F | W. E. Belcher, F.R.C.O. |
Part 4, New Series.
1. Andante Moderato | F. Read. |
2. Prelude and Fugue in D minor | E. A. Chamberlayne. |
3. Sketch | Arthur Geo. Colborn. |
4. Fugue | James Turpin. |
5. Allegro | Charles H. Fisher. |
6. Marche Mystique | Theme by Roland, de Lassus.—A Relic of Ancient Times. |
Part 3, New Series.
1. Minuet And Trio in F | Ed. J. Bellerby, Mus. B., Oxon. |
2. "Dundee" ("or French") | John P. Attwater. |
3. Adagio. An Elegy in G minor | Chas. R. Fisher, Mus. B. |
4. Andante, A major | F. Hone. |
5. Allegro, D minor | Geo. Minns (Ely). |
Part 2, New Series.
1. Toccata Fantasia (Study in C minor) | E. T. Driffiel. |
2. Andante Grazioso | W. Faulkes. |
3. Marche Funebre | Arthur Wanderer. |
4. Andante Semplice | E. A. Chamberlayne. |
5. Festal March | A. W. Ketelbey. |
Part 1, New Series.
1. Offertoire in A minor | Fred. W. Dal (Leipzig). |
2. Second Fantasia on Scotch Airs | William Spark. |
3. Adeste Fideles (with Variations and Fugue) | Charles Hunt. |
4. Intermezzo | G. Townshend Driffield. |
Part 103 (Old Series).
1. Postlude in G | Frederick W. Holloway, F.C.O. |
2. Suite: No. 1, Prelude; No. 2, Berceuse; No. 3, Toccata | Laurent Parodi (Genoa). |
3. Nocturne | William Lockett. |
4. Andante Pastorale in B minor | Jacob Bradford, Mus. D., Oxon. |
5. Introductory Voluntary | Albert W. Ketelbey. |
6. Fugue | R. J. Rowe, L.R.A.M. |
LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.
Note the Price, PENCE not SHILLINGS.
POPULAR AND COPYRIGHT MUSIC.
Full Music Size, Well Printed and Critically Correct.
ISSUED BY
2D | WILLIAM REEVES. | 2D | |
(Postage ½d. each.) | (Postage ½d. each.) |
VOCAL.
273. Alice where art thou? | J. Ascher |
396. Always do as I do | Tinney |
174. Angels at the Casement, A flat | W. M. Hutchison |
105. Banner of the King | H. Fortesque |
172. Barney O'Hea | S. Lover |
224. Bay of Biscay | J. Davey |
181. Border Lands (Sacred) | Miss Lindsay |
180. Borderer's Challenge | H. J. Stark |
390. Cat in the Chimney | L. Kingsmill |
392. Child's Good Morning | O. Barri |
391. Child's Good Night | O. Barri |
383. Come into the Garden Maud | Balfe |
184. Crossing the Brook | Edith Cooke |
389. Dawn of Heaven | Buonetti |
188. Diver, The | E. J. Loder |
384. God Save the King | Dr. Jno. Bull |
226. Hearts of Oak | Dr. W. Boyce |
100. Honey Are You True to Me (Coon Song) | Lindsay Lennox |
266. Kathleen Mavourneen | Crouch |
213. Lady Clara Vere de Vere | Miss Lindsay |
404. Last Good Bye to Mother | C. Dargan |
227. Last Rose of Summer | Thos. Moore |
215. Listen | A. H. Behrend |
249. Maggie's Promise | W. Gordon |
115. Sharing the Burden | J. E. Webster |
225. Tom Bowling | C. Dibdin |
236. When other Lips (Then you'll remember me) | Balfe |
VOCAL DUETS.
190. Flow on thou Shining River | Sir J. Stevenson |
116. Gipsy Countess | Glover |
PIANOFORTE.
118. A la Valse | Roeckel |
275. Alice where art thou? (easily arr. by) | Percy E. Douglas |
278. Army and Navy March | Henzell |
457. Au Village | Tschaikowsky |
268. Battle March (Delhi) | Pridham |
373. Belgium Galop | Smallwood |
[Pg 29]437. Belle of Chicago March | J. P. Sousa |
122. Berceuse | Roeckel |
376. Blumenlied | Gustav Lange |
379. Bridal Chorus and Wedding March | Wagner |
453. Cadet Two Step (easily arranged) | Alard |
142. Charming Mazurka | Gungl |
456. Chanson Triste | Tschaikowsky |
456. Chant sans Paroles | Tschaikowsky |
393. Chinese Patrol March | D. Pecorini |
243. Cloches du Monastere | Lefebure-Wely |
458. Coon Band Contest | A. Pryor |
438. Corcoran Cadets March | J. P. Sousa |
125. Corricolo Galop (Easily arranged) | L. Mullen |
377. Edelweiss | Gustav Lange |
374. Emmeline Galop | Smallwood |
308. Fille du Regiment | Oesten |
167. Flying Dutchman (La Vaisseau Fantome) | Wagner |
244. Forward March | E. H. Sugg |
Four Humoresques: | |
206.Valse in D, No. 1 | Grieg |
207.Minuetto in A minor, No. 2 | Grieg |
208.Allegretto, No. 3 | Grieg |
209.Allegro Alla Burla, No. 4 | Grieg |
210. Funeral March | Grieg |
305. French Air (Marseillaise) | Eric Stapleton |
306. German Air (Watch on Rhine) | Eric Stapleton |
264. Gipsies' March | C. Heins |
252. Grand March (arr. by P. E. Douglas) | Blake |
151. Grand March of the Warriors | H. V. Lewis |
276. Hiawatha Cake Walk, (arr. by P. E. Douglas) | Moret |
436. High School Cadets March | J. P. Sousa |
304. Irish Air (Last Rose of Summer) | Eric Stapleton |
303. Italian Air (Ah che la Morte) | Eric Stapleton |
288. Japanese National Hymn, Harmonized by Sydney Osborne. | |
133. Kassala Gavotte | H. Wilcock |
270. Kathleen Mavourneen | P. E. Douglas |
171. Khartoum Quick March | F. P. Rabottini |
286. King's Own March | Warwick Williams |
246. Liberty Bell March | Sousa |
135. Little Dear Gavotte | F. Astrella |
162. Lohengrin | Wagner |
136. Maiden's Prayer | Badarazewska |
435. Manhattan Beach March | J. P. Sousa |
137. March in E flat | J. B. Mallett |
441. March Past of the National Fencibles | J. P. Sousa |
440. March Past of the Rifle Regiment | J. P. Sousa |
140. May-Day Galopade | J. Gungl |
[Pg 30]141. Mazurka | Badarazewska |
143. Melodie | Roeckel |
247. Melody in F | Rubinstein |
211. Minuetto (from E minor Sonata) | Grieg |
163. Mountain Echo March | G. Gariboldi |
385. Narcissus | Nevin |
439. Our Flirtation March | J. P. Sousa |
147. Placid Stream | Smallwood |
103. Queenie (Intermezzo) | P. D'Orsay |
165. Rienzi | Wagner |
253. Robin's Return (arr. by P. E. Douglas) | Fischer |
148. Scherzino | Roeckel |
301. Scotch Air (Blue Bells of Scotland) | Eric Stapleton |
375. Seasons Galop | Smallwood |
442. Semper Fidelis | J. P. Sousa |
196. Silvery Echoes | Blake |
394. Soldiers' Chorus (Faust) | Gounod |
381. Sonatina in F | Beethoven |
380. Sonatina in G | Beethoven |
302. Spanish Air (Dance) | Eric Stapleton |
378. Stephanie Gavotte | A. Czibulka |
166. Tannhauser | Wagner |
150. Tarantella | L. B. Mallett |
290. Washington Post March (easy) | J. P. Sousa |
454. White Wings (Transcription) | Smallwood |
291. Woodland Echoes | Wyman |
PIANO DUETS.
367. Come o'er the Stream Charlie | A. Mullen |
371. From Greenland's Icy Mountains | A. Mullen |
372. I'd Choose to be a Daisy | A. Mullen |
154. Maiden's Prayer | Badarazewka |
156. March of the Cameron Men | A. Mullen |
155. Marche des Croates | A. Mullen |
159. Minnie, or Lilly Dale | A. Mullen |
353. Silvery Waves (Wyman) | Andre |
DANCE.
388. Amorosa Mazurka | A. H. Oswald |
387. Blue Bells Schottische | S. Leslie |
262. Blue Danube Waltz | Strauss |
382. British Army Polka | Alec Carlton |
285. City Polka | J. D. Wimpenny |
161. Cosmopolitan Quadrille | L. Gautier |
127. Cyprus Polka | Scotson Clark |
402. Donau Wellen Waltz (Easily arr. by) | Percy E. Douglas |
101. Electric Waltz | H. Klein |
397. Esmeralda Waltz (easily arranged) | S. Osborne |
395. Fancy Dress Ball Quadrille | Rosenberg |
413. Faust Waltz (arr. by P. E. Douglas) | Gouno |
[Pg 31]250. Flora Waltz | W. Gordon |
386. Horse Guards Schottische | S. Leslie |
102. Lucifer Polka | H. Klein |
251. Niagara Waltz | Vorzanger |
144. Munich Polka | Jos. Gungl |
403. Olympia Schottische | Sydney J. Smith |
254. Over the Waves (Sobra las Olas) | Rosas |
366. Roseland Waltz | Marietta Lena |
415. Sweetheart Polka | Gounod |
265. Vinolia Schottische | P. Lester |
268. Woodland Whispers Waltz | Stanley |
VIOLIN AND PIANO.
256. Campbells are Coming | A. Mullen |
257. British Grenadiers | A. Mullen |
258. A Life on the Ocean Wave | A. Mullen |
259. Hearts of Oak | A. Mullen |
260. Ivy Green | A. Mullen |
261. Red, White and Blue | A. Mullen |
317. Ben Bolt | A. Mullen |
312. Low Back'd Car | A. Mullen |
313. Sprig of Shillelagh | A. Mullen |
314. March from Norma | A. Mullen |
315. March, Guillaume Tell | A. Mullen |
316. Lass O'Gowrie | A. Mullen |
284. Réverie (E min.) | W. Vinnicombe |
VIOLIN.
170. March St. Olave | F. James |
MANDOLINE AND PIANO.
274. Alice where art Thou? | |
407. Belle of Chicago March | J. P. Sousa |
406. Blue Danube Waltz | Strauss |
416. Cadet Two Step (arranged) | Alard |
408. Corcoran Cadets March | J. P. Sousa |
272. Donau Wellen Waltz | Ivanovici |
414. Faust Waltz and Flower Song | Gounod |
277. Hiawatha Popular Cake Walk | Neil Moret |
401. High School Cadets March | J. P. Sousa |
289. Honey are you true | Sydney Osborne |
267. Kathleen Mavourneen | Crouch |
399. Liberty Bell March | J. P. Sousa |
400. Manhattan Beach March | J. P. Sousa |
411. March Past of the National Fencibles | J. P. Sousa |
410. March Past of the Rifle Regiment | J. P. Sousa |
255. Oceana Schottische | W. H. Stevens |
279. Over the Waves | Rosas |
409. Our Flirtation March | J. P. Sousa |
412. Semper Fidelis March | J. P. Sousa |
398. Washington Post March | J. P. Sousa |
BANJO AND PIANO.
429. Belle of Chicago March | J. P. Sousa |
406. Cadet Two Step (arranged) | Alard |
430. Corcoran Cadets March | J. P. Sousa |
428. High School Cadets March | J. P. Sousa |
419. Liberty Belle March | J. P. Sousa |
418. Manhattan Beach March | J. P. Sousa |
433. March Past of the National Fencibles | J. P. Sousa |
432. March Past of the Rifle Regiment | J. P. Sousa |
431. Our Flirtation March | J. P. Sousa |
434. Semper Fidelis March | J. P. Sousa |
417. Washington Post March | J. P. Sousa |
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