*** START OF THE PROJECT GUTENBERG EBOOK 47654 ***

Note: Images of the original pages are available through
      the Google Books Library Project. See
      http://books.google.com/books?id=PaMcAAAAMAAJ


Transcriber’s note:

      Text in italics is enclosed by underscores (_italics_).





THE MONSTER

by

EDGAR SALTUS







New York
Pulitzer Publishing Company
1913

Copyright, 1913,
By Edgar Saltus

Copyright in Great Britain
All Rights Reserved


The Monster




I


When the clergyman had gone, the bride turned.

Before her was an open window before which was the open sea. In the air
was a tropical languor, a savour of brine, the scent of lilies, the
sound of mandolins that are far away. Below, in the garden, were masses
of scarlet, high heaps of geranium blooms. A bit beyond was the Caprian
blue of the San Diego Bay. There, a yacht rode, white and spacious. The
yacht belonged to her husband who was beside her. She turned again and
as passionately he embraced her; she coloured.

For the moment, as they stood there, they seemed so sheerly dissimilar
that they might have come of alien races, from different zones.
He, with his fair hair, his fair skin, his resolute and aggressive
face, was typically Anglo-Saxon. She, with her delicate features,
her dense black hair, and disquieting eyes, looked like a Madrilene
Madonna--one of those fascinating and slightly shocking creations of
seventeenth-century art that more nearly resemble infantas serenaded
by caballeros than queens of the sky. There was a deeper contrast. He
appeared frankly material; she, all soul.

Leisurely she freed herself.

“One might know,” she began, then paused. A smile completed the
sentence.

He smiled too.

“Yes, Leilah, one might know that however I hold you to me, I never can
hold you enough.”

“And I! I could be held by you forever.”

On the door came a tap, rapid and assured. A page entered, the
preoccupation of the tip in his face, in his hand a platter of letters.

The man, taking the letters, dismissed him.

“Miss Ogston,” he continued. “From your father, confound him. It is
the last time he will address you in that fashion. Miss Ogston,” he
repeated. “From the Silverstairs, I fancy. Gulian Verplank. There is
but one for me.”

He looked at his watch. “The launch from the yacht will be here
shortly.”

“When do we start?”

“Whenever you like. The Marquesas will keep. Bora-Bora will be the
same whenever we get there. Only----”

“Only what?”

“I am in love with you, not with hotels.”

“Let us go then. There will be a moon to-night?”

“A new one, a honeymoon, a honeymoon begun.”

“Gulian! As if it could end!”

In pronouncing the “u” in his name her mouth made the sketch of a kiss.

“You would not wish it to?” he asked.

“When I die, perhaps, and even then only to be continued hereafter.
Heaven would not be heaven without you.”

She spoke slowly, with little pauses, in a manner that differed from
his own mode of speech, which was quick and forceful.

Verplank turned to the letter that had been addressed to him, and which
he still held. Without opening it, he tore it into long, thin strips.
It was, he knew from the imprint, a communication of no importance;
but, at the moment, the action seemed a reply to her remark. It served
to indicate his complete indifference to everything and everyone save
her only. Afterward, with a regret that was to be eternal, she wished
he had done the same with hers.

Yet, pleased at the time, she smiled.

“Gulian, you do love me, but I wonder do you love me as absolutely as I
love you?”

Verplank, with a gesture that was familiar to him, closed and opened a
hand.

“I do not know. But while I think you cannot love me more wholly than I
love you, I do know that to me you are the unique.”

Leilah moved to where he stood.

“Gulian, and you to me. You are the only one.” She moved closer.
Raising her hands, she put them on his shoulders. “Tell me, shall you
be long away?”

“An hour or two. Apropos, would you care to leave before dinner?”

“Yes.”

“We will dine on board, then. Is there anything in particular you would
like?”

“Yes, lilies, plenty of lilies; and pineapples; and the sound of your
voice.”

Lifting her hands from his shoulders to his face, she drew it to her
own. Their lips met longly. With the savour of her about him, Verplank
passed out.

Idly Leilah turned. Before her the sea lay, a desert of blue. Below,
on the beach, it broke with a boom in high white waves which, in
retreating, became faintly mauve. The spectacle charmed her. But other
scenes effaced it; sudden pictures of the Marquesas; the long flight
southward; the brief, bright days; the nights that would be briefer
still. Pleasurably for a while these things detained her. Idly again
she turned.

On the table were the letters. One was from an intimate friend, Violet
Silverstairs, a New York girl who had married an Englishman, and who
since then had resided abroad. The other was--or appeared to be--from
Matlack Ogston.

Matlack Ogston was Leilah’s father. That a father should write to a
daughter is only natural. But that this father should write surprised
her, as already it had surprised Verplank. When he mentioned whom
the letter was from she had thought he must be in error. Now, as she
opened it, she found that he had been. Her father had not written. The
envelope contained a second envelope addressed to another person. This
envelope had formerly been sealed and since been opened. It held three
letters in an unknown hand.

She began at one of them. More exactly, she began, as some women do
begin, at the end. The signature startled. At once, as she turned to
the initial sentences, she experienced the curious and unenviable
sensation of falling from an inordinate height, and it was not with
any idea that the sensation would cease, but rather with the craving to
know, which in certain crises of the emotions becomes more unendurable
than any uncertainty can be, that she read the rest of the first
letter; after it, the second letter, and the third.

Then, as truth stared at her and she at truth, so monstrous was its
aspect that, with one shuddering intake of the breath, life withered
within her, light vanished without.

When ultimately, without knowing who she was; when, conscious only of
an objective self struggling in darkness with the intangible and the
void, when then life and light returned, she was on the floor, the
monster peering at her.

She disowned it, disavowed it. But beside her on the floor the letters
lay. There was its lair. It had sprung from them, and always from them
it would be peering at her, driving her mad with its blighting eyes,
unless----

She got on her hands and knees, and from them to her feet. Her body
ached from the fall, and her head was throbbing. With the idea that
smelling salts, or some cologne water which she had, might help her,
she went and fetched them from an adjoining room. They were not of much
use, she found, though presently she could think more clearly, and in
a little while she was considering the possibility that had loomed.

In certain conditions the soul gets used to monsters. It makes itself
at home with what it must. Her soul, she thought, might also. But even
as she thought it, she knew she never could. She knew that even were
she able to succeed in blinding herself to this thing by day, at night
it would crawl to her, sit at her side, pluck at her sleeve, wake her,
and cry: “Behold me!”

It would cry it at her until she cried it at him. Then inevitably it
would kill her.

She had been seated, bathing her head with cologne. Now fear,
helplessness, the consciousness of both possessed her. They impelled
her to act. She stood up. She looked about the room. Filled with
flowers and sunshine, it said nothing. Beyond was the sea. It called to
her. It told her that in a rowboat she could drift and be lost. It told
her that that night she could throw herself from the yacht. The blue
expanse, the high white waves, the little mauve ripples invited.

The room, though, with its flowers and sunshine, deterred. To throw
herself from the yacht meant that she would have to wait. It meant
more. It meant that she would have to see him. It meant that she would
have to feign and pretend. These things she could not do.

There remained the rowboat. Yet, in some way, now, the sea seemed less
inviting. At the thought of its embrace and of its depths she shrank.
To die, to cease any more to be, to succumb like the heroines of the
old tragedies to fate, at the idea of that, her young soul revolted.
There must be some other course.

She looked from the window. Beneath, before the ocean, a motor was
passing. The whirr of it prompting, flight occurred to her, an escape
to some spot that would engulf her as surely as the waves. Hesitatingly
she considered it. But there was nothing else. Moreover, if she were to
go, she must go at once.

She turned, crossed the room, stooped, gathered the letters, and seated
herself at the table. There she put the letters in another envelope
which she addressed to Verplank. While writing his name, her hand
trembled, it shook on the paper drops of ink. These she tried to blot,
and made a smear.

Trembling still, she got up, went to the telephone, and attempted to
speak. At first, too overcome to do so, she leaned against the wall. It
did not seem possible that she could do this thing. But she must, she
knew. At last, with an effort, she spoke.

“When does the next train leave San Diego? One moment. Have my servants
sent to me; my servants, yes, and--and order a motor.”

Again she leaned against the wall. The room had become intolerable.
Into the languors of the air a suffocation had entered, and it was
unconsciously, in a condition semi-somnambulistic that she found
herself considering the pink of the ceiling, then the rose-leaves woven
in the green of the carpet, the dull red of the table-cover, the darker
red of a tassel, the tall vase that stood on the table and in which
were taller lilies.

There, beneath them was the monster. Its vibrations, disseminating
through the room, were silhouetted on the walls. She could not see
them, but she could feel them. They choked her.

But now her servants appeared. Nervously, with an irritability so
foreign to her, that they eyed each other uncertainly, she gave them
hurried commands. These obeyed and the porters summoned, she passed,
choking still, from this room, the secrets of which the walls detained.

It was perhaps preordered that they should do so. Long later, in
looking back, she realised that destiny then was having its say
with her, and realised also why. At the time, however, she was
ignorant of two incidents, which, after the fashion of the apparently
insignificant, subsequently became the reverse.

One incident had the porters for agent; the other was effected by a
maid who supervened. The porters, in removing the luggage, collided
with the table. The inkstand, the tall vase with the taller lilies,
were upset; the vase, spilling water and flowers, fell broken on the
floor; from the stand, ink rippled on the red of the cloth, on the
darker red of the tassels, on the envelope which Leilah had directed to
Verplank. These things, a maid, summoned by the crash, removed.

When Verplank returned, the table was bare.

He did not notice. What he alone noticed was Leilah’s absence. She
is below, he told himself. Then precisely as she had summoned her
servants, he summoned his.

“Roberts,” he said presently to a man. “Find Mrs. Verplank. Then get my
things together. We start at once.”

For a moment the man considered the master. At once civilly but
stolidly he spoke:

“Mrs. Verplank has gone, sir.”

Verplank, who had turned on his heel, turned back.

“What?”

“The hotel is full of it, sir. When I found that Mrs. Verplank was
leaving, I----”

“What!” Verplank, in angry amazement, repeated.

“Mrs. Verplank is taking the limited, sir. It was the clerk who told
me.”

Then, for a moment, the master considered the man. At the simple
statement his mind had become like a sea in a storm. A whirlwind tossed
his thoughts.

But Leilah was still too near, her caresses were too recent for him to
be able to realise that she had actually gone, and the fact that he
could not realise it disclosed itself in those words which all have
uttered, all at least before whom the inexplicable has sprung:

“It is impossible!”

“Yes, sir, it does seem most unusual.”

Verplank had spoken less to the man than to himself, and for a moment
stood engrossed in that futilest of human endeavours, the effort to
read a riddle of which the only Œdipus is time.

At once all the imaginable causes that could have contributed to
it danced before him and vanished. He told himself that Leilah’s
disappearance might be an attempt at some hide-and-go-seek which
shortly would end. But he knew her to be incapable of such nonsense.
Immediately he decided that his servant was in error, and that she was
then on the yacht. If not, then, clearly she had gone mad, or else----

But there are certain hypotheses which certain intellects decline
to stomach. Yet the letter from her father recurring to him, he did
consider the possibility that she might have gone because of some
secret of his bachelor life. Anything may be distorted. Unfolded by her
father, these secrets, which in themselves were not very dark, might
be made to look infernal, and could readily be so made by this man who
was not only just the one to do it, but who would have an object in so
doing. Always he had been inimical to Verplank, and this, the abandoned
bridegroom then felt, not on his account, but because of his father.

The latter, Effingham Verplank, had been a great catch, and a great
beau. His charm had been myrrh and cassia--and nightshade, as well--to
many women, among others to an aunt of Leilah, Hilda Hemingway, whose
husband had called him out, called him abroad, rather, where the too
charming Verplank waited until Hemingway fired, and then shot in the
air. He considered that the gentlemanly thing to do. He was, perhaps,
correct. But perhaps, too, it was hardly worth while to go abroad to
do it. Yet, however that may be, the attitude of the injured husband,
while no doubt equally correct, was less debonair. He obtained a
divorce.

The matter created an enormous scandal, in the sedater days when New
York society was a small and early family party and scandals were
passing rare. But, like everything else, it was forgotten, even, and
perhaps particularly by the parties directly concerned. Hemingway
married again; the precarious Hilda married also; the too charming
Verplank vacated the planet, and his widow went a great deal into the
world.

This lady had accepted the scandal, as she had accepted many another,
with a serenity that was really beautiful. But, then, her seductive
husband had always seemed to her so perfectly irresistible, so created
to conquer, that--as their son afterward found it necessary to
explain--it no more occurred to her to sit in judgment on his victims,
than it occurred to her to sit on him. With not only philosophic
wisdom, but in the true spirit of Christian charity, she overlooked it
all.

The culminant episode in the matter--the death of the volatile
Verplank--took place at an hour when his son was too young to be more
than aware that his father had been taken away in a box. Leilah was
even less advanced. It was years before she learned of her aunt’s
delinquencies. When she did, that lady had also passed away, as had
previously passed a child of hers, one that, perhaps, did not belong to
her first husband, and, certainly not to her second, the result being
that, in default of other heirs, she left a fortune to Leilah, whose
mother had left her another.

When her mother died, Leilah was in the nursery. Her father, who
thereafter abandoned her to servants and governesses, she seldom saw.
When she did see him, he ignored her completely. It was a way he had.
He ignored also and quite as completely the son of the deadly Verplank.

To make up for it, or it may be to make trouble, the boy’s mother never
regarded Leilah otherwise than with that smile of sweet approbation
with which she gratified all the world--all the world, that is, save
those only who were not in hers. Among the gratified were the Arlington
girls, two beauties, of whom the elder, Violet, was Leilah’s closest
friend.

It was at Newport, at Violet’s wedding to Silverstairs, a young
Englishman who had followed her from Europe, and who at once took
her back there; it was at this ceremony, in which Leilah participated
as bridesmaid, and Verplank as best man, it was then that both became
aware of a joint desire. It seemed to them that they were born to love
each other, to love always, forever. Forever!--in a world where all
things must end, and do. But the eagerness of it was upon them. Leilah
wrote to her father. Verplank wrote to him also.

Matlack Ogston ignored Verplank’s letter as invariably he had ignored
Verplank. His daughter’s he promptly returned. Across it was scrawled
one word. That word was No.

Interests more commonplace had meanwhile transported Verplank from
Newport to San Francisco. Informed of the veto, which to Leilah was
an incentive and to him an affront, he had wired her to meet him at
Coronado, this resort in Southern California which together they had
been preparing to leave.

The night previous, on a yacht chartered at the Golden Gate, Verplank
had arrived. It was by train, the next morning, that Leilah had come.
The wedding followed. Before them lay a world of delight.

This was hardly an hour since. Now, like a bubble, abruptly that world
had burst.

Yet why?

In that query was the riddle which impotently Verplank was trying to
solve. With a clutch at a possible solution, he turned to his servant:

“Roberts, get a motor. If Mrs. Verplank is not on the yacht, I will
take a special, and follow her.”

“Yes, sir. Shall you wish me to go with you?”

“No, stay here until you hear from me. At any moment Mrs. Verplank may
return.”

       *       *       *       *       *

But Leilah did not return. Nor did the special, in which Verplank
followed, overtake her. The first intelligence of her that reached him
was the announcement of her engagement to another man.




II


In Paris, many moons later, an Englishman, Howard Tempest, looked in,
at the Opéra, on his cousin, Camille de Joyeuse. This lady, connected
by birth with Britannia’s best, and, through her husband, with the
Bourbons, delighted the eye, the ear, and the palate. In appearance,
she suggested certain designs of Boucher; in colouring and in manner,
the Pompadour. Admirable in these respects, she was admired also, for
her gayety, her tireless smile, and her chef. She had one of the best
cooks in Paris--that is to say, in the world. Her husband, the Duc de
Joyeuse, harmonised very perfectly with her. He had a head, empty, but
noble, an air vaguely Régence. A year younger than herself, Time had
had the impertinence to whiten his hair. The duchess was forty-two.
Those unaware of the fact fancied her twenty-eight. The error greatly
gratified this lady, who, familiarly, was known as Muffins.

One evening in May, Tempest entered her box, saluted her, examined the
house, and, as, in a crash of the orchestra, the curtain fell, seated
himself, in response to a gesture, beside her.

Camille de Joyeuse turned to him, and with that smile of hers, said:
“Do not fail to come on Sunday, Howard. There is to be a Madame
Barouffska, whom I want you to meet. She was formerly a Mrs. Verplank.
Barouffski is Number Two.”

“Verplank! Barouffski! What barbarous names!” Tempest exclaimed. He
had vivid red hair, violent blue eyes, and a great scarlet cicatrix
that tore one side of his face. In spite of the severity of his evening
clothes, he looked rather barbarous himself. “What was she, a widow?”

“Yes, but with no tombstone to show. It appears that she was in love
with Verplank for years, married him one minute and left him the next.”

Tempest stifled a yawn. “How extremely fastidious!”

“She ran away, got a divorce, met Barouffski and married him.”

“Very honourable of her, certainly. From what pond did you fish her?”

“The Silverstairs’. Violet Silverstairs is an American you know----”

“Know! I should say I did know. Though, if I did not, I would take my
oath to it. It’s got so a fellow can’t stir without running into one
of them. How does Louis like her?”

Louis was the duke.

The duchess displayed her beautiful false teeth. “Oddly enough, when he
was in the States, he went hunting with her Number One.”

“In the Rockies?” Tempest, with sudden interest, inquired. “In the
Dakotas?”

“I fancy so. It was a place called, let me see; yes, Long Island, I
think. I remember, he said it was very jolly.”

Tempest tossed his red head. “Her Number Two, I suppose, is that chap I
have seen at the Little Club. The Lord knows how he got there. He looks
like a thimblerigger.”

The duchess raised her opera-glass. “Possibly. Nowadays, so many men do,
don’t you think? There is Marie de Fresnoy with the Helley-Quetgens!
You will have her next to you on Sunday, Howard. Do not lacerate her
tender heart.”

At the suggestion, Tempest made a face. His expression amused Camille
de Joyeuse. Indulgently she added: “To make up for it you shall take
Madame Barouffska out.”

But now the curtain was rising. The clear brilliance of the house faded
into a golden gloom.

On the Sunday following, when Tempest reached the Cours la Reine, in
which his cousin resided, there was a motor before the perron, and from
it a woman was alighting. As rhythmically, with a grace that is rare
in women who are not ballerines, she mounted the stair, Tempest had a
vision of a figure, tall and slight, of a mass of black hair, and of a
neck emerging from ermine. In the anteroom above, while a servant took
from her her cloak and another received Tempest’s hat and coat, he saw
that she was extremely beautiful.

Immediately a footman, throwing open a door, announced: “Madame la
comtesse Barouffska!” He added at once: “Lord Howard Tempest!”

In this marriage of their names they entered a drawing room in which
were the Joyeuses, the Fresnoys, the Silverstairs; others, also,
who momentarily were indistinguishable. The room--large, wide,
high-ceiled--was decorated gravely, with infinite taste. Beyond it, a
suite of salons extended.

Camille de Joyeuse, advancing to meet her guests, presented Tempest to
Mme. Barouffska.

In a voice which, if a trifle high, was fluted, the duchess added:

“My dear, this cousin of mine has a terrible reputation, and that, I
am sure, will commend him to you.”

With the semblance of a smile, Mme. Barouffska replied:

“You know I am never quite able to decide just what construction to put
on your remarks.”

“Put the worst, put the worst!” answered the duchess, whose costume
left her splendidly nude. From a billowy corsage her shoulders and bust
emerged as though rising through foam, while the light gold tissue of
her gown accentuated the royal outlines of her figure.

Leilah Barouffska, slenderer, taller, wholly in white, contrasted
ethereally with her. Turning to Tempest she said:

“Lord Howard, I have heard so much that is interesting about you.”

“Not from Muffins, then.”

“Yes, but also from Silverstairs. He told me that you are the best
gentleman jockey in England and a Sanskrit scholar besides.”

“Oh, I can straddle a horse, if it comes to that, but otherwise he
exaggerates. He has caught that from his wife--unless it happens to be
from her sister.”

At mention of the girl, Leilah, who had been looking across the
room, turned to Tempest again. In looking she saw this young woman
whose allurements--and possibilities--were generally regarded as
excessive. Recently she had become engaged--perhaps for the tenth time.
Coincidentally was the announcement that she was going in for light
opera. Now, in reference to her, Leilah said:

“You have met Aurelia, then?”

“I found it very difficult not to.”

“And this young Lord Buttercups to whom she is engaged, is he nice?”

Tempest adjusted his monocle. “Very. A trifle wrong in the upper story.
So was his father. So was his grandfather. A fine old English family.”

Faintly, as before, Leilah smiled. “I understand that Aurelia is
studying for the stage. Such a queer idea, don’t you think--for an
American heiress, I mean.”

Tempest, extracting his eyeglass, nodded. “Nowadays, unless an idea is
queer, it can hardly be called an idea at all. But I am glad this young
person is studying something. When she went to school she must have
been taught everything which it is easiest to forget.”

A servant announced:

“His Excellency, Mustim Pasha!”

The man who entered was short and stout. He had a full black beard, and
the appearance, slightly Hebraic, which Turks possess. After M. de
Joyeuse had greeted him, he saluted the duchess.

Beyond, on a sofa, Violet Silverstairs sat talking to the Baronne de
Fresnoy, a young woman who looked very much as might a statuette of
Tanagra, to which Grévin had given two big blue circles for eyes, and
a small pink one for mouth, but a statuette articulated, perhaps, by
Eros, and costumed, certainly, by the Rue de la Paix--though a shade
less artistically than Lady Silverstairs, who always seemed to have
just issued from some paradise inhabited solely by poet-modistes,
and who, in addition, possessed what Mme. de Fresnoy lacked, a face
delicately and rarely patrician.

Adjacently was her sister, Aurelia, a girl with a face like an opening
rose, and a frock of such astonishing simplicity that it looked
both virginal and ruinous. This young person had the loveliest eyes
imaginable. In them and about an uncommonly bewitching mouth was an
expression quite ideally ingénue which, when least expected, it amused
her to transform into one of extreme effrontery.

On one side of her was Lord Buttercups, an English youth, small,
snubnosed, stupid. On the other lounged a Roman, Prince Farnese, a
remarkably fine-looking pauper.

Turning from the girl’s sister to the Turk, the young baroness called:

“Here, Musty, come and make love to us.”

The Asiatic was about to abandon Mme. de Joyeuse, when doors at the
farther end of the room were thrown open, and the duchess put a hand on
his arm.

At table, Tempest, who had taken Leilah Barouffska out, found his
seat indicated beside her. At his left was Mme. de Fresnoy, whom he
detested. He turned to the American. At the moment some preoccupation,
a nostalgia or a regret, contracted the angle of her mouth. The
contraction gave her the expression which those display who have deeply
suffered either from some long malady or from some perilous constraint.

Mechanically, Tempest considered a dish which a footman, his hands
gloved in silk, was presenting. When he again turned to the American,
it was as though a curtain had fallen or risen. Her face had lighted,
and it was with an entirely worldly air that she put before him this
unworldly question:

“Do you believe in fate?”

Tempest laughed. “Not on an empty stomach. I believe then in nothing
but virtue.”

Leilah put down her spoon. “It seems to me that our lives are sketched
in advance. It may be that we have the power to amplify incidents or
to curtail them, but the events themselves remain unchanged. They are
there in our paths awaiting us. Though why they are there----”

As was usual with her, she spoke with little pauses, in a voice that
caressed the ear. Now she stopped and raised the spoon, in which was
almond soup.

Tempest took a sip of Madeira. “A pal of mine, a chap I never met for
a number of reasons, though particularly, I suppose, because he died
two thousand years ago, well, he told me that we should wish things to
be as they are. I have no quarrel with fate. But if you have, or do
have----”

A maître d’hôtel, after presenting a carp that had been arranged as
though swimming in saffron, was supervising its service.

“Padapoulos,” exclaimed the young Baronne de Fresnoy, whom the sight of
the fish had, perhaps, excited, “Padapoulos told me that he dined best
on an orchid soup, a mousse of aubergine, and the maxims of Confucius.”

“Padapoulos,” the legate of the Sublime Porte gravely commented, “is
a poet, and a Greek. Add those two things together, and you get--you
get----”

“Nothing to eat!” the young baroness, with an explosion of little
laughs, threw at him. “Musty!” she cried. “Whom were you with at the
Variétés last night? I saw you. Yes, I did. Oh, Musty, who would have
thought that you would be unfaithful to me!”

“These Roumis!” the Turk mentally exclaimed. “If a wife of mine talked
in that way I would have her impaled.”

Beyond, across an opulent bosom, de Joyeuse and Silverstairs were
talking sport. They delighted in things that men have always loved,
the pursuit of prey, the joy of killing, the murderous serenity of the
woods.

Farther up was Aurelia. As before, she had Buttercups on one side,
Farnese on the other. She poked at the former.

“That horrid de Fresnoy woman is trying to flirt with you, Parsnips.
Now, don’t deny it. I don’t blame her. You are too good-looking. When
we are married--if we ever are--I’ll make you wear a veil. You sha’n’t
go out except in a closed carriage. Yes, and with some big, fat,
strapping woman to look after you.”

Beatifically the youth considered her. “Couldn’t you do that?”

Delicately Aurelia raised a fork. “I shall have my own affairs to
attend to.” For a second she nibbled. “I have a few on my hands as it
is.”

Buttercups stabbed at his plate. “I, too, may have business of my own.”

“Business! Business!” The girl repeated. “You are so commercial just
like all the nobility. If you were not a peer you would be mistaken for
one. It’s quite painful.”

“That may b-be,” Buttercups spluttered. “But this idea of yours of
going on the stage is quite as p-painful to me.”

He hesitated, then, as though uttering a great moral truth, threw out:

“It’s so dreadful to have your name in the papers!”

“And still more dreadful not to!” the girl threw back. She turned to
Farnese. “You do nothing but eat!”

With large, melancholy, inconstant eyes the Italian looked at her. “It
is my one consolation since you became engaged to that imbecile.”

Aurelia pecked at her food. “One always feels quite safe with an
imbecile, and that is so restful. Try it and see.”

“I’d like to try it with you.”

Aurelia put down her fork. “Am I your idea of an imbecile? You are
flattering, if insincere.”

Again the Roman covered her with his eyes. “It is rather difficult to
be the one and not the other. But I am perfectly sincere in saying that
you are my idea of perfection.”

“Thanks, but, then, you are not mine.”

“And might one ask what yours is?”

Dreamily, with an air of innocence that was infinite, Aurelia looked
at him. “You will think it childish of me, perhaps, but, like all
young girls--like all young and inexperienced girls--I have an ideal.
A mere maiden’s fancy, no doubt, and yet one which I cherish so. It is
a vision which at times I have of a blind man, a deaf mute, a divine
creature, invalid and octogenarian, who would not know what I did and
would not care.”

Pausing, she dropped her eyes and sadly shook her head. “You will tell
me that he don’t exist.”

“He might be manufactured,” Farnese cheerfully replied.

Then he, too, paused, drank of the wine before him, and, perhaps
stimulated by it, whispered:

“Believe me, I feel as though I could cut my throat for you.”

Maliciously Aurelia looked up. “When a man does not feel that way he
has no feeling at all. One might even say that he is quite heartless.”

Across the table, Tempest, turning again to Leilah, said: “Monsieur
Barouffski is not here to-night.”

At the remark, instantly in her face its former expression of
constraint appeared.

“No, he is to join us later.”

At the other end, where the duchess sat, everybody was laughing. The
lady had been giving an account of a recent bankruptcy, that of Lord
Auld Reekie.

“Heavens!” Violet Silverstairs exclaimed. “What will become of Bobbles!”

Bobbles was Lady Auld Reekie, a fair young craft of light timber and
many sails.

Camille de Joyeuse, summoning her diligent smile, replied: “She will go
into the hands of a receiver.”

Another jest followed, and presently, in the contagion of it almost the
entire table joined.

The delicately toxic fare, the slightly emotionalising wines, loosened
tongues, robbing them of discretion, and, before the servants, as
though the latter were deaf and dumb, hosts and guests revealed their
naked minds.

“It is rotten to talk in that way before these men,” Tempest exclaimed.
“They get their wages with lessons in anarchy thrown in. It’s too
much.”

“I had not heard,” Leilah replied. “I was thinking of that friend of
yours whom you never met.”

Tempest laughed. “The one who said we should wish things to be as they
are? Ah, well! I am afraid I am not up to that yet.”

“Nor I. But who was he, if one may ask? Not Aristotle?”

“No, but, by the way, do you know whom Aristotle is supposed to be,
or rather to have become? Herbert Spencer! An occultist told me. He
told me also such a curious story. You have heard, have you not, of
Apollonius of Tyana? Then you may remember it is said of him that he
healed the sick, raised the dead, knew all things save the caresses of
women, and spoke every language including that of colours. Well, the
occultist told me that Jesus was a rabbi who surrendered his entity to
the Christ, and afterward reappeared here as Apollonius. He said, too,
that he was not crucified. Crucifixion, you know, is merely the symbol
of initiation.”

“And whom did he say was the Christ?”

“An envoy from a higher sphere.”

Leilah inclined her head. “Yes, and there have, I believe, been
others. From zeniths or from nadirs unknown to us, from planes, let us
say, where all beatitudes are as usual as all shames are common here,
spirits commissioned to regenerate the hearts of man pass into the
slums of space. Confident, with a crown of light they come, only to
return with one of thorns.”

Tempest turned squarely in his chair. “That is a singularly beautiful
idea!”

Again Leilah inclined her head. “It is beautiful. It is beautiful to
think that earthward from some chromatic star the soul of Krishna may
have sunk. But the idea is not mine. I found it in the _Vidyâ_.”

This last statement was lost. Mme. de Fresnoy was insisting on
Tempest’s attention. Meanwhile a cygnet, its plumage replaced, a pond
lily in its ochre beak, had been presented, carved and served. A
salad, known as Half-Mourning, a composition of artichoke hearts and
Piedmontese truffles, had departed with it. Now sweets had come, pastry
light as a caress, volatile as an essence, that pastry of which the art
is known only to the Oriental and the occasional cordon bleu.

Devoutly, with an air of invoking the Prophet, the Turk was absorbing
it.

The young Baronne de Fresnoy, abandoning Tempest, looked at him. With
a wicked glitter in her big blue eyes she called:

“Musty! Are you thinking of me?”

The pasha was framing a reply, a reply perhaps rather bald, when
Camille de Joyeuse also addressed him. Presently she stood up. The
others imitated her. The gayeties of the table were abandoned for the
brilliance of the salons beyond.

Tempest, who had accompanied Leilah Barouffska said, as she seated
herself:

“Are you to remain in Paris?”

Before answering, she looked up at him, for he was standing. “Who can
tell what one will do? But I fancy so. We have taken a house in the rue
de la Pompe.”

“In the rue de la Pompe!” Tempest exclaimed. “That is where I live.” He
smiled. The fact that they were neighbours seemed to constitute a bond.
“Whereabouts in the rue de la Pompe?”

“Next to the church.”

“Do you find it convenient?”

A servant announced:

“Monsieur and madame Spencer-Poole!”

“You mean,” Leilah replied, “am I a Catholic? No, I am an Episcopalian.
But my views, I fear, are not orthodox. I have got so far that I
believe fully in the _Vidyâ_.”

She had cited the book at the dinner table but, at the time, distracted
by Marie de Fresnoy, Tempest had not heard; now he exclaimed at it.

“The _Vidyâ_! Of all things! Why not the Upanishads?”

A servant announced:

“Madame la marquise de Charleroi!”

Leilah made a little gesture. “The Upanishads, too. I have great faith
in them also. Their conceptions seem to me the most perfect that the
human mind has evolved, that is, if it were a human mind that evolved
them.”

A servant announced:

“Madame la princesse Orlonna!”

“What particularly impressed you in them?” Tempest asked.

“The demonstration that life is a laboratory in which the strength of
the soul is tried.”

“And in the _Vidyâ_?”

“The fact that selfishness is the root of evil. That impressed me very
much, primarily I suppose because it is true, but chiefly I think
because I had not realized it before.”

Tempest nodded. Never had he heard a mondaine cite the Upanishads. In
no drawing room had he ever heard the _Vidyâ_ mentioned. In his life he
had not dreamed of having a digest of each produced in an atmosphere
dripping with frivolities. As he nodded he reconsidered this woman.
From the first he had realized that she differed from the ordinary
society type. Now he saw that she belonged to a superior world.

“Do you not admire them, too?” Leilah, who had also been considering
him, inquired.

Tempest adjusted his monocle. “You see, you know, the Self, the
All-Self, the One, the oneness of self with everything, the oneness of
all things with One, these minor motifs of theirs I may admire but I do
not grasp. On the contrary, there is a certain voluminous complexity
about them that makes me gasp. None the less they advance certain ideas
which, while curious to the few and to the many absurd, are yet so
mathematically evident; the fact for instance----”

A servant announced:

“His Highness monseigneur le prince Paul de Montebianco!”

“Monsieur Harris!”

The salons were becoming filled. The floor was swept by trains brief
but brilliant. There was a multiplication of black coats, a renewed
animation, a mounting murmur in which occasionally the name of a new
arrival was lost.

The servant announced:

“Monsieur le vicomte and madame la vicomtesse de Helley-Quetgen!”

“Madame la princesse Zubaroff!”

“Monsieur d’Arcy!”

“Monsieur le comte Barouffski!”

The last of these, a large man, very fair, with grey-green eyes, had a
studied manner which, however, his voice relieved. As he advanced and
addressed Mme. de Joyeuse, it sounded supple and silken, as indeed most
Slav voices do.

Already groups had formed. The corner in which Tempest stood before
Leilah developed another. The Spencer-Pooles approached. With them was
d’Arcy, a young man abominably good looking, famous for the prodigious
variety of his affairs.

Tempest who had continued talking, who had even been expounding and who
now felt that he had been holding forth, moved on. He wanted to smoke
and being an habitué of the household, he knew where the smoking room
was.

There, before an open fire, his hands behind his back, in that
after-dinner attitude which some men assume, M. de Joyeuse stood. He
was telling of a stag hunt that had been held at Monplaisir, his estate.

The duke was not an impressionist, his description lacked colour.
But de Fresnoy, who had been present, resaw it all; the sheen of the
horses, the green of the whippers-in, the pink coats of the sportsmen,
the blue dolmans of the officers that had ridden over from a garrison
near by, the verdure of the forest’s edge, the view, the scramble,
the run, the quarry, the hallali of the huntsman, the leaping hounds,
the fastidious ceremonial of the death and the sky of pale silk which
draped with faint gold the magnificent brutality of the scene.

“It was just my luck to have missed it,” Silverstairs threw in.

De Joyeuse turned to him. “We count on you next autumn. And on you
also, mon vieux,” he added to Tempest who had approached.

Tempest nodded. He was lighting a cigar. The operation concluded, he
drew a chair beside Silverstairs. “Now, tell me all about Madame B.”

Silverstairs eyed him quizzingly. “She interests you?”

“Enormously.”

“Then look out for Barouffski whom she interests still more.”

Tempest shrugged his shoulders. “Was it her interest in Number One or
Number One’s interest in her that declined?”

“You mean Verplank?”

“I suppose I do. Anyway I mean her first husband. Why were they
divorced?”

“Why? But my dear Tempest, divorce in the States is what racing is with
us, a national amusement. Everybody takes a hand in it.”

“The right or the left?”

“Both I fancy. Though in the case of Madame B. I have an idea that the
right turned out to be wrong.”

Tempest flicked the ashes from his cigar. “I may compliment you,
Silverstairs. You have a manner of expressing yourself which is highly
cryptic. But now, to an every day sort of chap like myself, would you
mind being less abstruse?”

“I should feel sordid if I refused. Verplank is a very good sort,
whereas this Barouffski is a rotter.”

Tempest bowed. “Thank you for descending to my level. The long and
short of it is that she has made a mess of it. Well, most people do. I
don’t wonder now that over the soup she talked about fate.”

“Oh, as for that, after certain experiences of my own, with which, pray
do not be alarmed, I have no intention of boring you, I have stopped
wondering at anything at all.”

“Silverstairs, in ceasing to be cryptic, do not become Spartan. My
cousin told me that Joyeuse hunted with this, with What’s-his-name,
with--er----”

“With Verplank?”

“Yes, that he had hunted with him in the States. And that reminds me.
What have you decided about that horse?”

Silverstairs pulled at his straw-coloured moustache. “I’ll let you know
to-morrow. When are you to be at home?”

“Any time after two.”

Silverstairs nodded. “Very good, I will drop in on you.”

From beyond, blue and vibrant, came the upper notes of a violin. In the
now crowded salons a Roumanian, the rage of the season, a youth, very
pale, with melancholy eyes, flowing hair and the waist of a girl, was
executing a fantasy of his own.

De Joyeuse flicked a speck from his sleeve, threw back his noble and
empty head, gave a circular look of inquiry, a little gesture of
invitation, and accompanied by his friends, sauntered to the rooms
without.

There, Barouffski after saluting Mme. de Joyeuse had engaged her
briefly in talk. But her attention had been attracted rather than
claimed by the Montebiancan prince, a young man extremely gentlemanly
and equally modest who, with that diffidence which royals and poets
share, stood bashfully at her side.

Barouffski, bowing again, passed on. During his short and entirely
fragmentary conversation with Mme. de Joyeuse, his eyes had rummaged
the room.

Leilah, meanwhile, rising from the sofa where she had been seated,
moved with the inflammatory d’Arcy into the salon beyond.

Barouffski would have followed. But the young Baronne de Fresnoy
addressed him. Perversely, with sudden glimpses of little teeth and an
expression of glee in her piquant face, she asked:

“Was it you who performed that high act of gallantry at Longchamps
to-day?”

“Was it I who did what?” Barouffski surprisedly exclaimed.

“What was it?” asked Aurelia, who with Buttercups in tow, had
approached.

But Mme. de Fresnoy waved at her. “Go away my dear, it is not for an
ingénue.”

“Ah then, but you see,” Aurelia indolently interjected, “I am tired of
being an ingénue. An ingénue is supposed to be in a state of constant
surprise and that is so exhausting.”

None the less, with Buttercups still in tow she betook herself to a
corner where she was promptly joined by Farnese.

Then at once to Barouffski, to Mustim Pasha, to the Helley-Quetgens,
to others that stood about, the young baroness related a morsel of
gossip, the report of which had been brought her but a moment before,
a story that had one of the reigning demireps for heroine and for hero
a man unidentified by the baronne’s informant, the tale of an assault
committed before all Paris, before all Paris that is, that happened
to be at the races that day; an extravaganza in which the heroine,
erupting suddenly on the pelouse before the Grand Stand, had, with her
parasol, struck the hero over the head and had been about to strike him
again, when he, pinioning her arms with his own, had to the applause
of everybody, prevented the second assault by kissing her through
her veil; after which releasing the lady, he had raised his hat and
strolled away.

“Was it you, Barouffski?” Mme. de Fresnoy, the narrative at an end,
inquired. “Was it?”

“I? Nonsense! Why should you ask?”

“It would be just like you, you know. Besides, I hear that the man was
tall and good-looking.”

“You are exceedingly complimentary. But the world is peopled with tall,
good-looking men.”

“_Pas tant que ça_,” laughed the baroness. “Well, if it was not you,
perhaps it was that man who is just coming in.”

Involuntarily Barouffski turned, while a footman bawled:

“Monsieur Verplank!”




III


It was in circumstances which, if not dramatic, were, at least,
uncommon, that Leilah Verplank met Barouffski.

At Los Angeles, after her flight from Coronado, she caught an express
that would have taken her East. Even so, it could not take her from
herself, it could not distance memory, it could not annihilate the
past. The consciousness of that obsessed her. Each of her thoughts
became a separate throb. About her head formed an iron band. Her body
ached. She felt hot and ill. She had a sense of thirst, a sense, too,
of fear.

In the compartment where she sat, a stranger came. She hid her face,
covering it with her hands. The stranger sidled in between them, looked
her in the eyes, penetrated them, permeated her, shook long shudders
through her, shrieked at her: “I am Fright!”

She cried aloud. No one heard. She got to the door.

In the section immediately adjoining were her women. Perplexed at the
start by her unaccountable flight and, since then, alarmed by the
abnormal excitability which she had displayed, both, at the sight of
her then, rushed to her.

Salt Lake was the first possible asylum. There, weeks later, Leilah
arose from one of those attacks, which, for lack of a better term, has
been called brain fever.

Like fire, fever may consume, it does not necessarily obliterate. The
past remained. But in that lassitude which fever leaves, Leilah was
able to consider it with a wearied certainty that no immediate effort
could be required of her then.

“Forget,” some considerate and subliminal self admonished. “Forget.”

Even in sleep she could not always do that. But though she could not
forget the past, she could, she believed, barricade herself against it.
The idea was suggested by the local sheet in which she found an item
about neighbourly Nevada. The item hung a hammock for her thoughts,
rested her mentally, unrolled a carpet for the returning steps of
health.

Verplank, meanwhile, misdirected at Los Angeles, reached San Francisco.
Learning there that a party of three women had, that morning, at the
last moment, embarked on the Samoa packet; learning also that of these
women the central figure projected, or seemed to project, Leilah’s
silhouette, he wired for his yacht and sailed away in pursuit. But
an accident supervening, the packet reached Samoa before him. When
Verplank got there the boat was gone. Still in pursuit he started for
the austral seas. There, the mistake discovered, hope for the time
abandoned him and he landed in Melbourne, ignorant that the supremely
surgical court of Nevada was amputating him from his wife.

In matters of this solemnity, the Nevada statutes require that one of
the parties to the operation shall have resided for six months within
the state. But at Carson, the capital, a town that has contrived to
superpose the Puritan aspect of a New England village on the vices of
a Malay port, in this city Leilah learned that statutes so severe were
not enacted for such as she.

The information, tolerably consoling, was placed before her by a young
Jew who, as she alighted from the train, divined her errand, addressed
her with easy Western informality, put a card in her hand, offered his
services, telling her as he did so that if she retained him he would
have her free in no time, in three months, in less. It was a mere
matter of money, he explained, and, what he did not explain, a mere
matter of perjury as well, the perjury of local oafs ready to swear
to whatever they were paid for, ready to testify for instance that
they had known anybody for any required length of time. But the Jew in
divining Leilah’s errand divined too her loyalty. In speaking of fees,
he kept manœuvres and methods to himself.

Leilah, repelled yet beguiled, succumbed. The Jew was retained and in
a wretched inn her things were unpacked. At once a rain of days began,
long, loveless days in which she tried to starve her thoughts into
submission and bear the cross that had been brought.

The effort was not very satisfactory. The reason why she should have a
cross and why it should be borne had never even to her devout mind been
adequately explained. Hitherto she had not required any explanation and
not unnaturally perhaps since she had had no cross to bear. The dogma
that she in common with the rest of humanity must suffer because of the
natural propensities of beings that never were, she had accepted as
only such dogmas can be accepted, on faith. But in the dismal solitudes
of Carson, faith faded, the dogma seemed absurd.

Then suddenly that which in her ignorance she took to be chance,
supplied a superior view. While waiting in a shop for a slovenly
clerk to do up a package, she looked at a shelf on which were some
books--frayed, bedrabbled, second hand. Among them was a treatise on
metallurgy, another on horse-breeding, a string of paper covered novels
and the _Vidyâ_.

The title, which conveyed nothing, for that reason attracted. At random
she opened the book. A paragraph sprang at her:

    “From debility to strength, from strength to power, from power
    to glory, from glory to perfection, from plane to plane, in an
    evolution proceeding from the outward to the inward, from the
    material to the spiritual, from the spiritual to the divine,
    such is the destiny of the soul.”

Leilah turned a page. Another paragraph leaped out.

    “There is not an accident in our lives, not a sorrow, a
    misfortune, a catastrophe, a happiness that is not due to
    our own conduct in this existence or in a previous one. In
    accordance with the nature of our deeds there are thrown about
    us the tentacles of pain or the arms of joy.”

But the slovenly clerk was approaching. Leilah closed the book, asked
the price, paid for it, paid for the other purchase and went back to
the inn where during the rest of the day she read the drama of the
soul, the story of its emanation from the ineffable, of its surrender
to desire, of its fall into matter, of its birth and rebirth in the
mansions of life which are death, of the persistence there of its
illusory joys, of the recurrences of its unenlightening trials, until,
at last, some memory returning of what it had been when it was other
than what it had become, it learns at last to conquer desire and
accomplish its own release.

The drama, however old, was new to Leilah, and at first not very clear.
But beneath it was a chain of causality, the demonstration that this
life is the sum of many others, the harvest after the sowing, and,
joined to the demonstration were corollaries and deductions which
showed that sorrow, when rightly viewed, is not a cross but a gift, a
boon granted to the privileged.

It was a little before she mastered the idea. When she had, the novelty
of it impressed. At the back of the _Vidyâ_ was a list of cognate
works. She wired to San Francisco for them. Shortly they came, and in
their companionship the rain of long, loveless days fell by.

Ultimately she sat on a high chair. An oaf asked her questions. Others
testified. On the morrow a paper was brought her. It had on it a large
seal, the picture of a big building, words that were engrossed, others
in script.

She was free.

The knowledge brought no exultation. It was a hostage to joy, one of
the many that she was to give.

Meanwhile she had written to Violet Silverstairs telling her that she
had separated from Verplank, and asking might she join her. The answer,
which was cabled, told her to come. That day she started.

The town house of the Earls of Silverstairs is in Belgrave Square.
There are worse places. But to the American countess the discomforts
of the residence were not to be endured. After one season she declined
to put up with them. Pending an entire modernisation of the house, she
and Silverstairs migrated to Paris, where they took an apartment, and a
very charming one, in the rue François Premier.

In this apartment Leilah was made to feel that she was with friends,
one of whom, however, could not get over the fact that she could not
get at the facts in the matter.

“See here, Leilah,” Violet Silverstairs said aggrievedly, not once, but
fifty times, “it is downright mean of you to keep me in the dark. What
was it that he did? Tell me.”

The lady had known Verplank, as she had known Leilah, ever since she
had known anybody. They had grown up together. Though not related
by blood, they were by choice, which is sometimes thicker. In the
circumstances it was perhaps but natural that she should call it mean,
perhaps but human that she should be aggrieved.

The puzzle of the situation she put before her husband.

“What do you suppose it can be?” she asked.

But Silverstairs had no surmises to hazard.

“It must be something quite too dreadful,” Violet continued. “One of
those things, don’t you know, that are said to change your whole life.
She just sits about and reads queer books.”

“Queer books!” Silverstairs surprisedly repeated.

“Yes, books that tell of planes and rounds and cycles and chains of
lives and rebirths and redeaths. She believes in them, too. She told me
so.”

Silverstairs tugged at his moustache. “She might as well believe in the
music of the spheres.”

Violet looked at her lord. She loved him as certain delicately
organized women do love men who are merely robust. But her affection
did not warp her judgment. She knew that within his splendid physique
was a spirit, valiant perhaps, but obtuse.

“Well, why not?” she retorted. “Let a microphone receive from a steel
plate the reflection of a star, and sounds are emitted, tones peculiar
to the star itself. Those of the sun are blatant. Those of Arcturus are
like little bells. Those of Sirius are as sobs from a zither. Everybody
knows that. Why shouldn’t she believe in the music of the spheres?”

“Gammon!” cried this man who at Eton and Christ Church had abundantly
acquired everything which is most useless. “I never heard such rot.”

“I daresay, but that is not the point. The point is that it is no joke
to her.”

Nor was it. Leilah at first refused to go anywhere, to see any one, to
be present when there were guests. But Violet, declaring that she would
have no moping in her diggings, forced her. It was very reluctantly
that Leilah acceded. After a while she did so as a matter of course.
Finally, as was inevitable, she accepted invitations elsewhere.

It was what Violet had aimed at, though not at all at the result. Yet
that, Leilah, who had come to believe in karma, afterward regarded as
fate.

Presently, it so fell about that at one dinner she had at her left a
man whom she did not know, whose name she had not caught and with whom,
during the preliminary courses, she had not exchanged a word. As the
dinner progressed, cigarettes were served. Twice she refused them. The
second time, as she turned again to the man at her right, she heard a
cry, across the table she saw a face, the eyes staring, the features
elongated. At once there was an uproar, behind her there was a crash,
she was torn bodily from her chair, a piece of tapestry had been thrown
about her and in it she was rolled on the floor by the man whom she did
not know.

Probably, at no dinner, anywhere, had a woman suffered such indignities.
She was so telling herself when she realised, as she immediately did
realise, that the man and others who had joined him, were but occupied
in saving her life. Her dress had caught fire and it was in this flaming
fashion, hurled on the floor by a stranger and there brutalised by him,
that she made the acquaintance of Count Kasimiérz Barouffski.

The sack of her costume forced her to return to the rue François
Premier, where at five o’clock the next day, Barouffski appeared. He
appeared the day following, the day after, the day after that.

These attentions Violet Silverstairs viewed with suspicion.

“I verily believe,” she said to Leilah, “that it was that polecat who
set you on fire, and if he did no one can convince me that he did not
do it on purpose.”

“Violet!”

“That’s right, fly at me. I thought you would. Are you going to take
him?”

In an elaborate drawing room in the rue François Premier the two women
were having tea. Leilah, without replying, raised her cup.

Violet cocked an eye at her. “One would have thought that you had had
enough of matrimony. But perhaps your intentions are not honourable.”

Leilah reddened. “Violet!” she again exclaimed.

“My dear,” Lady Silverstairs resumed, “remember that you are no longer
in the States. England is the most hypocritical country in Europe.
America is the most hypocritical country in the world. That is what
we call progress. But France being old-fashioned and behind the times
is not censorious. I admit, I used to be. But I am not censorious any
longer. I am not because any such _état d’âme_ while advanced is not
becoming.

“I am an old married woman,” added the lady who was not twenty-two.
“But if I were not, if for instance I were like you, free, independent
and not a fright, and I had to choose between love and matrimony, it
would not take me a moment to decide. Not one.”

Leilah put down her cup. “Of course it would not. If you had it to do
again you would marry Silverstairs and you would marry for love. That
is over for me, over forever.”

Narrowly, out of a corner of an eye, Violet considered her. “He was
such a brute, was he?”

“Who? Gulian, do you mean?”

“I suppose so. There has been no other, has there?”

“Violet!”

It was at this juncture, for the fiftieth time, that Lady Silverstairs
exclaimed:

“It is downright mean of you to keep me in the dark. What was it that
happened? Make a soiled breast of it. Do!”

For the fiftieth time Leilah protested:

“Don’t ask me. Don’t. He knows and that is enough. As for me I am
trying to forget.”

“And you think Barouffski will help you. But has it ever occurred to
you that if you were not very rich he might lack the incentive?”

To this Leilah assented. “He said he is poor.”

“At least he does not exaggerate. I told Silverstairs that he was after
you for your money and he said that was what he married me for. So he
did and I married him for his title. It was a fair bargain. Now if we
had it to do over I would say--I would say--well, I would say that it
is better to have loved your husband than never to have loved at all.
But six months hence, if you had it to do over, do you think you could
say as much--or as little?”

“At least I could say that I did not marry for a title.”

“Well, hardly, particularly a Polish one, though I daresay even that
might be useful in the servants’ hall. But what could you say you
married for? It isn’t love?”

“No.”

“Nor position?”

“No.”

“Then what on earth----”

“Violet, how hard you make it for me. Can’t you see that if I do, it
will be for protection?”

“For protection! Merciful fathers! You talk like a chorus girl!
Protection against what? Against whom? Verplank?”

“No.” Leilah choking down something in her throat, replied: “Against
myself.”

“I don’t understand you,” said Violet slowly. But she did or thought
she did, and that night told Silverstairs that Leilah was still in love
with her ex.

It was in these circumstances that Leilah listened to the Count
Kasimiérz Barouffski, who, in telling her that he was poor, omitted
to add that he had resources. These were women and cards. It is a
business like another. But even to his nearest friends, to Tyszkiewicz,
a compatriot, and Palencia, a Corsican, he did not boast of it. He had
therefore some sense of shame, but not of honour, though with humour he
was supplied. A man with some sense of humour and no sense of honour
may go far. Barouffski intended to. After his volcanic introduction to
Leilah, he beheld in her not the woman but the opportunity which chance
had sent his way. To grasp that he displayed every art of which the
Slav is capable. He did more. He impressed her not with the nobility
of his name but of his nature. He was a good actor and though at first
unsuccessful he was not discouraged. It was an axiom of his that among
the dice of destiny there is always a golden six. It was axiomatic with
him also that it is not tossed at once. To deserve it, one must wait.
Barouffski waited. Presently fate shook the box before him. The golden
six was his.

But not the box.

To Leilah the mere idea of matrimony was abhorrent. Yet she could
not stop indefinitely with the Silverstairs. She had no relatives
with whom she could reside. She felt that it would be awkward and
perhaps equivocal for her to have an establishment of her own. But
these considerations were minor beside another--a sense, haunting and
constant, that the excursion to Nevada had been inadequate, that the
past needed a surer barricade.

It was not a husband that she wanted. Peace and security were the
flesh-pots that she craved. These Barouffski offered or seemed to--and
it was these finally and these only that she agreed to accept.

To the implied stipulation Barouffski consented with an air of high
chivalry but also with an ambiguous smile. Given the golden six of her
income, the box was a detail to him, and it was in these circumstances
that over the perhaps insecurely locked door of her past, this mask
mounted guard.

The news of the engagement, filtering through the press, was cabled to
the States, together with the fact that Leilah was then stopping in
the rue François Premier with Lady Silverstairs, whose portrait, in
addition to bogus presentments of the engaged couple, were printed in
the minor sheets that circulate from New York to San Francisco.

On arriving from Australia at the latter city, Verplank happened on a
belated copy. Since he had gone from Coronado, this, the first news of
his wife, was her engagement to another man.

In his amazement his thoughts stuttered. Into his mind entered
stretches of night. He looked at the sheet without seeing it. But the
paragraph and the purport of it, already photographed on the films of
the brain, were prompting him unconsciously, and it was without really
knowing what he was saying that he exclaimed:

“Leilah! My wife! In Paris! Engaged to another man!”

The names, the words, the meaning of them all, beat on his brain like
blows of a hammer.

“Leilah! My wife! In Paris! Engaged!”

Again he looked at the sheet. “What a damned lie!” he ragingly cried,
and, rumpling the paper, threw it from him.

But now, the names, the words, the meaning of them all, well beaten
into him, readjusted themselves, presenting a picture perfectly defined
and possibly real.

He stooped, gathered the paper, smoothed it, read the account again.

After all, he reflected, it might be that she was in Paris and, if
there, it was natural that she would be with Violet Silverstairs. These
two items were, therefore, not improbably correct. That view reached,
the deduction followed: If they are correct, the other may be. Yet, in
that case, he argued, obviously she must think me dead. On the heels of
this second deduction an impression trod--the ease and dispatch with
which she had become consoled.

Enraged at once, angered already by what he had taken for a lie and
then infuriated by what he took for truth, the anterior incidents that
had this supreme outrage for climax, leaped at him. At the onslaught
the primitive passions flared, and it was with the impulse of the
homicide that he determined to seek and overwhelm this woman who
accepted men and matters with such entire sans-gêne.

On the morrow he left for New York. Before going he sent a cablegram to
the address which the paper had supplied:

    _Am just apprised of the studied insult of your engagement to
    some foreign cad. Leaving for Paris at once._

As he signed it, deeply, beneath the breath, he swore. “That will show
her,” he added.

It so happened that it showed her nothing. Leilah was not then in the
rue François Premier, but in the rue de la Pompe, where the message
followed, but only to be received by Barouffski, who read it with a
curious smile.

Already he hated Verplank, who had not yet acquired a hatred for him.
But though that hatred had not been acquired, it developed tumultuously
when, on arriving in New York, he learned that not merely the report of
the engagement was true, but that the engagement had since resulted in
a marriage, which itself had been preceded by a Nevada divorce.

In comparison to all that had occurred, the divorce seemed at the time
almost negligible. It was the crowning infamy of this marriage which,
in renewing the primitive passions, aroused in Verplank a determination
not merely to seek and overwhelm the woman, but to seek and destroy the
man. The marriage, he decided could be but the result of an anterior
affair, there was no other explanation of it. The idea that had come to
him at Coronado, the possibility that she might have left him because
informed of some affair of his own and which since then he had examined
again and again, fell utterly away. It was not because of errors of his
that she had gone, but for turpitudes of her own. Then to his anger at
her was added a hatred of Barouffski, whom he had never seen, and who,
without having seen Verplank, hated him also, hated him retrospectively
and prospectively, hated him because clearly Leilah had been his
and--where women are concerned, all things being possible--might be
again.

But though Barouffski hated Verplank actively, he hated him vaguely,
as one must when one hates the unknown. It was the cablegram which, in
supplying the personal element, made the hate concrete.

“Foreign cad, eh?” he repeated, with a curious smile. “Eh bien, nous
verrons, we shall see.”

Presently the opportunity occurred. For it was in these circumstances,
a fortnight after the receipt of the cablegram, that, directed by the
young Baronne de Fresnoy, he turned and saw Verplank entering the room
where he stood.




IV


With the unerring instinct of the man of the world, Verplank, on
entering the crowded salon, divined immediately, among all the women
present, the hostess whom he had never seen.

As he bent over her hand, the duchess, who had not an idea how he came
there, said in her fluted voice:

“This is really so nice of you. I did not know you were in Paris.”

“Nor did I--until this moment,” answered Verplank, looking as he spoke
into the eyes of his hostess who, after the one imperceptible glance
with which the mondaine judges and classifies, was wondering in what
manner, this man, with his virile face and impeccable presence, had
forced Leilah Barouffska to leave him.

“But,” he added, “Monsieur de Joyeuse whom I saw this afternoon told
me that you would be at home, and assured me that I might venture to
present my homages.”

The duchess displayed her tireless smile. “I am only sorry not to have
had them sooner.” She paused. Between her smile, the edges of her
teeth showed, false but beautiful. “There is Lady Silverstairs trying
to get you to look at her, and very well worth looking at she is.”

Camille de Joyeuse turned for a moment to the reticent young prince who
in his diffident way still lingered at her side.

Beyond, at the farther end of the room, notes rippled. Standing near
a grand piano, the Roumanian with the flowing hair was preluding a
fantasy of his own.

In the hush that succeeded, Verplank moved to where Violet sat.

Smilingly, without speaking, she gave him her hand and indicated a seat
beside her. Then, raising a fan, she whispered:

“Demon! What have you done? Where do you spring from? How long have you
been in Paris?”

Verplank, seating himself, answered:

“I got here this morning. Why am I a demon?”

From behind the fan, Violet asked:

“What did you do to Leilah? Why did she leave you?”

Verplank folded his gloved hands. “That is what I am here to find out.”

“Do you mean to tell me that you don’t know!”

“I have not an idea--unless it was because of this Count Thingumagig.”

Violet Silverstairs furled her fan, looked at him, looked away, looked
about the room. At one end her husband, accompanied by de Joyeuse,
Tempest, de Fresnoy, and the others, had entered. At the further end
the Roumanian dominated. Supported en sourdine by an accompanist, he
massed sounds and dispersed them, concentrating fulgurations of notes
from which echoing showers fell. Presently, resuming an abandoned
measure, he caressed a largo, infinitely sweet, that swooned in the
languors of the finale. At once to a murmur of bravos, the applause of
gloved hands and a cry of “Bis!” raising violin and bow above his head,
he bent double to the duchess, his flowing hair falling like a veil
before him.

“He may play again,” said Violet. “I want to talk to you. Let us go
into the next room.”

As Verplank rose at her bidding, others who had been seated, rose also.
Interrupted conversations were more animatedly resumed. A servant
announced additional names. The first salon now was thronged. The
second was filled. Verplank and Violet passed on.

Beyond was a gallery. At the entrance stood a woman, her face averted,
talking to a man. As the others approached, she turned.

At sight of her and of the man, Violet would have turned also. It was
too late.

“Leilah!” Verplank exclaimed.

For a second, in tragic silence, two beings whom love had joined and
fate had separated, stood, staring into each other’s eyes.

For a second only. At once the man interposed himself between them.

“Monsieur!” he insolently threw out. “My name is Barouffski.”

With superior tact Lady Silverstairs intervened. “Good evening, Count.
It never occurred to us that we were interrupting a tête-à-tête.”

She paused. Hostilely the two men were measuring each other. In
Verplank’s face there was a threat, in Barouffski’s there was a jeer,
in Leilah’s there was an expression of absolute terror. Of the little
group Violet alone appeared at ease.

“Leilah,” she added, “don’t forget that you are to have luncheon with
me to-morrow. Good night, my dear. Silverstairs and I will be going
soon. Good night, Barouffski.”

She smiled, nodded, took Verplank’s arm, took him away. But the arm
beneath her hand was shaking and she realised that it shook with rage.

Sympathetically she looked up at him. “I thought they were in the other
room and it was just to avoid a thing of this sort that I got you out
of it. You won’t do anything, will you?”

Verplank now had got control of himself, his arm no longer shook,
and it was the smile of a man of the world, the smile of one to whom
nothing is important and much absurd, that he answered:

“Why, yes; it was very civil of this chap to introduce himself. I shall
leave a card on him. Hello! Here’s Silverstairs! I wonder if he will
introduce himself, too.”

The young earl was advancing, his hand outstretched. “I say! I saw a
man marching off with the missis, but I had no idea it was you. Where
are you stopping? Will you dine with us Tuesday?”

“Yes, do.” Violet threw in. “Rue François Premier at eight.”

“I shall be very glad to,” Verplank answered. He turned to Silverstairs.
“I am at the Ritz. Stop by there to-morrow noon, won’t you, and let me
take you somewhere for luncheon?”

Lady Silverstairs laughed and employing a darkyism, said: “You don’t
say turkey to me. There!” she exclaimed as Verplank was about to
protest. “I could not anyway.”

From the salon beyond came a woman’s voice, clear and rich, rendering,
in a lascive contralto, a song of love and passion.

The Silverstairs and Verplank approached. Meanwhile, from the diva’s
mouth, notes darted like serpents on fire. In mounting fervour the aria
developed, trailing, as it climbed, words such as _amore_, _speranza_,
_morir_. A breath of brutality passed. The atmosphere became charged
with emanations in which the perfume of women mingled with the desires
of men. Still the aria mounted, it coloured the air, projecting, like a
magic lantern, visions of delight, imperial and archaic, that ascended
in glittering scales.

Verplank, detaching himself from the Silverstairs, felt his dumb rage
renewed. At the moment he conceived an insane idea of going below,
waiting without until Barouffski and Leilah appeared and he saw
himself, confronting the man, tearing the woman from him, carrying her
off and making her his own.

The impulse fell from him. The rage that he felt at the man deflected
into rage at this woman who had made his life a vacant house and for
what, good God! And why?

In a cascade of flowers and flames the song was ending. There was new
applause, the discreet approbation of worldly people, easily pleased,
as easily bored and with but one sure creed: Not too much of anything.

Verplank must also have had enough. When presently the Silverstairs
looked about for him he had gone.

Already Violet had summarised the situation to her lord. Now, perplexed
at Verplank’s abrupt disappearance, she said:

“You don’t suppose that anything will happen, do you?”

Silverstairs, bored by the entertainment, anxious only to get away
where he could have a quiet drink, tugged at his moustache and with
unconscious reminiscence answered:

“I don’t know and I don’t care. I don’t care what happens as long as it
doesn’t happen to me.”




V


“There are too many of us,” Verplank, the day following, found himself
saying to Silverstairs.

The two men were lunching at Voisin’s.

The charming resort which, since the passing of Véry, of Véfour and the
Maison Dorée, has become the ultimate refuge of the high gastronomic
muse of Savarin and of Brisse was, on this forenoon, filled with its
usual clientèle:--old men with pink cheeks, young women with ravishing
hats, cosmopolitan sportsmen, ladies of both worlds, assortments of
what Paris calls High Life and pronounces Hig Leaf.

Without, a fog draped the windows, blurred the movement of the street,
transforming it into a cinematograph of misty silhouettes. But within,
the brilliant damask, the glittering service, the studied excellence of
everything, produced an atmosphere of wealth and ease.

Silverstairs, after swallowing a glass of Chablis, meditatively lit a
cigar. But meditation was not his forte. The twentieth of his name, he
was tall and robust. He had straw-coloured hair, blue eyes, a skin
of brick, and an appearance of simple placidity. At the moment he was
mentally fondling certain reminiscences of the Isis and certain bouts
with bargees there.

“You know,” he said at last, “if I were you I would just march up to
him and knock him down.”

Verplank nodded. “I dare say. But not if he had taken your wife.”

The suggestion, penetrating the earl’s placidity, punctured it. He
threw back his head. “By George! If he had, I’d kill him.”

“There, you see!”

Silverstairs puffed at his cigar. His placidity now was reforming
itself.

“Yes,” he answered. “But then in taking yours, he did it after she was
divorced. You can’t have him out for that.”

“All the same there are one too many of us.”

Silverstairs filled his mouth with smoke. Longly, with an air of
considering the situation he expelled it. Then he said:

“It is what I call damned awkward. But what the deuce can you do?”

“What can I do?” Verplank with an uplift of the chin repeated. “Why, if
only for the manner in which he acted last night--”

“I know,” Silverstairs interrupted. “The missis told me. He behaved
like a fidgety Frenchman. I grant you that. But there were no words,
nothing that you could put a finger on.”

Through an adjacent door a man strolled in. He had his hat on and in
one gloved hand he held a thin umbrella of which the handle was studded
with gold nails. With the other hand he smoothed a black moustache.
Through a monocle he was surveying the room. He looked careless and
cynical.

Deferentially a maître d’hôtel addressed him. Ignoring the man he waved
his umbrella at Silverstairs.

Silverstairs waved his hand. He turned to Verplank. “Here’s de Fresnoy.
He can put us straight. Let’s ask him to join us.”

Rising, he greeted the Parisian, invited him to the table, introduced
Verplank, speaking as he did so in French, with an accent frankly
barbarous which de Fresnoy seemed to enjoy.

The latter raised his hat to Verplank, confided it to the maître
d’hôtel, gave him the umbrella also, while another waiter drew up for
him a chair.

“Thanks,” he said in an interval of these operations. “I see you have
breakfasted. If you don’t mind my eating while you smoke--”

Seating himself he turned to the waiter, a man short and stout,
completely bald, with large dyed whiskers and an air of repressed
satisfaction.

“Listen, Léopold, and note well what I say. To begin with do not
attempt to tell me what you wish me to eat. You have heard? Good!
Listen again. A dozen Ostendes, an omelette, a pear. Nothing else. Not
a crumb. Yes, some Eau de Vals. Allez!”

Léopold bowed. “Perfectly, monsieur le baron. I shall have the honour
of serving monsieur le baron with what he has been good enough to be
willing to desire.”

Again the waiter bowed. But behind the oleaginousness of his speech
a severity had entered, one which intimated that in this preserve of
gastronomics such an order was unworthy.

“These gentlemen?” he added, his eyes moving from Verplank to
Silverstairs. “Some coffee? A liqueur?”

But now, in fluent French, Verplank was addressing de Fresnoy.
“Silverstairs and I have been having an argument. In your quality of
Parisian, will you tell us whether a man can have another out for
looking impertinently at him?”

De Fresnoy adjusted his collar, patted his neck-cloth. “But certainly,
most assuredly. To look impertinently at a man constitutes an attack
on his self esteem, which in itself is an integral part of his moral
wealth. To omit to return a man’s bow, to neglect to take his proffered
hand, to regard him in an offensive manner, are one and all so many
assaults on his dignity.”

Verplank, pleased with this view of things, smiled. “Thanks. Mine has
been assailed and I was in doubt how to rebuke the aggressor.”

“It is simple as Good day. You have only to select two representatives
and get them to put themselves in communication with him. If then he
refuses to have friends of his meet yours, or if, afterward, he will
neither apologise or fight, he is outlawed.”

De Fresnoy, as he spoke, made a gesture, a wide movement of the arm
which indicated, or was intended to indicate, the uttermost limits of
the world.

“It is Barouffski,” Silverstairs, with some idea that de Fresnoy might
be aware of the anterior complication, threw out.

“Barouffski!” de Fresnoy repeated, his head held appreciatively a
little to one side. “In a bout he is very clever. Barring d’Arcy,
Helley-Quetgen”--and myself he was about to add, but throwing the
veil he desisted--“I don’t know his equal. How he is on the field,
personally I cannot say. But there, the absence of buttons, the
absence of masks, the inevitable emotion, the sight of the other
man, the consciousness of an injury to be maintained or avenged, the
consciousness too of the definite character of any thrust you may give
and particularly of any thrust you may receive, these things have such
an effect that often the cleverest acts like a fool. On the boards,
fencing is an exercise, it is an amusement. On the field, it is another
man’s blood--or yours. Though, after all, one is rarely killed except
by one’s seconds.”

He turned to Verplank. “You fence? Or is it that you shoot?”

Verplank leaned back in his chair. “Oh, I suppose I can fire a gun.”

Silverstairs laughed. “I say now! You are too modest by half.” He
looked at de Fresnoy. “Verplank is one of the crack shots of America.”

De Fresnoy turned again to Verplank. “You should demand pistols then.
Barouffski draws well, but at twenty paces he is less sure of himself.
Have you selected your seconds?”

“I suppose I may count on Silverstairs for one----”

The young earl nodded. “That’s of course, and perhaps you, de Fresnoy,
will act with me.”

The Parisian smoothed his moustache. “I shall be much honoured. In that
case, however, as necessary preliminary, I shall have to ask to be made
acquainted with all the circumstances.”

But now Léopold, bearing a dish on which were oysters green as stagnant
scum, approached and with an air of infinite tenderness, much as though
it were a baby, placed it before de Fresnoy.

Leisurely he began to eat.

Verplank, who had been looking out of the window, leaned forward. “The
circumstances are evangelical in their simplicity. Last evening I was
about to speak to Madame Barouffska when he put himself between us and
eyed me in the manner which I have described.”

De Fresnoy, considering him over an oyster, said:

“You were at the Joyeuses then?”

Verplank nodded.

“And there Barouffski objected to your speaking to his wife?”

“Yes.”

De Fresnoy swallowed the oyster. “In that case he was guilty not only
of a grave offense to you, but to Madame de Joyeuse as well. The duke
would be the first to resent it.”

With an idea of making it all very clear, Silverstairs put an oar in:
“Madame Barouffska, you know, was formerly Madame Verplank.”

De Fresnoy bent a little. It may be that because of Silverstairs’ ultra
English accent he had not understood. “Pardon?”

But here Verplank intervened. “This lady had been divorced from me
before she married Barouffski.”

De Fresnoy, over another oyster, turned to him again. Yet any surprise
he may have experienced he was too civil to display.

“Ah, indeed!” he replied. He looked as though he were about to add
something, but refraining, he paused.

Verplank helped him out. “You are thinking perhaps that there may
have been circumstances that rendered further acquaintance between us
inadmissible. I may assure you that there are none and, without wishing
to intrude my private affairs, I may assure you also that to this hour
I am unaware why the divorce was obtained. This lady had no grievance
of any kind against me and I had none whatever against her.”

Pontifically, in his deepest note, Silverstairs threw out: “In the
States they give you a divorce for a Yes or a No.”

“For married people,” de Fresnoy remarked, yet so pleasantly that the
sarcasm was lost, “America is the coming country.”

As he spoke, the fat waiter, after supervising the removal of the
first dish, produced, with the air of a conjurer, another. It was an
omelette, golden without, frothy within.

De Fresnoy glanced up. “Countermand the pear. Instead, bring me paper
and ink.”

“Perfectly, monsieur le baron.”

Slowly de Fresnoy attacked the food. After a mouthful he said to
Silverstairs:

“When the writing materials come we can get off a note to Barouffski.
If he has any explanation he can advance it. Otherwise--on guard!”

After another mouthful he said to Verplank:

“You have fought before?”

“I have not had the occasion.”

“Nor I,” interjected Silverstairs. “It is against the law in England.”

Gravely, as though he were receiving valuable information de Fresnoy
bowed. “So it is here. But with us it is custom that rules, not law.
No jury would convict an honourable man for fighting a fair fight.
Besides, dueling is in our blood. It will not disappear as chivalry
has. It will last as long as there are French men--and French women.
And yet, in saying that chivalry has disappeared, I am in error. Not
later than the week before last a cousin of mine, a young man truly
charming, married a monster.”

He pushed aside his plate. “Well, then, Léopold, am I to sit here the
entire day?”

Serviceably, a buvard in his hand, the waiter approached. “I have
subventioned a new pen for the use of monsieur le baron.”

“There, Léopold, your sins are remitted. See at once if the chasseur is
free.”

De Fresnoy looked at Silverstairs. “With your permission, in our joint
names, I write.”

He looked at Verplank. “Will you pardon me if I ask how your name is
spelled?”

Verplank, getting at his case, extracted a card.

De Fresnoy glanced at it. Then, taking that new pen, he read, as he
wrote, aloud.

    _M. le Comte Barouffski._

    _Monsieur: M. Verplank has requested the Earl of Silverstairs
    and myself to arrive at an understanding with two of your
    friends concerning an incident which occurred last evening in
    the Avenue Cours la Reine._

    _Lord Silverstairs and I will be obliged if, as soon as
    possible, you will ask one of your friends to appoint a meeting
    at which we may deliberate._

    _Receive, Monsieur, the expression of my distinguished
    sentiments._

    _Baron de Fresnoy_

He looked over at Silverstairs. “Is that to your liking? Good! We will
send it to the Little Club where the answer is to be left and we will
have a reply to-day. En attendant, there are matters that claim me.”

With a movement of the chin he summoned the waiter.

A little byplay followed; the presentation of the bill, the click of
gold on porcelain, the carelessly gathered change, the meagre tip, the
reappearance of the hat, the bowing waiters, the craning necks, and the
departure of de Fresnoy, an umbrella under his arm, a cigar between his
teeth.

Verplank, emptying a glass of Chablis, looked out of the window. A
panorama was forming. He saw the room at Coronado, Leilah as she told
him of her love, his brief absence, his harrowing return, the hunt for
her that had extended over half the globe, a hunt that divorce had not
terminated, which her re-marriage had not stopped and which, had he
not at last discovered her, nothing could have stayed save his death
or hers or the reason of the implacable Why. An obstacle to the Why
or, it might be, the incarnation of it, was Barouffski, and Verplank
saw himself standing somewhere with Barouffski before him. There was a
command, the call of numbers, a detonation and the sight of Barouffski
turning, swaying, falling down.

The panorama faded. A picture had appeared. Before the window, arrested
by a congestion of traffic, a motor was stopping. In it and the mist
was Leilah.

Verplank sprang to his feet. With the idea of going out to her there
and forcing an explanation, he looked about for his hat.

Silverstairs also got up. He had not seen. He too was looking for his
hat. Placidly he remarked:

“I have an appointment with a chap named Tempest. Will you come with
me?”

But now, the congestion relieved, the motor shot on. Verplank had the
spectacle of a face fading instantly in the fog and the future.

“Will you?” Silverstairs repeated.

“Will I what?”

“I have to see a man about a horse. He lives just off the Bois de
Boulogne, in the rue de la Pompe. Will you come up there with me?”

“Yes, if you will go on foot. In that case I’ll leave you there and
walk back. I need the exercise. I feel like what you described as a
fidgety Frenchman.”

Silverstairs pulled at his moustache. “It’s no end of a walk. But no
matter, I’ll go with you.”




VI


That morning Leilah had two appointments, one with a modiste, the other
with Violet Silverstairs. She did not feel equal to either. The episode
of the previous evening had been to her like the supreme torture which
medieval legislation devised. It was all she could bear--and more!

When, abruptly, she found herself face to face with Verplank, it was
as though she were confronted by the dead. The sense of it numbed her,
and the numbness was heightened by a horror that has no name. Into the
seats of thought there entered the realisation that, in spite of all,
she still loved him, that in spite of all he still loved her. In the
core of these convictions fear entered, fear of him, fear of herself,
a sensation of common peril and mutual perdition so blinding that
Barouffski’s rudeness she barely noticed, and it was with a look the
damned may have that she saw Verplank turn with Violet Silverstairs,
and go.

As they passed, Barouffski, with the air of one commenting on a
triviality, remarked:

“How odd it is that the Joyeuses should care to hobnob with demi-castors.
Shall we go?”

That demi-castors meant bounders generally, and, in this instance,
specifically, she would, ordinarily, have been insufficiently familiar
with the slang of the boulevards to know. But she did not hear.
Moreover, the remark required no reply. Even otherwise she was unable
to speak, and it was not until Barouffski reiterated his suggestion
that mechanically she acceded to it with a movement of the head.

Her demeanor then in traversing the salons, her leave-taking of the
duchess, her bearing in descending the stairs, were as mechanical as
her reply to Barouffski, and it was not until after the motor had
dropped him, as he had asked that it should, at the door of the Little
Club, that, at last alone, the mental anchylosis fell by.

At once in a sort of retrograde vision, she relived the past. There
had been the flight from Coronado, the halt at Salt Lake, the descent
into Nevada, the divorce, the journey abroad, the platonic marriage
to Barouffski. These--the succeeding episodes in the drama of her
life--were so many hostages to joy, barricades thrown one after another
between Verplank and herself, and unavailingly thrown, since, with but
a look, they were almost destroyed.

They had seemed wholly impregnable, but she knew then that unless
reinforced by surer bars, they would one and all collapse. At the
foreknowledge of that she appreciated what the heroines in the old
tragedies endured, when circled by the seven-times-twisted coil of
fate. Yet, though they had yielded, she would not yield, and it was
with this determination that she alighted in the rue de la Pompe.

The house there had a church for neighbour, and stood between a court
and a garden. Before the court was a high, white wall. The garden
extended back to the parallel street, where, also, was a wall. The
entrance to the court was a double doorway, the entrance to the garden
was an iron gate. Between the gate and the house were large urns,
a marble bench, a marble chair, most noticeably the kennels of two
mastiffs, pets of Barouffski who, at whatever hour he returned at
night, had them loosed. They were, he declared, a great protection, as
indeed they were--for him. Apart from the occasional barking of these
dogs, barring also occasional music from the church, usually the garden
was quiet. But that was in the order of things. It lacked both stable
and garage. These had been secured elsewhere.

Except for that detail, the arrangements generally were satisfactory.
The house was commodious, agreeably furnished. On the ground floor were
the usual offices, beneath which the servants slept. On the floor above
were the salons and dining hall. Above these were the bedrooms. On this
upper floor the apartment which Barouffski occupied gave on the street,
while Leilah’s overlooked the garden.

Adjacent to her suite was a stairway designed for servants, but which,
because of its convenience, she occasionally used. It led directly to
the dining hall, and from there she could descend into the garden.

It had a superior advantage. It enabled her to avoid the hazards of the
main stairway, which was used by Barouffski, whom nearer acquaintance
had discovered to her without the mask--without one mask, that is--for
histrion that he was, he had many, but the best, the feigned nobility
of noble pride, the assumed parage, had gone.

In its place was a smile, constant, equivocal, ambiguous, a smile such
as the consciously damned may display. It gave Leilah little creeps.
She dreaded it, dreaded him, dreaded both, what is worse she dreaded
instinctively, without knowing why. The man was amiable, serviceable,
gallant. He wore his domino not faultlessly perhaps but with the fine
air of a bravo who, when the time comes, will knife you, yes, but who
in so doing will rather require that you admire the chasing on the
handle of the blade. As yet the knife was concealed. But Leilah felt
that it was there. He knew it was. Occasionally he fingered the point.

Hitherto he had lived by expedients. A golden six had been tossed him.
He had pocketed it. For him the economic problem of life was solved.
He asked little else, merely that the solution should endure and that
his dignity, of which he had a humorous conception, be outwardly
preserved. In addition to his dignity, or to his idea of it, he had
another attribute. He was not exacting. It is a great charm in any one.
But with him it did not extend to money. Freely he demanded it, freely
she gave and it was precisely when he demanded it that she felt, and he
felt, too, the point of the knife.

On this evening when, after the usual din at the doors, the motor
entered the court and she alighted at the perron, two footmen busied
themselves in aiding her.

Leilah passed through the dining room to the garden where for a while
she walked along the path that led from the house to the gate.

The garden was cloistered, the night serene. The influences of both
affected her. The darkness put her thoughts into relief, the solitude
relaxed the tension of her nerves.

Another thing was helpful, the determination which she had reached,
though for that determination to be maintained there must, she saw, be
further hostages, new barricades. But what further hostages could she
give she wondered, what firmer barricades was it possible to erect?
Barring flight or an appeal to Verplank, some message begging him to
leave Paris, she could not imagine any. Flight she had already tried,
but not flight to some one of the world’s far away places where any
one may be lost forever. It was a miserably dismal thing to do, she
reflected, a thing so dismal and so miserable that she doubted her
ability to do it.

As she thought it over she wondered if in some former existence she
could have injured Verplank and whether it were by way of retribution
that he had the power to tempt and torture her now. Tenets of this
character the _Vidyâ_ advanced and as she had told Tempest, she had
come to believe in that Scripture as many do in the Bible, though as
many also do without being able to accept it entirely, without being
able to accept for instance stories such as that of Jonah and the
whale which none the less all would accept were it known how profound
is the symbolism behind them. With like reservations, Leilah accepted
the _Vidyâ_. She was very ignorant as women in her station generally
are and the reservations were due to that ignorance and also to the
demand which the doctrine made on her imagination. But though she was
ignorant she was conscious of it and consciousness of ignorance is
usually the condition precedent to enlightenment.

Now, in considering the episode of the evening, she asked herself
whether she was warranted in accepting this creed of past lives. At the
Joyeuses, during the announcements of resonant names, Tempest had said
that unless we swallow the ridiculous dogma of a soul specially created
at every birth and unless too we are indecent enough to fancy the Deity
waiting for that purpose on the passions and caprices of man, we have
to accept it, have to accept with it the corollary of past actions
and their consequences, have to accept, too, the deduction that,
in accordance with our past actions, it is we who reward or punish
ourselves, we who become avenging furies or angels of light.

Leilah wished that she could have discussed the matter more fully
with Tempest yet she felt that what he had said was logical, but if
it were true, then the parallel doctrine that all misdeeds and with
them all misfortunes spring from desire must be true also, in which
case, before their consequences can be effaced, all misdeeds must be
atoned. But how can they be atoned? she asked herself. Presently she
remembered. According to the _Vidyâ_, any desire no matter what, desire
for pleasure, for gain, for attainments, for honours, even the desire
for spiritual perfection, even the desire for the lack of desire, must
be extinguished before old scores are paid. That was the way she saw,
the only way. The debtor must sacrifice himself to himself.

But, uncertain still, she went over the matter again, putting to it
little tests, passably naïf yet serviceable to her. She had ardently
desired to marry Verplank, then, desiring as ardently a barricade
against him, she had married Barouffski. In the one case the result had
been catastrophic; in the other, calamitous. Doubtless she had sinned
in the past and these disasters, brought about by her own desires,
were her punishment. There were other things that she had desired. She
had wanted to be loved, she had wanted to be thought a beauty, and not
only her love had shamed her but soon she might be ashamed to show
her face. At the thought of these things she realised anew and more
profoundly than ever that selfish desire is the root of evil and that
only in its extirpation may peace be had. But coincidently she realised
also that any such extirpation was beyond her. Heredity, environment,
the circumstances of her life, had given an impetus to desire which
she could not arrest. She liked wealth, ease, pretty clothes, becoming
hats, the society of agreeable people. She liked the world and in
liking it she feared that she liked also the flesh, it might be even
that she liked, too, the devil. Yet, she must not, she knew.

In telling herself that, she thought of the Church. The Church was so
much more comfortable. There you were not asked impossibilities, the
one requirement was to throw yourself in her arms and repent. As the
facile process occurred to her she recalled George Moore’s story of
_Evelyn Innes_. That masterwork seemed to tell her to do as the heroine
had done and go in a convent.

Perhaps she might, she thought. Perhaps she must.

Several times already she had crossed and recrossed the garden. Now she
found herself at the farther end facing the iron gate. Leilah opened
it, walked to the corner and returned.

The little tentative evasion had been successful. At any time, unseen
even by a servant, she could leave the house, disappear utterly, be
forever ingulfed. But the knowledge that she could escape into darkness
and be lost there, offered little more than a choice between tears. It
presented a form of suicide which was superior only to actual death.
She hoped she might be spared it. She hoped an appeal to Verplank would
suffice, though in what manner it could best reach him, or, for that
matter, reach him at all, she found it difficult to decide. To make it
personally was impossible. To attempt it through Violet Silverstairs
would involve an explanation and that was impossible also. The idea
of employing one of her women occurred to her. There were manifest
objections to such a course, though the particular woman whom she had
in view she trusted entirely.

Slowly she returned to the house and went to her room. There, when at
last the servants had gone and she was alone, she knelt on a prie-dieu
and, to the Watchers of the Seven Spheres, prayed for the earthly peace
of her soul and of his. She knew that no prayer could affect them, she
knew that they are not to be propitiated or coerced, but it soothed
her as prayer, in raising the vibrations, does soothe the distressed.
The prayer concluded she began another. She prayed that sometime she
might be somewhere, on some plane, where all things broken are made
complete and found again things vanished.

Then, the solace of it still upon her, suddenly she saw by what the
prayer had been induced. The consciousness confused and presently,
in the melancholy sotto-voce of thought, she told herself that to
extinguish that desire, she would have to be in Dharmakaya--the mystic
state where there is oblivion of all things here.

“Here!” she caught herself repeating. For, at once, a passage from the
_Upanishads_ prompting, she remembered that here means Myalba, which is
hell, the greatest of all hells and, for those of this evolution, the
only hell there is.




VII


It was on the morning succeeding these incidents that Leilah felt
unequal for the appointments she had made. But however she felt, she
always did what she had planned. In this instance nature punished her.
On the way to the first appointment, a malaise overtook her, enveloped
her, beat at her and although, gradually, it fell by, she was still
conscious of it when, in the rue Cambon, the motor stopped at the
modiste’s door.

“The fitting of madame la comtesse Barouffska!” a fair young girl in
black immediately and authoritatively announced.

Before landscapes of silk, in the delight of new modes, customers were
sunning themselves. At the announcement they turned, while Leilah,
conducted by another girl who had advanced to meet her, crossed the
laboratory of enchantments and entered an adjoining room.

But, for the moment, the fitting was delayed. The première was
elsewhere occupied. When presently she appeared she excitedly
exclaimed:

“I hope I have not detained madame. I am desolated if I have. But!
But! If madame knew! One is literally torn to pieces! All day long it
is nothing but Ernestine that dress! Ernestine, that robe! Ernestine,
that costume! Ernestine this! Ernestine that! Truly madame, there are
moments when I say I die! I go crazy!”

Abruptly dropping her voice, she added: “But pardon, I monologue.”

At once, indicating a gown which an assistant had brought, she
exclaimed again:

“It will ravishingly become madame.”

The gown, a work of the best Parisian art, suggested something of the
immateriality of a moonbeam, and as the assistant, a girl with a tired
face and circled eyes, held it for inspection, it gleamed.

Leilah looked at it, wondering the while where she would wear it,
whether indeed she would wear it at all. Then, before a sheet that had
been placed on the floor and on which the assistant arranged the gown
in a circle she proceeded to undress.

To the amateur in feminine beauty, there are few spectacles more
attractive than that of an attractive woman clothed in lingerie and a
hat. This spectacle Leilah presented.

The première exclaimed at it. “Madame la comtesse has a figure truly
divine. But! But! Who could have laced her?”

“I was not very well this morning,” Leilah replied. “I told my women
not to make me too tight. But you can take me in I think about an inch.”

“Marguerite,” said the première, “draw the stays a little closer.”

The girl with the tired face undid the corset and pulled at the
strings. But she pulled awkwardly, perhaps too suddenly.

Leilah gasped, turned, sat down and fell forward. The première hurried
to her. She had fainted.

“The smelling salts!” the première cried. “The smelling salts! Cognac!
Get some cognac!”

With one hand she was supporting Leilah, with the other she gesticulated
at Marguerite who, hurriedly from the mantel, fetched a vinaigrette
which Ernestine then took and sniffed at.

“She’s coming to,” said the assistant.

Ernestine waved the vinaigrette. “The gods be praised!”

For Leilah now had opened her eyes. Wearily she looked about,
straightened herself and sighed.

“I must have fainted.”

“It is nothing madame,” Ernestine anxiously protested. “Truly nothing
and yet so modish. Yesterday the Princesse de Solférino fainted. The
day before it was the turn of the young Duchesse de Malakoff. Such a
good augury for these ladies! Like them madame is perhaps----”

But Leilah now was making an effort to rise.

Abandoning the vinaigrette Ernestine aided her.

“Madame will perhaps wish the fitting postponed. Yes, is it not? It
might further fatigue madame. To-morrow--no, to-morrow I regret but
in the afternoon I have three appointments and in the morning there
is the trousseau of Miss Smith of New York who is to marry an English
lord. Marguerite!” she interrupted herself to exclaim. “The costume of
madame!”

Then, as the assistant also assisted Leilah, reflectively the première
resumed:

“I hear that every New York young lady loves a lord. But----”

She hesitated. Visibly the vision evoked, confused. Yet, after a
second’s pause, rallying, she continued.

“Perhaps it is not every New York young lady who has a lord to love.
Perhaps many of them love the same lord.”

Discreetly she smiled. “And that must be so nice for him!”

Considering Leilah, she concluded:

“But another day----”

Of it all, Leilah heard but that. “Yes,” she answered, “another day.”

Then, presently, after more attentions, the première accompanied her to
the door.

“Rue François Premier,” Leilah told the groom.

The machine shot ahead. Arrested shortly by a congestion of traffic, it
halted before a window behind which Verplank and Silverstairs sat.

Leilah, unconscious of their presence, gazed at the murky cinematograph
of the street, filled at this hour with faces sordid, petulant,
indifferent, or frankly gay; with the passing forms of workmen, idlers,
shopgirls, vagabonds; the swarming Parisian crowd which did not, she
believed, contain one soul as miserable as her own.

The congestion relieved, the motor shot on. Leilah leaned back. It was
not so long ago that she was on her way from New York to Coronado. She
was happy then, happy with a happiness so perfect that it lifted her
into the ultimate ecstasies which love and life comport. It was not so
long ago, only six short months, only that brief eternity of sorrow
which, unended yet, had been the damning penalty of that joy.

“In this life ye shall have tribulation,” the Christ had said, and
truly said, and as she rememorated the significant menace, she wondered
whether for such as she, tribulation ended here. But her creed assured
her. From the _Vidyâ_ she had acquired faith in fate, the belief rather
that we make our own destiny, that it is by our own hands that our
lives are cast in places pleasant or the reverse, that our conduct
in one life creates the conditions of our existence in another, that
anything experienced now is the effect of a cause set going in the
past, that happiness is the recompense of beneficence, deformity the
result of cruelty, melancholy the penalty of evil thoughts. But whether
retribution pursued its victim into future planes or abandoned them
when they died, depended, she also believed, on how they faced it here,
and it was in this idea that, during the unended sorrow, she had found
the strength to bear its coils.

The motor stopped. She told the groom to wait. Presently she was among
the subdued tints and harmonised furnishings of the drawing room of her
friend.

At once, clearly in her limpid voice, considering her with brilliant
eyes, Violet Silverstairs aimed and fired.

“You’re a liar!”

At the shot Leilah attempted to smile, and though she failed, it was
not because she fancied there could be any reproach in the term, but
because latterly she had been unable to smile at all.

“You’re a liar,” Violet repeated. “Also, you are late.”

“I know I am late and I am sorry,” Leilah withdrawing her gloves,
replied. “But how am I a liar?”

“Come to luncheon and you will precious soon find out. I had some eggs
for you, eggs à l’Aurore Boréale. I had a sweetbread. I had--I have
forgotten what else. Now I have nothing. Everything is spoiled.”

Violet Silverstairs was perhaps imaginative. There were eggs, very good
eggs too, though whether prepared in the Aurora Borealis fashion is
perhaps beside the issue. Moreover there was a sweetbread, one that had
been germinated on salt meadows and which was not spoiled in the least.
In addition there were the other things which she had forgotten and
all of them appetising in the extreme. It was an excellent luncheon,
perfectly served in a beautiful room. But it was a luncheon for
Sybarites, not for the suffering. After the first morsel Leilah was
unable to eat.

“Where is Silverstairs?” she asked when that morsel had been consumed.

“With your ex.”

Leilah put down her fork. “With Gulian?”

Violet laughed. “Have you more than one? But it was just through him
that your lie cropped out. Last night he swore by bell, book and candle
that you had never told him why you cut and ran.”

It was at this juncture that Leilah found herself unable to eat.
Instantly her mind shot back. She was at Coronado again, in the
sunshine and frippery of her sitting room. She could see Verplank as
he left it, see the letters that had been brought, see herself as
she opened one of them, that one which with its enclosures she had
redirected and left for him. The possibility never before conjectured,
that he had not received it girdled her with a zone of ice. For a
moment she looked fixedly at one of the windows through which the
pale daylight fell. In the beautiful room, companioned by her nearest
friend, she felt that sense of utter loneliness which in the great
crises of life is experienced by all. Yet was it true?

“Violet!” she cried. “You are jesting.”

But the lady, determined then or never to learn the truth, cocked an
eye at her. “I am not, nor was he.”

At that, Leilah felt the girdle of ice sending its shivers through her.
The plan she had made must, she saw, be foregone. If Verplank did not
know why she had separated from him, never would he leave Paris until
he did. But what must he have thought, she agonisedly reflected, and
what must he think!

Violet, who had been watching her, said:

“Why don’t you tell me?”

Leilah taking up her fork again, tried for countenance sake, to affect
to eat. The effort was beyond her. She put it down.

“I can’t,” she at last replied.

Violet, her brilliant eye still cocked, almost winked.

“Yes, you said that before. But you see, don’t you know, that whether
you can or cannot tell me, you will have to tell him and, in the
circumstances, would it not be best to have me do it for you? To be
sure, if you had taken my advice and omitted to marry Barouffski, I
would say, have it out with him yourself. But your marriage does not
seem to have simplified matters, which, so far as I can make out, are
now pretty thoroughly mixed.”

The lady spoke better than she knew. Matters were complicated
though how profoundly she had no idea, nor was Leilah aware that the
situation, already tortuous, was to become even more intricately
labyrinthine.

“Of course,” Violet, in her bell-like voice, threw out, “after running
away, getting a divorce and marrying another man, I can fancy that you
don’t much want to see him. But, really, you owe it to yourself to give
the reason, particularly as it is he who is to blame.”

At this, Leilah, who had been looking down into her prison, looked up.
“I never said so.”

“No, but was it necessary? Even nowadays, even in the States, a woman
does not cut and run because butter won’t melt in her husband’s mouth.
She does so because she has, or thinks she has, a grievance and the
man, if he is a man, ought to be given an opportunity to apologise,
however imaginary the grievance may be.”

Leilah shook her head. “There can be no apology here.”

Violet laughed. “That is just what I would say if I had gone and done
it. Then it would be for Silverstairs to try on his knees to get me to
listen to one--provided, of course, that in the interim I had not taken
over another man, for in that case I verily believe he would wring my
neck. But you need fear nothing of the sort from Verplank. He seemed
anxious only to wring Barouffski’s.”

Leilah made another futile effort with her fork. Absently she answered:

“I don’t believe he knew who he was.”

“You don’t! After his telling him! But, apropos, what became of d’Arcy?
I thought you and he were safely tucked away in a corner, otherwise
never in the world would I have marched your Number One up to your
Number Two.”

“D’Arcy!” Leilah repeated. She had barely heard. She scarcely knew what
she was saying, still less what was being said.

“Yes, le beau d’Arcy. Marie de Fresnoy told me that the other day at
the races he was about to pay a ragamuffin of a girl for a flower, when
she said: ‘I’d rather you kissed me.’ Fancy that! She told me too that
a man who had a husband’s reasons for wanting to kill him, was afraid
to say a word. It appears he is a dead shot. But it appears also that
your lovely Barouffski is one of the best swordsmen here. Verplank had
better look out. To return though to our Chablis Moutonne. What will
you do?”

Leilah, her thoughts afar, made no reply.

“What will you do?” Violet repeated.

From afar the question floated, descended, trod among the tender
places of Leilah’s soul. At the pain of it she winced. “God help me, I
do not know.”

Violet, cocking an eye again, insinuated: “Let me take a hand.” She
paused, then, for clincher, threw out: “He dines here to-morrow.”

“Here!” Leilah exclaimed, half rising, fearful now that at any moment
he might appear. “Here! With you?”

Violet nodded. “Why yes. Why not? If I can’t confess you, perhaps I can
him. At any rate I can try. You can’t blame me for wanting to, either.
You abandoned him on your honeymoon. You won’t tell me why and he says
he don’t know. But he must suspect. He must have concluded that you
left him for this, that or the other. I want to find out what his this,
that and the other are and then make my own selection. It is true he
did say that it was because of Barouffski. But that’s all gammon. You
never saw Barouffski until you got here. There is something else and
what that is I want to find out. No, you can’t blame me. It is the
instinct of self-preservation. If I don’t get at the bottom of it soon,
I shall simply go mad.”

A laugh, clear and musical, wound up the lady’s chatter. She had no
more idea of going mad than she had of jumping out of the window. But
she wanted to know and that was only human.

But now, Leilah, who a moment before had half risen, stood up. “Violet,
I am not well, you must let me go. Yes,” she added as the lady remarked
that on the morrow she might appear in the rue de la Pompe. “Yes, yes.”

She would have said yes to anything. Hurriedly she got away.

Without the motor waited.

“Home,” she told the groom.

A little before she had thought herself the most miserable of
beings. But however deep the hell, there is always a deeper one. Add
uncertainty to distress and the sum of it is sorrow multiplied by the
infinite. That hell, that sorrow was or seemed to be, hers. She did not
know where to go, what to do, to whom to turn.

The pitiable plan of flight returned to her. Again she put it aside.
She could not adopt it now. Besides, though she owed a duty to herself,
she owed another to Verplank. In what manner he had failed to receive
the letter, it was impossible for her to imagine, but the fact that he
had not received it, hurt her doubly, hurt her for herself, hurt her
for him. Had it reached him, both would have been spared this pass.
But it had not reached him and since then what must he have thought of
her? What!

The query, which kept repeating itself, tortured her and on that
torture was superposed the precarious problem of his enlightenment.
See him she could not. To write was beyond her ability. For there are
things no pen should write as there are others no tongue should tell.
None the less the truth she knew must reach him and would do so best,
she thought, through some channel similar to that from which the letter
had proceeded, from a source either indifferent or inimical to them
both.

At the auto-suggestion, her thoughts fluttered, scattered, grouped,
then suddenly regrouping, produced a name. Beneath her breath she
uttered it.

“Barouffski!”

It was not in provision of this that she had married him. At the
time no such possibility had even impossibly loomed. But she had
married him precisely as she had obtained a divorce, in order to
barricade the future from the past; in order also for the fleshpots
which she craved--peace and security. She had not had much of either.
None the less, the primary object which she had sought had, in its
accomplishment, persisted. He was a barricade. He was her official and
paid protector.

For the task therefore which she could not perform, he seemed naturally
indicated. What alone gave her pause was the certainty that he would
enjoy it. She could see him, see his ambiguous smile, see his green
eyes aglow, his cruel and sensual mouth distended.

From the picture she turned. Beyond was a church, the frontal draped
with black. The motor had stopped. It had reached the house in the rue
de la Pompe and pending the opening of the doors, whirred as it blocked
the sidewalk.

It was then that she turned. Beside her, arrested by the car, stood
Verplank.

After walking up from Voisin’s with Silverstairs he had left him a
moment earlier at Tempest’s.

But the great doors had opened. Before Verplank could speak, the
machine slid in. As it entered the court, the doors closed noisily.




VIII


On alighting at the perron, Leilah had as always to endure the
ceremonial of two footmen assiduously assisting her.

“Emmanuel,” she said to one of them. “Is Monsieur Barouffski at home?”

“No, madame la comtesse.”

Leilah passed on and up. For a moment, in the hall above, she
hesitated. Then, pushing a portière aside, she entered a salon, went to
the window, and looked out. Crossing the court was Verplank.

Fear and the fear of it, the throttling sensation which children know
when pursued, enveloped her. With an idea of telling the servants that
she was out, that she was ill, that she could see no one, she turned.
On a table near the entrance was a service of Sevrès. Its tender hues
were repeated on the ceiling. Beneath was the mirror of a waxed and
polished floor. On the glistening wood work her foot slipped. She
staggered, recovered herself, got to the door.

Already Verplank had entered. She could hear him. He was not asking,
he was demanding to see her. The form of the order mounted violently.

“Tell your mistress that I am here.”

Even then, with the idea that she might still deny herself, Leilah drew
back into the room. Mentally she was framing a phrase when Emmanuel
entered.

With that air domestics have when tidying something objectionable, the
footman reconstructed Verplank’s command:

“There is a monsieur who inquires whether madame la comtesse receives?”

“Tell him----”

But the injunction, as yet not wholly formed, was never completed.
Verplank, brushing the man aside, strode in.

Leilah, retreating before him, motioned at Emmanuel, and the servant,
with an affronted air of personal grievance, vacated this room that was
charged now with the vibrations of hostilities begun.

Retreating yet farther, her eyes on the foe, Leilah stared at him, and,
as she retreated, Verplank, staring, too, advanced. In his stare were
threats so voluble that she thought: “He will kill me.” At the thought,
there appeared before her Death’s liberating face, the mysteriously
consoling visage which it reveals to those alone who have reached the
depth of human woe.

Beyond, from the church, came the music of an organ. A requiem was
being held. Leilah felt as though it were her own.

Verplank, his hands clenched, the look of an executioner about him,
threw at her:

“For six months I have been looking for you. I am come to have you tell
me why I have had to look at all.”

“_Dies irae, dies illa_,” admirably, in a clear contralto, a woman’s
voice rang out.

Neither heard it. At the menace of the man, Leilah shrank, and in an
effort at defense cried pitiably:

“Gulian! I left a letter for you.”

Angrily he tossed his head.

“I received none, nor did I need any to tell me that there are women on
the street, others in jail, that are less vile than you.”

“_Teste David cum Sibylla_,” clearly and beautifully the voice resumed.

“Gulian!” Leilah cried again.

With whips in his words, he added:

“No harlot could have acted more infamously than you.”

At the lash of the outrage, Leilah, joining her hands, held them to
him. “Gulian! You are killing me!”

“It is what you deserve. There are no penalties now for such turpitudes
as yours. But, when there were, women like you were beaten with rods,
they were lapidated, stoned to death, and death was too good for them;
they should have been made to go about, as they afterward were, as you
should be, in a yellow wig, in a yellow gown, that even children might
point and cry: ‘Shame!’”

The words, which he tore from his mouth, he hurled at her. She cowered
before them. On a chair near by she had put her bag. Her wrap had
fallen from her. In the church now the hymn had ceased. The ringing of
the Elevation was beginning.

“Gulian! As if shame had not cried at me! Gulian, I have been scourged,
I have been stoned. If I live, it is to implore of you mercy.”

Her hands, still joined, were still extended, and in her face was an
expression of absolute despair. But this martyr attitude seemed to him
the most abominable of hypocrisies, and it was with anger refreshed
that he lashed her again.

“Mercy? Yes, you want mercy, you, who were merciless in your treachery
to me. A sweep would have had more decency, a scullion more heart. I
put in your hands my trust, my love, my honour, and you who want mercy
dragged them in dirt.”

“Gulian!” Within her now was that invincible need of justice which
impels the weakest to protest against the savagery of wrong. “Gulian!
When you know!”

“I do know. I know you and your lies, and the infamy of them too well.
At Coronado----”

“Gulian! You are not killing me merely, you torture my very soul.”

He sneered.

“Do I? Do I, indeed! No, you compliment yourself. It is what I want to
do, but you cheat me even there. No woman with a soul could have done
this soulless thing.”

The brutality of the arraignment shook her. She leaned against the
chair for support. She felt hopeless, helpless, defenseless, and it was
because the need for justice still impelled her, that she protested
anew.

“Gulian, if only you knew! If only you had had that letter! Had it
reached you, you would know that there was no deceit, that I left you
for your sake as well as my own. Gulian, if I had not gone you would
have seen and made me tell you, and then it may be you would have taken
me and thrown me with you from the yacht.”

There were tears in her words. With one hand she held to the chair,
the other she raised to her head. It pained her. She felt bruised and
looked it.

    “_Ecce panis Angelorum
     Factus cibus viatorum----_”

Beyond, sustained by the arpeggios of the organ, the voice of a singer
mounted sheerly like a thread of gold. It lowered and heightened.
Presently, on a note, as if abruptly snapped, it ceased. The organ
continued. It renewed the canticle. It projected a scale that ascended
slowly, as though upward and onward, over the limitless steps of
eternity, it were lifting the soul of the dead.

Leilah wished it were her own. Sadly she added:

“God knows it would have been better. Anything would be better than
that you should speak to me as you do.”

There is an innocence that appeals, a sincerity that disarms, a
candour that outfaces every proof, and Verplank, who had been bent on
overwhelming this woman with a contempt which he felt wholly deserved,
was impressed, in spite of himself, by the evident ingenuousness, by
the evident wretchedness, too, of her words.

He moved back.

“You say I would have made you tell me?”

“Yes. Yes. You would have.”

“But made you tell me what?”

Leilah, still holding one hand to her head, raised the other from the
chair, and with it made a gesture slight, yet desolate.

“What was it?” he asked.

Before replying, she looked away.

“What I hid from you rather than repeat.”

“But repeat what?”

Her face still turned from him, she answered:

“Something, my--something Mr. Ogston sent me.”

“Mr. Ogston!” Verplank exclaimed. The formality of the statement
astounded him. “Do you mean your father? What did he send you?”

But Leilah would not or could not speak. Her mouth contracted as though
she were choking, and she put a hand to her throat.

“Tell me,” he insisted.

She turned, and beseechingly she looked at him.

“Gulian, I cannot.”

At that Verplank moved nearer, and so dominatingly that again she
extended her hands.

“Gulian, I will get some one else to tell you. I had intended to.
Believe me, it is better so.”

“It concerns me?”

“Yes, you.”

“And you?”

“Yes, both of us.”

“Then you shall tell me, and tell me now. Do you hear?”

“Gulian!” she cried. She raised her clasped hands to him. “Gulian!”

But Verplank, his jaw ominously square, confronted her.

“I say you shall.”

“Don’t look at me then,” she pleaded. “Bend your head, bend it lower.
One second, then I will. One second--one. Ah, God! I cannot.”

Verplank, who at her bidding had stooped, straightened himself, and
caught at her.

“I say you shall.”

“Gulian, a moment. Give me a moment. Now bend your head again. One
moment, Gulian; your father, your father---- My mother loved him.”

“Your mother loved my father!”

“Gulian, I am his daughter.”

“You are what?”

“I am your sister.”

As she whispered it, she covered her face. Verplank started,
straightened again, raised his arm, and, with a gesture wide,
elemental, absurd, and human, struck at the empty air.

Savagely he turned to her.

“And you believe this?”

Leilah, her head bowed, her face covered, shook with sobs.

“You believe it?” he repeated.

“There were letters,” she stammered. “Three letters. No one could read
them and not--and not----”

“And it was for this you left me?”

A fresh access seized her. He could not see her tears, he heard them.

“And it was for this you got a divorce?”

On the chair beside her was her bag. She felt in it, and got out a
handkerchief.

“And it was for this you took that cad?”

Slowly, with infinite hesitations, the bit of cambric held to a face
that was wet and white, she turned to him.

“I thought you would forget. I thought you would marry. I thought
you would be happy. I hoped so that you would. But my leaving you,
the divorce, the marriage, these things were done with no idea of
happiness. They were to serve as barriers between us.”

Impotently he stamped a foot. He was furious still. But his anger had
deflected. He was enraged less at her than at circumstances.

“Rubbish! That’s what your barriers are.”

Leilah, wiping her eyes, turned from him. The barriers, however
fragile, were not rubbish to her.

Violently he continued:

“As for Barouffski----”

But Leilah, turning to him again, interrupted:

“Gulian, let me tell you. Last night I planned to have some one ask
you, for my sake, to go away. Gulian, I thought you would, but I
determined if you would not that I would go.”

Verplank moved back.

“Go! Go where?”

“Ah! God knows! Anywhere. Wherever I could hide myself. Wherever I
could hide my love for you.”

Her eyes had been raised to his. At the confession they lowered of
themselves. Then again she looked him in the face.

“Gulian, it is that which cried shame at me. It is that which scourged
me with rods bitterer than those of which you spoke. You say the
barriers are nothing. Gulian, you are wrong. To me they are eternal.”

“Yes,” he angrily retorted. “Yes, if your story were true. But it
isn’t. It’s arrant nonsense.”

In miserable protest, she half raised a hand.

“Gulian, when I read those letters my youth died in me. Never since
they reached me have I had the heart to smile. If you had seen them you
would have felt the truth in every line.”

“I would have felt nothing of the kind; the fact that you still care
for me ought to show you that they are false.”

“Gulian, I tried to think that, too; but even in trying I felt that I
was pleading for myself.”

“Then, for the love of God, stop pleading and act! Look at yourself,
look at me! We could not be more unlike if we came from different
planets.”

She was making an effort to answer. He stopped her.

“Listen to this. If you can’t act, I shall. My mother is in London.
To-morrow she is to be here. Probably she can tell me the truth. If
not, I will go to the States. There I will see your father. When I
return it will be with proofs. I will bring them if I have to drag that
old scoundrel with me.”

He paused. Though angry still, her story had pacified him. He felt it
to be false, nonetheless she had believed it and the fact that she
had, absolved her of much that she had done. However she had erred, she
had at least tried to do right. He closed and opened a hand, looked at
it and from it looked at her.

“But first I will see my mother. In any case I will be here to-morrow.
Yes, that’s what I’ll do. Why shouldn’t I come. Why not?”

Leilah did not answer. She did not believe he would come, except to
cause fresh agony to them both there was no reason why he should do
so. The horror which she had told him and to which incredulously he
had listened was gospel to her, an evil gospel, yes, but nonetheless a
true one. Besides if he did come as, in any case, he said he would, he
might meet Barouffski, and affrightedly she foresaw blows, afterwards a
duel--one which she was unaware was then impending.

“Why not?” Verplank repeated, fumbling her as he spoke with suspicious
eyes and appearing to divine and to resent her forecast.

She caught at a straw. Usually, between four and seven, Barouffski was
tabled at baccarat, gambling with her money. That straw she produced.

“Come at five.”

Verplank, appeased, nodded. “Very good, at five then.”

But at once she realised that other safeguards were needful. She
hesitated, looked about her, looked at Verplank, gave him his hat,
motioned to him. Then, preceding him, she passed into an adjoining
salon, entered the dining room and moved from it to the garden below.

Passably mystified, he followed.

The air, freighted with fragrance, stirred by music from the church,
the dogs, at sight of him, charged suddenly with menaces. Straining at
their chains, viciously they clamoured.

Indifferently Verplank glanced from them to the gate beyond, to which
Leilah was leading him.

When both reached it, she opened it and said: “Come this way to-morrow,
will you?”

For a second he considered her. Her face was as a book in which he
could read the reason. In view of many things, particularly of the
duel, it seemed to him all very puerile.

But, replacing his hat, grimly he nodded. “Before then I have rather an
idea that there may be a deficit among us.”

This expression, in itself perhaps over precise, was too much for her
and the fact that it was showed itself in her eyes.

Without heeding their inquiry he nodded again. “I will come this way
but only that together we may leave by the other.”

Again he nodded. In a moment he had gone.

Leilah, closing the gate behind him watched him go. It was, she felt,
her last earthly sight of him. There would be no going away together.
He would never come back. Never. His mother, if she knew the truth,
could only substantiate it. If she did not, another would. Helplessly
she held at the gate. A vagrant passed, she did not see. A hawker
called, she did not hear. She was not only helpless, she was hopeless.
She wished that death really were, that it could beneficently come,
take her, shroud her in blankness, in endless oblivion of what was and
of what might have been. Long since the dogs, mollified by Verplank’s
exit, had ceased to bark. Shrilly now from the church came boys’ fresh
voices. The music of them stirred her a little and she turned.

Before her, framed in a window of the dining room, Barouffski stood. At
sight of him she started. Amiably he smiled. When she looked again he
had vanished.

But, in a moment, in the doorway beneath, smiling still, he reappeared.

“What a beautiful day, is it not?” Oilily he rubbed his hands. “You
have been having visitors, cara mia?”

As he spoke he moved toward her. Urbanely he continued! “And what did
they have to say?”

He was quite near her now and, with his head held a trifle to one side
he was regarding her with affectionate indulgence, much as one would
regard a child.

“They told you nothing new, cara mia?”

Without looking at him, Leilah shook her head. “Nothing. Nothing at
least that I did not know.”

Smiling still, indulgent as before, Barouffski plucked at his pointed
beard. “And what is that, cara mia?”

Remotely, in a voice without colour, as though speaking not to him at
all but only to herself, she answered:

“That I am the most miserable woman in the world.”

Barouffski’s smile broadened. “Bah! They exaggerated, cara mia. It is
the way of the world. Mon Dieu, à qui se fier? You are not at all what
they said. You are--how shall I put it--perhaps a bit indiscreet. That
is it, a bit indiscreet.” He pointed to the bench. “Will you not seat
yourself?”

He was still smiling, but the smile wholly muscular, was one in which
the eyes have no part. The “visitors” whom he affected to ridicule,
alarmed him. They were, he knew, quite capable of taking Leilah away.
Her presence or absence was quite one to him. Only if she departed, so
would her purse.

“Will you not?” he repeated.

“I am going in.”

“Certainly, cara mia. It is as it pleases you. But----”

At this Leilah, who had passed him, turned.

“Well, what?”

“You see, cara mia, supposing I had visitors. Supposing rather I had a
visitor. We are only supposing, are we not? Bon! Supposing this visitor
happened to be what we call an ancienne, an old flame, an inamorata of
mine. Supposing that were so. Do you know what you could do?”

“No,” Leilah from over her shoulder answered. “Nor do I care.”

“Forgive me, cara mia. You mean that you do not care to be informed.
Yet you should know, for you could if you wished have me fined. Yes,
that is what you could do. You could have me fined.

“But I,” he resumed. “Do you know in similar circumstances what I could
do? Do you know rather what the law says I may do? Do you, cara mia?
Do you? For really you ought to.”

But Leilah now was approaching the entrance.

“What!” Barouffski exclaimed. “You are not interested? You are really
going?”

As he spoke, he bowed. “Bon, à ce soir, cara mia. And a last word. If I
may advise, do not be led into indiscretions.”

“Do not,” he repeated, while shrilly from the adjacent church came the
voices of boys chanting the final phrase of the Pater Noster:

“_Sed libera nos a malo._”

“That is it,” he called at Leilah’s retreating back. “Pray rather to be
delivered of them. Otherwise----”

But Leilah now had entered the house.

“Otherwise,” he continued to himself and moving to the kennels, patted
the dogs, “otherwise a sojourn in Poland may improve you.”




IX


“The strawberries were delicious,” Violet, the following day, remarked
to Leilah.

The two women were seated in the garden of the house in the rue de la
Pompe. It was just after luncheon and between them was a table on which
coffee had been served. From without came the whirr of passing motors,
the cries of those hawkers who are never still. But the garden itself
was quiet, scented too and the day superb.

Violet, patting a yawn, resumed: “One never really gets strawberries
except in Paris. They are so big! And so expensive, aren’t they? I know
that in a restaurant a man gave one to the waiter for a tip.”

She looked about her. “But, mercy! What can have become of Aurelia? She
was to have stopped for me.”

“Don’t you think it unwise to let her go on the stage?” Leilah, with an
air of talking for talk’s sake, inquired.

“Let her! But she’s got her head. I can’t prevent her. She’ll never
come to any harm though. She isn’t the kind to want to do anything she
thought was wrong. No indeed. She would never think anything wrong that
she wanted to do. But tell me. I could not very well ask before the
servants. What are you going to do?”

For a moment Leilah did not answer. Then, a bit resignedly, she folded
her hands.

“I do not see that I have the ability to do anything.”

The pause, the gesture, the reply, angered Violet. She bristled.

“Don’t be so modest, you make me nervous!”

For a moment she also paused. Then, ruminantly, as though in self
communion, the lady uttered these cryptic words:

“But perhaps----”

Leilah, who had turned away, turned to her. “Perhaps what?”

But Violet, compressing her lips, assumed the appearance which a very
worldly, exquisitely gowned and beautiful Sphinx might present.

“Perhaps what?” Leilah, puzzled by the attitude, repeated.

“Oh, nothing. That is, nothing in particular. I was merely thinking
from battle, murder and sudden death, Good Lord deliver us! And yet----”

“Well?”

Violet looked her over. “I know I ought not to tell and for that very
reason I will. Your two husbands are to fight to-day. They may be at it
now----”

Abruptly she made a face, dropped her voice and threw out:

“No such luck.”

In the doorway Barouffski stood.

Leilah had not seen. Inwardly she had shrivelled. To the sudden
knowledge that the two men were to fight, fear, as suddenly, superposed
the conviction that Verplank would be killed. It stirred in her a
wholly animal longing to get away from herself; to be rid, however
transiently, of that sense of horror and helplessness which only the
tortured know. In an effort to shut out the pain of it, she closed her
eyes.

When she opened them, Barouffski was before her. Affably he was
addressing her friend.

“Beautiful day, Lady Silverstairs. In London you do not often have such
weather. I hope Lord Silverstairs is planning to keep you here a very
long time.”

“What? What?” Violet in a crescendo of surprise, exclaimed.

Affably, smilingly, unperturbedly, Barouffski reiterated the expression
of his hope.

Icily Violet cut him short. “With us it is the woman who makes and
unmakes plans.”

Barouffski, unabashed and smiling, plucked at his beard. “A most
excellent custom. Yes. For when has reason governed the world? It is
only by the heartstrings that men can be led and women alone can lead
them.”

But now Violet with the air of an empress had risen. “Leilah, my motor
is at the door. Let me take you for a turn in the Bois.”

“Do,” Barouffski exclaimed, looking as he spoke at Leilah. “You are a
trifle pale, cara mia. A turn or two now in the Bois----”

With a gesture he signified, that is what you need.

Turning to Violet he added: “So thoughtful of you, Lady Silverstairs.”

In speaking he bowed for Violet now was vacating the garden and Leilah
who had risen was following her.

Barouffski bowed again. “Cara mia, a pleasant drive to you.”

But, when both women had entered the house, he sighed, sighed with
relief, looked about him, consulted his watch, looked again about
him, moved to the entrance, touched a bell which presently a footman
answered.

Barouffski indicated the table and chairs. “Get all that out of here.”

“Perfectly, monsieur le comte,” the man, with marked deference,
answered and started to do as bidden.

Barouffski checked him. “In five or ten minutes some gentlemen will
come by the main entrance. Show them in the reception room. About the
same time others will come by the gate. When they do, see that I am
notified at once.”

“Perfectly, monsieur le comte.”

“Afterward, when they are gone, come back here and tidy up.”

“Perfectly, monsieur le comte.”

But now Barouffski had turned, he was entering the house. The man stuck
his tongue out at him. “Canaille, va!” he muttered. Raising his arms,
he added: “Tidy up, eh? Tidy up what? The remains of your conversation,
no doubt. Bah! That won’t be much.” He laughed, took first the table,
then the chairs, vanished with them and reappeared.

A bell at the gate had sounded, he hurried there and bowing, admitted
Aurelia and that young person’s young man.

The girl made straight for the kennels. “Parsnips!” she delightedly
exclaimed. “Aren’t those two big brutes simply dear?”

Swiftly Emmanuel intervened. “Pardon, they are very savage.” Then,
as the girl hesitated he added: “Will mademoiselle give herself the
trouble to pass into the salon?”

Aurelia tossed her pretty head. “No, I like it here. Besides I hate
suggestions. Tell Madame Barouffska that I have come on a most
unimportant matter which will probably detain me a very long time.”

“Yes,” her companion rejoined as the footman retreated. “Yes, I often
think that it is only unimportant matters that are really momentous.”
In his hand was a stick which negligently he twirled. “What is this
one, if I may ask?”

“I have forgotten.”

“Perhaps then it was really important.”

Aurelia, who, with her delicious face and delicate garments, looked
like a wayward angel, lifted a finger.

“So it was! So it was! I remember now I wanted to ask her how she likes
matrimony.”

“Cæsar!” the youth exclaimed. “You are not collecting data on the
subject, are you?”

Meekly, with a treacherously innocent air, the girl surveyed him. “You
wouldn’t wish me to take leaps in the dark, would you?”

“Certainly I would. Certainly I do--since you are to take them with me.”

With the same wicked look, Aurelia moistened her lips. “What a
beautiful nature you have!”

Pleased at this, the little lord nodded.

“I’ll tell you what matrimony is, two souls with but a single
thought----”

“Yes,” Aurelia interrupted. “Two souls with half a thought apiece.”
Rapturously she sighed. “There is real bliss!”

Buttercups snarled. “Oh come, now! If you turn everything into
ridicule----”

Dreamily Aurelia continued. “I asked the duchess, and she said----”

“The old harridan!”

“You know her manner”--a manner which Aurelia instantly made her own.
“My dear, matrimony is three months of adoration, three months of
introspection, thirty years of toleration--with the children to begin
it all over.”

Buttercups frowned. “A rather voluminous definition.”

“Rather luminous, I should call it.”

Frowning still, Buttercups threw out.

“While you were at it, it’s a pity you did not ask her what love is.”

But the sarcasm, if sarcasm it were, convulsed Aurelia. “Parsnips!” she
delightedly exclaimed. “You’ll never believe it! She asked me!”

“Mistook you for an expert,” Buttercups, glowering at the beautiful,
laughing girl snapped back. “What did you say?”

Aurelia, her eyes sparkling, her little white teeth visible, her little
pink tongue also, looked about her, turned, went to the bench, got up
on it and there, solemnly now as though on a platform, coughed.

“I said, that while from studies and statistics I was inclined to
believe that, theoretically, love is a fermentation of the molecules of
the imagination, actually it is the affection of somebody else.”

Blankly Buttercups stared. “I don’t understand that.”

Aurelia coughed again. “I added that from the same studies and
statistics I was also inclined to believe that love is the tragedy of
those who lack it, the boredom of those who don’t.”

“Eh?” Buttercups whined. “I don’t understand that either.”

“I further stated that love is a specific emotion, more or less
exclusive in selection, more--or less--permanent in duration and due
to a mental disturbance, in itself caused by a law of attraction which
somebody or other said was the myth of happiness, invented by the devil
for man’s despair.”

Helplessly Buttercups groaned. “I don’t understand that at all.”

With birdlike ease Aurelia hopped from the bench and with consoling
delicacy nodded:

“Violet said she didn’t either.”

Buttercups brightened. “Now there’s a woman of sense.”

Very sweetly Aurelia nodded again. “Leilah Barouffska said she did
understand, so I may suppose that she is stupid.”

At the shot--which missed him--Buttercups tormented the tip of his nose.

“No doubt, she does seem to have made a mess of things. Why now did she
leave her first husband?”

Aurelia looked down and away.

“It is not a thing I could mention.”

Buttercups gave a little jump. “What?”

Perversely, her lovely eyes still lowered, Aurelia added:

“She caught him in the act.”

Buttercups jumped again.

Aurelia blushed or rather appeared to do so. “With her own eyes she saw
him eating fish with his knife.”

But Buttercups had rallied. “Now, Aurelia,” he protested, “I have heard
too many lies about myself, too many confounded lies, to believe any
such story.”

Superciliously, her delicate nose in the air, Aurelia looked him over.
“Ah, indeed! But then you see sensible people never object to the lies
that are told about them. What we do object to is the truth. Now when
we are married--if we ever are----”

“Aurelia,” the poor devil pathetically interrupted, “you never say when
we are married without adding if we ever are!”

“That’s to teach you not to take things for granted. I have been
engaged before--and may be again.”

“B-before!” the flustered Buttercups stuttered. “A-again!”

Frostily this ingénue considered the youth. “Parsnips, don’t look at me
in that fashion, you inflame me.”

She cocked an ear. “What’s that?”

At the gate the bell was ringing and unperceived by either Emmanuel had
reappeared. The footman was descending the garden. Midway he stopped.

“I have the honour to inform mademoiselle that madame la comtesse is
momentarily awaited.”

He bowed, moved on, opened the gate through which then a brief
procession passed:--Silverstairs, a green bag under his arm; de
Fresnoy, a stick under his; an old man with a small valise; finally
Verplank.

Verplank, raising his hat, approached Aurelia. De Fresnoy, after
saluting the young woman, addressed the old man.

But Silverstairs, sidling up to Buttercups and indicating Aurelia,
whispered:

“Get her away, there’s to be a fight.”

“The deuce there is!” Buttercups exclaimed.

For a moment he looked helplessly about and made a little futile
gesture. “If I ask her to go she’ll stay.”

Silverstairs pulled at his moustache. “Then tell her to stay and she’ll
go.”

But such strategy was needless. Aurelia had no intention of loitering
among these men, not one of whom interested her remotely. With a
glimpse of her pretty teeth to Verplank and a nod at the others, she
passed, followed by Buttercups, through the gate which the footman held
open.

Meanwhile the dogs were barking and, from the house beyond, Barouffski
appeared. With him were friends of his, Palencia, Tyszkiewicz; also a
young man with a serious face who, like the old man, had with him a
case which gingerly he put on the ground.

Verplank glanced at them, went to the bench and began removing his
coat.

The night before he had dreamed pleasurably, as the great beasts of the
jungles dream, of blood and the joy of killing. He had dreamed also
and less agreeably that Leilah’s story was true. However he had denied
it, he did not know but that it might be. Nonetheless he doubted. He
doubted it for the most human of reasons, because he wanted to. He
doubted it for another and a better reason, because his intuitions so
prompted. He had yet another reason, one less valid perhaps but cogent,
the dissimilarity between Leilah and himself. The contrast was so
marked that they might have come of alien races, from different zones.

On leaving her house other differences had occurred to him, differences
not physical but moral. It is ridiculous, he had told himself.
Nonetheless he dreamed that the story was true.

Meanwhile the parliamentaries had not been entirely successful. The
note dispatched from Voisins had resulted that evening in a conference
between Verplank’s seconds and Barouffski’s. These latter, Tyszkiewicz
and Palencia, had begun by insisting that it was their principal who
was aggrieved, that Verplank, in attempting to address a lady whom he
knew did not wish to speak to him, had been wholly at fault and was
deprived in consequence of the choice of weapons.

To this de Fresnoy had objected that Verplank knew nothing of the kind,
that in addressing or in attempting to address the lady, he had acted
in accordance with the usages of the world: moreover assuming him to
have been in error in thinking that the lady did not object to being
addressed, her slightest indication to the contrary would have been
super-sufficient to make him desist, the result being that Barouffski’s
intervention reflected on his good-breeding and was therefore an insult.

This view of the matter Barouffski’s seconds refused to accept.
They represented that it were difficult for the lady to have more
punctiliously informed Verplank of her disinclination to be addressed
by him than she had already done in obtaining a divorce.

At the easy logic de Fresnoy laughed. According to him, all that was
beside the issue. He declared that many divorced couples were better
friends afterward than they had found it possible to be before. In
support of the statement he cited history: he cited the case of
Henri IV and the Reine Margot. He did more than cite, he quoted the
chronicles of Pierre l’Estoile, and he insisted that if his view were
not accepted the conference must dissolve and an arbiter be convened.

In face of these arguments advanced to provincials by a Parisian,
advanced too with that tone of authority which only a man sure of his
ground or of his assurance may maintain and advanced, moreover, to men
not over sure of their own, the latter hesitated.

Then, as though to demonstrate the truth of the paradox of which de
Fresnoy had delivered himself at Voisins, the quip that a man is rarely
killed except by his seconds, Silverstairs who, thus far throughout the
conference, had smoked in placid silence, suddenly stuck his oar in.

“Why not toss for it?”

Tyszkiewicz and Palencia, hesitating still, agreed. A coin was flipped,
heads for Verplank, tails for Barouffski. Tails it was. Barouffski was
accorded the choice of arms, foils were designated by his seconds and
the meeting was arranged to be held in his garden, at two the next day.

Verplank would have preferred pistols. But, informed of the result,
he dreamed pleasurably. The encounter was the main thing. Presently
sleep sank him deeper. Life and death ceased to be. He became part of
the inchoate and primordial. Then, from the voids in which he lay,
lightly, delicately, imperceptibly, an artery reached and drew him.
But his scattered selves, the objective, subjective, superjective,
satisfied with their temporary decentralisation, resisted. In the
subtle struggle a memory, catalogued Leilah, was aroused. The syllables
of the name resounded remotely, like a damp drum beaten obscurely
behind the shelves of thought. They conveyed no meaning and, before
they could suggest any, they passed, drifted by the currents of
unconsciousness. But at once, those currents, barred by assembling
ideas, broke to the murmur of the vocables--Leilah! Leilah! Other
memories, incidents, possibilities eddied among them and the sleeper,
awakening, found himself confronted by the tragic mystery which the
name revived.

Immediately the picture that had formed itself before him at Voisins
returned. From it the Why had gone but the obstacle remained, and, as
he got from the bed, he promised himself to demolish it.

Now, in the hostile enclosure, as the dogs barked and Barouffski
appeared, Verplank removed his coat, undid his collar, rolled up his
sleeves.

Beside him, bending over a case, the old man mumbled. He was a surgeon.
The hour was not to his liking. He believed in duels, they were a
source of revenue to him, but he believed in fighting on an empty
stomach and, in the afternoon, who had that?

He looked up at Verplank. “Monsieur, you are young, you are brave, I
doubt not you are also adroit. But had I been you, when your seconds
asked, as I may suppose they asked: ‘Which shall it be, the pistol at
twenty paces or the sword?’ I would have said to them: ‘Give me the
sword at twenty paces.’ Yes; that is what I would have said.”

Verplank ignored him utterly. In the center of the garden the seconds
grouped together, were concluding details. Beyond, near the house,
Barouffski stood. He also was now bare-armed. Near him, emptying a
case, was the young man with the serious face. Beside him, placed
upright against a wall, were two long green bags. From the street
came the usual rumble, the noise of motors, the cries of hawkers, the
snorting of stallions, the clatter of hoofs.

Silverstairs, abandoning the others went over to Verplank.

“De Fresnoy has been chosen director.”

Verplank, from his trowsers pocket, had taken a pair of gloves. The
palm of one of them, previously moistened, had been dusted with rosin.
Now, as he put it on, he looked across at Barouffski who was looking
at him. The man’s bare arms were hairy and the sight of them was
repugnant to Verplank. At once all the jealousy, all the hate of the
male, mounted like wine to his head. He coloured, his hand shook. Then,
resolutely, he reacted. In a moment he had again control of himself
and it was idly, with an air of indifference, as he finished with his
glove, that, in reference to the dinner that evening, he said:

“Are you to have many people to-night?”

Silverstairs, delighted that Verplank, showing up in such form, should
be so sure of the result, laughed. “No, it is to be small and early.
Afterward we go on to a play. The missis has a box for something, the
Gymnase I think.”

Verplank bent over and turned up the ends of his trowsers. A moment
before he had been considering methods of attack, in particular a
direct riposte after a certain parade and it was springingly, as though
delivering it, that he straightened.

But now de Fresnoy approached. Silverstairs moved to one side where
he was joined by Tyszkiewicz, a thin, tall man with a prominent nose
and an air vaguely pedagogic, and by Palencia who, with great black
eyebrows that met and a full black beard, looked like Fra Diavolo
disguised as a clubman.

From one of the long green bags de Fresnoy had taken a pair of foils.
These he offered, hilt foremost, to Verplank who grasped one and then
to gauge its temper, or his own, lashed the air with it. The movement
revealed a suppleness of arm, a muscular ease, the swelling biceps
which training alone provides.

Save Barouffski, no one noticed. For a moment his eyes shifted
absently. It was as though he too had meditated a coup and now was
meditating another. Meanwhile he also had received a foil.

“Messieurs!” de Fresnoy called. He spoke in a loud, clear voice. He had
moved back and stood at an angle to Barouffski and Verplank. Opposite,
at an equal angle were the seconds and surgeons. All now were so
stationed that they formed a sort of cross.

“Messieurs, I do not need to remind you of the common loyalty to be
observed. What I have to say is that the encounter will proceed in
engagements of three minutes, followed each by three minutes of repose,
until one of you is incapacitated.”

De Fresnoy looked from Barouffski to Verplank. At once in his loud,
clear voice he called:

“On guard!”

The two men fell into position. De Fresnoy moved forward, took in
either hand the foils at the points, drew them together until they met,
left them so and moved back.

“Allez, messieurs!”

At the word Allez, or, in English, go, and without waiting for the term
Messieurs that followed, instantly Barouffski lunged. His foil pierced
Verplank in the cheek and touched the upper jaw.

Verplank had a vision of a footman peering from a window, a taste of
something hot and acrid in his mouth, a sense of pain, the sensation of
vulperine fury.

De Fresnoy’s face had grown red as his neckcloth. He brandished his
stick.

“Monsieur!” he cried at Barouffski. “Your conduct is odious. You shall
answer to me for it.”

Barouffski bowed. “For the expression which it has pleased you to
employ, you shall answer to me.”

“Permit me! Permit me!” Tyszkiewicz interjected. “To what do you
object?”

Angrily de Fresnoy turned at him. “Your principal drew before the
order. He----”

“Permit me! Permit me!” Tyszkiewicz interrupted. “The word Allez is an
order. The moment it is uttered hostilities begin. The term Messieurs
is but a polite accessory, a term which may or may not be employed.”

Insolently de Fresnoy considered him. “I have no lessons to receive
from you.”

“Permit me! Permit me----”

But de Fresnoy had turned on his heel. Before him Verplank stood,
Silverstairs on one side, the old surgeon on the other. The young
surgeon had joined them. Beyond, Barouffski was examining the point of
his foil.

From Verplank’s mouth and face blood was running. The wound had not
improved his appearance. The old surgeon, on tiptoes, was staunching it.

“What I like,” he confided, speaking the while very unctuously as
though what he was saying would be a comfort to Verplank; “what I like
is to attend to gentlemen whose wives have deceived them. Outraged
husbands, monsieur, that is my specialty!”

Verplank brushed him aside, shook his foil, and called at de Fresnoy.

“Are the three minutes up?”

“Monsieur!” the old surgeon protested.

The young surgeon intervened.

“But, monsieur----”

De Fresnoy motioned at them.

“Is he in a condition to continue?”

“Why not?” Verplank scornfully replied.

He raised his left hand, and, with a gesture of excuse, turned and
spat. He looked up. His mouth was on fire, his jaw burned, the wound in
his cheek was a flame. Yet these things but added to the intensity of
his eyes. They blazed. There was blood on his face, on his chin, on his
shirt, on his feet. He was hideous. But he was a man, and a mad one.

“He ought to be horsewhipped,” muttered Silverstairs, glaring as he
spoke at Barouffski, who was talking to his seconds.

“On guard, then!” called de Fresnoy.

“Permit me, permit me,” cried Tyszkiewicz. “The point of my principal’s
sword is broken.”

“Give him another then,” de Fresnoy roughly threw out. Insolently he
added: “And teach him how to use it.” In a moment, when from the other
bag, a foil had been got and measured, “On guard,” he repeated.

Again he united the foils. Again he gave the command.

For a moment the weapons clashed.

Suddenly and excitedly Palencia cried: “My principal is touched.”

“Halt,” de Fresnoy, intervening with raised stick, commanded.

Verplank moved back. “Damn him,” he muttered, “I haven’t done with him
yet.”

About Barouffski now, Palencia and the young man with the serious face
had come. The latter was examining Barouffski’s right arm. On it a thin
red line was visible. Very gravely the young man looked up.

“My client is disabled. Profound incision in the region of the flexor
digitorum sublimis accompanied by a notable effusion of blood.”

The old surgeon chuckled. Confidentially as before he addressed
Verplank. “I know that term. It means a scratch. Those ladies there, it
must amuse even them.”

As he spoke he indicated a window at which Violet and Leilah had
appeared, but from which now Leilah was retreating.

Verplank did not hear, did not see. The young surgeon, resuming, had
announced himself as opposed to a continuation of the encounter. It was
this that preoccupied Verplank.

Loudly and angrily he cried: “Let’s have pistols then. That man can use
his left hand and I’ll do the same.”

“Cristi! La jolie dame!” the old surgeon muttered to himself.

In the doorway Leilah had come. Hurriedly she moved to Verplank. As she
did so Barouffski tried to prevent her.

“Cara mia, I must beg of you----”

He had got in her way but she eluded him, while the other men looked
curiously at this woman who now agitatedly was addressing Verplank.

“Don’t fight any more, don’t!”

Roughly Verplank answered: “I haven’t begun.”

“Sir,” cried Barouffski. “I can permit no conversation with this lady.”

Verplank ignoring Barouffski as utterly as he had ignored the surgeon,
looked at Leilah.

“That story of yours is----”

But whatever he may have intended to say, Barouffski interrupted. He
was shouting at Verplank, calling, too, at Leilah whom he had got by
the arm and whom he would have drawn away, but this Verplank prevented.
Shifting his foil to his left hand, with his right he seized Barouffski
and with a twist which separated him from Leilah, shoved him aside.

“To your shambles!” he called at him.

But already the others were intervening. Tyszkiewicz with his eternal
“Permit me,” got between the two men. Palencia held Barouffski by the
shoulder. Silverstairs drew Verplank away, while de Fresnoy, viewing
the situation as hopeless, declared the duel at an end.

The actions of all were practically so simultaneous that they were as
one to Leilah who, bewildered by the confusion which she herself had
caused, horrified by Verplank’s appearance and tortured by the riddle
of his interrupted words, now, over the heads of the others, again
called to him:

“You say that the story is----”

“At five!” Verplank threw back.

Barouffski, bursting with rage and impotence, shouted:

“I say this conversation must cease.”

The old surgeon, nudging his colleague, laughed:

“There is my specialty!”

Both surgeons then were occupied with their bags. De Fresnoy,
overhearing the remark, could not but smile. To conceal it he turned
to the gate where he was joined by Silverstairs and where at once,
Palencia and Tyszkiewicz followed, leaving in the center of the garden
Leilah and her two husbands, one of whom with a shrug which for an
American was perhaps rather French, went to the bench where his coat
lay.

In this instance again the actions of all so closely coincided that
barely an instant intervened before Leilah was throwing after Verplank
the two syllables he had thrown at her.

“At five!”

Later she was unconscious of having done so. But Barouffski heard and
presently, when the others had gone and in this garden those two were
alone, with angry suspicion he confronted her.

“Five! What is that? What does it mean?”

Leilah had turned to go. A bit unsteadily she moved on, reached the
entrance, leaned there for support.

But Barouffski was at her heels.

“Five,” he repeated. “He said it, you said it, what does it mean?”

“It means that God willing some day I may have peace.”

She had half-turned. She turned again. In a moment she had gone.

Menacingly Barouffski’s eyes followed her. “That’s what five means,
does it?”

Then he too turned. Nearby, on the marble chair, were his coat and
waistcoat. Slowly, thoughtfully, he put them on. As he did so he
noticed the dogs. It may have seemed to him then that they were his
only friends. Longly he looked their way.

Suddenly, as though illumination had come, he touched a bell and looked
up at Leilah’s window.

After a brief delay, Emmanuel appeared.

“Shut the gate,” Barouffski ordered.

“Perfectly, monsieur le comte,” the footman very deferentially replied
and started to do as bidden.

Barouffski checked him. Indicating the lower window, he added:

“At five or thereabouts be in there. I will tell you then what to do.
You hear me?”

“Perfectly, monsieur le comte.”

Again Barouffski glanced at the upper window. As he glanced he smiled.

“Cara mia, five may mean more things than you say, more even than you
think.”

He was still smiling but it was not a pleasant smile to see.

Beneath his breath, Emmanuel, who was looking at him, muttered:

“Quelle gueule de maquereau!”




X


“Gracious!” Violet exclaimed. She had been smoking and now in putting a
cigarette in a cendrier she had succeeded in overturning it. Undismayed
she looked at a clock. “Gracious!” she repeated. “Since that stupid
duel, I have sat here an hour.”

Leisurely the lady arose. She was a glowing object in this room which,
filled with costly futilities and furnished in canary and black,
otherwise was Empire and brilliant. The main entrance, hung with
heavy portières of yellow damask had, opposite it, across the room,
a tapestry panel which masked a spiral stairway that led below. To
one side, at an elaborate table, which now the overturned cendrier
had strewn with ashes, Leilah was seated. Behind her, through an open
window, shone the eager sun. Before her, rising from a sofa was her
friend.

Leilah wished that she would go, wished too that she would stay, wished
rather--as at times we all wish of those who are near us--that she were
different, less mondaine perhaps, more simple. To Violet, the spectacle
in the garden had been tedious. To Leilah it was horrible. Moreover
the atmosphere of blood and hate, the enigma of Verplank’s words, the
menaces of Barouffski’s eyes, these things frightened her, inducing a
dread which seemed to brood not in the mind but in the body. She could
have put a hand to her girdle and have said: “It is here.” In addition
she felt--as in every spiritual crisis we all do--alone. Of this she
could not tell Violet. She felt that she lacked the power to express
it and that Violet lacked the ability to understand. Pain has accents
which only its graduates know. Violet, in all her brilliant life, had
never shed a poignant tear.

“What do you propose to do now?” the lady was asking.

Cheerlessly Leilah replied: “My duty.”

Here was something which Violet did understand. Brightly she nodded.

“Yes, and I may tell you that it is your duty to preserve your looks
and avoid a scandal. I did not at all like your fantasia in the garden.
A gentlewoman never does anything important and that was an important
thing. In no time it will be all over the place. You can believe that,
can’t you?”

“I don’t know what to believe.”

Violet laughed. “I always believe what I like. That I find so
satisfactory. Apropos. What was that story about which Verplank was
shouting? Mercy! I could have heard him a mile away.”

In weary protest Leilah shook her head. “You know I can’t tell you.”

“The same old thing, was it? But how antiquated you are! Really it is
piteous. There are no secrets any more. All that sort of thing went out
with hoopskirts. Private life which used to be a sealed book has become
an open newspaper. It is plain for instance, plain to everybody, plain
as a pikestaff that you are still in love with Verplank. What you left
him for the Lord in his infinite wisdom and mercy only knows. That is a
secret certainly but only because you choose to make it one. It is no
secret to me though that you are dying to go back to him. But don’t you
know you can’t? Don’t you know it? Don’t you know that you can’t budge
an inch until you have shipped Barouffski? Now how are you going to do
that? Tell me.”

Leilah made a pass with a hand. It was as though, in some rite known
but to her, she were consulting the lap of the invisible gods and, in
it, the equally invisible future.

“Then I will tell you. You have got to buy him off. Listen to this. I
will pack Silverstairs straight to the Embassy. There he will get all
the law and most of the prophets. Meanwhile promise that you’ll keep
your head.”

“I will try,” Leilah, mechanically, her thoughts afar, replied.

“There!” Violet exclaimed. “That’s right. When there is a divorce in
the air it’s so much better to try than to be tried.”

At the inane jest she laughed, embraced her friend. In a moment she had
gone, distributing as she went a faint, sweet smell of orris.

Leilah who had risen moved to the window and looked out at the gate
through which Verplank would come. It was as she had said: She did not
know what to believe and mutely for a moment she prayed for guidance.

“O, Lords of Karma, Watchers of the Seven Spheres, grant me so to live
that, hereafter, I may say, I have harmed no heart, I have made no one
weep. Out of your infinite bounty grant that somewhere, sometime, there
may be peace to Gulian’s soul and mine.”

The prayer concluded she felt securer. Momentarily the cancer of
anxiety had ceased to gnaw, the fascination of fear had departed. In
the respite she turned to the clock. It was nearly five and she rang
for one of her women.

“Parker,” she began, when the servant appeared.

“Yes, my lady.”

“Presently, in a few minutes, a gentleman will come by the gate. Be
there and bring him here. Bring him through the dining room and up the
back way. If possible, I prefer that no one should see him.”

“Yes, my lady. Thank your ladyship.”

At once, with that air which those acquire who attended to delicate
matters, the woman drew aside the tapestry that masked the stair, which
then discreetly, almost atiptoe, she descended.

As the tapestry fell again, instantly there returned to Leilah the
sense of evil and impending ill. The brilliant room seemed full of
terrors. In each bright corner a danger lurked. So strong was the
impression that she felt it must be she was being warned, that she
was being visited by those obscure phenomena which occultists call
impacts from the astral, and that these were urging her to go, to meet
Verplank without, in the garden, in the street, anywhere except in this
fastidiousness.

Coerced by the impression, she entered an adjoining room, got there
a fichu which she put on her head, a light wrap which she drew about
her. Excited as she was, unaided as well, it took several minutes
before she could find these accouterments. When, at last equipped, she
re-entered the sitting room, she started.

Before her, his hat on, one side of his face medallioned with
courtplaster, stood Verplank.

At sight of Leilah, he removed his hat which he tossed on the sofa and
said at once and simply enough:

“That story of yours is false as Judas.”

“Gulian!” At the moment it was all she found, but then fancy a blind
man dazzled.

Verplank nodded. “Yes. The letters you received at Coronado--there were
three of them, were there not? three written on gray paper each signed
Effingham Verplank?--well, my father wrote them, that’s true enough,
but he wrote them to your aunt, your mother’s sister, Hilda Hemingway.
Did you never hear that the governor had an affair with her? Did you?”

Leilah’s face spoke for her. From the bewilderment there, it was
obvious that of it all she was ignorant.

With an uplift of the chin Verplank considered her.

“That’s odd, girls generally only hear what they ought not to. However,
Hemingway became suspicious--for very good reasons, no doubt, or, if
you prefer, for very bad ones--the result being that his wife turned
the letters over for safe keeping to your mother. When she died your
father found them. He did not stop there, he showed them to my mother.
My mother knew the facts, but she said your father was so convinced of
your mother’s infidelity that it seemed a pity to disabuse him. Those
were her very words to me to-day.”

“Gulian!” Still Leilah found but that. Visibly the light was there. As
yet she could not credit it.

Again, but now appreciatively, Verplank nodded. “Yes. I know. It does
seem queer. But then my mother is not the ordinary woman. She thought
the governor so created to conquer that it no more occurred to her to
sit in judgment on his victims than it occurred to her to sit on him.
In the true spirit of Christian charity she overlooked it all.”

Verplank paused, opened and closed a hand. “It was not matrimony
perhaps, but it was magnificent,” he obliging resumed, forgetting
wholly that it was not in him to do likewise.

“Come,” he added. From the start, Leilah’s apparel, the fichu and wrap,
had made him fancy that she was as ready to go as he was to take her
and it all seemed very simple. “Come. Let’s be off. I have a cab for
you.”

But at the suggestion which was a command she undid the lace, loosened
the cloak.

“Gulian, I cannot.”

“Cannot!” he angrily repeated. “Why can’t you? Have you not heard what
I said. You are not my sister, you are my wife. Come.”

“Gulian! You do not know what you ask!”

“I know perfectly well. If you hesitate it is because you do not
believe me. But would I urge you if that malignity were true? Would I?”

“Gulian, no, you would not.”

“There! You see! You have to believe me.”

“It is not that.”

“It is the divorce then! But you are no more married to that dismal
cad than I am to one of your maids. Except in Nevada the decree has no
effect whatever. But without bothering to have it set aside, come with
me and let this saurian get another.”

“Gulian, yes, but for the moment surely you can see that this is
impossible.”

“Impossible! There is nothing impossible. Why do you say so? Why do
you make so many objections? You should not make any. You hear a
cock-and-bull story, take it for gospel, run away, get a divorce, marry
a damned scoundrel and, when you find the story is a brutal lie, stick
like a leech to him.”

“Gulian, if you but knew. My position is horrible----”

She wanted to tell him that she was in a prison replete with tortures,
one from which she was as eager to go as he was to take her, yet one
from which she could not escape through the open door of sinning.

He gave her no time. Instantly he interrupted her.

“I know your position, it is all of your own making, too. By God, you
can make up your mind to one thing. You’ll come, if I have to take you.”

As he spoke he looked so brutal that she shrank.

“Gulian, you will kill me. I thought so before. I know it now.”

“It is only what you deserve.”

“Gulian! And you said you loved me!”

“Yes, but you make me doubt it.”

The wrap which previously she had loosened she let fall on a chair
beside her and put the fichu on the table.

“Gulian, you must give me time.”

The words were simple, plaintively uttered, but her action with the
cloak and lace, gave them an emphasis which added to his irritation.

“Nonsense,” he retorted. “You have had time enough. Now you must act.”
Roughly he considered her. “Anyone else might think you cared for
that----”

“Gulian, in all the world you know I love but you.”

Verplank raised the cloak, reached for the fichu.

“Put these on, then, and come.”

But Leilah, with a gesture that was less of resistance than of appeal,
motioned them from her. The gesture infuriated him. He threw the cloak
about her.

“By God! You shall put them on. What’s more, you will come whether or
not you want to.”

As he spoke he seized her, lifted her.

To Leilah it seemed as though she were about to be carried off
violently, like a prey. Unresistingly she raised her face to his.

“Gulian, kill me. It will be better; it will end it all.”

Something, the words, the tone in which they were uttered, the
helplessness of them and of her; but, more than anything else perhaps,
the fact that as he held her he felt her tremble, stayed him. He put
her down. His arms fell from her.

Catching again at the chair she steadied herself, and added:

“But if I am to live and love you, be patient. Gulian, if you would
stop to think, to realise, you would be patient, you----”

He started from her. “You don’t mean----”

At the question and its insinuation, hotly she flushed. Verplank saw
but the flush. The day previous she had told him that she had taken
Barouffski to serve as a barricade between them. Since then he had
cajoled his imagination with the idea that the creature stood to her
as husbands do on the stage, show entities who, the rôle performed,
cease otherwise to be husbands. Now the idea seemed to him hideously
naïf. The flush refuted it. It did more. It revealed not only other
relations but the result of them. Instantly he divined that it was for
this that she refused to go. At once within him waked the primitive,
the aboriginal self that lurks always and, save in the high crises of
the emotions, sleeps always within us all. He was in that condition in
which men slay with bare hands and afterward consider them marvelingly,
wondering at whose command they could have worked. Perspiration came to
his forehead, started about his nose and mouth. With the fichu which
he held he wiped them, but on the table from which he had taken it was
a layer of dust and ashes, the refuse of the cendrier which Violet had
overturned. It streaked his face, griming him with a mask comic and
sinister.

With that mask, he called at her.

“Then may you be forever damned.”

The malediction passed from him, reached her, shook her. She held to
the chair for support. Then indignantly she protested.

“Gulian!”

He did not hear. An idea had come to him, one that had visited him in
Melbourne, again in New York, to desist from further effort, to leave
her where she was, behind the barriers she had raised. At the moment he
believed he desired her no longer, loved her no more, had never loved
her at all. Occupied with the idea he looked at this woman who had
ruined her life, ruined his own.

She had been saying something, what he did not know nor, self-centered
in his anger, did he care.

In his pocket was a revolver. He felt of it and infuriatedly cried:

“You ought to be shot.”

“Gulian!”

“You are on a par with the beast you took up with.”

“I took his name, Gulian, his name alone.”

It was her turn to be angry. The flush had gone, she was pale again and
she had abandoned the chair’s support. She stood upright, confronting
him with that purity which was hers.

“I have no more been his wife than I was yours.”

“What!”

This time he heard. But her words, conflicting with his thoughts,
rolled over together. In this mental confusion he stared.

“What!”

“It is as I tell you.”

“You swear it?”

“Do I need to?”

Still he stared. Truth which acts on us and in us like a chemical
precipitate was disclosing to him her whiteness and its own.

“Do I?” she repeated.

“No, by God, you don’t. I believe you. I can’t help myself. It is in
your eyes.”

He paused and awkwardly added:

“Forgive me.”

Faintly and sadly she smiled.

“Will you?” he asked.

“Kiss me.”

In the unique syllables of the words, which in a woman’s mouth are so
fluid, there was a forgiveness so entire and a love so great that in
passionate contrition he drew her to him. Longly their lips met. She
closed her eyes, opened them, disengaged herself, moved back a step and
looked at him. For the first time she noticed the grime on his face.
It did not astonish. It seemed natural after what they had both been
through and it occurred to her that her own appearance might be equally
bizarre.

Briefly then, in this lull in the storm, she told him what Violet had
suggested--the buying and divorce of Barouffski.

“That will take time,” he objected. “The shortest way ’round is the
quickest way out. If you had not interfered in the garden----”

A gesture completed the sentence.

“No matter,” he grimly added. “I haven’t done with him yet.”

In speaking he had crossed the room, now he recrossed it.

Imploringly Leilah approached him.

“Gulian, not that, not that! Don’t fight with him again. Don’t, I
beseech you. It is not alone that anything of the kind is so horrible
but he is one of the trickiest swordsmen here. Think what that means!
Think what would become of me if--if----”

From the pocket of his coat Verplank had taken the revolver. He looked
at it, looked at her, replaced it.

“I am a trifle interested in the matter myself. Besides, there are
other weapons than the foil. If I can shoot pigeons--and I believe I
can--I ought to be able to land a buzzard.”

At sight of the revolver Leilah had winced. Now she cried:

“Give it to me!”

Verplank, amused at her simplicity, smiled.

“That isn’t a dueling pistol.”

“But you never carried one before.”

“In the States I did not need to. Here, in Paris, particularly at
night, the streets are seldom sure. I have this thing for protection.”

“Promise me then----”

Verplank looked her over.

“Don’t be a fool.”

But as he looked, suddenly she started and he saw that she was
trembling.

“What the deuce is the matter?”

Trembling still, peeringly now she had turned to the portières.

“What is it?” he repeated.

“I am so frightened.”

“Frightened? What at?”

Uncertainly, her head drawn back as a deer’s is when surprised, she
glanced about her. Slowly then her eyes returned to his.

“I am so frightened!”

“Yes, but at what?”

She motioned at the room. “Before you came there seemed to be something
here, something around me and just now----”

“Well?”

“I heard something.”

“Your maid probably.”

With an intake of the breath she raised a finger and for a moment both
were silent.

“There is no one,” he presently told her. “And what if there were!”

At the idea, he laughed.

The laugh, succeeding the silence, while intended to reassure her, did
not wholly succeed. She turned to him anew and in a low voice, said:

“You must go. To-morrow come to Violet’s.”

“I dine there to-night.”

“Yes, I know. Tell her that to-morrow, say at three, we will both be
with her. Then she can tell us----”

But Verplank had drawn her to him. Again her eyes closed.

“Go,” she said at last.

On the sofa was his hat. He reached for it. While he did so, she moved
to the tapestry, raised it, disclosing the stair up which he had come.

“To-morrow, then,” he said, as he entered there.

She nodded at him. “At three!”

Dropping the tapestry she turned, but very quickly, for again she heard
or thought she heard a noise.

Across the room the portières were parting. Through them Barouffski
appeared.

“I might have known it,” she told herself, and realising that he had
been listening, she realised also that the opportunity was as good as
another for making an offer which she had in mind.

These ideas, instantaneous at sight of him, were for the moment stayed.
On turning she had seen but the man. Now hastening toward her was a
creature with an expression so venomous that instinctively, in search
of help, with the idea of calling to Verplank, she turned to the
tapestry again.

Quicker than she, he caught and tossed her spinning on the sofa. Then,
running to the open window, he shouted from it:

“Emmanuel! The dogs!”

Leilah, falling backward on the lounge, was too stunned to hear. But
she steadied herself, recovered, got to her feet and making again for
the stair, called at Barouffski:

“Free me from you and you shall have half of what I have.”

“Half!” he repeated. At once he was upon her. “All,” he cried. “I want
it all, all of yours and all of his.”

As he spoke he struck her, shoved her aside, raised the tapestry and
vanished. For a second she heard him hastening down, while at once from
without came the barking of dogs, the jar of oaths, the sound of cries.

What it meant she did not know. Her head was whirling. The fall, the
blow, the indignity of both clouded and confused her. From without the
uproar mounted and suddenly, the uproar prompting, into the turmoil
that was her mind, a gleam of understanding shot. At the apperception
of it she shrieked, ran to the window where she shrieked again. The
loosened dogs had sprung at Verplank, who, overwhelmed had fallen.

Again she shrieked. Answering the shriek, mingling with it, were
snarls, the gnashing of fangs, the din of great hounds ferociously
struggling for blood, tearing vehemently at flesh, at a flesh, though,
that rebelled.

Verplank rose up between them. With a kick he sent one of them
sprawling. But, in the recoil, torn at by the other hound, he stumbled.
The dog was at his throat. In protection he held his left arm against
it. With his right hand he got at the revolver in his pocket, and,
through the pocket, fired twice into the brute. Gnashing still, it
rolled away.

But now, from the other side, the second hound was on him. He saw its
eyes, felt its breath, felt its fangs. Again he fired. As he did so,
his hand relaxed. He heard a woman shrieking, the sound of hurrying
feet. The wall before him mounted. His senses scattered into night.

Suddenly the garden was filled with people. Through the gate, two
sergents de ville had come. These, forms furtive and uncertain
followed. From the house, led by Barouffski, the footmen ran. Above,
from the window, still there issued a woman’s shrieks.

Barouffski stopped, and turned. He looked up at the window. He smiled.
With one hand he tapped his breast, with the other he pointed at
Verplank. Then, in French, reassuringly, he called:

“My dear! See! You may be tranquil. I, I am unharmed. It is the robber.”

At the ignominy of that flouting jeer, Leilah, impelled by the impulse
to do something, though it were but to beat her head against a wall,
rushed from the window, and, strangling with spasms, fled out of the
room and down the stair, where horror so suffocatingly enveloped her
that in it her brain tipped, and she fell.




XI


In the golden half light of the Opéra, a chorus, soprano voices on one
side of the stage alternating with contralto on the other, vaporised
the subtle sensuality of the scene.

Violet Silverstairs, turning to her husband, who was seated behind her,
remarked:

“How much better the Italian school is than the French.”

Silverstairs, ignorant of either, and indifferent to both, promenaded
his glass about the house.

“I wonder why Tempest doesn’t show up? There is Marie de Fresnoy! I saw
de Fresnoy to-day for the first time since his duel with Barouffski.
What a ridiculous affair that was! I suppose one of these days he will
have another with d’Arcy.”

Violet turned to him again.

“Because of Marie? How absurd you are! D’Arcy doesn’t interest her. No
man could unless he drove at her with a four-in-hand, and d’Arcy has
nothing.”

Silverstairs, still promenading his glass, exclaimed:

“There he is now!”

“Who? D’Arcy?”

“Yes, with the Helley-Quetgens, in that box between the columns. Isn’t
that your friend Leilah whom he is talking to? By Jove, it is, and
Barouffski is there, also.”

Violet, who had also been promenading her glass, put it down.

“Well, he ought to be. I do think she has acted scandalously. What is
said at the club?”

“About Verplank? It is forgotten already. Barouffski, you know, claimed
that it was a mistake, and as it appears that Verplank agreed with him,
as from neither the one nor the other any charge was forthcoming, the
police could do nothing but get Verplank back to the Ritz.”

Impatiently Violet unfurled her fan.

“Yes, where she has been every day; every day, that is, when she has
not been with d’Arcy.”

The statement was inexact. Leilah had indeed been at the Ritz but
d’Arcy she had seen but once, momentarily, by accident--if there
be such a thing, in any event through one of those seeming hazards
which, however fortuitous at first, afterward appear to have been
designed. It was a little, though, before Leilah took that view of
things. Meanwhile, when, on recovering from her swoon, she learned
that Verplank had also recovered she realised with thanksgiving that
Destiny which has its tyrannies has its mercies as well. So soon then
as she could get from the bed into which the horrors of the midspring
nightmare had thrown her, she went to the Ritz where she found Verplank
amply attended, abundantly bandaged, severely but not dangerously hurt.

“One of the brutes nearly chewed my arm off,” he told her. “If the
other omitted to eat me entirely, it was not because he did not try. I
did for them, though,” he added, and smiled as he said it. After the
manner of man, he took comfort in the feat.

“But not for the worst brute,” Leilah answered wishing in spite of
herself, wishing instinctively and even ungrammatically that some good
fate might.

From beneath a bandage, Verplank laughed:

“Bah! I’ll do for him, too.”

But Leilah did not hear. She was speaking to the surgeon, whom--with
a bravery which in itself was a little defiant, and which in any
event might have been more discreet--thereafter, daily and openly,
she supplied with that which every surgeon wants, a nurse obedient,
attentive, skilful, alert, and who, in addition ministers for love.

Presently, Verplank was able to be up. The surgeon said that in a day
he would be able to be out. Verplank, who knew as much without being
told, asked Leilah to go with him on the morrow.

Leilah refused. Verplank, for an invalid, became then surprisingly
demoniac. The demonism of him affected her less than a conception,
feminine perhaps but erroneous, of her own selfishness. If she went,
she knew beforehand that irremissibly she would be dishonoured. But
she knew also that any sense of dishonour must, if it is to ashame,
come not from without but from within. If she went, her conscience,
she thought, would acquit her. She thought that she would not feel
dishonoured, though she knew that she would be disgraced. To refuse on
that account seemed to her selfish. As a result finally she consented.
Yet in consenting she made one stipulation. Characteristic in itself,
it was that there must be nothing clandestine, that he must come for
her in the rue de la Pompe, and that from there, her boxes put on
whatever vehicle he brought, they would leave for darkness by daylight.

The plan pleased Verplank. He agreed at once. He told her that he
would come the next day.

When he had, she added: “To-night I go to the Opéra; the Helley-Quetgens
have asked me. It is my last look at this world.”

Then, shortly, the arrangements for the evasion completed, she left the
hotel.

Without, her motor waited. She told the groom to have it follow
her. The air tempted, though the sky was dirty. She thought of the
California glare, the eager glitter of New York. She wondered would
they go back there. Perhaps, she told herself, we shall at last see
Bora-Bora.

Her walk took her through the arcades of the rue de Rivoli to the
fountains of the Place de la Concorde. From there she was about to
enter the Champs Elysées when she became conscious of being accosted.

“Chère madame,” some one was saying, “I precipitate myself to renew the
expression of my homage.”

D’Arcy, hat in hand, was before her. At once, with a view to what the
French agreeably describe as the placing of landmarks--_pour poser des
jalons_--he asked to be permitted to accompany her.

Leilah smiled.

“Not for the world!”

She motioned at the motor. Then, with that graciousness which is
natural to the mondaine, with perhaps the desire also to attenuate
whatever there were of brusqueness in her reply, she added, as she got
in the car:

“I shall be at the Opéra with the Helley-Quetgens to-night. Could you
not look in?”

D’Arcy, habituated to the abruptest victories, accustomed to inflame,
with but a glance, by the mere exhibition of his Olympian good looks,
and, therefore, indifferent when not bored by the celerity of his
successes, but piqued by the tranquil air with which this woman had
always regarded him, thanked her, assured her that he would not fail to
be there, and replaced his hat.

Immediately he raised it again, straight from the head, high in the
air. Looking with brilliant eyes from a brilliant brougham, Violet
Silverstairs was dashing by.

Coincidentally, unobserved but observant, Barouffski was also passing
that way.

Leilah’s motor flew off and she sank back, wondering at herself,
wondering rather what influence, malign and unhallowed, could possibly
have prompted her to ask this man, whom she disliked as--in spite of a
theory to the contrary--honest women do dislike a man of his type. But
though, at the time, she could not understand what impelled her, later
it seemed to her that it must have been fate.

Barouffski had a different interpretation. At the Joyeuses he had
seen Leilah and d’Arcy together. Now, here they were again. The
circumstance, of which the fortuitousness was unknown to him, irritated
him for that very cause. But he could imagine and did. At once it was
clear to him that the brute was after the blue eyes of her bankbook.
The deduction, however erroneous, was easy. He was viewing the matter,
not, as he fancied, from d’Arcy’s standpoint, but from his own. In
spite of which, or rather precisely on that account, he told himself
that d’Arcy was a damned scoundrel. The humour of this quite escaped
him. But that perhaps was in the order of things.

Since the night at the Joyeuses, he had been measuring himself solely
against Verplank. Twice he had failed with him, but he knew that soon
they would be at each other again and for the next bout he had in view
a coup which, he felt, would do for him definitely. Meanwhile, if in
regard to Leilah he had been led into certain vivacities, he felt that
with time, which is the great emollient, her memory of these vivacities
would pass. Even otherwise, the law was with him. He proposed to see
to it that she was also--she and with her her purse. The one menace to
both had been Verplank. Here, now, apparently, was another. Here was
d’Arcy with his pseudo-Pheidian air, that famous yet false appearance
of a young and dissolute Olympian which made imbeciles turn and stare.
Ragingly Barouffski reflected that canaille though d’Arcy were, he
carried a great many guns, almost as many as Verplank, who, worse
luck, had, in addition, the signal advantage of being Leilah’s first
love--that love to which it is said one always returns.

But even as he sounded the stupidity of that aphorism, vaguely, for a
dim second, he intercepted a gleam refracted from truth. The danger
with which he had to contend, Verplank did not personify or d’Arcy
either, it was himself. When the golden six was tossed him, had he but
then known how to secure the box, there would now be no danger at all.
But truth, when it does not console, confounds. Barouffski put it from
him. It was too exasperating. “Bah!” he told himself, “if her attitude
does not change, a sojourn in the solitudes of Lithuania may alter it.”
Angrily he nodded. Things more surprising have occurred there.

On this day it was Leilah who surprised him.

Since he had called to her from the garden, she had encountered him
only in the hazards of entrances and halls. On such occasions she had
passed with an air of being unaware that there were anything save
chairs and tables about.

In part, it was this attitude which he thought certain solitudes might
change. Oddly enough, Leilah herself wished it altered. But to want
to do one thing and to do something else, happens to all of us, even
to the best. She despised Barouffski and yet in despising him knew
that the one contemptible thing is contempt. For what he had done,
she felt that no punishment could be too severe, yet in so feeling
she knew that he was only the embodiment of past misdeeds of her own.
Physically he had struck her. Spiritually, it was her own hand that had
dealt the blow. He had loosed the dogs on Verplank and she had judged
and condemned him for it, though she knew that not only she should not
judge at all, but that never perhaps do useless events occur. Clearly
these events were evil, but were not those which she planned evil too?

In this dilemma there was some slight consolation for her in the
knowledge that it was not her fault, at least not her present fault,
that she had been born with a nature so problematic. But the _Vidyâ_,
in teaching her that whatever we suffer is derived from our past; that
the people who wrong us--or seem to--are mere puppets come to claim
karmic debts which we owe; the _Vidyâ_, in teaching her that taught
her also that every life we lead here is but a day in school. Her
schooling, she felt, had as yet been insufficient. No doubt she would
know better when she came here again.

The thin gilt hope of that fortified her a little on this day when, to
Barouffski’s surprise, she sent for him and then, her head raised, said
distantly:

“The Helley-Quetgens have asked us to the Opéra. I am going. You are
free to do as you like.”

Here, obviously, was something new. At it and at her Barouffski looked
with shifting eyes. Uncertainly he rubbed his hands.

“But how then! I am at your orders. It is a festival to be where you
are.”

But as he did nothing without an object, he wondered what hers was.
Obviously, there was a reason. Yet, what? Could it be an olive branch?
He was too adroit to ask. Even otherwise, he lacked the opportunity.
Leilah had gone from the room.

It was in these circumstances that, on this night, she appeared at the
Opéra where Violet was complaining at having seen her with d’Arcy.

At the complaint, Silverstairs pulled at his moustache.

“I did not know that she had taken up with him.”

“I don’t know that she has either. But she was with him to-day in the
Champs Elysées.”

“Oh, come now! Things haven’t got to such a pass that a woman can’t be
seen with a man----”

“No, but no honest woman can be seen alone with d’Arcy. Leilah ought to
know better. She ought to know better too than to go to the Ritz. As
she does not appear to, I propose to tell her.”

“Do as you like,” replied Silverstairs who would have said the same
thing no matter what his wife had suggested. The lady had not entirely
Americanised this Englishman but she had at least made him realise the
futility of argument.

“Do as you like,” he repeated. “There are the Orlonnas. There are the
Zubaroffs.”

At once to the quick click of an ouvreuse’s key, the door opened and
Tempest appeared, a foulard showing above his coat.

While he removed these things Violet called at him:

“You’re late.”

Silverstairs laughed. “He always is. At Christ Church he was known as
the late Lord Howard.”

Tempest moved forward and sat down between them.

But now, to the volatile sweetmeats of the score, the curtain was
falling. In the stalls there was a movement. Men stood up, put their
hats on, turned their back to the stage or set forth for a chat with
the vestals in the green room.

Silverstairs also stood up.

Violet turned to him:

“I do wish you would look in on the Helley-Quetgens, and ask Leilah to
come to luncheon to-morrow. Say I have a bone to pick with her. That
may fetch her, if nothing else will.”

Tempest ran a hand through his vivid hair.

“A bone over what, if I may ask? You may not know it, but I greatly
admire Madame Barouffska.”

Violet smiled.

“She’s a dear. But I saw her to-day with d’Arcy, and I propose to scold
her for it.”

Tempest showed his teeth.

“D’Arcy is not a man’s man, though he certainly is a woman’s. Yet, when
you come to that, not such a woman as Madame Barouffska. What an odd
thing that was about her first husband!”

“You mean about the dogs?”

“Yes. I never got the rights of it. What was he doing there? Is she
living in the past?”

Violet raised her opera-glass.

“She would be very lucky if she could be; living in the present is so
expensive, don’t you think?”

Again there was a quick click. The door opened. Silverstairs, filling
the entrance with his tall stature, reappeared.

“Violet,” he began, “the Helley-Quetgens are going on to some dance
in the Faubourg, and Leilah wants the three of us to sup with her at
Paillard’s. What do you say?”

Violet laughed. “I say it will be just my chance.” She turned to
Tempest. “You will come?”

“Thanks, yes. Isn’t that de Fresnoy with the Zubaroffs?”

Silverstairs, without sitting down, raised his glass.

“Yes, and I was just saying, this is the first time since his duel that
I have seen him. But what an asinine affair that was! He lunged at
Barouffski’s neck, Barouffski knocked the foil up and pricked himself
on the chin with it. Then Barouffski’s surgeon stopped the fight on
the ground that it might interfere with his breathing. Fancy that!
Afterward, in the account given to the press, the surgeon described
the prick as an incisive wound in the hyoïdian region, accompanied by
a notable flow of blood. Anyone who did not know would have thought
that Barouffski had been nearly done for. But that’s a French duel for
you--a funeral at which everybody giggles.”

Tempest looked gravely up at his friend. “What did you have for dinner?”

Suspiciously, Silverstairs considered him.

“Why do you ask?”

“You are so expansive and brilliant.”

On the stage, the drama continued, poignantly, beatifically, in a
unison of violins and voices that was interrupted at last by the
usual stir in the stalls and boxes, by the haste to be going, to be
elsewhere, and a defile began; a procession of silken robes, gorgeous
cloaks, jeweled headgear, black coats, white ties; a procession that
presently filled the subscribers’ rotunda, from which, at sight of it,
grooms fled, then hurried back, touching their hats, eager and zealous.

Between the columns groups loitered, regarding each other with
indulgence, with indifference, at times with a loftiness that put
isolating zones about them; and women assumed that attitude which
women alone can assume, that attitude of being not only apart from the
crowd, but of being unaware of the crowd’s existence.

In the centre, Mme. Orlonna, an Italian princess, with a slight
moustache and an ancestry that extended to the super-Neronian days
of Heliogabalus, stood, laughing and talking, lisping _Bonthoirs_ to
everybody.

Another princess, a Russian, Mme. Zubaroff, with a young girl at her
side, and an escort of blond giants, passed, inclining her head to the
left, to the right, bowing with a grace mechanical, but sovereign.

Beyond, Leilah appeared, d’Arcy on one side, Barouffski on the other.
Her face, ordinarily pale, was flushed, and her manner, usually
subdued, was animated. She was laughing, not loudly, but noticeably.

Violet, accompanied by Tempest and Silverstairs, approached. As the
men, after saluting the women, greeted each other, Violet tapped Leilah
with her fan.

“My dear, I have a bone to pick with you.”

Leilah, with a levity that was rare with her, interrupted:

“It is just for that we are going to supper. How will you have it,
grilled or deviled?”

“Her ladyship’s carriage is at the door,” a groom announced, in English.

Another added, in French: “The motor of madame la comtesse is advanced.”

“Yes,” Violet retorted. “But my bone belongs to a different kettle of
fish. Now, you come with me.” With a smile, she turned to the others.
“We will go in the brougham, and you take the motor.”

Stooping, she lifted her train, and the two women, accompanied by the
men, followed the groom to the carriage.

There, after seeing them in, Barouffski called:

“To Paillard’s, Chaussée d’Antin.”




XII


At the glass door, which a chasseur opened, Barouffski stopped, spoke
to the man, gave him an order. As the others, conducted by a maître
d’hôtel, approached a table, a fat woman in a pulpit charged them,
before they were seated, with the use of the silver and the cloth.

Beyond, a band of Bohemians, costumed in crimson, were loosing, with
nervous and dirty fingers, whirlwinds of notes. The atmosphere, filled
with vibrations, fevered by the fury of the violins, dripped with
the scent of flowers, with the bouquet of burgundies, the smell of
champagne, the odour of tobacco and food.

At adjacent tables were demi-reps and foreigners, mondaines and
clubmen, a sprinkle of the cream of the venal, the exotic and the
ultra-chic, whom omnibuses and waiters, marshaled by maîtres d’hôtel,
served with the same deference and zeal.

For the Barouffski party, these latter had turned two tables into one,
at which Violet Silverstairs occupied one end, Leilah the other. Violet
had Barouffski at her right, Tempest at her left, while Leilah had
Silverstairs at her left and d’Arcy at her right, a disposition natural
enough and otherwise fortuitous which placed Tempest next to d’Arcy,
with Barouffski and Silverstairs opposite.

In the rising storm of the music, Leilah turned to d’Arcy. What she was
saying the others could not hear and all, save Silverstairs, who was
munching a hors d’œuvre, addressed themselves to Violet.

Presently, in a lull of the gale, Tempest would have tried to talk
to this woman who, in abandoning her Madonna air had now the merit
of suggesting both the Chimera and the Sphinx, but something in her
attitude to d’Arcy prevented. It was not, to employ a vulgarism, that
she was making eyes at the man, but she was obviously permitting him to
make eyes at her.

D’Arcy was seated, his arms on the table, talking in her face. His
plate was empty. A chaudfroid had been served. He had refused it. A
mousse had followed. He had refused that also. Over the glasses at his
side he had put a hand. It seemed a pose of his not to eat or to drink
that he might do nothing but talk.

Leilah herself had not eaten. But as soon as champagne was served she
had drunk of it, she had drunk since and in her manner, in the way
she held herself, in the inflection of her voice, there had entered a
trace of the excessive which the mondaine avoids. It was this that had
deterred Tempest. Moreover she had been laughing and that surprised
Violet who, except a little earlier in the rotunda, never, since Leilah
reached Paris, had seen her laugh before.

Now, her head drawn back, her eyes half closed, she was gratifying
d’Arcy with that look with which a woman can appear not to listen
merely but to drink the words, the appearance even, of the man by
whom she is addressed. While perhaps flattering to him, it was too
marked for good taste. The others noticed it, but, as is usual in such
circumstances, they acted as though they had not.

Barouffski conscious of the impression produced, conscious also of the
impressions of the afternoon, leaned forward and said in French:

“But, my dear! You eat nothing!”

Silverstairs, tugging at his moustache, laughed inanely and addressing
himself to both Leilah and d’Arcy, threw in:

“If this is a private conversation----”

“What nonsense!” Leilah threw back.

“I was about to say,” Silverstairs resumed, “that if it is a private
conversation, I’d like to hear it. If it is not, never mind.”

Barouffski, still leaning forward, continued:

“I pray you take a bit of the chaudfroid.”

With a movement of impatience, yet otherwise ignoring him completely,
Leilah turned again to d’Arcy.

Barouffski was not in a mood to be ignored. The sight of d’Arcy in the
afternoon, the man’s unawaited advent at the Opéra, his demeanour to
Leilah, her attitude to him, the hazards which both seemed to suggest;
yet chiefly the precariousness of his own position, the constant effort
to appear other than what he was, the consciousness of danger ever
present, the obligation to cover irritation with calm, anxiety with
banter, these things and the tension of them, fevered and enraged.
At the moment he felt like a fiend and looked it. A moment only.
Reacting at once, he compressed his lips, parted them and summoning his
ambiguous smile, called out:

“If the chaudfroid says nothing to you, will you not try the mousse?”

Leilah was raising a glass to her lips. She looked over it at him and,
much as though he were a servant, said:

“Do me the favour to attend to your own affairs.”

Barouffski’s smile evaporated. A man with no sense of honour and
some sense of humour may go far, provided that he keep his temper.
Barouffski knew it but forgot it. With a tone of authority which in the
rue de la Pompe he would have ordinarily avoided, angrily he replied:

“Then do me the favour not to drink any more.”

Leilah, the glass at her lips, paused, looked over it again, and very
gently, almost sweetly, with the pretty air of a spoiled child, nodded
at him.

“Only one sip.”

She touched the glass with her lips, for a moment held it there, then,
offering it to d’Arcy, rather languorously she said:

“Beau sire, will you drink the rest?”

Instantly Violet intervened. “Leilah! Behave yourself!”

“But with delight,” d’Arcy was saying.

From Leilah’s extended hand he took the glass, raised it, drained it,
put it down, looked at her.

Barouffski was looking at him. Quietly, without emphasis, he asked:

“Will you drink mine, too?”

Half rising as he spoke, he had taken his own glass in his hand and
with a gesture which, even as he made it, he regretted, a gesture
incited by vibrations which he was unable to resist, he flung the
contents at him.

“Barouffski!” Violet indignantly exclaimed.

She glanced about her. At her elbow an omnibus, a lad undersized
but stout, stood gaping. Beyond, the Bohemians were storming. At
the adjacent table were demi-reps and South Americans. They had not
noticed. At this table, Tempest, his teeth visible, was contemplating
his host. Silverstairs, tugging at his moustache, was considering
Leilah. The latter was looking--and with what a look!--at Barouffski.
But no one spoke. A spell seemed to have settled on all. With the idea
of doing or of saying something that would break it, Violet turned to
d’Arcy.

Delicately, with a coroneted handkerchief, he had wiped his face and
was then mopping at his shirt.

Interrupting the operation, he looked up and laughed. “Oh, la, la!
The dangers that may be avoided in remaining at home! These are the
accidents of restaurant life!”

He laughed again. The laugh humanised and deformed the Pheidian beauty
of his face. He bowed to Leilah, bowed to Violet and collectively
added:

“Mesdames, I have ceased to be presentable. A thousand pardons. You
will permit me?”

In a moment, after another bow, circular this time, a bow which while
managing to omit Barouffski, included the rest of the table, he had
gone.

“He looks like Keats,” said Silverstairs animated by an unconscious
desire to second his wife and break the spell which still persisted.
Ordinarily he would have taken her and gone. The assault had been as
much of an affront to her as it had been to d’Arcy. But to have left
the table would have been a reproof to Leilah, whom, in the ridiculous
way in which society is organized, he was unable to disassociate from
Barouffski.

“Keats!” Tempest, coming to his aid, exclaimed. “I’ll lay a guinea you
would not know his picture if you saw it.”

Amiably Silverstairs tugged at his moustache. “Well, perhaps not. What
I meant was that he looks like a poet.”

“I don’t agree with you,” Tempest retorted. “To begin with, there are
not any. Besides, latterly there have been but two--Hugo, who looked
like a green-grocer, and Swinburne who looked like a bookseller’s
assistant. Moreover I hate poets, though, as someone said somewhere,
an inability to write in verse can hardly be regarded as constituting a
special talent. No, d’Arcy does not look like a poet, he looks like a
poet’s creation.”

“Excuse me,” Silverstairs with affected meekness threw out. “And thanks
for the lecture.”

Tempest nodded. “You’re entirely welcome.”

He turned to Violet. She was looking at Leilah who was looking at
Barouffski. The latter was looking at the fingers of his right hand
against which his thumb passed and repassed mechanically. But now,
aroused from his reflections by the entire cessation of talk, he
glanced about him, summoned a waiter, settled the score. The Bohemians
who momentarily had been silent, abruptly striped the air with spangles
from their bows.

Violet and Leilah stood up, resumed their wraps, passed on. The men,
buttoning their coats, putting their gloves on, followed.

At the door were the eager grooms. As one of them touched his hat to
Leilah, Violet turned to her.

“My dear, I cannot thank you for a very pleasant evening. But I will
look in on you to-morrow. That bone isn’t picked and what’s more, now
I’ve got sauce for it.”

With Silverstairs and Tempest at her heels, she went to her brougham.
Leilah entered the motor.

At the door of the latter Barouffski stood. He raised his hat. Leilah
looked at him. She had had, she thought, her last glimpse of the world
and this was her last glimpse of him. The sight was so repugnant that
she almost sickened and the nausea which she felt, her face expressed.

Barouffski tried to smile but the unconcealed candour of her abhorrence
made his lips twitch. Now, though, the motor was starting. As it
whirred away, he drew his coat closely about him, turned up the collar
and stuck his hands deep in the pockets. There had come to him that
odd sensation which homely fancy attributes to someone walking on your
grave.




XIII


The next day, Violet, entering the brilliant room, gazed first about it
and then at Leilah.

“Aurelia is not here? That’s odd. She is simply horrid but so reliable.
You don’t mind my having told her to meet me?”

Leilah sighed. “I am getting so that soon I shan’t mind anything.”

Violet, seating herself, nodded vivaciously.

“I call that very fine. But there is something finer. Never mind
anybody. Silverstairs now----” and as the lady spoke she summoned a
smile feline and Cheshire--“he fancied I would be a good, obedient
little wife. Instead of which he is a good, obedient big husband.”
In entire self-appreciation she exhibited the tip of her tongue and
moistened her lips with it. “It takes us, doesn’t it? But forgive me,
dear, us is perhaps an exaggeration. I am afraid you have made rather a
mess of things. Now what are you going to do?”

Without replying, Leilah looked away. During the night she had barely
slept. The incident in the restaurant, events that had preceded it,
anterior complications, subsequent developments, these things, like
the Bohemians at Paillard’s, had stormed at her, attacked her fibres,
wrenched her nerves, striating the darkness of her room with variations
on the tragedy of her life.

In what manner the affair in the restaurant had terminated, she had
no one to inform her but she could readily fancy that shortly d’Arcy
and Barouffski would go somewhere and fight, or pretend to, and then
return, none the worse and none the better, but with honour satisfied
and their names in print.

The entire episode was shameful. But though provoked by her she had not
premeditated it. In offering d’Arcy her glass, she had wished solely to
display her independence. Subsequently, in going over the matter, she
had realised that the wish, while human, had not been nice. Then, a bit
conscience-stricken, she had wondered how she could have behaved as she
had.

“I did it without thinking,” was her immediate excuse. But that,
she told herself was untrue. Ever since the duel and the blow and
the nightmare that followed, some such wish had been fermenting in
her. The wish, reasonable in itself, though in her case unreasoned,
persisted, as in certain natures a wish will persist, until, after
the fashion of a constantly recurring idea, the individual becomes so
saturated with it that, given the impulse, given less than that, given
a vibration, some effect, perhaps wholly atmospheric, and suddenly the
idea has solidified into an act, an act noble, degrading or merely
banal, according to the influence that produced it, but an act which,
whatever its character, has then become inevitable, even involuntary,
its constant mental recurrence having exhausted the ability to choose
between it and another.

Leilah had thought of this and, in search of comfort, had groped for
another excuse. As an Oriental will say: “My body is tired.” “My body
is hungry,” so Leilah decided: “It was my nerves that did it.”

But the sophistry displeased her. She knew that she had judged and
condemned Barouffski and she knew also that she had no right to do
either. The man was clearly a cad, a scoundrel and a brute, yet even
though he were these things and worse and more besides, he so became in
her eyes merely because her consciousness had evolved to a point higher
than his own. Seen from a different angle, she might appear only a
shade less reprehensible, and it might be, even equally vile. Moreover,
according to the _Upanishads_, this consciousness of hers and that
consciousness of his were fundamentally one. Both had come from the
same source. To that source both would ultimately return. They would be
fused there, as originally there they had been merged.

At the apperception of that, the curious lines which occur in the _Book
of Dzyan_ suggested themselves:

“_Said the Flame to the Spark: ‘I have clothed myself in thee, thou art
my image, my body, until that day when thou shalt rebecome myself and
others, thyself and me.’_”

In the penetrating beauty of the allegory Leilah told herself that she,
Barouffski, Verplank, the Silverstairs, the Helley-Quetgens, everybody
whom she knew, everyone whom she did not know, all the fillers of
space, were sparks of one Flame, the Flame from which they had been
formerly emitted and into which they would finally return. That, she
felt she must believe, if she were to believe anything. But she felt
too that though she did believe it, she believed also that for the
present there were sparks better parted than united, as there were also
others better united than apart.

On the table before her was a treatise on the Paramitas--which are The
Blessed Things. She looked at it, knowing that what she had done was
wrong and what she was about to do was evil. But she felt also that she
could not help herself. Whatever the penalty, it was impossible for her
to live with Barouffski. Whatever the punishment, it was impossible
for her not to live with Verplank. At the moment it seemed to her as
though the high fates had set her in a circle from which she could not
escape except by the door of death or that of further sinning. At this
idea she wondered about Barouffski as, after Verplank’s eruption at
the Joyeuses, she had wondered about him. She wondered whether in some
former existence she had injured Barouffski and whether it were for
that reason that she had been led into giving him the power to injure
her now. It might be so, she told herself, in which case she ought to
bear it. But how could she know that it was so? Yet even though it
were and the fact were made clear to her, even then, even too if the
certainty of a punishment more poignant than any were shaken in her
eyes, still she could not bear it.

“But I ought to,” she found herself saying.

These reflections Violet’s advent had interrupted.

“What are you going to do?” the lady was asking.

Leilah, unfit at the moment for battle, felt unable to tell. She looked
away.

“Nothing, I suppose.”

Violet, cocking a belligerent eye, threw out:

“You carry moderation to excess.”

Leilah looked up. “What would you have me do?”

“Divorce Barouffski.”

“Because he threw champagne about? I hardly fancy I could get a divorce
for that.”

Militantly Violet whipped off a glove. “Frankly that creature is a
criminal. Never, in all my life, have I seen such an exhibition of bad
taste. But then, as they say here, bad taste leads to crime--to such
vulgar forms of it at that.”

“Even so, I don’t see how it helps me.”

“But he struck you,” Violet, more bellicose than ever, exclaimed. “You
told me so. What more would you have. But aren’t you difficile to-day!”
Suspiciously she considered her friend. “You’ve got something up your
sleeve.”

“If I have,” Leilah, in an effort to parry the thrust, replied, “at
least it is not witnesses.”

Cogently Violet nodded. “Come to me then. Divorce is the mother-in-law
of invention. If you haven’t any witnesses, I’ll find something else.
I make a specialty of finding things before they are lost.”

This programme hardly suited Leilah’s book. Again she parried. “Last
night--and what a night!--I dreamed I was feasting with the dead. It
was so peaceful. It is that that I want. It is peace the very fibres of
my being crave.”

Here were heights--or depths--where Violet could not follow. With a
smile she tacked.

“Before you dreamed your dream I noticed that you wore a very ducky
frock.”

“It is stained. So am I. The champagne Barouffski threw stained me
within and without.”

Here were other heights. Readily Violet skirted them.

“I believe I got a drop or two myself. But then I don’t mind. It is
true I am not a theosophist.”

At this, in indignation at herself, Leilah protested.

“Theosophy is primarily a school of good manners. In giving d’Arcy my
glass, mine were detestable.”

Now they were on surer ground. Wickedly Violet winked.

“Nobody has any manners any more or, when they do, they have them in
plenty and all of them bad.”

“If I have an excuse,” Leilah continued, “it is that Gulian drove me
nearly demented.”

Now, Violet felt, they were getting at it. Mentally she girded herself
and with an engaging appearance of sympathy, exclaimed:

“A man never does that unless he loves a woman to distraction.”

The sympathy, however feigned, did its work. After all, Leilah
reflected, why should she not tell what she was about to do? On the
impulse she turned.

“Violet, I offered Barouffski half my fortune to free me. His reply was
a blow. Apart from that I have no grounds for a divorce, none at least
which I can show. Previously there was something between Gulian and me.
It has gone. He cares for me still and I care for him. Shortly he is to
be here. For a long time I hesitated. But after last night--after the
nights and days that preceded it!--it does not seem to me that I need
hesitate any more.”

Pausing, she drew breath. “Violet, when he comes I am to go with him.
Is there a reason why I should not?”

Violet, who had long suspected as much, now at last had nailed it.
Cautiously she buckled to.

“No. Not one. On the contrary. There is every reason why you should.
Every reason. Particularly as to greet you there will be the disdainful
eyes, the lifted skirts, the averted heads, every one of the very
slight and very fiendish tortures that are visited on the woman who has
gone and done it.”

For a second she too paused, then with a war whoop added:

“But you can’t do anything of the kind. I won’t let you.”

“Would you turn from me also?”

“I! Merciful fathers! But I am not the world. No matter what is done in
private, the world does not care. The world is very well bred. It never
sees anything that was not intended for it. But on the open scandal of
scandalous conduct instantly it turns its well bred back. It will turn
it on you.”

Indifferently Leilah assented. She had examined this phase of the
matter. It had not seemed very important.

“No doubt,” she replied. “Yet then destiny seldom closes a door without
opening another. I told you of my dream. It was a dream of peace.
Here there can be none. It may be my karma perhaps. But this,” she
continued, motioning at the brilliant room, “this is my prison.”

She hesitated and a bit lamely concluded:

“It is horrible to be in such a place.”

“And worse to be nowhere at all,” Violet shot at her. In firing she had
sat up. Now, lolling back on the cushions, she enigmatically resumed:
“You may be right though. I daresay it is dreadful to be in prison. I
daresay it is even worse than you think.”

Enigmatic still, she smiled. With another shot, with two at most,
Leilah, she told herself, would be routed.

“It is as though I were in a vortex,” the latter was saying. “It is
as though I were being torn from places where I do not wish to be to
others I may not like. But can one argue with a vortex? It is idle even
to struggle. Whether you will or you won’t, you have to let yourself
go.”

Lightly, in her most worldly manner, Violet laughed.

“Never in the world! A woman should never let herself go--except in an
aeroplane. At a pinch a four-in-hand might do, but----”

At the moment the lady was thoroughly _en veine_ and, sure of victory,
might have bantered on, but this, Aurelia, ushered by Parker, prevented.

Sharply Violet threw at her: “Where have you been?”

Ignoring Violet, Aurelia nodded at Leilah.

“I was here the other day, did they tell you?”

She turned and with blithe impertinence looked her sister up and down.

“Don’t be so ordinary as to ask a girl where she has been. If you are
inquisitive, ask where she is going, and, if you ask me, I’ll tell you.
I am going to become----”

“Yes, yes.” Violet impatiently interrupted. “We’ve heard all that.
You’re going to become a star. I know what kind too--a fallen star.”

A fresher smile bubbled about Aurelia’s delicious mouth.

“It pleases your ladyship to jest. I am to become the Princess Farnese!”

“Merciful heavens!” Violet exclaimed, turning as she spoke to Leilah.
“She’ll go in to dinner before me!”

But Leilah who, after a word of greeting to Aurelia, had, from the
table before her, taken and reopened the Paramitas, perhaps did not
hear.

Violet turned again to her sister. “When did he propose?”

With an air of amused contempt, again Aurelia looked her up and down.

“How antiquated you are! Don’t you know that all that sort of thing has
gone out?”

“Do you mean that he didn’t propose?”

“Of course not. I proposed to him.”

“What?”

“He was so coy about it, too,” Aurelia, quite as though she were
eating sweetmeats, resumed. “He asked me all about my finances, what
settlements I would make and whether I would object if he kept a
separate establishment. You can’t really fancy how coy he was. He quite
blushed and stammered, the poor thing.”

“I should think he might.”

“Yes, indeed. He asked me if I had spoken to his mamma, and I told
him that while it was perhaps incorrect of me to speak to him in the
first instance, yet that there could be no real love without a mutual
misunderstanding, and now that we had one I would make a formal demand
of the old lady to-day.”

Aurelia, executing a little _pas_, added: “I have just seen her.”

“Well?”

“She said: ‘And so you want my little boy for your husband.’ Partly
that I told her, but partly also I want you for mother-in-law. You
should have seen her lick her chops over that. Then she asked me about
my affections. I told her they were just like the fashions. They came
and went.”

“She must have been delighted.”

“She hugged me. Then, of course, I asked about him. She told me that he
has just been named as co-respondent in the Kincardine divorce suit,
and I said that that was perfectly satisfactory.”

“What!”

“Perfectly satisfactory. It appears that the poor boy can’t remember
whether the charge is true or false and that I think is so dear of him.”

Violet, rising, extended her arms. “Aurelia, I have been wrong, I have
misjudged you. Come to me.”

But Aurelia, moving back, waved her away. “You’ll only muss me. Now I
must run. I must break the news to Parsnips. Will you come, Vi?”

“In a moment.” Violet answered. “Wait for me in the brougham. There is
something I want to say to Leilah.”

Endearingly the ingénue smiled. “Something I ought not to hear, I
suppose.” In speaking she made for the door. “The amount of things I
ought not to hear and do hear is simply amazing.”

As the portières fell on her gracile back, Violet, with a gesture
which, for so warlike a lady, resembled defeat, reseating herself,
exclaimed:

“Frankly, she is impossible.”

At once though, buckling anew for the fray, she aimed at Leilah and
fired.

“So are you.”

Leilah, who had been considering the Paramitas, started at the attack
which instantly was followed up by another.

“Do you know anything about the code here, the law code, I mean. Do
you?”

Leilah, a bit bewildered, shook her head. “No, that is, very little.”

Violet’s eyes fairly snapped. “I congratulate you. A little is
sometimes a great deal. I also know a little and that little is, well,
immense, so enormous even that because of it I am in a position to tell
you that if you go with Verplank, Barouffski can, if he catches you,
have you jailed.”

Gravely, with curious calm, Leilah looked at her.

Annoyed that the shot had fallen short, Violet aimed again.

“Didn’t you hear me? I said jailed. J-a-i-l-e-d! Now I may add for two
years. That is what I meant when you spoke of your prison. I agreed
with you that it must be dreadful to be in one. I said I daresay it is
even worse than you think.”

Leilah half raised a hand. “But----”

Unheedingly Violet continued. “Now, as for Verplank, if Barouffski
were to surprise him here with you he could kill you both, yes, and be
acquitted. But you--I have told you what he can do. Moreover, if he so
much as suspects you, he can call the police. But excuse me. You were
saying?”

“Nothing of any moment.”

But Violet persisted. “What was it?”

“Merely that during the Terror a woman went to the guillotine smelling
a rose.”

At this flank movement Violet winced, but she rallied.

“Yes and rehearsed the act beforehand. They all did. The great ladies
of the period rehearsed for the guillotine that they might die, as they
had lived, with grace. Those were the good old days. These are the bad
new ones. Anything of the kind would be ridiculous now.”

To this, gravely as before, Leilah assented. “No doubt. But aren’t you
rather rambling about the grounds? It seems to me that you also have
something up your sleeve.”

Violet rose to the challenge. “Something! I have the entire
pharmacopœia. In it is a remedy heroic but sovereign. If you’ll take
it, it may maim but it will cure.”

Leilah, well entrenched, braved her. “I may not need it.”

With a rush, then, the attack began.

“That’s because you don’t know. You think you are sane and sound.
Don’t you now? Yes, and you are neither. You have a high temperature
complicated with nausea. The temperature is due to exposure, the nausea
to indigestion. You have been exposed to Verplank and you have supped
on Barouffski. You fancy you can’t be rid of the incubus. That is an
hallucination which the fever has caused. You can be rid of it. You can
throw it up. I have an emetic that will do the trick. It may not be
tasty but I’ll warrant it will make him gag far more than you.”

At the ferocity of the assault, Leilah quailed. “Really, Violet, your
language----”

But the lady was not to be denied. “Aha! You want me to be
butter-fingered, don’t you? Not a bit of it. You shall have the dose
whether you like it or not and here it is for you. You called this
place a prison. Now who runs it? You do. And on what? Your money.
Supposing you hadn’t any? Would Barouffski supply it? He would pack in
a jiffy. Couldn’t you then sue for divorce? Of course you could. Then
there is the emetic. Verplank has enough for you both, enough for an
army. All you have to do is to hold your nose, open your mouth, give
your money away and vomit Barouffski. Will you?”

It was Violet’s last shot. With it she had expected to bowl Leilah
completely over. Anxiously she looked to see the result.

“Will you?” she repeated.

With manifest exaltation Leilah answered: “I had thought of it.”

Surprisedly Violet stared, wondering could all her ammunition have gone
for nothing, wondering too at the almost rapt expression that had come
into Leilah’s face.

“What?”

“Yes, Violet, I had thought of it--and of other things also. While
Aurelia was here, I was reading a little book. It told me what I once
knew and had since forgotten. It told me that if we have ideals we
should live for them, that it is only by living for them and suffering
for them that we can lift ourselves above the brutes. Violet, it was
sinful of me to think of going with Gulian.”

Dispassionately the now mollified lady toned that phrase.

“It was not perhaps quite nice.”

“But I had not seen,” Leilah continued. “No, not that,” she interrupted
herself to explain. “I had forgotten that this prison, all I have
endured, all I shall endure, these are my debts to the Lords of Karma.”

But that was a bit too strong. Violet laughed.

“You mean the Lords of Gammon.”

“I mean,” Leilah, with heightening fervour, replied, “that I have
looked upon my prison as a cross. It is not a cross, it is a boon--one
of which I have not been worthy. For I forgot that any sorrow should
be welcomed. I forgot that it has been sent to make us nobler than we
are. But my sorrows I have not welcomed. I have rebelled against them.
I shall rebel no more. They were my masters. They shall be my servants
now.”

At these fine sentiments Violet sniffed.

“If that is theosophy I will believe in it when I am old, fat and a
German. But I am glad it enabled you to reach a decision. Otherwise----”

But what the lady may have intended to say was never expressed or at
least not then. Through the yellow portières, the delicate oval of
Aurelia’s face appeared.

“Aren’t you ever coming?” she called. “What have you two been talking
about?”

As the ingénue spoke, she entered, strolled to the mirror, considered
herself.

“We have been discussing your engagement,” Violet, in a very matter of
fact way, replied.

Aurelia adjusted her hat, patted her hair, and addressed the mirror.

“I fancied it must be something important. Did I tell you what happened
before I took Farnese?”

Violet yawned. “I have forgotten.”

Aurelia, still pluming herself, smiled.

“Then I didn’t. Besides, it is so shocking.”

Violet motioned at her. “Don’t be tiresome. I may have lost the ability
to be shocked but not the ability to be bored.”

With an air of great satisfaction Aurelia turned.

“Well, this morning, d’Arcy called. He told me about the gayeties last
evening and it seemed to me that he must have looked so sweet with the
champagne all over him that I could hardly resist accepting him, too.”

“Accepting him, three!” Violet exclaimed. She raised her eyes as though
calling heaven to witness. “There’s constancy for you!”

Aurelia gave another glance at her enticing self.

“Do you know, I have always thought that constancy must be due either
to a lack of imagination or else of opportunity. That is what you would
call a moral standpoint, isn’t it? Though what morality itself is you
never deigned to explain. Personally I am inclined to think that it
must be a preference in a choice of experiences.”

Violet stood up. “One might suppose you thought it consisted in being
engaged to half a dozen men at the same time.”

Enthusiastically the girl regarded her. “There! That’s it! You’ve
struck it! There is safety in numbers and what a moral young person I
am!”

Violet nodded. “I never suspected it before.”

“Nor I,” Aurelia contentedly replied. She looked at Leilah. “By-by.”

“Good-by,” Violet added.

In a moment both had gone and Leilah, again alone, reopened the little
treatise on the Paramitas.

The way was now clear and to that way the pamphlet had pointed. It
had done more. It had brought the exaltation which such beatitudes do
bring to those in great distress. But though it had exalted, suddenly
the fervour fell from her, for at once she foresaw the scene which she
would have with Verplank, when now, at the last moment, she had to
tell him that she could not go. The terror of it daunted her. She could
see him, demanding that she tell him why--that faltering why of hers
which would be gibberish to him and yet which summarised her ideals.

For the moment she felt that she lacked the strength for this, that
it would be better to write him and she was thinking what she would
say and how she would say it, when something external, a noise from
without, distracted her.

She stood up and went to the window, from which, since the day of the
ambuscade, she had had no heart to look.

Below, a footman in a canary coat and black knee-breeches was walking,
bareheaded, straight on. At the gate he stopped, fumbled with the
latch, drew back the door, held it open.

A man entered. Tall and broad-shouldered, he had a rigid face, calm
eyes, the air of a judge. His beard, intensely black, the beard of a
Saracen, was close cut and pointed. He was dressed in black.

Another man followed. Shorter, fairer, distinctly fat, he had a box
under his arm. About the box were broad bands, sealed with red wax.

A third man appeared. Older than the others, he had gray hair, glasses
rimmed with tortoise-shell, and a bag.

All three were in black, all were grave, all were silent, and as they
stood before the gate they partially concealed a fourth man, who, in
black also, wore white gloves.

What they had come for Leilah could not imagine. Then, at once,
she recalled what Violet had said: the rigors of French justice,
a husband’s ability to cage an erring wife, to put her away,
indefinitely, among the demented and the depraved, and at the sight
of these men, at the thought of the Byzantine abysses of Barouffski’s
nature, abysses perhaps unsounded yet, dread shook her. She shuddered.

But now another procession appeared, one that issued not from the gate,
but from the house, a procession also composed of four men, also grave,
also silent. One of them she vaguely recalled, and her stumbling memory
tried to put a name on him, Dal, Mal, Pal-Palencia! Another, too, she
remembered, Tyszkiewicz. A third also, and, to her cost, she knew. It
was Barouffski.

In the first procession there was now a fourth acquaintance. The man
with white gloves was raising his hat. As he did so she recognised
d’Arcy. Then at last she understood, and, lest they should see her,
drew back.

Meanwhile the footman had disappeared. From the first procession the
man with the umbrella and the man with the box detached themselves.
From the second, Palencia and Tyszkiewicz advanced.

For a little, grouped together, they conversed inaudibly, but amply
with gestures and movements that included the tossing of a coin.

A pantomime followed. Tyszkiewicz, Palencia and the fat man moved
to one side. The man with the umbrella drew with the ferule of it a
line on the ground. Then, his head bent, one foot put directly in
front of the other, he walked slowly until he had covered a space
equal apparently to about fifteen yards. There he drew a second line,
straightened himself, turned to Barouffski, who went to that line,
while d’Arcy stationed himself at the other.

Immediately the fat man handed his box to Palencia. Palencia looked
at the seals, broke them, opened the box, and, going to where d’Arcy
stood, presented it. D’Arcy removed a glove, removed his hat, which he
put brim upward beside him, and taking a pistol from the box, pointed
it at the ground.

Palencia went back, restored the box to the fat man, who presented
it to Barouffski. Another pistol was extracted. The fat man moved to
one side. The man with the umbrella placed himself at an angle to
d’Arcy and Barouffski. In front of him, at an equal angle, Palencia,
Tyszkiewicz and the fat man stood. These the old man with the bag and
the fourth member of the Barouffski party joined. The man with the
umbrella took out a watch, and held it open in his hand.

“Attention!”

The pantomime had ended. Leilah leaned forward. Of Barouffski she could
see now but the back of his head, the back of his tight-fitting coat.
But d’Arcy, who stood sideways, his heels drawn together, might have
been posing for a photograph.

The sky was leaden. The shrubbery resembled it. From behind an urn
a cat appeared. It meowed and vanished. For a moment more there was
silence.

The man with the umbrella looked from d’Arcy to Barouffski.

“Messieurs, after I give the command Fire, I will count from one to
ten, leaving between each number an interval of ten seconds. It is
unnecessary, but it is my duty to add, that to fire before I have
given the word, or after I have counted ten, constitutes attempted
assassination and, should death ensue, murder.”

He paused, looked at his watch, looked at d’Arcy, again at Barouffski.

“Fire!”

Simultaneously the two men raised and extended their right arms, d’Arcy
in such a manner that the forearm and butt of the pistol masked the
abnormal beauty of his face. The hand was bare, but the left, which
hung at his side, was gloved.

“One! Two! Three!”

With the ridiculous noise of a firecracker a pistol went off. D’Arcy,
lowering his right hand, raised and shook the left. The delicate
material of the glove had reddened, and on the ground specks of crimson
dropped.

“Four! Five!”

D’Arcy’s left hand fell back. He raised the right.

“Six! Seven! Eight!”

Measuredly, monotonously, but more loudly than before, the final
numbers were being called. Infinitesimally the point of d’Arcy’s pistol
moved. His heels were no longer drawn together. His right hand was held
less high. His left hand burned. Otherwise he was entirely at his ease.

He had withstood Barouffski’s fire. It was Barouffski’s turn to
withstand his. He had time and to spare. Slowly, coolly, deliberately,
he was taking aim.

It was very agreeable. He was smiling. He was enjoying himself. He
was enjoying Barouffski’s presumable suspense. He was savouring his
equally presumable agitations. The man’s face had turned ashen. The
fact that it had, that he could see it had, delighted him. He felt sure
of himself, and his thoughts were pleasant.

He was thinking: “That glass of wine of yours was the last you will
ever ask me or any one else to drink.”

He had become aware of Leilah’s presence. That, too, delighted him.
If he had a regret, it was that Tempest, the Silverstairs, all the
demi-mondaines and exotics of the night before, the Bohemians to boot,
the waiters as well, were not present also. Though in appearance
divine, at heart he was human.

Again, imperceptibly, the point of his pistol moved.

“Nine!”

The trigger had been pulled. There was a fresh detonation. D’Arcy
handed his pistol to the fat man, bent over, took up his hat, put it
on, took it off, raised it straight upward, and for a moment, before
replacing it, held it high in the air.

Leilah, without noticing the salute which was intended for her, saw
Barouffski turn completely around, sink on his knees, press his hands
to his side, and pitch forward.

It was a feint, she thought, histrionics for the gallery, perhaps for
her. But now the old man and his colleague were bending over him.
Behind them, Palencia, Tyszkiewicz and the man with the umbrella
leaned. Barouffski’s coat and waistcoat were opened, his shirt was torn
apart.

Leilah heard what to her was the meaninglessness of technical terms.
She saw the men who had been bending arise. She saw the others remove
their hats. At the significant action she saw that the garden had been
again invaded, this time by Death.

She turned, clutching for support at the velvet of a curtain,
overwhelmed at the knowledge that her prison had crumbled, that the
jailer was gone.

It had been her destiny to have sorrow spring into her life, fell her,
make her its own, and to what end? Tearfully she had put that query
to walls as callous as fate. Tearfully she had come to believe that
she was damned in this existence for sins committed in another. It is
this life that is hell she had told herself. But now, abruptly, the
malediction was lifted. Still in hell, she was at the portals, the
gates were open, she was free!

Yet was she? At the moment it seemed to her that it was all a
hallucination; that, if she looked again into the accursed garden, she
would see Barouffski tapping his breast with one hand, pointing to some
prostrate form with the other, and, with his ambiguous smile, calling
to her:

“See, my dear, I, I am unharmed.”

So poignant was the impression that she did look. A litter had been
improvised, and on it Barouffski, an arm pendent, his head fallen back,
his face a gray green, was being put.

On the door behind her sounded the muffled tap of fingers furtive and
discreet. She turned. At the threshold was Parker.

“If you please, my lady. Will your ladyship receive----”

“No,” Leilah answered. She was about to add that she was at home to no
one. But she caught herself. “Who is it?”

With that air which those acquire who attend to delicate matters, the
woman answered: “Mr. Verplank.”

Leilah drew a long breath. She went to the mirror. The curtain had
disarranged her hair. She readjusted it, and passed out and down into
the slippery salon.

Verplank was leaning against the piano. His left arm was in a sling,
and the left side of his face from the nose to the ear was bandaged.

Before either could speak there came from the hall a murmur of voices,
the sound of lumbering feet, the noise of people labouring upward.

Verplank looked at Leilah, and from her to the door.

“What is that?”

On and upward moved the steps, the noise decreasing as they passed, the
sound subsiding with them.

“What is it?” Verplank asked again.

Leilah’s under lip trembled. The deliverance from the vortex, the
after-shudder that comes when some great peril has been barely escaped,
the sensation of strength overtaxed, these things fusing with the
consciousness that the last barricade had been taken, that there were
now no more hostages to joy, induced in her one of the most curious of
physical phenomena.

With tears running down her cheeks, she smiled. Then, sobbing and
smiling still, she answered him:

“The key of the prison.”

Verplank nodded. He did not in the least understand. But the
singularity of her appearance, joined to the singularity of her reply,
aroused in him a great pity for this woman who had ruined her life,
ruined his own, and who then seemed to him demented.

“Pardon, madame la comtesse. Monsieur Palencia and Monsieur Tyszkiewicz
ask if madame la comtesse will receive them?”

At the door, behind her, was Emmanuel.

At once another phenomenon occurred. Galvanised by that instinct of
form which, when requisite, enables women of the world to banish
instantly any trace of emotion, Leilah turned to the footman a face in
which the tears had been reabsorbed, and from which the smile had gone.

“Say to these gentlemen that I appreciate and thank them, but that I
can see no one.”

Emmanuel compressed his lips. He wondered how she knew. There was
a great deal occurring in this house that perplexed him. Moreover,
Verplank’s bandage and sling interested him very much. But, trained to
his calling, he bowed and withdrew.

“What do they want?” Verplank asked, memories of his own duel surging
at mention of their names before him.

In Leilah’s face the tears and smiles reappearing, mingled.

“Barouffski is dead,” she answered.

Verplank closed and opened a hand. His mouth opened also. He was sure
now that she was crazy.

“Dead! How? What do you mean?”

Leilah made a gesture.

“There, a moment ago, in the garden. D’Arcy shot him.”

Verplank started. The definiteness of her reply divested him of his
idea concerning her, but it produced another which was also, though
differently, disturbing. His eyes blazed. The old scar, the scar on the
right side of his face, reddened.

“Who the devil is d’Arcy?”

For a moment he stared. Then, angrily snapping two fingers, he cried:

“In taking you from this damned house to-day, I had intended to leave
a card for him, not a p. p. c. either, one with our address on it and
the hours when I would be at home. If there was any shooting going on,
I intended to be in it. Now some duffer must interfere.”

With a rapid intake of the breath, he considered her. At the moment, he
doubted it could be true. Yet her face, with its hysterical blending
of joy and sorrow, seemed to certify that it was so. After all, he
reflected, however the odour may occur, always the smell of an enemy’s
corpse is sweet. But, uncertain still, he threw out for clincher:

“Is that what you meant by the key of the prison?”

She moved to him.

“Gulian, yes, and never can I be thankful enough that it was not your
hand that turned it.”

Verplank tossed his bandaged head.

“So this is the end!”

Leilah looked up at him.

“Gulian, no, not that. The end of the beginning, if you like. Hereafter
we will be beginning anew. Hereafter----”

She paused. The word had been evocative. Its repetition showed her that
which she had not yet had time to consider; the decencies of life, the
decencies, too, of death, the funeral, the widow’s weeds, the delay
which the world exacts; new hostages to joy, real though impermanent.

She told him of them.

From the church next door the organ pealed, and as they then remade
their plans--those plans which mortals think they make, and which
always are unmade unless intended for them--a ray of sunshine entered;
the organ pealed louder, the beauty of the melody hushed their voices,
and for a moment, to the appoggiatura of Stradella, on that shaft of
light, Leilah’s thoughts, ascending, mounted into realms where all
things broken are made complete, and where are found again things
vanished.




      *      *      *      *      *      *




Transcriber’s note:

 --Punctuation and spelling inaccuracies were silently corrected.

 --Archaic and variable spelling is preserved.

 --Variations in hyphenation and compound words have been preserved.

 --The author’s long dash style has been retained.

*** END OF THE PROJECT GUTENBERG EBOOK 47654 ***