The Project Gutenberg EBook of The Cowslip, by Anonymous

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Cowslip
       Or More Cautionary Stories, in Verse

Author: Anonymous

Release Date: March 31, 2014 [EBook #45275]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE COWSLIP ***




Produced by David Widger from page images generously
provided by the Internet Archive














THE COWSLIP,

Or More Cautionary Stories, In Verse.


By Anonymous




0009m

Original






CONTENTS

I. The New Book.

II. The Truant.

III. Filial Love.

IV. Breakfast.

V. The Sash.

VI. Listen to Reason.

VII. The Crying Child.

VIII. The Purloiner.

IX. Going to School,

X. The Bird-catcher.

XI. Improper Words.

XII. The Cruel Boy.

XIII. The Worm.

XIV. The Good Girl.

XV. Susan and Patty.

XV. Susan and Patty. (continued.)

XVI. The Dunce.

XVII. At Church.

XVIII. The Hoyden.

XIX. The Greedy Boy.

XX. Disappointment.

XXI. Drawing Teeth.

XXII. Look at your Copy.

XXIII. Envy, a Fable.

XXIV. The Letter.

XXV. Honour.

XXVI. Dancing.

XXVII. The Sensitive Figure.

XXVIII. The Daisy.

XXIX. Quarrelsome Children.

XXX. The Hymn.








I. The New Book.

A neat little Book, full of pictures was bought

For a good little girl that was glad to be taught;

She read all the tales, and then said to her mother,

I'll lend this new book to my dear little brother.


He shall look at the pictures and find O and I,

I'm sure he won't tear it he's such a good boy.

Oh no, brother Henry knows better, indeed;

Although he's too young, yet, to spell and to read.




0011m

Original








II. The Truant.

Children, who delight to ramble,

When it is not holiday,

And o'er hedge and ditch to scramble,

All for love of truant play;


Must have tasks and lessons double,

To make up for time misspent,

And, besides this double trouble,

Must have proper punishment.




0013m

Original








III. Filial Love.

Miss Jane's Mamma was very ill,

And felt such pain she could not sleep,

And Jane would quietly sit still,

Or sometimes through the curtains peep.


And often as she left the bed,

The tear of sweet affection fell,

And going from the room she said,

"I wish my dear mamma were well."




0015m

Original








IV. Breakfast.

That I did not see Frances just now I am glad:

For Winifred says, she look'd sullen and sad.

When I ask her the reason I know very well,

That Frances will blush the true reason to tell.


And I never again shall expect to hear said,

That she pouts at her milk with a toast of white

bread;

When both are as good as can possibly be,

Though Betsy, for breakfast, perhaps may have

tea.




0017m

Original








V. The Sash.

Mamma had ordered Ann, the maid,

Miss Caroline to wash;

And put on, with her clean white frock,

A handsome muslin sash.


But Caroline began to cry,

For what you cannot think:

She said, "O that's an ugly sash,

"I'll have my pretty pink."


Papa, who in the parlour heard

Her make the noise and rout,

That instant went to Caroline,

To whip her there's no doubt.




0019m

Original








VI. Listen to Reason.

One afternoon, as Joseph West,

The boy who learnt his lesson best, *

Was trying how his whip would crack,

By chance hit Headstrong on the back.


     * See the Daisy, Story vi.

Enrag'd he flew and gave poor Joe,

With all his might a sudden blow:

Nor would he listen to one word,

When Joe endeavoured to be heard.


Joe, finding him resolved to fight,

For what was accidental quite,

Although he never fought before,

Beat Headstrong till he'd have no more.




0021m

Original








VII. The Crying Child.

O fie! Master Edward! I feel much surprise,

And am really ashamed of those tears and

this noise.


Do you know by your crying how sadly you pain

Your mother, altho' you've no cause to complain?

And can you forget that, when sick on her knee,

How she nurs'd you and gave you sweet tamarind

tea?


A rod is the very best thing to apply

When Children are crying, and cannot tell why:

Unless they are babes in the cradle so young,

That they are not yet able to speak with their

tongue.




0023m

Original








VIII. The Purloiner.

As Joe was at play,

Near the cupboard one day,

When he thought no one saw but himself,

How sorry I am,

He ate raspberry jam,

And currants that stood on the shelf.


His mother and John

To the garden had gone,

To gather ripe pears and ripe plums;

What Joe was about,

His mother, found out,

When she look'd at his fingers and thumbs.


And when they had din'd,

Said to Joe, "you will find,

"It is better to let things alone;

"These plums and these pears,

"No naughty boy shares,

"Who meddles with fruit not his own."




0025m

Original








IX. Going to School,

Good children when they're sent to school,

Will never loiter on the way:

With them this is a constant rule,

And not to stop to stare and play.


They never speak to any one,

Who talks when he should mind his task,

For Dunces frequently have on

A very black and frightful mask.


But when they've been at school all day,

Their tasks and lessons finish'd; then

Their friends will give them leave to play,

When they return from school again.




0027m

Original








X. The Bird-catcher.

The cat's in the window and Shock's at the door:

The pussy-cat mews and the little dog barks;

For, see, such a sight as I ne'er saw before,

A boy with a cage full of linnets and larks!


And pussy the way how to catch them is seeking,

To kill them, and spoil all their singing, poor

things;

For singing to them is like little boys speaking;

But fear makes them chirrup and flutter their

wings.


Do not fear pretty birds! for puss shall not eat you.

Go, go, naughty puss! away out of sight.

With crumbs of good bread pretty birds we will

treat you,

And give you fresh water both morning and night.




0029m

Original








XI. Improper Words.

Who was it that I lately heard,

Repeating an improper word 7

I do not like to tell his name,

Because he is so much to blame.


Go, naughty child! and hide your face,

I grieve to see you in disgrace;

Go, you have forfeited to-day,

All right at trap and ball to play.


At dinner time there is no place

For boys who merit deep disgrace;

Such naughty boys I can't permit,

With children who are good to sit.


And when at night you go to bed,

The third commandment shall be read;

For there we find how very wrong

It is to have a faulty tongue.




0031m

Original








XII. The Cruel Boy.

Jack Parker was a cruel boy,

For mischief was his sole employ;

And much it griev'd his friends to find,

His thoughts so wickedly inclin'd.

He thought it clever to deceive,

And often ramble without leave;

And every animal he met,

He dearly lov'd to plague and fret.


But all such boys unless they mend,

May come to an unhappy end;

Like Jack who got a fractur'd skull,

Whilst bellowing at a furious bull.




0033m

Original








XIII. The Worm.

As Sally sat upon the ground,

A little crawling worm she found,

Among the garden dirt;

And when she saw the worm, she scream'd,

And ran away and cried,

As if she had been hurt.


Mamma afraid some serious harm

Made Sally scream, was in alarm,

And left the parlour then;

But when the cause she came to learn,

She bade her daughter back return,

To see the worm again.


The worm they found kept writhing round,

Until it sunk beneath the ground,

And Sally learn'd that day,

That worms are very harmless things,

With neither teeth, nor claws, nor stings,

To frighten her away.




0035m

Original








XIV. The Good Girl.

Lydia Banks though very young,

Will never do what's rude or wrong,

When spoken to, she always tries

To give the most polite replies.


Observing what at school she's taught,

She turns her toes as children ought;

And when return'd at night from school,

She never lolls on chair or stool.


Some children, when they write, we know

Their ink about them, heedless, throw;

But she, though young, has learn'd to think

That clothes look spoil'd with spots of ink.


Perhaps some little girl may ask,

If Lydia always learns her task;

With pleasure I can answer this,

Because with truth I answer "Yes."




0037m

Original








XV. Susan and Patty.

Oh! sister Susan! come, pray come,

And see how I have cut my thumb,

Cried little Patty Green;

It bleeds, it bleeds, what shall I do?

This knife has cut my finger too;

How naughty I have been!


My mother only yesterday,

I know, desired me not to play,

With knives so sharp and keen;

Oh dear, oh dear, what shall I do?

My father will be angry too,

I dare not now be seen!


Miss Susan said, I tell you what

We both will do, my dearest Pat,

I'll fetch a little salt;

And tie this piece of riband round,

And when we've cover'd up the wound,

Pray tell mamma the fault.









XV. Susan and Patty. (continued.)

I think she'll not be angry much,

If you will promise not to touch

The things she has forbid;

Miss Patty thought her sister right,

And crept into her mother's sight,

Expecting to be chid;

But when her mother heard her say,

Dear mother do forgive me, pray,

I'll not touch knives again;"


She kiss'd her darling girls, and put

A little plaister on each cut,

Which soon reliev'd the pain.



0041m

Original








XVI. The Dunce.

Mss Bell was almost seven years old,

A shame to tell indeed!

But when the real truth is told,

She scarce could spell or read.


She went to school and tore her book,

But never tried to learn;

Sometimes at pictures she would look,

And turn the leaves, and turn.


Her needles and her thread she lost,

And often was without;

For though she knew how much they cost,

She left them all about.


But very much she was disgrac'd

Deservedly at school;

She wore an ugly mask, while plac'd

Upon the dunce's stool.




0043m

Original








XVII. At Church.

AT church last Sunday afternoon,

There was a naughty boy;

Who talk'd and play'd,


And noises made,

And would go home too soon,

And made pretence to cry.


His sister, whom he sadly teas'd,

Was forc'd to take him out;

And kindly said,

My dearest Ned,

Papa will be displeas'd,

To hear of this no doubt.


"But I will promise not to tell,

This time, if you'll be good,

And sit quite still."

Ned said, '' I will;"

And Ned has since behaved as well,

As little children should.




0045m

Original








XVIII. The Hoyden.

Miss Agnes had two or three dolls, and a box

To hold all their bonnets and tippets and

frocks;

In a red leather threadcase that snapp'd when it

shut,

She had needles to sew with, and scissars to cut;

But Agnes lik'd better to play with rude boys,

Than work with her needle, or play with her toys;

Young ladies should always appear neat and clean,

Yet Agnes was seldom dress'd fit to be seen.

I saw her one morning attempting to throw

A very large stone, when it fell on her toe;

The boys who were present, and saw what-was

done,

Set up a loud laugh, and they call'd it fine fun.

But I took her home and the doctor soon came,

And Agnes I fear will a long time be lame,

And from morning till night, she laments very

much,

That now when she walks, she must lean on a

crutch,

And she told her dear father, a thousand times

o'er,

That she never will play with rude boys any more.




0047m

Original








XIX. The Greedy Boy.

Sammy Smith would drink and eat

From morning unto night;

He fill'd his mouth so full of meat,

It was a shameful sight.


Sometimes he gave a book or toy,

For apple, cake, or plum;

And grudg'd if any other boy

Should taste a single crumb.


Indeed he ate and drank so fast,

And us'd to stuff and cram,

The name they call'd him by at last,

Was often Greedy Sam.




0049m

Original








XX. Disappointment.

Mamma shall we visit Miss Hammond to-day?

As seated at breakfast, exclaim'd little Ann:

The morning is fine, and the sun's very bright;

And I hope you will go, dear Mamma, if you can;


For I've felt so much pleasure to think of the play

I shall have at her house all the time that we stay,

That I've scarcely been able to sleep all the night.


So earnest was Ann in her wish to go out,

That when she was silent her looks seem'd to ask;

And to coax her mamma, then she climb'd on

her knee,

And kiss'd her and promis'd to learn all her task,

They went and Miss Ann was delighted no doubt,

Till she found Mr. Hammond confin'd by the gout,

And his daughter from home, that she wanted to

see.


Now homeward returning Ann said with a sigh,

Mamma, how unlucky our visit to-day;

I expected such pleasure to meet with Annette;

She is always so kind and good humour'd at play,

And I'm so disappointed I'm ready to cry.

Her mamma made a soothing and tender reply,

And taught her to bear what's in vain to regret.




0051m

Original








XXI. Drawing Teeth.

Miss Lucy Wright, though not so tall,

Was just the age of Sophy Ball;

But I have always understood,

Miss Sophy was not half so good;

For as they both had faded teeth,

Their teacher sent for Doctor Heath;


But Sophy made a dreadful rout,

And would not have hers taken out;

But Lucy Wright endured the pain,

Nor did she ever once complain,

Her teeth return'd quite sound and white,

Whilst Sophy's ach'd both day and night.
           




0053m

Original








XXII. Look at your Copy.

'|When Frances goes to school, to write,

I find, with great concern,

She never takes the least delight

To really strive to learn.


Some lines she makes are much too short,

And some she makes too long;

The copy's seldom where it ought,

Which makes her write quite wrong.


Such negligence I always see

With very great concern;

And think what pleasure there would be

To see her daily learn!




0055m

Original








XXIII. Envy, a Fable.

A Parrot that liv'd at a gentleman's house,

Could chatter and sometimes lie still as a

mouse.

He was hung at the door in a cage that was gay,

And treated with plenty one fine sunny day,

When the Cat, thro' mere envy, was thus heard

to say,

Pray, sir, do you live on these excellent things,

Because you're a bird, and have feathers and wings?

If a Cat is in want of a dinner that's nice,

She must hunt in the garret or cellar for mice.

The Parrot, observing the Cat in a rage,

Said, pray Mrs. Puss, are you fond of a cage;

Should you like to be kept in a prison like me,

And never permitted your neighbours to see?

Depriv'd of all means of assisting yourself,

Though numberless dainties in sight on the shelf?

Should you like to be fed at the will of a master,

And die of neglect or some cruel-disaster?

You cannot believe it more happy to be,

A parrot encaged, than a cat and quite free.

The cat was convinced that this reasoning was true,

And, ashamed of her envy, in silence withdrew.




0057m

Original








XXIV. The Letter.

When Sarah's papa was from home a great way,

She attempted to write him a letter one day!

First ruling the paper, an excellent plan;

In all proper order Miss Sarah began.


She said "She lamented sincerely to tell,

That her dearest mamma had been very unwell,

That the story was long, but that when he came

back,

He would hear of the shocking behaviour of Jack."


Though an error or two we by chance may detect,

It was better than treating papa with neglect;

For Sarah, when older, we know will learn better,

And write single I, with a capital letter.




0059m

Original








XXV. Honour.

As Dick and Bryan were at play

At trap, it came to pass,

Dick struck the ball so far away,

He broke a pane of glass.


Though much alarm'd, they did not run,

But walk'd up to the spot;

And offer'd for the damage done;

What money they had got.


When accidents like this arise,

Dear children! this rely on,

All honest, honourable boys

Will act like Dick and Bryan.




0061m

Original








XXVI. Dancing.

O dear, I must wear my red slippers to-day,

And where are my gloves, and my parasol,

pray?

I'm always delighted when Friday is come,

For I like dancing better than staying at home.


But my mother says dancing was never design'd,

To be to positions and stepping confin'd,

But dancing should teach us in every place,

When standing or walking to do it with grace.




0063m

Original








XXVII. The Sensitive Figure.

Dear Uncle! whisper'd William Brown,

Pray will you give me half-a-crown,

I've seen a very curious toy,

I want to buy.


Charles Mansfield laid it on his hand,

And seemingly, at his command

It mov'd as though his voice were known,

And tumbled down.


His uncle said, to gain this prize,

You first must do your exercise:

When that's correct, you then shall buy

This curious toy.




0065m

Original








XXVIII. The Daisy.

Papa, said Eugene, is a daisy a book?

I thought it was only a flower;

Just now I ran down in the meadow, and look,

I have found one all wet with a shower.


A book would be spoil'd, you know, left in the

rain;

And could not be read for the dirt?

But a daisy all day in the wet may remain,

Without in the least being hurt.


You are right, said papa, with a smile, but you'll

find

The Daisy a book, my boy, too,

Containing short tales for the juvenile mind,

And adapted for children like you.


And call'd as it is by so humble a name,

This hint indirectly conveys;

Like the flow'ret it spreads, unambitious of fame,

Nor intrudes upon critical gaze.




0067m

Original








XXIX. Quarrelsome Children.

THE currants were ripe, and the gooseberries red,

And very few strawberries left on their bed:

Sweet blossoms and buds were beginning to shoot,

And some were decaying and changing to fruit.


When Charlotte and George in the garden were

seen,

To walk hand in hand where the gravel was clean,

How pleasing to see them good humoured and

merry;

Their cheeks had the bloom of the rose or the

cherry.


When a butterfly roving, that George chanc'd to

see,

Made these happy children at length disagree:.

For he, quite delighted, did all in his power

To catch it when perch'd on a beautiful flower;

And Charlotte his sister was angry at that,

And stopp'd little George, and ran off with his hat.


Quarrelsome Children.

(continued.)

To their mother at last in the parlour they ran,

And noisily speaking together began,

"George shan't catch the butterfly, I'm sure of

that."

"I will catch the butterfly; give me my hat!"


Such quarrelsome children, the mother replied,

I find it much better all day to divide:

Go, stand in that corner, and George do you stand

In another, and each hold a rod in your hand.


Though both had been naughty, 'tis proper to say,

They did not their mother's commands disobey:

They went to their corners and own'd before long,

For brother and sister to quarrel is wrong.




0071m

Original








XXX. The Hymn.

To thee, Almighty God! I raise

My heart and voice in prayer and praise;

I ask of thee, in humble prayer,

That thou wilt keep me in thy care.


I beg for grace, that I may shun,

All thou forbiddest to be done:

And ever doing what is right,

Be blest in thy protecting sight.


Almighty Lord! O let me prove

My adoration and my love,

By walking in thy holy way,

For ever more, O Lord! I pray.













End of the Project Gutenberg EBook of The Cowslip, by Anonymous

*** END OF THIS PROJECT GUTENBERG EBOOK THE COWSLIP ***

***** This file should be named 45275-h.htm or 45275-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/5/2/7/45275/

Produced by David Widger from page images generously
provided by the Internet Archive


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.