The Project Gutenberg EBook of The New-York Weekly Magazine, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The New-York Weekly Magazine
       or Miscellaneous Repository

Author: Various

Editor: John Bull
        Thomas Burling

Release Date: August 28, 2011 [EBook #37240]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE NEW-YORK WEEKLY MAGAZINE ***




Produced by Louise Hope (This file was produced from images
generously made available by Google Books.)






Typographical errors are shown with mouse-hover popups. Most spellings were left as printed even if they are probably wrong.

Where possible, hyphens and dashes are shown as printed. Brackets [ ] and asterisks—notably in “The Victim of Magical Delusion” and “The Baron De Lovzinski”—are in the original.

Index
Nos. 53–64 (separate file)
Nos. 65–79 (separate file)
Nos. 80–92 (separate file)
Nos. 93–104 (separate file)

Sources
Description of the New-York Weekly
Errors and Inconsistencies

The division of files has been adjusted to allow two longer items—a 15-part serial and a 3-part poem—to be complete in one file each. The change of editor begins exactly halfway through the volume, in No. 79; a new masthead is introduced at the 3/4 point, in No. 92.

Two of the serial stories are also available from Project Gutenberg as free-standing e-texts: “The Princess de Ponthieu” (e-text 30794), and “Alphonso and Marina” (e-text 32527).

see caption
 
Youth, accompanied by Virtue, and directed by Experience, approaching the Temple of happiness.


THE

NEW-YORK WEEKLY MAGAZINE;

OR,

MISCELLANEOUS REPOSITORY:

FORMING AN INTERESTING COLLECTION OF ORIGINAL AND SELECT

LITERARY PRODUCTIONS,

IN PROSE AND VERSE:

CALCULATED FOR INSTRUCTION AND RATIONAL ENTERTAINMENT—THE PROMOTION OF MORAL AND USEFUL KNOWLEDGE—AND TO ENLARGE AND CORRECT THE UNDERSTANDINGS OF YOUTH.

----

VOLUME II.

----

“——TOUCH, WITH A SURPRISING DELICACY,
“THE SWEETEST MOVEMENT OF THE MIND.“   

----

----

 

NEW-YORK:
Printed for the PROPRIETORS, at Homer’s-Head, No. 358, Pearl-Street.
1797.

iii

ADDRESS.

----

THE very flattering patronage with which this work, for two years, has been kindly favoured, demands the warmest acknowledgments of the Editors. Since its commencement, it has witnessed the demise of other periodical publications; some established long before it, others that have taken their rise at a later period; while the particular distinction honorably awarded the Weekly Magazine, has marked it an object of public favor, and denoted the estimation in which it has ever been considered; not as matter of exultation do the Editors make this remark; but it gives their friends stronger claims on their gratitude, and acts as a momentum to impel them to exertions which in some degree might enable them to merit such attention. Strongly impressed with a sense of their duties as conductors of a work so universally read, they have, with the utmost solicitude, guarded against the intrusion of any thing, in the smallest degree, injurious to the feelings of the religionist. Their selection has uniformly tended either to inform and enlighten the understanding, to inculcate the purest lessons of morality, or to unbend the mind with innocent levities. To effect those primary objects, they have studiously endeavored to make the work abound with curious investigations, elegant descriptions, historical narrations, biographical sketches, well-chosen tales, essays, anecdotes, observations, maxims, poetical effusions, &c. &c., all contributing in the highest degree to mend the heart, to improve the head, and to form the taste. In order more fully to designate the properties of this work in the title, it is intended to commence the third volume under that of the Sentimental and Literary Magazine; this alteration, we trust, will be universally acceptable. We shall only trespass on the patience of our friends to make one remark more; the cheapness of this work is unrivalled; let it be considered that advertisements and news are wholly excluded—the former, in a literary publication, has, in our eyes, a very unpleasant appearance, beside the room engrossed to the exclusion of more agreeable matter; the latter, from the very general circulation of daily newspapers, must be rendered wholly uninteresting. This, then, is devoted solely to literature—and the many entire works, which, in the last two years it has contained, amount, when separately purchased, to considerably more than the price of the magazines during that period—besides the immense number of anecdotes, essays, extracts, sketches, &c. &c. and the poetry, which, alone, comprises more than an eighth of the whole.

Filled with a laudable ambition to render ourselves, by every thing in our power, worthy the continuance of general favor, we are, with the greatest respect, the devoted servants of a generous public,

The EDITORS.

Printing-Office, June 30, 1797.


v

INDEX

TO THE

NEW-YORK WEEKLY MAGAZINE,

Or, Miscellaneous Repository,

For the YEAR 1796-7.
VOLUME THE SECOND.

Issues (“No.”) were numbered continuously through the run of the magazine, but pagination started over again with Volume II. Each issue was 8 pages.

The Index is shown as originally printed. Within each initial letter, articles are listed in page order. Items in italics indicate a poem listed in the first (prose) Index. In the Index, incorrect page references are underlined in red; other errors and inconsistencies are marked as usual.


Three Index items—Marriages, Meteorological Observations, and the serialized novel The Victim of Magical Delusion—were missing all entries for the year 1797 (pages 209-end, issues 79-end). They have been added in smaller type, along with a few other individual entries.

Poetry from 1797 was also not indexed, except for the final two issues, 103 and 104 (pages 408 and 416). These listings have not been added.
 

Prose:
 A   B   C   D   E   F   G   H   I   J   K   L 
 M   N   O   P   R   S   T   U   V   W   Z 


Index of Poetry

A
Account of a dreadful murder, PAGE 20, 28

Activity conducive to happiness,

31

Account of a wonderful deliverance at sea,

31
Advice, 35
All men are slaves, 38
Anecdotes, 39, 47, 119, 175

Account of the last moments of Dr. Johnson,

43, 51
Aphorism, 44
Astonishing courage, 44

Anecdotes of men of extraordinary strength,

60
of Dr. Johnson, 63
of Dr. Goldsmith, 67
Activity, 65

Account of a negro woman who became white,

71
Anger, 76
Anecdote of Mr. Handel, 84
Authenticated etymologies, 89, 99, 131
Anecdote of Voltaire, 91
Anger, 99
Arabian Maxims, 126, 148
Anecdote of Miss D’Arblay, 151
Dr. Goldsmith, 159
the celebrated John De Witt, 164
of Sir Philip Sidney, 169
of Cæsare Arethuzi, 174
of M. De Sartine, 183
of an Earl of Portland, 195
of Madame Fayette, 406
of Champagneaux, 407
of Camus, 407
of Madame Cordet, 411
of Voltaire, 411
Advice, 174
Account of La Maupin, 182
Affection, 199
Adieu to a favourite grove, 224
Ambition, 249

Answer to a grammatical epistle,

263
Art of happiness, 273
Artful lover, 281

Address of the Translator of Magical Delusions,

330, 338
Alfonso and Marina, 333, 341, 349
Approach of Spring, 352
African’s Complaint, 353
Affability, 361
Antiochus and Stratonice, 366

Anecdotes,   215, 219, 239, 243, 255, 270, 308, 315, 323, 326, 339, 343, 355, 363, 365, 391, 399, 403, 414, 415

B
Beautiful Allegory, 28
Bon Mot, 75
Benevolence, 78
Beggar, The—a Fragment, 84
Bonna, Life of, 286
Balm of sorrow, 323
Behaviour, 393
v b C
Curious proposition of a debtor to his creditor, 7
etymology, 25
Law Anecdote, 47
Cursory thoughts on fortune, 30
Conscience, 68
Character of a rich man, 68
Court of love, 68
Contemplation, 75

Courtship and marriage of Dr. Johnson,

76

Curious superscription of a letter,

81
historical Anecdote, 91
observations, 140
on making love, 148
Character of a poor man, 87
good man, 119
Conjugal affection, 150
Conversation, on 153
Contentment, on 156
Compassion—an anecdote, 163
Communion with our own hearts 177
Character, a, extracted from Camilla, 185
Conversation of a fine woman, 190
Candidus, 214, 222
Contemplation—an ode, 216

Conduct of men towards the fair,

262
Choice, 280, 367
Curiosity, 285
Curious incident, 286
Anecdote, 315
Chearfulness, 329
Criminal, 335, 351, 359, 375, 383
Collins’s monument, 366
Character of Lord Mount-Garth, 382
Clown and Lawyer, 384
Customs of the Hindoos, 388
Character of the Swedes, 390
Compassion, 401
D

Description of the salt mines of Williska,

1, 9
Dead infant, the—a fragment, 3

Discovery of ancient manuscripts,

38
Death, 39
on 55
of a Philosopher, 217
Detached thoughts, 92
Deceit, 265
Duty of old age, 265
Debtor, 288
Digression, 316
Discontent, 321

Description of a Wonderful Cavern in Upper Hungary,

366
Domestic felicity, 401
Detraction, a vision, 414
E
Effect of music, 12

Extraordinary adventure of a Spanish nobleman,

27, 34
effects of sudden joy, 54
jealousy, 68
vi thirst for fame, 95
instances of gratitude, 164
intrepidity of the Jomsburgians, 177
recompense according to merit, 207
Evening meditation, 73
Enthusiasm of character, 75

Enigmatical list of amiable young ladies,

87

Effects of love on life and manners,

89

Extract from a royal grant of land in Carrata,

97
Essay on patience, 137
hope, 145
Eulogy on Buffon, 139
Extravagance and avarice, 161
Essay from Candidus, 188
Essayist, 217, 233, 249
Education, reflections on 221
Ethicus, 271
Elliot, Mr. history of 277, 284, 293
Effects of love, 281
envy, 301, 309
Examples of humanity, 350
Epitaph on Mr. Scrip, 374
F

Fatal effects of indulging the passions,

2, 10, 18, 26
Forgetful man, the 23, 254
Funeral, the 44
Fact, a 46

Fragment, a—on benevolence,

81
Friendship, 108
Fragment, a 111
Fragments of Epicharmus, 124

Folly of Freethinking—an anecdote,

143
Fiery ordeal, the 158
Fugitive trifles, 159
Friendship, 198
Flower girl, 287
Fugitive thought, 321

Fatal effects of a too susceptible heart,

324
Fragment, 327
Farrago, 348, 356, 364, 372, 380, 388, 396, 404, 412
G

God’s providence in the formation of his creatures,

11

Good name, a, is better than precious ointment,

12
Greatness, 14
Geography, on 39
Gleanings, 87, 100, 117
Generosity, 140
Good husband, the 169
wife, the 169
Grammatical epistle, 255
Genius of women, 260
the Arabs, 268
Gratitude, 289
Genuine sentiment, 305
Generous rival, 357
H
History of the Princess de Ponthieu, 36, 42, 50, 58, 66, 74, 82, 90
Hint to the scholar, 46
Happiness, 79
Human life, 79

History of the Baron de Lovzinski,   98, 106, 114, 122, 133, 141, 149, 157, 165, 173, 181, 189, 197, 205, 212

Hymns of the native Peruvians, 113
Humanity, 166
Hypocrisy, on 171
History of the beard, 180
Happiness, 201
Humanity, 225
Happiness, 268
Hope, 303, 377
Humility, 377

Henry and Louisa, an affecting tale,

413
I
Imagination, on 84
Imitation, 91
Instance of benevolence, 167
uncommon friendship, 179
Instruction to loungers, 302
Imprudent friendship, 345
vi b Intent of religion, 377
Ivar and Matilda, 406
J
Jealousy, 15
Juliet, a story, 100
K
Knowledge, 25
L
Landscape painting, on 49
Local curiosities, 83
Lady’s monitor, the 97
Laughing, on 161

Letter from the Hon. Miss B. to Sir Richard P.

193
Life, 196

Lamentations of Panthea over the body of Abradates,

201
Lavinia, a pastoral 272
Love and folly, 343
Literary pursuits, 369

Letter to a lady on her marriage,

373

Letter of Lady Compton to her husband,

385
M
Morning reflections, 1
Maxims, 17, 33, 119, 155
Moorish gratitude, 23
Moral axiom, 30
Mutability of fortune, on the 39
Melancholy transaction, 62
Means of acquiring happiness, 91
Military anecdotes, 92, 135, 182
Meanings of the word Make, 92
Misfortune, 95
Metamorphosis of characters, 127
Moral maxims, 127, 129
Maria; or the seduction, 132
Mental accomplishment superior to personal attractions, 185
Man, 188
Means of extinguishing fires, 196
Miser and prodigal, 172
Mordaunt, Mrs. history of 228, 237, 244, 253, 261, 269
Matrimonial ballad, 232
Miscellany, 279, 332
Men of genius not rewarded, 292
Marriage, 297
Miranda, a moral tale, 317, 325
Matrimony, 337
Man of pleasure, 337
Madelaine, a story, 396

Marriages,   7, 15, 23, 31, 39, 47, 55, 63, 71, 79, 87, 95, 103, 111, 119, 127, 135, 143, 151, 159, 167, 175, 183, 191, 199, 207, 215, 223, 231, 239, 255, 263, 271, 279, 287, 303, 311, 319, 327, 335, 343, 351, 359, 367, 375, 383, 391, 399, 407, 415

Meteorological observations,   7, 15, 31, 39, 47, 55, 63, 71, 79, 87, 95, 103, 111, 119, 127, 135, 143, 159, 167, 199, 207, 223, 231, 239, 247, 255, 263, 271, 279, 287, 295, 303, 311, 319, 327, 335, 343, 351, 359, 367, 375, 383, 391, 399, 407, 415

“Marriages” did not appear in issues 83 (p. 247) and 89 (p. 295).
“Meteorological Observations“ did not appear in issues 55 (p. 23), 71 (p. 151), 74-76 (pp. 175, 183, 191) and 79 (p. 215). Readings were printed in the following issue(s).

N

Notes between Walter Townsend and Theodore,

135
Nature, 171, 199

Nettle and rose—an essay,

209
Negligence in epis. con. 294
New May, 360
O
Observations, 12, 23, 31, 35, 44, 190, 330, 379
on the boiling point of water, 70
On the origin of love, 175
Osmin—an original essay, 220
Origin of the Spencer, 316
P
Prodigy, a 14
Politeness, on 23

Precepts of Chilo, the Grecian philosopher,

60

Peep, a, into the den of idleness,

81
Perfect friendship, 116
Pride, 137
Power, 158
Politics, 175
Pleasure, 190
Panegyric on marriage, 191

Pity and benevolence—an essay,

229
Piedmontese sharper, 241
Power of music, 252
Pleasures of old age, 257
Proverbialist, 276
vii Panegyric on impudence, 308
Prosperity, 313
Poverty of the learned, 390
Prostitute, 392
R
Remarkable account of two brothers, 6
Results of Meteorological Observations, for
    June, 1796, 7
    July, 39
    August, 79
    September, 111
    October, 159
    November, 199
    December, 223
    January, 1797, 263
    February, 287
    March, 319
    April, 351
    May, 391

Reflections occasioned by the death of Miss Blackbourn,

14

Remarks on the wonderful construction of the eye,

17
ear, 57

Remarkable cure of a fever by music,

44
Reason, 49
Road to ruin, the 59
Rules for judging of the beauties of painting, music, and poetry, 65
Remarks, 83, 92, 111, 115, 163
on music, 91, 103, 108, 124, 140, 156
Rural picture, a 100
Runners remarkable for swiftness, 110
Reflections on the harmony of sensibility and reason, 121
Rencounter, the 124
Rose, the—a reflection, 140
Retrospection, 167
Reflection on the earth, 180
Reason, 235
Reflection, an ode, 240
Ridicule, 305
Radcliffe, Mrs. 318
Receipt for writing novels, 336
S
Sentimental perfumery, 7
Speaking statue, 19

Singular state of man when asleep,

41
Study, 41
of nature, 44
Specimen of Indian eloquence, 52
Segar smoaking, on 60
Speech of Logan, an Indian, 75
Simplicity, 92
Singularity of manners, on, 105
Society, 105, 207
Sentimental fragment, 129
Self-love, 169

Specimens of speech or speakings,

196

Story of Alcander and Septimeus,

204
Setting sun, 224
School of libertines—a story, 236, 245
nature, 270
Slavery, 303
Speech of the king of Dahomy, 340
Scandal, 381
Stanzas to hope, 384
Storm, the—a fragment, 403
T
Three cornered hat, on the 19
Temperance, on 60
To Tyrunculus, 71
Taciturnity, an apologue, 83
Taste, 156
Temple of Hope, 246
True meekness, 247
U
Unaccountable thirst for fame, 63
V

Victim of magical delusion,   4, 12, 21, 29, 37, 45, 53, 61, 69, 77, 93, 101, 109, 117, 125, 130, 138, 146, 154, 162, 170, 178, 186, 194, 202, 210, 218, 226, 234, 242, 250, 258, 266, 274, 282, 290, 298, 306, 314, 322

View of the starry heavens, 25, 33
vii b Virtue rewarded 172
Verses addressed to Miss A. B. 344
W

Wonderful account of a man fish,

23
Wonderful qualities of hope, 52
Wisdom and virtue, 129
Winter, an ode, 216
Wealth, reflections on 247, 339
Wit, 257
War, 300
Wanderings of imagination, 346, 354, 362, 370, 378, 386, 394, 402, 410
Wisdom, 403
World, knowledge of the, 409
Z
Zulindus, 361

----

POETRY.

 A   B   C   D   E   F   G   H   K   L   M   O   P   R   S   T   V   W 


Index of Prose

A
To Amanda, PAGE 32
Adversity, 39
To Amynta, 56
Anticipation, 63
An appeal, 152

Address to a favourite canary-bird,

160
The Amaranth, to Maria, 192
B
Of the Beautiful and Virtuous, 7
The Bachelor’s wish, 88

The Belle’s invocation to winter,

160

On a Bee having stung the thigh of an old maid,

183
Beauty, a song, 184
The Bachelor’s soliloquy, 208
C
Cupid stung, 48
The Confession 56
To Clara, 104, 136
The Captive’s complaint, 104
Contented in the vale 135
The Complaint, 160
D

On the Death of Miss Mary Blackbourn,

15
The Doctor’s duel, 112

On the Death of a Baby, nine days old,

183
E

Epistle from Octavia to Anthony,

8, 16
Epitaph on a violent scold, 23

Elegy, addressed to a young lady,

24
To Eliza, 31

Ejaculation over the grave of my wife,

31

Elegy on an unfortunate veteran,

48

Epigrams,   48, 88, 112, 183, 200

Elegy written at sea, 56
To Eliza, 64
Eliza in answer to ****, 72
Epitaph, 72
To Emma, 80

Elegy on the death of Mr. Abeel,

88
To Emma, 87

Elegy on Miss Margaret Hervey,

95
Extent of life’s variety, 112
To Emma, 120
Elegy on Dr. Joseph Youle, 128
Epitaph on Mr. W——. N——. 128
Elegy on Miss Polly Martin, 136
Evening, 143

Epitaph on a celebrated coach-maker,

144
Eve of Hymen, 152
Epitaph, 208
Evening Star, to the 408

Epigram, hint to a poor author,

408
Early impressions, sonnet on 408
Elegy to a disconsolate lover, 416
Epigram, 416
F
Fragment, 16
viii G
On a good conscience 144
H
The Happy man, 72
Health, 416
K
The Kiss, 40
L

Lines sent to a young lady with an Æolian Harp,

48
on Shakespeare, 64
to a gentleman made prisoner by the Indians, 80
on the death of a young lady, killed by lightning, 80
written during a storm, 96
on hearing a young lady sing a song, 96
on a lady putting a white rocket in her bosom, 96
by a lady, on receiving a bouquet from a boy, 128
from the Rev. Mr. Bishop to his wife, 151
on the late Scotch poet, 200
to a gentleman who attempted drawing the picture of a lady, 200
on losing a friend, 208
La Fayette, a song, 127
M
The Mall, 24
To Matilda, 24
Morning dawn, 71
Military fame, 112
Maternal affection 144
To Maria, 176

Moral verses, addressed to youth,

200
O
Ode to Bacches, 168
Poesy, 184
P
Pity, 8

Paddy’s remark on a treble rap at the door,

96
Poor man’s address to Winter, 168
R
The Recantation 24
viii b On Reading some elegies, 47
On Revisiting a native place, 72
The Rising moon, 88
Reflections in a church yard, 112
The Repartee, 119

On the Recovery of an only child from the small pox,

192
S
The Setting Sun, 64
The Shield of sorrow, 96
Sonnets, 104, 207, 208
on my beard, 112
Soliloquy to love, 120

Sonnet from a manuscript novel,

152
to Maria, 167
Helen Maria Williams, 176
The Snow-drop and primrose, 152
The Season of delight, 176
Song 208
T
The Threat, 32
Twilight, 48
The Tribunal of conscience, 96
Tragedy, ode to 408
V

The Velvet larkspur and eglantine,

40
On Vicissitude, 64
Verses to ——, 79
a young lady on reading Sterne’s Maria, 119
Miss A. H. 144
To a Violet, 152
Virtue and ornament, 192
W
The Wish, 32
What is happiness, 55
Wintery prospect, 176

Sources

Except for pieces explicitly labeled “For the New-York Weekly Magazine”, and some of the poetry, the entire content was taken from other published sources. Attribution is haphazard.

For shorter pieces—individual articles, and serials complete in a few issues—sources are given in notes at the end of the article. For longer pieces, including all serialized novels, sources are given at the end of each file (about 13 issues each). Sources for The Victim of Magical Delusion, which spans 41 issues of Volume II, are given below. Except for the serials, these annotations are not intended to be complete.


The masthead for Nos. 53-91 (exactly 3/4 of the year) reads Utile Dulci. The phrase is from Horace, Ars Poetica 343:

omne tulit punctum qui miscuit utile dulci

(i.e. combine the useful with the pleasant).


“The Victim of Magical Delusion”: Nos. 53-95 inclusive, beginning on pg. 4 in the first file; pg. 101 in the second file; pg. 218 in the third file; pg. 321 in the fourth file. The final installment of the novel is followed by the “Address of the Translator” in two further installments.

The serial began in no. 22 of the New-York Weekly; the first 31 of its 74 segments are in Volume I.

Original: Geschichte eines Geistersehers: Aus den Papieren des Mannes mit der eisernen Larve (i.e. “the man in the iron mask”), 1790, by Cajetan Tschink (1763-1813): 3 vols. octavo

English Translation: Peter Will, published in 1795 as The victim of magical delusion: or, The mystery of the revolution of P--l: a magico-political tale, founded on historical facts. Editions include London (3 vols.) and Dublin (2 vols). Only the London edition includes the final “Address of the Translator”.

Volume breaks in both editions come at the middle of New-York Weekly installments (coincidentally at page breaks):
Dublin, Vol. 2 begins: As soon as the Countess was gone to bed...
London, Vol. 3 begins: I felt like one who is suddenly roused...

Background: The dramatic date is 1640-41, around the break-up of the Iberian Union, formed in 1580. The main character is the historical Miguel Luís de Menezes (1614-1641), Duke of Caminha or Camiña, who was executed for treason for supporting a Spanish claimant to the Portuguese throne. He outranks his father because the title was inherited from his maternal uncle, also Miguel Luís de Menezes (1565-1637); the title later passed to Miguel’s sister.

The “Queen of Fr**ce” was Anne of Austria who, as her name indicates, was Spanish. During most of 1640—when she appears in this novel—she would have been pregnant with her second child.

Links (Dublin edition):
Vol. 1: http://www.archive.org/details/victimmagicalde02tschgoog
Vol. 2: http://www.archive.org/details/victimmagicalde01tschgoog

Link (London edition):
http://www.archive.org/details/victimmagicalde00tschgoog

About the New-York Weekly

The New-York Weekly Magazine or Miscellaneous Repository was published for slightly more than two years, from summer 1795 through summer 1797. The two complete years were also published as bound volumes; this e-text is Volume II, nos. 53-104. Volume III, renamed Sentimental & Literary Magazine, only lasted through no. 112.

There are no illustrations and no advertising. Each page was in two columns. The arrangement of each issue was:

Front Page, in slightly larger type:
masthead spanning the top of the page
didactic or philosophical essays

Inside pages:
prose essays (philosophical or educational)
fiction, ranging from from a single column to serialized novels

Page 7, second column (variable):
Marriages
Meteorological Observations, including monthly summary
short poem

Back Page, in slightly smaller type:
poetry
printer/publisher information spanning the bottom of the page

thumbnail of page 1

Errors and Inconsistencies

Because of the condition of the original, common mechanical errors such as n/u or f/ſ (f/long s) are noted only in exceptional cases.

Quotation marks in The Victim of Magical Delusion are shown as printed except when there is a mismatch between single and double quotes. Names in M‘ were generally printed with “opening” (right-facing) apostrophes; these are shown as printed.

In a few highly formulaic areas—the “Meteorological Observations” and “Marriages” items, and lines such as “Continued from page 163”—missing or invisible punctuation has been silently supplied.

Not Individually Noted:

historically appropriate spellings such as “chearful”, “controul”, “pourtray”, “stupified”, “villany”

forms like (in)conveniencies, indulgencies, precendency

inconsistent prefixes and suffixes such as
-ible, -able; in-, un-; -eous, -ious; -ent (-ence, -ency), -ant (-ance, -ancy)

misplaced or unexpected apostrophes such as
can’st, would’st, should’st, did’st; her’s and similar

variations such rn. and ra., clo. and cly. in the Meteorological Observations

inconsistent hyphenization of words such as
stair-case and staircase, blindfold and blind-fold

Variable Spellings:
ærial for aerial (and a few other æ for ae usages)
affect for effect (the verb)
alledge for allege
batchelor for bachelor
groupe for group
insiduous for insidious
male-content
murmer
ought for aught (“anything”)
pallet for palette
penegyric
placed for placid
spight for spite
terrestial for terrestrial (especially in later issues)
thermometor for thermometer

The plural form “criterions” is used consistently

The spelling “desart” is sometimes used geographically;
as a verb, or as a form of “deserve”, it is always spelled with “e”

Names:
Alchibiades/Alcibiades
Lovsinski/Lovzinski (form with -s- occurs in two issues)
Ottoman/Othman
Pharoah (only in the Music articles)

Usages:
“may be defined...” is consistently used without “...as”
“flew” is often used for “fled”






End of the Project Gutenberg EBook of The New-York Weekly Magazine, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK THE NEW-YORK WEEKLY MAGAZINE ***

***** This file should be named 37240-h.htm or 37240-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/7/2/4/37240/

Produced by Louise Hope (This file was produced from images
generously made available by Google Books.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.