
The Project Gutenberg EBook of The Daisy, or, Cautionary Stories in Verse., by 
Elizabeth Turner

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Daisy, or, Cautionary Stories in Verse.
       Adapted to the Ideas of Children from Four to Eight Years Old.

Author: Elizabeth Turner

Release Date: March 8, 2014 [EBook #45082]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE DAISY, OR CAUTIONARY STORIES ***




Produced by Chris Curnow, Chris Whitehead, and the Online
Distributed Proofreading Team at http://www.pgdp.net

The cover image was repaired by the transcriber and is placed in the public domain.

THE

DAISY,

CAUTIONARY STORIES,

IN VERSE.

THE

DAISY;

OR,

CAUTIONARY STORIES IN VERSE.

ADAPTED TO THE

IDEAS OF CHILDREN

FROM

Four to Eight Years Old.

ILLUSTRATED WITH THIRTY ENGRAVINGS.

London:

PRINTED FOR J. HARRIS, SUCCESSOR TO E. NEWBERY,
CORNER OF ST. PAUL'S CHURCH YARD; AND
CROSBY AND CO., STATIONERS' COURT.

1807.

[5]

Pretty Puss.

Come pretty Cat!
Come here to me!
I want to pat
You on my knee.

[6]

Go, naughty Tray!
By barking thus
You'll drive away
My pretty Puss.

[7]

II.

The Fairing.

O Dear! what a beautiful Doll
My sister has bought at the fair!
She says I must call it "Miss Poll,"
And make it a bonnet to wear.

[8]

O, pretty new Doll! it looks fine;
Its cheeks are all covered with red
But, pray, will it always be mine?
And, pray, may I take it to bed?

How kind was my sister to buy
This Dolly with hair that will curl
Perhaps if you want to know why,
She'll tell you, I've been a good girl.

[9]

III.

The good Boy.

When Philip's good mamma was ill,
The servant begg'd he would be still,
Because the doctor and the nurse
Had said, that noise would make her worse.

[10]

At night, when Philip went to bed,
He kiss'd mamma, and whisp'ring said,
"My dear mamma, I never will
Make any noise when you are ill."

[11]

IV.

Frances and Henry.

Sister Frances is sad,
Because Henry is ill;
And she lets the dear lad
Do whatever he will.

[12]

Left her own little chair,
And got up in a minute,
When she heard him declare
That he wish'd to sit in it.

Now, from this we can tell,
He will never more tease her;
But, when he is well,
He will study to please her.

[13]

The giddy Girl.

Miss Helen was always too giddy to heed
What her mother had told her to shun;
For frequently, over the street in full speed,
She would cross where the carriages run.

[14]

And out she would go, to a very deep well,
To look at the water below;
How naughty! to run to a dangerous well,
Where her mother forbade her to go!

One morning, intending to take but a peep,
Her foot slipt away from the ground;
Unhappy misfortune! the water was deep
And giddy Miss Helen was drown'd.

[15]

VI.

The good Scholar.

Joseph West had been told,
That if, when he grew old,
He had not learnt rightly to spell,
[16] Though his writing were good,
'Twould not be understood,
And Joe said, "I will learn my task well."

And he made it a rule
To be silent at school,
And what do you think came to pass?
Why, he learnt it so fast,
That, from being the last,
He soon was the first in the class.

[17]

VII.

Dressed or undressed.

When children are naughty, and will not be drest,
Pray, what do you think is the way?
Why, often I really believe it is best
To keep them in night-clothes all day!

[18]

But then they can have no good breakfast to eat,
Nor walk with their mother and aunt;
At dinner they'll have neither pudding nor meat,
Nor any thing else that they want.

Then who would be naughty and sit all the day
In night-clothes unfit to be seen!
And pray who would lose all their pudding and play
For not being dress'd neat and clean?

[19]

VIII.

Miss Peggy.

As Peggy was crying aloud for a cake.
Which her mother had said she should fetch from the wake,
A gentleman knock'd at the door; He entered the parlour, and show'd much surprise,
That it really was Peggy who made all the noise,
For he never had heard her before.

[20]

Miss Peggy, asham'd, and to hide her disgrace,
Took hold of her frock, and quite covered her face,
For she knew she was naughty just then;
And, instantly wiping the tears from her eyes,
She promis'd her mother to make no more noise,
And kiss'd her again and again.

[21]

IX.

The Idle Boy.

Get up, little boy! you are sleeping too long,
Your brother is dress'd, he is singing a song,
And Tom must be waken'd, O fie

[22]

Come, open the curtains, and let in the light,
For children should only be sleepy at night,
When stars may be seen in the sky.

[23]

Playful Pompey.

Come hither, little dog, to play,
And do not go so far away,
But stand and beg for food;
[24] And if your tail I chance to touch,
You must not snarl so very much,
Pray, Pompey, be not rude.

The dog can eat, and drink, and sleep,
And help to fetch the cows and sheep:
O, see how Pompey begs;
Hark! hark! he says, bow wow! bow wow!
But run away, good Pompey, now,
You'll tire your little legs.

[25]

XI.

Politeness.

Good little boys should never say
"I will," and "Give me these;"
O, no! that never is the way,
But, "Mother, if you please."

[26]

And, "If you please," to sister Ann,
Good boys to say are ready;
And, "Yes, Sir," to a gentleman,
And "Yes, Ma'am," to a lady.

[27]

XII.

Come when you are called.

Where's Susan, and Kitty, and Jane?
Where's Billy, and Sammy, and Jack?
O! there they are, down in the lane,
Go, Betty, and bring them all back.

[28]

But Billy is rude and won't come,
And Sammy is running too fast;
Come, dear little children, come home,
Oh Billy is coming at last.

I'm glad he remembers what's right,
For though he likes sliding on ice,
He should not be long out of sight,
And never want sending for twice.

[29]

XIII.

The New Dolls.

Miss Jenny and Polly
Had each a new Dolly,
With rosy-red cheeks and blue eyes;
[30] Dress'd in ribbons and gauze:
And they quarrel'd because
The dolls were not both of a size!

O silly Miss Jenny!
To be such a ninny,
To quarrel and make such a noise!
For the very same day
Their mamma sent away
Their dolls with red cheeks and blue eyes.

[31]

XIV.

Naughty Sam.

Tom and Charles once took a walk,
To see a pretty lamb;
And as they went, began to talk
Of little naughty Sam,
[32] Who beat his younger brother, Bill,
And threw him in the dirt;
And when his poor mamma was ill,
He teased her for a squirt.

And "I," said Tom, "wont play with Sam,
Although he has a top;"
But here the pretty little lamb
To talking put a stop.

[33]

XV.

The dizzy Girl.

As Frances was playing, and turning around,
Her head grew so giddy, she fell to the ground;
'Twas well that she was not much hurt:
[34] But O, what a pity! her frock was so soil'd!
That had you beheld the unfortunate child,
You had seen her all covered with dirt.

Her mother was sorry, and said, "Do not cry,
And Mary shall wash you, and make you quite dry,
If you'll promise to turn round no more."
"What, not in the parlour?" the little girl said,
"No, not in the parlour; for lately I read
Of a girl who was hurt with the door.

"She was playing and turning, until her poor head
Fell against the hard door, and it very much bled,
And I heard Dr. Camomile tell,
That he put on a plaister, and covered it up,
Then he gave her some tea, that was bitter to sup,
Or perhaps it had never been well."

[35]

XVI.

Charity.

Do you see that old beggar who stands at the door?
Do not send him away,—we must pity the poor;
Oh! see how he shivers!—he's hungry and cold!
For people can't work when they grow very old.

[36]

Go, set near the fire a table and seat;
And Betty shall bring him some bread and some meat.
I hope my dear children will always be kind
Whenever they meet with the aged or blind.

[37]

XVII.

Careless Maria.

Maria was a careless child,
And griev'd her friends by this:
Where'er she went,
[38] Her clothes were rent,
Her hat and bonnet spoil'd,
A careless little miss.

Her gloves and mits were often lost,
Her tippet sadly soil'd;
You might have seen
Where she had been,
For toys all round were toss'd,
O, what a careless child.

One day her uncle bought a toy,
That round and round would twirl,
But when he found
The litter'd ground,
He said, "I don't tee-totums buy
For such a careless girl."

[39]

XVIII.

Frighted by a Cow.

A very young lady,
With Susan the maid,
Who carried the baby,
Were one day afraid.

[40]

They saw a Cow feeding,
Quite harmless and still;
Yet scream'd without heeding
The man at the Mill,

Who, seeing the flutter,
Said, "Cows do no harm;
But give you good butter
And milk from the farm."

[41]

XIX.

Miss Sophia.

Miss Sophy, one fine sunny day,
Left her work and ran away;
When soon she reach'd the garden gate,
Which finding barr'd, she would not wait,
[42] But tried to climb and scramble o'er
A gate as high as any door!

But little girls should never climb,
And Sophy wont another time,
For, when upon the highest rail,
Her frock was caught upon a nail.
She lost her hold, and, sad to tell,
Was hurt and bruis'd—for down she fell!

[43]

XX.

The New Penny.

Miss Ann saw a Man,
Quite poor, at a door,
And Ann had a pretty new penny;
[44] Now this the kind Miss
Threw pat in his hat,
Although she was left without any.

She meant, as she went,
To stop at a shop,
Where cakes she had seen a great many;
And buy a fruit-pie,
Or take home a cake,
By spending her pretty new penny.

But well I can tell,
When Ann gave the man
Her money, she wish'd not for any:
He said, "I've no bread,"
She heard, and preferr'd
To give him her pretty new penny.

[45]

XXI.

The Canary.

Mary had a little bird,
With feathers bright and yellow,
Slender legs,—upon my word,
He was a pretty fellow!

[46]

Sweetest notes he always sung,
Which much delighted Mary;
Often where his cage was hung,
She sat to hear Canary.

Crumbs of bread and dainty seeds
She carried to him daily,
Seeking for the early weeds,
She deck'd his palace gaily.

This, my little readers, learn,
And ever practice duly;
Songs and smiles of love return
To friends who love you truly.

[47]

XXII.

Lucy and Dicky.

Miss Lucy was a charming child,
She never said, "I wont!"
If little Dick her playthings spoil'd,
She said, "Pray, Dicky don't."

[48]

He took her waxen doll one day,
And bang'd it round and round,
Then tore its legs and arms away,
And threw them on the ground.

His good Mamma was angry quite,
And Lucy's tears ran down;
But Dick went supperless that night,
And since has better grown.

[49]

XXIII.

Falsehood Corrected.

When Jacky drown'd our poor cat Tib,
He told a very naughty fib;
And said he had not drown'd her;
[50] But truth is always soon found out;
No one but Jack had been about
The place where Thomas found her.

And Thomas saw him with the cat,
(Though Jacky did not know of that)
And told papa the trick;
He saw him take a slender string,
And round poor pussy's neck then swing
A very heavy brick.

His parents being very sad
To find they had a boy so bad,
To say what was not true;
Determin'd to correct him then,
And never was he known again,
Such naughty things to do.

[51]

XXIV.

Going to Bed.

The babe was in the cradle laid,
And Tom had said his prayers;
When Frances told the nursery maid
She would not go up stairs,

[52]

She cried so loud her mother came
To ask the reason why;
And said, "O Frances, fie for shame!
O fie! O fie! O fie!"

But Frances was more naughty still,
And Betty sadly nipp'd;
Until her mother said, "I will,
I must have Frances whipp'd."

For, O how naughty 'tis to cry,
But worse, much worse to fight!
Instead of running readily,
And calling out good night.

[53]

XXV.

The Fan.

Maria's aunt, who liv'd in town,
Once wrote a letter to her niece;
And sent, wrapp'd up, a new half-crown,
Besides a pretty pocket-piece.

[54]

Maria jump'd with joy, and ran
To tell her sister the good news;
She said, "I mean to buy a fan,
Come, come along with me to chuse."

They quickly tied their hats, and talk'd
Of yellow, lilac, pink, and green;
But far the sisters had not walk'd
Before the saddest sight was seen!

Upon the ground a poor lame man,
Helpless and old, had tumbled down!
She thought no more about the fan,
But gave to him her new half-crown.

[55]

XXVI.

Dinner.

Miss Kitty, was rude at the table one day,
And would not sit still on her seat;
Regardless of all that her mother could say,
From her chair little Kitty kept running away,
All the time they were eating the meat.

As soon as she saw that the beef was remov'd,
She ran to her chair in great haste;
But her mother such giddy behaviour reprov'd,
By sending away the sweet pudding she lov'd,
Without giving Kitty one taste.

[56]

XXVII.

The Chimney Sweeper.

Sweep, sweep! sweep, sweep! cries little Jack,
With brush and bag upon his back,
And black from head to foot;
While daily as he goes along,
Sweep, sweep! sweep, sweep! is all his song
Beneath his load of soot.

But then he was not always black:
O no; he once was pretty Jack,
And had a kind papa:
But, silly child! he ran to play,
Too far from home, a long, long way,
And did not ask mamma.

So he was lost, and now must creep
Up chimneys, crying Sweep! sweep! sweep!

[57]

XXVIII.

The Rose.

"Dear Mother," said a little boy,

"This rose is sweet and red;

Then tell me, pray, the reason why
I heard you call it dead?

[58]

"I did not think it was alive,
I never heard it talk,
Nor did I ever see it strive,
To run about or walk!"

"My dearest boy," the mother said,
"This rose grew on a tree:
But now its leaves begin to fade,
And all fall off, you see.

"Before, when growing on the bough,
So beautiful and red,
We say it liv'd; but, with'ring now,
We say the rose is dead."

[59]

XXIX.

Poisonous Fruit.

As Tommy and his sister Jane
Were walking down a shady lane,
They saw some berries, bright and red,
That hung around and over head;

[60]

And soon the bough they bended down,
To make the scarlet fruit their own;
And part they ate, and part, in play,
They threw about, and flung away.

But long they had not been at home
Before poor Jane and little Tom
Were taken, sick and ill, to bed,
And since, I've heard, they both are dead.

Alas! had Tommy understood
That fruit in lanes is seldom good,
He might have walk'd with little Jane
Again along the shady lane.

[61]

XXX.

Dangerous Sport.

Poor Peter was burnt by the poker one day,
When he made it look pretty and red!
For the beautiful sparks made him think it fine play,
To lift it as high as his head.

[62]

But, somehow it happen'd, his finger and thumb
Were terribly scorch'd by the heat;
And he scream'd out aloud for his mother to come,
And stamp'd on the floor with his feet!

Now if Peter had minded his mother's command,
His fingers would not have been sore;
And he promis'd again, as she bound up his hand,
To play with hot pokers no more.

[63]

XXXI.

The Stranger.

Who knocks so loudly at the gate?
The night is dark, the hour is late,
And rain comes pelting down!
[64] O, 'tis a stranger gone astray!
That calls to ask the nearest way
To yonder little town.

Why, tis a long and dreary mile
For one o'ercome with cold and toil;
Go to him, Charles, and say,
"Good stranger! here repose to-night,
And with the morning's earliest light,
We'll guide you on your way."

[65]

XXXII.

HYMN.

O Lord! my infant voice I raise,
Thy holy name to bless!
In daily songs of thanks and praise,
For mercies numberless.

[66]

For parents, who have taught me right,
That thou art good and true;
And though unseen by my weak sight,
Thou seest all I do.

Let all my thoughts and actions rise
From innocence and truth;
And thou, O Lord! wilt not despise
The prayer of early youth.

As through thy power I live and move,
And say, "Thy will be done;"
O keep, in mercy and in love,
The work thou hast begun.

ILLUSTRATED SHILLING SERIES

FORGOTTEN CHILDREN'S BOOKS.

PUBLISHERS' NOTE.

The little books printed about a hundred years ago "for the amusement of little masters and misses" must now be looked for in the cabinets of the curious. The type is quaint, the illustrations quainter and the grayish tinted paper abounds in obtrusive specks of embedded dirt. For the covers, gaudy Dutch gilt paper was used, or paper with patchy blobs of startlingly contrasted colours laid on with a brush by young people. The text, always amusing, is of course redolent of earlier days.

1899-1900.

LONDON: PUBLISHED BY
The Leadenhall Prefs, Ltd: 50, Leadenhall Street, E.C.
Simpkin, Marshall, Hamilton, Kent & Co., Ltd:

New York: Charles Scribner's Sons, 153-157 Fifth Avenue.

1. THE DAISY; or, Cautionary Stories in Verse, adapted to Ideas of Children from Four to Eight Years Old. 1807.

Re-prints of this laughter-laden little book, written by Mrs. Elizabeth Turner, followed each other right up to about 1850: in the illustrated edition before the reader, nothing is omitted and nothing is added.

With a view to greater profit, the publisher discarded the pretty copperplates which adorned the first edition (now a thing of price) substituting roughly cut wooden blocks.

2. THE COWSLIP; or, More Cautionary Stories in Verse. By the author of that much-admired little work, entitled The Daisy. 1811.

Under this title in 1811 Mrs. Turner wrote some more Cautionary Stories which became almost as popular as The Daisy. She also wrote other books of poetry for children, including The Crocus, The Pink, and Short Poems; but none had the charm or vogue of The Daisy and The Cowslip.

3. NEW RIDDLE-BOOK. By John-the-Giant-Killer, Esquire. 1778.

This covetable little book, published by F(rancis) Newbery, Jun. and T(homas) Carnan, the son and stepson of John Newbery, had been issued by their father at least twenty years earlier than the date on the title-page. The opening note concerning Francis, the nephew of John Newbery, relates to family differences which need not here be referred to. There would seem to be no copyright in riddles, at any rate one finds the same hoary-heads in other collections.

The destructive fingers of little riddle-readers have been the means of causing thousands of copies of this amusing book to disappear, and to obtain an original copy is now almost impossible. The quaintness of the wood-cut pictorial answers should appeal to the modern reader.

It is intended to continue this Illustrated Shilling Series of
Forgotten Children's Books.

OTHER VOLUMES ARE IN PREPARATION.

SMILES AND LAUGHTER IN EVERY PAGE.

PAGES AND PICTURES FROM FORGOTTEN CHILDREN'S BOOKS. Brought together and introduced to the Reader by Andrew W. Tuer, F.S.A. Four hundred illustrations; five hundred pages, handsomely bound, top edge gilt, silk book-marker. LONDON: The Leadenhall Press, Ltd: 50, Leadenhall-street, E.C.[Six Shillings.

One hundred large paper copies at a Guinea, net.

SMILES AND LAUGHTER IN EVERY PAGE.

STORIES FROM OLD-FASHIONED CHILDREN'S BOOKS brought together and introduced to the Reader by Andrew W. Tuer, F.S.A. Adorned with 250 amusing cuts. Nearly 500 pages: handsomely and attractively bound. LONDON: The Leadenhall Press, Ltd: 50, Leadenhall-street, E.C.[Six Shillings.

THESE ARE QUITE INDEPENDENT VOLUMES.

The back cover image was repaired by the transcriber and is placed in the public domain.

TRANSCRIBER'S NOTE:

Obvious printer errors have been corrected. Otherwise, the author's original spelling, punctuation and hyphenation have been left intact.






End of the Project Gutenberg EBook of The Daisy, or, Cautionary Stories in
Verse., by Elizabeth Turner

*** END OF THIS PROJECT GUTENBERG EBOOK THE DAISY, OR CAUTIONARY STORIES ***

***** This file should be named 45082-h.htm or 45082-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/5/0/8/45082/

Produced by Chris Curnow, Chris Whitehead, and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.