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LOVE IN A CLOUD

A Comedy in Filigree

by

ARLO BATES







Boston and New York
Houghton, Mifflin and Company
The Riverside Press, Cambridge
1900

Copyright, 1900, by Arlo Bates
All Rights Reserved




          TO
    MRS. E. L. HOMANS




CONTENTS


    CHAPTER                                  PAGE

         I. THE MISCHIEF OF A MAID              1

        II. THE MADNESS OF A MAN               11

       III. THE BABBLE OF A TEA                19

        IV. THE TICKLING OF AN AUTHOR          29

         V. THE BLAZING OF RANK                43

        VI. THE MISCHIEF OF A WIDOW            50

       VII. THE COUNSEL OF A MOTHER            60

      VIII. THE TEST OF LOVE                   69

        IX. THE MISCHIEF OF A GENTLEMAN        79

         X. THE BUSINESS OF A CLUBMAN          89

        XI. THE GAME OF CROSS-PURPOSES         98

       XII. THE WASTING OF REQUESTS           108

      XIII. THE WILE OF A WOMAN               119

       XIV. THE CONCEALING OF SECRETS         130

        XV. THE MISCHIEF OF A LETTER          138

       XVI. THE DUTY OF A SON                 150

      XVII. THE BUSINESS OF A LOVER           166

     XVIII. THE MISCHIEF OF MEN               180

       XIX. THE CRUELTY OF LOVE               191

        XX. THE FAITHFULNESS OF A FRIEND      198

       XXI. THE MISCHIEF OF A FIANCÉ          206

      XXII. THE COOING OF TURTLE-DOVES        220

     XXIII. THE BUSINESS OF A MUSE            227

      XXIV. THE MISCHIEF OF A CAD             241

       XXV. THE WAKING OF A SPINSTER          254

      XXVI. THE WOOING OF A WIDOW             266

     XXVII. THE CLIMAX OF COMEDY              277

    XXVIII. THE UNCLOUDING OF LOVE            288




LOVE IN A CLOUD




I

THE MISCHIEF OF A MAID


"No, my dear May, I positively will not hear another word about 'Love in
a Cloud.' I am tired to death of the very sound of its stupid name."

"Oh, Mrs. Harbinger," May Calthorpe responded, eagerly defensive, "it
isn't a stupid name."

Mrs. Harbinger settled herself back into the pile of gay cushions in the
corner of the sofa, and went on without heeding the interruption:--

"I have heard nothing but 'Love in a Cloud,' 'Love in a Cloud,' until it
gives me a feeling of nausea. Nobody talks of anything else."

May nodded her head triumphantly, a bright sparkle in her brown eyes.

"That only shows what a perfectly lovely book it is," she declared.

Mrs. Harbinger laughed, and bent forward to arrange a ribbon at May's
throat.

"I don't care if it is the loveliest book ever written," she responded;
"I won't have it stuffed down my throat morning, noon, and night. Why,
if you'll believe it, my husband, who never reads novels, not only read
it, but actually kept awake over it, and after that feat he'll talk of
it for months."

Pretty May Calthorpe leaned forward with more animation than the mere
discussion of an anonymous novel seemed to call for, and caught one of
her hostess's hands in both her own.

"Oh, did Mr. Harbinger like it?" she asked. "I am so interested to know
what he thinks of it."

"You never will know from me, my dear," was the cool response. "I've
forbidden him to speak of it. I tell you that I am bored to death with
the old thing."

May started up suddenly from the sofa where she had been sitting beside
Mrs. Harbinger. With rather an offended air she crossed to the
fireplace, and began to arrange her hat before the mirror over the
mantel. Mrs. Harbinger, smiling to herself, gave her attention to
setting in order the cups on the tea-table before her. The sun of the
April afternoon came in through the window, and from the polished floor
of the drawing-room was reflected in bright patches on the ceiling; the
brightness seemed to gather about the young, girlish face which looked
out from the glass, with red lips and willful brown hair in tendrils
over the white forehead. Yet as she faced her reflection, May pouted and
put on the look of one aggrieved.

"I am sorry I mentioned the book if you are so dreadfully against it,"
she observed stiffly. "I was only going to tell you a secret about the
author."

Mrs. Harbinger laughed lightly, flashing a comical grimace at her
visitor's back.

"There you go again, like everybody else! Do you suppose, May, that
there is anybody I know who hasn't told me a secret about the author?
Why, I'm in the confidence of at least six persons who cannot deny that
they wrote it."

May whirled around swiftly, leaving her reflection so suddenly that it,
offended, as quickly turned its back on her.

"Who are they?" she demanded.

"Well," the other answered quizzically, "Mrs. Croydon, for one."

"Mrs. Croydon! Why, nobody could dream that she wrote it!"

"But they do. It must have been written by some one that is inside the
social ring; and there is a good deal in the style that is like her
other books. I do wish," she went on, with a note of vexation in her
voice, "that Graham would ever forget to mix up my two tea-services. He
is a perfect genius for forgetting anything he ought to remember."

She walked, as she spoke, to the bell, and as she passed May the girl
sprang impulsively toward her, catching both her hands.

"Oh, Mrs. Harbinger!" she cried breathlessly. "I must tell you something
before anybody comes."

"Good gracious, May, what is it now? You are as impulsive as a pair of
bellows that could blow themselves."

The butler came ponderously in, in reply to her ring as she spoke, and
the two women for the moment suspended all sign of emotion.

"Graham," Mrs. Harbinger said, with the air of one long suffering and
well-nigh at the end of her patience, "you have mixed the teacups again.
Take out the tray, and bring in the cups with the broad gold band."

Graham took up the tray and departed, his back radiating protest until
the portière dropped behind him. When he was gone Mrs. Harbinger drew
May down to a seat on the sofa, and looked at her steadily.

"You evidently have really something to tell," she said; "and I have an
idea that it's mischief. Out with it."

May drew back with heightened color.

"Oh, I don't dare to tell you!" she exclaimed.

"Is it so bad as that?"

"Oh, it isn't bad, only--Oh, I don't know what in the world you will
think!"

"No matter what I think. I shan't tell you, my dear. No woman ever does
that."

May regarded her with a mixture of curiosity and wistfulness in her
look.

"You are talking that way just to give me courage," she said.

"Well, then," the other returned, laughing, "take courage, and tell me.
What have you been doing?"

"Only writing letters."

"Only! Good gracious, May! writing letters may be worse than firing
dynamite bombs. Women's letters are apt to be double-back-action
infernal-machines; and girls' letters are a hundred times worse. Whom
did you write to?"

"To the author of 'Love in a Cloud.'"

"To the author of 'Love in a Cloud'? How did you know him?"

Miss Calthorpe cast down her eyes, swallowed as if she were choking, and
then murmured faintly: "I don't know him."

"What? Don't know him?" her friend demanded explosively.

"Only the name he puts on his book: Christopher Calumus."

"Which of course isn't his name at all. How in the world came you to
write to him?"

The air of Mrs. Harbinger became each moment more judicially moral,
while that of May was correspondingly humble and deprecatory. In the
interval during which the forgetful Graham returned with the teacups
they sat silent. The culprit was twisting nervously a fold of her frock,
creasing it in a manner which would have broken the heart of the tailor
who made it. The judge regarded her with a look which was half
impatient, but full, too, of disapproving sternness.

"How could you write to a man you don't know," insisted Mrs.
Harbinger,--"a man of whom you don't even know the name? How could you
do such a thing?"

"Why, you see," stammered May, "I thought--that is--Well, I read the
book, and--Oh, you know, Mrs. Harbinger, the book is so perfectly
lovely, and I was just wild over it, and I--I--"

"You thought that being wild over it wasn't enough," interpolated the
hostess in a pause; "but you must make a fool of yourself over it."

"Why, the book was so evidently written by a gentleman, and a man that
had fine feelings," the other responded, apparently plucking up courage,
"that I--You see, I wanted to know some things that the book didn't
tell, and I--"

"You wrote to ask!" her friend concluded, jumping up, and standing
before her companion. "Oh, for sheer infernal mischief commend me to one
of you demure girls that look as if butter wouldn't melt in your mouths!
If your father had known enough to have you educated at home instead of
abroad, you'd have more sense."

"Oh, a girl abroad never would dare to do such a thing," May put in
naïvely.

"But you thought that in America a girl might do what she pleases. Why,
do you mean to tell me that you didn't understand perfectly well that
you had no business to write to a man that you don't know? I don't
believe any such nonsense."

May blushed very much, and hung her head.

"But I wanted so much to know him," she murmured almost inaudibly.

Mrs. Harbinger regarded her a moment with the expression of a mother who
has reached that stage of exasperation which is next halting-place
before castigation. Then she turned and walked vehemently up the
drawing-room and back, a quick sprint which seemed to have very little
effect in cooling her indignation.

"How long has this nonsense been going on?" she demanded, with a new
sternness in her voice.

"For--for six weeks," answered May tearfully. Then she lifted her
swimming eyes in pitiful appeal, and proffered a plea for mercy. "Of
course I didn't use my own name."

"Five or six weeks!" cried Mrs. Harbinger, throwing up her hands.

"But at first we didn't write more than once or twice a week."

The other stared as if May were exploding a succession of torpedoes
under her very nose.

"But--but," she stammered, apparently fairly out of breath with
amazement, "how often do you write now?"

May sprang up in her turn. She faced her mentor with the truly virtuous
indignation of a girl who has been proved to be in the wrong.

"I shan't tell you another word!" she declared.

Mrs. Harbinger seized her by the shoulders, and fairly pounced upon her
in the swoop of her words.

"How often do you write now?" she repeated. "Tell me before I shake
you!"

The brief defiance of May vanished like the flare of a match in a
wind-storm.

"Every day," she answered in a voice hardly audible.

"Every day!" echoed the other in a tone of horror.

Her look expressed that utter consternation which is beyond any
recognition of sin, but is aroused only by the most flagrant breach of
social propriety. Again the culprit put in what was evidently a prayer
for pity, couched in a form suggested by instinctive feminine cunning.

"Oh, Mrs. Harbinger, if you only knew what beautiful letters he writes!"

"What do I care for his beautiful letters? What did you want to drag me
into this mess for? Now I shall have to do something."

"Oh, no, no, Mrs. Harbinger!" cried May, clasping her hands. "Don't do
anything. You won't have to do anything. I had to tell you when he is
coming here."

Mrs. Harbinger stared at the girl with the mien of one who is convinced
that somebody's wits are hopelessly gone, and is uncertain whether they
are those of herself or of her friend.

"Coming here?" she repeated helplessly. "When?"

"This afternoon. I am really going to meet him!" May ran on, flashing
instantly from depression into smiles and animation. "Oh, I am so
excited!"

Mrs. Harbinger seized the girl again by the shoulder, and this time with
an indignation evidently personal as well as moral.

"Have you dared to ask a strange man to meet you at my house, May
Calthorpe?"

The other cringed, and writhed her shoulder out of the clutch of her
hostess.

"Of course not," she responded, taking in her turn with instant
readiness the tone of just resentment. "He wrote me that he would be
here."

The other regarded May in silence a moment, apparently studying her in
the light of these new revelations of character. Then she turned and
walked thoughtfully to a chair, leaving May to sit down again on the
sofa by which they had been standing. Mrs. Harbinger was evidently going
over in her mind the list of possible authors who might be at her
afternoon tea that day.

"Then 'Love in a Cloud' was written by some one we know," she observed
reflectively. "When did you write to him last?"

"When I was here yesterday, waiting for you to go to the matinée."

"Do you expect to recognize this unknown paragon?" asked Mrs. Harbinger
with an air perhaps a thought too dispassionate.

A charming blush came over May's face, but she answered with perfect
readiness:--

"He asked me to give him a sign."

"What kind of a sign?"

"He said he would wear any flower I named if I would--"

"Would wear one, too, you minx! That's why you have a red carnation at
your throat, is it? Oh, you ought to be shut up on bread and water for a
month!"

May showed signs of relapsing again into tears.

"I declare, I think you are just as horrid as you can be," she
protested. "I wish I hadn't told you a word. I'm sure there was no need
that I should. I--"

The lordly form of Graham the butler appeared at the drawing-room door.

"Mrs. Croydon," he announced.




II

THE MADNESS OF A MAN


While Mrs. Harbinger was receiving from May Calthorpe the disjointed
confession of that young woman's rashness, her husband, Tom Harbinger,
was having a rather confused interview with a client in his down-town
office. The client was a middle-aged man, with bushy, sandy hair, and an
expression of invincible simplicity not unmixed with obstinacy. Tom was
evidently puzzled how to take his client or what to do with him. He had,
as they talked, the air of being uncertain whether Mr. Barnstable was in
earnest, and of not knowing how far to treat him seriously.

"But why do you come to me?" he asked at length, looking at his client
as one regards a prize rebus. "Of course 'Love in a Cloud,' like any
other book, has a publisher. Why don't you go there to find out who
wrote it?"

The other shook his head wearily. He was a chunky man, seeming to be
made largely of oleaginous material, and appearing to be always
over-worn with the effort of doing anything with muscles and
determination hopelessly flabby despite his continual persistence.

"I've been to them," he returned; "but they won't tell."

"Then why not let the matter pass? It seems to me--"

The other set his square jaw the more firmly amid its abundant folds of
flabby flesh.

"Let it pass?" he interrupted with heavy excitement. "If something isn't
done to stop the infernal impudence of these literary scribblers there
will be no peace in life. There is nothing sacred! They ought to be
punished, and I'll follow this rascal if it costs me every dollar I'm
worth. I came to you because I thought you'd sympathize with me."

Mr. Harbinger moved uneasily in his chair like a worm on a hook.

"Why, really, Barnstable," he said, "I feel as you do about the
impudence of writers nowadays, and I'd like to help you if I could;
but--"

The other broke in with a solemn doggedness which might well discourage
any hope of his being turned from his purpose by argument.

"I mean to bring suit for libel, and that's the whole of it."

"Perhaps then," the lawyer responded with ill concealed irritation, "you
will be good enough to tell me whom the suit is to be against."

"Who should it be against? The author of 'Love in a Cloud,' of course."

"But we don't know who the author of that cursed book is."

"I know we don't know; but, damme, we must find out. Get detectives;
use decoy advertisements; do anything you like. I'll pay for it."

Mr. Harbinger shrugged his shoulders, and regarded his client with an
expression of entire hopelessness.

"But I'm not in the detective business."

The other gave no evidence of being in the least affected by the
statement.

"Of course a lawyer expects to find out whatever is necessary in
conducting his clients' business," he remarked, with the air of having
disposed of that point. "There must be a hundred ways of finding out who
wrote the book. An author ought not to be harder to catch than a
horse-thief, and they get those every day. When you've caught him, you
just have him punished to the extent of the law."

Harbinger rose from his chair and began to walk up and down with his
hands in his pockets. The other watched him in silence, and for some
moments nothing was said. At length the lawyer stopped before his
client, and evidently collected himself for a final effort.

"But consider," he said, "what your case is."

"My case is a good case if there is any justice in the country. The man
that wrote that book has insulted my wife. He has told her story in his
confounded novel, and everybody is laughing over her divorce. It is
infamous, Harbinger, infamous!"

He so glowed and smouldered with inner wrath that the folds of his fat
neck seemed to soften and to be in danger of melting together. His
little eyes glowed, and his bushy hair bristled with indignation. He
doubled his fist, and shook it at Harbinger as if he saw before him the
novelist who had intruded upon his private affairs, and he meant to
settle scores with him on the spot.

"But nobody knew that you had a wife," Harbinger said. "You came here
from Chicago without one, and we all thought that you were a bachelor."

"I haven't a wife; that's just the trouble. She left me four years ago;
but I don't see that that makes any difference. I'm fond of her just the
same; and I won't have her put into an anonymous book."

Harbinger sat down again, and drew his chair closer to that in which the
other seethed, molten with impotent wrath.

"Just because there's a divorced woman in 'Love in a Cloud,'" he said,
"you propose to bring a suit for libel against the author. If you will
pardon me, it strikes me as uncommon nonsense."

Barnstable boiled up as a caldron of mush breaks into thick, spluttering
bubbles.

"Oh, it strikes you as uncommon nonsense, does it? Damme, if it was your
wife you'd look at it differently. Isn't it your business to do what
your clients want done?"

"Oh, yes; but it's also my business to tell them when what they want is
folly."

"Then it's folly for a man to resent an insult to his wife, is it? The
divorce court didn't make a Pawnee Indian of me. My temper may be
incompatible, but, damme, Harbinger, I'm human."

Harbinger began a laugh, but choked the bright little bantling as soon
as it saw the light. He leaned forward, and laid his hand on the other's
knee.

"I understand your feelings, Barnstable," he said, "and I honor you for
them; but do consider a little. In the first place, there is no
probability that you could make a jury believe that the novelist meant
you and your wife at all. Think how many divorce suits there are, and
how well that story would fit half of them. What you would do would
be to drag to light all the old story, and give your wife the
unpleasantness of having everything talked over again. You would injure
yourself, and you could hardly fail to give very serious pain to her."

Barnstable stared at him with eyes which were full of confusion and of
helplessness.

"I don't want to hurt her," he stammered.

"What do you want to do?"

The client cast down his eyes, and into his sallow cheeks came a dull
flush.

"I wanted to protect her," he answered slowly; "and I wanted--I wanted
to prove to her that--that I'd do what I could for her, if we were
divorced."

The face of the other man softened; he took the limp hand of his
companion and shook it warmly.

"There are better ways of doing it than dragging her name before the
court," he said. "I tell you fairly that the suit you propose would be
ridiculous. It would make you both a laughing-stock, and in the end come
to nothing."

The square jaw was still firmly set, but the small eyes were more
wistful than ever.

"But I must do something," Barnstable said. "I can't stand it not to do
anything."

Harbinger rose with the air of a man who considers the interview ended.

"There is nothing that you can do now," he replied. "Just be quiet, and
wait. Things will come round all right if you have patience; but don't
be foolish. A lawyer learns pretty early in his professional life that
there are a good many things that must be left to right themselves."

Barnstable rose in turn. He seemed to be trying hard to adjust his mind
to a new view of the situation, but it was evident enough that his brain
was not of the sort to yield readily to fresh ideas of any kind. He
examined his hat carefully, passing his thumb and forefinger round the
rim as if to assure himself that it was all there; then he cleared his
throat, and regarded the lawyer wistfully.

"But I must do something," he repeated, with an air half apologetic. "I
can't just let the thing go, can I?"

"You can't do anything but let it go," was the answer. "Some time you
will be glad that you did let it be. Take my word for it."

Barnstable shook his head mournfully.

"Then you take away my chance," he began, "of doing something--"

He paused in evident confusion.

"Of doing something?" repeated Harbinger.

"Why, something, you know, to please--"

"Oh, to please your wife? Well, just wait. Something will turn up sooner
or later. Speaking of wives, I promised Mrs. Harbinger to come home to a
tea or some sort of a powwow. What time is it?"

"Yes, a small tea," Barnstable repeated with a queer look. "Pardon me,
but is it too intrusive in me to ask if I may go home with you?"

Harbinger regarded him in undisguised amazement; and quivers of
embarrassment spread over Barnstable's wavelike folds of throat and
chin.

"Of course it seems to you very strange," the client went on huskily;
"and I suppose it is etiquettsionally all wrong. Do you think your wife
would mind much?"

"Mrs. Harbinger," the lawyer responded, his voice much cooler than
before, "will not object to anybody I bring home."

The acquaintance of the two men was no more than that which comes from
casual meetings at the same club. The club was, however, a good one, and
membership was at least a guarantee of a man's respectability.

"I happen to know," Barnstable proceeded, getting so embarrassed that
there was reason to fear that in another moment his tongue would cleave
to the roof of his mouth and his husky voice become extinct altogether,
"that a person that I want very much to see will be there; and I will
take it as very kind--if you think it don't matter,--that is, if your
wife--"

"Oh, Mrs. Harbinger won't mind. Come along. Wait till I get my hat and
my bag. A lawyer's green bag is in Boston as much a part of his dress as
his coat is."

The lawyer stuffed some papers into his green bag, rolled down the top
of his desk, and took up his hat. The visitor had in the meantime been
picking from his coat imaginary specks of lint and smoothing his
unsmoothable hair.

"I hope I look all right," Barnstable said nervously. "I--I dressed
before I came here. I thought perhaps you would be willing--"

"Oh, ho," interrupted Harbinger. "Then this whole thing is a ruse, is
it? You never really meant to bring a suit for libel?"

The face of the other hardened again.

"Yes, I did," was his answer; "and I'm by no means sure that I've given
it up yet."




III

THE BABBLE OF A TEA


The entrance of Mrs. Croydon into Mrs. Harbinger's drawing-room was
accompanied by a rustling of stuffs, a fluttering of ribbons, and a
nodding of plumes most wonderful to ear and eye. The lady was of a
complexion so striking that the redness of her cheeks first impressed
the beholder, even amid all the surrounding luxuriance of her toilet.
Her eyes were large and round, and of a very light blue, offering to
friend or foe the opportunity of comparing them to turquoise or blue
china, and so prominent as to exercise on the sensitive stranger the
fascination of a deformity from which it seems impossible to keep the
glance. Mrs. Croydon was rather short, rather broad, extremely
consequential, and evidently making always a supreme effort not to be
overpowered by her overwhelming clothes. She came in now like a yacht
decorated for a naval parade, and moving before a slow breeze.

Mrs. Harbinger advanced a step to meet her guest, greeting the new-comer
in words somewhat warmer than the tone in which they were spoken.

"How do you do, Mrs. Croydon. Delighted to see you."

"How d' y' do?" responded the flutterer, an arch air of youthfulness
struggling vainly with the unwilling confession of her face that she was
no longer on the sunny side of forty. "How d' y' do, Miss Calthorpe?
Delighted to find you here. You can tell me all about your cousin
Alice's engagement."

Miss Calthorpe regarded the new-comer with a look certainly devoid of
enthusiasm, and replied in a tone not without a suggestion of
frostiness:--

"On the contrary I did not know that she was engaged."

"Oh, she is; to Count Shimbowski."

"Count Shimbowski and Alice Endicott?" put in Mrs. Harbinger. "Is that
the latest? Sit down, Mrs. Croydon. Really, it doesn't seem to me that
it is likely that such a thing could be true, and the relatives not be
notified."

She reseated herself as she spoke, and busied herself with the
tea-equipage. May rather threw herself down than resumed her seat.

"Certainly it can't be true," the latter protested. "The idea of Alice's
being engaged and we not know it!"

"But it's true; I have it direct," insisted Mrs. Croydon; "Miss
Wentstile told Mr. Bradish, and he told me."

May sniffed rather inelegantly.

"Oh, Miss Wentstile! She thinks because Alice is her niece she can do
what she likes with her. It's all nonsense. Alice has always been fond
of Jack Neligage. Everybody knows that."

Mrs. Croydon managed somehow to communicate to her innumerable streamers
and pennants a flutter which seemed to be meant to indicate violent
inward laughter.

"Oh, what a child you are, Miss Calthorpe! I declare, I really must put
you into my next novel. I really must!"

"May is still so young as to be romantic, of course," Mrs. Harbinger
remarked, flashing at her young friend a quick sidewise glance. "Besides
which she has been educated in a convent; and in a convent a girl must
be either imaginative or a fool, or she'll die of ennui."

"I suppose you never were romantic yourself," put in May defensively.

"Oh, yes, my dear; I had my time of being a fool. Why, once I even fell
violently in love with a man I had never seen."

The swift rush of color into the face of Miss Calthorpe might have
arrested the attention of Mrs. Croydon, but at that moment the voice of
Graham interrupted, announcing:--

"Mr. Bradish; Mr. Neligage."

The two men who entered were widely different in appearance.

That Mr. Bradish was considerably the elder was evident from his
appearance, yet he came forward with an eager air which secured for him
the first attention. He was lantern-jawed, and sanguine in color.
Near-sight glasses unhappily gave to his eyes an appearance of having
been boiled, and distorted his glance into an absurd likeness to a
leer. A shadow of melancholy, vague yet palpable, softened his face, and
was increased by the droop of his Don Quixote like yellow mustaches. The
bald spot on his head and the stoop in his shoulders betrayed cruelly
the fact that Harry Bradish was no longer young; and no less plainly
upon everything about him was stamped the mark of a gentleman.

Jack Neligage, on the other hand, came in with a face of irresistible
good nature. There was a twinkle in his brown eyes, a spark of humor and
kindliness which could evidently not be quenched even should there
descend upon him serious misfortune. His face was still young enough
hardly to show the marks of dissipation which yet were not entirely
invisible to the searching eye; his hair was crisp and abundant; his
features regular and well formed. He was a young fellow so evidently
intended by nature for pleasure that to expect him to take life
seriously would have seemed a sort of impropriety. An air of youth, and
of jocund life, of zest and of mirthfulness came in with Jack,
inevitably calling up smiles to meet him. Even disapproval smiled on
Jack; and it was therefore not surprising if he evaded most of the
reproofs which are apt to be the portion of an idle pleasure-seeker. He
moved with a certain languid alertness that was never hurried and yet
never too late. This served him well on the polo-field, where he was
deliberately swift and swiftly deliberate in most effective fashion. He
came into the drawing-room now with the easy mien of a favorite, yet
with an indifference which seemed so natural as to save him from all
appearance of conceit. He had the demeanor of the conscious but not
quite spoiled darling of fortune.

"You are just in time for the first brewing of tea," Mrs. Harbinger
said, when greetings had been exchanged. "This tea was sent me by a
Russian countess who charged me to let nobody drink it who takes cream.
It is really very good if you get it fresh."

"To have the tea and the hostess both fresh," Mr. Bradish responded,
"will, I fear, be too intoxicating."

"Never mind the tea," broke in Mrs. Croydon. "I am much more interested
in what we were talking about. Mr. Bradish, you can tell us about Count
Shimbowski and Alice Endicott."

Jack Neligage turned about with a quickness unusual in him.

"The Count and Miss Endicott?" he demanded. "What about them? Who's had
the impertinence to couple their names?"

Mrs. Croydon put up her hands in pretended terror, a hundred tags of
ribbon fluttering as she did so.

"Oh, don't blame me," she said. "I didn't do it. They're engaged."

Neligage regarded her with a glance of vexed and startled disfavor. Then
he gave a short, scornful laugh.

"What nonsense!" he said. "Nobody could believe that."

"But it's true," put in Bradish. "Miss Wentstile herself told me that
she had arranged the match, and that I might mention it."

Neligage looked at the speaker an instant with a disbelieving smile on
his lip; and tossing his head went to lean his elbow on the mantel.

"Arranged!" he echoed. "Good heavens! Is this a transaction in real
estate?"

"Marriage so often is, Mr. Neligage," observed Mrs. Harbinger, with a
smile.

Bradish began to explain with the solemn air which he had. He was often
as obtuse and matter-of-fact as an Englishman, and now took up the
establishment of the truth of his news with as much gravity as if he
were setting forth a point of moral doctrine. He seemed eager to prove
that he had at least been entirely innocent of any deception, and that
whatever he had said must be blamelessly credible.

"Of course it's extraordinary, and I said so to Miss Wentstile. She said
that as the Count is a foreigner, it was very natural for him to follow
foreign fashions in arranging the marriage with her instead of with
Alice."

"And she added, I've no doubt," interpolated Mrs. Harbinger, "that she
entirely approved of the foreign fashion."

"She did say something of that sort," admitted Bradish, with entire
gravity.

Mrs. Harbinger burst into a laugh, and trimmed the wick of her tea-lamp.
Neligage grinned, but his pleasant face darkened instantly.

"Miss Wentstile is an old idiot!" said he emphatically.

"Oh, come, Mr. Neligage," remonstrated his hostess, "that is too strong
language. We must observe the proprieties of abuse."

"And say simply that she is Miss Wentstile," suggested Mrs. Croydon
sweetly.

The company smiled, with the exception of May, whose face had been
growing longer and longer.

"I don't care what she says," the girl burst out indignantly; "I don't
believe Alice will listen to such a thing for one minute."

"Perhaps she won't," Bradish rejoined doubtfully, "but Miss Wentstile is
famous for having her own way. I'm sure I shouldn't feel safe if she
undertook to marry me off."

"She might take you for herself if she knew her power, Mr. Bradish,"
responded Mrs. Croydon. "No more tea, my dear, thank you."

"For Heaven's sake don't mention it then," he answered. "It's enough to
have Jack here upset. The news is evidently too much for him."

"What news has upset my son, Mr. Bradish?" demanded a crisp voice from
the doorway. "I shall disown him if he can't hide his feelings."

Past Graham, who was prepared to announce her, came a little woman,
bright, vivacious, sparkling; with clear complexion and mischievous
dimples. A woman trimly dressed, and in appearance hardly older than the
son she lightly talked of disowning. The youthfulness of Mrs. Neligage
was a constant source of irritation to her enemies, and with her
tripping tongue and defiant independence she made enemies in plenty. Her
gypsyish beauty and clear skin were offenses serious enough; but for a
woman with a son of five and twenty to look no more than that age
herself was a vexation which was not to be forgiven. Some had been
spiteful enough to declare that she preserved her youth by being
entirely free from feeling; but since in the same breath they were ready
to charge the charming widow with having been by her emotions carried
into all sorts of improprieties, the accusation was certainly to be
received with some reservations. Certainly she was the fortunate
possessor of unfailing spirits, of constant cleverness, and delightful
originality. She had the courage, moreover, of daring to do what she
wished with the smallest possible regard for conventions; and it has
never been clearly shown how much independence of conventionality and
freedom of life may effect toward the preservation of a woman's youth.

She evidently understood the art of entering a room well. She came
forward swiftly, yet without ungraceful hurry. She nodded brightly to
the ladies, gave Bradish the momentary pleasure of brushing her
finger-tips with his own as she passed him, then went forward to shake
hands with Mrs. Harbinger. Without having done anything in particular
she was evidently entire mistress of the situation, and the rest of the
company became instantly her subordinates. Mrs. Croydon, almost twice
her size and so elaborately overdressed, appeared suddenly to have
become dowdy and ill at ease; yet nothing could have been more
unconscious or friendly than the air with which the new-comer turned
from the hostess to greet the other lady. There are women to whom
superiority so evidently belongs by nature that they are not even at the
trouble of asserting it.

"Oh, Mrs. Neligage," Mrs. Croydon said, as she grasped at the little
glove which glanced over hers as a bird dips above the water, "you have
lived so much abroad that you should be an authority on foreign
marriages."

"Just as you, having lived in Chicago, should be an authority on
un-marriages, I suppose. Well, I've had the fun of disturbing a lot of
foreign marriages in my day. What marriage is this?"

"We were speaking of Miss Wentstile's proposing to marry Alice to Count
Shimbowski," explained Mrs. Harbinger.

"Then," returned Mrs. Neligage lightly, "you had better speak of
something else as quickly as possible, for Alice and her aunt are just
behind me. Let us talk of Mrs. Croydon's anonymous novel that's made
such a stir while I've been in Washington. What is it? 'Cloudy Love'!
That sounds tremendously improper. My dear, if you don't wish to see me
fall in a dead faint at your feet, do give me some tea. I'm positively
worn out."

She seated herself near Mrs. Croydon, over whose face during her remarks
had flitted several expressions, none of them over-amiable, and watched
the hostess fill her cup.

"Come, Mrs. Neligage," protested Bradish with an air of mild
solicitation. "You are really too bad, you know. It isn't 'Cloudy Love,'
but 'Love in a Cloud.' I didn't know that you confessed to writing it,
Mrs. Croydon."

"Oh, I don't. I only refuse to deny it."

"Oh, well, now; not to deny is equivalent to a confession," he returned.

"Not in the least," Mrs. Neligage struck in. "When you are dealing with
a woman, Mr. Bradish, it isn't safe even to take things by contraries."




IV

THE TICKLING OF AN AUTHOR


The entrance of Miss Wentstile and her niece Alice Endicott made the
company so numerous that it naturally broke up into groups, and the
general conversation was suspended.

Miss Wentstile was a lady of commanding presence, whose youth was with
the snows of yester year. She had the eye of a hawk and the jaw of a
bulldog; nor was the effect of these rather formidable features softened
by the strong aquiline nose. Her hair was touched with gray, but her
color was still fresh and too clear not to be natural. She was richly
dressed in dark green and fur, her complexion making the color possible
in spite of her years. She was a woman to arouse attention, and one,
too, who was evidently accustomed to dominate. She cast a keen glance
about her as she crossed the room to her hostess, sweeping her niece
along with her not without a suggestion that she dragged the girl as a
captive at her chariot-wheel.

Jack Neligage stepped forward as she passed him, evidently with the
intention of intercepting the pair, or perhaps of gaining a word with
Alice Endicott.

"How do you do, Miss Wentstile," he said. "I am happy to see you looking
so well."

"There is no reason why I should not look well, Mr. Neligage," she
responded severely. "I never sit up all night to smoke and drink and
play cards."

Neligage smiled his brightest, and made her a bow of mock deference.

"Indeed, Miss Wentstile," he responded, "I am delighted to know that
your habits have become so correct."

She retorted with a contemptuous sniff, and by so effectually
interposing between him and her niece that Miss Endicott could only nod
to him over her aunt's shoulder. Jack made a grimace more impertinent
than courtly, and for the time turned away, while the two ladies went on
to Mrs. Harbinger.

"Well, Alice," Mrs. Harbinger said, "I am glad you have come at last. I
began to think that I must appoint a substitute to pour in your place."

"I am sorry to be so late," Miss Endicott responded, as she and her
hostess exchanged places. "I was detained unexpectedly."

"I kept her," Miss Wentstile announced with grim suddenness. "I have
been talking to her about--"

"Aunt Sarah," interposed Alice hurriedly, "may I give you some tea?"

"Don't interrupt me, Alice. I was talking to her about--"

Mrs. Harbinger looked at the crimsoning cheeks of Alice, and meeting
the girl's imploring glance, gave her a slight but reassuring nod.

"My dear Miss Wentstile," she said, "I know you will excuse me; but here
are more people coming."

Miss Wentstile could hardly finish her remarks to the air, and as Mrs.
Harbinger left her to greet a new arrival the spinster turned sharply to
May Calthorpe, who had snuggled up to Alice in true school-girl fashion.

"Ah, May," Miss Wentstile observed, "what do you settle down there for?
Don't you know that now you have been brought out in society you are
expected to make your market?"

"No, Miss Wentstile," May responded; "if my market can't make itself,
then it may go unmade."

The elder turned away with another characteristic sniff, and Alice and
May were left to themselves. People were never tired of condemning Miss
Wentstile for her brusque and naked remarks; but after all society is
always secretly grateful for any mortal who has the courage to be
individual. The lady was often frank to the verge of rudeness; she was
so accustomed to having her own way that one felt sure she would insist
upon it at the very Judgment Seat; she said what she pleased, and
exacted a deference to her opinions and to her wishes such as could
hardly under existing human conditions be accorded to any mortal. Miss
Wentstile must have been too shrewd not to estimate reasonably well the
effect of her peculiarities, and no human being can be persistently
eccentric without being theatrical. It was evident enough that she
played in some degree to the gallery; and undoubtedly from this it is to
be argued that she was not without some petty enjoyment in the notoriety
which her manners produced. Should mankind be destroyed, the last thing
to disappear would probably be human vanity, which, like the grin of the
Cheshire cat in "Alice," would linger after the race was gone. Vanity in
the individual is nourished by the notice of others; and if Miss
Wentstile became more and more confirmed in her impertinences, it is
hardly to be doubted that increase of vanity was the cause most active.
She outwardly resented the implication that she was eccentric; but as
she contrived continually and even complacently to become steadily more
so, society might be excused for not thinking her resentment
particularly deep. Dislike for notoriety perhaps never cured any woman
of a fault; and certainly in the case of Miss Wentstile it was not in
the least corrective.

The relations between Miss Wentstile and Alice Endicott were well known.
Alice was the doubly orphaned daughter of a gallant young officer killed
in a plucky skirmish against superior force in the Indian troubles, and
of the wife whose heart broke at his loss. At six Alice was left, except
for a small pension, practically penniless, and with no nearer relative
than Miss Wentstile. That lady had undertaken the support of the child,
but had kept her much at school until the girl was sixteen. Then the
niece became an inmate of her aunt's house, and outwardly, at least,
the mere slave of the older lady's caprices. Miss Wentstile was kind in
her fashion. In all that money bought she was generous. Alice was richly
dressed, she might have what masters she wished, be surrounded by
whatever luxuries she chose. As if the return for these benefits was to
be implicit obedience, Miss Wentstile was impatient of any show toward
herself of independence. If Alice could be imagined as bearing herself
coldly and haughtily toward the world in general,--a possibility hardly
to be conceived of,--Miss Wentstile might be pictured glorying in such a
display of proper spirit; but toward her aunt the girl was expected to
be all humility and concession. As neither was without the pride which
belonged to the Wentstile blood, it is easy to see that perfect harmony
was not to be looked for between the pair. Alice had all the folly of
girlhood, which is so quick to refuse to be bullied into affection;
which is so blind as not to perceive that an elder who insists upon its
having no will of its own is providing excellent lessons in the high
graces of humility and meekness. Clever observers--and society remains
vital chiefly in virtue of its clever observers--detected that Miss
Wentstile chafed with an inward consciousness that the deference of her
niece was accorded as a courtesy and not as a right. The spinster had
not the tact to avoid betraying her perception that the submission of
Alice was rather outward than inward, and the public sense of justice
was somewhat appeased in its resentment at her domineering treatment by
its enjoyment of her powerlessness either to break the girl's spirit or
force her into rebellion.

The fondness of Alice for Jack Neligage was the one tangible thing with
which Miss Wentstile could find fault; and this was so intangible after
all that it was difficult to seize upon it. Nobody doubted that the two
were warmly attached. Jack had never made any effort to hide his
admiration; and while Alice had been more circumspect, the instinct of
society is seldom much at fault in a matter of this sort. For Miss
Wentstile to be sure that her niece favored the man of all others most
completely obnoxious, and to bring the offense home to the culprit were,
however, matters quite different. Now that Miss Wentstile had outdone
herself in eccentricity by boldly adopting the foreign fashion of a
_mariage de convenance_, there was every reason to believe that the real
power of the spinster would be brought to the test. Nobody doubted that
behind this absurd attempt to make a match between Alice and Count
Shimbowski lay the determination to separate the girl from Jack
Neligage; and it was inevitable that the struggle should be watched for
with eager interest.

The first instant that there was opportunity for a confidential word,
May Calthorpe rushed precipitately upon the subject of the reported
engagement.

"Oh, Alice," she said, in a hurried half-whisper, "do you know that Miss
Wentstile says she has arranged an engagement between you and that
horrid Hungarian Count."

Alice turned her long gray eyes quickly to meet those of her companion.

"Has she really told of it?" she demanded almost fiercely.

"They were all talking of it before you came in," May responded.

Her voice was deepened, apparently by a tragic sense of the gravity of
the subject under discussion; yet she was a bud in her first season, so
that it was impossible that there should not also be in her tone some
faint consciousness of the delightfully romantic nature of the
situation.

An angry flush came into the cheek of Miss Endicott. She was not a girl
of striking face, although she had beautiful eyes; but there was a
dignity in her carriage, an air of birth and breeding, which gave her
distinction anywhere. She possessed, moreover, a sweet sincerity of
character which made itself subtly felt in her every tone and movement.
Now she knit her forehead in evident perplexity and resentment.

"But did they believe it?" she asked.

"Oh, they would believe anything of Miss Wentstile, of course," May
replied. "We all know Aunt Sarah too well not to know that she is
capable of the craziest thing that could be thought of."

She picked out a fat bonbon as she spoke, and nibbled it comfortably, as
if thoroughly enjoying herself.

"But what can I do?" demanded Alice pathetically. "I can't stand up here
and say: 'Ladies and gentlemen, I really have no idea of marrying that
foreign thing Aunt Sarah wants to buy for me.'"

Whatever reply May might have made was interrupted by the arrival of a
gentleman with an empty teacup. The new-comer was Richard Fairfield, a
young man of not much money but of many friends, and of literary
aspirations. As he crossed the drawing-room Mrs. Neligage carelessly
held out to him her cup and saucer.

"As you are going that way, Richard," she said without preface of
salutation, "do you mind taking my cup to the table?"

"Delighted, of course," he answered, extending his hand for it.

"If Mrs. Neligage will permit me," broke in Mr. Bradish, darting
forward. "I beg ten thousand pardons for not perceiving--"

"But Mrs. Neligage will not permit you, Mr. Bradish," she responded
brightly. "I have already commissioned Richard."

Fairfield received the cup, and bore it away, while Bradish cast upon
the widow a glance of reproach and remonstrance.

"You women all pet a rising author," he said. "I suppose it's because
you all hope to be put in his books."

"Oh, no. On the contrary it is because we hope to be left out."

"I don't see," he went on with little apparent relevancy, "why you need
begrudge me the pleasure of doing you a small favor."

"I don't wish you to get too much into the habit of doing small favors,"
she responded over her shoulder, as she turned back to the group with
which she had been chatting. "I am afraid that if you do, you'll fail
when I ask a great one."

Fairfield made his way to the table where Alice was dispensing tea. He
was by her welcomed cordially, by May with a reserve which was evidently
absent-minded regret that he should break in upon her confidences with
her cousin. He exchanged with Alice the ordinary greetings, and then
made way for a fresh arrival who wished for tea. May responded rather
indifferently to his remarks as he took a chair at the end of the sofa
upon which she was seated, seeming so absorbed that in a moment he
laughed at some irrelevant reply which she gave.

"You did not understand what I said," he remarked. "I didn't mean--"

"I beg your pardon," she interrupted, turning toward him. "I was
thinking of something I was talking about with Alice, and I didn't mind
what you did say."

"I am sorry that I interrupted."

"Oh, everybody interrupts at an afternoon tea," she responded, smiling.
"That is what we are here for, I suppose. I was simply in a cloud--"

Fairfield returned her smile with interest.

"Is that an allusion?"

May flushed a little, and put her hand consciously to the carnation at
her throat.

"Oh, no," she answered, with a little too much eagerness. "I can talk of
something beside that book. Though of course," she added, "I do think
it is a perfectly wonderful story. There is so much heart in it. Why, I
have read it so much that I know parts of it almost word for word."

"Then you don't think it is cynical?"

"Oh, not the least in the world! How can anybody say that? I am ashamed
of you, Mr. Fairfield."

"I didn't mean that I thought it cynical; but lots of folk do, you
know."

May tossed her hands in a girlish gesture of disdain.

"I hate people that call everything cynical. It is a thing that they
just say to sound wise. 'Love in a Cloud' is to me one of the truest
books I ever read. Why, you take that scene where she tells him she
cares for him just the same in spite of his disgrace. It brings the
tears into my eyes every time I read it."

A new light came into the young man's face as she spoke in her
impulsive, girlish fashion. He was a handsome fellow, with well-bred
face. He stroked his silky mustache with an air not unsuggestive of
complacency.

"It is delightful," said he, "to find somebody who really appreciates
the book for what is best in it. Of course there are a great many people
who say nice things about it, but they don't seem to go to the real
heart of it as you do."

"Oh, the story has so much heart," she returned. Then she regarded him
quizzically. "You speak almost as if you had written it yourself."

"Oh, I--That is--Why, you see," he answered, in evident confusion, "I
suppose that my being an embryo literary man myself makes it natural for
me to take the point of view of the author. Most readers of a novel, you
know, care for nothing but the plot, and see nothing else."

"Oh, it is not the plot," May cried enthusiastically. "I like that, of
course, but what I really care for is the feeling in the book."

Jack Neligage, with his eyes on Alice Endicott, had made his way over to
the tea-table, and came up in time to hear this.

"The book, Miss Calthorpe?" he repeated. "Oh, you must be talking of
that everlasting novel. I wish I had had the good luck to write it."

"Oh, I should adore you if you had, Mr. Neligage."

"By Jove, then I'll swear I did write it."

Fairfield regarded the girl with heightened color.

"You had better be careful, Miss Calthorpe," he commented. "The real
author might hear you."

She started in pretty dismay, and covered with her hand the flower
nestling under her chin.

"Oh, he is not here!" she cried.

"How do you know that?" demanded Jack laughingly.

She sank back into the corner of the sofa with a blush far deeper than
could be called for by the situation.

"Oh, I just thought so," she said. "Who is there here that could have
written it?"

"Why, Dick here is always scribbling," Neligage returned, with a
chuckle. "Perhaps you have been telling him what you thought of his
book."

The face of Fairfield grew suddenly sober.

"Come, Jack," he said, rising, "that's too stupid a joke to be worthy of
you."

He was seized at that moment by Mrs. Harbinger, who presented him to
Miss Wentstile. Fairfield had been presented to Miss Wentstile a dozen
times in the course of the two winters since he had graduated at Harvard
and settled in Boston; but since she never seemed to recognize him, he
gave no sign of remembering her.

"Miss Wentstile," the hostess said, "don't you know Mr. Fairfield? He is
one of our literary lights now, you know."

"A very tiny rushlight, I am afraid," the young man commented.

Miss Wentstile examined him with critical impertinence through her
lorgnette.

"Are you one of the Baltimore Fairfields?" she asked.

"No; my family came from Connecticut."

"Indeed!" she remarked coolly. "I do not remember that I ever met a
person from Connecticut before."

The lips of the young man set themselves a little more firmly at this
impertinence, and there came into his eyes a keen look.

"I am pleased to be the humble means of increasing your experience," he
said, with a bow.

Miss Wentstile had the appearance of being anxious to quarrel with
somebody, a fact which was perhaps due to the conversation which she had
had with her niece as they came to the house. Alice had been ordered to
be especially gracious to Count Shimbowski, and had respectfully but
succinctly declared her intention to be as cold as possible. Miss
Wentstile had all her life indulged in saying whatever she felt like
saying, little influenced by the ordinary restraints of conventionality
and not at all by consideration for the feelings of others. She had gone
about the room that afternoon being as disagreeable as possible, and her
rudeness to Fairfield was milder than certain things which were at that
very moment being resented and quoted in the groups which she had
passed. She glared at the young man now as if amazed that he had dared
to reply, and unfortunately she ventured once more.

"Thank you," she said. "Even the animals in the Zoo increase one's
experience. It is always interesting to meet those that one has heard
chattered about."

He made her a deeper bow.

"I know," he responded with a manner coolly polite. "I felt it myself
the first half dozen times I had the honor to be presented to you; but
even the choicest pleasures grow stale on too frequent repetition."

Miss Wentstile glared at him for half a minute, while he seemed to grow
pale at his own temerity. Then a humorous smile lightened her face, and
she tapped him approvingly on the shoulder with her gold lorgnette.

"Come, come," she said briskly but without any sharpness, "you must not
be impertinent to an old woman. You will hold your own, I perceive. Come
and see me. I am always at home on Wednesdays."

Miss Wentstile moved on looking less grim, but her previous sins were
still to be atoned for, and Mrs. Neligage, who knew nothing of the
encounter between the spinster and Fairfield, was watching her
opportunity. Miss Wentstile came upon the widow just as a burst of
laughter greeted the conclusion of a story.

"And his wife is entirely in the dark to this day," Mrs. Neligage ended.

"That is--ha, ha!--the funniest thing I've heard this winter," declared
Mr. Bradish, who was always in the train of Mrs. Neligage.

"I think it's horrid!" protested Mrs. Croydon, with an entirely
unsuccessful attempt to look shocked. "I declare, Miss Wentstile, they
are gossiping in a way that positively makes me blush."

"So you see that the age of miracles is not past after all," put in Mrs.
Neligage.

"Mrs. Neligage has lived abroad so much," Miss Wentstile said severely,
"that I fear she has actually forgotten the language of civility."

"Not to you, my dear Miss Wentstile," was the incorrigible retort. "My
mother taught me to be civil to you in my earliest youth."

And all that the unfortunate lady, thus cruelly attacked, could say
was,--

"I wish you remembered all your mother taught you half as well!"




V

THE BLAZING OF RANK


The usual mass of people came and went that afternoon at Mrs.
Harbinger's. It was not an especially large tea, but in a country where
the five o'clock tea is the approved method of paying social grudges
there will always be a goodly number of people to be asked and many who
will respond. The hum of talk rose like the clatter of a factory, the
usual number of conversations were begun only to end as soon as they
were well started; the hostess fulfilled her duty of interrupting any
two of her guests who seemed to be in danger of getting into real talk;
presentations were made with the inevitable result of a perfunctory
exchange of inanities; and in general the occasion was very like the
dozen other similar festivities which were proceeding at the same time
in all the more fashionable parts of the city.

As time wore on the crowd lessened. Many had gone to do their wearisome
duty of saying nothing at some other five o'clock; and the rooms were
becoming comfortable again. The persons who had come early were
lingering, and one expert in social craft might have detected signs that
their remaining so long was not without some especial reason.

"If he is coming," Mrs. Neligage observed to Mr. Bradish, "I wish he
would come. It is certainly not very polite of him not to arrive earlier
if he is really trying to pass as the slave of Alice."

"Oh, he is always late," Bradish answered. "If you had not been in
Washington you would have heard how he kept Miss Wentstile's dinner
waiting an hour the other day because he couldn't make up his mind to
leave the billiard table."

Mrs. Neligage laughed rather mockingly.

"How did dear Miss Wentstile like that?" asked she. "It is death for any
mortal to dare to be late at her house, and she does not approve of
billiards."

"She was so taken up with berating the rest of us for his tardiness that
when he appeared she had apparently forgotten all about his being to
blame in anything."

"She loves a title as she loves her life," Mrs. Neligage commented. "She
would marry him herself and give him every penny she owns just to be
called a countess for the rest of her life."

A stir near the door, and the voice of Graham announcing "Count
Shimbowski" made them both turn. A brief look of intelligence flashed
across the face of the widow.

"It is he," she murmured as if to herself.

"Do you know him?" demanded Bradish.

"Oh, I used to see him abroad years ago," was her answer. "Very likely
he will have forgotten me."

"That," Bradish declared, with a profound bow, "is impossible."

The Count made his way across the drawing-room with a jaunty air not
entirely in keeping with the crow's-feet at the corners of his eyes. He
was tall and wiry, with sandy hair and big mustaches. He showed no
consciousness that he was being stared at, but with admirable
self-possession saluted his hostess.

"How do you do, Count?" Mrs. Harbinger greeted him. "We began to think
you were not coming."

"Ah, how do, Mees Harbeenger. Not to come eet would be to me too
desolate. _Bon jour_, my deear Mees Wentsteele. I am so above-joyed to
encountair you'self here. My deear Mees Endeecott, I kees your
feengair."

"Beast!" muttered Jack Neligage to Fairfield. "I should like to cram a
fistful of his twisted-up sentences down his snaky throat!"

"He must open his throat with a corkscrew in the morning," was the
reply.

Miss Wentstile was smiling her most gracious.

"How do you feel to-day, Count?" she asked. "Does our spring weather
affect you unpleasantly?"

The Count made a splendid gesture with both his hands, waving in the
right the monocle which he more often carried than wore.

"Oh, what ees eet de weder een one land w'ere de peoples so heavenly
keent ees?" he demanded oratorically. "Only eet ees Mees Endeecott do
keel me wid her so great cheelleeness."

Miss Endicott looked up from her seat at the tea-table beside which the
group stood. Her air was certainly sufficiently cold to excuse the Count
for feeling her chilliness; and she answered without a glimmer of a
smile.

"I'm not cruel," she said. "I wouldn't hurt a worm."

"But," the Count responded, shaking his head archly, "eet ees dat I be
not a worm."

"I thought that all men were worms of the dust," Mrs. Harbinger
observed.

The Count bowed his tall figure with finished grace.

"And all de weemens," he declared, "aire angles!"

"It is our sharpness, then, that is to be admired," Alice commented.

"Of course, Alice," Miss Wentstile corrected vixenishly, "the Count
means angels."

"So many men," Alice went on without showing other sign of feeling than
a slight flush, "have turned a woman from an angel into an angle."

"I do comprehend not," the Count said.

"It is no matter, Count," put in the hostess. "She is only teasing you,
and being rude into the bargain. You will take tea? Alice, pour the
Count some tea."

Alice took up a cup.

"How many lumps?" she asked.

"Loomps? Loomps? Oh, eet weel be sugaire een de tea. Tree, eef you weel
be so goot weedeen eet."

Just as the Count, with profuse expressions of overwhelming gratitude
to have been permitted so great an honor, had received his tea from the
hand of Miss Endicott, and Miss Wentstile was clearing her throat with
the evident intention of directing toward him some profound observation,
Mrs. Neligage came briskly forward with outstretched hand.

"It would be generous of you, Count," she said, "to recognize an old
friend."

He stared at her with evident astonishment.

"_Ciel!_" he exclaimed. "Ah, but eet weel be de _belle_ Madame
Neleegaze!"

She laughed as she shook hands, her dark eyes sparkling with fun.

"As gallant as ever, Count. It is good of you to remember me after so
many years."

The Count regarded her with a look so earnest that he might easily be
supposed to remember from the past, whatever and whenever it had been,
many things of interest. Miss Wentstile surveyed the pair with an
expression of keen suspicion.

"Louisa," she demanded, "where did you know the Count?"

The Count tried to speak, but Mrs. Neligage was too quick for him.

"It was at--Where was it, Count? My memory for places is so bad," she
returned mischievously.

"Yees," he said eagerly. "Eet weel have been Paris _certainement_, ees
eet not?"

She laughed more teasingly yet, and glanced swiftly from him to Miss
Wentstile. She was evidently amusing herself, though the simple
question of the place of a former meeting might not seem to give much
opportunity.

"That doesn't seem to me to have been the place," she remarked. "Paris?
Let me see. I should have said that it was--"

The remark was not concluded, for down went the Count's teacup with a
splash and a crash, with startings and cries from the ladies, and a
hasty drawing away of gowns. Miss Endicott, who had listened carefully
to the talk, took the catastrophe coolly enough, but with a darkening of
the face which seemed to show that she regarded the accident as
intentional. The Count whipped out his handkerchief, and went down on
his knee instantly to wipe the hem of Miss Wentstile's spattered frock;
while Mrs. Neligage seemed more amused than ever.

"Oh, I am deesconsolate forever!" the Count exclaimed, in tones which
were pathetic enough to have made the reputation of an actor. "I am
broken een de heart, Mees Wentsteele."

"It is no matter," Miss Wentstile said stiffly.

A ring of the bell brought Graham to repair the damage as far as might
be, and in the confusion the Count moved aside with the widow.

"That was not done with your usual skill, Count," she said mockingly.
"It was much too violent for the occasion."

"But for what you speak of Monaco here?" he demanded fiercely. "De old
Mees Wentsteele say dat to play de card for money ees villain. She say
eet is murderous. She say she weel not to endure de man dat have
gamboled."

"And you have gamboled in a lively manner in your time, Count. It's an
old pun, but it would be new to you if you could understand it."

"I don't understand," he said savagely in French.

"No matter. It wasn't worth understanding," she answered, in the same
tongue. "But you needn't have been afraid. I'm no spoil-sport. I
shouldn't have told."

"She is an old prude," he went on, smiling, and showing his white teeth.
"If she knew I had been in a duel, she would know me no more."

"She will not know from me."

"As lovely and as kind as ever," he responded. "Ah, when I remember
those days, when I was young, and you were just as you are now--"

"Old, that is."

"Oh, no; young, always young as when I knew you first. When I was at
your feet with love, and your countryman was my rival--"

Mrs. Neligage began to look as if she found the tables being turned, and
that she had no more wish to have the past brought up than had the
Count. She turned away from her companion. Then she looked back over her
shoulder to observe, still in French, as she left him:--

"I make it a point never to remember those days, my friend."




VI

THE MISCHIEF OF A WIDOW


There were now but ten guests left, the persons who have been named, and
who seemed for the most part to be lingering to observe the Count or
Alice Endicott. May Calthorpe had all the afternoon kept near Alice, and
only left her place when the sopping up of the Count's tea made it
necessary for her to move. Mrs. Harbinger took her by the arm, and
looked into her face scrutinizingly.

"Well," she asked, "did your unknown author come?"

"Nobody has come with a carnation. Oh, I am so disappointed!"

"I am glad of it, my dear."

"But he said he would come if I'd give him a sign, and I wrote to him
while I was waiting for you yesterday."

"So you told me."

"Well," May echoed dolefully; "I think you might be more sympathetic."

"What did you do with the letter?" asked Mrs. Harbinger.

"I gave it to Graham to post."

"Then very likely no harm is done. Graham never in his life posted a
letter under two days."

"Oh, do you think so?" May asked, brightening visibly at the suggestion.
"You don't think he despised me, and wouldn't come?"

Mrs. Harbinger gave her a little shake.

"You hussy!" she exclaimed, with too evident an enjoyment of the
situation to be properly severe. "How was it addressed?"

"Just to Christopher Calumus, in care of the publishers."

"Well, my dear," the hostess declared, "your precious epistle is
probably in the butler's pantry now; or one of the maids has picked it
up from the kitchen floor. I warn you that if I can find it I shall read
it."

"Oh, you wouldn't!" exclaimed May in evident distress.

"Um! Wouldn't I, though? The way you take the suggestion shows that it's
time somebody looked into your correspondence with this stranger."

May opened her lips to protest again, but the voice of Graham was heard
announcing Mr. Barnstable, and Mrs. Harbinger turned to greet the
late-coming stranger. The gentleman's hair had apparently been scrubbed
into sleekness, but had here and there broken through the smooth outer
surface as the stuffing of an old cushion breaks through slits in the
covering. His face was red, and his air full of self-consciousness. When
he entered the drawing-room Mr. Harbinger was close behind him, but the
latter stopped to speak with Bradish and Mrs. Neligage, and Barnstable
advanced alone to where Mrs. Harbinger stood with May just behind her.

"Heavens, May," the hostess said over her shoulder. "Here is your
carnation. I hope you are pleased with the bearer."

Barnstable stood hesitating, looking around as if to discover the
hostess. On the face of Mrs. Croydon only was there sign of recognition.
She bowed at him rather than to him, with an air so distant that no man
could have spoken to her after such a frigid salutation. The stranger
turned redder and redder, made a half step toward Mrs. Croydon, and then
stopped. Fortunately Mr. Harbinger hastened up, and presented him to the
hostess. That lady greeted him politely, but she had hardly exchanged
the necessary commonplaces, before she put out her hand to where May
stood watching in dazed surprise.

"Let me present you to Miss Calthorpe," she said. "Mr. Barnstable, May."

She glided away with a twinkle in her eye which must have implied that
she had no fear in leaving the romantic girl with a lover that looked
like that. May and Barnstable stood confronting each other a moment in
awkward silence, and then the girl tossed her head with the air of a
young colt that catches the bit between his teeth.

"I had quite given you up," she said in a voice low, but distinct.

"Eh?" he responded, with a startled look. "Given me up?"

"I have been watching for the carnation all the afternoon."

"Carnation?" he echoed, trying over his abundant chins to get a glimpse
of the flower in his buttonhole. "Oh, yes; I generally wear a carnation.
They keep, don't you know; and it was always the favorite flower of my
wife."

"Your wife?" demanded Miss Calthorpe.

Her cheeks grew crimson, and she drew herself up haughtily.

"Yes," Barnstable replied, looking confused. "That is, of course, she
that was my wife."

"I should never have believed," May observed distantly, "that 'Love in a
Cloud' could have been written by a widower."

Barnstable began to regard her as if he were in doubt whether she or he
himself had lost all trace of reason.

"'Love in a Cloud,'" he repeated, "'Love in a Cloud'? Do you know who
wrote that beastly book?"

Her color shot up, and the angry young goddess declared itself in every
line of her face. Her pose became instantly a protest.

"How dare you speak of that lovely book in that way?" she demanded. "It
is perfectly exquisite!"

"But who wrote it?" he demanded in his turn, growing so red as to
suggest awful possibilities of apoplexy.

"Didn't you?" she stammered. "Are you running it down just for
modesty?"

"I! I! I write 'Love in a Cloud'?" cried Barnstable, speaking so loud
that he could be heard all over the room. "You insult me, Miss--Miss
Calthump! You--"

His feelings were evidently too much for him. He turned with rude
abruptness, and looking about him, seemed to become aware that the eyes
of almost everybody in the room were fixed on him. He cast a despairing
glance to where Mrs. Harbinger and Mrs. Croydon were for the moment
standing together, and then started in miserable flight toward the door.
At the threshold he encountered Graham the butler, who presented him
with a handful of letters.

"Will you please give the letters to Mrs. Harbinger?" Graham said, and
vanished.

Barnstable looked after the butler, looked at the letters, looked around
as if his head were swimming, and then turned back into the
drawing-room. He walked up to the hostess, and held out the letters in
silence, his fluffy face a pathetic spectacle of embarrassed woe.

"What are these?" Mrs. Harbinger asked.

He shook his head, as if he had given up all hope of understanding
anything.

"The butler put them in my hands," he murmured.

"Upon my word, Mrs. Harbinger," spoke up Mrs. Croydon, seeming more
offended than there was any apparent reason for her to be, "you have the
most extraordinary butler that ever existed."

Mrs. Harbinger threw out her hands in a gesture by which she evidently
disclaimed all responsibility for Graham and his doings.

"Extraordinary! Why, he makes my life a burden. There is no mistake he
cannot make, and he invents fresh ones every day. Really, I know of no
reason why the creature is tolerated in the house except that he makes a
cocktail to suit Tom."

"Dat ees ver' greet veertue," Count Shimbowski commented genially.

"I do not agree with you, Count," Miss Wentstile responded stiffly.

The spinster had been hovering about the Count ever since his accident
with the teacup, apparently seeking an opportunity of snubbing him.

"Oh, but I die but eef Mees Wentsteele agree of me!" the Count declared
with his hand on his heart.

Mrs. Croydon in the meanwhile had taken the letters from the hand of
Barnstable, and was looking at them with a scrutiny perhaps closer than
was exactly compatible with strict good-breeding.

"Why, here is a letter that has never been posted," she said.

Mr. Harbinger took the whole bundle from her hand.

"I dare say," was his remark, "that any letter that's been given to
Graham to mail in the last week is there. Why, this letter is addressed
to Christopher Calumus."

May Calthorpe moved forward so quickly that Mrs. Harbinger, who had
extended her hand to take the letters from her husband, turned to
restrain the girl. Mrs. Croydon swayed forward a little.

"That is the author of 'Love in a Cloud,'" she said with a simper of
self-consciousness.

Mrs. Neligage, who was standing with Bradish and Alice at the moment,
made a grimace.

"She'll really have the impudence to take it," she said to them aside.
"Now see me give that woman a lesson."

She swept forward in a flash, and deftly took the letter out of Tom
Harbinger's hand before he knew her intention. Flourishing it over her
head, she looked them all over with eyes full of fun and mischief.

"Honor to whom honor is due," she cried. "Ladies and gentlemen, be it my
high privilege to deliver this to its real and only owner. Count," she
went on, sweeping him a profound courtesy, "let your light shine. Behold
in Count Shimbowski the too, too modest author of 'Love in a Cloud.'"

There was a general outburst of amazement. The Count looked at the
letter which had been thrust into his hand, and stammered something
unintelligible.

"_Vraiment_, Madame Neleegaze," he began, "eet ees too mooch of you--"

"Oh, don't say anything," she interrupted him. "I have no other pleasure
in life than doing mischief."

Mrs. Croydon looked from the Count to Mrs. Neligage with an expression
of mingled doubt and bewilderment. Her attitude of expecting to be
received as the anonymous author vanished in an instant, and vexation
began to predominate over the other emotions visible in her face.

"Well," she said spitefully, "it is certainly a day of wonders; but if
the letter belongs to the Count, it would be interesting to know who
writes to him as Christopher Calumus."

Mrs. Harbinger answered her in a tone so cold that Mrs. Croydon colored
under it.

"Really, Mrs. Croydon," she said, "the question is a little pointed."

"Why, it is only a question about a person who doesn't exist. There
isn't any such person as Christopher Calumus. I'm sure I'd like to know
who writes to literary men under their assumed names."

May was so pale that only the fact that everybody was looking at Mrs.
Harbinger could shield her from discovery. The hostess drew herself up
with a haughty lifting of the head.

"If it is of so great importance to you," she said, "it is I who wrote
the letter. Who else should write letters in this house?"

She extended her hand to the Count as she spoke, as if to recover the
harmless-looking little white missive which was causing so much
commotion, but the Count did not offer to return it. Tom Harbinger stood
a second as if amazement had struck him dumb. Then with the air of a
puppet pronouncing words by machinery he ejaculated:--

"You wrote to the Count?"

His wife turned to him with a start, and opened her lips, but before she
could speak a fresh interruption prevented. Barnstable in the few
moments during which he had been in the room had met with so many
strange experiences that he might well be bewildered. He had been
greeted by May as one for whom she was waiting, and then had been hailed
as the author of the book which he hated; the eccentric Graham had made
of him a sort of involuntary penny-post; he had been in the midst of a
group whisking a letter about like folk in the last act of a comedy; and
now here was the announcement that the Count was the anonymous libeler
for whom he had been seeking. He dashed forward, every fold of his chins
quivering, his hair bristling, his little eyes red with excitement. He
shook his fist in the face of the Count in a manner not often seen in a
polite drawing-room.

"You are a villain," he cried. "You have insulted my wife!"

Bradish and Mr. Harbinger at once seized him, and between them he was
drawn back gesticulating and struggling. The ladies looked frightened,
but with the exception of Mrs. Croydon they behaved with admirable
propriety. Mrs. Croydon gave a little yapping screech, and fell back in
her chair in hysterics. More complete confusion could hardly have been
imagined, and Mrs. Neligage, who looked on with eyes full of laughter,
had certainly reason to congratulate herself that if she loved making
mischief she had for once at least been most instantly and triumphantly
successful.




VII

THE COUNSEL OF A MOTHER


If an earthquake shook down the house in which was being held a Boston
function, the persons there assembled would crawl from the ruins in a
manner decorous and dignified, or if too badly injured for this would
compose with decency their mangled limbs and furnish the addresses of
their respective family physicians. The violent and ill-considered farce
which had been played in Mrs. Harbinger's drawing-room might elsewhere
have produced a long-continued disturbance; but here it left no trace
after five minutes. Mr. Barnstable, babbling and protesting like a
lunatic, was promptly hurried into confinement in the library, where Mr.
Harbinger and Bradish stood guard over him as if he were a dangerous
beast; while the other guests made haste to retire. They went, however,
with entire decorum. Mrs. Croydon was, it is true, a disturbing element
in the quickly restored serenity of the party, and was with difficulty
made to assume some semblance of self-control. Graham, being sent to
call a carriage, first caught a forlorn herdic, which was prowling about
like a deserted tomcat, and when the lady would none of this managed to
produce a hack which must have been the most shabby in the entire town.
The Count was taken away by Miss Wentstile, who in the hour of his peril
dropped the stiffness she had assumed at his recognition of Mrs.
Neligage. She dragged Alice along with them, but Alice in turn held on
to May, so that the Count was given no opportunity to press his suit.
They all retired in good order, and however they talked, they at least
behaved beautifully.

As Neligage took his hat in the hall Fairfield caught him by the arm.

"Jack," he said under his breath, "do you believe Mrs. Harbinger wrote
me those letters?"

"Of course not," Jack responded instantly. "Not if they are the sort of
letters you said. Letty Harbinger is as square as a brick."

"Then why did she say she did?"

Jack rubbed his chin thoughtfully.

"The letter was evidently written here," he said. "She must know who did
write it."

"Ah, I see!" exclaimed the other. "She was shielding somebody."

Jack regarded him with sudden sternness.

"There was nobody that it could be except--"

He broke off abruptly, a black look in his face, and before another word
could be exchanged Mrs. Neligage called him. He went off with his
mother, hastily telling his friend he would see him before bedtime.

Mrs. Neligage was hardly up to her son's shoulder, but so well preserved
was she that she might easily have been mistaken for a sister not so
much his senior. She was admirably dressed, exquisitely gloved and
booted, to the last fold of her tailor-made frock entirely correct, and
in her manner provokingly and piquantly animated.

"Who in the world was that horror that made the exhibition of himself?"
she asked. "I never saw anything like that at the Harbingers' before."

"I know nothing about him except that his name is Barnstable, and that
he came from the West somewhere. He's joined the Calif Club lately. How
he got in I don't understand; but he seems to have loads of money."

"He is a beast," Mrs. Neligage pronounced by way of dismissing the
subject. "What did Mrs. Harbinger mean by thanking you for arranging
something with the Count? What have you to do with him?"

"Oh, that is a secret."

"Then if it is a secret tell it at once."

"I'll tell you just to disappoint you," Jack returned with a grin. "It
is only about some etchings that the Count brought over. Mrs. Harbinger
has bought a couple as a present for Tom."

"She had better be careful," Mrs. Neligage observed. "Tom thinks more of
the collection now than he does of anything else in the world. But what
are you mixed up in the Count's transactions for?"

"She asked me to fix it, and besides the poor devil needed to sell them
to raise the wind. I'm too used to being hard up myself not to feel for
him."

"But you wrote me that you detested the Count."

"So I do, but you can't help doing a fellow a good turn, can you, just
because you don't happen to like him?"

She laughed lightly.

"You are a model of good nature. I wish you'd show it to May Calthorpe."

Her son looked down at her with a questioning glance.

"She is always at liberty to admire my virtues, of course; but she can't
expect me to put myself out to make special exhibitions for her
benefit."

The faces of both mother and son hardened a little, as if the subject
touched upon was one concerning which they had disagreed before. The
change of expression brought out a subtle likeness which had not before
been visible. Jack Neligage was usually said to resemble his father, who
had died just as the boy was entering his teens, but when he was in a
passion--a thing which happened but seldom--his face oddly took on the
look of his mother. The change, moreover, was not entirely to his
disadvantage, for as a rule Jack showed too plainly the easy-going,
self-indulgent character which had been the misfortune of the late John
Neligage, and which made friends of the family declare with a sigh that
Jack would never amount to anything worth while.

Mother and son walked on in silence a moment, and then the lady
observed, in a voice as dispassionate as ever:--

"She is a silly little thing. I believe even you could wind her round
your finger."

"I haven't any intention of trying."

"So you have given me to understand before; but now that I am going away
you might at least let me go with the consolation of knowing you'd
provided for yourself. You must marry somebody with money, and she has
no end of it."

He braced back his shoulders as if he found it not altogether easy not
to reply impatiently.

"Where are you going?" he asked.

"Oh, to Europe. Anywhere out of the arctic zone of the New England
conscience. I've had as long a spell of respectability as I can stand,
my boy."

Something in her manner evidently irritated him more and more. She spoke
with a little indefinable defiant swagger, as if she intended to anger
him. He looked at her no longer, but fixed his gaze on the distance.

"When you talk of giving up respectability," he remarked in an aggrieved
tone, "I should think you might consider me."

Her eyes danced, as if she were delighted to see him becoming angry.

"Oh, I do, Jack, I assure you; but I really cannot afford to be
respectable any longer. Respectability is the most expensive luxury of
civilization; and how can I keep it up when I'm in debt to everybody
that'll trust me."

"Then you might economize."

"Economize! Ye gods! This from you, Jack! Where did you hear the word?
I'm sure you know nothing of the thing."

He laughed in evident self-despite.

"We are a nice pair of ruffianly adventurers," he responded; "a regular
pair of genteel paupers. But we've both got to pull up, I tell you."

"Oh, heavens!" was his mother's reply. "Don't talk to me of pulling up.
What fun do I have as it is but quarreling with Miss Wentstile and
snubbing Harry Bradish? I've got to keep up my authority in our set, or
I should lose even these amusements."

Jack flashed her a swift, questioning look, and with a new note in his
voice, a note of doubt at once and desperation, blurted out a fresh
question.

"How about flirting with Sibley Langdon?"

Mrs. Neligage flushed slightly and for a brief second contracted her
well-arched eyebrows, but in an instant she was herself again.

"Oh, well," she returned, with a pretty little shrug, "that of course is
a trifle better, but not much. Sibley really cares for himself so
entirely that there's very little to be got out of him."

"But you know how you make folks talk."

"Oh, folks always talk. There is always as much gossip about nothing as
about something."

"But he puts on such a damnable air of proprietorship," Jack burst out,
with much more feeling than he had thus far shown. "I know I shall kick
him some time."

"That is the sort of thing you had better leave to the Barnstable man,"
she responded dryly. "Sibley only has the air of owning everything.
That's just his nature. He's really less fun than good old Harry
Bradish. But such as he is, he is the best I can do. If that stuffy old
invalid wife of his would only die, I think I'd marry him out of hand
for his money."

Jack threw out his arm with an angry gesture.

"For Heaven's sake, mother," he said, "what are you after that you are
going on so? You know you drive me wild when you get into this sort of a
talk."

"Or I might elope with him as it is, you know," she continued in her
most teasing manner; but watching him intently.

"What in the deuce do you talk to me like that for!" he cried, shaking
himself savagely. "You're my mother!"

Mrs. Neligage grew suddenly grave. She drew closer to her son, and
slipped her hand through his arm.

"So much the worse for us both, isn't it, Jack? Come, we may as well
behave like rational beings. Of course I was teasing you; but that isn't
the trouble. It's yourself you are angry with."

"What have I to be angry with myself about?"

"You are trying to make up your mind that you're willing to be poor for
the sake of marrying Alice Endicott; but you know you wouldn't be equal
to it. If I thought you would, I'd say go ahead. Do you think you'd be
happy in a South End apartment house with the washing on a line between
the chimneys, and a dry-goods box outside the window for a
refrigerator?"

Jack mingled a groan and a laugh.

"You can't pay your debts as it is," she went on remorselessly. "We are
a pair of paupers who have to live as if we were rich. You see what your
father made of it, starting with a fortune. You can't suppose you'd do
much better when you've nothing but debts."

"I think I'll enlist, or run away to sea," Jack declared, tugging
viciously at his mustache.

"No, you'll accept your destiny. You'll like it better than you think,
when you're settled down to it. You'll stay here and marry May
Calthorpe."

"You must think I'm a whelp to marry a girl just for her money."

"Oh, you must fall in love with her. Any man is a wretch who'd marry a
girl just for her money, but a man's a fool that can't fall in love with
a pretty girl worth half a million."

Jack dropped his mother's hand from his arm with more emphasis than
politeness, and stopped to face her on the corner of the street.

"The very Old Boy is in you to-day, mother," he said. "I won't listen to
another word."

She regarded him with a saucy, laughing face, and put out her hand.

"Well, good-night then," she said. "Come in and see me as soon as you
can. I have a lot of things to tell you about Washington. By the way,
what do you think of my going there, and setting up as a lobbyist? They
say women make no end of money that way."

He swung hastily round, and left her without a word. She went on her
way, but her face turned suddenly careworn and haggard as she walked in
the gathering twilight toward the little apartment where she lived in
fashionable poverty.




VIII

THE TEST OF LOVE


One of the distinctive features of "good society" is that its talk is
chiefly of persons. Less distinguished circles may waste precious time
on the discussion of ideas, but in company really select such
conversation is looked upon as dull and pedantic. One of the first
requisites for entrance into the world of fashion is a thorough
knowledge of the concerns of those who are included in its alluring
round; and not to be informed in this branch of wisdom marks at once the
outsider. It follows that concealment of personal affairs is pretty
nearly impossible. Humanity being frail, it frequently happens that
fashionable folk delude themselves by the fond belief that they have
escaped the universal law of their surroundings; but the minute
familiarity which each might boast of all that relates to his neighbors
should undeceive them. That of which all the world talks is not to be
concealed.

Everybody in their set knew perfectly well that Jack Neligage had been
in love with Alice Endicott from the days when they had paddled in the
sand on the walks of the Public Garden. The smart nursery maids whose
occupation it was to convey their charges thither and keep them out of
the fountains, between whiles exchanging gossip about the parents of the
babies, had begun the talk. The opinions of fashionable society are
generally first formed by servants, and then served up with a garnish of
fancifully distorted facts for the edification of their mistresses; and
in due time the loves of the Public Garden, reported and decorated by
the nursery maids, serve as topics for afternoon calls. Master Jack was
known to be in love with Miss Alice before either of them could have
written the word, and in this case the passion had been so lasting that
it excited remark not only for itself as an ordinary attachment, but as
an extraordinary case of unusual constancy.

Society knew, of course, the impossibility of the situation. It was
common knowledge that neither of the lovers had anything to marry on.
Jack's handsome and spendthrift father had effectually dissipated the
property which he inherited, only his timely death preserving to Mrs.
Neligage and her son the small remnant which kept them from actual
destitution. Alice was dependent upon the bounty of her aunt, Miss
Wentstile. Miss Wentstile, it is true, was abundantly able to provide
for Alice, but the old lady seriously disapproved of Jack Neligage, and
of his mother she disapproved more strongly yet. Everybody said--and
despite all the sarcastic observations of that most objectionable class,
the satirists, what everybody says nobody likes to disregard--that if
Jack and Alice were so rash as to marry they would never touch a penny
of the aunt's money. Jack, moreover, was in debt. Nobody blamed him much
for this, because he was a general favorite, and all his acquaintance
recognized how impossible it was for a young man to live within an
income so small as from any rational point of view to be regarded as
much the same thing as no income at all; but of course it was recognized
also that it is not well in the present day to marry nothing upon a
capital of less than nothing. It has been successfully done, it is true;
but it calls for more energy and ingenuity than was possessed by
easy-going Jack Neligage. In view of all these facts, frequently
discussed, society was unanimously agreed that Jack and Alice could
never marry.

This impossibility excited a faint sort of romantic sympathy for the
young couple. They were invited to the same houses and thrown together,
apparently with the idea that they should play with fire as steadily and
as long as possible. The unphrased feeling probably was that since the
culmination of their hopes in matrimony was out of the question, it was
only common humanity to afford them opportunities for getting from the
ill-starred attachment all the pleasure that was to be had. Society
approves strongly of romance so long as it stops short of disastrous
marriages; and since Jack and Alice were not to be united, to see them
dallying with the temptation of making an imprudent match was a
spectacle at once piquant and diverting.

On the evening of the day when the news of Alice's pseudo-engagement
had been discussed at Mrs. Harbinger's tea, Jack called on her. She
received him with composure, coming into the room a little pale,
perhaps, but entirely free from self-consciousness. Alice was not
considered handsome by her friends, but no one could fail to recognize
that her face was an unusual one. The Count, in his distorted English,
had declared that Miss Endicott "have een her face one Madonna," and the
description was hardly to be bettered. The serene oval countenance, the
dark, clear skin, the smooth hair of a deep chestnut, the level brows
and long lashes, the high, pure forehead, all belonged to the Madonna
type; although the sparkle of humor which now and then gleamed in the
full, gray eyes imparted a bewitching flavor of humanity. To-night she
was very grave, but she smiled properly, the smile a well-instructed
girl learns as she learns to courtesy. She shook hands in a way perhaps
a little formal, since she was greeting so old an acquaintance.

"Sit down, please," she said. "It is kind of you to come in. I hardly
had a chance to say a word to you this afternoon."

Jack did not return her greeting, nor did he accept her invitation to be
seated. He stooped above the low chair into which she sank as she spoke.

"What is this amazing story that you are engaged to Count Shimbowski?"
he demanded abruptly.

She looked up to him with a smile which was more conventional than
ever.

"What right have you to ask me a question like that?" she returned.

He waved his hand as if to put aside formalities.

"But is it true?" he insisted.

"What is it to you, Jack, if it were?"

She grew visibly paler, and her fingers knit themselves together. He, on
the contrary, flushed and became more commanding in his manner.

"Do you suppose," he answered, "that I should be willing to see a friend
of mine throw herself away on that old roué? He is old enough to be your
father."

"But you know," said she, assuming an air of raillery which did not seem
to be entirely genuine, "that the proverb says it's better to be an old
man's darling than a young man's slave."

Jack flung himself into a chair with an impatient exclamation, and
immediately got up again to walk the floor.

"I wouldn't have believed it of you, Alice. How can you joke about a
thing like that!"

"Why, Jack; you've told me a hundred times that the only way to get
through life comfortably is to take everything in jest."

"Oh, confound what I've told you! That's good enough philosophy for me,
but it's beneath you to talk so."

"What is sauce for the goose--"

"Keep still," he interrupted. "If you can't be serious--"

"You are so fond of being serious," she murmured, interrupting in her
turn.

"But I am serious now. Haven't we always been good friends enough for me
to speak to you in earnest without your treating me as if I was either
impertinent or a fool?"

He stopped his restless walk to stand before her again. She was silent a
moment with her glance fixed on the rug. Then she raised her eyes to
his, and her manner became suddenly grave.

"Yes, Jack," she said, "we have always been friends; but has any man,
simply because he is a friend, a right to ask a girl a question like
that?"

"You mean--"

"I mean no more than I say. There are other men with whom I've been
friends all my life. Is there any one of them that you'd think had a
right to come here to-night and question me about my engagement?"

"I'd break his head if he did!" Jack retorted savagely.

"Then why shouldn't he--whoever he might be--break yours?"

He flung himself into his chair again, his sunny face clouded, and his
brows drawn down. He met her glance with a look which seemed to be
trying to fathom the purpose of her mood.

"Why, hang it," he said; "with me it's different. You know I've always
been more than a common friend."

"You have been a good friend," she answered with resolute
self-composure; "but only a friend after all."

"Then you mean that I cannot be more than a friend?"

She dropped her eyes, a faint flush stealing up into her pale cheeks.

"You do not wish to be; and therefore you have no right--"

He sprang up impulsively and seized both her hands in his.

"Good God, Alice," he exclaimed, "you drive me wild! You know that if I
were not so cursedly poor--"

She released herself gently, and with perfect calmness.

"I know," she responded, "that you have weighed me in the balance
against the trouble of earning a living, and you haven't found me worth
the price. In the face of a fact like that what is the use of words?"

He thrust his empty hands into his pockets, and glowered down on her.

"You know I love you, Alice. You know I've been in love with you ever
since I began to walk; and you--you--"

She rose and faced him proudly.

"Well, say it!" she cried. "Say that I was foolish enough to love you!
That I knew no better than to believe in you, and that I half broke my
heart when you forced me to see that you weren't what I thought. Say it,
if you like. You can't make me more ashamed of it than I am already!"

"Ashamed--Alice?"

"Yes, ashamed! It humiliates me that I should set my heart on a man that
cared so little for me that he set me below his polo-ponies, his
bachelor ease, his miserable little self-indulgences! Oh, Jack," she
went on, her manner suddenly changing to one of appeal, and the tears
starting into her eyes, "why can't you be a man?"

She put her hand on his arm, and he covered it affectionately with one
of his while she hurried on.

"Do break away from the life you are living, and do something worthy of
you. You are good to everybody else; there's nothing you won't do for
others; do this for yourself. Do it for me. You are throwing yourself
away, and I have to hear them talk of your debts, and your racing and
gambling, and how reckless you are! It almost kills me!"

The full sunniness of his smile came back as he looked down into her
earnest face, caressing her hand.

"Dear little woman," he said; "are you sure you have got entirely over
being fond of me?"

"I couldn't get over being fond of you. You know it. That's what makes
it hurt so."

He raised her hand tenderly, and kissed it. Then he dropped it abruptly,
and turned away.

"You must get over it," he said, so brusquely that she started almost as
if from a blow.

She sank back into her seat, and pressed her handkerchief to her eyes,
while he walked back to his chair and sat down with an air of bravado.

"It's no use, Alice," he said, "I'm not worth a thought, and it isn't in
me to--Well, the fact is that I know myself too well. I know that if I
promised you to-night that to-morrow I'd begin better fashions, I'm not
man enough to live up to it. I couldn't involve you in--Oh, don't,
don't!"

He broke off to turn to toy with some of the ornaments on the table. In
a moment Alice had suppressed her sobs, and he spoke again, but without
meeting her look. His voice was hard and flippant.

"You see I have such a good time that I wouldn't give it up for the
world. I think I'd better keep on as I'm going. The time makes us, and
we have to abide by the fashion of the time."

"If that is the way you feel," she said coldly, "it is I who have
presumed on old friendship."

He shrugged his shoulders, and laughed harshly.

"We have both been a little unnecessarily tragic, it seems to me," was
his rejoinder. "Love isn't for a poor man unless he'll take it on the
half-shell without dressing; and I fancy neither of us would much care
for it that way. My bank-account is a standing reason why I shouldn't
marry anybody."

"The sentiment does credit to Mr. Neligage's head if not to his heart,"
commented the sneering voice of Miss Wentstile, who at that moment came
through the portières from the library. "I hope I don't intrude?"

"Certainly not," Alice answered with spirit. "Mr. Neligage was giving
me a lesson in the social economics of matrimony; but I knew before all
he has to tell."

"Then, my dear," her aunt said, "I trust he will excuse you. It is time
we went to Mrs. Wilson's. I promised the Count that we would be there
early."




IX

THE MISCHIEF OF A GENTLEMAN


The Goddess of Misfortune sometimes capriciously takes a spite against
an entire family, so that all of its members are at the same time
involved in one misadventure or another. She shows a malicious impulse
to wreak her disfavor on all of a connection at once, apparently from a
knowledge that misery begets misery, and that nothing so completely
fills to overflowing the cup of vexation as the finding that those from
whom sympathy would naturally be expected are themselves in a condition
to demand rather than to give it. She apparently amuses herself in mere
wantonness of enjoyment of the sufferings of her victims when no one of
them is in a condition to cheer the others. She illustrated this
unamiable trait of her celestial character next day in her dealing with
the Neligages, mother and son.

It was a beautiful spring day, not too warm in the unseasonable fashion
which often makes a New England April so detestable, but with a fresh
air full of exhilaration. Even in the city the cool, invigorating
morning was refreshing. It provoked thoughts of springing grass and
swelling buds, it suggested the marsh-marigolds preparing their gold
down amid the roots of rushes, it teased the sense with vague yet
disquieting desires to be in the open. The sun called to mind the
amethystine foliage, half mist and half leaves, which was beginning to
appear in the woods, as if trailing clouds had become entangled among
the twig-set branches. The wind brought a spirit of daring, as if to-day
one could do and not count the cost; as if adventures were the normal
experience of man, and dreams might become tangible with the foliage
which was condensing out of the spring air. It was one of those rare
days which put the ideal to shame.

The windows of Mrs. Neligage's little parlor were open, and the morning
air with all its provoking suggestions was floating in softly, as she
rose to welcome a caller. He was not in the first springtime of life,
yet suggested a season which was to spring what Indian summer is to
autumn. A certain brisk jauntiness in face, dress, and manner might mean
that he had by sheer determination remained far younger than his years.
He had a hard, handsome face, with cleanly cut features, and side
whiskers which were perhaps too long and flowing. His hair was somewhat
touched with gray, but it was abundant, and curled attractively about
his high, white forehead. His dress was perfection, and gave the
impression that if he had moral scruples--about which his hard, bright
eyes might raise a doubt--it would be in the direction of being always
perfectly attired. His manner as he greeted Mrs. Neligage was carefully
genial, yet the spring which was in the air seemed in his presence to be
chilled by an untimely frost.

"How bright you are looking this morning, Louise," Mr. Sibley Langdon
said, kissing her hand with an elaborate air of gallantry. "You are
really the incarnation of the spring that is upon us."

She smiled languidly, drawing away her hand and moving to a seat.

"You know I am getting old enough to like to be told I am young,
Sibley," was her answer. "Sit down, and tell me what has happened in the
month that I've been in Washington."

"Nothing can happen while you are away," he responded, with a smile. "We
only vegetate, and wait for your return. You don't mind if I smoke?"

"Certainly not. How is Mrs. Langdon?"

He drew out a cigarette-case of tortoise-shell and gold, helped himself
to a cigarette, and lighted it before he answered.

"Mrs. Langdon is as usual," he replied. "She is as ill and as pious as
ever."

"For which is she to be pitied the more?"

"Oh, I don't know that she is to be pitied for either," Langdon
responded, in his crisp, well-bred voice. "Both her illness and her
piety are in the nature of occupations to her. One must do something,
you know."

Mrs. Neligage offered no reply to this, and for half a moment the caller
smoked in silence.

"Tell me about yourself," he said. "You cruelly refuse to write to me,
so that when you are away I am always in the dark as to what you are
doing. I've no doubt you had all Washington at your feet."

"Oh, there were a few unimportant exceptions," Mrs. Neligage returned,
her voice a little hard. "I don't think that if you went on now you'd
find the capital draped in mourning over my departure."

Langdon knocked the ashes from his cigarette with the deliberation which
marked all his movements. Then he looked at his hostess curiously.

"You don't seem to be in the best of spirits this morning, Louise," he
said. "Has anything gone wrong?"

She looked at him with contracting brows, and ignored his question as
she demanded abruptly:--

"What did you come to say to me?"

"To say to you, my dear? I came as usual to say how much I admire you,
of course."

She made an impatient gesture.

"What did you come to say?" she repeated. "Do you think I don't know you
well enough to see when you have some especial purpose in mind?"

Sibley Langdon laughed lightly,--a sort of inward, well-bred laugh,--and
again with care trimmed his cigarette.

"You are a person of remarkable penetration, and it is evidently of no
use to hope to get ahead of you. I really came for the pleasure of
seeing you, but now that I am here I may as well mention that I have
decided to go abroad almost at once."

"Ah," Mrs. Neligage commented. "Does Mrs. Langdon go with you?"

He laughed outright, as if the question struck him as unusually droll.

"You really cannot think me so selfish as to insist upon her risking her
fragile health by an ocean voyage just for my pleasure."

"I suspected that you meant to go alone," she said dryly.

"But, my dear child," he answered with no change of manner, "I don't
mean to go alone."

She changed color, but she did not pursue the subject. She took up from
the table a little Japanese ivory carving, and began to examine it with
close scrutiny.

"You do not ask whom I hope to take with me," Langdon said.

She looked at him firmly.

"I have no possible interest in knowing," she responded.

"You are far too modest, Louise. On the contrary you have the greatest.
I had hoped--"

He half hesitated over the sentence, and she interrupted him by rising
and moving to the open window.

"It is so nice to have the windows open again," she said. "I feel as if
I were less alone when there is nothing between me and the world. That
big fat policeman over there is a great friend of mine."

"We are all your slaves, you see," Langdon responded, rising languidly
and joining her. "By the way, I had a letter from Count Marchetti the
other day."

Mrs. Neligage flushed and paled, and into her eye came a dangerous
sparkle. She moved away from him, and went back to her seat, leaving him
to follow again. She did not look at him, but she spoke with a
determined manner which showed that she was not cowed.

"Before I go to bed to-night, Sibley," she said, "I shall write to the
Countess the whole story of her necklace. I was a fool not to do it
before."

He smiled indulgently.

"Oh, did I call up that old unpleasantness?" he observed. "I really beg
your pardon. But since you speak of it, what good would it do to write
to her now? It would make no difference in facts, of course; and it
wouldn't change things here at all."

She sprang up and turned upon him in a fury.

"Sibley Langdon," she cried, "you are a perfect fiend!"

He laughed and looked at her with admiration so evident that her eyes
fell.

"You have told me that before, and you are so devilish handsome when you
say it, Louise, that I can't resist the temptation sometimes of making
you repeat it. Come, don't be cross. We are too wise if not too old to
talk melodrama."

"I shall act melodrama if you keep on tormenting me! What did you come
here for this morning? Say it, and have done."

"If you take it that way," returned he, "I came only to say
good-morning."

His coolness was unshaken, and he smiled as charmingly as ever.

"Tell me," he remarked, flinging his cigarette end into the grate and
taking out his case again, "did you see the Kanes in Washington?"

He lighted a fresh cigarette, and for half an hour talked of casual
matters, the people of their set in Washington, the new buildings there,
the decorations, and the political scandals. His manner became almost
deferential, and Mrs. Neligage as they chatted lost gradually all trace
of the excitement which she had shown. At length the talk came round to
their neighbors at home.

"I met Count Shimbowski at the club the other day," Langdon remarked,
"and he alluded to the old days at Monte Carlo almost with sentiment. It
is certainly amusing to see him passed round among respectable Boston
houses."

"He is respectable enough according to his standards," she responded.
"It is funny, though, to see how much afraid he is that Miss Wentstile
should know about his past history."

"I suppose there's no doubt he's to marry Alice Endicott, is there?"

"There is Alice herself," Mrs. Neligage answered. "I should call her a
pretty big doubt."

"At any rate," her companion observed, "Jack can't marry her. Miss
Wentstile would never give them a penny."

"I have never heard Jack say that he wished to marry her," Mrs.
Neligage responded coolly. "You are quite right about Miss Wentstile,
though; she regards Jack as the blackest sheep imaginable."

Langdon did not speak for a moment or two, and when he did break silence
his manner was more decided than before.

"What line do you like best to cross by?" he asked.

"I have been on so many," she answered, "that I really can't tell."

"It is safe to say then that you like a fast boat."

She made no reply, and only played nervously with the clever carving in
her hand, where little ivory rats were stealing grain with eternal
motionless activity.

"Of course if you were going over this spring," Langdon said, "we should
be likely to meet somewhere on the other side; Paris, very possibly. It
is a pity that people gossip so, or we might go on the same steamer."

She looked him squarely in the face.

"I am not going abroad this summer," she said distinctly.

"Oh, my dear Louise," returned he half mockingly, half pleadingly, "you
really can't mean that. Europe would be intolerably dull without you."

She looked up, pale to the eyes.

"My son would be dull here without me," she said.

"Oh, Jack," returned the other, shrugging his shoulders, "he'll get on
very well. If you were going, you know, you might leave him something--"

She started to her feet with eyes blazing.

"You had better go," she said in a low voice. "I have endured a good
deal from you, Sibley; and I've always known that the day would come
when you'd insult me. It will be better for us both if you go."

He rose in his turn, as collected as ever.

"Insult you, my dear Louise? Why, I wouldn't hurt your feelings for
anything in the world. I give you leave to repeat every word that I have
said to any of your friends,--to Miss Wentstile, or Letty Harbinger, or
to Jack--"

"If I repeated them to Jack," she interrupted him, "he'd break every
bone in your body!"

"Would he? I doubt it. At any rate he would have to hear me first; and
then--"

Mrs. Neligage, all her brightness quenched, her face old and miserable,
threw out her hands in despairing supplication.

"Go!" she cried. "Go! Or I shall do something we'll both be sorry for!
Go, or I'll call that policeman over there."

He laughed lightly, but he moved toward the door.

"Gad!" he ejaculated. "That would make a pretty item in the evening
papers. Well, if you really wish it, I'll go; but I hope you'll think
over what I've said, or rather think over what I haven't said, since
you haven't seemed pleased with my words. I shall come at one to drive
you to the County Club."

He bade her an elaborate good-morning, and went away, as collected, as
handsome, as debonaire as ever; while Mrs. Neligage, the hard, bright
little widow who had the reputation of being afraid of nothing and of
having no feelings, broke down into a most unusual fit of crying.




X

THE BUSINESS OF A CLUBMAN


The first game of polo for the season at the County Club was to be
played that Saturday. The unusually early spring had put the turf in
condition, and the men had had more or less practice. It was too soon,
of course, for a match, but there was to be a friendly set-to between
the County Club team and a team from the Oracle Club. It was not much
more than an excuse for bringing the members out, and for having a mild
gala, with fresh spring toilettes and spring buoyancy to add to the zest
of the day.

Amusement is a business which calls for a good deal of brains if it is
to be carried on successfully. Of course only professionals can hope to
succeed in a line so difficult, and in America there are few real
professionals in the art of self-amusement. Most men spoil their chances
of complete success by dallying more or less with work of one sort or
another; and this is fatal. Only he who is sincere in putting amusement
first, and to it sacrifices all other considerations, can hope for true
preëminence in this calling. Jack Neligage was one of the few men in
Boston entirely free from any weakness in the way of occupation beyond
that of pleasure-seeking; and as a consequence he was one of the few
who did it well.

All forms of fashionable play came easily and naturally to Jack, and in
them all he bore a part with tolerable grace. He was sufficiently adept
at tennis in its day; and when that had passed, he was equally adroit in
golf and in curling; he could lead a german better than anybody else;
nobody so well managed assemblies and devised novel surprises in the way
of decorations; nobody else so well arranged coaching trips or so surely
made the life of a house party. All these things were part of his
profession as a pleasure-seeker, and they were all done with a quick and
merry spirit which gave to them a charm not to be resisted.

It was on the polo-field, however, that Jack was at his best. No man who
hopes to keep up with the fashions can afford to become too much
interested in any single sport, for presently the fad will alter, and he
must perforce abandon the old delights; but polo held its own very well,
and it was evidently the thing in which Jack reveled most. He was the
leading player not of his club only, but of all the clubs about. His
stud of polo-ponies was selected with more care than has often gone to
the making of a state constitution, for the matters that are really
important must be attended to with zeal, while public politics may be
expected more or less to take care of themselves. His friends wondered
how Neligage contrived to get hold of ponies so valuable, or how he was
able to keep so expensive an outfit after he had obtained it; but
everybody was agreed that he had a most wonderful lot.

The question of how he managed might have been better understood by any
one who had chanced to overhear a conversation between Jack and Dr.
Wilson, which took place just before luncheon that day. Dr. Wilson was
chairman of the board of managers of the club. He was a man who had come
into the club chiefly as the husband of Mrs. Chauncy Wilson, a lady
whose stud was one of the finest in the state, and he was somewhat
looked down upon by the men of genuine old family. He was good-humored,
however; shrewd if a little unrefined; and he had been rich long enough
to carry the burden of his wife's enormous fortune without undue
self-consequence. To-day it became his duty to talk to Jack on an
unpleasant matter of business.

"Jack," he said, "I've got to pitch into you again."

"The same old thing, I suppose."

"Same old thing. Sometimes I've half a mind to resign from the club, so
as to get rid of having to drub you fellows about your bills."

Jack gnawed his mustache, twisting his cigar in his fingers in a way
that threatened to demolish it altogether.

"I've told you already that I can't do anything until--"

"Oh, I know it," Wilson broke in. "I'm satisfied, but the committee is
getting scared. The finances of the club are in an awful mess; there's
no denying that. Some of the men on the committee, you see, are afraid
of being blamed for letting the credits run on so."

Jack did not take advantage of the pause which gave him an opportunity
to speak, and the other went on again.

"I'm awfully sorry, old man; but there's got to be an end somewhere, and
nobody's been given the rope that you have."

"I can resign, of course," Jack said shortly.

"Oh, dry up that sort of talk! Nobody'd listen to your resigning.
Everybody wants you here, and we couldn't spare you from the polo team."

"But if I can't pay up, what else can I do?"

"But you can't resign in debt, man."

Jack laughed with savage amusement.

"What the devil am I to do? I can't stay, and I can't leave. That seems
to be about the size of it."

Dr. Wilson looked at his companion keenly, and there was in his tone
some hesitation as he replied.

"You might sell--"

"Sell my ponies!" broke in Neligage excitedly. "When I do I'll give up
playing."

"Oh, nonsense! Don't be so infernally stubborn. Harbinger'll buy one,
and I'll buy a couple, and the others it doesn't matter about. You've
always had twice as many as you need."

"So you propose that I shouldn't have any."

"You could use them just the same."

Jack swore savagely.

"Thank you," he returned. "I may be a beggar, but I won't be a beat."

Wilson laughed with his oily, chuckling laugh.

"I don't see," he observed with characteristic brusqueness, "why it is
any worse to take a favor from a friend that offers it than to get it
out of a club that can't help itself."

Jack's cheeks flushed, and he began an angry reply. Then he restrained
himself.

"I won't quarrel with you for doing your official duty, Wilson," he said
stiffly. "I'll fix things somehow or get out."

"Oh, hang it, man," returned the doctor good-naturedly, "you mustn't
talk of getting out. I'll lend you what you need."

"Thank you, but you know I can't pay you."

"That's no matter. Something will turn up, and you may pay me when you
get ready."

"No; I'm deep enough in the mire as it is. I won't make it worse by
borrowing. That's the only virtue that I ever had,--that I didn't sponge
on my friends. I'm just as much obliged to you; but I can't do it."

They had been sitting in the smoking-room before the fireplace where a
smouldering log or two took from the air its spring chill. Jack as he
spoke flung the stub of his cigar into the ashes, and rose with an air
of considering the conversation definitely ended. Wilson looked up at
him, his golden-brown eyes more sober than usual.

"Of course it is just as you say, old man," he remarked; "but if you
change your mind, you've only to let me know."

Jack moved off with a downcast air unusual to him, but by the time he
had encountered two or three men who were about the club-house, and had
exchanged with them a jest or a remark about the coming game, his face
was as sunny as ever. People were now arriving rather rapidly, and soon
the stylish trap of Sibley Langdon came bowling up the driveway in fine
style, with Mrs. Neligage sitting beside the owner. Jack was on the
front piazza when they drove up, and his mother waved her hand to him
gayly.

"Gad, Jack," one of the men said, "your mother is a wonder. She looks
younger than you do this minute."

"I don't think she is," Jack returned with a grin; "but you're right.
She is a wonderfully young woman to be the mother of a great cub like
me."

Not only in her looks did Mrs. Neligage give the impression of youth,
but her movements and her unquenchable vivacity might put to a
disadvantage half of the young girls. She tripped up the steps as
lightly as a leaf blown by the wind, her trim figure swaying as lithely
as a willow-shoot. As she came to Jack she said to him in a tone loud
enough to be heard by all who were on the piazza:--

"Oh, Jack, come into the house a moment. I want to show you a letter."

She dropped a gay greeting here and there as she led the way, and in a
moment they were alone inside the house. Mrs. Neligage turned instantly,
with a face from which all gayety had vanished as the color of a
ballet-dancer's cheek vanishes under the pall of a green light.

"Jack," she said hastily, "I am desperate. I am in the worst scrape I
ever was in, in my life. Can you raise any money?"

He looked at her a moment in amazed silence; then he laughed roughly.

"Money?" he retorted. "I am all but turned out of the club to-day for
want of it. This is probably my last game."

"You are not in earnest?" she demanded, pressing closer to him, and
putting her hand on his arm. "You are not really going to leave the
club?"

"What else can I do? The committee think it isn't possible to let things
go any longer."

She looked into his face, her own hardening. She studied him with a keen
glance, which he met firmly, yet with evident effort.

"Jack," she said at length, her voice lower, "there is only one way out
of it. Last night you wouldn't listen to me; but you must now. You must
marry May Calthorpe. If you were engaged to her it would be easy enough
to raise money."

"You talk as if she were only waiting for me to say the word, and she'd
rush into my arms."

"She will, she must, if you'll have her. You wouldn't take her for your
own good, but you've got to do it for mine. You can't let me be ruined
just through your obstinacy."

"Ruined? What under the canopy do you mean, mother? You are trying to
scare me to make me go your way."

"I'm not, Jack; upon my word I'm not! I tell you I'm in an awful mess,
and you must stand by me."

Jack turned away from her and walked toward the window; then he faced
her again with a look which evidently questioned how far she was really
in earnest. There had been occasions when Mrs. Neligage had used her
histrionic powers to get the better of her son in some domestic
discussion, and the price of such success is inevitably distrust. Now
she faced him boldly, and met his look with a nod of perfect
comprehension.

"Yes, I am telling you the truth, Jacky. There is nothing for it but for
us both to go to smash if you won't take May."

"Take May," he echoed impatiently, "how you do keep saying that! How can
I take her? She doesn't care a straw about me anyway, and I've no doubt
she looks on me as one of the old fellows."

"She being eighteen and you twenty-five," his mother answered, smiling
satirically. "But somebody is coming. I can't talk to you now; only this
one thing I must say. Play into my hands as you can if you will, and
you'll be engaged to May before the week's over."

He broke into a roar of laughter which had a sound of being as much
nerves as amusement.

"Is this a comic opera?" he demanded.

"Yes, dear Jacky," his mother retorted, resuming her light manner,
"that's just what it is. Don't you miss your cue."

She left him, and went gayly forward to greet the new-comers, ladies who
had just driven up, and Jack followed her lead with a countenance from
which disturbance and bewilderment had not entirely vanished.




XI

THE GAME OF CROSS-PURPOSES


Mrs. Neligage escaped from her friends speedily, with that easy
swiftness which is in the power of the socially adroit, and returned to
the piazza by a French window which opened at the side of the house, and
so was not in sight from the front of the club. There she came upon
Count Shimbowski comfortably seated in a sunny corner, smoking and
meditating.

"Ah, Count," she said, as he rose to receive her, "this is unexpected
pleasure. Are you resting from the strain of continual adulation?"

"What you say?" he responded. Then he dropped into his seat with a
despairing gesture. "Dis Eengleesh," he said; "eet ees eemposseeble eet
to know. I have told Mees Wentsteele dat she ees very freesh, and--"

He ended with a groan, and a snug little Hungarian oath under his
breath.

"Fresh!" echoed Mrs. Neligage, with a laugh like a redbird whisking
gayly from branch to branch. "My dear Count, she is anything but fresh.
She is as stale as a last year's love-affair. But she ought to be
pleased to be told she is fresh."

"Oh, I say: 'You be so freesh, Mees Wentsteele,' and she, she say:
'Freesh, Count Shimbowski? You result me!' Den day teel me freesh mean
fooleesh, _sotte_. What language ees dat?"

"Oh, it isn't so bad as you think, Count. It is only _argot_ anyway, and
it doesn't mean _sotte_, but _naïve_. Besides, she wouldn't mind. She is
enough of a woman to be pleased that you even tried to tell her she was
young."

"But no more ees she young."

"No more, Count. We are all of us getting to be old enough to be our own
grandmothers. Miss Wentstile looks as if she was at the Flood and forgot
to go in when it rained."

The Count looked more puzzled than amused at this sally, but his
politeness came to his rescue. A compliment is always the resource of a
man of the world when a lady puzzles him.

"Eet ees only Madame Neleegaze to what belong eemortal youth," he said
with a bow.

She rose and swept him a courtesy, and then took from her dress one of
the flowers she was wearing, which chanced to be very portly red
carnations.

"You are as gallant as ever, Count," she said, "so that your English
doesn't matter. Besides that, you have a title; and American women love
a title as a moth loves a candle."

She stuck the carnation into his buttonhole as she spoke, and returned
to her seat, where she settled herself with the air of one ready for a
serious chat.

"It is very odd to see you on this side of the Atlantic, Count," she
remarked. "Tell me, what are you doing in this country,--besides taking
the town by storm, that is?"

"I weell range my own self;--say you een Eengleesh 'arrange my own
self'?"

"When it means you are going to marry, Count, it might be well to say
that you are going to arrange yourself and derange somebody else. Is the
lady Miss Endicott?"

"Eet ees Mees Endeecott. Ees she not good for me?"

"She is a thousand times too good for you, my dear fellow; but she is as
poor as a church mouse."

"Ah, but her aunt, Mees Wentsteele, she geeve her one _dot_: two
thousand hundred dollar. Eet weell be a meellion francs, ees eet not?"

"So you get a million francs for yourself, Count. It is more than I
should have thought you worth."

"But de teettle!"

"Oh, the title is worth something, but I could buy one a good deal
cheaper. If I remember correctly I might have had yours for nothing,
Count."

The Count did not look entirely pleased at this reminiscence, but he
smiled, and again took refuge in a compliment.

"To one so _ravissante_ as madame all teettles are under her feet."

"I wish you would set up a school for compliments here in Boston,
Count, and teach our men to say nice things. Really, a Boston man's
compliments are like molasses candy, they are so home-made. But why
don't you take the aunt instead of the niece? Miss Wentstile is worth
half a million."

"Dat weell be mouche," responded the Count with gravity; "but she have
bones."

The widow laughed lightly. The woman who after forty can laugh like a
girl is one who has preserved her power over men, and she is generally
one fully aware of the fact. Mrs. Neligage had no greater charm than her
light-hearted laugh, which no care could permanently subdue. She tossed
her head, and then shook it at the Count.

"Yes," she responded, "you are unfortunately right. She has bones. By
the way, do you happen to have with you that letter I gave you at Mrs.
Harbinger's yesterday?"

"Yes," he answered, drawing from his pocket the note addressed to
Christopher Calumus, "I have eet."

"I would like to see it," Mrs. Neligage said, extending her hand.

The Count smiled, and held it up.

"You can see eet," said he, "but eet ees not permeet you weedeen de hand
to have eet."

She leaned forward and examined it closely, studying the address with
keen eyes.

"It is no matter," was her remark. "I only wanted to make sure."

"Do you de handwrite know?" he demanded eagerly.

"And if I do?"

"You do know," he broke out in French. "I can see it in your face. Tell
me who wrote it."

She shook her head, smiling teasingly. Then she rose, and moved toward
the window by which she had come from the house.

"No, Count," was her answer. "It doesn't suit my plan to tell you. I
didn't think quickly enough yesterday, or I wouldn't have given it to
you. It was in your hands before I thought whose writing it was."

The Count, who had risen, bowed profoundly.

"After all," he said, "I need not trouble you. Mrs. Harbinger
acknowledged that she wrote it."

Mrs. Neligage flashed back at him a mocking grimace as she withdrew by
the window.

"I never expected to live to see you believe a thing because a woman
said it," she laughed. "You must have been in strange hands since I used
to know you!"

Left alone, the Count thoughtfully regarded the letter for a moment,
then with a shrug he restored it to his pocket, and turned to go around
the corner of the house to the front piazza. Sounds of wheels, of
voices, of talking, and of laughter told of the gathering of
pleasure-seekers; and scarcely had the Count passed the corner than he
met Mr. Bradish face to face. There were groups of men and women on the
piazza and on the lawn, with the horses and dogs in sight which are the
natural features in such a picture at an out-of-town club. The Count
heeded none of these things, but stepped forward eagerly.

"Ah, Count, you have come out to the games like everybody else, I see,"
Bradish said pleasantly.

"Eet ees extreme glad to see me, Mr. Bradeesh," the Count returned,
shaking him by the hand. "Do you weelleengly come wid us a leettle, for
dat I say to you ver' particle?"

Bradish, with his usual kindly courtesy, followed the Count around the
corner of the house, out of sight of the arriving company.

"Something particular to say to me, Count?" he observed. "You do me too
much honor."

"Eet weell be of honor dat I weell to you speak," the Count responded.
"Weell you for myself de condescension to have dat you weell be one
friend to one _affaire d'honneur_?"

Bradish stared at him in undisguised amazement.

"An _affaire d'honneur_?" he echoed. "Surely you don't mean that you are
going to fight? You can't mean a duel?"

"Oh, _oui, oui_; eet weell be a duel dat eet calls you."

Bradish stared harder than ever, and then sat down as if overcome.

"But, my dear Count, you can't fight duels in America."

"For what weell not een Amereeca fight? He have result me! Me, Count
Ernst Shimbowski! Weell I not to have hees blood?"

"I'm afraid you won't," Bradish responded, shaking his head. "That isn't
the way we do things here. But who is it has insulted you?"

The Count became more and more excited as he spoke of his wrongs, and
with wide gestures he appealed to the whole surrounding region to bear
him out in his rage and his resolution. He stood over Bradish like an
avenging and furious angel, swaying his body by way of accent to his
words.

"You deed see! De ladies day deed see! All de world weell have heard dat
he result--he eensult me! De Shimbowski name have been eensult'! Deed he
not say 'Veelaine! Veelaine!' Oh, _sacré nom de mon père_! 'Veelaine!
Veelaine!' Eet weell not but only blood to wash dat eensult!"

How an American gentleman should behave when he is seriously asked to
act as a second in a duel in this land and time is a question which has
probably never been authoritatively settled, and which might be reasoned
upon with very curious arguments from different points of view. It is
safe to say that any person who finds himself in such a position could
hardly manage to incur much risk of running into danger, or even of
doing violence to any moral scruples with which he may chance to be
encumbered. He must always feel that the chances of a duel's actually
taking place are so ridiculously small that the whole matter can be
regarded only as food for laughter; and that no matter how eager for
fight one or both of the possible combatants might be, the end will be
peace. So far from making the position of a second more easy, however,
this fact perhaps renders it more difficult. It is harder to face the
ridiculous than the perilous. If there were any especial chance that a
duel would proceed to extremes, that principals would perhaps come to
grief and seconds be with them involved in actual danger, even though
only the ignoble danger of legal complications, a man might feel that
honor called upon him not to fail his friend in extremity. When it is
merely a question of becoming more or less ridiculous according to the
notoriety of the affair, the matter is different. The demand of society
is that a gentleman shall be ready to brave peril, but there is nothing
in the social code which goes so far as to call upon him to run the
chance of making himself ridiculous. Society is founded upon the deepest
principles of human nature, and if it demanded of man the sacrifice of
his vanity the social fabric would go to pieces like a house of cards in
a whirlwind. Bradish might have been called upon to risk his life at the
request of the Count, although they were in reality little more than
acquaintances; but he certainly cannot be held to have been under any
obligations to give the world a right to laugh at him.

Bradish regarded the Count with a smile half amused and half
sympathetic, while the Hungarian poured out his excited protest, and
when there came a pause he said soothingly:--

"Oh, sit down and talk it over, my dear Count. I see you mean that
stupid dunce of a Barnstable. You can't fight him. Everybody would laugh
at the very idea. Besides, he isn't your equal socially. You can't fight
him."

"You do comprehend not!" cried the Count. "De Shimbowski name weell eet
to have blood for de eensult!"

"But--"

The Count drew himself up with an air of hauteur which checked the words
on Bradish's lips.

"Eet ees not for a Shimbowski to beg for favors," he said stiffly. "Eef
eet ees you dat do not serve me--"

"Oh, I assure you," interrupted Bradish hastily, "I am more than willing
to serve you; but I wanted to warn you that in America we look at things
so differently--"

"Een Amereeca even," the Count in his turn interrupted with a superb
gesture, "dare weell be gentlemans, ees eet not?"

In the face of that gesture there was nothing more to be said in the way
of objection. Time and the chapter of accidents must determine what
would come of it, but no man of sensibility and patriotism, appealed to
in that grand fashion in the name of the honor of America, could have
held out longer. Least of all was it to be expected that Harry Bradish,
kindest-hearted of living men, and famous for never being able to refuse
any service that was asked of him, could resist this last touch. He rose
as if to get out of the interview as speedily as possible.

"Very well then," he said, "if you persist in going on, I'll do what I
can for you, but I give you fair warning once more that it'll come to
nothing more than making us both ridiculous."

The Count shook hands warmly, but his response was one which might be
said to show less consideration than might have been desired for the man
who was making a sacrifice in his behalf.

"De Shimbowski name," he declared grandiloquently, yet with evident
sincerity, "ees never reedeeculous."

There followed some settling of details, in all of which Bradish evinced
a tendency to temporize and to postpone, but in which the ardor of the
Count so hurried everything forward that had Barnstable been on the spot
the duel might have been actually accomplished despite all obstacles. It
was evident, however, that one side cannot alone arrange a meeting of
honor, and in the end little could be done beyond the Count's receiving
a promise from Bradish that the latter would communicate with Barnstable
as soon as possible.

This momentous and blood-curdling decision having been arrived at, the
two gentlemen emerged from their retirement on the side piazza, and once
more joined the gay world as represented by the now numerous gathering
assembled to see the polo at the County Club.




XII

THE WASTING OF REQUESTS


The exhilaration of the spring day, the pleasure of taking up once more
the outdoor life of the warm season, the little excitement which belongs
to the assembling of merry-makers, the chatter, the laughter, all the
gay bustle combined to fill the County Club with a joyous atmosphere.
Before the front of the house was a sloping lawn which merged into an
open park, here and there dotted with groups of budding trees and
showing vividly the red of golf flags. The driveway wound in curves of
carefully devised carelessness from the country road beyond the park to
the end of the piazza, and all arrivals could be properly studied as
they approached. The piazza was wide and roomy, so that it was not
crowded, although a considerable number of men and women were there
assembled; and from group to group laughter answered laughter.

Mrs. Harbinger in the capacity of chaperone had with her Alice Endicott
and May Calthorpe. The three ladies stood chatting with Dick Fairfield,
tossing words back and forth like tennis-balls for the sheer pleasure of
the exercise.

"Oh, I insist," Fairfield said, "that spring is only a season when the
days are picked before they are ripe."

"You say that simply in your capacity of a literary man, Mr. Fairfield,"
Alice retorted; "but I doubt if it really means anything."

"I am afraid it doesn't mean much," he responded laughing, "but to
insist that an epigram must mean something would limit production
dreadfully."

"Then we are to understand," Mrs. Harbinger observed, "that what you
literary men say is never to be taken seriously."

"Oh, you should make a distinction, Mrs. Harbinger. What a literary man
says in his professional capacity you are at liberty to believe or not,
just as you choose; but of course in regard to what is said in his
personal capacity it is different."

"There, I suppose," she retorted, "he is simply to be classed with other
men, and not to be believed at all."

"Bless me, what cynicism! Where is Mr. Harbinger to defend his
reputation?"

"He is so absorbed in getting ready for the game that he has forgotten
all about any reputation but that of a polo-player," Mrs. Harbinger
returned. "And that reminds me that I haven't seen his new pony. Come,
Alice, you appreciate a horse. We must go and examine this new wonder
from Canada."

"We are not invited apparently," May said, seating herself in a piazza
chair. "It is evidently your duty, Mr. Fairfield, to stay here and
entertain me while they are gone."

"I remain to be entertained," he responded, following her example.

Mrs. Harbinger and Alice went off to the stables, and the pair left
behind exchanged casual comments upon the day, the carriages driving up,
the smart spring gowns of the ladies, and that sort of verbal
thistledown which makes up ordinary society chit-chat. A remark which
Fairfield made on the attire of a dashing young woman was the means of
bringing the talk around again to the subject which had been touched
upon between them on the previous afternoon.

"I suppose," Miss Calthorpe observed, "that a man who writes stories has
to know about clothes. You do write stories, I am sure, Mr. Fairfield."

He smiled, and traced a crack in the piazza floor with his stick.

"Which means, of course," he said, "that you have never read any of
them. That is so far lucky for me."

"Why is it lucky?"

"Because you might not have liked them."

"But on the other hand I might have liked them very much."

"Well, perhaps there is that chance. I don't know, however, that I
should be willing to run the risk. What kind of a story do you like?"

"I told you that yesterday, Mr. Fairfield. If you really cared for my
opinion you would remember."

"You said that you liked 'Love in a Cloud.' Is that what you mean?"

"Then you do remember," she remarked with an air of satisfaction.
"Perhaps it was only because you liked the book yourself."

"Why not believe that it was because I put so much value on your
opinion?"

"Oh, I am not so vain as that, Mr. Fairfield," she cried. "If you
remember, it was not on my account."

He laughed without replying, and continued the careful tracing of the
crack in the floor as if the occupation were the pleasantest imaginable.
May watched him for a moment, and then with the semblance of pique she
turned her shoulder toward him. The movement drew his eyes, and he
suddenly stopped his occupation to straighten up apologetically.

"I was thinking," he said, "what would be the result of your reading
such stories of mine as have been published--there have been a few, you
know, in the magazines--if you were to test them by the standard of
'Love in a Cloud.' I'm afraid they might not stand it."

She smiled reassuringly, but perhaps with a faint suggestion of
condescension.

"One doesn't expect all stories to be as good as the best," she
observed.

Fairfield turned his face away for a quick flash of a grin to the
universe in general; then with perfect gravity he looked again at his
companion.

"I am afraid," he said, "that even the author of 'Love in a Cloud'
wouldn't expect so much of you as that you should call his story the
best."

"I do call it the best," she returned, a little defiantly. "Don't you?"

"No," he said slowly, "I couldn't go so far as that."

"But you spoke yesterday as if you admired it."

"But that isn't the same thing as saying that there is nothing better."

Miss Calthorpe began to tap her small foot impatiently.

"That is always the way with men who write," she declared. "They always
have all sorts of fault to find with everything."

"Have you known a great many literary men?" he asked.

There are few things more offensive in conversation, especially in
conversation with a lady, than an insistence upon logic. To ask of a
woman that she shall make only exact statements is as bad as to require
her to be always consistent, and there is small reason for wonder if at
this inquiry Miss Calthorpe should show signs of offense.

"I do not see what that has to do with the matter," she returned
stiffly. "Of course everybody knows about literary men."

The sun of the April afternoon smiled over the landscape, and the young
man smiled under his mustache, which was too large to be entirely
becoming. He glanced up at his companion, who did not smile in return,
but only sat there looking extremely pretty, with her flushed cheeks,
her dark hair in pretty willful tendrils about her temples, and her
dark eyes alight.

"Perhaps you have some personal feeling about the book," he said. "You
know that it is claimed that a woman's opinion of literature is always
half personal feeling."

She flushed more deeply yet, and drew herself up as if he were intruding
upon unwarrantable matters.

"I don't even know who wrote the book," she replied.

"Then it is only the book itself that you admire, and not the author?"

"Of course it is the book. Haven't I said that I don't even know who the
author is? I can't see," she went on somewhat irrelevantly, "why it is
that as soon as there is anything that is worth praising you men begin
to run it down."

He looked as if he were a trifle surprised at her warmth.

"Run it down?" he repeated. "Why, I am not running it down. I said that
I admired the novel, didn't I?"

"But you said that you didn't think it was one of the best," she
insisted.

"But you might allow a little for individual taste, Miss Calthorpe."

"Oh, of course there is a difference in individual tastes, but that has
to do with the parts of the story that one likes best. It's nothing at
all to do with whether one isn't willing to confess its merits."

He broke into a laugh of so much amusement that she contracted her level
brows into a frown which made her prettier than ever.

"Now you are laughing at me," she said almost pouting. "It is so
disappointing to find that I was deceived. Of course I know that there
is a good deal of professional jealousy among authors, but I shouldn't
have thought--"

She perhaps did not like to complete her sentence, and so left it for
him to end with a fresh laugh.

"I wish I dared tell you how funny that is!" he chuckled.

She made no reply to this, but turned her attention to the landscape.
There was a silence of a few moments, in which Fairfield had every
appearance of being amused, while she equally showed that she was
offended. The situation was certainly one from which a young author
might derive a good deal of satisfaction. It is not often that it falls
to the lot of a writer to find his work so sincerely and ardently
admired that he is himself taken to task for being jealous of its
success. Such pleasure as comes from writing anonymous books must be
greatly tempered by the fact that in a world where it is so much more
easy to blame than to praise the author is sure to hear so much more
censure of his work than approbation. To be accused by a young and
pretty girl of a fault which one has not committed and from which one
may be clear at a word is in itself a pleasing pastime, and when the
imaginary fault is that of not sufficiently admiring one's own book,
the titillation of the vanity is as lively as it is complicated. The
spirit which Miss Calthorpe had shown, her pretty vehemence, and her
marked admiration for "Love in a Cloud" might have seemed charming to
any man who had a taste for beauty and youthful enthusiasm; upon the
author of the book she praised it was inevitable that they should work
mightily.

The pair were interrupted by the return of Mrs. Harbinger and Alice, who
reported that there were so many men about the stables, and the ponies
were being so examined and talked over by the players, that it was
plainly no place for ladies.

"It was evident that we weren't wanted," Mrs. Harbinger said. "I hope
that we are here. Ah, here comes the Count."

The gentleman named, fresh from his talk with Harry Bradish, came
forward to join them, his smile as sunny as that of the day.

"See," May whispered tragically to Mrs. Harbinger as the Hungarian
advanced, "he has a red carnation in his buttonhole."

"He must have read the letter then," Mrs. Harbinger returned hastily.
"Hush!"

To make the most exciting communication and to follow it by a command to
the hearer to preserve the appearance of indifference is a
characteristically feminine act. It gives the speaker not only the last
word but an effective dramatic climax, and the ever-womanly is nothing
if not dramatic. The complement of this habit is the power of obeying
the difficult order to be silent, and only a woman could unmoved hear
the most nerve-shattering remarks with a manner of perfect tranquillity.

"Ah, eet ees so sweet loovly ladies een de landscape to see," the Count
declared poetically, "where de birds dey twatter een de trees and things
smell you so mooch."

"Thank you. Count," Mrs. Harbinger responded. "That is very pretty, but
I am afraid that it means nothing."

"What I say to you, Madame," the Count responded, with his hand on his
heart, "always eet mean mooch; eet ees dat eet mean everyt'ing!"

"Then it is certainly time for me to go," she said lightly. "It wouldn't
be safe for me to stay to hear everything. Come, girls: let's walk over
to the field."

The sitters rose, and they moved toward the other end of the piazza.

"It is really too early to go to the field," May said, "why don't we
walk out to the new golf-holes first? I want to see how they've changed
the drive over the brook."

"Very well," Mrs. Harbinger assented. "The shortest way is to go through
the house."

They passed in through a long window, and as they went Alice Endicott
lingered a little with the Count. That part of the piazza was at the
moment deserted, and so when before entering the house she dropped her
parasol and waited for her companion to pick it up for her, they were
practically alone.

"Thank you, Count," she said, as he handed her the parasol. "I am sorry
to trouble you."

"Nodings what eet ees dat I do for Mees Endeecott ees trouble."

"Is that true?" she asked, pausing with her foot on the threshold, and
turning back to him. "If I could believe it there are two favors that I
should like to ask."

"Two favors?" he repeated. "Ah, I weell be heavenlee happee eef eet ees
dat I do two favors."

"One is for myself," she said, "and the other is for Miss Wentstile. I'm
sure you won't refuse me."

"Who could refuse one ladee so loovlaie!"

"The first is," Alice went on, paying no heed to the Count's florid
compliments, "that you give me the letter Mrs. Neligage gave you
yesterday."

"But de ladee what have wrote eet--"

"The lady that wrote it," Alice interrupted, "desires to have it again."

"Den weell I to her eet geeve," said the Count.

"But she has empowered me to receive it."

"But dat eet do not empower me eet to geeve."

"Then you decline to let me have it, Count?"

"Ah, I am desolation, Mees Endeecott, for dat I do not what you desaire;
but I weell rather to do de oder t'ing what you have weesh."

"I am afraid, Count, that your willingness to oblige goes no farther
than to let you do what you wish, instead of what I wish. I only wanted
to know where you have known Mrs. Neligage."

"Ah," he exclaimed, "dat is what Mees Wentsteele have ask. My dear
young lady, eet ees not dat you can be jealous dat once I have known
Madame Neleegaze?"

She faced him with a look of astonishment so complete that the most
simple could not misunderstand it. Then the look changed into profound
disdain.

"Jealous!" she repeated. "I jealous, and of you, Count!"

Her look ended in a smile, as if her sense of humor found the idea of
jealousy too droll to admit of indignation, and she turned to go in
through the window, leaving the Count hesitating behind.




XIII

THE WILE OF A WOMAN


Before the Count had recovered himself sufficiently to go after Miss
Endicott despite her look of contempt and her yet more significant
amusement, Jack Neligage came toward him down the piazza, and called him
by name.

"Oh, Count Shimbowski," Jack said. "I beg your pardon, but may I speak
with you a moment?"

The Count looked after Miss Endicott, but he turned toward Neligage.

"I am always at your service," he said in French.

"I wanted to speak to you about that letter that my mother gave you
yesterday. She made a mistake."

"A mistake?" the Count echoed, noncommittally.

"Yes. It is not for you."

"Well?"

"Will you give it to me, please?" Jack said.

"But why should I give it to you? Are you Christopher Calumus?"

"Perhaps," answered Jack, with a grin. "At least I can assure you that
it is on the authority of the author of 'Love in a Cloud' that I ask for
the letter."

"But I've already refused that letter to a lady."

"To a lady?"

"To Miss Endicott."

"Miss Endicott!" echoed Jack again, in evident astonishment. "Why should
she want it?"

"She said that she had the authority of the writer, as you say that you
have the authority of the man it was written to."

"Did you give it to her?"

"No; but if I did not give it to her, how can I give it to you?"

Neligage had grown more sober at the mention of Miss Endicott's name; he
stood looking down, and softly beating the toe of his boot with his polo
mallet.

"May I ask," he said at length, raising his glance to the Count's face,
"what you propose to do with the letter?"

The other waved his hands in a gesture which seemed to take in all
possible combinations of circumstances, while his shrug apparently
expressed his inner conviction that whichever of these combinations
presented itself Count Shimbowski would be equal to it.

"At least," he returned, "as Mrs. Harbinger has acknowledged that she
wrote it, I could not give it up without her command."

Neligage laughed, and swung his mallet through the air, striking an
imaginary ball with much deftness and precision.

"She said she wrote it, I know; but I think that was only for a lark,
like mother's part in the play. I don't believe Mrs. Harbinger wrote
it. However, here she comes, and you may ask her. I'll see you again. I
must have the letter."

He broke into a lively whistle, and went off down the walk, as Mrs.
Harbinger emerged through the window which a few moments before she had
entered.

"I decided that I wouldn't go down to the brook," she said. "It is too
warm to walk. Besides, I wanted to speak to you."

"Madame Harbeenger do to me too mooch of _honneur_," the Count
protested, with his usual exuberance of gesture. "Eet ees to be me at
her sarveece."

She led the way back to the chairs where her group had been sitting
shortly before, and took a seat which placed her back toward the only
other persons on the piazza, a couple of men smoking at the other end.

"Sit down, Count," she said, waving her hand at a chair. "Somebody will
come, so I must say what I have to say quickly. I want that letter."

The Count smiled broadly, and performed with much success the inevitable
shrug.

"You dat lettaire weesh; Madame Neleegaze dat lettaire weesh; Mr.
Neleegaze dat lettaire weesh; everybody dat lettaire weesh. Count
Shimbowski dat lettaire he keep, weell eet not?"

"Mrs. Neligage and Jack want it?" Mrs. Harbinger exclaimed. "What in the
world can have set them on? Did they ask you for it?"

"Eet ees dat they have ask," the Count answered solemnly.

"I cannot understand that," she pursued thoughtfully. "Certainly they
can't know who wrote it."

"Ees eet not dat you have said--"

"Oh, yes," Mrs. Harbinger interrupted him, with a smile, "I forgot that
they were there when I confessed to it."

The Count laid his hand on his heart and rolled up his eyes,--not too
much.

"I have so weesh' to tell you how dat I have dat beauteous lettaire
adore," he said. "I have wear de lettaire een de pocket of my heart."

This somewhat startling assertion was explained by his pushing aside his
coat so that the top of a letter appeared peeping out of the left pocket
of his waistcoat as nearly over his heart as the exigencies of tailoring
permitted.

"I shouldn't have let you know that I wrote it," she said.

"But eet have geeve to me so joyous extrodinaire eet to know!"

She regarded him shrewdly, then dropping her eyes, she asked:--

"Was it better than the other one?"

"De oder?" he repeated, evidently taken by surprise. "Ah, dat alone also
have I treasured too mooch."

Mrs. Harbinger broke out frankly into a laugh.

"Come," she said, "I have caught you. You know nothing about any other.
We might as well be plain with each other. I didn't write that letter
and you didn't write 'Love in a Cloud,' or you'd know about the whole
correspondence."

"Ah, from de Eden_garten_," cried the Count, "de weemens ees too mooch
for not to fool de man. Madame ees for me greatly too clevaire."

"Thank you," she said laughingly. "Then give me the letter."

He bowed, and shrugged, and smiled deprecatingly; but he shook his head.

"So have Mees Endeecott say. Eef to her I geeve eet not, I can geeve eet
not to you, desolation as eet make of my heart."

"Miss Endicott? Has she been after the letter too? Is there anybody
else?"

"Madame Neleegaze, Mr. Neleegaze, Mees Endeecott, Madame Harbeenger,"
the Count enumerated, telling them off on his fingers. "Dat ees all now;
but eef I dat lettaire have in my heart-pocket she weell come to me dat
have eet wrote. Ees eet not so? Eet ees to she what have eet wrote dat
eet weell be to geeve eet. I am eenterest to her behold."

"Then you will not give it to me?" Mrs. Harbinger said, rising.

He rose also, a mild whirlwind of apologetic shrugs and contortions,
contortions not ungraceful, but as extraordinary as his English.

"Eet make me desolation een de heart," he declared; "but for now eet
weell be for me to keep dat lettaire."

He made her a profound bow, and as if to secure himself against farther
solicitation betook himself off. Mrs. Harbinger resumed her chair, and
sat for a time thinking. She tapped the tip of her parasol on the
railing before her, and the tip of her shoe on the floor, but neither
process seemed to bring a solution of the difficulty which she was
pondering. The arrivals at the club were about done, and although it
still wanted some half hour to the time set for the polo game, most of
those who had been about the club had gone over to the polo-field. The
sound of a carriage approaching drew the attention of Mrs. Harbinger. A
vehicle easily to be recognized as belonging to the railway station was
advancing toward the club, and in it sat Mr. Barnstable. The gentleman
was landed at the piazza steps, and coming up, he stood looking about
him as if in doubt what to do next. His glance fell upon Mrs. Harbinger,
and the light of recognition flooded his fluffy face as moonlight floods
the dunes of a sandy shore. He came forward abruptly and awkwardly.

"Beg pardon, Mrs. Harbinger," he said. "I came out to find your husband.
Do you know where I can see him?"

"He is all ready to play polo now, Mr. Barnstable," she returned. "I
don't think you can see him until after the game."

She spoke rather dryly and without any cordiality. He stood with his hat
in his two hands, pulling nervously at the brim.

"You are very likely angry with me, Mrs. Harbinger," he blurted out
abruptly. "I ought to apologize for what I did at your house yesterday.
I made a fool of myself."

Mrs. Harbinger regarded him curiously, as if she could hardly make up
her mind how such a person was to be treated.

"It is not customary to have scenes of that kind in our parlors," she
answered, smiling.

"I know it," he said, with an accent of deep despair. "It was all my
unfortunate temper that ran away with me. But you don't appreciate, Mrs.
Harbinger, how a man feels when his wife has been made the subject of an
infamous libel."

"But if you'll let me say so, Mr. Barnstable, I think you are going out
of your way to find trouble. You are not the only man who has been
separated from his wife, and the chances are that the author of 'Love in
a Cloud' never heard of your domestic affairs at all."

"But he must have," protested Barnstable with growing excitement,
"why--"

"Pardon me," she interrupted, "I wasn't done. I say that the chance of
the author of that book knowing anything about your affairs is so small
as to be almost impossible."

"But there were circumstances so exact! Why, all that scene--"

"Really, Mr. Barnstable," Mrs. Harbinger again interrupted, "you must
not go about telling what scenes are true. That is more of a publishing
of your affairs than any putting them in a novel could be."

His eyes stared at her from the folds and undulations of his face like
two remarkably large jellyfish cast by the waves among sand heaps.

"But--but," he stammered, "what am I to do? How would you feel if it
were your wife?"

She regarded him with a glance which gave him up as incorrigible, and
half turned away her head.

"I'm sure I can't say," she responded. "I never had a wife."

Barnstable was too much excited to be restrained by the mild jest, and
dashed on, beginning to gesticulate in his earnestness.

"And by such a man!" he ran on. "Why, Mrs. Harbinger, just look at this.
Isn't this obliquitous!"

He pulled from one pocket a handful of letters, dashed through them at a
mad speed, thrust them back and drew another handful from a second
pocket, scrabbled through them, discarded them for the contents of a
third pocket, and in the end came back to the first batch of papers,
where he at last hit upon the letter he was in search of.

"Only this morning I got this letter from a friend in New York that knew
the Count in Europe. He's been a perfect rake. He's a gambler and a
duelist. There, you take it, Mrs. Harbinger, and read it. You'll see,
then, how I felt when that sort of a man scandaled my wife."

"But I thought that you received the letter only this morning,"
suggested Mrs. Harbinger, with a smile.

Her companion was too thoroughly excited to be interrupted, and dashed
on.

"You take the letter, Mrs. Harbinger, and read it for yourself. Then
you show it to your friends. Let people know what sort of a man they are
entertaining and making much of. Damme--I beg your pardon; my temper's
completely roused up!--it makes me sick to see people going on so over
anything that has a title on it. Why, damme--I beg your pardon, Mrs.
Harbinger; I really beg your pardon!--in America if a man has a title he
can rob henroosts for a living, and be the rage in society."

Mrs. Harbinger reached out her hand deliberately, and took the letter
which was thus thrust at her. She had it safe in her possession before
she spoke again.

"I shall be glad to see the letter," she said, "because I am curious to
know about Count Shimbowski. That he is what he pretends to be in the
way of family I am sure, for I have seen his people in Rome."

"Oh, he is a Count all right," Barnstable responded; "but that doesn't
make him any better."

"As for the book," she pursued calmly, "you are entirely off the track.
The Count cannot possibly have written it. Just think of his English."

"I've known men that could write English that couldn't speak it
decently."

"Besides, he hasn't been in the country long enough to have written it.
If he did write it, Mr. Barnstable, how in the world could he know
anything about your affairs? It seems to me, if I may say so, that you
might apply a little common sense to the question before you get into a
rage over things that cannot be so."

"I was hasty," admitted Barnstable, an expression of mingled penitence
and woe in his face. "I'm afraid I was all wrong about the Count. But
the book has so many things in it that fit, things that were particular,
why, of course when Mrs.--that lady yesterday--"

"Mrs. Neligage."

"When she said the Count wrote it, I didn't stop to think."

"That was only mischief on her part. You might much better say her son
wrote it than the Count."

"Her son?" repeated Barnstable, starting to his feet. "That's who it is!
Why, of course it was to turn suspicion away from him that his mother--"

"Good heavens!" Mrs. Harbinger broke in, "don't make another blunder.
Jack Neligage couldn't--"

"I see it all!" Barnstable cried, not heeding her. "Mr. Neligage was in
Chicago just after my divorce. I heard him say he was there that winter.
Oh, of course he's the man."

"But he isn't a writer," Mrs. Harbinger protested.

She rose to face Barnstable, whose inflammable temper had evidently
blazed up again with a suddenness entirely absurd.

"That's why he wrote anonymously," declared the other; "and that's why
he had to put in real things instead of making them up! Oh, of course
it was Mr. Neligage."

"Mr. Barnstable," she said with seriousness, "be reasonable, and stop
this nonsense. I tell you Mr. Neligage couldn't have written that book."

He glared at her with eyes which were wells of obstinacy undiluted.

"I'll see about that," he said.

Without other salutation than a nod he walked away, and left her.

She gazed after him with the look which studies a strange animal.

"Well," she said softly, aloud, "of all the fools--"




XIV

THE CONCEALING OF SECRETS


Where a number of persons are in the same place, all interested in the
same matter, yet convinced that affairs must be arranged not by open
discussion but by adroit management, the result is inevitable. Each will
be seeking to speak to some other alone; there will be a constant
shifting and rearranging of groups as characters are moved on and off
the stage in the theatre. Life for the time being, indeed, takes on an
artificial air not unlike that which results from the studied devices of
the playwright. The most simple and accurate account of what takes place
must read like the arbitrary conventions of the boards; and the reader
is likely to receive an impression of unreality from the very closeness
with which the truth has been followed.

At the County Club that April afternoon there were so many who were in
one way or another interested in the fate of the letter which in a
moment of wild fun Mrs. Neligage had handed over to the Count, that it
was natural that the movements of the company should have much the
appearance of a contrived comedy. No sooner, for instance, had
Barnstable hastened away with a new bee in his bonnet, than Mrs.
Harbinger was joined by Fairfield. He had come on in advance of the
girls, and now at once took advantage of the situation to speak about
the matter of which the air was full.

"I beg your pardon," he said, "but I left the young ladies chatting with
Mrs. Staggchase, and they'll be here in a minute. I wanted to speak to
you."

She bestowed the letter which she had received from Barnstable in some
mysterious recess of her gown, some hiding-place which had been devised
as an attempted evasion of the immutable law that in a woman's frock
shall be no real pocket.

"Go on," she said. "I am prepared for anything now. After Mr. Barnstable
anything will be tame, though; I warn you of that."

"Mr. Barnstable? I didn't know you knew him till his circus last night."

"I didn't. He came to me here, and I thought he was going to apologize;
but he ended with a performance crazier than the other."

"What did he do?" asked Fairfield, dropping into the chair which
Barnstable had recently occupied. "He must be ingenious to have thought
of anything madder than that. He might at least have apologized first."

"I wasn't fair to him," Mrs. Harbinger said. "He really did apologize;
but now he's rushing off after Jack Neligage to accuse him of having
written that diabolical book that's made all the trouble."

"Jack Neligage? Why in the world should he pitch upon him?"

"Apparently because I mentioned Jack as the least likely person I could
think of to have written it. That was all that was needed to convince
Mr. Barnstable."

"The man must be mad."

"We none of us seem to be very sane," Mrs. Harbinger returned, laughing.
"I wonder what this particular madman will do."

"I'm sure I can't tell," answered Fairfield absently. Then he added
quickly: "I wanted to ask you about that letter. Of course it isn't you
that's been writing to me, but you must know who it is."

She stared at him in evident amazement, and then burst into a peal of
laughter.

"Well," she said, "we have been mad, and no mistake. Why, we ought to
have known in the first place that you were Christopher Calumus. How in
the world could we miss it? It just shows how we are likely to overlook
the most obvious things."

Fairfield smiled, and beat his fist on the arm of his chair.

"There," he laughed, "I've let it out! I didn't mean to tell it."

"What nonsense!" she said, as if not heeding. "To think that it was you
that May wrote to after all!"

"May!" cried Fairfield. "Do you mean that Miss Calthorpe wrote those
letters?"

The face of Mrs. Harbinger changed color, and a look of dismay came over
it.

"Oh, you didn't know it, of course!" she said. "I forgot that, and now
I've told you. She will never forgive me."

He leaned back in his chair, laughing gayly.

"A Roland for an Oliver!" he cried. "Good! It is only secret for
secret."

"But what will she say to me?"

"Say? Why should she say anything? You needn't tell her till she's told
me. She would have told me sometime."

"She did tell you in that wretched letter; or rather she gave you a sign
to know her by. How did you dare to write to any young girl like that?"

The red flushed into his cheeks and his laughter died.

"You don't mean that she showed you my letters?"

"Oh, no; she didn't show them to me. But I know well enough what they
were like. You are a pair of young dunces."

Fairfield cast down his eyes and studied his finger-nails in silence a
moment. When he looked up again he spoke gravely and with a new
firmness.

"Mrs. Harbinger," he said, "I hope you don't think that I meant anything
wrong in answering her letters. I didn't know who wrote them."

"You must have known that they were written by a girl that was young and
foolish."

"I'm afraid I didn't think much about that. I had a letter, and it
interested me, and I answered it. It never occurred to me that--"

"It never occurs to a man that he is bound to protect a girl against
herself," Mrs. Harbinger responded quickly. "At least now that you do
know, I hope that there'll be no more of this nonsense."

Fairfield did not reply for a moment. Then he looked out over the
landscape instead of meeting her eyes.

"What do you expect me to say to that?" he asked.

"I don't know that I expect anything," she returned dryly. "Hush! They
are coming."

He leaned forward, and spoke in a hurried whisper.

"Does she know?" he demanded.

"Of course not. She thinks it's the Count, for all I can tell."

The arrival of Alice and May put an end to any further confidential
discourse. Fairfield rose hastily, looking dreadfully conscious, but as
the two girls had some interesting information or other to impart to
Mrs. Harbinger, he had an opportunity to recover himself, and in a few
moments the party was on its way to the polo-field.

With the game this story has nothing in particular to do. It was not
unlike polo games in general. The playing was neither especially good
nor especially bad. Jack Neligage easily carried off the honors, and the
men pronounced his playing to be in remarkable form for so early in the
season. Fairfield sat next to Miss Calthorpe, but he was inclined to be
quiet, and to glance at Mrs. Harbinger when he spoke, as if he expected
her to be listening to his conversation. Now and then he fixed his
attention on the field, but when the game was over, and the clever plays
were discussed, he showed no signs of knowing anything about them. To
him the game had evidently been only an accident, and in no way a vital
part of the real business of the day.

There was afternoon tea at the club-house,--groups chatted and laughed
on the piazza and the lawn; red coats became more abundant on the golf
links despite the lateness of the hour; carriages were brought round,
one by one took their freights of pleasure-seekers, and departed.
Fairfield still kept in the neighborhood of Miss Calthorpe, and although
he said little he looked a great deal. Mrs. Harbinger did not interfere,
although for the most part she was within ear-shot. Fairfield was of
good old family, well spoken of as a rising literary man, and May had
money enough for two, so that there were no good grounds upon which a
chaperone could have made herself disagreeable, and Mrs. Harbinger was
not in the least of the interfering sort.

Before leaving the County Club Mrs. Harbinger had a brief talk with Mrs.
Neligage.

"I wish you'd tell me something about the Count's past," she said. "You
knew him in Europe, didn't you?"

"Yes, I met him in Rome one winter; and after that I saw a good deal of
him for a couple of seasons."

"Was he received?"

"Oh, bless you, yes. He's real. His family tree goes back to the tree in
the Garden of Eden."

"Perhaps his ancestor then was the third person there."

Mrs. Neligage laughed, and shook her head.

"Come, Letty," she said, "that is taking an unfair advantage. But
really, the Count is all right. He's as poor as a church mouse, and I've
no doubt he came over here expressly to marry money. That is a foreign
nobleman's idea of being driven to honest toil,--to come to America and
hunt up an heiress."

Mrs. Harbinger produced the letter which she had received from
Barnstable earlier in the afternoon.

"That crazy Mr. Barnstable that made an exhibition of himself at my
house yesterday has given me a letter about the Count. I haven't read
much of it; but it's evidently an attack on the man's morals."

"Oh, his morals," Mrs. Neligage returned with a pretty shrug; "nobody
can find fault with the Count's morals, my dear, for he hasn't any."

"Is he so bad then?" inquired Mrs. Harbinger with a sort of
dispassionate interest.

"Bad, bless you, no. He's neither good nor bad. He's what all his kind
are; squeamishly particular on a point of honor, and with not a moral
scruple to his name."

Mrs. Harbinger held the letter by the corner, regarding it with little
favor.

"I'm sure I don't want his old letter," she observed. "I'm not a
purveyor of gossip."

"Why did he give it to you?"

"He wanted me to read it, and then to show it to my friends. He
telegraphed to New York last night, Tom said, to find out about the
Count, and the letter must have come on the midnight."

"Characters by telegraph," laughed Mrs. Neligage. "The times are getting
hard for adventurers and impostors. But really the Count isn't an
impostor. He'd say frankly that he brought over his title to sell."

"That doesn't decide what I am to do with this letter," Mrs. Harbinger
remarked. "You'd better take it."

"I'm sure I don't see what I should do with it," Mrs. Neligage returned;
but at the same time she took the epistle. "Perhaps I may be able to
make as much mischief with this as I did with that letter yesterday."

The other looked at her with serious disfavor expressed in her face.

"For heaven's sake," she said, "don't try that. You made mischief enough
there to last for some time."




XV

THE MISCHIEF OF A LETTER


The meditations of Mrs. Neligage in the watches of the night which
followed the polo game must have been interesting, and could they be
known might afford matter for amusement and study. It must be one of the
chief sources of diversion to the Father of Evil to watch the growth in
human minds and hearts of schemes for mischief. He has the satisfaction
of seeing his own ends served, the entertainment of observing a curious
and fascinating mental process, and all the while his vanity may be
tickled by the reflection that it is he who will receive the credit for
each cunningly developed plot of iniquity. That the fiend had been
agreeably entertained on this occasion was to be inferred from the
proceedings of Mrs. Neligage next morning, when the plans of the night
were being carried into effect.

As early in the day as calling was reasonably possible, Mrs. Neligage,
although it was Sunday, betook herself to see May Calthorpe. May, who
had neither father nor mother living, occupied the family house on
Beacon street, opposite the Common, having as companion a colorless
cousin who played propriety, and for the most part played it unseen.
The dwelling was rather a gloomy nest for so bright a bird as May.
Respectability of the most austere New England type pervaded the big
drawing-room where Mrs. Neligage was received. The heavy old furniture
was as ugly as original sin, and the pictures might have ministered to
the Puritan hatred for art. Little was changed from the days when May's
grandparents had furnished their abode according to the most approved
repulsiveness of their time. Only the brightness of the warm April sun
shining in at the windows, and a big bunch of dark red roses in a
crystal jug, lightened the formality of the stately apartment.

When May came into the room, however, it might have seemed that she had
cunningly retained the old appointments as a setting to make more
apparent by contrast her youthful fresh beauty. With her clear color,
her dark hair, and sparkling eyes, she was the more bewitching amid this
stately, sombre furniture, and in this gloomy old lofty room.

"My dear," Mrs. Neligage said, kissing her affectionately, "how well you
look. I was dreadfully afraid I should find you worried and unhappy."

May returned her greeting less effusively, and seemed somewhat puzzled
at this address.

"But why in the world should I look worried?" she asked.

Mrs. Neligage sat down, and regarded the other impressively in silence a
moment before replying.

"Oh, my dear child," she said dramatically, "how could you be so
imprudent?"

May became visibly paler, and in her turn sank into a chair.

"I don't know what you mean," she faltered.

"If you had lived in society abroad as much as I have, May," was the
answer, delivered with an expressive shake of the head, "you would know
how dreadfully a girl compromises herself by writing to a strange
gentleman."

May started up, her eyes dilating.

"Oh, how did you know?" she demanded.

"The Count thinks the most horrible things," the widow went on
mercilessly. "You know what foreigners are. It wouldn't have been so bad
if it were an American."

Poor May put her hands together with a woeful gesture as if she were
imploring mercy.

"Oh, is it the Count really?" she cried. "I saw that he had a red
carnation in his buttonhole yesterday, but I hoped that it was an
accident."

"A red carnation?" repeated Mrs. Neligage.

"Yes; that was the sign by which I was to know him. I said so in that
letter."

It is to be doubted if the Recording Angel at that moment wrote down to
the credit of Mrs. Neligage that she regretted having by chance stuck
that flower in the Count's coat at the County Club.

"You poor child!" she murmured with a world of sympathy in her voice.

The touch was too much for May, who melted into tears. She was a
simple-hearted little thing or she would never have written the unlucky
letters to Christopher Calumus, and in her simplicity she had evidently
fallen instantly into the trap set for her. She dabbed resolutely at her
eyes with her handkerchief, but the fountain was too free to be so
easily stanched.

"It will make a horrid scandal," Mrs. Neligage went on by way of
comfort. "Oh, I do hate those dreadful foreign ways of talking about
women. It used to make me so furious abroad that I wanted to kill the
men."

May was well on the way to sobs now.

"Such things are so hard to kill, too," pursued the widow. "Everybody
here will say there is nothing in it, but it will be repeated, and
laughed about, and it will never be forgotten. That's the worst of it.
The truth makes no difference, and it is almost impossible to live a
thing of that sort down. You've seen Laura Seaton, haven't you? Well,
that's just what ruined her life. She wrote some foolish letters, and it
was found out. It always is found out; and she's always been in a
cloud."

Mrs. Neligage did not mention that the letters which the beclouded Miss
Seaton had written had been to a married man and with a full knowledge
on her part who her correspondent was.

"Oh, Mrs. Neligage," sobbed May. "Do you suppose the Count will tell?"

"My dear, he showed me the letter."

"Oh, did he?" moaned the girl, crimson to the eyes. "Did you read it?"

"Read it, May? Of course not!" was the answer, delivered with admirable
appearance of indignation; "but I knew the handwriting."

May was by this time so shaken by sobs and so miserable that her
condition was pitiful. Mrs. Neligage glided to a seat beside her, and
took the girl in her arms in a fashion truly motherly.

"There, there, May," said she soothingly. "Don't give way so. We must do
something to straighten things out."

"Oh, do you think we could?" demanded May, looking up through her tears.
"Can't you get that letter away from him?"

"I tried to make him give it to me, but he refused."

It really seemed a pity that the widow was not upon the stage, so
admirably did she show sympathy in voice and manner. She caressed the
tearful maiden, and every tone was like an endearment.

"Somebody must get that letter," she went on. "It would be fatal to
leave it in the Count's possession. He is an old hand at this sort of
thing. I knew about him abroad."

She might have added with truth that she had herself come near marrying
him, supposing that he had a fortune to match his title, but that she
had luckily discovered his poverty in time.

"But who can get it?" asked May, checking her tears as well as was
possible under the circumstances.

"It must be somebody who has the right to represent you," Mrs. Neligage
responded with an air of much impressiveness.

"Anybody may represent me," declared May. "Couldn't you do it, Mrs.
Neligage?"

"My dear," the other answered in a voice of remonstrance, "a lady could
hardly go to a man on an errand like that. It must be a man."

May dashed her hands together in a burst of impatience and despair.

"Oh, I don't see what you gave it to him for," she cried in a lamentable
voice. "You might have known that I wouldn't have written it if I'd any
idea that that old thing was Christopher Calumus."

"And I wouldn't have given it to him," returned Mrs. Neligage quietly,
"if I'd had any idea that you were capable of writing to men you didn't
know."

May looked as if the tone in which this was said or the words themselves
had completed her demoralization. She was bewitching in her misery, her
eyes swimming divinely in tears, large and pathetic and browner than
ever, her hair ruffled in her agitation into tiny rings and pliant wisps
all about her temples, her cheeks flushed and moist. Her mouth, with its
trembling little lips, might have moved the sternest heart of man to
compassion and to the desire at least of consoling it with kisses. The
more firm and logical feminine mind of Mrs. Neligage was not, however,
by all this loveliness of woe turned away from her purpose.

"At any rate," she went on, "the thing that can't be altered is that you
have written the letter, and that the Count has it. I do pity you
terribly, May; and I know Count Shimbowski, so I know what I'm saying. I
came in this morning to say something to you, to propose something, that
is; but I don't know how you'll take it. It is a way out of the
trouble."

"If there's any way out," returned May fervently, "I'm sure I don't care
what it is; I'm ready for it, if it's to chop off my fingers."

"It isn't that, my dear," Mrs. Neligage assured her with a suggestion of
a laugh, the faint suggestion of a laugh, such as was appropriate to the
direful situation only alleviated by the possibility which was to be
spoken. "The fact is there's but one thing to do. You must let Jack act
for you."

"Oh, will he, Mrs. Neligage?" cried May, brightening at once.

It has been noted by more than one observer of life that in times of
trouble the mere mention of a man is likely to produce upon the feminine
mind an effect notably cheering. Whether this be true, or a mere
fanciful calumny of those heartless male writers who have never been
willing to recognize that the real glory of woman lies in her being able
entirely to ignore the existence of man, need not be here discussed. It
is enough to record that at the sound of Jack's name May did undoubtedly
rouse herself from the abject and limp despair into which she was
completely collapsing. She caught at the suggestion as a trout snaps at
the fisherman's fly.

"He will be only too glad to," said Mrs. Neligage, "if he has the
right."

She paused and looked down, playing with the cardcase in her hands. She
made a pretty show of being puzzled how to go on, so that the most
stupid observer could not have failed to understand that there was
something of importance behind her words. May began to knit her white
forehead in an evident attempt to comprehend what further complication
there might be in the affair under discussion.

"I must be plain," the widow said, after a slight, hesitating pause.
"What I have to say is as awkward as possible, and of course it's
unusual; but under the circumstances there's no help for it. I hope
you'll understand, May, that it's only out of care for you that I'm
willing to come here this morning and make a fool of myself."

"I don't see how you could make a fool of yourself by helping me," May
said naïvely.

The visitor smiled, and put out a trimly gloved hand to pat the fingers
of the girl as they lay on the chair-arm.

"No, that's the truth, May. I am trying to help you, and so I needn't
mind how it sounds. Well, then; the fact is that there's one thing that
makes this all very delicate. Whoever goes to the Count must have
authority."

"Well, I'm ready to give Jack authority."

"But it must be the authority of a betrothed, my dear."

"What! Oh, Mrs. Neligage!"

May sat bolt upright and stiffened in her chair as if a wave of liquid
air had suddenly gone over her.

"To send a man for the letters under any other circumstances would be as
compromising as the letters in the first place. Besides, the Count
wouldn't be bound to give them up except to your _fiancé_."

"That horrid Count!" broke out May with vindictive irrelevancy. "I wish
it was just a man we had to deal with!"

"Now Jack has been in love with you for a long time, my dear," pursued
Jack's mother.

"Jack! In love with me? Why, he's fond of Alice."

"Oh, in a boy and girl way they've always been the best of friends. It's
nothing more. He's in love with you, I tell you. What do you young
things know about love anyway, or how to recognize it? I shouldn't tell
you this if it weren't for the circumstances; but Jack is too delicate
to speak when it might look as if he were taking advantages. He is
furious about the letter."

"Oh, does he know too?" cried poor May. "Does everybody know?"

Her tears began again, and now Mrs. Neligage dried them with her own
soft handkerchief, faintly scented with the especial eastern scent which
she particularly affected. Doubtless a mother may be held to know
something of the heart and the opinions of her only son, but as Jack had
not, so far as his mother had any means of knowing, in the least
connected May Calthorpe with the letter given to Count Shimbowski, it is
perhaps not unfair to conclude that her maternal eagerness and affection
had in this particular instance led her somewhat far. It is never the
way of a clever person to tell more untruths than are actually needed by
the situation, and it was perhaps by way of not increasing too rapidly
her debit account on the books of the Recording Angel that Mrs. Neligage
replied to this question of May's with an evasion,--an evasion, it is
true, which was more effective than a simple, direct falsehood would
have been.

"Oh, May dear, you don't know the horrid way in which those foreign
rakes boast of what they call their conquests!"

The idea of being transformed from a human, self-respecting being into a
mere conquest, the simple, ignominious spoils of the chase, might well
be too much for any girl, and May became visibly more limp under it.

"The simple case is here," proceeded the widow, taking up again her
parable with great directness. "Jack is fond of you; he is too delicate
to speak of it, and he knows that this is a time when nobody but a
_fiancé_ has a right to meddle. If you had a brother, of course it would
be different; but you haven't. Something must be done, and so I came
this morning really to beg you, for Jack's sake and your own, to consent
to an engagement."

"Did Jack send you?" demanded May, looking straight into the other's
eyes.

Mrs. Neligage met the gaze fairly, yet there was a little hesitation in
her reply. It might be that she considered whether the risk were greater
in telling the truth or in telling a lie; but in the end it was the
truth that she began with. Before she had got half through her sentence
she had distorted it out of all recognition, indeed, but it is always an
advantage to begin with what is true. It lends to any subsequent
falsifying a moral support which is of inestimable value.

"He knows nothing of it at all," she confessed. "He is too proud to let
anybody speak for him, just as under the circumstances he is too proud
to speak for himself. Besides, he is poor, and all your friends would
say he was after your money. No, nothing would induce him to speak for
himself. He is very unhappy about it all; but he feels far worse for you
than for himself. Dear Jack! He is the most generous fellow in the
world."

"Poor Jack!" May murmured softly.

"Poor Jack!" the widow echoed, with a deep-drawn sigh. "It frightens me
so to think what might happen if he hears the Count boasting in his
insolent way. Foreigners always boast of their conquests! Why, May,
there's no knowing what he might do! And the scandal of it for you! And
what should I do if anything happened to Jack?"

Perhaps an appeal most surely touches the feminine heart if it be a
little incoherent. A pedant might have objected that Mrs. Neligage in
this brief speech altered the point of view with reckless frequency,
but the pedant would by the effect have been proved to be wrong. The
jumble of possibilities and of consequences, of woe to Jack, harm to
May, and of general inconsolability on the part of the mother finished
the conquest of the girl completely. She was henceforth only eager to do
whatever Mrs. Neligage directed, and under the instigation of her astute
counsellor wrote a note to the young man, accepting a proposal which he
had never heard of, and imploring him as her accepted lover to rescue
from the hands of Count Shimbowski the letter addressed to Christopher
Calumus. It is not every orator, even among the greatest, who can boast
of having achieved a triumph so speedy and so complete as that which
gladdened the heart of Mrs. Neligage when, after consoling and cheering
her promised daughter-in-law, she set out to find her son.




XVI

THE DUTY OF A SON


Simple were this world if it were governed by frankness, albeit
perchance in some slight particulars less interesting. Certainly if
straightforwardness ruled life, Mrs. Neligage would have fared
differently in her efforts that morning. She would have had no
opportunity in that case of displaying her remarkable astuteness, and
she would have left the life-threads of divers young folk to run more
smoothly. Knots and tangles in the lives of mortals are oftener
introduced by their fellows than by the unkindly fingers of the Fates,
although the blame must be borne by the weird sisters. The three might
well stand aghast that forenoon to see the deftness with which Mrs.
Neligage wrought her mischief. A fisherman with his netting-needle and a
kitten playing with the twine together produce less complication of the
threads than the widow that day brought about by the unaided power of
her wits.

Jack Neligage had chambers with Fairfield in a semi-fashionable
apartment-house. Both the young men had a certain position to maintain,
and neither was blessed with means sufficient to do it without much
stretching. Fairfield was industrious and Neligage was idle, which in
the end was more favorable to the reputation of the former and to the
enjoyment of the latter. Jack fared the better in material things,
because the man who is willing to run into debt may generally live more
expensively than he who strives to add to an inadequate income by the
fruit of his toil.

On this particular morning Dick had gone to church in the vain hope of
seeing May Calthorpe, while Jack was found by his mother smoking a
cigarette over the morning paper. He had just finished his late
breakfast, and opened his letters. The letters lay on the uncleared
breakfast table in various piles. The largest heap was one made of bills
torn to bits. Jack made it a matter of principle to tear up his bills as
soon as they came. It saved trouble, and was, he said, a business-like
habit. The second heap was composed of invitations to be answered; while
advertisements and personal letters made the others. Jack received his
mother with his usual joyous manner. It had been said of him that his
continual good nature was better than an income to him. It certainly
made him a favorite, it procured for him many an invitation, and it had
even the effect of softening the hard heart of many a creditor. He was
in appearance no less cheerful this morning for his talk with Wilson at
the County Club or for the mysterious hints of ill which his mother had
given him. It was all confoundedly awkward, he had commented to
Fairfield before retiring on the previous night, but hang it, what good
would it do to fret about it?

"Good-morning, mater," he greeted her. "You must have something mighty
important on your mind to come flying round here at this time in the
day."

"I have," she said, "and I want you to try for once in your life to take
things seriously."

"Seriously!" was his answer. "Don't I always take things seriously? Or
if I don't, it can't be in me, for I'm sure I have enough to make me
serious. Look at that pile of bills there."

Mrs. Neligage walked to the table, inspected first the invitations,
which she looked over with truly feminine attention, and then began to
pick up pieces of the torn-up bills.

"How in the world, Jack, do you ever know what you owe?" she asked.

"Know what I owe? Gad! I wouldn't know that for the world. Sit down, and
tell me what disagreeable thing brought you here."

"Why is it necessarily disagreeable?" she demanded, seating herself
beside the table, and playing with the torn paper.

"You said yesterday that you were in a mess."

"Yes," she replied slowly; "but that was yesterday."

"Does that mean that you are out of it? So much the better."

Mrs. Neligage clasped her hands in her lap, and regarded her son with a
strong and eager look.

"Jack," she began, "I want you to listen to me, and not interrupt. You
must hear the whole thing before you begin to put in your word. In the
first place, you are engaged to May Calthorpe."

The exclamation and the laugh which greeted this piece of information
were so nearly simultaneous that Jack might be given the benefit of the
doubt and so evade the charge of swearing before a lady.

"Why in the world, mother," he said, "must you come harping on that
string again? You know it's of no use."

"You are engaged now, Jack, and of course that makes a difference."

"Oh, bother! Do speak sensibly. What are you driving at?"

The widow regarded him with a serene face, and settled herself more
comfortably in her chair.

"I came to congratulate you on your engagement to Miss May Calthorpe,"
she said, with all possible coolness and distinctness.

"Indeed? Then I am sorry to tell you that you have wasted your labor. I
haven't even seen May since we left the County Club yesterday."

"Oh, I knew that."

"What in the world are you driving at, mother? Perhaps you don't mind
telling me who told you of the engagement."

"Oh, not in the least. May told me."

"May Calthorpe!"

It was not strange that Jack should receive the announcement with
surprise, but it was evident that there was in his mind more
bewilderment. He stared at his mother without further word, while she
pulled off her gloves and loosened her coat as if to prepare herself for
the explanation which it was evident must follow.

"Come, Jack," she remarked, when she had adjusted these preliminaries,
"we may as well be clear about this. I made an offer in your name to
May, and she has accepted it."

Jack rose from his seat, and stood over her, his sunny face growing
pale.

"You made an offer in my name?" he demanded.

"Sit down," she commanded, waving her hand toward his chair. "There is a
good deal to be said, and you'll be tired of standing before I tell it
all. Is there any danger that Mr. Fairfield may come in?"

Jack walked over to the door and slipped the catch.

"He is not likely to come," he said, "but it's sure now. Fire away."

He spoke with a seriousness which he used seldom. There were times when
lazy, good-tempered Jack Neligage took a stubborn fit, and those who
knew him well did not often venture to cross him in those moods. The
proverb about the wrath of a patient man had sometimes been applied to
him. When these rare occasions came on which his temper gave way he
became unusually calm and self-possessed, as he was now. It could not
but have been evident to his mother that she had to do with her son in
one of the worst of his rare rages. Perhaps the vexations of the
previous days, the pile of torn bills on the table, the icy greeting
Alice Endicott had given him yesterday, all had to do with the sudden
outbreak of his anger, but any man might have been excused for being
displeased by such an announcement as had just been made to Jack.

"I'm not going into your financial affairs, Jack," Mrs. Neligage
remarked, with entire self-possession, "only that they count, of
course."

"I know enough about them," he said curtly. "We'll take them for
granted."

"Very well then--we will talk about mine. You've hinted once or twice
that you didn't like the way I flirted with Sibley Langdon. I owe him
six thousand dollars."

If the widow had been planning a theatrical effect in her coolly
pronounced words, she had no reason to be disappointed at the result.
Jack started to his feet with an oath, and glared at her with angry
eyes.

"More than that," she went on boldly, though she cast down her glance
before his, "the money was to save me from the consequences of--"

Her voice faltered and the word died on her lips. Jack stood as if
frozen, staring with a hard face and lips tightly shut.

"Oh, Jack," she burst out, "why do you make me shame myself! Why can't
you understand? I'm no good, Jack; but I'm your mother."

Actual tears were in her eyes, and her breath was coming quickly. It is
always peculiarly hard to see a self-contained, worldly woman lose
control of herself. The strength of emotion which is needed to shake
such a nature is instinctively appreciated by the spectator, and affects
him with a pain that is almost too cruel to be borne. Jack Neligage,
however, showed no sign of softening.

"You must tell me the whole now," he said in a hard voice.

The masculine instinct of asserting the right to judge a woman was in
his tone. She wiped away her tears, and choked back her sobs. A little
tremor ran over her, and then she began again, speaking in a voice lower
than before, but firmly held in restraint.

"It was at Monte Carlo five years ago," she said. "I was there alone,
and the Countess Marchetti came. I'd known her a little for years, and
we got to be very intimate. You know how it is with two women at a
hotel. I'd been playing a little, just to keep myself from dying of
dullness. Count Shimbowski was there, and he made love to me as long as
he thought I had money, but he fled when I told him I hadn't. Well, one
day the countess had a telegram that her husband had been hurt in
hunting. She had just half an hour to get to the train, and she took her
maid and went. Of course she hadn't time to have things packed, and she
left everything in my care. Just at the last minute she came rushing in
with a jewel-case. Her maid had contrived to leave it out, and she
wouldn't take it. The devil planned it, of course. I told her to take
it, but she wouldn't, and she didn't; and I played, and I lost, and I
was desperate, and I pawned her diamond necklace for thirty thousand
francs."

"And of course you lost that," Jack said in a hard voice, as she paused.

"Oh, Jack, don't speak to me like that! I was mad! I know it! The worst
thing about the whole devilish business was the way I lost my head. I
look back at it now, and wonder if I'm ever safe. It makes me afraid;
and I never was afraid of anything else in my life. I'm not a 'fraid-cat
woman!"

He gave no sign of softening, none of sympathy, but still sat with the
air of a judge, cold and inexorable.

"What has all this to do with Sibley Langdon?" he asked.

"He came there just when the countess sent for her things. I was wild,
and I went all to pieces at the sight of a home face. It was like a
plank to a shipwrecked fool, I suppose. I broke down and told him the
whole thing, and he gave me the money to redeem the necklace. He was
awfully kind, Jack. I hate him--but he was kind. I really think I should
have killed myself if he hadn't helped me."

"And you have never paid him?"

"How could I pay him? I've been on the ragged edge of the poorhouse ever
since. I don't know if the poorhouse has a ragged edge," she added, with
something desperately akin to a smile, "but if it has edges of course
they must be ragged."

Few persons have ever made a confession, no matter how woeful the
circumstances, without some sense of relief at having spoken out the
thing which was festering in the secret heart. Shame and bitter
contrition may overwhelm this feeling, but they do not entirely destroy
it. Mrs. Neligage would hardly have been likely ever to tell her story
save under stress of bitter necessity, but there was an air which showed
that the revelation had given her comfort.

"Has he ever spoken of it?" asked Jack, unmoved by her attempted
lightness.

"Never directly, and never until recently has he hinted. Jack," she
said, her color rising, "he is a bad man!"

He did not speak, but his eyes plainly demanded more.

"The other day,--Jack, I've known for a long time that it was coming.
I've hated him for it, but I didn't know what to do. It was partly for
that that I went to Washington."

"Well?"

Mrs. Neligage was not that day playing a part which was entirely to be
commended by the strict moralist. Certainly in her interview with May
she had left much to be desired on the score of truthfulness and
consideration for others. Hard must be the heart, however, which might
not have been touched by the severity of the ordeal which she was now
undergoing. Jack's clear brown eyes dominated hers with all the force of
the man and the judge, while hers in vain sought to soften them; and the
pathos of it was that it was the son judging the mother.

"I give you my word, Jack," she said, leaning toward him and speaking
with deep earnestness, "that he has never said a word to me that you
might not have heard. Silly compliments, of course, and fool things
about his wife's not being to his taste; but nothing worse. Only now--"

Ruthless is man toward woman who may have violated the proprieties, but
cruel is the son toward his mother if she may have dimmed the honor
which is his as well as hers.

"Now?" he repeated inflexibly.

"Now he has hinted, he has hardly said it, Jack, but he means for me to
join him in Europe this summer."

The red leaped into Jack's face and the blaze into his eyes. He rose
deliberately from his chair, and stood tall before her.

"Are you sure he meant it?" he asked.

"He put in nasty allusions to the countess, and--Oh, he did mean it,
Jack; and it frightened me as I have never been frightened in my life."

"I will horsewhip him in the street!"

She sprang up, and caught him by the arm.

"For heaven's sake, Jack, think of the scandal! I'd have told you long
ago, but I was afraid you'd make a row that would be talked about. When
I came home from Europe, and realized that all my property is in the
hands of trustees so that I couldn't pay, I wanted to tell you; but I
didn't know what you'd do. I'm afraid of you when your temper's really
up."

He freed himself from her clasp and began to pace up and down, while
she watched him in silence. Suddenly he turned to her.

"But this was only part of it," he said. "What was that stuff you were
talking about my being engaged?"

She held out to him the note that May had written, and when he had read
it explained as well as she could the scene which had taken place
between her and May. She did not, it is true, present an account which
was without variations from the literal facts, but no mortal could be
expected to do that. She at least made it clear that she had bargained
with the girl that the letter should be the price of an engagement. Jack
heard her through, now and then putting in a curt question. When he had
heard it all, he laughed angrily, and threw the letter on the floor.

"You have brought me into it too," he said. "We are a pair of
unprincipled adventurers together. I've been more or less of a beat, but
I've never before been a good, thorough-paced blackguard!"

She flashed upon him in an outburst of anger in her turn.

"Do you mean that for me?" she demanded. "The word isn't so badly
applied to a man that can talk so to his mother! Haven't I been saving
you as well as myself? As to May, any girl will love a husband that has
character enough to manage her and be kind to her."

He was silent a moment, and when he spoke he waived the point.

"Do I understand," he said, "that you expect me to go to Count
Shimbowski and announce myself as May's representative, and demand her
letter?"

"Not at all," she answered, a droll expression of craftiness coming over
her face. "Sit down, and let me tell you."

She resumed her own seat, and Jack, after whirling his chair around
angrily, sat down astride of it, with his arms crossed on the back.

"There are letters and letters," Mrs. Neligage observed with a smile.
"When Mrs. Harbinger gave me this one last night I began to see that it
might be good for something. You are to exchange this with the Count.
You needn't mention May's name."

Jack took the letter, and looked at it.

"This is to Barnstable," he said.

"Yes; he gave it to Letty to be shown to people. Barnstable is the
silliest fool that there is about."

"And you think the Count would give up that letter for this?"

"I am sure he would if he thought there was any possibility that this
might fall into the hands of Miss Wentstile."

"If it would send the damned adventurer about his business," growled
Jack, "I'd give it to Miss Wentstile myself."

"Oh, don't bother about that. I can stop that affair any time," his
mother responded lightly. "I've only to tell Sarah Wentstile what I've
seen myself, and that ends his business with her."

"Then you'd better do it, and stop his tormenting Alice."

"I'll do anything you like, Jack, if you'll be nice about May."

He got up from his seat and walked back and forth a few turns, his head
bowed, and his manner that of deep thought. Then he went to his desk and
wrote a couple of notes. He read them over carefully, and filled out a
check. He lit a cigarette, and sat pondering over the notes for some
moments. At last he brought them both to his mother, who had sat
watching him intently, although she had turned her face half away from
him. Jack put the letters into her hand without a word.

The first note was as follows:--

     DEAR MAY,--My mother has just brought me your note, and I am going
     out at once to find the Count. I hope to bring you the letter
     before night. I need not tell you that I am very proud of the
     confidence you have shown in me and of the honor you do me. Until I
     see you it will, it seems to me, be better that you do not speak of
     our engagement.

     Very sincerely yours,

     JOHN T. NELIGAGE.

The second note was this:--

     SIBLEY LANGDON, ESQ.

     _Sir_,--I have just heard from my mother that she is indebted to
     you for a loan of $6000. I inclose check for that amount with
     interest at four per cent. As Mrs. Neligage has doubtless expressed
     her gratitude for your kindness I do not know that it is necessary
     for me to add anything.

     JOHN T. NELIGAGE.

"You are right, of course," he said. "I can't show him that I know his
beastly scheme without a scandal that would hurt you. He'll understand,
though. But why in the world you've let him browbeat you into receiving
his attentions I cannot see."

"I felt so helpless, Jack. I didn't know what he would do; and he could
tell about the necklace, you see. He's been a millstone round my neck.
He's never willing I should do anything with anybody but himself."

Jack ground his teeth, and held out his hand for the letters.

"But, Jack," Mrs. Neligage cried, as if the thought had just struck her.
"You can't have $6000 in the bank."

"I shall have when he gets that check," Jack returned grimly. "If father
hadn't put all our money into the hands of trustees--"

"We should neither of us have anything whatever," his mother
interrupted, laughing. "It is bad enough as it is, but it would have
been worse if we'd had our hands free."

Her spirits were evidently once more high; she seemed to have cast off
fear and care alike.

"Well," she said, rising, "I must go home. You want to go and find the
Count, of course."

She went up to her son, and put her hands on his shoulders.

"Dear boy," she said, "I'm not really so bad as I seem. I was a fool to
gamble, but I never did anything else that was very bad. Oh, you don't
know what a weight it is off my shoulders to have that note paid. Of
course it will be hard on you just now, but we must hurry on the
marriage with May, and then you'll have money enough."

He smiled down on her with a look in which despite its scrutiny there
was a good deal of fondness. Worldly as the Neligages were, there was
still a strong bond of affection between them.

"All right, old lady," he said, stooping forward to kiss her forehead.
"I'm awfully sorry you've had such a hard time, but you're out of it
now. Only there's one thing I insist on. You are to tell nobody of the
engagement till I give you leave."

She studied his face keenly.

"If I don't announce it," she said frankly, "I'm afraid you'll squirm
out of it."

He laughed buoyantly.

"You are a born diplomat," he told her. "What sort of a concession do
you want to make you hold your tongue?"

"Jack," she said pleadingly, changing her voice into earnestness, "won't
you marry May? If you only knew how I want you to be rich and taken care
of."

"Mr. Frostwinch has offered me a place in the bank, mater, with a salary
that's about as much as I've paid for the board of one of my ponies."

"What could you do on a salary like that? You won't break the engagement
when you see May this afternoon, will you? Promise me that."

"She may break it herself."

"She won't unless you make her. Promise me, Jack."

He smiled down into her face as if a sudden thought had come to him, and
a gleam of mischief lighted his brown eyes.

"The engagement, such as it is," he returned, "may stand at present as
you've fixed it, if you'll give me your word not to mention it or to
meddle with it."

"I promise," she said rapturously, and pulled him down to kiss him
fervently before departing.

Then in the conscious virtue of having achieved great things Mrs.
Neligage betook herself home to dress for a luncheon.




XVII

THE BUSINESS OF A LOVER


Jack's first care, after his mother had left him, was to dispatch a
messenger to May with his note.

Then he set out in search of Dr. Wilson. After a little hunting he
discovered the latter lunching at the club. Jack came straight to his
business without any beating about the bush.

"Wilson," he said, "I've come on an extraordinary errand. I want you to
lend me $6000 on the spot."

The other whistled, and then chuckled as was his good-humored wont.

"That's a good round sum," he answered.

"I know that a deuced sight better than you do," Neligage returned.
"I've had more experience in wanting money. I'm in a hole, and I ask you
to help me out of it. Of course I'm taking a deal of advantage of your
good nature yesterday; and you may do as you like about letting me have
the money. All the security I can give is to turn over to you the income
of the few stocks I have. They 're all in the hands of trustees. My
father left'em so."

"Gad, he knew his son," was the characteristic comment.

"You are right. He did. Can you let me have the money?"

The other considered a moment, and then said with his usual bluntness:--

"I suppose it's none of my business what you want of it?"

Jack flushed.

"It may be your business, Wilson, but I can't tell you."

The other laughed.

"Oh, well," he said, "if you've been so big a fool that you can't bear
to tell of it, I'm not going to insist. I can't do anything better than
to send you a check to-morrow. I haven't that amount in the bank."

Jack held out his hand.

"You're a trump, Wilson," he said. "I'd tell you the whole thing if it
was my secret, but it isn't. Of course if you lose anything by moving
the money, I'll be responsible for it. Besides that I want you to buy
Starbright, if you care for him. Of course if you don't I can sell him
easily enough. He's the best of the ponies."

"Then you're going to sell?"

"Clean out the whole thing; pay my debts, and leave the club."

"Oh, you mustn't do that."

"I'm going into a bank, and of course I shan't have any time to play."

Wilson regarded him with an amused and curious smile, playing with his
fork meanwhile. Wilson was not by birth of Jack's world, having come
into social position in Boston by his marriage with Elsie Dimmont, the
richest young woman of the town. He and Jack had never been especially
intimate, but Jack had always maintained that despite traces of
coarseness in manner Wilson was sound at heart and essentially a good
fellow. Perhaps the fact that in times past Neligage had not used his
opportunities to patronize Wilson had something to do with the absence
of anything patronizing in the Doctor's manner now.

"Well," Wilson said at length, "don't do anything rash. Your dues for
the whole year are paid,--or will be when you square up, and you might
as well get the worth of them. We need you on the team, so you mustn't
go back on us if you can help it."

Matters being satisfactorily arranged both in relation to the loan and
to the sale of the pony, Jack left Wilson, and departed in search of
Count Shimbowski. Him he ultimately found at another club, and at once
asked to speak with him alone on business.

"Count," he began when they were in one of the card-rooms, "I want to
add a word to what I said to you yesterday."

"Each one word of Mr. Neleegaze eet ees treasured," the Count responded
with a polite flourish of his cigarette.

"Since you wouldn't give me that letter," pursued Jack, acknowledging
the compliment with a grin and a bow, "perhaps you'll be willing to
exchange it."

"Exchange eet?" repeated the Hungarian. "For what weell eet be
exchange'?"

Jack produced Barnstable's letter.

"I thought that you'd perhaps be willing to exchange it for this letter
that's otherwise to be read and passed about. I fancy that the person
who got it had Miss Wentstile particularly in mind as likely to be
interested in it."

The touch showed Jack to be not without some of the astuteness of his
mother.

"What weell eet be?" inquired the Count.

"I haven't read it," answered Jack, slowly drawing it from the envelope.
"It is said to contain a full account of the life of Count Shimbowski."

"_Sacré!_"

"Exactly," acquiesced Jack. "It's a devilish shame that things can't be
forgotten when they're done. I've found that out myself."

"But what weell be weetheen dat lettaire?"

Jack ran his eye down a page.

"This seems to be an account of a duel at Monaco," he returned. "On the
next page--"

The Count stretched out his hand in protest.

"Eet ees not needed dat you eet to read," he said. "Eet ees leeklie
lees."

"Oh, very likely it is lies. No story about a fellow is ever told right;
but the worst things always get believed; and Miss Wentstile is very
particular. She's deucedly down on me for a lot of things that never
happened."

"Oh, but she ees extr'ordeenaire particle!" exclaimed the Count, with a
shrug and a profane expletive. "She does not allow dat money be play
for de card, she have say eet to me. She ees most extr'ordeenaire
particle!"

"Then I am probably right, Count, in thinking you wouldn't care to have
her read this letter?"

The Count twisted his silky mustache, looking both angry and rather
foolish.

"Eet ees not dat eet ees mooch dat I have done," he explained. "You know
what eet ees de leefe. A man leeves one way. But she, she ees so
particle damned!"

Jack burst into a laugh that for the moment threatened to destroy the
gravity with which he was conducting the interview; but he controlled
his face, and went on.

"Since she is so damned particular," said he, "don't you think you'd
better let me have the other letter for this? Of course I hate to drive
you to a bargain, but I must have that other letter. I don't mind
telling you that I'm sent after it by the one who wrote it."

"Den you weell know who have wrote eet?"

"Yes, of course I know, but I'm not going to tell."

The Count considered for a moment, and then slowly drew out the letter
addressed to Christopher Calumus. He looked at it wistfully, with the
air of a man who is reluctantly abandoning the clue to an adventure
which might have proved enchanting.

"But eet weell look what I was one great villaine dat fear," he said.

"Nonsense," returned Neligage, holding out the letter of Barnstable for
exchange. "We know both sides of the business. All there is to it is
that we both understand what a crochety old maid Miss Wentstile is."

Count Shimbowski smiled, and the exchange was effected. Jack turned
May's letter over in his hand, and found it unopened.

"You're a gentleman, Count," he said, offering his hand.

"Of de course," the other replied, with an air of some surprise. "I am
one Shimbowski."

"Well, I'm obliged to you," observed Jack, putting the letter in his
pocket. "I'll try to keep gossip still."

"Oh, eet ees very leek," Shimbowski returned, waving his hand airily,
"dat when I have read heem I geeve eet to Mees Wentsteele for one's
self. Eet ees very leekly."

"All right," Jack laughed. "I'd like to see her read it. So long."

With the vigor which belongs to an indolent man thoroughly aroused, Jack
hunted up Tom Harbinger before the day was done, and sold to him his
second best pony. Then he went for a drive, and afterward dined at the
club with an appetite which spoke a conscience at ease or not allowed to
make itself heard. He did not take the time for reflection which might
have been felt necessary by many men in preparation for the interview
with May Calthorpe which must come before bedtime. Indeed he was more
than usually lively and busy, and as he had a playful wit, he had some
difficulty in getting the men at the club to let him go when soon after
eight in the evening he set out for May's. He had kept busy from the
moment his mother had left him in the morning, and on his way along
Beacon street, he hummed to himself as if still resolved to do anything
rather than to meditate.

May came into the sombre drawing-room looking more bewitchingly pretty
and shy than can be told in sober prose. She was evidently frightened,
and as she came forward to give her hand to Neligage the color came and
went in her cheeks as if she were tremblingly afraid of the
possibilities of his greeting. Jack's smile was as sunny as ever when he
stepped forward to take her hand. He simply grasped it and let it go, a
consideration at which she was visibly relieved.

"Well, May," Jack said laughingly, "I understand that we are engaged."

"Yes," she returned faintly. "Won't you sit down?"

She indicated a chair not very near to that upon which she took her own
seat, and Jack coolly accepted the invitation, improving on it somewhat
by drawing his chair closer to hers.

"I got the letter from the Count," he went on.

She held out her hand for it in silence. He took the letter from his
pocket, and held it as he spoke again, tapping it on his knee by way of
emphasis.

"Before I give it to you, May," he remarked in a voice more serious than
he was accustomed to use, "I want you to promise me that you will never
do such a thing again as to write to a stranger. You are well out of
this--"

She lifted her eyes with a quick look of fear in them, as if it had
flashed into her mind that if she were out of the trouble over the
letter she had escaped this peril only to be ensnared into an engagement
with him. The thought was so plain that Jack burst into a laugh.

"You think that being engaged to me isn't being well out of anything, I
see," he observed merrily and mercilessly; "but there might be worse
things than that even. We shall see. You'll be awfully fond of me before
we are through with this."

The poor girl turned crimson at this plain reading of her thought. She
was but half a dozen years younger than Jack, but he had belonged to an
older set than hers, and under thirty half a dozen years seems more of a
difference in ages than appears a score later in life. It was not to be
expected that she would be talkative in this strange predicament in
which she found herself, but what little command she had of her tongue
might well vanish if Jack was to read her thoughts in her face. She
rallied her forces to answer him.

"I know that for doing so foolish a thing," she said, "I deserved
whatever I get."

"Even if it's being engaged to me," responded he with a roar. "Well, to
be honest, I think you do. I don't know what the Count might have done
if he had read the letter, but--"

"Oh," cried May, clasping her hands with a burst of sunshine in her
face, "didn't he read it? Oh, I'm so glad!"

"No," Jack answered, "the Count's too much of a gentleman to read
another man's letters when he hasn't been given leave. But what have you
to say about my reading this letter?"

"Oh, you can't have read it!" May cried breathlessly.

"Not yet; but as we are engaged of course you give me leave to read it
now."

She looked for a moment into his laughing eyes, and then sprang up from
her chair with a sudden burst of excitement.

"Oh, you are too cruel!" she cried. "I hate you!"

"Come," he said, not rising, but settling himself back in his chair with
a pose of admiring interest, "now we are getting down to nature. Have
you ever played in amateur theatricals, May?"

She stood struck silent by the laughing banter of his tone, but she made
no answer.

"Because, if you ever do," he continued in the same voice, "you'll do
well to remember the way you spoke then. It'll be very fetching in a
play."

The color faded in her cheeks, and her whole manner changed from
defiance to humiliation; her lip quivered with quick emotion, and an
almost childish expression of woe made pathetic her mobile face. She
dropped back into her chair, and the tears started in her eyes.

"Oh, I don't think you've any right to tease me," she quavered in a
voice that had almost escaped from control. "I'm sure I feel bad enough
about it."

Jack's face sobered a little, although the mocking light of humor did
not entirely vanish from his eyes.

"There, there," he said in a soothing voice; "don't cry, May, whatever
you do. The modern husband hates tears, but instead of giving in to
them, he gets cross and clears out. Don't cry before the man you marry,
or," he added, a fresh smile lighting his face, "even before the man you
are engaged to."

"I didn't mean to be so foolish," May responded, choking down her
rebellious emotions. "I'm all upset."

"I don't wonder. Now to go back to this letter. Of course I shouldn't
think of reading it without your leave, but I supposed you'd think it
proper under the circumstances to tell me to read it. I thought you'd
say: 'Dearest, I have no secrets from thee! Read!' or something of that
sort, you know."

He was perhaps playing now to cheer May up, for he delivered this in a
mock-heroic style, with an absurd gesture. At least the effect was to
evoke a laugh which came tear-sparkling as a lark flies dew-besprent
from a hawthorn bush at morn.

She rallied a little, and spoke with more self-command.

"Oh, that was the secret of a girl that wasn't engaged to you," she
said, "and had no idea of being; no more," she added, dimpling, "than I
had."

Jack showed his white teeth in what his friends called his "appreciative
grin."

"Perhaps you're right," he returned. "By the way, do you know who
Christopher Calumus really is?"

She colored again, and hung her head.

"Yes," she murmured, in a voice absurdly low. "Mrs. Harbinger told me
last night. He told her yesterday at the County Club."

"Does he know who wrote to him?"

Her cheeks became deeper in hue, and her voice even lower yet.

"Yes, he found out from Mrs. Harbinger."

"Well, I must say I thought that Letty Harbinger had more sense!"

"She didn't mean to tell him."

"No woman ever meant to tell anything," he retorted in good-humored
sarcasm; "but they always do tell everything. Then if you and Dick both
know all about it, perhaps I had better give the letter to him."

He offered to put the letter into his pocket, but she held out her hand
for it beseechingly.

"Oh, don't give it to anybody else," she begged. "Let me put it into the
fire, and be through with it. It's done mischief enough!"

"It may have done some good too," he said enigmatically. "I hope nothing
worse will ever happen to you, May, than to be engaged to me. I give you
my word that, as little as you imagine it, it's your interest and not my
own I'm looking after. However, that's neither here nor there."

He put the letter into his pocket without farther comment, disregarding
her imploring look. Then he rose, and held out his hand.

"Good-night," he said. "Some accepted lovers would ask for a kiss, but
I'll wait till you want to kiss me. You will some time. Good-night.
You'll remember what I wrote you about mentioning our engagement."

She had at the mention of kisses become more celestial rosy red than in
the whole course of that blushful interview, but at his last word her
color faded as quickly as it had come.

"Oh, I am so sorry," she said, "I had told one person before your note
came. She won't tell though."

"Being a 'she,'" he retorted mockingly.

"Oh, it was only Alice," May explained, "and of course she can be
trusted."

It was his turn to become serious, and in the cloud on his sunny face
there was not a little vexation.

"Good heavens!" he exclaimed. "Of all the women in Boston why must you
pick out the one that I was most particular shouldn't know! You girls
have an instinct for mischief."

"But I wrote to her as soon as your note came; besides, she has promised
not to say anything. She won't tell."

"No; she won't tell," he echoed moodily. "What did she say?"

May cast down her eyes in evident embarrassment.

"Oh, it's no matter," Jack went on. "She wouldn't say half as hard
things as she must think. However, it's all one in the end. Good-night."

With this abrupt farewell he left his betrothed, and went hastily out
into the spring night, with its velvety darkness and abundant stars. The
mention of Alice Endicott had robbed him of the gay spirits in which he
had carried on his odd interview with May. The teasing jollity of manner
was gone as he walked thoughtfully back to his chambers.

He found Fairfield in their common parlor.

"Dick," he said without preface, "congratulate me. I'm engaged."

"Engaged!" exclaimed the other, jumping up and extending his hand.
"Congratulations, old fellow. Of course it's Alice Endicott."

"No," his friend responded coolly; "it's May Calthorpe."

"What!" cried Fairfield, starting back and dropping his hand before
Neligage had time to take it. "Miss Calthorpe? What do you mean?"

"Just as I say, my boy. The engagement is a secret at present, you
understand. I thought you'd like to know it, though; and by the way,
it'll show that I've perfect confidence in you if I turn over to you the
letter that May wrote to you before we were engaged. That one to
Christopher Calumus, you know."

"But," stammered his chum, apparently trying to collect his wits,
scattered by the unexpected news and this strange proposition, "how can
you tell what's in it?"

"Tell what's in it, my boy? It isn't any of my business. That has to do
with a part of her life that doesn't belong to me, you know. It's enough
for me that she wrote the letter for you to have, and so here it is."

He put the envelope into the hands of Dick, who received it as if he
were a post-box on the corner, having no choice but to take any missive
thrust at him.

"Good-night," Jack said. "I'm played out, and mean to turn in. Thanks
for your good wishes."

And he ended that eventful day, so far as the world of men could have
cognizance, by retiring to his own room.




XVIII

THE MISCHIEF OF MEN


Barnstable seemed bound to behave like a bee in a bottle, which goes
bumping its idiotic head without reason or cessation. On Monday morning
after the polo game he was ushered into the chambers of Jack and Dick,
both of whom were at home. He looked more excited than on the previous
day, and moved with more alacrity. The alteration was not entirely to
his advantage, for Mr. Barnstable was one of those unfortunates who
appear worse with every possible change of manner.

"Good-morning, Mr. Fairfield," was the visitor's greeting. "Damme if
I'll say good-morning to you, Mr. Neligage."

Jack regarded him with languid astonishment.

"Well," he said, "that relieves me of the trouble of saying it to you."

Barnstable puffed and swelled with anger.

"Damme, sir," he cried, "you may try to carry it off that way, but--"

"Good heavens, Mr. Barnstable," interrupted Fairfield, "what in the
world do you mean?"

"Is it your general custom," drawled Jack, between puffs of his
cigarette, "to give a Wild West show at every house you go into?"

Dick flashed a smile at his chum, but shook his head.

"Come, Mr. Barnstable," he said soothingly, "you can't go about making
scenes in this way. Sit down, and if you've anything to say, say it
quietly."

Mr. Barnstable, however, was not to be beguiled with words. He had
evidently been brooding over wrongs, real or fancied, until his temper
had got beyond control.

"Anything to say?" he repeated angrily,--"I've this to say: that he has
insulted my wife. I'll sue you for libel, damme! I've a great mind to
thrash you!"

Jack grinned down on the truculent Barnstable from his superior height.
Barnstable stood with his short legs well apart, as if he had to brace
them to bear up the enormous weight of his anger; Jack, careless,
laughing, and elegant, leaned his elbow on the mantle and smoked.

"There, Mr. Barnstable," Fairfield said, coming to him and taking him by
the arm; "you evidently don't know what you're saying. Of course there's
some mistake. Mr. Neligage never insulted a lady."

"But he has done it," persisted Barnstable. "He has done it, Mr.
Fairfield. Have you read 'Love in a Cloud'?"

"'Love in a Cloud'?" repeated Dick in manifest astonishment.

"You must know the book, Dick," put in Jack wickedly. "It's that
rubbishy anonymous novel that's made so much talk lately. It's about a
woman whose husband's temper was incompatible."

"It's about my wife!" cried Barnstable. "What right had you to put my
wife in a book?"

"Pardon me," Neligage asked with the utmost suavity, "but is it proper
to ask if it was your temper that was incompatible?"

"Shut up, Jack," said Dick hastily. "You are entirely off the track, Mr.
Barnstable. Neligage didn't write 'Love in a Cloud.'"

"Didn't write it?" stammered the visitor.

"I give you my word he didn't."

Barnstable looked about with an air of helplessness which was as funny
as his anger had been.

"Then who did?" he demanded.

"If Mr. Barnstable had only mentioned sooner that he wished me to write
it," Jack observed graciously, "I'd have been glad to do my best."

"Shut up, Jack," commanded Dick once more. "Really, Mr. Barnstable, it
does seem a little remarkable that you should go rushing about in this
extraordinary way without knowing what you are doing. You'll get into
some most unpleasant mess if you keep on."

"Or bring up in a lunatic asylum," suggested Jack with the most
unblushing candor.

Barnstable looked from one to the other with a bewildered expression as
if he were just recovering his senses. He walked to the table and took
up a glass of water, looked around as if for permission, and swallowed
it by uncouth gulps.

"Perhaps I'd better go," he said, and turned toward the door.

"Oh, by the way, Mr. Barnstable," Jack observed as the visitor laid his
hand on the door-knob, "does it seem to you that it would be in good
form to apologize before you go? If it doesn't, don't let me detain
you."

The strange creature turned on the rug by the door, an abject expression
of misery from head to feet.

"Of course I'd apologize," he said, "if it was any use. When my temper's
up I don't seem to have any control of what I do, and what I do is
always awful foolish. This thing's got hold of me so I don't sleep, and
that's made me worse. Of course you think I'm a lunatic, gentlemen; and
I suppose I am; but my wife--"

The redness of his face gave signs that he was not far from choking, and
out of his fishy eyes there rolled genuine tears. Jack stepped forward
swiftly, and took him by the hand.

"I beg your pardon, Mr. Barnstable," he said. "Of course I'd no idea
what you were driving at. Will you believe me when I tell you something?
I had nothing to do with writing 'Love in a Cloud,' but I do know who
wrote it. I can give you my word that the author didn't have your story
in mind at all."

"Are you sure?" stammered Barnstable.

"Of course I'm sure."

"Then there is nothing I can do," Barnstable said, shaking his head
plaintively. "I've just made a fool of myself, and done nothing for
her."

The door closed behind Barnstable, and the two young men looked at each
other a moment. Neither laughed, the foolish tragedy of the visitor's
last words not being mirth-provoking.

"Well, of all the fools I've seen in my life," Jack commented slowly,
"this is the most unique specimen."

"I'm afraid I can't blame the divorced Mrs. Barnstable," responded Dick;
"but there's something pathetic about the ass."

It seemed the fate of Barnstable that day to afford amusement for Jack
Neligage. In the latter part of the afternoon Jack sauntered into the
Calif Club to see if there were anything in the evening papers or any
fresh gossip afloat, and there he encountered the irascible gentleman
once more. Scarcely had he nodded to him than Tom Harbinger and Harry
Bradish came up to them.

"Hallo, Jack," the lawyer said cordially. "Anything new?"

"Not that I know of," was the response. "How are you, Bradish?"

"How are you?" replied Bradish. "Mr. Barnstable, I've called twice
to-day at your rooms."

"I am sorry that I was out," Barnstable answered with awkward
politeness. "I have been here since luncheon."

"I'm half sorry to find you now," Bradish proceeded, while Harbinger and
Jack looked on with some surprise at the gravity of his manner. "I've
got to do an errand to you that I'm afraid you'll laugh at."

"An errand to me?" Barnstable returned.

Bradish drew out his pocket-book, and with deliberation produced a note.
He examined it closely, as if to assure himself that there was no
mistake about what he was doing, and then held out the missive to
Barnstable.

"Yes," he said, "I have the honor to be the bearer of a challenge from
the Count Shimbowski, who claims that you have grossly insulted him.
Will you kindly name a friend? There," he concluded, looking at
Harbinger and Neligage with a grin, "I think I did that right, didn't
I?"

"Gad!" cried Jack. "Has the Count challenged him? What a lark!"

"Nonsense!" Harbinger said. "You can't be serious, Bradish?"

"No, I'm not very serious about it, but I assure you the Count is."

"Challenged me?" demanded Barnstable, tearing open the epistle. "What
does the dago mean? He says--what's that word?--he says his honor
ex--expostulates my blood. Of course I shan't fight."

Bradish shook his head, although he could not banish the laughter from
his face.

"Blood is what he wants. He says he shall have to run you through in the
street if you won't fight."

"Oh, you'll have to fight!" put in Jack.

"The Count's a regular fire-eater," declared Tom. "You wouldn't like to
be run through in the street, Barnstable."

Barnstable looked from one to another as if he were unable to understand
what was going on around him.

"Curse it!" he broke out, his face assuming its apoplectic redness.
"Curse those fellows that write novels! Here I've got to be assassinated
just because some confounded scribbler couldn't keep from putting my
private affairs in his infernal book! It's downright murder!"

"And the comic papers afterward," murmured Jack.

"But what are you going to do about it?" asked Tom.

"You might have the Count arrested and bound over to keep the peace,"
suggested Bradish.

"That's a nice speech for the Count's second!" cried Jack with a roar.

"What am I going to do?" repeated Barnstable. "I'll fight him!"

He struck himself on the chest, and glared around him, while they all
stood in astonished silence.

"My wife has been insulted," he went on with fresh vehemence, "and I had
a right to call the man that did it a villain or anything else! I owe it
to her to fight him if he won't take it back!"

"Gad!" said Jack, advancing and holding out his hand, "that's melodrama
and no mistake; but I like your pluck! I'll back you up, Barnstable!"

"Does that mean that you'll be his second, Jack?" asked Harbinger,
laughing.

"There, Tom," was the retort, "don't run a joke into the ground. When a
man shows the genuine stuff, he isn't to be fooled any longer."

Bradish followed suit, and shook hands with Barnstable, and Harbinger
after him.

"You're all right, Barnstable," Bradish observed; "but what are we to do
with the Count?"

"Oh, that ass!" Jack responded. "I'd like to help duck him in a
horse-pond; but of course as he didn't write the book, Mr. Barnstable
won't mind apologizing for a hasty word said by mistake. Any gentleman
would do that."

"Of course if you think it's all right," Barnstable said, "I'd rather
apologize; but I'd rather fight than have any doubt about the way I feel
toward the whelp that libelized my wife."

Jack took him by the shoulder, and spoke to him with a certain slow
distinctness such as one might use in addressing a child.

"Do have some common sense about this, Barnstable," he said. "Do get it
out of your head that the man who wrote that book knew anything about
your affairs. I've told you that already."

"I told him too," put in Harbinger.

"I suppose you know," Barnstable replied, shaking his head; "but it is
strange how near it fits!"

Bradish took Barnstable off to the writing room to pen a suitable
apology to the Count, and Jack and Harbinger remained behind.

"Extraordinary beggar," observed Jack, when they had departed.

"Yes," answered the other absently. "Jack, of course you didn't write
'Love in a Cloud'?"

"Of course not. What an idiotic idea!"

"Fairfield said Barnstable had been accusing you of it, but I knew it
couldn't be anything but his crazy nonsense. Of course the Count didn't
write it either?"

Jack eyed his companion inquiringly.

"Look here, Tom," he said, "What are you driving at? Of course the Count
didn't write it. You are about as crazy as Barnstable."

"Oh, I never thought he was the man; but who the deuce is it?"

"Why should you care?"

Harbinger leaned forward to the grate, and began to pound the coal with
the poker in a way that bespoke embarrassment. Suddenly he turned, and
broke out explosively.

"I should think I ought to care to know what man my wife is writing
letters to! You heard her say she wrote that letter to Christopher
Calumus."

Jack gave a snort of mingled contempt and amusement.

"You old mutton-head," he said. "Your wife didn't write that letter. I
know all about it, and I got it back from the Count."

"You did?" questioned Harbinger with animation. "Then why did Letty say
she wrote it?"

"She wanted to shield somebody else. Now that's all I shall tell you.
See here, are you coming the Othello dodge?"

Tom gave a vicious whack at a big lump which split into a dozen pieces,
all of which guzzled and sputtered after the unpleasant fashion of soft
coal.

"There's something here I don't understand," he persisted.

Jack regarded him curiously a moment. Then he lighted a fresh cigarette,
and lay back in his chair, stretching out his legs luxuriously.

"It's really too bad that your wife's gone back on you," he observed
dispassionately.

"What?" cried Tom, turning violently.

"Such a nice little woman as Letty always was too," went on Jack
mercilessly. "I wouldn't have believed it."

"What in the deuce do you mean?" Tom demanded furiously, grasping the
poker as if he were about to strike with it. "Do you dare to
insinuate--"

Jack sat up suddenly and looked at him, his sunny face full of
earnestness.

"What the deuce do you mean?" he echoed. "What can a man mean when he
begins to distrust his wife? Heavens! I'm beastly ashamed of you, Tom
Harbinger! To think of your coming to the club and talking to a man
about that little trump of a woman! You ought to be kicked! There, old
man," he went on with a complete change of manner, "I beg your pardon. I
only wanted to show you how you might look to an unfriendly eye. You
know you can't be seriously jealous of Letty."

The other changed color, and looked shame-facedly into the coals.

"No, of course not, Jack," he answered slowly. "I'm as big an idiot as
Barnstable. I do hate to see men dangling about her, though. I can't
help my disposition, can I?"

"You've got to help it if it makes a fool of you."

"And that infernal Count with his slimy manners," Tom went on. "If he
isn't a rascal there never was one. I'm not really jealous, I'm
only--only--"

"Only an idiot," concluded Jack. "If I were Letty I'd really flirt with
somebody just to teach you the difference between these fool ideas of
yours and the real thing."

"Don't, Jack," Tom said; "the very thought of it knocks me all out."




XIX

THE CRUELTY OF LOVE


What might be the result of such a match as that of May Calthorpe and
Jack Neligage must inevitably depend largely upon the feelings of one or
the other to another love. If either were constant to a former flame,
only disaster could come of the _mariage de convenance_ which Mrs.
Neligage had adroitly patched up. If both left behind forgotten the
foolish flares of youthful passion, the married pair might arrange their
feelings upon a basis of mutual liking comfortable if not inspiring.
What happened to Jack in regard to Alice and to May's silly attraction
toward the unknown Christopher Calumus was therefore of much importance
in influencing the future.

Since Alice Endicott knew of the engagement of May and Jack it was not
to be supposed that the malicious fates would fail to bring her face to
face with her former lover. The meeting happened a couple of days after.
Jack was walking down Beacon street, and Alice came out of May's just in
front of him. He quickened his steps and overtook her.

"Good-morning," he said; "you've been in to May's, I see. How is she
to-day?"

The tone was careless and full of good-nature, and his face as sunny as
the bright sky overhead. Alice did not look up at him, but kept her eyes
fixed on the distance. To one given to minute observation it might have
occurred that as she did not glance at him when he spoke she must have
been aware of his approach, and must have seen him when she came out
from the house. That she had not shown her knowledge of his nearness was
to be looked upon as an indication of something which was not
indifference.

"Good-morning," she answered. "May didn't seem to be in particularly
good spirits."

"Didn't she? I must try to find time to run in and cheer her up. I'm not
used to being engaged, you see, and I'm not up in my part."

He spoke with a sort of swagger which was obviously intended to tease
her, and the heightened color in her cheeks told that it had not missed
the mark.

"I have no doubt that you will soon learn it," she returned. "You were
always so good in amateur theatricals."

He laughed boisterously, perhaps a little nervously.

"'Praise from Sir Hubert,'" he quoted. "And speaking of engagements, is
it proper to offer congratulations on yours?"

She turned to him with a look of indignant severity.

"You know I am not engaged, and that I don't mean to be."

"Oh, that's nothing. I didn't mean to be the other day."

"I am not in the market," she said cuttingly.

"Neither am I any more," Jack retorted coolly. "I've sold myself. That's
what they mean, I suppose, by saying a girl has made her market."

Alice had grown more and more stern in her carriage as this talk
proceeded. Jack's tone was as flippant as ever, and he carried his
handsome head as jauntily as if they were talking of the merriest
themes. His brown eyes were full of a saucy light, and he switched his
walking-stick as if he were light-heartedly snapping off the heads of
daisies in a country lane. The more severe Alice became the more his
spirits seemed to rise.

As they halted at a corner to let a carriage pass Alice turned and
looked at her companion, the hot blood flushing into her smooth cheek.

"There is nothing in the world more despicable than a fortune-hunter!"
she declared with emphasis.

"Oh, quite so," Jack returned, apparently full of inward laughter.
"Theoretically I agree with you entirely. Practically of course there
are allowances to be made. The Count has been brought up so, and you
mustn't be too hard on him."

"You know what I mean," she said, unmoved by the cunning of his speech.

"Yes, of course I can make allowances for you. You mean, I suppose, that
as long as you know he's really after you and not your money you can
despise public opinion; but naturally it must vex you to have the Count
misjudged. Everybody will think Miss Wentstile hired him to marry you."

She parted her lips to speak, then restrained herself, and altered her
manner. She turned at bay, but she adopted Jack's own tactics.

"You are right," she said. "I understand that the Count is only acting
according to the standards he's been brought up to. May hasn't that
consolation. I'm sure I don't see, if you don't mind my saying so, on
what ground she is going to contrive any sort of an excuse for her
husband."

"She'll undoubtedly be so fond of him," Jack retorted with unabashed
good-nature, "that it won't occur to her that he needs an excuse. May
hasn't your Puritanical notions, you know. Really, I might be afraid of
her if she had."

It was a game in which the man is always the superior of the woman.
Women will more cleverly and readily dissemble to the world, but to the
loved one they are less easily mocking and insincere than men. Alice,
however, was plucky, and she made one attempt more.

"Of course May might admire you on the score of filial obedience. It
isn't every son who would allow his mother to arrange his marriage for
him."

"No," Jack responded with a chuckle, "you're right there. I am a model
son."

She stopped suddenly, and turned on the sidewalk in quick vehemence.

"Oh, stop talking to me!" she cried. "I will go into the first house I
know if you keep on this way! You've no right to torment me so!"

The angry tears were in her eyes, and her face was drawn with her effort
to sustain the self-control which had so nearly broken down. His
expression lost its roguishness, and in his turn he became grave.

"No," he said half-bitterly, "perhaps not. Of course I haven't; but it
is something of a temptation when you are so determined to believe the
worst of me."

She regarded him in bewilderment.

"Determined to believe the worst?" she echoed. "Aren't you engaged to
May Calthorpe?"

He took off his hat, and made her a profound and mocking bow.

"I apparently have that honor," he said.

"Then why am I not to believe it?"

He looked at her a moment as if about to explain, then with the air of
finding it hopeless he set his lips together.

"If you will tell me what you mean," Alice went on, "I may understand.
As it is I have your own word that you are engaged; you certainly do not
pretend that you care for May; and you know that your mother made the
match. You may be sure, Jack," she added, her voice softening a little
only to harden again, "that if there were any way of excusing you I
should have found it out. I'm still foolish enough to cling to old
friendship."

His glance softened, and he regarded her with a look under which she
changed color and drew away from him.

"Dear Alice," he said, "you always were a brick."

She answered only by a startled look. Then before he could be aware of
her intention she had run lightly up the steps of a house and rung the
bell. He looked after her in amazement, then followed.

"Alice," he said, "what are you darting off in that way for?"

"I have talked with you as long as I care to," she responded, the color
in her cheeks, and her head held high. "I am going in here to see Mrs.
West. You had better go and cheer up May."

Before he could reply a servant had opened the door. Jack lifted his
hat.

"Good-by," said he. "Remember what I said about believing the worst."

Then the door closed behind her, and he went on his way down the street.

That the course of true love never ran smooth has been said on such a
multitude of occasions that it is time for some expert in the affections
to declare whether all love which runs roughly is necessarily genuine.
The supreme prerogative of young folk who are fond is of course to tease
and torment each other. Alice and Jack had that morning been a spectacle
of much significance to any student in the characteristics of
love-making. Youth indulges in the bitter of disagreement as a piquant
contrast to the sweets of the springtime of life. True love does not
run smooth because love cannot really take deep hold upon youth unless
it fixes attention by its disappointments and woes. Smooth and sweet
drink quickly cloys; while the cup in which is judiciously mingled an
apt proportion of acid stimulates the thirst it gratifies. If Jack was
to marry May it was a pity that he and Alice should continue thus to
hurt each other.




XX

THE FAITHFULNESS OF A FRIEND


The friendship between Jack Neligage and Dick Fairfield was close and
sincere. For a man to say that the friendships of men are more true and
sure than those of women would savor of cynicism, and might be objected
to on the ground that no man is in a position to judge on both sides of
the matter. It might on the other hand be remarked that even women
themselves give the impression of regarding masculine comradeship as a
finer product of humanity than feminine, but comparisons of this sort
have little value. It is surely enough to keep in mind how gracious a
gift of the gods is a genuine affection between two right-hearted men.
The man who has one fellow whom he loves, of whose love he is assured;
one to whom he may talk as freely as he would think, one who understands
not only what is said but the things which are intended; a friend with
whom it is possible to be silent without offense or coldness, against
whom there need be no safeguards, and to whom one may turn alike in
trouble and in joy--the man who has found a friend like this has a gift
only to be outweighed by the love of her whose price is far above rubies
and whose works praise her in the gates. Such a friendship is all but
the most precious gift of the gods.

To evoke and to share such a friendship, moreover, marks the possession
of possibilities ethically fine. A man may love a woman in pure
selfishness; but really to love his male friend he must possess
capabilities of self-sacrifice and of manliness. It is one of the charms
of comradeship that it frankly accepts and frankly gives without
weighing or accounting. In the garden of such a friendship may walk the
soul of man as his body went in Eden before the Fall, "naked and not
ashamed." He cannot be willing to show himself as he is if his true self
have not its moral beauties. It may be set down to the credit both of
Dick and of Jack that between them there existed a friendship so close
and so trustful.

Even in the closest friendships, however, there may be times of
suspension. Perhaps in a perfect comradeship there would be no room for
the faintest cloud; but since men are human and there is nothing perfect
in human relations, even friendship may sometimes seem to suffer. For
some days after the announcement of Jack's engagement there was a marked
shade between the friends. Jack, indeed, was the same as ever, jolly,
careless, indolent, and apparently without a trouble in the world. Dick,
on the other hand, was at times absent, constrained, or confused. To
have his friend walk in and coolly announce an engagement with the girl
whose correspondence had fired Dick's heart was naturally trying and
astonishing. Dick might have written a bitter chapter about the way in
which women spoiled the friendships of men; and certain cynical remarks
which appeared in his next novel may be conceived of as having been set
down at this time.

More than a week went by without striking developments. The engagement
had not been announced, nor had it, after the first evening, been
mentioned between the two friends. That there should be a subject upon
which both must of necessity reflect much, yet of which they did not
speak, was in itself a sufficient reason for a change in the mental
atmosphere of their bachelor quarters, which from being the cheeriest
possible were fast becoming the most gloomy.

One morning as Dick sat writing at his desk, Jack, who since breakfast
had been engaged in his own chamber, came strolling in, in leisurely
fashion, smoking the usual cigarette.

"I hope I don't disturb you, old man," he said, "but there's something
I'd like to ask you, if you don't mind."

Dick, whose back was toward the other, did not turn. He merely held his
pen suspended, and said coldly:--

"Well?"

Jack composed himself in a comfortable position by leaning against the
mantel, an attitude he much affected, and regarded his cigarette as if
it had some close connection with the thing he wished to say.

"You remember perhaps that letter that I gave you from May?"

Dick laid his pen down suddenly, and sat up, but he did not turn.

"Well?" he said again.

"And the other letters before it?"

"Well?"

"It has occurred to me that perhaps I ought to ask for them,--demand
them, don't you know, the way they do on the stage."

Dick said nothing. By keeping his back to his chum he missed sight of a
face full of fun and mischief.

"Of course I don't want to seem too bumptious, but now I'm engaged to
Miss Calthorpe--"

He paused as if to give Fairfield an opportunity of speaking; but still
Dick remained silent.

"Well," observed Jack after a moment, "why the dickens don't you say
something? I can't be expected to carry on this conversation all alone."

"What do you want me to say?" Fairfield asked, in a tone so solemn that
it was no wonder his friend grinned more than ever.

"Oh, nothing, if that's the way you take it."

"You knew about those letters when I got them," Fairfield went on. "I
read them to you before I knew where they came from."

"Oh, my dear fellow, hold on. You never read me any but the first one."

"At any rate," rejoined Dick, obviously disturbed by this thrust, "I
told you about them."

"Oh, you did? You told me very little about the second, and nothing
about the third. I didn't even know how many you had."

Fairfield rose from his seat, thrust his hands into his pockets, and
began to pace up and down the room. Jack smoked and watched.

"Look here, Jack," Dick said, "we've been fencing round this thing for a
week, and it's got to be talked out."

"All right; heave ahead, old man."

Fairfield stopped in his walk and confronted his friend.

"Are you really fond of Miss Calthorpe, Jack?"

"Oh, I don't object to her; but of course the marriage is for purely
business reasons."

"You're not in love with her?"

"Not the least in the world, old man," Jack responded cheerfully,
blowing a ring of smoke and watching it intently as it sailed toward the
ceiling. "But then she doesn't love me, so there's no bother of
pretending on either side."

The color mounted in Dick's cheeks.

"Do you think it's the square thing to marry a young girl like that, and
tie her up for life when she doesn't know what she's doing?"

"Oh, girls never know what they are doing. How should they know about
marriage in any case? The man has to think for both, of course."

"But suppose she shouldn't be happy."

"Oh, I'll be good to any girl I marry. I'm awfully easy to live with.
You ought to know that."

"But suppose," Dick urged again, "suppose she--"

"Suppose she what?"

"Why, suppose she--suppose she--she liked somebody else?"

Jack looked shrewdly at Dick's confused face, and burst into a laugh.

"I guessed those letters were pretty fair," he burst out, "but they must
have been much worse than I even suspected!"

"What do you mean?" stammered Dick.

"Mean? Oh, nothing,--nothing in the world. By the way, as the matter
relates to my _fiancée_, I hope you won't mind my asking if she's
written to you since our engagement."

"Why--"

"Then she has written," pronounced Jack, smiling more than ever at the
confusion of his friend. "You haven't the cheek to bluff a baby, Dick. I
should hate to see you try to run a kelter through."

"She only wrote to say that she was glad the Count didn't write 'Love in
a Cloud,' and a few things, you know, that she wanted to say."

Jack flung the end of his cigarette away and stepped swiftly forward to
catch his chum by the shoulders behind. He whirled Dick about like a
teetotum.

"Oh, Dick, you old fool," he cried, "what an ass you are! Do you suppose
I'm such a cad as really to propose to marry May when she's fond of you
and you're fond of her? It doesn't speak very well of your opinion of
me."

Dick stared at him in half-stupefied amazement for an instant; then the
blood came rushing into his cheeks.

"You don't mean to marry her?" he cried amazedly.

"Never did for a minute," responded Jack cheerfully. "Don't you know,
old man, that I've sold my polo ponies, and taken a place in the bank?"

"Taken a place in the bank!" exclaimed Dick, evidently more and more
bewildered. "Then what did you pretend to be engaged to her for?"

"Confound your impudence!" laughed Jack, "I was engaged to her, you
beast! I am engaged to her now, and if you're n't civil I'll keep on
being. You can't be engaged to her till I break my engagement!"

"But, Jack, I don't understand what in the deuce you mean."

"Mean? I don't know that I meant anything. I was engaged to her without
asking to be, and when a lady says she is engaged to you you really
can't say you're not. Besides, I thought it might help you."

"Help me?"

"Of course, my boy. There is nothing to set a girl in the way of wishing
to be engaged to the right man like getting engaged to the wrong one."

Dick wrung his friend's hand.

"Jack," he said, "I beg your pardon. You're a trump!"

"Oh, I knew that all the time," responded Jack. "It may comfort you a
little to know that it hasn't been much of an engagement. I've been
shamefully neglectful of my position. Now of course an engaged man is
supposed to show his ardor, to take little liberties, and be generally
loving, you know."

Dick grew fiery red, and shrank back. Jack laughed explosively.

"Jealous, old man?" he demanded provokingly. "Well, I won't tease you
any more. I haven't so much as kissed her hand."

Dick's rather combative look changed instantly into shamefacedness, and
he shook hands again. He turned away quickly, but as quickly turned back
again once more to grasp the hand of his chum.

"Jack Neligage," he declared, "you're worth more than a dozen of my best
heroes, and a novelist can't say more than that!"

"Gad! You'd better put me in a novel then," was Jack's response. "They
won't believe I'm real though; I'm too infernally virtuous."

A knock at the door interrupted them, and proved to be the summons of
the janitor, who announced that a lady wished to see Mr. Fairfield.

"Don't let her stay long," Jack said, retreating to his room. "I can't
get out till she is gone, and I want to go down town. I've got to order
the horses to take my _fiancée_ out for a last ride. It's to break my
engagement, so you ought to want it to come off."




XXI

THE MISCHIEF OF A FIANCÉ


The lady proved to be Alice Endicott. She came in without shyness or
embarrassment, with her usual air of quiet refinement, and although she
must have seen the surprise in Dick's face, she took no notice of it.
Alice was one of those women so free from self-consciousness, so
entirely without affectations, yet so rare in her simple dignity, that
it was hard to conceive her as ever seeming to be out of place. She was
so superior to surroundings that her environment did not matter.

"Good-morning, Mr. Fairfield," she said. "I should apologize for
intruding. I hope I am not disturbing your work."

"Good-morning," he responded. "I am not at work just now. Sit down,
please."

She took the chair he offered, and came at once to her errand.

"I came from Miss Calthorpe," she said.

"Miss Calthorpe?" he repeated.

"Yes. She thought she ought not to write to you again; and she asked me
to come for her letters; those she wrote before she knew who you were."

"But why shouldn't she write to me for them?"

"You forget that she is engaged, Mr. Fairfield."

"I--Of course, I did forget for the minute; but even if she is, I don't
see why so simple a thing as a note asking for her letters--"

Alice rose.

"I don't think that there is any need of my explaining," she said. "If I
tell you that she didn't find it easy to write, will that be sufficient?
Of course you will give me the letters."

"I must give them if she wishes it; but may I ask one question first?
Doesn't she send for them because she's engaged?"

"Isn't that reason enough?"

"It is reason enough," Dick answered, smiling; "but it isn't a reason
here. She isn't engaged any more. That is, she won't be by night."

Alice stared at him in astonishment.

"What do you mean?" she demanded.

"I mean that Jack never meant to marry her, and that he is going to
release her from her engagement."

"How do you know that?"

"He told me himself."

They stood in silence a brief interval looking each other in the face.
Fairfield was radiant, but Miss Endicott was very pale.

"I beg your pardon," she said presently. "Is Mr. Neligage in the house?"

"Yes; he's in his room."

"Will you call him, please?"

Fairfield hesitated a little, but went to call his chum.

"Miss Endicott wants to speak to you," he said abruptly.

"What does she want?"

"I haven't any idea."

"What have you been telling her?"

The necessity of answering this question Dick escaped by returning to
the other room; and his friend followed.

"Jack," Alice cried, as soon as he appeared, "tell me this moment if
it's true that you're not to marry May!"

He faced her stiff and formal in his politeness.

"Pardon me if I do not see that you have any right to ask me such a
question."

"Why, I came to ask Mr. Fairfield for May's letters because she is
engaged to you, and he told me--"

She broke off, her habitual self-control being evidently tried almost
beyond its limit.

"I took the liberty, Jack," spoke up Fairfield, "of saying--"

"Don't apologize," Neligage said. "It is true, Miss Endicott, that
circumstances have arisen which make it best for May to break the
engagement. I shall be obliged to you, however, if you don't mention the
matter to her until she brings it up."

Alice looked at him appealingly.

"But I thought--"

"We are none of us accountable for our thoughts, Miss Endicott, nor
perhaps for a want of faith in our friends."

She moved toward him with a look of so much appeal that Dick discreetly
turned his back under pretense of looking for something on his
writing-table.

"At least," she said, her voice lower than usual, "you will let me
apologize for the way in which I spoke to you the other morning."

"Oh, don't mention it," he returned carelessly. "You were quite
justified."

He turned away with easy nonchalance, as if the matter were one in which
he had no possible interest.

"At least," she begged, "you'll pardon me, and shake hands."

"Oh, certainly, if you like," answered he; "but it doesn't seem
necessary."

Her manner changed in the twinkling of an eye. Indignation shone in her
face and her head was carried more proudly.

"Then it isn't," she said. "Good-morning, Mr. Fairfield."

She went from the room as quickly as a shadow flits before sunlight. The
two young men were so taken by surprise that by the time Dick reached
the door to open it for his departing caller, it had already closed
behind her. The friends stared a moment. Then Jack made a swift stride
to the door; but when he flung it open the hall without was empty.

"Damn it, Dick," he ejaculated, coming back with a face of anger, "what
did you let her go off like that for?"

"How in the world could I help it?" was all that his friend could
answer.

Jack regarded Dick blackly for the fraction of a second; then he burst
into a laugh, and clapped him on the shoulder.

"I beg your pardon, old man," he said, as cheerily as ever. "I'm going
off my nerve with all these carryings on. If you hadn't written that
rotten old novel of yours, we shouldn't have had these continual
circuses."

He went for his hat as he spoke, and without farther adieu took his way
down town. Men in this peculiar world are to be envied or pitied not so
much for their fortunes as for their dispositions; and if outward
indications were to be trusted, Jack Neligage was one of those enviable
creatures who will be cheerful despite the blackest frowns of fate. From
indifference or from pluck, from caring little for the favors of fortune
or from despising her spite, Jack took his way through life merrily,
smiling and sunny; up hill or down dale as it chanced he followed the
path, with a laugh on his lip and always a kindly greeting for his
fellow travelers. This morning, as he walked out into the sunlight,
handsome, well-groomed, debonaire, and jocund, certainly no one who saw
him was likely to suspect that the world did not go smoothly with him.
Least of all could one suppose that his heart or his thought was
troubled concerning the favor or disfavor of any woman whatsoever.

Jack in the afternoon took May for a drive. The engagement had thus far
been a somewhat singular one. Jack had been to see May nearly every
day, it is true, but either by the whimsical contrivance of fate or by
his own cunning he had seldom seen her alone. She either had callers or
was out herself; and as no one but Mrs. Neligage and Alice knew of the
engagement there was no chance for that sentiment which makes callers
upon a lady feel it necessary to retreat as speedily as possible upon
the appearance of her acknowledged lover. So well settled in the public
mind was the conviction that Jack was in love with Alice Endicott, that
nobody took the trouble to notice that he was calling on May Calthorpe
or to get out of his way that he might be alone with her. This
afternoon, in the face of all the world, in a stylish trap, on the open
highway, they were at last together without other company.

Had not the mind of May been provided with an object of regret and
longing in the person of Fairfield, there might have been danger that
Jack would engage her fancy by sheer indifference. Any girl must be
puzzled, interested, piqued, and either exasperated or hurt according to
her nature, when the man to whom she is newly betrothed treats her as
the most casual of acquaintances. If nothing else moved her there would
be the bite of unsatisfied curiosity. To be engaged without even being
able to learn by experience what being engaged consists in may well wear
on the least inquisitive feminine disposition. The _fiancé_ who does not
even make pretense of playing the lover is an object so curious that he
cannot fail to attract attention, to awake interest, and the chances
are largely in favor of his developing in the breast of his fair the
determination to see him really aroused and enslaved. Many a woman has
succumbed to indifference who would have been proof against the most
ardent wooing.

"Well, May," Jack said, smiling upon her as they drove over the Mill
Dam, "how do you like being engaged?"

She looked at him with a sparkle in her eyes which made her bewitching.

"I don't see that it's very different from not being engaged," she said.

"It will be if you keep on looking so pretty," he declared. "I shall
kiss you right here in the street, and that would make folks talk."

The color came into her cheeks in a way that made her more charming
still.

"Now you color," Jack went on, regarding her with a teasing coolness,
"you are prettier yet. Gad! I shall have to kiss you!"

His horses shied at something at that instant, and he was forced to
attend to them, so that May had a moment's respite in which to gather up
her wits. When he looked back, she took the aggressive.

"It is horrid in you to talk that way," she remarked. "Besides, you said
that I needn't kiss you until I wanted to."

"Well, I didn't promise not to kiss you, did I?"

"How silly you are to-day!" she exclaimed. "Isn't there anything better
to talk about than kissing?"

Jack regarded her with a grin; a grin in which, it must be confessed,
there was something of the look with which a boy watches a kitten he is
teasing.

"Anything better?" repeated he. "When you've had more experience, May,
perhaps you won't think there is anything better."

May began to look sober, and even to have the appearance of feeling that
the conversation was becoming positively improper.

"I think you are just horrid!" she declared. "I do wish you'd behave."

He gave her a respite for some moments, and they drove along through the
sunlight of the April afternoon. The trees as they came into the country
were beautiful with the buds and promise of nearing summer; the air soft
with that cool smoothness which is a reminder that afar the breeze has
swept fragments of old snowdrifts yet unmelted; the sky moist with the
mists of snow-fields that have wasted away. All the landscape was
exquisite with delicate hues.

The supreme color-season of New England begins about the middle of
March, and lasts--at the very latest--until the middle of May. Its
climax comes in late April, when pearly mists hover among the branches
that are soon to be hidden by foliage. Glowing tints of amethyst,
luminous gray, tender green, coral, and yellow white, make the woods a
dream of poetic loveliness beside which the gorgeous and less varied
hues of autumn are crude. Something dreamlike, veiled, mysterious, is
felt in these tints, this iridesence of the woods in spring; as if one
were looking at the luminous, rosy mists within which, as Venus amid the
rainbow-dyed foam of the sea, is being shaped to immortal youth and
divine comeliness the very goddess of spring. The red of the maple-buds
shows from afar; the russet leaflets of the ash, the vivid green, the
amber, the pearl, and the tawny of the clustering hardwood trees, set
against the heavy masses of the evergreens, are far more lovely than all
the broad coloring of summer or the hot tints of autumn.

Under the afternoon sun the woods that day were at their best, and
presently May spoke of the colors which spread down the gentle slopes of
the low hills not far away.

"Isn't it just too lovely for anything!" she said. "Just look at that
hill over there. It is perfectly lovely."

Jack glanced at the hill, and then looked at her teasingly.

"That's right," he remarked. "Of course spoony people ought to talk
about spring, and how perfectly lovely everything is."

"I didn't say that because we're engaged," returned May, rather
explosively. "I really meant it."

"Of course you did. That shows that you are in the proper frame of mind.
Now I'm not. I don't care a rap to talk about the whole holy show. It's
pretty, of course; but I'm not going in for doing the sentimental that
way."

She looked up with mingled indignation and entreaty.

"Now you are going to be horrid again," she protested. "Why can't you
stop talking about our being engaged?"

"Stop talking about it? Why, good heavens, we're expected to talk about
it. I never was engaged before, but I hope I know my business."

"But I don't want to talk about it!"

"Oh, you really do, only you are shy about owning it."

"But I won't talk about it!"

"Oh, yes, you will, my dear; for if I say things you can't help
answering 'em."

"I won't say another word!"

"I'll bet you a pair of gloves that the next thing I say about our being
engaged you'll not only answer, but you'll answer in a hurry."

"I'll take your bet!" cried May with animation. "I won't answer a word."

Jack gave a wicked chuckle, and flicked his horses into a brisk run. In
a moment or two he drew them down to an easy trot, and turned to May
with a matter-of-fact air.

"Of course now we have been engaged a week," he said, "I am at liberty
to read that letter you wrote to Christopher Calumus?"

"Read it!" she cried. "Oh, I had forgotten that you kept it! Oh, you
mustn't read it! I wouldn't have you read it for the world."

"Would you have me read it for a pair of gloves?" inquired Jack
wickedly. "You've lost your bet."

"I don't care anything about my bet," she retorted, with an earnestness
so great as to suggest that tears were not so far behind. "I want that
letter."

"I'm sorry you can't have it," was his reply; "but the truth is, I
haven't got it."

"Haven't got it? What have you done with it?"

"Delivered it to the one it was addressed to,--Christopher Calumus."

"Delivered it? Do you mean you gave it to Mr. Fairfield?"

"Just that. You wrote it to him, didn't you?"

Poor May was now so pale and miserable that a woman would have taken her
in her arms to be kissed and comforted, but Jack, the unfeeling wretch,
continued his teasing.

"I didn't want you to think I was a tyrant," he went on. "Of course I'm
willing you should write to anybody that you think best."

"But--but I wrote that letter to Mr. Fairfield before I knew who he
was!" gasped May.

"Well, what of it? Anything that you could say to a stranger, of course
you could say to a man you knew."

For reply May put up one hand to her eyes, and with the other began a
distressing and complicated search for a handkerchief. Jack bent forward
to peer into her face and instantly assumed a look of deep contrition.

"Oh, I say," he remonstrated, "it's no fair to cry. Besides, you'll
spoil your gloves, and now you've got to pay me a pair you can't afford
to be so extravagant."

The effect of this appeal was to draw from May a sort of hysterical
gurgle, a sound indescribably funny, and which might pass for either a
cry of joy or of woe.

"I think you are too bad," she protested chokingly. "You know I didn't
want Mr. Fairfield to have that letter when I was engaged to you!"

"Oh, is that all?" he returned lightly. "Then that's easily fixed. Let's
not be engaged any more, and then there'll be no harm in his having it."

Apparently astonishment dried her tears. She looked at him in a sort of
petrified wonder.

"I really mean it, my dear," he went on with a paternal air which was
exceedingly droll in Jack Neligage. "I'll say more. I never meant for a
minute to marry you. I knew you didn't want to have me, and I'd no
notion of being tied to a dragooned wife."

"A dragooned wife?" May repeated.

She was evidently so stupefied by the turn things had taken that she
could not follow him.

"A woman dragooned into marrying me," Jack explained, with a jovial
grin; "one that was thinking all the time how much happier she would be
with somebody else."

"And you never meant to marry me? Then what did you get engaged to me
for?"

"I didn't. You wrote me that you were engaged to me, and of course as a
gentleman I couldn't contradict a lady, especially on a point so
delicate as that."

May flushed as red as the fingers of dawn.

"Your mother--" she began; but he interrupted her.

"Isn't it best that we don't go into that?" he said in a graver voice.
"I confess that I amused myself a little, and I thought that you needed
a lesson. There were other things, but no matter. I never was the whelp
you and Alice thought me."

"Oh, Alice!" cried May, with an air of sudden enlightenment.

"Well, what about her?" Jack demanded.

"Nothing," replied May, smiling demurely to herself, "only she will be
glad that the engagement is broken. She said awfully hard things about
you."

"I am obliged to her," he answered grimly.

"Oh, not really awful," May corrected herself quickly, "and anyway it
was only because she was so fond of you."

To this he made no reply, and for some time they drove on in silence.
Then Jack shook off his brief depression, and apparently set himself to
be as amusing as he could. He aroused May to a condition of mirth almost
wildly joyous. They laughed and jested, told each other stories, and the
girl's eyes shone, her dimples danced in and out like sun-flecks
flashing on the water, the color in her cheeks was warm and delightful.
Not a word more was said on personal matters until Jack deposited her at
her own door once more.

"I never had such a perfectly lovely ride in my life!" she exclaimed,
looking at him with eyes full of animation and gratitude.

"Then you see what you are losing in throwing me over," he returned.
"Oh, you've had your chance and lost it!"

She laughed brightly, and held out her hand.

"But you see," she said mischievously, "the trouble is that the best
thing about the ride was just that loss!"

"I like your impudence!" he chuckled. "Well, you're welcome. Good-by.
I'll send Fairfield round to talk with you about the letter."

And before she could reply he was away.




XXII

THE COOING OF TURTLE-DOVES


There is nothing like the possibility of loss to bring a man to his
bearings in regard to a woman. Dick Fairfield had told Jack that of
course he was not a marrying man, that he could not afford to marry a
poor woman, and that nothing would induce him to marry a rich one; he
had even set down in his diary on the announcement of Jack's engagement
that he could never have offered his hand to a girl with so much money;
what his secret thought may have been no sage may say, but he had all
the outward signs of a man who has convinced himself that he has no idea
of trying to secure the girl he loves. Now that the affair had shaped
itself so that May was again free, he hurried to her with a
precipitation which had in it a choice flavor of comedy.

May always told him afterward that he did not even do her the honor to
ask her for her hand, but that he coolly walked in and took up the
engagement of Jack Neligage where it had been dropped. It was at least
true that by nine o'clock that very evening they were sitting side by
side as cosy and as idiotically blissful as a young couple newly
betrothed should be. However informally the preliminaries had been
conducted, the conclusion seemed to be eminently satisfactory.

"To think that this is the result of that little letter that I found on
my table one rainy night last February," Dick observed rapturously. "I
remember just how it looked."

"It was horrid of me to write it," May returned, with a demure look
which almost as plainly as words added: "Contradict me!"

"It was heavenly of you," Dick declared, rising to the occasion most
nobly. "It was the nicest valentine that ever was."

Some moments of endearments interesting to the participants but not
edifying in narration followed upon this assertion, and then the little
stream of lover-talk purled on again.

"Oh, Mr. Fairfield," May began with utter irrelevancy, "I--"

"You promised not to call me that," he interrupted.

"But it's so strange to say Dick. Well, Dick, then--"

The slight interruption of a caress having been got over, she went on
with her shattered observation.

"What was I going to say? You put me all out, with your 'Dick'--I do
think it's the dearest name!--Stop! I know what I was going to say. I
was frightened almost to death when Mrs. Neligage said the Count wrote
'Love in a Cloud.' Oh, I wanted to get under the tea-table!"

"But you didn't really think he wrote my letters?"

"I couldn't believe it; but I didn't know what to think. Then when he
wore a red carnation the next day, I thought I should die. I thought
anyway he'd read the letter; and that's what made me so meek when Mrs.
Neligage took hold of me."

"But you never suspected that I wrote the book?" Fairfield asked.

"Oh, I don't know. Sometimes it seems to me as if I really did know all
the time. Don't you remember how we talked about the book at Mrs.
Harbinger's tea?"

"That's just your intuition," Dick returned. "I know I didn't suspect
you, for it troubled me tremendously that I cared so much for you when I
thought I was in love with my unknown correspondent. It didn't seem
loyal."

"But of course it was, you know, because there was only one of us."

Dick laughed, and bestowed upon her an ecstatic little hug.

"You dear little Paddy! That's a perfect bull!"

She drew herself away, and pretended to frown with great dignity.

"I don't care if it is a bull!" protested she. "I won't be called a
Paddy!"

Dick's face expressed a consternation and a penitence so marked that she
burst into a trill of laughter and flung herself back into his arms.

"I was just teasing," she said. "The truth is that Jack Neligage has
teased me so awfully that I've caught it like the measles."

The tender follies which make up the talk of lovers are not very
edifying reading when set down in the unsympathetic blackness of print.
They are to be interpreted, moreover, with the help of many signs,
trifling in themselves but essential to a correct understanding. Looks,
caresses, sighs, chuckles, giggles, pressures and claspings, intonations
which alter or deny the word spoken, a thousand silly becks, and nods,
and wreathèd smiles, all go to make up the conversation between the
pair, so that what may be put into print is but a small portion of the
ecstatic whole. May Calthorpe and Dick Fairfield were not behind in all
the enchanting idiocy which belongs to a wooing, where each lover,
secure in being regarded as perfection, ventures for once in a lifetime
to be frankly childish, to show self without any mask of convention.

"Oh, I knew you were a man of genius the very first time I saw you," May
cried, in an entirely honest defiance of all facts and all evidence.

"I wish I were for your sake," Dick replied, with an adoring glance, and
a kiss on the hand which he held. "And to think that this absurdly small
hand wrote those beautiful letters."

"You didn't suppose I had an amanuensis, did you?" laughed May.

Then Dick laughed, and together they both laughed, overpowered by the
exquisite wit of this fine jest.

"Really, though," Dick said, "they came to me like a revelation. I never
had such letters before!"

May drew away her hand, and sat upright with an air of offended
surprise.

"Well, I should hope you never did!" she cried. "The idea of any other
woman's daring to write to you!"

"But you were writing to a stranger; some other woman--"

"Now, Richard," declared May resolutely, "this has got to be settled
right here. If you are going to twit me all my life with having written
to you--"

He effectually stopped her speech.

"I'll never speak of it again," he said; "or at least only just often
enough so that it shan't be entirely forgotten."

"You are horrid!" declared she with a pout. "You mean to tease me
with--"

"Tease you, May? Heavens, how you mistake! I only want all my life to be
kept your slave by remembering--"

The reader is at liberty from experience to supply as many hours of this
sort of talk as his taste calls for. There were, however, some points of
real interest touched upon in the course of the evening. Dick confided
to May the fact that Jack Neligage had sold his ponies, was paying his
debts, and had accepted a place in a bank. Mr. Frostwinch, a college
friend of Jack's father, had offered the situation, and although the
salary was of course not large it gave Neligage something to live on.

"Oh, I'll tell that to Alice to-morrow," May said. "She will be
delighted to know that Jack is going to do something. Alice is awfully
fond of him."

The conversation had to be interrupted by speculations upon the relative
force of the attachment between Alice and Jack and the love which May
and Dick were at that moment confirming; and from this the talk drifted
away to considerations of the proper manner of disclosing the
engagement. May's guardian, Mr. Frostwinch, Dick knew well, and there
was no reason to expect opposition from him unless on the possible
ground of a difference of fortune. It was decided that Dick should see
him on the morrow, and that there should be no delay in announcing the
important news.

"It will take us two or three days to write our notes, of course," May
said, with a pretty air of being very practical in the midst of her
sentiment. "We'll say next Wednesday."

Dick professed great ignorance of the social demands of the situation,
and of course the explanation had to be given with many ornamental
flourishes in the way of oscular demonstrations. May insisted that
everything should be done duly and in order; told him upon whom of her
relatives he would have to call, to whom write, and so many other
details that Dick accused her of having been engaged before.

"You horrid thing!" she pouted. "I've a great mind to break the
engagement now. I have been engaged, though," she added, bursting into
a laugh of pure glee. "You forget that I woke up this morning engaged
to one man and shall go to sleep engaged to another."

"Dear old Jack!" Fairfield said fervently. "Well, I must go home and
find him. I want to tell him the news. Heavens! I had no idea it was so
late!"

"It isn't late," May protested, after the fashion of all girls in her
situation, both before and since; but when Dick would go, she laughingly
said: "You tell Jack if he were here I'd kiss him. He said I'd want to
some time."

And after half an hour of adieus and a brisk walk home, Dick delivered
the message.




XXIII

THE BUSINESS OF A MUSE


The decadence of literature began insensibly with the invention of
printing, and has been proceeding ever since. How far it has proceeded
and whether literature yet exists at all are questions difficult if not
impossible to answer at the present time, because of the multitude of
books. No living man can have more than a most superficial knowledge of
what is being done in what was formerly the royalty and is now the
communism of letters. A symphony played in the midst of a battle would
stand much the same chance of being properly appreciated as would to-day
a work of fine literary worth sent forth in the midst of the innumerous
publications of the age.

Men write, however, more than ever. There is perhaps a difference, in
that where men of the elder day deluded themselves or hoped to delude
others with impressive talk about art and fame and other now obsolete
antiquities, the modern author sets before him definite and desirable
prizes in the shape of money and of notoriety which has money's worth.
The muse of these days is confronted on the door of the author with a
stern "No admittance except on business," and she is not allowed to
enter unless she bring her check-book with her. The ideal of art is
to-day set down in figures and posted by bankers' clerks. Men once
foolishly tried to live to write; now they write to live. If men seek
for Pegasus it is with a view to getting a patent on him as a
flying-machine; and the really progressive modern author has much the
same view of life as the rag-picker, that of collecting any sort of
scraps that may be sold in the market.

Dick Fairfield had much the attitude of other writers of his day and
generation. He had set out to make a living by writing, because he liked
it, and because, in provincial Boston at least, there is still a certain
sense of distinction attached to the profession of letters, a legacy
from the time when the public still respected art. Fairfield had been
for years struggling to get a foothold of reputation sufficiently secure
to enable him to stretch more vigorously after the prizes of modern
literary life, where notoriety commands a price higher than genius could
hope for. He had done a good deal of hack work, of which that which he
liked least, yet which had perhaps as a matter of training been best for
him, had been the rewriting of manuscripts for ambitious authors. A
bureau which undertakes for a compensation to mend crude work, to infuse
into the products of undisciplined imagination or incompetency that
popular element which shall make a work sell, had employed Fairfield to
reconstruct novels which dealt with society. In this capacity he had
made over a couple of flimsy stories of which Mrs. Croydon claimed the
credit, on the strength of having set down the first draught from
events which had happened within her own knowledge. So little of the
original remained in the published version, it may be noted in passing,
that she might have been puzzled to recognize her own bantlings. The
success of these books had given Dick courage to attempt a society novel
for himself; and by one of those lucky and inexplicable flukes of
fortune, "Love in a Cloud" had gained at least the success of immediate
popularity.

Fairfield had published the novel anonymously partly from modesty,
partly from a business sense that it was better to have his name clear
than associated with a failure. He had been deterred from acknowledging
the book after its success by the eagerness with which the public had
set upon his characters and identified each with some well known person.
If the scene of a novel be laid in a provincial city its characters must
all be identified. That is the first intellectual duty of the readers of
fiction. To look at a novel from a critical point of view is no longer
in the least a thing about which any reader need concern himself; but it
would be an omission unpardonably stupid were he to remain unacquainted
with some original under the disguise of every character. A single
detail is sufficient for identification. If a man in a tale have a wart
on his nose, the intelligent reader should not rest until he think of a
dweller in the town whose countenance is thus adorned. That single
particular must thenceforth be held to decide the matter. If the man in
the novel and the man in the flesh differ in every other particular,
physical and mental, that is to be held as the cunning effort of the
writer to disguise his real model. The wart decides it, and the more
widely the copy departs in other characteristics from the chosen person
the more evident is it that the novelist did not wish his original to be
known. The more striking therefore is the shrewdness which has
penetrated the mystery. The reader soddens in the consciousness of his
own penetration as the sardine, equally headless, soaks in oil.
Fairfield was now waiting for this folly of identification to pass
before he gave his name to the novel, and in the mean time he was
tasting the delight of a first literary success where the pecuniary
returns allowed his vanity to glow without rebuke from his conscience.

Fairfield was surprised, one morning not long after the polo game, by
receiving a call from Mrs. Croydon. He knew her slightly, having met her
now and then in society, and his belief that she was entirely ignorant
of his share in her books might naturally invest her with a peculiar
interest. She was a Western woman who had lived in the East but a few
years, and her blunders in regard to Eastern society as they appeared in
her original manuscripts had given him a good deal of quiet amusement.
Why she should now have taken it upon herself to come to his chambers
could only become evident by her own explanation.

"You are probably surprised to see me here, Mr. Fairfield," she
began, settling herself in a chair with the usual ruffling of
rag-tag-and-bobbery without which she never seemed able to move.

"I naturally should not have been vain enough to foresee that I should
have such an honor," he responded, with his most elaborate society
manner.

She smirked, and nodded.

"That is very pretty," she said. "Well, I'll tell you at once, not to
keep you in suspense. I came on business."

"Business?" repeated he.

"Yes, business. You see, I have just come from the Cosmopolitan Literary
Bureau."

Fairfield did not look pleased. He had kept his connection with that
factory of hack-work a secret, and no man likes to be reminded of
unpleasant necessities.

"They have told me," she went on, "that you revised the manuscript of my
novels. I must say that you have done it very satisfactorily. We women
of society are so occupied that it is impossible for us to attend to all
that mere detail work, and it is a great relief to have it so well
done."

Fairfield bowed stiffly.

"I am glad that you were satisfied," he replied; "but it is a violation
of confidence on the part of the bureau."

"Oh, you are one of us now," Mrs. Croydon observed with gracious
condescension. "It isn't as if they had told anybody else. They told me,
you see, that you wrote 'Love in a Cloud.'"

"That is a greater violation of confidence still," Fairfield responded.
"Indeed, it was a most un-gentlemanly thing of Mr. Cutliff. He only
knew it because a stupid errand boy carried him the manuscript by
mistake. He had no right to tell that. I shall give him my opinion of
his conduct."

Mrs. Croydon accomplished a small whirlwind of ribbon ends, and waved
her plump hand in remonstrance.

"Oh, I beg you won't," she protested. "It will get me into trouble if
you do. He especially told me not to let you know."

Fairfield smiled rather sardonically.

"The man who betrays a confidence is always foolish enough to suppose
his confidence will be sacred. I think this is an outrageous breach of
good faith on Mr. Cutliff's part."

Mrs. Croydon gave a hitch forward as if she were trying to bring her
chair closer to that of Fairfield.

"As I was saying," she remarked, "we society women have really so little
time to give to literature, and literature needs just our touch so much,
that it has been especially gratifying to find one that could carry out
my ideas so well."

The young man began to regard her with a new expression in his face. As
a literary woman she should have recognized the look, the expression
which tells of the author on the scent of material. Whether Fairfield
ever tried his hand at painting Mrs. Croydon or not, that look would
have made it plain to any well-trained fellow worker that her
peculiarities tempted his literary sense. Any professional writer who
listens with that gleam in his eyes is inevitably examining what is
said, the manner of its saying, the person who is speaking, in the hope
that here he has a subject for his pen; he is asking himself if the
reality is too absurd to be credible; how much short of the extravagance
of the original he must come to keep within the bounds of seeming
probability. Fairfield was confronted with a subject which could not be
handled frankly and truthfully. Nobody would believe the tone of the
woman or her remarks to be anything but a foolish exaggeration; if she
had had the genuine creative instinct, the power of analysis, the
recognition of human peculiarities, Mrs. Croydon must have seen in his
evident preoccupation the indication that he was deliberating how far
toward the truth it would in fiction be possible to go.

"It is very kind of you," he murmured vaguely.

"Oh, don't mention it," responded she, more graciously than ever. "You
are really one of us now, as I said; and I always feel strongly the ties
of the literary guild."

"The guild owes you a great deal," Fairfield observed blandly.

Mrs. Croydon waved her hand engagingly in return for this compliment,
incidentally with a waving of various adornments of her raiment which
gave her the appearance in little of an army with banners.

"I didn't come just for compliments," she observed with much sweetness.
"I am a business woman, and I know how to come to the point. My father
left me to manage my own property, and so I've had a good deal of
experience. When I see how women wander round a thing without being able
to get at it, it makes me ashamed of them all. I don't wonder that men
make fun of them."

"You are hard on your sex."

"Oh, no harder than they deserve. Why, in Chicago there are a lot of
women that do business in one way or another, and I never could abide
'em. I never could get on with them, it was so hard to pin them down."

"I readily understand how annoying it must have been," Fairfield
observed with entire gravity. "Did you say that you had business with
me?"

"Yes," she answered. "I suppose that I might have written, but there are
some things that are so much better arranged by word of mouth. Don't you
think so?"

"Oh, there's no doubt of it."

"Besides," she went on, "I wanted to tell you how much I like your work,
and it isn't easy to express those things on paper."

It would be interesting to know whether to Fairfield at that moment
occurred the almost inevitable reflection that for Mrs. Croydon it was
hard, if her manuscripts were the test, to express anything on paper.

"You are entirely right," he said politely. "It is easy enough to put
facts into words, but when it comes to feelings such as you express, it
is different, of course."

He confided to Jack Neligage later that he wondered if this were not
too bold a flout, but Mrs. Croydon received it as graciously as
possible.

"There is so complete a difference," she observed with an irrelevance
rather startling, "between the mental atmosphere in Boston and that I
was accustomed to in Chicago. Here there is a sort of--I don't know that
I can express it exactly; it's part of an older civilization, I suppose;
but I don't think it pays so well as what we have in Chicago."

"Pays so well?" he repeated. "I don't think I understand."

"It doesn't sell so well in a book," she explained. "I thought that it
would be better business to write stories of the East for the West to
buy; but I've about made up my mind that it'll be money in my pocket to
write of the West for the eastern market."

Fairfield smiled under his big mustache, playing with a paper-knife.

"Pardon my mentioning it," he said, "but I thought you wrote for fame,
and not for money."

"Oh, I don't write for money, I assure you; but I was brought up to be a
business woman, and if I'm going to write books somebody ought to pay
for them. Now I wanted to ask you what you will sell me your part in
'Love in a Cloud' for."

Whether this sudden introduction of her business or the nature of it
when introduced were the more startling it might have been hard to
determine. Certain it is that Fairfield started, and stared at his
visitor as if he doubted his ears.

"My part of it?" he exclaimed. "Why, I wrote it."

"Yes," she returned easily, "but so many persons have supposed it to be
mine, that it is extremely awkward to deny it; and you have become my
collaborateur, of course, by writing on the other novels."

"I hadn't realized that," Dick returned with a smile.

"You've put so much of your style into my other books," she pursued,
"that it's made people attribute 'Love in a Cloud' to me, and I think
you are bound now not to go back on me. I don't know as you see it as I
do, but it seems to me that since you took the liberty of changing so
much in my other stories you ought to be willing to bear the
consequences of it, especially as I'm willing to pay you well."

"But as long as you didn't write the book," Dick observed, "I should
think you'd feel rather queer to have it said you did."

"I've thought of that," Mrs. Croydon said, nodding, with a flutter of
silken tags, "but I reason that the ideas are so much my own, and the
book is so exactly what I would have written if social duties hadn't
prevented, that that ought not to count. The fact that so many folks
think I wrote it shows that I might have written it."

"But after all you didn't write it," Fairfield objected. "That seems to
make it awkward."

"Why, of course it would have been better if I had given you a sketch of
it," Mrs. Croydon returned, apparently entirely unmoved; "but then of
course you got so much of the spirit of 'Love in a Cloud' out of my
other books--"

This was perhaps more than any author could be expected to endure, and
least of all a young author in the discussion of his first novel.

"Why, how can you say that?" he demanded indignantly.

"Do you suppose," she questioned with a benign and patronizing smile,
"that so many persons would have taken your book for mine in the first
place if you hadn't imitated me or taken ideas from my other books?"

Dick sprang to his feet, and then sat down, controlling himself.

"Well," he said coldly, "it makes no difference. It is too late to do
anything about it now. An edition of 'Love in a Cloud' with my name on
the title-page comes out next Wednesday. If folks say too much about the
resemblance to your books, I can confess, I suppose, my part in the
others."

She turned upon him with a burst of surprise and indignation which set
all her ribbon-ends waving in protest.

"That," she said, "is a professional secret. No man of honor would tell
it."

She rose as she spoke, her face full of indignation.

"You have not treated me fairly," she said bitterly. "You must have seen
that the book was attributed to me, and you knew the connection between
'Love in a Cloud' and my other books--"

"Other books!" exclaimed Dick.

Mrs. Croydon waved him into silence with a magnificent gesture, but
beyond that took no notice of his words.

"You saw how everybody looked at me that day at Mrs. Harbinger's," she
went on. "If you were going to give your name to the book why didn't you
do it then?"

"I didn't think of you at all," was his answer. "I was too much amused
in seeing that absurd Barnstable make a fool of himself with Count
Shimbowski. Did you know that the Count actually challenged him?"

Wrath of celestial goddesses darkened the face of Mrs. Croydon as a
white squall blackens the face of the sky. Her eyes glared with an
expression as fierce if not as bright as the lightning.

"What do you say?" she screamed. "Challenge my husband?"

"Your husband!" ejaculated Dick, a staring statue of surprise.

"Yes, my husband," she repeated vehemently. "He didn't make a fool of
himself that day! A man can't come to the defense of a woman but you men
sneer at him. Do you mean that that beastly foreign ape dared to
challenge him for that? I'd like to give him my opinion of him!"

When a man finds himself entertaining a wildcat unawares he should
either expel the beast or himself take safety in flight. Dick could
apparently do neither. He stood speechless, gazing at the woman before
him, who seemed to be waxing in fury with every moment and every word.
She swept across the short space between them in a perfect hurricane of
streamers, and almost shook her fists in his face.

"I understand it all now," she said. "You were in it from the beginning!
I suppose that when you worked on my books you took the trouble to find
out about me, and that's where your material came from for your precious
'Love in a Cloud.' Oh, my husband will deal with you!"

Fairfield looked disconcerted enough, as well he might, confronted with
a woman who was apparently so carried away by anger as to have lost all
control of herself.

"Mrs. Croydon," he said, with a coldness and a dignity which could not
but impress her, "I give you my word that I never knew anything about
your history. That was none of my business."

"Of course it was none of your business!" she cried. "That's just what
makes it so impertinent of you to be meddling with my affairs!"

Fairfield regarded her rather wildly.

"Sit down, please," he said beseechingly. "You mustn't talk so, Mrs.
Croydon. Of course I haven't been meddling with your affairs, and--"

"And not to have the courage to say a word to prevent my husband's being
dragged into a duel with that foreigner! Oh, it does seem as if I
couldn't express my opinion of you, Mr. Fairfield!"

"My dear Mrs. Croydon--"

"And as for Erastus Barnstable," she rushed on to say, "he's
quick-tempered, and eccentric, and obstinate, and as dull as a post; he
never understood me, but he always meant well; and I won't have him
abused."

"I hadn't any idea of abusing him," Dick pleaded humbly. "Really, you
are talking in an extraordinary fashion."

She stopped and glared at him as if with some gleam of returning reason.
Her face was crimson, and her breath came quickly. Women of society
outside of their own homes so seldom indulge in the luxury of an
unbecoming rage that Dick had perhaps never before seen such a display.
Any well-bred lady knows how to restrain herself within the bounds of
personal decorum, and to be the more effective by preserving some
appearance of calmness. Mrs. Croydon had evidently lacked in her youth
the elevating influence of society where good manners are morals. It was
interesting for Dick, but too extravagantly out of the common to be of
use to him professionally.

"I hope you are proud of your politeness this morning," Mrs. Croydon
ended by saying; and without more adieu she fluttered tumultuously to
the door.




XXIV

THE MISCHIEF OF A CAD


The fierce light of publicity which nowadays beats upon society has
greatly lessened the picturesqueness of life. There is no longer the
dusk favorable to crime, and the man who wishes to be wicked, if careful
of his social standing, is constantly obliged to be content with mere
folly, or, if desperate, with meanness. It is true that from time to
time there are still those, even in the most exclusive circles, who are
guilty of acts genuinely criminal, but these are not, as a rule,
regarded as being in good form. The days when the Borgias invited their
enemies to dinner for the express purpose of poisoning them, or visited
nobles rich in money or in beautiful wives and daughters with the
amiable intent to rob them of these treasures, are over, apparently
forever. In the sixteenth century--to name a time typical--success made
an excuse more than adequate for any moral obliquity; and the result is
that the age still serves thrillingly the romantic dramatist or
novel-writer. To-day success is held more than to justify iniquity in
politics or commerce, but the social world still keeps up some pretext
of not approving. There is in the best society really a good deal of
hesitation about inviting to dinner a man who has murdered his
grandmother or run away with the wife of his friend. Society is of
course not too austere in this respect; it strives to be reasonable, and
it recognizes the principle that every transaction is to be judged by
the laws of its own class. In the financial world, for instance,
conscience is regulated by the stock market, and society assumes that if
a crime has been committed for the sake of money its culpability depends
chiefly upon the smallness of the amount actually secured. Conservative
minds, however, still object to the social recognition of a man who has
notoriously and scandalously broken the commandments. He who has not the
skill or the good taste to display the fruits of his wickedness without
allowing the process by which they were obtained to be known, is looked
at askance by these prudish souls. In all this state of things is great
loss to the romancer, and not a little disadvantage to bold and
adventurous spirits. Were the latter but allowed the freedom which was
enjoyed by their forerunners of the sixteenth century, they would do
much to relieve the tedium under which to-day the best society
languishes.

This tendency of the age toward the suppression of violent and romantic
transgressions in good society was undoubtedly largely responsible for
the course taken by Sibley Langdon. Foiled in his plan of blackmailing
Mrs. Neligage into being his companion on a European tour, he attempted
revenge in a way so petty that even the modern novelist, who stops at
nothing, would have regarded the thing as beneath invention.

Mr. Langdon had sent Mrs. Neligage her canceled note, with a floridly
worded epistle declaring that its real value, though paid, was lost to
him, since it lay in her signature and not in the money which the
document represented. This being done, he had called once or twice, but
the ignominy of living at the top of a speaking-tube carries with it the
advantage of power to escape unwelcome callers, and he never found Mrs.
Neligage at home. When they met in society Mrs. Neligage treated him
with exactly the right shade of coolness. She did not give rise to any
gossip. The infallible intuition of her fellow women easily discovered,
of course, that there was an end of the old intimacy between the widow
and Mr. Langdon, but nobody had the satisfaction of being able to
perceive anything of the nature of a quarrel.

They met one evening at a dinner given by Mrs. Chauncy Wilson. The
dinner was not large. There were Mr. and Mrs. Frostwinch, Mrs. Neligage,
Alice Endicott, Count Shimbowski, and Mr. Langdon. The company was
somewhat oddly assorted, but everybody understood that Mrs. Wilson did
as she pleased, leaving social considerations to take care of
themselves. She had promised Miss Wentstile, who still clung to the idea
of marrying Alice to the Count, that she would ask the pair to dinner;
and having done so, she selected her other guests by some principle of
choice known only to herself.

The dinner passed off without especial incident. The Count took in
Alice, and was by her treated with a cool ease which showed that she
had come to regard him as of no consequence whatever. She chatted with
him pleasantly enough at the proper intervals, but more of her attention
was given to Mr. Frostwinch, her neighbor on the other side. She would
never talk with the Count in French, although she spoke that tongue with
ease, and his wooing, such as it was, had to be carried on in his
joint-broken English. The engagement of May Calthorpe and Dick
Fairfield, just announced, and the appearance of "Love in a Cloud" with
the author's name on the title-page, were the chief subjects of
conversation. The company were seated at a round table, so that the talk
was for the most part general, and each person had something to add to
the little ball of silken-fibred gossip as it rolled about. Mr.
Frostwinch was May's guardian, and a man of ideas too old-fashioned to
discuss his ward or her affairs in any but the most general way; yet
even he did now and then add a word or a hint.

"They say," Mrs. Wilson observed, "that there's some kind of a romantic
story behind the engagement. Mrs. Neligage, you ought to know--is it
true that Richard Fairfield got Jack to go and propose for him?"

"If he did," was the answer, "neither you nor I will ever know it from
Jack. He's the worst to get anything out of that I ever knew. I think he
has some sort of a trap-door in his memory to drop things through when
he doesn't want to tell them. I believe he contrives to forget them
himself."

"You can't conceive of his holding them if he did remember them, I
suppose," chuckled Dr. Wilson.

"Of course he couldn't. No mortal could."

"That's as bad as my husband," observed Mrs. Frostwinch, with a billowy
motion of her neck, a movement characteristic and perhaps the result of
unconscious cerebration induced by a secret knowledge that her neck was
too long. "I tried to get out of him what Mr. Fairfield said when he
came to see him about May; and I give you my word that after I'd worn
myself to shreds trying to beguile him, I was no wiser than before."

"I tell you so entirely all my own secrets, Anna," her husband answered,
"that you might let me keep those of other people."

"Indeed, I can't help your keeping them," was her reply. "That's what I
complain of. If I only had a choice in the matter, I shouldn't mind."

"If Jack Neligage is in the way of proposing," Langdon observed in his
deliberate manner, "I should think he'd do it for himself."

"Oh, bless you," Mrs. Neligage responded quickly, "Jack can't afford to
marry. I've brought him up better than to suppose he could."

"Happy the man that has so wise a mother," was Langdon's comment.

"If you don't believe in marriages without money, Mrs. Neligage," asked
Mrs. Wilson, "what do you think of Ethel Mott and Thayer Kent?"

"Just think of their marrying on nothing, and going out to live on a
cattle ranch," put in Mrs. Frostwinch. "I wonder if Ethel will have to
milk?"

Dr. Wilson gave a laugh full of amusement.

"They don't milk on cattle ranches," he corrected. "She may have to
mount a horse and help at a round-up, though."

"Well, if she likes that kind of a burial," Mrs. Neligage said, "it's
her own affair, I suppose. I'd rather be cremated."

"Oh, it isn't as bad as that," Mr. Frostwinch observed genially.
"They'll have a piano, and that means some sort of civilization."

"I suppose she'll play the _ranz des vaches_ on the piano," Mrs. Wilson
laughed.

"Of course it's madness," Langdon observed, "but they'll like it for a
while. I can't understand, though, how Miss Mott can be so foolish. I
always supposed she was rather a sensible girl."

"Does this prove that she isn't?" asked Alice.

"Don't you think a girl that leaves civilization, and goes to live in
the wilderness just to follow a man, shows a lack of cleverness?"

The seriousness of the tone in which Alice had asked her question had
drawn all eyes in her direction, and it might easily be that the
knowledge of the interest which she was supposed to have in penniless
Jack Neligage would in any case have given to her words especial mark.

"That depends on what life is for," Alice answered now, in her low, even
voice. "If she is happier with Thayer Kent on a cattle ranch than she
would be anywhere else without him, I think she shows the best kind of
sense."

"But think what a stupid life she'll lead," Langdon persisted. "She
doesn't know what she's giving up."

"Eet ees _très romanesque_," declared the Count, "but eet weel to
be _triste_. Weell she truthfully ride de cow?"

Politely veiled laughter greeted this sally, except from Dr. Wilson, who
burst into an open guffaw.

"She'll be worth seeing if she does!" he ejaculated.

Mrs. Frostwinch bent toward Alice with undulating neck.

"You are romantic, of course, Alice," she remarked, "and you look at it
like a girl. It's very charming to be above matter-of-fact
considerations; but when the edge is worn off--"

She sighed, and shook her head as if she were deeply versed in all the
misfortunes resulting from an impecunious match; her manner being, of
course, the more effective from the fact that everybody knew that she
had never been able to spend her income.

"But what is life for?" Alice said with heightened color. "If people are
happy together, I don't believe that other things matter so much."

"For my part," Mrs. Wilson declared, "I think it will be stunning! I
wish I were going out to live on a ranch myself, and ride a cow, as the
Count says. Chauncy, why don't we buy a ranch? Think how I'd look on
cow-back!"

She gave the signal to rise, and the ladies departed to the
drawing-room, where they talked of many things and of nothing until the
gentlemen appeared. Mr. Langdon placed himself so that he faced Mrs.
Neligage across the little circle in which the company chanced to
arrange itself.

"We've been talking of adventures," he said, "and Mr. Frostwinch says
that nobody has any nowadays."

"I only said that they were uncommon," corrected Mr. Frostwinch. "Of
course men do have them now and then, but not very often."

"Men! Yes, they have them," Mrs. Wilson declared; "but there's no chance
nowadays for us poor women. We never get within sight of anything out of
the common."

"You're enough out of the common to do without it, Elsie," laughed her
husband.

"Madame Weelson ees an adventure eetself," the Count put in gallantly.

Mr. Langdon raised his head deliberately, and looked over to Mrs.
Neligage.

"You could tell them differently, Mrs. Neligage," he said. "Your
experience at Monte Carlo, now; that was far enough out of the common."

Her color went suddenly, but she met his eyes firmly enough.

"My adventures?" she returned. "I never had an adventure. I'm too
commonplace a person for that."

"You don't do yourself justice," Langdon rejoined. "You haven't any
idea how picturesque you were that night."

Telepathy may or may not be established on a scientific basis, but it is
certain that there exists some occult power in virtue of which
intelligence spreads without tangible means of communication. There was
nothing in the light, even tones of Langdon to convey more intimation
than did his words that mischief was afoot, yet over the group in Mrs.
Wilson's drawing-room came an air of intentness, of alert suspense. No
observer could have failed to perceive the general feeling, the
perception that Langdon was preparing for some unusual stroke. The
atmosphere grew electric. Mr. Frostwinch and his wife became a shade
more grave than was their wont. They were both rather proper folk, and
proper people are obliged to be continually watching for indecorums,
lest before they are aware their propriety have its fine bloom brushed
away. The Count moved uneasily in his chair. The unpleasant doubts to
which he had been exposed as to how his own past would affect a Boston
public might have made him the more sympathetic with Mrs. Neligage, and
the fact that he had seen her at the tables at Monte Carlo could hardly
fail to add for him a peculiar vividness to Langdon's words. Doctor and
Mrs. Wilson were both openly eager. Alice watched Mrs. Neligage
intently, while the widow faced Langdon with growing pallor.

"Madame Neleegaze ees all teemes de peecture," declared Count Shimbowski
gallantly. "When more one teeme eet ees de oder?"

"She was more picturesque that time than another," laughed Langdon, by
some amazing perception getting at the Count's meaning. "I'm going to
tell it, Mrs. Neligage, just to show what you are capable of. I never
admired anything more than I did your pluck that night. It's nonsense to
say that women have less grit than men."

"Less grit!" cried Mrs. Wilson. "They have a hundred times more. If men
had the spunk of women or women had the strength of men--"

"Then amen to the world!" broke in her husband. "Don't interrupt. I want
to hear Langdon's story."

Alice Endicott had thus far said nothing, but as Langdon smiled as if to
himself, and parted his lips to begin, she stopped him.

"No," she said, "he shan't tell it. If it is Mrs. Neligage's adventure,
she shall tell it herself."

Mrs. Neligage flashed a look of instant comprehension, of gratitude, to
Alice, and the color came back into her cheeks. She had been half
cowering before the possibility of what Langdon might be intending to
say, but this chance of taking matters into her own hands recalled all
her self-command. Her eyes brightened, and she lifted her head.

"It isn't much to tell," she began, "and it isn't at all to my credit."

"I protest," interpolated Langdon. "Of course she won't tell a story
about herself for half its worth."

"Be quiet," Alice commanded.

The eyes of all had been turned toward Mrs. Neligage at her last words,
but now everybody looked at Alice. It was not common to see her take
this air of really meaning to dominate. In her manner was a faint hint
of the commanding manner of her aunt, although without any trace of Miss
Wentstile's arrogance. She was entirely cool and self-possessed,
although her color was somewhat brighter than usual. The words that had
been spoken were little, yet the hearer heard behind them the conflict
between herself and Langdon.

"I am not to be put down so," he persisted. "I don't care much about
telling that particular story, but I can't allow you to bully me so,
Miss Endicott."

"Go on, Mrs. Neligage, please," Alice said, quite as if she were
mistress of ceremonies, and entirely ignoring Langdon's words except for
a faint smile toward him.

"My adventure, as Mr. Langdon is pleased to call it," Mrs. Neligage
said, "is only a thing I'm ashamed of. He is trying to make me confess
my sins in public, apparently. He came on me one night playing at Monte
Carlo when I lost a lot of money. He declares he watched me an hour
before I saw him, but as I didn't play more than half that time--"

"I told you she would spoil the story," interrupted Langdon, "I--"

"You shall not interrupt, Mr. Langdon," Alice said, as evenly and as
commandingly as before.

"Oh, everybody he play at Monte Carlo," put in the Count. "Not to play,
one have not been dere."

"I've played," Mrs. Wilson responded. "I think it's the greatest fun in
the world. Did you win, Mrs. Neligage?"

"Win, my dear," returned the widow, who had recovered perfectly her
self-command; "I lost all that I possessed and most that I didn't. I
wonder I ever got out of the place. The truth is that I had to borrow
from Mr. Langdon to tide me over till I could raise funds. Was that what
you wanted to tell, Mr. Langdon? You were the real hero to lend it to
me, for I might have gone to playing again, and lost that too."

Langdon was visibly disconcerted. To have the tables so turned that it
seemed as if he were seeking a chance to exploit his own good deeds left
him at the mercy of the widow. Mrs. Neligage had told in a way
everything except the matter of the necklace, and no man with any
pretense of being a gentleman could drag that in now. It might have been
slid picturesquely into the original story, whether that were or were
not Mr. Langdon's intention; but now it was too late.

"I don't see where the pluck came in," pronounced Dr. Wilson.

"Oh, I suppose that was the stupid way in which I kept on losing," Mrs.
Neligage explained. "I call it perfect folly."

"Again I say that I knew she'd spoil the story," Langdon said with a
smile.

The announcement of carriages, and the departure of the Frostwinches
brought the talk to an end. When Mrs. Neligage had said good-night and
was leaving the drawing-room, Langdon stood at the door.

"You got out of that well," he said.

She gave him a look which should have withered him.

"It is a brave man that tries to blacken a woman's name," she answered;
and went on her way.

In the dressing-room was Alice, who had gone a moment before. Mrs.
Neligage went up to her and took her by the arms.

"How did you know that I needed to have a plank thrown to me?" she
demanded. "Did I show it so much?"

Alice flushed and smiled.

"If I must tell the truth," she answered, "you looked just as I saw Jack
look once in a hard place."

Mrs. Neligage laughed, and kissed her.

"Then it was Jack's mother you wanted to help. You are an angel anyhow.
I had really lost my head. The story was horrid, and I knew he'd tell it
or hint it. It wasn't so bad," she added, as Alice half shrank back,
"but that I'll tell it to you some time. Jack knows it."




XXV

THE WAKING OF A SPINSTER


Miss Wentstile was as accustomed to having her way as the sun is to
rising. She had made up her mind that Alice was to marry Count
Shimbowski, and what was more, she had made her intention perfectly
plain to her friends. It is easily to be understood that her temper was
a good deal tried when it became evident that she could not force her
niece to yield. Miss Wentstile commanded, she remonstrated, she tried to
carry her will with a high hand by assuming that Alice was betrothed,
and she found herself in the end utterly foiled.

"Then you mean to disobey me entirely," she said to Alice one day.

"I have tried all my life to do what you wanted, Aunt Sarah," was the
answer, "but this I can't do."

"You could do it if you chose."

Alice was silent; and to remain silent when one should offer some sort
of a remark that may be disputed or found fault with or turned into
ridicule is one of the most odious forms of insubordination.

"Why don't you speak?" demanded Miss Wentstile sharply. "Haven't I done
enough for you to be able to get a civil answer out of you?"

"What is there for me to say more, Aunt Sarah?"

"You ought to say that you would not vex and disobey me any more,"
declared her Aunt. "Here I have told everybody that I should pass next
summer at the Count's ancestral castle in Hungary, and how can I if you
won't marry him?"

"You might marry him yourself."

Her aunt glared at her angrily, and emitted a most unladylike snort of
contempt.

"You say that to be nasty," she retorted; "but I tell you, miss, that
I've thought of that myself. I'm not sure I shan't marry him."

Alice regarded her in a silence which drew forth a fresh volley.

"I suppose you think that's absurd, do you? Why don't you say that I'm
too old, and too ugly, and too ridiculous? Why don't you say it? I can
see that you think it; and a nice thing it is to think, too."

"If you think it, Aunt Sarah," was the demure reply, "there's no need of
my saying it."

"I think it? I don't think it! I'm pleased to know at last what you
think of me, with your meek ways."

The scene was more violent than usually happened between aunt and niece,
as it was the habit of Alice to bear in silence whatever rudeness it
pleased Miss Wentstile to inflict. Not that the spinster was accustomed
to be unkind to the girl. So long as there was no opposition to her
will, Miss Wentstile was in her brusque way generous and not
ill-natured. Now that her temper was tried to the extreme, her worst
side made itself evident; and Alice was wise in attempting to escape.
She rose from the place where she had been sewing, and prepared to leave
the room.

"Go to your room by all means," the spinster said bitterly, regarding
her with looks of marked disfavor. "All I have to say is this: if I do
marry the Count, and you find yourself without a home, you'll have
nobody but yourself to thank for it. I'm sure you've had your chance."

Whether the antique heart of the spinster had cherished the design of
attempting to glide into the place in the Count's life left vacant by
the refusal of her niece is a fact known only to her attendant angels,
if she had any. Certain it is that within twenty-four hours she had
summoned that nobleman to her august presence.

"Count," she said to him, "I can't express to you how distressed I am
that my niece has put such a slight on you. She is absolutely determined
not to marry."

The Count as usual shrugged his shoulders, and remarked in mangled
English that in America there was no authority; and that in his country
the girl would not have been asked whether she was determined to marry
or not. Her determination would have made no difference.

"That is the way it should be here," Miss Wentstile observed with
feeling; "but it isn't. The young people are brought up to have their
own way, no matter what their elders wish."

"Then she weell not to marry wid me?" he asked.

"No, there's no hope of it. She is as obstinate as a rock."

There was a brief interval of silence in which the Count looked at Miss
Wentstile and Miss Wentstile looked at the floor.

"Count Shimbowski," she said at last, raising her eyes, "of course it
doesn't make much difference to you who it is you marry if you get the
money."

He gave a smile half of deprecation, and spread out his hands.

"One Shimbowski for de _dot_ marries," he acknowledged, "but eet ees not
wid all weemeens. Dat ees not honor."

"Oh, of course I mean if your wife was a lady."

"Eet ees for de _dot_ only one Shimbowski would wid all Amereecans
marry," he returned with simple pride.

Miss Wentstile regarded him with a questioning look.

"I am older than my niece," she went on, "but my _dot_ would be half a
million."

The whole thing was so entirely a matter of business that perhaps it was
not strange that she spoke with so little sign of emotion. Most women,
it is true, would hardly come so near to proposing to a man without some
frivolous airs of coquetry; but Miss Wentstile was a remarkable and
exceptional woman, and her air was much that in which she might have
talked of building a new house.

"Ees eet dat de wonderful Mees Wentsteele would marry wid me for all dat
_dot_?"

Miss Wentstile took him up somewhat quickly.

"I don't say that I would, Count," she returned; "but since you've been
treated so badly by my niece, I thought I would talk with you to see how
the idea struck you."

"Oh, eet weell be heavenly sweet to know what we weell be mine for all
dat _dot_," the Count asserted, bowing with his hand on his heart.

She smiled somewhat acidly, and yet not so forbiddingly as to daunt him.

"If we are yours what is there left for me?" she asked.

"Ah," the Count sighed, with a shake of his head, "dat Engleesh--"

"Never mind," she interrupted, "I understand that if I do marry you I
get the name and not much else."

"But de name!" he cried with fervor. "De Shimbowski name! Oh, eet ees
dat de name weell be older dan dere was any mans een dees country."

"I dare say that is true," she responded, smiling more pleasantly. "My
sentiments for the name are warm enough."

"De _sentiments_ of de esteemfully Mees Wentsteele ees proud for me," he
declared, rising to bow. "Ees eet dat we weell marry wid me? Mees
Wentsteele ees more detracteeve for me wid her _dot_ dan Mees Endeecott.
Eet ees mooch more detracteeve."

"Well," Miss Wentstile said, rising also, "I thought I would see how the
idea struck you. I haven't made up my mind. My friends would say I was
an old fool, but I can please myself, thank heaven."

The Count took her hand and bowed over it with all his courtly grace,
kissing it respectfully.

"Ah," he told her, echoing her words with unfortunate precision, "one
old fool ees so heavenly keend!"

Miss Wentstile started, but the innocence of his intention was evident,
and she offered no correction. She bade him good-by with a beaming
kindness, and for the rest of the day carried herself with the conscious
pride of a woman who could be married if she would.

For the next few days there was about Miss Wentstile a new atmosphere.
She snubbed her niece with an air of pride entirely different from her
old manner. She dropped hints about there being likely to be a title in
the family after all, and as there could be no mystery what she must
mean she attempted mystification by seeming to know things about the
Count and his family more magnificent than her niece had ever dreamed
of. She sent to a school of languages for an instructor in Hungarian,
and when none was to be found at once, she purchased a grammar, and
ostentatiously studied it before Alice. Altogether she behaved as
idiotically as possible, and whether she really intended to go to the
extreme of marrying Count Shimbowski and endowing him with her fortune
or not, she at least contrived to make her friends believe that she was
prepared to go to any length in her absurdity.

The announcement of the engagement of Dick Fairfield and May Calthorpe,
which was made at once, of course produced the usual round of
congratulatory festivities. May, as it is the moral duty of every
self-respecting Bostonian to be, was related to everybody who was
socially anybody, and great were the number of dinners which celebrated
her decision to marry. It was too late in the season for balls, but that
was of little consequence when she and her betrothed could have dined in
half a dozen places on the same night had the thing been physically
possible.

The real purpose of offering multitudinous dinners to a couple newly
engaged has never been fully made clear. On first thought it might seem
as if kindness to young folk newly come to a knowledge of mutual love
were best shown by letting them alone to enjoy the transports inevitable
to their condition. Society has decided otherwise, and keeps them during
the early days of their betrothal as constantly as possible in the
public eye. Whether this custom is the result of a fear lest the lovers,
if left to themselves, might too quickly exhaust their store of
fondness, or of a desire to enhance for each the value of the other by a
display of general appreciation, were not easy to decide. A cynic might
suggest that older persons feel the wisdom of preventing the possibility
of too much reflection, or that they give all publicity to the
engagement as a means of lessening the chances of any failure of
contract. More kindly disposed reasoners might maintain that these
abundant festivities are but testimony to the truth of Emerson's
declaration that "all the world loves a lover." Philosophy, in the mean
time, leaning neither to cynicism on the one hand nor to over-optimism
on the other, can see in these social functions at least the visible
sign that society instinctively recognizes in the proposed union a
contract really public, since while men and women love for themselves
they marry for the state.

Alice Endicott and Jack Neligage were naturally asked to many of these
dinners, and so it came about that they saw a good deal of each other
during the next few weeks. Their recent disagreement at first bred a
faint coolness between them, but Jack was too good-natured long to keep
up even the pretense of malice, and Alice too forgiving to cherish
anger. The need, too, of hiding from the public all unpleasantness would
in any case have made it necessary for them to behave as usual, and it
is one of the virtues of social conventions that the need of being
outwardly civil is apt to blunt the edge of secret resentments. Of
course a healthy and genuine hate may be nourished by the irksomeness of
enforced suavity, but trifling pique dies a natural death under outward
politeness. Alice and Jack were not only soon as friendly as ever, but
either from the reaction following their slight misunderstanding or from
the effect of the sentimental atmosphere which always surrounds an
engaged couple, their attitude became more confidential and friendly
than ever.

They sat side by side at a dinner in which the Harbingers were
officially testifying their satisfaction in the newly announced
engagement. Jack had been doing his duty to the lady on the other side,
and turned his face to Alice.

"What is worrying you?" he asked, his voice a little lowered.

She looked at him with a smile.

"What do you mean by that?" she asked. "I was flattering myself that I'd
been particularly frolicsome all the evening."

"You have; that's just it."

"What do you mean by that?"

"I mean that you've had to try."

"You must have watched me pretty closely," she remarked, flushing a
little, and lowering her glance.

"Oh, I know you so well that I don't need to; but to be sure I have kept
my eyes on you."

She played with her fork as if thinking, while his look was fixed on her
face.

"I didn't think I was so transparent," she said. "Do you suppose other
people noticed me?"

"Oh, no," he responded. "You don't give me credit for my keenness of
perception. But what's the row?"

"Nothing," was her answer, "only--Well, the truth is that I've had a
talk with Aunt Sarah that wasn't very pleasant. Jack, I believe she's
going to marry the Count."

"I'm glad of it," was his laughing response. "He'll make her pay for all
the nasty things she has done. He'll be a sort of public avenger."

Alice became graver. She shook her head, smiling, but with evident
disapproval.

"You promised me long ago that you wouldn't say things against Aunt
Sarah."

"No, I never did," he declared impenitently. "I only said that I'd try
not to say things to you about her that would hurt your feelings."

"Well, weren't you saying them then?"

"That depends entirely upon your feelings; but if they are so sensitive,
I'll say I am delighted that the 'venerated Mees Wentsteele,' as the
Count calls her, is at last to be benefited by the discipline of having
a master."

Alice laughed in spite of herself.

"She won't enjoy that," she declared. "Poor Aunt Sarah, she's been very
kind to me, Jack. She's really good-hearted."

"You can't tell from the outside of a chestnut burr what kind of a nut
is inside of it," retorted he; "but if you say she is sound, it goes.
She's got the outside of the burr all right."

The servant with a fresh course briefly interrupted, and when they had
successfully dodged his platter Jack went back to the subject.

"Is it proper to ask what there was in your talk that was especially
unpleasant,--not meaning that she was unpleasant, of course, but only
that with your readiness to take offense you might have found something
out of the way."

Alice smiled faintly as if the question was too closely allied to
painful thoughts to allow of her being amused.

"She is still angry with me," she said.

"For giving her a husband? She's grateful."

"No, it isn't that. She can't get over my not doing what she wanted."

"You've done what she wanted too long. She's spoiled. She thinks she
owns you."

"Of course it's hard for her," Alice murmured.

"Hard for her? It's just what she needed. What is she going to do about
it I'd like to know?"

Alice looked at him with a wistful gravity.

"If I tell you a secret," she said in a low tone, "can I trust you?"

"Of course you can," was the answer. "I should think that by this time,
after May's engagement, you'd know I can keep still when I've a mind
to."

Jack's chuckle did not call a smile to her face now. She had evidently
forgotten for the moment the need of keeping up a smiling appearance in
public; her long lashes drooped over cheeks that had little color in
them, and her mouth was grave.

"She was very severe to-night," Alice confided to her companion. "She
said--Oh, Jack, what am I to do if she goes away and leaves me without a
home? She said that as of course I shouldn't want to go with her to
Hungary, she didn't know what would become of me. She wanted to know if
I could earn my living."

"The infernal old--" began Jack; then he checked himself in time, and
added: "You shall never want a home while--" but an interruption stopped
him.

"Jack," called Tom Harbinger from the other end of the table, "didn't
the Count say: 'Stones of a feather gather no rolls'?"

The society mask slipped in a flash over the faces of Alice and Jack.
The latter had ready instantly a breezy laugh which might have disarmed
suspicion if any of the company had seen his recent gravity.

"Oh, Tom," he returned, "it wasn't so bad as that. He said: 'Birds of
one feder flock to get eet.' I wish I had a short-hand report of all his
sayings."

"He told me at the club," put in Mrs. Harbinger, improving on the fact
by the insertion of an article, "that Miss Wentstile was 'an
ext'rdeenaire particle.' I hope you don't mind, Alice?"

"Nothing that the Count says could affect me," was the answer.

Having the eyes of the ladies in her direction, Mrs. Harbinger improved
the opportunity to give the signal to rise, and the talk between Alice
and Jack was for that evening broken off.




XXVI

THE WOOING OF A WIDOW


"Jack," Mrs. Neligage observed one morning when her son had dropped in,
"I hope you won't mind, but I've decided to marry Harry Bradish."

Jack frowned slightly, then smiled. Probably no man is ever greatly
pleased by the idea that his mother is to remarry; but Jack was of
accommodating temper, and moreover was not without the common sense
necessary for the acceptance of the unpalatable. He trimmed the ashes
from the cigarette he was smoking, took a whiff, and sent out into the
air an unusually neat smoke-ring. He sat with his eyes fixed upon the
involving wreath until it was shattered upon the ceiling and its frail
substance dissolved in air.

"Does Bradish know it?" he inquired.

"Oh, he doesn't suspect it," answered she. "He'll never have an idea of
such a thing till I tell him, and then he won't believe it."

Jack laughed, blew another most satisfactory smoke-ring, and again with
much deliberation watched it ascend to its destruction.

"Then you don't expect him to ask you?" he propounded at length.

"Ask me, Jack? He never could get up the courage. He'd lie down and die
for me, but as for proposing--No, if there is to be any proposing I'm
afraid I should have to do it; so we shall have to get on without."

"It wouldn't be decorous for me to ask how you mean to manage, I
suppose."

"Oh, ask by all means if you want to, Jacky dear; but never a word shall
I tell you. All I want of you is to say you aren't too much cut up at
the idea."

"I've brought you up so much to have your own way," Jack returned in a
leisurely fashion, "that I'm afraid it's too late to begin now to try to
control you. I wish you luck."

They were silent for some minutes. Mrs. Neligage had been mending a
glove for her son, and when she had finished it, she rose and brought it
to him. She stood a minute regarding him with an unwonted softness in
her glance.

"Dear boy," she said, with a tender note in her voice, "I haven't
thanked you for the money you sent Langdon."

He threw his cigarette away, half turning his face from her as he did
so.

"It's no use to bring that up again," he said. "I'm only sorry I
couldn't have the satisfaction of kicking him."

She shook her head.

"I've wanted you to a good many times," returned she, "but that's a
luxury that we couldn't afford. It would cost too much." She hesitated a
moment, and added: "It must have left you awfully hard up, Jack."

"Oh, I'm going into the bank. I'm a reformed man, you know, so that
doesn't matter. If I can't play polo what good is money?"

His mother sighed.

"I do wish Providence would take my advice about giving the money
round," she remarked impatiently. "Things would be a great deal better
arranged."

"For us they would, I've no doubt," he assented with a grin.

"When do you go into that beastly old bank?" she asked.

"First of the month. After all it won't be so much worse than being
married."

"You must be awfully hard up," she said once more regretfully.

"Oh, I'm always hard up. Don't bother about that."

She stooped forward and kissed him lightly, an unusual demonstration on
her part, and stood brushing the crisp locks back from his forehead. He
took her hand and pulled her down to kiss her in turn.

"Really, mater," he observed, still holding her hand, "we're getting
quite spoony. Does the idea of marrying Harry Bradish make you
sentimental?"

She smiled and did not answer, but withdrew her hand and returned to her
seat by the window. She took up a bit of sewing, and folded down on the
edge of the lawn a tiny hem.

"When I am married," she observed, the faint suspicion of a blush
coming into her cheek, "I can pay that money back to you. Harry is rich
enough, and generous enough."

Jack stopped in the lighting of a fresh cigarette, and regarded her
keenly.

"Mother," he said in a voice of new seriousness, "are you marrying him
to get that money for me?"

"I mean to get it for you," she returned, without looking up.

Again he began to send rings of smoke to break on the ceiling above, and
meanwhile she fixed her attention on her sewing. The noise of the
carriages outside, the profanity of the English sparrows quarreling on
the trees, and the sound of a distant street-organ playing "Cavalleria"
came in through the open window.

"Mother," he said, "I won't have it."

"Won't have what?"

"I won't have you marry Harry Bradish."

"Why not?"

"Do you think," he urged, with some heat, "that I don't see through the
whole thing? You are bound to help me out, and I won't have you do it."

The widow let her sewing fall into her lap, and turned her face to the
window.

"How will you help it?" she asked softly.

"I'll stop it in one way or another. I tell you--"

But she turned toward him a face full of confusion and laughter.

"Oh, Jack, you old goose, I've been fond of Harry Bradish for years,
only I didn't dare show it because--"

"Because what?"

"Because Sibley Langdon was so nasty if I did," she returned, her tone
hardening. "You don't know," she went on, the tone changing again like a
flute-note, "what a perfect dear Harry is. I've teased him, and snubbed
him, and bullied him, and treated him generally like a fiend, and he's
been as patient, and as sweet--Why, Jack, he's a saint beside me! He's
awkward, and as stupid as a frog, but he's as good as gold."

Jack's face had darkened at the mention of Langdon, but it cleared
again, and his sunny smile came back once more. He sent out a great
cloud of smoke with an entire disregard of the possibilities of artistic
ring-making which he sacrificed, and chuckled gleefully.

"All right, mater," he said, "if that's the state of things I've nothing
more to say. You may even fleece him for my benefit if you want to."

He rose as he spoke, and went over to where his mother was sitting. With
heightened color, she had picked up her sewing, and bent over it so that
her face was half hidden.

"Who supposed there was so much sentiment in the family," he remarked.
"Well, I must go down town. Good-by. I wish you joy."

They kissed each other with a tenderness not customary, for neither was
much given to sentimental demonstrations; and Jack went his way.

It has been remarked by writers tinged with cynicism that a widow who
wishes to remarry is generally able to do a large part of whatever
wooing is necessary. In the present case, where the lady had frankly
avowed her intention of doing the whole, there was no reason why the
culmination should be long delayed. One day soon after the interview
between Mrs. Neligage and her son, the widow and Harry Bradish were at
the County Club when they chanced to come into the parlor just in time
to discover May Calthorpe and Dick Fairfield, when the lover was kissing
his lady's hand. Mrs. Neligage was entirely equal to the situation.

"Yes, Mr. Bradish," she observed, looking upward, "you were right, this
ceiling is very ugly."

"I didn't say anything about the ceiling," he returned, gazing up in
amazement, while Dick and May slipped out at another door.

She turned to him with a countenance of mischief.

"Then you should have said it, stupid!" she exclaimed. "Didn't you see
Dick and May?"

"I saw them go out. What of it?"

"Really, Harry," she said, falling into the name which she had called
him in her girlhood, "you should have your wits about you when you
stumble on young lovers in a sentimental attitude."

"I didn't see what they were doing. I was behind you."

"Oh, he had her hand," explained she, extending hers.

Bradish took it shyly, looking confused and mystified. The widow laughed
in his face.

"What are you laughing at?" he asked.

"What do you suppose he was doing?" Mrs. Neligage demanded. "Now you
have my hand, what are you going to do with it?"

He dropped her hand in confusion.

"I--I just took it because you gave it to me," he stammered. "I was only
going--I was going to--"

"Then why in the world didn't you?" she laughed, moving quickly away
toward the window which opened upon the piazza.

"But I will now," he exclaimed, striding after.

"Oh, now it is too late," she declared teasingly. "A woman is like time.
She must be taken by the forelock."

"But, Mrs. Neligage, Louisa, I was afraid of offending you!"

"Nothing offends a woman so much as to be afraid of offending her," was
her oracular reply, as she flitted over the sill.

All the way into town that sunny April afternoon Harry Bradish was
unusually silent. While Mrs. Neligage, in the highest spirits, rattled
on with jest, or chat, or story, he replied in monosyllables or in the
briefest phrases compatible with politeness. He was evidently thinking
deeply. The very droop of his yellow mustaches showed that. The presence
of the trig little groom at the back of the trap was a sufficient reason
why Bradish should not then deliver up any confidential disclosures in
regard to the nature of his cogitations, but from time to time he
glanced at the widow with the air of having her constantly in his
thoughts.

Bradish was the most kindly of creatures, and withal one of the most
self-distrustful. He was so transparent that there was nothing
surprising in the ease with which one so astute as Mrs. Neligage might
read his mood if she were so disposed. He cast upon her looks of inquiry
or doubt which she gave no sign of perceiving, or now and then of
bewilderment as if he had come in his thought to a question which
puzzled him completely. During the entire drive he was obviously
struggling after some mental adjustment or endeavoring to solve some
deep and complicated problem.

The day was enchanting, and in the air was the exciting stir of spring
which turns lightly the young man's fancy to thoughts of love. Whether
Bradish felt its influence or not, he had at least the air of a man
emotionally much stirred. Mrs. Neligage looked more alert, more
provoking, more piquant, than ever. She had, it is true, an aspect less
sentimental than that of her companion, but nature had given to Harry
Bradish a likeness to Don Quixote which made it impossible for him ever
to appear mischievous or sportive, and if he showed feeling it must be
of the kindly or the melancholy sort. The widow might be reflecting on
the effectiveness of the turnout, the fineness of the horses, the
general air of style and completeness which belonged to the equipage, or
she might be ruminating on the character of the driver. She might on
the other hand have been thinking of nothing in particular except the
light things she was saying,--if indeed it is possible to suppose that a
clever woman ever confines her thoughts to what is indicated by her
words. Bradish, however, was evidently meditating of her.

When he had brought the horses with a proper flourish to Mrs. Neligage's
door, Bradish descended and helped her out with all his careful
politeness of manner. He was a man to whom courtesy was instinctive. At
the stake he would have apologized to the executioner for being a
trouble. He might to-day be absorbed and perplexed, but he was not for
that less punctiliously attentive.

"May I come in?" he asked, hat in hand.

"By all means," Mrs. Neligage responded. "Come in, and I'll give you a
cup of tea."

Bradish sent the trap away with the satisfactory groom, and then
accompanied his companion upstairs. They were no sooner inside the door
of her apartment than he turned to the widow with an air of sudden
determination.

"Louisa," he said with awkward abruptness, "what did you mean this
afternoon?"

He grasped her hands with both his; his hat, which he had half tossed
upon the table, went bowling merrily over the floor, but he gave it no
heed.

"Good gracious, Harry," she cried, laughing up into his face, "how
tragic you are! Pick up your hat."

He glanced at the hat, but he did not release her hands. He let her
remark pass, and went on with increasing intensity which was not unmixed
with wistfulness.

"I've been thinking about it all the way home," he declared. "You've
always teased me, Louisa, from the days we were babies, and of course
I'm an old fool; but--Were you willing I should kiss your hand?"

He stopped in speechless confusion, the color coming into his cheeks,
and looked pathetically into her laughing face.

"Lots of men have," she responded.

He dropped her hands, and grew paler.

"But to-day--" he stammered.

"But what to-day?" she cried, moving near to him.

"I thought that to-day--Louisa, for heaven's sake, do you care for me?"

"Not for heaven's sake," she murmured, looking younger and more
bewitching than ever.

Some women at forty-five are by Providence allowed still to look as
young as their children, and Mrs. Neligage was one of them. Her airs
would perhaps have been ridiculous in one less youthful in appearance,
but she carried them off perfectly. Bradish was evidently too completely
and tragically in earnest to see the point of her quip. He looked so
disappointed and abashed that it was not strange for her to burst into a
peal of laughter.

"Oh, Harry," she cried, "you are such a dear old goose! Must I say it in
words? Well, then; here goes, despite modesty! Take me!"

He stared at her as if in doubt of his senses.

"Do you mean it?" he stammered.

"I do at this minute, but if you're not quick I may change my mind!"

Then Harry Bradish experienced a tremendous reaction from the excessive
shyness of nearly half a century, and gathered her into his arms.




XXVII

THE CLIMAX OF COMEDY


Society has always a kindly feeling toward any person who furnishes
material for talk. Even in those unhappy cases where the matter provided
to the gossips is of an iniquitous sort, it is not easy utterly to
condemn evil which has added a pleasant spice to conversation. It is
true that in word the sinner may be entirely disapproved, but the
disapproval is apt to be tempered by an evident feeling of gratitude for
the excitement which the sin has provided to talkers. In lighter
matters, where there is no reason to regard with reprobation the course
discussed, the friendliness of the gossips is often covered with a sauce
piquant of doubtful insinuation, of sneer, or of ridicule, but in
reality it is evident that those who abuse do so, like Lady Teazle, in
pure good nature. To be talked about in society is really to be awarded
for the time being such interest as society is able to feel; and the
interest of society is its only regard.

The engagement of Mrs. Neligage to Harry Bradish naturally set the
tongues of all their acquaintances wagging, and many pretty things were
said of the couple which were not entirely complimentary. The loves of
elderly folk always present to the eyes of the younger generation an
aspect somewhat ludicrous, and the buds giggled at the idea of nuptials
which to their infantine minds seemed so venerable. The women pitied
Bradish, who had been captured by the wiles of the widow, and the men
thought it a pity that so gifted and dashing a woman as Mrs. Neligage
should be united to a man so dull as her prospective husband. The widow
did not wear her heart on her sleeve, so that daws who wished to peck at
it found it well concealed behind an armor of raillery, cleverness, and
adroitness. Bradish, on the other hand, was so openly adoring that it
was impossible not to be touched by his beaming happiness. On the whole
the match was felt to be a suitable one, although Mrs. Neligage had no
money; and from the mingled pleasure of gossiping about the pair, and
nominally condemning the whole business on one ground or another,
society came to be positively enthusiastic over the marriage.

The affairs of Jack Neligage might in time be influenced by his mother's
alliance with a man of wealth, but they were little changed at first. It
is true that by some subtile softening of the general heart at the
thought of matrimony in the concrete, as presented by the spectacle of
the loves of Mrs. Neligage and Bradish, his social world was moved to a
sort of toleration of the idea of his marrying Alice Endicott in spite
of his poverty. People not in the least responsible, who could not be
personally affected by such a match, began to wonder after all whether
there were not some way in which it might be arranged, and to condemn
Miss Wentstile for not making possible the union of two lovers so long
and so faithfully attached. Society delights in the romantic in other
people's families, and would have rolled as a sweet morsel under its
tongue an elopement on the part of Jack and Alice, or any other sort of
extravagant outcome. The marriage of his mother gave him a new
consequence both by keeping his affairs in the public mind and by
bringing about for him a connection with a man of money.

Miss Wentstile was not of a character which was likely sensitively to
feel or easily to receive these beneficent public sentiments. She was a
woman who was entirely capable of originating her own emotions, a fact
which in itself distinguished her as a rarity among her sex. No human
being, however, can live in the world without being affected by the
opinions of the world; and it is probable that Miss Wentstile, with all
her independence, was more influenced by the thought of those about her
than could be at all apparent.

Mrs. Neligage declared to Jack that she meant to be very civil to the
spinster.

"She's a sort of cousin of Harry's, you know," she remarked; "and it
isn't good form not to be on good terms with the family till after
you're married."

"But after the wedding," he responded with a lazy smile, "I suppose she
must look out."

Mrs. Neligage looked at him, laughing, with half closed eyes.

"I should think that after the marriage she would do well to remember
her place," was her reply. "I shall have saved her from the Count by
that time, too; and that will give her a lesson."

But Providence spared Mrs. Neligage the task of taking the initiative in
the matter of the Count. One day in the latter part of April, just
before the annual flitting by which all truly patriotic Bostonians elude
the first of May and the assessors, the widow went to call on her
prospective relative. Miss Wentstile was at home in the drawing-room
with Alice and the Count. Tea had been brought in, and Alice was pouring
it.

"I knew I should be just in time for tea," Mrs. Neligage declared
affably; "and your tea is always so delicious, Miss Wentstile."

"How do you do, Louisa," was Miss Wentstile's greeting. "I wish you'd
let me know when you are at home. I wouldn't have called yesterday if
I'd supposed you didn't know enough to stay in to be congratulated."

"I had to go out," Mrs. Neligage responded. "I was sorry not to see
you."

"There was a horrid dog in the hall that barked at me," Miss Wentstile
continued. "You ought not to let your visitors be annoyed so."

"It isn't my dog," the widow replied with unusual conciliation in her
manner. "It belongs to those Stearnses who have the apartment opposite."

"I can't bear other people's dogs," Miss Wentstile declared with superb
frankness. "Fido was the only dog I ever loved."

"Where is Fido?" asked the widow. "I haven't heard his voice yet."

Miss Wentstile drew herself up stiffly.

"I have met with a misfortune. I had to send dear Fido away. He would
bark at the Count."

Whatever the intentions of Mrs. Neligage to conciliate, Providence had
not made her capable of resisting a temptation like this.

"How interesting the instinct of animals is," she observed with an air
of the most perfect ingenuousness. "They seem to know doubtful
characters by intuition."

"Doubtful characters?" echoed Miss Wentstile sharply. "Didn't Fido
always bark at you, Louisa?"

"Yes," returned the caller as innocently as ever. "That is an
illustration of what I was saying."

"Oh, Madame Neleegaze ees so continuously to be _drôle_!" commented the
Count, with a display of his excellent teeth. "So she have to marry, ees
eet not?"

"Do you mean those two sentences to go together, Count?" Alice asked,
with a twinkle of fun.

He stood apparently trying to recall what he had said, in order to get
the full meaning of the question, when the servant announced Mrs.
Croydon, who came forward with a clashing of bead fringes and a rustling
of stiff silk. She was ornamented, hung, spangled, covered, cased in jet
until she might not inappropriately have been set bodily into a relief
map to represent Whitby. She advanced halfway across the space to where
Miss Wentstile sat near the hearth, and then stopped with a dramatic
air. She fixed her eyes on the Count, who, with his feet well apart,
stood near Miss Wentstile, stirring his tea, and diffusing abroad a
patronizing manner of ownership.

"I beg your pardon, Miss Wentstile," Mrs. Croydon said in a voice a
little higher than common, "I will come to see you again when you
haven't an assassin in your house."

There was an instant of utter silence. The remark was one well
calculated to produce a sensation, and had Mrs. Croydon been an actress
she might at that instant have congratulated herself that she held her
audience spellbound. It was but for a flash, however, that Miss
Wentstile was paralyzed.

"What do you mean?" exclaimed the spinster, recovering the use of her
tongue.

"I mean," retorted Mrs. Croydon, extending her bugle-dripping arm
theatrically, and pointing to the Count, "that man there."

"Me!" cried the Count.

"The Count?" cried Miss Wentstile an octave higher.

"Ah!" murmured Mrs. Neligage very softly, settling herself more
comfortably in her chair.

"He tried to murder my husband," went on Mrs. Croydon, every moment with
more of the air of a stage-struck amateur. "He challenged him!"

"Your husband?" the Count returned. "Eet ees to me thees teeme first
know what you have one husband, madame."

"I thought your husband was dead, Mrs. Croydon," Miss Wentstile
observed, in a voice which was like the opening of an outside door with
the mercury below zero.

Mrs. Croydon was visibly confused. Her full cheeks reddened; even the
tip of her nose showed signs of a tendency to blush. Her trimmings
rattled and scratched on the silk of her gown.

"I should have said Mr. Barnstable," she corrected. "He was my husband
once when I lived in Chicago."

The Count, perfectly self-possessed, smiled and stirred his tea.

"Ees eet dat de amiable Mrs. Croydon she do have a deeferent husband
leek a sailor mans een all de harbors?" he asked with much deference.

Mrs. Neligage laughed softly, leaning back as if at a comedy. Alice
looked a little frightened. Miss Wentstile became each moment more
stern.

"Mr. Barnstable and I are to be remarried immediately," Mrs. Croydon
observed with dignity. "It was for protecting me from the abuse of an
anonymous novel that he offended you. You would have killed him for
defending me."

The Count waved his teaspoon airily.

"He have eensult me," he remarked, as if disposing of the whole subject.
"Then he was one great cowherd. He have epilogued me most abject."

Mrs. Neligage elevated her eyebrows, and turned her glance to Mrs.
Croydon, who stood, a much overdressed goddess of discord, still in the
middle of the floor.

"That is nonsense, Mrs. Croydon," she observed honeyedly. "Mr.
Barnstable behaved with plenty of pluck. The apology was Jack's doing,
and wasn't at all to your--your _fiancé's_ discredit."

Miss Wentstile turned with sudden severity to Mrs. Neligage.

"Louisa," she demanded, "do you know anything about this affair?"

"Of course," was the easy answer. "Everybody in Boston knew it but you."

The Count put his teacup on the mantelpiece. He had lost the jauntiness
of his air, but he was still dignified.

"Eet was one _affaire d'honneur_," he said.

"But why was I not told of this?" Miss Wentstile asked sharply.

"You?" Mrs. Croydon retorted with excitement. "Everybody supposed--"

Mrs. Neligage rose quickly.

"Really," she said, interrupting the speaker, "I must have another cup
of tea."

The interruption stopped Mrs. Croydon's remark, and Miss Wentstile did
not press for its conclusion.

"Count," the spinster asked, turning to that gentleman, who towered
above her tall and lowering, "have you ever fought a duel?"

The Count shrugged his shoulders.

"All Shimbowski ees _hommes d'honneur_."

She made him a frigid bow.

"I have the honor to bid you good day," she said, with a manner so
perfect that the absurdity of the situation vanished.

The Count drew himself up proudly. Then he in his turn bowed profoundly.

"You do eet too much to me honor," he said, with a dignity which was
worthy of his family. "Ladies, _votre serviteur_."

He made his exit in a manner to be admired. Mrs. Croydon feigned to
shrink aside as he passed her, but Mrs. Neligage looked at her with so
open a laugh at this performance that confusion overcame the dame of
bugles, and she moved forward disconcerted. She had not yet gained a
seat, when Miss Wentstile faced her with all her most unrestrained
fashion.

"I shouldn't think, Mrs. Croydon, that you, with the stain of a divorce
court on you, were in position to throw stones at Count Shimbowski. He
has done nothing but follow the customs to which he's been brought up."

"Perhaps that's true of Mrs. Croydon too," murmured Mrs. Neligage to
Alice.

"If you wanted to tell me," Miss Wentstile went on, "why didn't you tell
me when he was not here? No wonder foreigners think we are barbarians
when a nobleman is insulted like that."

"I didn't mean to tell you," Mrs. Croydon stammered humbly. "It just
came out."

"Why didn't you mean to tell me?" demanded Miss Wentstile, whose anger
had evidently deprived her for the time being of all coolness.

"Why, I thought you were engaged to him!" blurted out Mrs. Croydon,
fairly crimson from brow to chin.

"Engaged!" echoed Miss Wentstile, half breathless with indignation.

Mrs. Neligage came to the rescue, cool and collected, entirely mistress
of herself and of the situation.

"Really, Mrs. Croydon," she suggested, smiling, "don't you think that is
bringing Western brusqueness home to us in rather a startling way? We
don't speak of engagements until they are announced, you know."

"But Miss Wentstile told me the other day that she might announce one
soon," persisted Mrs. Croydon, into whose flushed face had come a look
of baffled obstinacy.

Mrs. Neligage threw up her hands in a graceful little gesture. She
played private theatricals infinitely better than Mrs. Croydon. There
was in their art all the difference between the work of the most clumsy
amateur and a polished professional.

"There is nothing to do but to tell it," she said, as if appealing to
Miss Wentstile and Alice. "The engagement was that of Miss Endicott and
my son. Miss Wentstile never for a moment thought of marrying the Count.
She knew from me that he gambled and was a famous duelist."

Alice put out her hand suddenly, and caught that of the widow.

"Oh, Mrs. Neligage!" she cried.

The widow patted the girl's fingers. The face of Miss Wentstile was a
study for a novelist who identifies art with psychology.

"Of course I ought not to have told, Alice," Mrs. Neligage went on; "but
I'm sure Mrs. Croydon is to be trusted. It isn't fair to your aunt that
this nonsensical notion should be abroad that she meant to marry the
Count."

Mrs. Croydon was evidently too bewildered to understand what had taken
place. She awkwardly congratulated Alice, apologized to Miss Wentstile
for having made a scene, and somehow got herself out of the way.

"What an absolutely incredible woman! With the talent both she and Mr.
Barnstable show for kicking up rows in society," observed Mrs. Neligage,
as soon as the caller had departed, "I should think they would prevent
any city from being dull. I trust they will pass the time till their
next divorce somewhere else than here."




XXVIII

THE UNCLOUDING OF LOVE


Miss Wentstile sat grimly silent until they heard the outer door
downstairs close behind the departing guest. Then she straightened
herself up.

"I thank you, Louisa," she said gravely; "you meant well, but how dared
you?"

"Oh, I had to dare," returned Mrs. Neligage lightly. "I'm coming into
the family, you know, and must help keep up its credit."

"Humph!" was the not entirely complimentary rejoinder. "If you cared for
the credit of the family why didn't you tell me about the Count sooner?
Is he really a fast man?"

"He's been one of the best known sports in Europe, my dear Miss
Wentstile."

"Why didn't you tell me then?"

"Why should I? I wasn't engaged to Harry then, and if the Count wanted
to reform and settle down, you wouldn't have had me thwart so virtuous
an inclination, would you?"

"I thought you wanted him to marry Alice!"

"I only wanted Alice out of the way of Jack," the widow confessed
candidly.

"Why?" Miss Wentstile asked.

The spinster was fond of frankness, and appreciated it when it came in
her way.

"Because I hated to have Jack poor, and I knew that if Alice married him
you'd never give them a cent to live on."

Alice, her face full of confusion and pain, moved uneasily, and put her
hand on the arm of Mrs. Neligage once more, as if to stop her. The widow
again patted the small hand reassuringly, but kept her eyes fixed full
on those of the aunt.

"You took a different turn to-day," the spinster observed suspiciously.

"I had to save you to-day," was the ready answer; "and besides I can't
do anything with Jack. He's bound to marry Alice whether you and I like
it or not, and he's going to work in a bank in the most stupid manner."

To hear the careless tone in which this was said nobody could have
suspected that this speech was exactly the one which could most surely
move the spinster, and that the astute widow must have been fully aware
of it.

"So you are sure I won't give Alice anything if she marries Jack, are
you?" Miss Wentstile said. "Well, Alice, you are to marry Jack Neligage
to save me from the gossips."

"It seems to me," Alice said, blushing very much, "that if I can't have
any voice in the matter, Jack might be considered."

"Oh, my dear," returned Mrs. Neligage quickly, "do you suppose that if I
made an alliance for Jack, he would be so undutiful as to object?"

Alice burst into a laugh, but Miss Wentstile, upon whom, in her
ignorance of the engagement between Jack and May, the point was lost,
let it pass unheeded.

"Well," she said, "I think I'll surprise you for once, Louisa. If Jack
will stick faithfully to his place in the bank for a year, I'll give him
and Alice the _dot_ I promised the Count."

Mrs. Neligage got away from Miss Wentstile's as soon as possible,
leaving Alice to settle things with her aunt, and taking a carriage at
the next corner, drove to Jack's lodgings. She burst into his room
tumultuously, fortunately finding him at home, and alone.

"Oh, Jack," she cried, "I didn't mean to, but I've engaged you again!"

He regarded her with a quizzical smile.

"Matchmaking seems to be a vice which develops with your age," he
observed. "I got out of the other scrape easily enough, and I won't deny
that it was rather good fun. I hope that this isn't any worse."

"But, Jack, dear, this time it's Alice!"

"Alice!" he exclaimed, jumping up quickly.

"Yes, it's Alice, and you ought to be grateful to me, for she's going to
have a fortune, too."

With some incoherency, for she was less self-contained than usual, Mrs.
Neligage told him what had happened.

"See what it is to have a mother devoted to your interests," she
concluded. "You'd never have brought Miss Wentstile to terms. You ought
to adore me for this."

"I do," he answered, laughing, but kissing her with genuine affection.
"I hope you'll be as happy as Alice and I shall be."

"I only live for my child," returned she in gay mockery. "For your sake
I'm going to be respectable for the rest of my life. What sacrifices we
parents do make for our children!"

       *       *       *       *       *

Late that evening Jack was taking his somewhat extended adieus of Alice.

"After all, Jack," she said, "the whole thing has come out of the novel.
We'll have a gorgeously bound copy of 'Love in a Cloud' always on the
table to remind us--"

"To remind us," he finished, taking the words out of her mouth with a
laugh, "that our love has got out of the clouds."

       *       *       *       *       *

    The Riverside Press
    PRINTED BY H. O. HOUGHTON & CO.
    CAMBRIDGE, MASS.
    U.S.A.

       *       *       *       *       *

Books by Arlo Bates.


LOVE IN A CLOUD. A Novel.

THE PURITANS. A Novel.

THE PHILISTINES. A Novel.

THE PAGANS. A Novel.

PATTY'S PERVERSITIES. A Novel.

PRINCE VANCE. The Story of a Prince with a Court in his Box. By ARLO
BATES and ELEANOR PUTNAM.

A LAD'S LOVE.

UNDER THE BEECH-TREE. Poems.

TALKS ON WRITING ENGLISH.

TALKS ON THE STUDY OF LITERATURE.


    HOUGHTON, MIFFLIN & CO.
    BOSTON AND NEW YORK.

*** END OF THE PROJECT GUTENBERG EBOOK 42831 ***