Project Gutenberg's The Nursery, January 1881, Vol. XXIX, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Nursery, January 1881, Vol. XXIX
A Monthly Magazine for Youngest Readers
Author: Various
Release Date: September 14, 2012 [EBook #40752]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JANUARY 1881 ***
Produced by Emmy, Juliet Sutherland and the Online
Distributed Proofreading Team at http://www.pgdp.net Music
transcribed by June Troyer.
| PAGE | |
| That Merry Christmas | 1 |
| Baby and the Bird | 4 |
| The Sheep follow the Shepherd | 7 |
| "A Friend in Need" | 8 |
| "In a Minute" | 10 |
| Down the River after the Boy | 14 |
| Drawing-Lesson | 17 |
| Jack the Magpie | 19 |
| Among the Holly-Bushes | 23 |
| The Basket of Apples | 25 |
| PAGE | |
| Baby's Quiet Family | 3 |
| A New Year's Dialogue | 5 |
| The Christmas-Tree | 12 |
| "Flutter, Flutter!" | 16 |
| Christmas Bells | 18 |
| Portraits for Little Folks | 21 |
| Christmas (with music) | 32 |
THAT MERRY CHRISTMAS.
Mary had a fine new doll. Harry had a box, and, on taking off the cover, up sprang a wise-looking little man, with a cap on his head. Jessy had a doll, and a very pretty one it was too. Tommy had a what-do-you-call-it. Why did he look up the chimney? I think it was to see if there was any sign of Santa Claus.
John mounted his horse, waved his sword, and held up his gun. But very soon he began to get tired of them all. The thought came into his head that he was more than eight years old. "What do I want of these toys?" said he. "Why was I so silly as to choose them, when aunt Susan would have given me a microscope?" And John laid down his sword and gun, feeling quite above such childish things.
When aunt Susan came, she saw that John did not seem as glad over his presents as the rest of the children did over theirs. "What is the matter, John?" she asked. "Why are you not playing with your toys?"
"Aunt Susan," said John, "I wish I had taken the microscope. Is it too late?"
"No, John. I thought you might repent your choice, so I said to Mr. Grover, who keeps the toy-shop, 'I think I shall want to change the microscope: can I do so?' He said, 'Yes.' His shop will be open till eleven o'clock. So run round and get the microscope, and tell him to send to-morrow and take back the toys."[3]
In five seconds John had on his hat, and was running down the street to Mr. Grover's. He came back with the microscope in about half an hour, and was full of joy at the change. A merry Christmas it was then for all the children!
Baby is looking out of the window. Jane is holding him up so that he will not fall out. What does he see that makes him jump up and down with joy?
He sees a dear little bird. It has come for its daily meal of seed and crumbs. It is not afraid of baby? Why should it be? How could any bird be afraid of such a dear child?
When the bird has had its dinner, I think it will sing.
But may it not be the form or dress of the shepherd that[8] the sheep know, and follow him? To test this, a traveller, who had put the question, once exchanged dresses with a shepherd, and went amongst the sheep.
The traveller in the shepherd's dress called the sheep, and tried to lead them; but "they knew not his voice," and did not move. But when the shepherd called them, though he was in the traveller's dress, they ran at once to him, thus proving that it was the voice that led them.
I have a dog that will sometimes bark at me when I put on an overcoat which he has not seen me wear before. But, the moment he hears my voice, he seems ashamed of not having known me, and will whine, as if he would say, "Pardon me, good master. It was very stupid in me not to know you. It was your coat I did not know. I will try to be wiser the next time."
He did not make much in a day; but what he got was a great help to his mother. That thought kept him daily at his work. One day he saw a little girl trying to lead her little brother across the street. The carts and the horses made her afraid, and she ran back timidly.
"What's the matter, little girl?" asked Henry.
"I am afraid we shall be run over," said the girl.
"I'll help you across," said Henry. Then, lifting the[9] little boy in his arms, he took the girl by the hand, and led her safely to the other side of the street.
"Thank you!" said the little girl; and "Thank you!" said her little brother, as plainly as he could speak it.
I went up and asked the boy with the broom if he knew the children. "I never saw them before in my life," said he; "but such little ones can't get across without help."
"You are a good boy," said I. "I think you must have a good father."
"I had one once," said he; "but now I have only a good mother."
"Well, Henry," said I, "give her this shilling, and tell her I send it to her for teaching her boy to do good when he can get a chance."
Tears came to the boy's eyes. A shilling seemed a good deal of money to him, and it pleased him all the more because it was given him for his mother.
"Thank you, sir; thank you!" said he, and he ran back to his work one of the happiest boys in London, I think, at that moment.
One day the bird was hopping about on the floor. Somebody went out, leaving the door open, just as "somebody" is always doing. Dora's mother said, "Dora, shut the door, or the cat will be after your bird."
"Yes, mother, in a minute," said Dora. "I just want to finish this line in my drawing." But the cat did not[11] wait till this was done. In he popped, and with one dart he had the bird in his mouth.
Down went the slate on the floor, and away went cat, bird, and Dora. There was a wild chase on the lawn. "In a minute" Dora came back weeping, with the poor bird in her hand, but, oh! the life had all been shaken out of him.
How Dora cried! Mamma was sorry for her, but said, "A great many things may happen 'in a minute,' Dora. I hope the next time you are told to do a thing, you will do it at once."
Seeing a small boat tied to a big stone by a rope, he pulled the boat up to the shore. "What a nice little boat!" said he. "I will get into it, and rock it, as I once saw a big boy do."
So he got into the boat, and began to rock it. The boat got loose, and drifted down the river. Walter did not notice this until he was quite a distance from the shore; then, turning round, he saw what had happened. Every moment the current was carrying him further from home.
Walter was not a timid boy, and, instead of crying, he began to reason in this way: "The boat does not leak. It is safe and sound. There are no waves to make me afraid. The wind does not blow. Here on a seat is a thick blanket. In this box is a loaf of bread and a knife. The water of the river is good to drink, and here is a tin mug. I think I will not cry, but hope for the best."
So he sat down. He called to some people on the shore; but they did not hear him. He stood up, and waved his hat to a man in a passing boat, and cried, "Help, help!" But the man thought it was some little fellow making fun of him.
Meanwhile Walter's mother had become anxious. She ran down to the river, and followed his foot-tracks to the edge of the water. Then she ran back to her husband; but he was not in the house. In about an hour he came back, and she said, "Quick, quick! Get a boat, and call John to[15] help you. Walter is drifting down the river in that little green boat, I am sure."
Mr. Dale ran out of the house, called his man John, and they went down to the bank. Here they took a good fast boat, pulled it out into the stream, and began to row with the current.
It was getting late. A mist was creeping over the great city of London. They could hardly see the tall stores, the masts and steeples on one side. But on they went, rowing swiftly with their good oars, as if for dear life.
They looked out sharply on both sides to catch a sight of the little green boat. At last, when they had rowed about two miles, with the tide in their favor, Mr. Dale cried out, "I see it! I see it! But, ah! it is empty. I see no sign of a boy in it. What can have become of poor Walter?"
On they rowed, and at last came up with the boat. Still no Walter was to be seen. The poor father was in despair, when all at once Walter started up from under the great blanket, where he had been hiding. He cried out, "Here I am, papa, safe and sound!"
"Oh, you little rogue! Come here and let me pull your ears!" They all got back to their home in time for a late tea, which mother had kept warm for them. Walter was kissed and then cuffed; but the cuffs were so tender, that they made him laugh even more than the kisses.
DRAWING-LESSON.
He lived with his parents in a neat cottage near by a mountain stream. He ran home, and showed the bird to his sister Edith. They named it Jack.
Jack was quite a large bird. His body was black as coal; his breast was white; and his wings and tail shaded off into a dark green. His bill was long and very strong. He had a shrewd, knowing look. As he was quite tame, he must have been some one's pet.
He would hop and strut around in such a funny, pompous way, that one could not help laughing. He would take food from any one's hand, but would not let any one touch him, except Mr. Hart, the children's father.
To Mr. Hart he seemed to take a great liking. He would hop on to his hand or shoulder: he would follow him all over the place. As soon as Mr. Hart came into the house, Jack would stand outside the door, and scream to him to come out. Indeed, Jack was almost too fond of him.
One day when Mr. Hart was chopping wood, Jack kept laying his bill within two or three inches of the place where the axe fell. It seemed just as if he wanted his bill chopped off.
Jack could talk a little. He could say "pretty," "what," and "yes, sir." When hungry, he would come round to the kitchen-door. There he would keep up a loud chattering, till food was given him to eat.
Jack was shy of Marcus, the dog. But, while Marcus was eating his dinner, Jack would steal up, and seize a bone from the plate. Then he would run off and hide it.
I believe that all magpies are thieves. I know that Jack was a sad thief. He would carry off almost any thing he saw lying about. One day he was caught in the act of carrying off the gardener's pipe.
It was fun for Ernest and Edith to watch him at his mischief. All summer they made much of him. Now, in October, though the trees are still green and the wild flowers are not gone, we have had in our Colorado home a taste of winter.
The ground has been white with snow. Jack is still with us, and seems quite happy. Edith and Ernest may stay here all winter. Perhaps I may tell you something of their winter sports. Would you like to hear it?
| This is Master Baby, Paying a morning call, Sitting so good upon his chair, But speaking not at all. Listening to every word, The funny little man! Wondering at the news he hears, Thinking all he can. | 
|
| This little lady, I'd have you know, Is Miss Mary Vernon, With cheeks in a glow. She has a doll Bella, Quite dear to her heart, And takes her to ride In a nice little cart. |
| This is Tommy Trip: Bubbles he can blow; When a bubble breaks too soon, Tommy cries, "Don't go!" Older folks I know, Who their fine schemes make, And, when any fine scheme fails, Cry, "Oh, do not break!" | 
|
| 'Tis the winter cold, All the ponds are ice; Susan loves the winter cold, Calls the weather nice. Warm with muff and coat, She can go and skate; She can glide along the ice At a merry rate. |
| This is Mary Jane, See! she has a saucer: To her cat she says, "Give me up your paw, sir. I've some fresh, nice milk You will relish greatly." Pussy then put up her paw; All this happened lately. | 
|
|
This is Baby May: She looks out to spy If her own dear papa comes On the road near by. Yes, she sees him now, He is coming fast; For he loves his Baby May, Loves her first and last.
K. G. |
It is my niece Clara. She has been out with her brothers[24] and the men to gather holly and evergreen for Christmas. First they cut down a little pine for the Christmas-tree. It was not so very little either; for it was twenty feet high.
There was snow on the ground, and they had a sledge on which to pile the hemlock-boughs, the evergreens, and the holly. Clara saw a squirrel run up a tree, and called to her brothers to look; but they were not quick enough to see it.
Then she spied a hollow place by the side of a hill, and going to look at it, she found it was a little pond of ice. It was smooth as glass, and she and her brothers had a nice time sliding on it.
Clara was sorry when it got to be twelve o'clock, and it was time to go home. The sledge was piled up with boughs, and the oxen wanted their dinner. Yes, they must go.
But when Clara was nestled in her little bed that night, and had said her prayers, this was her thought, "Oh, I never shall forget this happy, happy day; the bright, bracing air, so sweet and clear; the mild, soft sunshine; the smell of the pines; the frolic on the pond; the ride on the sledge; the little snowbirds that came in a flock when I began to feed them. Oh, I never shall forget it; no, never, never-r-r, nev—;" And with this last word half uttered, my little niece fell asleep.
Albert is a bright little fellow. He is not three years old; but he can read ten words in "The Nursery." These words are, cat, dog, cow, horse, bird, mother, father, brother, sister, apple.
One day, John the gardener left a basket of apples at the top of the garden-steps. Albert saw it, and knew it was meant for the house. "I will take it in," said he. "I am strong."
But the basket was not so light as he had thought. Indeed it was quite heavy. Perhaps this was because it was full of apples. The gardener had just picked them from a fine old tree in the orchard.
Albert was a stout little fellow; but the basket was too much for him. In trying to lift it, he upset it; and some of the apples rolled out down the steps as fast as they could go. Perhaps they saw it was a good chance to run away.
Albert did not cry. He knew that crying would do no good. What was now the first thing to be done? Albert thought for a while, and said to himself, "The first thing to do is to set the basket upright."
He did not find it hard work to do this. All the apples had not run out. Some were still in the basket.
Albert picked up one, smelt of it, and then put it back. He next placed the basket upright.
Having done this so that the basket stood firm, he said, "What is the next thing to do? The next thing to do is to put back the apples; and I am the boy that can do it."
And he did it well. He did not once think of keeping any of the apples for himself; nor did he even take a bite of one of them. He was a good boy, and too honest for that.
If any one had said to him, "Give me an apple," Albert would have said, "The apples are not mine to give."
"Now it is all right again," said Albert. "What next? If the basket will not let me carry it, the basket shall carry me. That would be fair play."
So he mounted the basket, as you see, took hold of the handle with his left hand, and cried out, "Get up, sir!" He made believe it was a horse. "Get up, sir!" he cried. But the horse would not move.
Albert then began to shake the basket, as if to urge it on. Ah, me! who would have thought to see it play the gay horse in earnest? It seemed so gentle!
Who would have thought to see it shy, and kick up, and throw Albert off? But so it did. Albert put out both hands to save himself, but he could not keep his seat. Over he went.
Over went the basket. Albert, apples, and all rolled down the steps. "Help!" he cried. The gardener ran up to see what was the matter.
"Where are my apples?" said he. "Here!" said Albert, jumping up, for the lucky rogue was not hurt a bit.
[A] Nursery, Vol. XXIV.
Obvious punctuation errors repaired.
The original text for the January issue had a table of contents that spanned six issues. This was divided amongst those issues.
Additionally, only the January issue had a title page. This page was copied for the remaining five issues. Each issue had the number added on the title page after the Volume number.
End of Project Gutenberg's The Nursery, January 1881, Vol. XXIX, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JANUARY 1881 ***
***** This file should be named 40752-h.htm or 40752-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/0/7/5/40752/
Produced by Emmy, Juliet Sutherland and the Online
Distributed Proofreading Team at http://www.pgdp.net Music
transcribed by June Troyer.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.