The Project Gutenberg EBook of China and Pottery Marks, by Unknown This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: China and Pottery Marks Author: Unknown Release Date: July 24, 2012 [EBook #40311] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK CHINA AND POTTERY MARKS *** Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.)
15 EAST 56th STREET
NEW YORK
Copyright, 1920, Gilman Collamore & Company, Inc.
Traditions and Old China
From early days when the ancients showed their appreciation of fine pottery and old glassware by burying “these most esteemed possessions” with the dead, fine china has been synonymous with culture and breeding. With our ancestors for generations we share the tradition that, just as first editions give prestige to one’s book shelves, old china or the finest work of the modern kilns express readily that good taste and discrimination that is characteristic of our old families.
A wealth of association and historic data is to be acquired from the study of the “fabrique marks” and periods of the master craftsmen. If in America there was a general tendency toward acquiring, even a smattering, of this knowledge, there would be less of these drawing-room atrocities which Arthur Hayden in his “Chats on English Earthenware” points out, “To have a modern set of vases adorning a Georgian cabinet is like putting new wine in old bottles.”
[Pg 2]For the convenience of the seasoned collector, as well as the beginner, in this book is a representative list of better known marks by which china can be identified. While it is not possible to include a complete list, particularly those of extremely rare specimens, those compiled have particular reference to the marks of English china which is greatly in demand by collectors. These will suffice to enable the reader to identify pieces whenever encountered.
The signatures or mark which the master craftsmen in earth or clay signed their products, just as a painter signs his work, were often specially designed devices of various kinds, often a combination of initials and dates. Each “fabrique mark” stands for a certain potter’s art just as the modern trade-mark.
Beginning more than a half century ago in the old La Farge House in lower Broadway (where John La Farge was born) the house of Gilman Collamore and Company has done much to develop an appreciation of fine china in America. It was one of the first houses to bring over from England and France china, both modern and old, for its American clients. At this time many fine specimens of old china are on view as well as complete stocks from the modern English and Continental manufacture.
GILMAN COLLAMORE & COMPANY, Inc.
15 East 56th Street
New York
DRESDEN | |
MEISSEN. Established in 1709. Mark used to 1712, in blue. Hard paste. | |
DRESDEN | |
Mark used from 1712 to 1720, in blue. Hard paste. | |
DRESDEN | |
About 1720, mark in blue. Hard paste. | |
DRESDEN | |
1730, mark in blue. Hard paste. | |
DRESDEN | |
1796. MARCOLINI (Director) PERIOD. Mark in blue. Hard paste. | |
DRESDEN | |
Royal pieces only. Mark in blue. Hard paste. | |
[Pg 4] | DRESDEN |
Present mark. This mark with two scratches across it shows imperfect pieces which may or may not have been decorated in the factory. Hard paste. | |
VIENNA | |
Established in 1718. This mark first used in 1744. Hard paste. Royal factory discontinued in 1864. | |
BERLIN | |
Established in 1751. Wegeleys’ mark. Hard paste. | |
BERLIN | |
In 1763 became a royal establishment. Mark in blue. Sometimes an eagle added. | |
BERLIN | |
Different kind of sceptre. In blue. Hard paste. | |
BERLIN | |
An extra mark used in 1830 with the sceptre, which is the present mark. This mark complete is never used except with perfect pieces decorated in the factory. Decorated pieces bearing the blue sceptre mark only are decorated outside of the factory. | |
[Pg 5] | HOCHST, near MAYENCE |
Founded in 1720. This mark, used about 1740, in gold, red, or blue. Hard paste. | |
HOCHST, near MAYENCE | |
Hard paste. | |
FRANKENTHAL | |
1755 to 1761. First period. Hard paste. | |
FRANKENTHAL | |
1799, second period. Carl Theodore. Hard paste. | |
FRANKENTHAL | |
Phillipp Hanong (Director). Hard paste. | |
[Pg 6] | FRANKENTHAL |
Joseph Adam Hanong (Director). Hard paste. | |
FRANKENTHAL | |
John Hanong (Director). Hard paste. | |
FRANKENTHAL | |
1800. Franz Bartolo (Director). Hard paste. | |
NYMPHENBURG | |
Established in 1747. Hard paste. | |
NYMPHENBURG | |
Hard paste. | |
[Pg 7] | NYMPHENBURG |
An early mark in blue. Hard paste. | |
FURSTENBURG | |
Established in 1750. Hard paste. | |
FURSTENBURG | |
1758. Hard paste. | |
LUDWIGSBURG or KRONENBURG | |
Established in 1758 to 1806. Hard paste. | |
LUDWIGSBURG | |
First period. Hard paste. | |
[Pg 8] | LUDWIGSBURG |
Second period. Hard paste. | |
LUDWIGSBURG | |
Hard paste. Mark in blue. | |
FULDA | |
Established in 1763 to 1780. Hard paste. | |
FULDA | |
Hard paste. The arms of Fulda. | |
RUDOLSTADT | |
Established in 1758. Mark in blue. Hard paste. | |
RAUENSTEIN | |
Established in 1760. Hard paste. | |
LIMBACH | |
Established about 1761. Hard paste. | |
[Pg 9] | LIMBACH |
Another mark. Hard paste. | |
LIMBACH | |
Another mark. Hard paste. | |
GROSBREITENBACH | |
Established about 1770. Hard paste. | |
GROSBREITENBACH | |
Hard paste. | |
VOLKSTEDT | |
Established 1762. C. V. sometimes added with the arms. Hard paste. | |
VOLKSTEDT | |
Another mark. Hard paste. | |
VOLKSTEDT | |
Another mark. Hard paste. | |
[Pg 10] | ANSPACH |
Established about 1718. Hard paste. | |
ANSPACH | |
Generally accompanied by letter A. Hard paste. | |
ANSPACH | |
Hard paste. | |
ANSPACH | |
Hard paste. | |
GOTHA | |
Founded in 1780. Hard paste. Various marks. | |
[Pg 11] | GERA |
Established about 1780. Marks in blue. Hard paste. | |
ALT HALDENSTEBEN | |
The factory of M. Nathusins. Hard paste. | |
CHARLOTTENBURG | |
Established in 1790. Hard paste. | |
BADEN-BADEN | |
Established in 1753 to 1788. The edge of the ax in gold. Hard paste. | |
COLOGNE | |
Factory of M. L. Cremer. Enameled Fayence. | |
POPPLESDORF, near BONN | |
Fayence and porcelain. | |
STRASBOURG | |
Established about 1752. Hard paste. | |
[Pg 12] | NIDERVILLER |
Established in 1768. Hard paste. | |
ELBOGEN in BOHEMIA | |
Established in 1815. Hard paste. | |
SCHLAKENWALD | |
Established about 1800. Hard paste. | |
LEHAMMER or PIRKENHAMMER, near CARLSBAD | |
Founded in 1802. Hard paste. | |
HEREND | |
Established 1839. | |
HEREND | |
Another mark. |
KORZEC | |
Established about 1803. Hard paste. | |
Moscow | |
Established in 1787. Hard paste. | |
ST. PETERSBURG | |
Mark in blue. Hard paste. | |
ST. PETERSBURG | |
Mark of Empress Catherine II. 1762 to 1796. Mark in blue. Hard paste. | |
ST. PETERSBURG | |
Monogram of Nicholas I. 1825 to 1855. | |
ST. PETERSBURG | |
Established 1744. Mark in blue. |
COPENHAGEN | |
Established in 1772. Mark in blue. Hard paste. |
AMSTERDAM | |
Established in 1782. Mark in blue. Hard paste. | |
AMSTERDAM | |
Mark in blue. Hard paste. | |
AMSTERDAM | |
Mark in blue. Hard paste. | |
TOURNEY | |
Mark in gold represents a potter’s kiln. Established in 1750. Soft paste. | |
TOURNEY | |
Mark in gold used after 1755. Soft paste. | |
TOURNEY | |
Used about 1755. Soft paste. | |
HAGUE | |
Factory established about 1775; ceased in 1785. Mark in gray. Hard paste. | |
[Pg 15] | DELFT |
Joost Thooft and Labouchere. Present mark Fayence. |
NYON | |
Established in 1790. Hard paste. | |
ZURICH | |
Established about 1759. Mark in blue. Hard paste. |
NOVE | |
1752. Mark in blue or red. Soft paste. | |
VENICE | |
Mark in red. Majolica. | |
VENICE | |
Soft paste. | |
VENICE | |
1720 to 1740. Soft paste. Mark in red. | |
[Pg 16] | VENICE |
Soft paste. Mark in red. | |
TURIN | |
Vineuf. Established about 1770. Dr. Gioanetti (Director). Soft paste. | |
TURIN | |
Vineuf. Another mark. Soft paste. | |
DOCCIA | |
Founded in 1735. Hard and soft paste. | |
DOCCIA | |
Hard and soft paste. Another mark. | |
GINORI. | DOCCIA |
Hard and soft paste. Another mark. | |
CAPO DI MONTE | |
Founded in 1736. This mark used from 1759. Factory abandoned in 1821. Soft paste. | |
CAPO DI MONTE | |
Mark used from 1759. Soft paste. | |
[Pg 17] | CAPO DI MONTE |
Soft paste. Other marks. | |
MILAN | |
Mark in blue. Fayence. | |
MADRID | |
BUEN RETIRO. Monogram of Charles III. Established in 1759 to 1812. Soft paste. | |
MADRID | |
Soft paste. Another mark. | |
MADRID | |
Mark in blue. First quality. Soft paste. | |
MADRID | |
Mark in blue. Soft paste. | |
[Pg 18] | MADRID |
Mark in blue. Mark under crown is another form of the monogram of Charles III., the founder. | |
OPORTO | |
Established about 1790. Hard paste. Mark in gold or colors. |
WEDGWOOD. | STAFFORDSHIRE |
Established in 1769. This mark both stamped and printed. | |
STAFFORDSHIRE | |
WEDGWOOD, present mark on decorated china. | |
TURNER. | STAFFORDSHIRE |
Established about 1756. | |
W. ADAMS. | STAFFORDSHIRE |
Established about 1780. | |
ROGERS. | STAFFORDSHIRE |
Imitations of WEDGWOOD. | |
WOOD and CALDWELL. | STAFFORDSHIRE |
Established in 1730. | |
STAFFORDSHIRE | |
Established 1790. | |
LONGPORT. | STAFFORDSHIRE |
Established in 1793 by Mr. John Davenport. | |
[Pg 20] | STAFFORDSHIRE |
STAFFORDSHIRE | |
STAFFORDSHIRE | |
STAFFORDSHIRE | |
Established about 1770, by Josiah Spode. | |
STAFFORDSHIRE | |
Copeland successor of Spode in 1833. | |
LIVERPOOL | |
Established in 1750. | |
SADLER 1756. |
LIVERPOOL |
Established in 1756. | |
LIVERPOOL | |
Established in 1790. | |
[Pg 21]HERCULANEUM POTTERY. |
LIVERPOOL |
This mark was used from 1822 to 1833. | |
PLYMOUTH | |
Established 1760. William Cookworthy. | |
YARMOUTH | |
Absolon, only a decorator. | |
SWANSEA | |
Established 1790. This mark used about 1815. | |
SWANSEA | |
Mark in red. | |
NANTGARW. | WALES |
Established about 1813. Mark in red. | |
LEEDS | |
Hartley Greens & Co. Established about 1770. | |
[Pg 22] | BRISTOL |
Established about 1770, by Richard Champion. | |
BRISTOL | |
BRISTOL | |
Ceased in 1777. | |
BOW | |
Established about 1730. Ceased in 1775. | |
BOW | |
BOW | |
CHELSEA | |
The oldest mark. About 1747. | |
CHELSEA | |
Mark in red. | |
CHELSEA | |
First quality mark in gold. | |
[Pg 23] | DERBY |
Established 1751. This mark used before 1769. | |
DERBY-CHELSEA | |
This mark in gold 1773. | |
CROWN DERBY | |
Mark in blue used about 1780. | |
DERBY | |
Mark used in 1830. Bloor (Director). | |
DERBY | |
Mark used in 1830. Bloor (Director). | |
DERBY | |
Mark used in 1860. | |
[Pg 24] | ROYAL CROWN DERBY |
Present mark. | |
WORCESTER | |
Established 1751. Oldest mark. | |
WORCESTER | |
Mark imitation of Dresden. | |
WORCESTER | |
Generally on Chinese patterns. | |
WORCESTER | |
About 1751. | |
WORCESTER | |
Used 1783 to 1788. | |
[Pg 25] | WORCESTER |
Used 1807 to 1813. | |
WORCESTER | |
Used 1857 to 1862. | |
WORCESTER | |
Present mark. | |
CAUGHLEY. SHROPSHIRE | |
Established about 1751. | |
CAUGHLEY. SHROPSHIRE | |
An early mark in blue. | |
COALPORT | |
Established between 1780 and 1790. | |
COALPORT | |
COALPORT | |
Present mark. | |
STAFFORDSHIRE | |
Established in 1791 by Mr. Thomas Minton. | |
[Pg 26] | STAFFORDSHIRE |
Present mark. | |
LAMBETH and BURSLEM | |
Doulton & Co. | |
STAFFORDSHIRE | |
Brown-Westhead, Moore & Co. |
ST. CLOUD | |
Established about 1695. Factory destroyed by fire in 1773; not rebuilt. Soft paste. | |
ST. CLOUD | |
This mark used from 1730 to 1762. Either in blue or graved in ware. The letter T stands for Tron, the name of the director. Soft paste. | |
CHANTILLY | |
Established in 1735. Mark in blue or red. Soft paste. | |
ARRAS | |
Established in 1782. Mark in blue. Factory ceased in 1786. Soft paste. | |
MENECY | |
Established in 1735. This mark is usually impressed; sometimes traced in blue. Soft paste. | |
ETIOLLES, near CORBEIL | |
Established in 1768. Monnier, manufacturer. Soft paste. | |
[Pg 28] | BOURG LA REINE |
Established in 1773. Jacques & Jullien. Soft paste. | |
SCEAUX-PENTHIEVRE, near PARIS | |
Established in 1750 by Jacques Capelle. These letters are engraved on the soft clay. | |
SCEAUX-PENTHIEVRE, near PARIS | |
The latter mark in blue. This mark occurs more frequently on Fayence. | |
CLINGNANCOURT | |
Established in 1775 by Pierre Deruelle. Mark in blue. Soft and hard paste. | |
CLINGNANCOURT | |
Used on pieces of Chinese style. Mark in red. Hard paste. | |
CLINGNANCOURT | |
Mark of Monsieur Comte de Provence. | |
ORLEANS | |
Established in 1753 by M. Gerré. Hard and soft paste. | |
ORLEANS | |
This mark used from 1808 to 1871, in blue or gold. | |
[Pg 29] | SARREGUEMINES |
Soft paste. | |
SARREGUEMINES | |
Soft paste and Fayence. | |
VINCENNES | |
Soft paste. Established in 1786. | |
VINCENNES | |
Soft paste. Another mark. | |
PARIS. RUE FONTAINE AU ROY | |
Established in 1773 by Jean Baptiste Locré. Mark in blue. Hard paste. | |
PARIS. FAUBOURG ST. LAZARE | |
Founded in 1773. Hard paste. | |
[Pg 30] | PARIS. FAUBOURG ST. ANTOINE |
Established in 1773. Morelle, manufacturer. Hard paste. | |
PARIS. RUE DE LA ROQUETTE | |
Established in 1773. Souroux, manufacturer. Hard paste. | |
PARIS. GROS CAILLON | |
Established in 1773 by Advenir Lamarre. Hard paste. | |
PARIS. RUE DE CLICHY | |
Mark in blue. Hard paste. | |
FRANCE | |
A mark found on biscuit groups. Factory unknown. | |
PARIS. RUE THIROUX | |
Established in 1778. André Marie Lebeuf, manufacturer. Under the protection of Marie Antoinette. Mark in red. Hard paste. | |
PARIS. RUE DE BONDY | |
Established in 1780. Dihl and Guerhard, manufacturers. Under the patronage of Duc d’Angoulême. Hard paste. | |
[Pg 31] | PARIS. RUE DE BONDY |
Another mark. Hard paste. | |
PARIS. RUE DU FAUBOURG ST. DENIS | |
Established in 1769. Under the protection of Charles Philippe Comte d’Artois, afterward Charles X. Factory discontinued in 1810. | |
BELLEVILLE | |
Established in 1790 by Jacob Petit. Mark in blue. Hard paste. | |
PARIS. RUE DE BONDY | |
Hard paste. Mark in blue. | |
ROUEN | |
Under the reign of Louis XV. Fayence. | |
LILLE | |
Established in 1784 by Leperre Durot. Mark in red. Hard paste. | |
[Pg 32] | PARIS |
M. Nast, manufacturer. Mark in red. Hard paste. | |
PARIS | |
Halley, manufacturer. First Empire mark in gold. Hard paste. | |
NANCY | |
Emile Gallé, manufacturer. Fayence and glass. |
Established at Vincennes in 1740. |
Removed from there to Sevres in 1756. |
King Louis XV. became sole proprietor in 1760. |
Soft paste was made until 1805. Since then only hard paste. |
The Sevres Marks
FIRST ROYAL EPOCH 1745 to 1792 Vincennes. The letter A denotes the year 1753, continued to 1777. (Louis XV.) Sevres. Ornamented LL’s. Date 1764. Sevres. Date 1778. (Louis XVI). Double letters continued to 1793. FIRST REPUBLICAN EPOCH 1792 to 1804 [Pg 34] 1792 to 1799. 1801 to 1804. FIRST IMPERIAL EPOCH. 1804 TO 1814. Napoleon. 1804 to 1809. Napoleon. 1809 to 1814. SECOND ROYAL EPOCH. 1814 TO 1848. Louis XVIII 1814 to 1823. Charles X. 1824 to 1829. Charles X. 1829 and 1830. [Pg 35] Charles X. 1830. Louis Philippe. 1831 to 1834. Louis Philippe. 1834-1835. On services for the Palaces. Louis Philippe. 1845-1848. After 1848, this mark in green was used for white porcelain. SECOND REPUBLICAN EPOCH 1848 TO 1851. The S stands for Sèvres, and 51 for 1851. SECOND IMPERIAL EPOCH. 1852 TO 1872. [Pg 36] Napoleon III. From 1852. This mark used for white pieces; when scratched it denotes issue undecorated. | ||
The marks used at the present time. |
Unknown Marks
Chronological Table
Used in the Manufactory of Sevres
A | (Vincennes) | 1753 |
B | (ditto) | 1754 |
C | (ditto) | 1755 |
D | 1756 | |
E | 1757 | |
F | 1758 | |
G | 1759 | |
H | 1760 | |
I | 1761 | |
J | 1762 | |
K | 1763 | |
L | 1764 | |
M | 1765 | |
N | 1766 | |
O | 1767 | |
P | 1768 | |
Q | [1]1769 | |
R | 1770 | |
S | 1771 | |
T | 1772 | |
U | 1773 | |
V | 1774 | |
X | 1775 | |
Y | 1776 | |
Z | 1777 | |
AA | 1778 | |
BB | 1779 | |
CC | 1780 | |
DD | 1781 | |
EE | 1782 | |
FF | 1783 | |
GG | 1784 | |
HH | 1785 | |
II | 1786 | |
JJ | 1787 | |
KK | 1788 | |
LL | 1789 | |
MM | 1790 | |
NN | 1791 | |
OO | 1792 | |
PP | 1793 | |
1794 | ||
RR | 1795 |
Year | IX | 1801 | T9 | ||
" | X | 1802 | X | ||
" | XI | 1803 | 11 | ||
" | XII | 1804 | |||
" | XIII | 1805 | |||
" | XIV | 1806 |
1807 | 7 | |||
1808 | 8 | |||
1809 | 9 | |||
1810 | 10 | |||
1811 | (onze) | o.z. | ||
1812 | (douze) | d.z. | ||
1813 | (treize) | t.z. | ||
1814 | (quatorze) | q.z. | ||
1815 | (quinze) | q.n. | ||
1816 | (seize) | s.z. | ||
1817 | (dix sept) | d.s. |
From this date the year is expressed by the last two figures only.—thus, 18 for 1818, etc.,—up to the present time.
Footnote:
[1] This comet was sometimes substituted for the ordinary mark of the letter Q.
End of the Project Gutenberg EBook of China and Pottery Marks, by Unknown *** END OF THIS PROJECT GUTENBERG EBOOK CHINA AND POTTERY MARKS *** ***** This file should be named 40311-h.htm or 40311-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/0/3/1/40311/ Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.