The Project Gutenberg EBook of Perfect Answer, by L.J. Stecher

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: Perfect Answer

Author: L.J. Stecher

Release Date: March 17, 2016 [EBook #51482]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PERFECT ANSWER ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net







PERFECT ANSWER

By L. J. STECHER, JR.

Illustrated by DICK FRANCIS

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction June 1958.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Getting there may be half the fun ... but it
is also all of a society's chance of survival!


"As one god to another—let's go home," Jack Bates said.

Bill Farnum raised a space-gloved hand in negligent acknowledgment to a hastily kneeling native, and shook his head at Bates. "Let's try Deneb—it's almost in line on the way back—and then we can call it quits."

"But I want to get back and start making some profit out of this. The Galaxy is full of Homo sapiens. We've hit the jackpot first trip out. Let's hurry on home and cash in."

"We need more information. This is too much of a good thing—it doesn't make sense. I know there isn't much chance of finding anything out by stopping at one more solar system. But it won't delay us more than a few weeks, and it won't hurt to try."

"Yeah," said Bates. "But what's in it for us? And what if we find an inhabited planet? You know the chances are about two to one that we will. That'll make thirteen we've found on this trip. Why risk bad luck?"

"You're no more superstitious than I am," said Farnum. "You just want to get back Earthside. I'll tell you what. We'll toss a coin for it."

Bates gestured futilely toward his coverall pocket, and then remembered he was wearing a spacesuit as a precaution against possible contamination from the natives.

"And we'll use one of my coins this time," said Farnum, noticing the automatic motion. "I want to have a chance."

The coin dropped in Farnum's favor, and their two-man scout ship hurled itself into space.


Farnum operated the compact computer, aligning the ship's velocity vector precisely while the stars could still be seen. Bates controlled the engines, metering their ravenous demand for power just this side of destructive detonation, while the ship sucked energy from space—from the adjacent universe on the other side of Limbo. Finally the computer chimed, relays snicked, and the ship slid into the emptiness of Limbo as the stars winked out.

With two trained men working as a team with the computer and the elaborate engine room controls, and with a certain amount of luck, the ship would drop back into normal space a couple of weeks later, close beside their target.

"Well, that's that," said Farnum, relaxing and wiping the perspiration off his forehead. "We're back once again in the nothingness of nowhere. As I recall, it's your week for K.P. Where's the coffee?"

"Coming right up," said Bates. "But you won't like it. It's the last of the 'God-food' the Korite priests made for us."

Farnum shuddered. "Pour it out and make some fresh. With a skillet, you stink, but you're a thousand times better than Korites."

"Thanks," Bates said, getting busy. "It was the third place we stopped that they were such good cooks, wasn't it?"

"Nope. Our third stop was the Porandians. They tried to kill us—called us 'Devil spawn from the stars.' You're thinking of the fourth stop; the Balanites."

Bates shrugged. "It's kind of hard to keep them all straight. Either they fall on their knees and worship us, or they try to kill us without even asking questions. Maybe it's lucky they're all so primitive."

"It may be lucky, but it doesn't add up. More than half the stars we visit have planets that can support human life. And every one that can does. Once there must have been an interstellar empire. So why are all their civilizations so backward? They aren't primitive—they're decadent. And why do they all have such strong feelings—one way or the exact opposite—about people from the stars?"

"Isn't that why you want to try one more system?" asked Bates. "To give us another chance to get some answers? Here's your coffee. Try to drink it quietly. I'm going to get some shuteye."


The trip through the Limbo between adjacent universes passed uneventfully, as always. The computer chimed again on schedule, and a quick check by Farnum showed the blazing sun that suddenly appeared was Deneb, as advertised. Seventeen planets could be counted, and the fifth seemed to be Earth type. They approached it with the easy skill of long practice and swung into orbit about it.

"This is what we've been looking for!" exclaimed Farnum, examining the planet through a telescope. "They've got big cities and dams and bridges—they're civilized. Let's put the ship down."

"Wait up," said Bates. "What if they've got starman-phobia? Remember, they're people, just like us; and with people, civilization and weapons go together."

"I think you've got it backwards. If they hate us, we can probably get away before they bring up their big artillery. But what if they love us? They might want to keep us beside them forever."

Bates nodded. "I'm glad you agree with me. Let's get out of here. Nobody but us knows of the beautiful, profitable planets we've found, all ready to become part of a Terran Empire. And if we don't get back safe and sound, nobody will know. The information we've got is worth a fortune to us, and I want to be alive to collect it."

"Sure. But we've got the job of trying to find out why all those planets reverted to barbarism. This one hasn't; maybe the answer's here. There's no use setting up an empire if it won't last."

"It'll last long enough to keep you and me on top of the heap."

"That's not good enough. I want my kids—when I have them—to have their chances at the top of the heap too."

"Oh, all right. We'll flip a coin, then."

"We already did. You may be a sharp dealer, but you'd never welch on a bet. We're going down."

Bates shrugged. "You win. Let's put her down beside that big city over there—the biggest one, by the seashore."

As they approached the city, they noticed at its outskirts a large flat plain, dotted with gantries. "Like a spaceport," suggested Bill. "That's our target."

They landed neatly on the tarmac and then sat there quietly, waiting to see what would happen.


A crowd began to form. The two men sat tensely at their controls, but the throng clustering about the base of the ship showed no hostility. They also showed no reverence but, rather, a carefree interest and joyful welcome.

"Well," said Farnum at last, "looks like we might as well go outside and ask them to take us to their leader."

"I'm with you as usual," said Bates, starting to climb into his spacesuit. "Weapons?"

"I don't think so. We can't stop them if they get mad at us, and they look friendly enough. We'll start off with the 'let's be pals' routine."

Bates nodded. "After we learn the language. I always hate this part—it moves so slowly. You'd think there'd be some similarity among the tongues on different planets, wouldn't you? But each one's entirely different. I guess they've all been isolated too long."

The two men stepped out on the smooth plain, to be instantly surrounded by a laughing, chattering crowd. Farnum stared around in bewilderment at the variety of dress the crowd displayed. There were men and women in togas, in tunics, in draped dresses and kilts, in trousers and coats. Others considered a light cloak thrown over the shoulders to be adequate. There was no uniformity of style or custom.

"You pick me a boss-man out of this bunch," he muttered to Bates.

Finally a couple of young men, glowing with health and energy, came bustling through the crowd with an oblong box which they set down in front of the Earthmen. They pointed to the box and then back at Farnum and Bates, laughing and talking as they did so.

"What do you suppose they want us to do?" Farnum asked.

One of the young men clapped his hands happily and reached down to touch the box. "What do you suppose they want us to do?" asked the box distinctly.

"Oh. A recording machine. Probably to help with language lessons. Might as well help them out."


Farnum and Bates took turns talking at the box for half an hour. Then the young man nodded, laughed, clapped his hands again, and the two men carried it away. The crowd went with them, waving merrily as they departed.

Bates shrugged his shoulders and went back into the ship, with Farnum close behind.

A few hours after sunrise the following morning, the crowd returned, as gay and carefree as before, led by the two young men who had carried the box. Each of these two now had a small case, about the size of a camera, slung by a strap across one brawny shoulder.

As the terrestrials climbed out to meet them, the two men raised their hands and the crowd discontinued its chatter, falling silent except for an occasional tinkle of surprised laughter.

"Welcome," said the first young man clearly. "It is a great pleasure for us to have our spaceport in use again. It has been many generations since any ships have landed on it."

Farnum noticed that the voice came from the box. "Thank you for your very kind welcome," he said. "I hope that your traffic will soon increase. May we congratulate you, by the way, on the efficiency of your translators?"

"Thanks," laughed the young man. "But there was nothing to it. We just asked the Oracle and he told us what we had to do to make them."

"May we meet your—Oracle?"

"Oh, sure, if you want to. But later on. Now it's time for a party. Why don't you take off those clumsy suits and come along?"

"We don't dare remove our spacesuits. They protect us from any disease germs you may have, and you from any we may have. We probably have no resistance to each others' ailments."

"The Oracle says we have nothing that will hurt you. And we're going to spray you with this as soon as you get out of your suits. Then you won't hurt any of us." He held up a small atomizer.

Farnum glanced at Bates, who shrugged and nodded. They uneasily unfastened their spacesuits and stepped out of them, wearing only their light one-piece coveralls, and got sprayed with a pleasant-smelling mist.

The party was a great success. The food was varied and delicious. The liquors were sparkling and stimulating, without unpleasant after-effects. The women were uninhibited.

When a native got tired, he just dropped down onto the soft grass, or onto an even softer couch, and went to sleep. The Earthmen finally did the same.


They awoke the following morning within minutes of each other, feeling comfortable and relaxed. Bates shook his head experimentally. "No hangover," he muttered in surprise.

"No one ever feels bad after a party," said one of their guides, who had slept nearby. "The Oracle told us what to do, when we asked him."

"Quite a fellow, your Oracle," commented Bates. "Does he answer you in riddles, like most Oracles?"

The guide was shocked. "The Oracle answers any questions promptly and completely. He never talks in riddles."

"Can we go to see him now?" asked Farnum.

"Certainly. Come along. I'll take you to the Hall of the Oracle."

The Oracle appeared to live in a building of modest size, in the center of a tremendous courtyard. The structure that surrounded the courtyard, in contrast, was enormous and elaborate, dominating the wildly architectured city. It was, however, empty.

"Scholars used to live in this building, they tell me," said one of their guides, gesturing casually. "They used to come here to learn from the Oracle. But there's no sense in learning a lot of stuff when the Oracle has always got all the answers anyway. So now the building is empty. The big palace was built back in the days when we used to travel among the stars, as you do now."

"How long ago was that?" asked Farnum.

"Oh, I don't know. A few thousand years—a few hundred years—the Oracle can tell you if you really want to know."

Bates raised an eyebrow. "And how do you know you'll always be given the straight dope?"

The guide looked indignant. "The Oracle always tells the truth."

"Yes," Bates persisted, "but how do you know?"

"The Oracle told us so, of course. Now why don't you go in and find out for yourselves? We'll wait out here. We don't have anything to ask him."


Bates and Farnum went into the building and found themselves in a small, pleasant room furnished with comfortable chairs and sofas.

"Good morning," said a well-modulated voice. "I have been expecting you."

"You are the Oracle?" asked Farnum, looking around curiously.

"The name that the people of this planet have given me translates most accurately as 'Oracle'," said the voice.

"But are you actually an Oracle?"

"My principal function, insofar as human beings—that is, Homo sapiens—are concerned, is to give accurate answers to all questions propounded me. Therefore, insofar as humans are concerned, I am actually an Oracle."

"Then you have another function?"

"My principal function, insofar as the race that made me is concerned, is to act as a weapon."

"Oh," said Bates. "Then you are a machine?"

"I am a machine," agreed the voice.

"The people who brought us here said that you always tell them the truth. I suppose that applies when you are acting as an Oracle, instead of as a weapon?"

"On the contrary," said the voice blandly. "I function as a weapon by telling the truth."

"That doesn't make sense," protested Bates.

The machine paused for a moment before replying. "This will take a little time, gentlemen," it said, "but I am sure that I can convince you. Why don't you sit down and be comfortable? If you want refreshments, just ask for them."

"Might as well," said Bates, sitting down in an easy chair. "How about giving us some Korite God-food?"

"If you really want that bad a brew of coffee, I can make it for you, of course," said the voice, "but I am sure you would prefer some of better quality."

Farnum laughed. "Yes, please. Some good coffee, if you don't mind."


"Now," said the Oracle, after excellent coffee had been produced, "it is necessary for me to go back into history a few hundred thousand of your years. At that time, the people who made me entered this galaxy on one of their periodic visits of routine exploration, and contacted your ancestors. The race that constructed me populates now, as it did then, the Greater Magellanic Cloud.

"Frankly, the Magellanic race was appalled at what they found. In the time since their preceding visit, your race had risen from the slime of your mother planet and was on its way toward stars. The speed of your development was unprecedented in millions of years of history. By their standards, your race was incredibly energetic, incredibly fecund, incredibly intelligent, unbelievably warlike, and almost completely depraved.

"Extrapolation revealed that within another fifty thousand of your years, you would complete the population of this galaxy and would be totally unstoppable.

"Something had to be done, fast. There were two obvious solutions but both were unacceptable to my Makers. The first was to assume direct control over your race and to maintain that rule indefinitely, until such time as you changed your natures sufficiently to become civilizable. The expenditure of energy would be enormous and the results probably catastrophic to your race. No truly civilized people could long contemplate such a solution.

"The second obvious answer was to attempt to extirpate you from this universe as if you were a disease—as, in a sense, you are. Because your depravity was not total or necessarily permanent, this solution was also abhorrent to my Makers and was rejected.

"What was needed was a weapon that would keep operating without direct control by my People, which would not result in any greater destruction or harm to humans than was absolutely necessary; and one which would cease entirely to operate against you if you changed sufficiently to become civilizable—to become good neighbors to my Makers.

"The final solution of the Magellanic race was to construct several thousand spaceships, each containing an elaborate computer, constructed so as to give accurate answers throughout your galaxy. I am one of those ships. We have performed our function in a satisfactory manner and will continue to do so as long as we are needed."

"And that makes you a weapon?" asked Bates incredulously. "I don't get it."


Farnum felt a shiver go through him. "I see it. The concept is completely diabolical."

"It's not diabolical at all," answered the Oracle. "When you become capable of civilization, we can do you no further harm at all. We will cease to be a weapon at that time."

"You mean you'll stop telling the truth at that time?" asked Bates.

"We will continue to function in accordance with our design," answered the voice, "but it will no longer do you harm. Incidentally, your phrase 'telling the truth' is almost meaningless. We answer all questions in the manner most completely understandable to you, within the framework of your language and your understanding, and of the understanding and knowledge of our Makers. In the objective sense, what we answer is not necessarily the Truth; it is merely the truest form of the answer that we can state in a manner that you can understand."

"And you'll answer any question at all?" asked Bates in some excitement.

"With one or two exceptions. We will not, for example, tell you how we may be destroyed."

Bates stood up and began pacing the floor. "Then whoever possesses you can be the most powerful man in the Universe!"

"No. Only in this galaxy."

"That's good enough for me!"

"Jack," said Farnum urgently, "let's get out of here. I want to talk to you."

"In a minute, in a minute," said Bates impatiently. "I've got one more question." He turned to face the wall from which the disembodied voice appeared to emanate. "Is it possible to arrange it so that you would answer only one man's questions—mine, for example?"

"I can tell you how to arrange it so that I will respond to only your questions—for so long as you are alive."

"Come on," pleaded Farnum. "I've got to talk to you right now."

"Okay," said Bates, smiling. "Let's go."


When they were back in their ship, Farnum turned desperately to Bates. "Can't you see what a deadly danger that machine is to us all? We've got to warn Earth as fast as we can and get them to quarantine this planet—and any other planets we find that have Oracles."

"Oh, no, you don't," said Bates. "You aren't getting the chance to have the Oracle all to yourself. With that machine, we can rule the whole galaxy. We'll be the most powerful people who ever lived! It's sure lucky for us that you won the toss of the coin and we stopped here."

"But don't you see that the Oracle will destroy Earth?"

"Bushwah. You heard it say it can only destroy people who aren't civilized. It said that it's a spaceship, so I'll bet we can get it to come back to Earth with us, and tell us how we can be the only ones who can use it."

"We've got to leave here right away—without asking it any more questions."

Bates shook his head. "Quit clowning."

"I never meant anything more in my life. Once we start using that machine—if we ask it even one question to gain advantage for ourselves—Earth's civilization is doomed. Can't you see that's what happened to those other planets we visited? Can't you see what is happening to this planet we're on now?"

"No, I can't," answered Bates stubbornly. "The Oracle said there are only a few thousand like him. You could travel through space for hundreds of years and never be lucky enough to find one. There can't be an Oracle on every planet we visited."

"There wouldn't have to be," said Farnum. "There must be hundreds of possible patterns—all of them destructive in the presence of greed and laziness and lust for power. For example, a planet—maybe this one—gets space travel. It sets up colonies on several worlds. It's expanding and dynamic. Then it finds an Oracle and takes it back to its own world. With all questions answered for it, the civilization stops being dynamic and starts to stagnate. It stops visiting its colonies and they drift toward barbarism.

"Later," Farnum went on urgently, "somebody else reaches the stars, finds the planet with the Oracle—and takes the thing back home. Can you imagine what will happen to these people on this world if they lose their Oracle? Their own learning and traditions and way of life have been destroyed—just take a look at their anarchic clothing and architecture. The Oracle is the only thing that keeps them going—downhill—and makes sure they don't start back again."

"It won't happen that way to us," Bates argued. "We won't let the Oracle get into general use, so Earth won't ever learn to depend on it. I'm going to find out from it how to make it work for the two of us alone. You can come along and share the gravy or not, as you choose. I don't care. But you aren't going to stop me."

Bates turned and strode out of the ship.


Farnum pounded his fist into his palm in despair, and then ran to a locker. Taking out a high-power express rifle, he loaded it carefully and stepped out through the airlock. Bates showed clearly in his telescopic sights, still walking toward the Hall of the Oracle. Farnum fired at the legs, but he wasn't that good a shot; the bullet went through the back.



Farnum jittered between bringing Bates back and taking off as fast as the ship could go. The body still lay there, motionless; there was nothing he could do for the Oracle's first Earth victim—the first and the last, he swore grimly. He had to speed home and make them understand the danger before they found another planet with an Oracle, so that they could keep clear of its deadly temptations. The Magellanic race could be outwitted yet, in spite of their lethal cleverness.

Then he felt a sudden icy chill along his spine. Alone, he could never operate the spaceship—and Bates was dead. He was trapped on the planet.

For hours, he tried to think of some way of warning Earth. It was imperative that he get back. There had to be a way.

He realized finally that there was only one solution to his problem. He sighed shudderingly and walked slowly from the spaceship toward the Hall of the Oracle, past Bates' body.

"One question, though," he muttered to himself. "Only one."






End of the Project Gutenberg EBook of Perfect Answer, by L.J. Stecher

*** END OF THIS PROJECT GUTENBERG EBOOK PERFECT ANSWER ***

***** This file should be named 51482-h.htm or 51482-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/1/4/8/51482/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.