The Project Gutenberg EBook of The Piper and the Reed, by Robert Norwood This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Piper and the Reed Author: Robert Norwood Release Date: September 8, 2011 [EBook #36916] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE PIPER AND THE REED *** Produced by Al Haines THE PIPER AND THE REED _Know you a garden near the road? Its walls are very high; A gift of dream on me bestowed, And covered with the sky: There one may walk and talk and talk, Forgetful of aught else but friends, When twilight into evening blends._ [Frontispiece: Sincerely yours, Robert Norwood] THE PIPER AND THE REED BY ROBERT NORWOOD AUTHOR OF "THE WITCH OF ENDOR," "HIS LADY OF THE SONNETS," ETC. MCCLELLAND, GOODCHILD & STEWART PUBLISHERS :: :: :: TORONTO COPYRIGHT, 1917, BY GEORGE H. DORAN COMPANY PRINTED IN THE UNITED STATES OF AMERICA TO L. L. H. CONTENTS The Piper and the Reed Aldebaran Comrades After the Order of Melchisedec O Little Pale Pilgrim of Dream A Song of Evolution A Song of the Trinity A Song of the Father A Song of the Mother A Song of the Son Te Deum O Will You Come With Me The King of Glory Matins A Cradle Song of Life A Song of the All The Slow Emerger A Song of the New Gods The Optimist Revelation A Song of Workers A Song of Battles Can You Forget Bartimaeus The Cock The Stream The One Oblation A Question Combatants On the Wide, White Road That One Should Love Me Rahab On Guard The Ploughman Dear Little Maid of Dream The Violet to the Aster Magic The King and the Maid A Woman's Prayer Foeman Geraint Grief The Empty Room Love Eternal After the Feast The Lonely Road THE PIPER AND THE REED THE PIPER AND THE REED I am a reed--a little reed Down by the river, A whim of God whose moment's need Was that the Giver Might blow melodious and long One cadence of eternal song. Through me are blown Wild whisperings of wind from hills No sun hath known. The splendour that Orion spills On purple space; The golden loom of Leo's mane; The scintillance of Vega's face; Dim unto dark: And great Arcturus' far refrain Fades to a silence that is pain, When, like a lark, Riseth melodious and strong That cadence of eternal song. God is the Piper--I, the reed Down by the river for His need. One note in those vast melodies Waited on me, Or else the choral companies Went silently Complaining to the muted stars: "What lack we yet that Discord bars That infinite Processional?" Or else the seraphim would call: "Minstrels, your dulcimers let fall And break the silvern psalteries!" A little reed--a little reed! And yet were silence of that song, Failed I the river's pebbled brim, Nor trembled never unto him-- The Piper! passing where we throng Vibrant and ready for His need. O Miracle! He who in beauty goeth by The marches of the meadowy sky, A-piping on the many reeds His canticle, Paused in His playing; For He found An under-sound Failed of the music that He made. Wild winds went straying, Like sheep lost on the daisied meads-- Scattered by Discord and afraid, Lost from the fold They knew of old. My God had need Of one more reed-- Had need of me To make the perfect harmony. I am that under-sound, That needed note. Eternally the Piper tried Reed after reed until He found Me growing by the river-side, And laughing at the leaves that float Forever down its burnished tide. How frail my body is--how frail And common of its kind; A reed among a field of reeds A-tremble to the wind-- The wind that threshes like a flail Until my body bleeds! Yet through me such wild music blows The Piper laughs among the stars. Know you the Piper? Little scars Burn on His brow, each shoulder shows Wounds of a knotted scourge that fell To hurt Him from the hands of Hell! Welcome, O Wind! All hail, O Pain! One little reed--one little reed, To fill the Piper's far refrain, Is broken till its body bleed; Glad that the Minstrel Lord doth find A tone of His eternal need. ALDEBARAN The minstrel tuned the triple strings-- His harp of many murmurings-- Then on a mighty chord began A song of bright Aldebaran: I Aldebaran, Aldebaran, One night I saw thee rise Above the peaks of Ispahan, Red on those purple skies. Thou wast a royal ruby stone Set in a diadem Of some great god upon his throne, Whose garment's ample hem Was margined with the clustered spheres Beyond a myriad of years. Above thee soared the Pleiades, Beneath, Auriga flared; His vast melodic harmonies Rigel with Algol shared: Space trembled to the minstrelsy Of Deneb and Alcyone. II Aldebaran, Aldebaran, Betelguese sheathed his sword, And in that cosmic cry began The music of his word; He spoke in syllables so strong, Each sentence was an aeon long: "Thou art"--he thundered, "the first star To lead earth out of mist, When man looked up and felt afar Urge of an ancient tryst Made ere God lit the morning sun To mark the length of day begun. "Thou threshold of the Zodiac; Thou portal of the Rooms; Thou first step of the starry Track: Thou shuttle of the Looms Where Fate weaves threads of purest gold To fashion God's wide garment-fold-- "Hail!"--and: "All hail!" from every sphere That rolled across the void, I heard, Aldebaran, with fear: Each clustered asteroid Flung back the tumult of that cry, Like trumpet-voices through the sky. III Then Vega rose and on her lyre Played tremulous vast chords, Singing the infinite desire Of those celestial lords Who shouted when earth's loom was laid, And through the warp God's shuttle played; When through the loom of misted flame The threads of God began To weave a world; before there came Adventuring of man Upon the Path of life to find Monitions of eternal Mind. She sang of forest and of fell, Of mountain and of moor; Caves and the caveman's battle-yell; The song beside the door Where women ground the meal and sung Rhymes in their rude primeval tongue. I saw the mammoth and the bear, Like moving mountains, run In terror from the flint-head spear, Proving that man had won Lordship of earth; and I made prayer, Aldebaran, before thee there! IV Arcturus lifted high his horn And blew a mighty blast. The curtain of the night was torn To show the protoplast Transfigured on the finer face Of that far prehistoric race-- We, clumsy, call Lemurian! A city lifted high Its towered domes of daring man Beneath a tropic sky, With gates of gold that gleamed and shone Brighter than portaled Babylon. Men were as gods upon the earth, The women were most fair; Music was speech; a holy birth Of art was cradled there-- For dreams took shape in pure jacinth, Seraphic brows upon the plinth. Reed instruments for dance and song; Brave horns beneath the blue; The sistrum and the thunder-gong; The pipe and tabour, too; And all the craft of minstrelsy: Harp, sackbut, cymbal, psaltery, Were fashioned. Then was genius stirred To pre-Homeric lines, And drama grew. On earth was heard Praise of the fruitful vines, Oil of the olive, barley-gold, Leaping of lambs within the fold. Told was the story of the stars, And thine, Aldebaran, When Jupiter was not, nor Mars; When every shepherd-clan Pointed and named the olden spheres While Rome was in the womb of years. V Altair in Aquila stood forth With flaming evil brow, Looked from his tower to the north And made an awful vow: "I will destroy yon golden gates-- Hither to me, O shrouded Fates! Hither to me and hide the sun, Darken the noisy noon, Snuff out the planets one by one, Unleash the hot simoon; Destroy the race Lemurian!" And they obeyed, Aldebaran. Thunder! A woman by the well Looked up wide-eyed and fell; A shepherd leading forth his sheep, Gasped, clutched his throat and found eternal sleep; Ceased in the temple, horn and holy drum, And all the vested choristers were dumb! Rain as of fire! The shivering of earth; Dead is the baby at its birth-- With horror in her great dark eyes, The new-made mother lifeless lies; Two lovers in the spell of their first kiss And whispered word, the dark abyss Engulfs forever! Night! Endless night! There are no towers, temples, domes-- No palaces, no pillared homes; And all that stately company Are buried in a boiling sea! Alas, for these, Aldebaran! And woe to Altair and his hate! Gone is the race Lemurian; I weep, O Star, to sing their fate! VI And for a while the court was still, Tense, waiting on the harpist's will, From lord and lady to the King. One spoke: "It was an evil thing!" One: "Hush! He is about to sing." The jester shook his golden bells, And laughed: "A pretty tale he tells Of Altair and Aldebaran; Faith! Never since court-fools began Was heard the like.--Lemurian!" A bishop raised his mitred head: "It was the Flood, I think"--he said. "Aye, even so"--replied a priest: "Was not that city in the east? Altair?--Apocalyptic Beast!" Then spake the King upon his throne: "Never such harping have I known; It is a right majestic tale-- How poetry and song prevail On sword and shield and burnished mail!" Again the minstrel tuned the strings-- His harp of many murmurings-- Again on softer chord began The song of bright Aldebaran: VII Aldebaran, Aldebaran, Last night I saw thee glow In Taurus--open like a fan-- Above a world of snow. The joyous bells were ringing wide Their plangent silver chime, Proclaiming: "It is Christmastide! Now is the time, the time, The Holy Babe was brought to birth, And Lord Messias came to earth!" Wast thou not then that eastern Star The Magi did behold, Who journeyed from a city far To offer gifts of gold-- The Star of Jesu, leading them To little white-walled Bethlehem? Aldebaran, Aldebaran, Across the crystal sky A shout of angel-song began: "Glory to God on High, On earth be peace! Now is the morn In which Emmanuel is born!" They sang the end of every woe, The tale of every tear. I saw a host of singers go Bravely against the fear That held men in the thongs of Fate Through aeons of the hell of Hate. Before thy lance Altair went down, Lemuria arose Restored to temple, palace, crown, With gates that never close; And all her shining company Renewed their art and minstrelsy. The babe was in his mother's arms, His face was like the Christ; And that lost lover knew the charms Of her who kept the tryst; The woman filled her water jar, The shepherd led his sheep afar. And then I knew, Aldebaran, Lemuria is one With all the domes of daring man That glitter to the sun; That age by age one broad highway Leads up the host to fuller day. There shall no lost tall towers be, No idle aim of art; No useless joy of minstrelsy, No ever-empty heart; No utter silencing of song, No comrade absent from the throng. Through pain and trial of the tears, Lead up the host, O Star! Lead up, lead up, until the years Have glorified the scar That burns upon the brow of man, Aldebaran, Aldebaran! COMRADES Come dear Comrade, let us sing-- Not to any tightened string Struck by harpers when they play-- Let us, like the morning wind, Shout with an unfettered mind Anthems of the common day. Challenge, as the waves the shore, Whoso limits what we pour, Protestant of any strain Other than old minstrels know; Follow where the spume flakes blow Down the world and back again. We will run the glad earth round, Splinter with a lance of sound Cliffs that front the swelling tide; Till the mute soul is set free Unto love and liberty, Unafraid and satisfied. We will let the fancy run, Climb into the setting sun-- Leap from it upon the moon-- Laugh at all the broken bars Down betwixt us and the stars, Vainly builded by the noon. Play, my Comrade, through the trees Luting ancient litanies; Laugh with every fronded fern; Sit with daisies in the grass; Let the river hold a glass To your eyes, and look and learn. Gaily go upon all roads, Not like cattle pricked with goads; For the towered town To-Morrow-- Walled with pearl and chrysolite-- Lies beyond the tarn of Night, Past the broken bridge of Sorrow. AFTER THE ORDER OF MELCHISEDEC I am a priest upon whose head God long ago poured holy oil; He gave to me a Word and said: "With this thou shalt mankind assoil!" Since I went forth God to obey, Life has revealed me many things-- I find it very hard to say What is most dear: The task that brings Bread to the eater, or the rest That follows toil; the love of friends, Of books, of song,--each is most blessed And always with contentment blends. A stone, a faggot or a flower; A bird in rapture of its flight; December-snow or April-shower; The velvet vastness of the night, When Mother Moon has left the stars And with the winds gone gossiping-- Or leans upon the gate that bars Dawn from untimely entering. These hold for me unending charm, Fill me with wonderment and awe That men should ever think of harm, Fencing their lives about with law. The world is such a lovely place-- A jewelled pendant on Love's chain! I marvel that a human face Should pale with anger or with pain. I marvel at the cry for bread That thunders round the waking world; The tumult of the legion's tread That shakes the earth, as souls are hurled In battle to destroy the souls God grew in His great garden, when He won past all His other goals-- Triumphant at the birth of men! Who can behold the dance of Dawn-- Juggling with stars like tinselled balls, Vestured in mantle of a wan, White glory whose dim splendour falls Upon the mountains; and not feel Himself transcendant? Who can hear Clangour of wild birds and the peal Of matin-bells across the clear, Blue sky, commingling with the shout Of children on their way to school, And fail at once to be about God's business?--As within a pool You are reflected, Nature shows The miracle of what you are-- The highest that Creation knows: Lord of the earth and every star! I am a priest upon whose head God long ago poured holy oil; He gave to me a Word and said: "With this thou shalt mankind assoil!" I come from out the Holy Place With benediction for the earth, To wipe the tears from every face And tell the fallen one his worth. My business is to be a priest Whose holy task is to forgive, To bid the beggar to the feast, To touch the dead and make them live. I know not any fear of thrones, No claim of Scribe and Pharisee; My word is set to many tones Of lute and harp and psaltery. I have no temple and no creed, I celebrate no mystic rite; The human heart is all I need Wherein I worship day and night: The human heart is all I need, For I have found God ever there-- Love is the one sufficient creed, And comradeship the purest prayer! I bow not down to any book, No written page holds me in awe; For when on one friend's face I look I read the Prophets and the Law! I need no fountain filled with blood To cleanse my soul from mortal sin; For love is an unbounded flood-- Freely I go to wash therein. Love laughs at boundaries of wrath And is as infinite as God; Breaks down each wall, finds out each path Where wilful, straying feet have trod. Love is the Word God gave and said: "With it thou shalt mankind assoil!" Then forthwith poured upon my head Anointing of His holy oil! O LITTLE PALE PILGRIM OF DREAMS O little pale pilgrim of dreams! Do you know the names of the flowers, The ferns by the pools and the streams, The kisses of God in the showers; Do you hear His "Hello" on the hills Where a wind comes out of the cloud, And fail of the magic that fills Companions who meet in the crowd? Thou slow of the heart to believe-- Thou blind of the eyes to behold! Let go of the things that deceive, Vain baubles of silver and gold; Come out and be one with the throng-- Your brothers who wait by the way-- And sing the new Liberty Song At the wide-flung doors of the day. Companion of flower and fern, A brother of Christ and the clod, And one with all spirits that yearn The realized image of God; The centuries wait for thy wings, And aeons have followed thee far: Lay hold of the sceptre of things, Thou lord of the atom and star! A SONG OF EVOLUTION I Will sing of Evolution: A song of the atom-- A song of the star-- A song of the soul! God is the name of two Lovers Each other eternally wooing: Love and Life! Love is all light and is lonely Until He finds Life; Life too is lonely Until in her seeking Love has been found. Over the peaks and the plains Of an infinite universe These Lovers are ever Each other finding and losing: Whenever they meet there is birth, Whenever they part there is death! Birth and Death! What does it mean we are born? What does it mean that we die? I make answer: That which of Love and of Life is begotten Fails as to form of itself only-- Not Self but its eidolon fails-- So Love and Life part to prepare for Self new forms; Birth is a form of the Self once more appearing-- Self who is child of these Lovers eternally wooing! How many births, deaths have we known! Eternally going out of the urge of Love for Life, We are the Sons of the Highest! Atom and star and flesh, These are but forms of the Soul; Amoeba, mastodon, man, But forms of the Soul forever ascending! The Soul is more than the form, Abides there merely a moment; The Soul is a pilgrim Housed for the night in a hostel: New habitations meet for his needs are provided, Yea, they are builded by Love and by Life-- Builded by them for their Only Begotten. A SONG OF THE TRINITY I believe in one God the Almighty: Love is the Father Eternal: Life is the Mother, Infinite Spouse of the Father; Soul is the Son forever ascending! Love, Life and the Soul-- These Three forever existing-- Love, Life and the Soul! A SONG OF THE FATHER I am Love! None is before Me-- I am the All! I am the Lover of Life By whom my Son is begotten: This is my Son-- The Soul in whom I am well pleased. Or ever the stars were hung in their purple places; Or ever the moon grew languid with love for the earth; Or ever the day flamed forth on the hills In eager pursuit of the reluctant arms of the night: Life cradled our Son in the atom We fashioned and floated on waves of ether-- Cradled our Son and waited till aeons went by Fulfilling the passive, soft years of his childhood-- Waited until he builded strange cities by rivers That flowed from the gold of the sands of the desert-- Waited until his white body was nailed on a cross In pledge that Love is the Lover of Life and Father of the Soul! A SONG OF THE MOTHER I am Life! Love only precedes Me! Long ere the pollen grew gold on the bee Flitting from flower to flower, Laden with honey; Long ere the song of the bird Chorused back to the choirs of winds Coming down from earth's altars, the hills; Long ere the lamb bleated back to the dam Through the void and the waste Of the upland pastures: Love found Me and I found Love! On my breast have I carried the Soul, Have laid him to rest at the end of a day With a dream and a song through the dream! How oft he has risen-- Awaked at my word, Reclothed by my hand! How oft have I let him go free To the toys and the tasks, While he grew in stature and wisdom! Dear is my Son in the strength of his great growing Godhood! A SONG OF THE SON My cradle was the atom, On the breast of the sea I slumbered Through a long aeonian night And wakened on the morning of the world! The fern and the shrub and the tree Were my playmates-- The wind was my nurse Singing me wild songs. I stretched out my hands to the rain. And grew glad in the sun; I dreamed of my sisters the stars Of my brother the moon. I was housed with the cattle; For them I opened the doors of speech, Turned their dull dreams To the words of a song. To him of the fang I was Terror! In the light of my face he was furtive, Shrank back to his den-- Ceasing to tear with his teeth. I had learned to stand on my feet. To smite with my hands, To hurl a huge stone At python and tiger. I roared with wild laughter! In the light of my brother the moon I danced with my mate To the dance of my sisters the stars. At dawn I went forth To hurl with the hammer Or thrust with the spear, And grew heavy from hunting. I returned to the cave And saw her white body Naked against the sun Red in the west on the mountains. I drew near to my Love Who saw me and sang The song of the hunter Home from the hunting. The Babe at her breast she held up And danced in her arms for his father-- Danced till he croodled and crowed, Dimpled with joy of his father! For them I builded a hut Of saplings and wattles, And she with her fingers Fashioned bowls from the clay. We dreamed as we toiled, We sang as we dreamed; And ever the task Took the form of our song: We dreamed that the wilderness Blossomed; that the meadows Thickened with ripening corn Yellow and green in the noontide. We sang of the millet and wheat, Of the barley and rye And the purple grape-clusters Hanging down from the vine. We sang of the flax And the oil of the olive After the time of the sound Of the flails on the floor. We dreamed that a city Rose out of the jungle-- A city of towers and walls, Of palaces, statues and pictures. So great was our love That, though we died, By birth we came back To keep tryst with each other! She was proud Semiramis; Helen of Troy was she; Hers was the song of Miriam, And the red-wet hands of Jael! Once was her dear name Sappho, Singing the song of the cave-- Of him who hurled with the stone, The hunter home from the hunting! Where the Nile is an amber bow She dreamed and waited for me Coming down in my trireme of war, Enslaved at her smile! So through the ages we met, So through the ages we parted: Each time that we met After the silence that sundered, Fairer and fairer was she; And I grew more like a god, Cleansed and made strong by the tears Shed for the sorrow we suffered; Till one day we stood in a garden-- A little green garden of lilies Hard by a Tomb that was open Wide to the joy of the morning; There in the hush of the dayspring Breathing of dew-sprinkled lilies White as the snow upon Hermon, We knew that our Love was immortal! Out of the wildness We had grown us a rose-- Out of its thorns We had fashioned a crown! TE DEUM Praise God for all things: Praise Him for birth, Praise Him for death, Praise Him for health, Praise Him for sickness; For sorrow and sin, For gladness and gain, For failure and loss, For friend and for foe-- Praise God for all things! God is the All, So all must be praised And welcomed and trusted As angels from Him: Angels of light, Angels of darkness Angels of joy, Angels of woe-- Each as a messenger Swift from His throne. "Nothing can hurt you!" Sings little Brother; For each in its place Serves but one end, Namely, to shape you-- Fit you--complete you: Till from the terror And from the thunder Grow through the gloom Gleams of your Godhood! Laugh at the voices, Wailing in valleys Like to Gehinnom-- Lurid with fires Fed by the bodies Of dead men forgotten! Rise up and claim All things as yours, You who are God-- God in Becoming! O WILL YOU COME WITH ME O will you come with me away, Brother--my Brother! The night is spent, and breaks the day, Brother--my Brother! Have done with the dream and the pillowing stone! Awake! Over vast spaces the winds are blown To buffet and bear you from shadowing sleep. Up the high places Seraphim faces Brighten and burn as the disk of the sun Stands on the brow of yon mountain, to keep Guard of your path till the journey is done! THE KING OF GLORY Give us this day a man so strong He will not falter in his song, Muting his instrument to please The backward-glancing Pharisees. He must be one to whom a child Comes with sweet laughter, reconciled From tears because he passes by Like a white cloud in yonder sky. Women shall claim him for a friend, Hail him as brother, gladly spend The price of spikenard for his head, Weep at his tomb when he is dead. From seat of customs or the nets, Workshop or plough or minarets, Men will respond to his clear call And in his battles proudly fall. This Lord must be no shrouded form Of God Incarnate, but the norm Of manhood for an eager age-- Our prophet, poet, teacher, sage. If sin be missing of the mark, Sped was the arrow in the dark: With light shed from that Brother's face, Each well-aimed bolt shall find its place. Not to dead yesterdays, but now Belongs that wide and august brow From whose vast mind a word shall be Spoken to set thought-forces free-- Thought-forces fettered by the ban Of some far-thundering Vatican, Which from the age of stone to this Cramped them by every artifice. He will lift up a mighty hand Against oppression; will demand From kings and councils an account Of stewardship--of the amount Taken by them in turn for toil That starves the tiller of the soil; Will seek to know the reason why The millions in their hunger cry. His clear, calm eyes will pierce excuse Of man defending his abuse Of power; like a two-edge sword Will be dividing of his word. He will not quote some ancient saw-- A text of scripture from the Law, Nor will he seek by miracle To blind all reason; he will tell The tyrant and the turbaned priest: "Because ye did it to the least Of these my brothers, made their world Hell--to that hell be also hurled! "Forth from your lands into the street; Huckster and harlot, beggar meet; Lift from each head its crown of thorn, And kiss those feet the nails have torn! "Into the hell of every hate, Vice and foul lust insatiate, Descend and learn what ye have done, Who from earth's children stole the sun; "Stole field and forest, mountain, river-- Pretending that some royal giver Bestowed them on your sculptored sires Sleeping beneath their ancient spires! "Ye who have taught that God is wrath; Ye who have driven down the path Of fear the frightened souls of men; Ye who have made His house a den "For thieves to bargain gold for grace: Ye hypocrites with pious faces And downcast eyes, your litanies-- Your candle-lights and threnodies "Rise not to Him who clothes the grass With glory and whose holy Mass Is in the olive and the vine-- Not in your wafer and your wine!" Send such a man again on earth, As He whom Mary brought to birth, And whom the people in their pride Rejected and then crucified! Only, O God of stone and star! We will not hale him to the bar Of Pilate and Caiaphas; We will lift up the gates of brass And open wide our golden doors, Proclaiming while his splendour pours Over the world he comes to win: "The King of Glory shall come in!" MATINS Good morning, friend! What of the night? Through yonder cloud one shaft of light, Shot from the bow of Hunter Day, Strikes on the world; his hound-winds bay Down valleys where the wheat and rye Their gold with green of forest vie. Lift up your head! Behold how fair Creation is: The ocean-air Beats billowing upon the strand Of endless leagues of summer land, And freighted ships of scented bales, Wild blossoms, spread their tinctured sails. See how God with an artist's grace Gives soul to every flower-face! Beneath His touch a leaf is green, A berry, red! Mark how, between The captive daisies, come and pass Phalanxes of the guarding grass! The night was dark, you say: wild fears Took shape on torrent-flood of tears; Dim phantoms of the host of hate Pursued you down the gulfs of fate, Smiting you with their harpy-wings Up steeps of weird imaginings! My friend! Each in his turn has known Night and her shapes of fear; the stone Of striving Sisyphus has torn All who have dared the mount of Morn: The tree where Buddha's vision fell Was planted in a pit of hell! No soul has seen its promised land, Who felt not first some Pharaoh's hand-- Behind achievement, stir and stress Of desert-days and wilderness; Learn by the way that Jesu trod How from the brute man grows a god! Who stands against you in your path May reap with you your aftermath; And less of bitterness than bliss Is stored within a traitor's kiss: The demon who holds back your soul Will crown you victor at the goal! The bugles blow, the trumpets call, And at their sound the towers fall; Beleaguered bastions are down Within yon ancient fortressed town: Go up and let each cobbled street Clang back to your triumphant feet! A CRADLE SONG OF LIFE Lullaby baby, Hushaby baby! After the day Comes night with a dream! Dear little hands, Dear little feet, Quiet at last; Closed are the eyes: Lullaby, hushaby baby! When you awake Will you forget All the old toys, The lessons you learned, The bruises that hurt When you fell down? Uncouthly you sprawled And frequently fell, Learning to walk: Was falling a sin, Were bruises a shame, Baby, my brave little baby? What dreams do you dream, What sounds do you hear Out of the splendour-- Out of the wonder-- Out of the peace Of Rest-A-While Land? How little they know Who call this a grave-- 'Tis but a cradle, And death is a sleep From which you will waken To try it again! How little they know Who prattle of sin, And tell on their beads Misereres for grace: Baby must fall That baby may rise! Renewed by the rest, Made strong by the dream, More firmly your feet Shall find out a way Past the old blunders Into the dawn! Lullaby baby, Hushaby baby! After the day Comes night with a kiss Soft on the brow, Hands and the feet-- Folding them, Holding them-- Feet that are tired from falling; Hands that are weary from failing; Brow that is furrowed from weeping: Brow, hands, feet--resting for mastery! A SONG OF THE ALL Brother, my Brother! whoever you are, Rocked in the atom and nursed in the star, Swaddled in flesh by the great Elohim-- Lords of the Flame--and whose day is a dream Known in the night: O my Brother, all hail! Hither a prophet, a priest or a slave, Came you, my Brother--a king or a knave, Black man or red man or brown man or white, Out of the land of an infinite light? Here are my heart and my hand to you: hail! Are you a liar, a sycophant's self Sold for a shekel and pandering pelf? Are you a snob or a murderer, thief, Cringing to hell with the devil for chief? Here are my robe and my crown to you: hail! Greet you, my Brother! for I am all things-- Dust of the stars and the music of wings-- Eyes of the angels and Lucifer's mouth-- Wind of the North and a wind of the South-- Here are my sandals and staff to you: hail! THE SLOW EMERGER I am the Slow Emerger: Patience and wait for me, Nor be afraid that I will fail you-- You holder of fair morning heights-- You dancing with the rosy dawn! It has been long and hard for me, This task of slow emergence from the clod. Brute-shapes still prowl about me in the shadows, Their fangs are sometimes fastened to my feet; So that I cannot walk from pain of them, So that I halt and cry out--lonely in the night! Sometimes I see you, Woman-- You the watchful, waiting one of ages-- You with the dawn and godlike-- You past all torment that I know-- You the understanding. Sometimes I see you in a shaft of light Smiting the mists of valleys where I call, Dividing them as with a two-edged sword Swung by an angel! In that vision Rage of tusk and tooth and fang Falls like the waves in their wind-drifted foam Upon the scarlet laughter of wild poppies! I have deceived you; You in turn have punished me-- Have punished me with a mere semblance of yourself: A figure, rose-lipped, white fleshed, With wild witcheries of ample breasts-- Limbs smooth and dimpled as for kisses-- A dear and tender fiction of yourself; A fiction of yourself that did escape me, Leaped up to claim those hills remote from me Until I learned man must not chain a woman's soul! O Woman, wait for me-- Be patient; for I strive Out of the shadow Where the brute Still fastens with his fang My bleeding feet-- My weary, stumbling feet: Nor be afraid that I will fail you-- You holder of far morning heights-- You dancing with the dawn! A SONG OF THE NEW GODS The gods of vast Valhalla Are silent in their hall; Zeus looks not from Olympus; Jehovah's rod has fallen And Buddha sleeps among his Poppies: The old gods, the great gods, Thunder and nod no more! Yea, though we fiction them, Pretending that their stone eyes stare-- That their ears of marble harken, We know that all the gods of yesterday are dead! Weep not for Apollo; Sigh not for Cynthia; Call not for Aphrodite Coming from the foam; Beat not the breast for Balder-- Balder the Beautiful, Slain by dark Loki: These were but dreams in the night Of the day that is ours. Sing for the day that is ours-- For the gods who are here, Titans whose strength is greater Than snake-strangling Hercules! Sing for the gods of the oppressed, The cleansers of slums, The Christs of great Golgothas Mounded of old wrongs Hurting the people! Sing for the smiters of tenements-- Lairs of disease, of the white death! Sing for the slayers of sweat-shop owners-- The taskmasters of children! Sing for the guardians of girls, The saviours of modern Madonnas-- Custodians of wells unpolluted For the renewal of men! Sing for the wielders of axe and the hammer; The gods of the crowbar and shovel; For those who go down to the sea in ships, Having their business in the great waters; For those who find out a path Which no fowl knoweth, Which the lion's whelps tread not-- The veins of the silver and gold, Of the carbonized sunlight and laughter! Sing for the prophets of labour, Rebukers of Ahab greedy of gardens Delved and possessed by another! Sing for the women who claim the lost title: "Comrade and equal of Man," Women who strike from their sisters AEonian fetters of custom, Bidding them stand and be free from their masters! Sing for the priests of the Lord's House, Who lift up the vessels thereof with clean hands, Knowing great Christ when He cometh, Truthful interpreters of signs and of omens! Sing for the harpers on highways Who make the world dance to their song, Turning the laughter of leaves into words! Brother, this the world wonderful Transcends Valhalla. Everywhere falls the ambrosial Smell of the garlands immortal; Everywhere tones of an infinite Iris-bow, bent for achievement, Pass the promise of Noah-- Ours not promise, ours fulfilment! This is the day of the ages, Heaven is here for the claiming-- Now! Now! Rise up and take it. "I said ye are gods"--? I say you are gods-- Yea, you are more than God's Image, You are God's Self! worship none other. Have done with your idols, The old gods, the dead gods! Blow up the trumpets-- Beat on the cymbals-- Strike on the harpstrings-- Let sound the psalteries-- Thunder the tabour! Shout with the Levites, White-robed and ready, Round the old world-walls! Shatter with sound Jericho! Jericho! Topple its bastions, Bloodstained and brutal, Down to the dust Drifting to deserts Remote and forgotten! Bring in the New Year, Brothers, my brothers-- Proclaim this the Sabbath! THE OPTIMIST "There is no evil anywhere"-- Said I unto the priest Who answered: "Life is cursed with care, Sin makes of man a beast!" "Care is not any curse"--I cried, "To fail is not to sin." "Wherefore upon the rood Christ died, If not our souls to win?" "Because a hero must face death, If death be in the way." And as I paused to take my breath, The priest began to say: "Son, you forget how Adam fell, Losing his high estate; And so God doomed him unto hell, Save for the Master's fate." "Yes, I forget--and gladly too-- That ancient Hebrew tale: How God began a thing to do-- Can the Eternal fail? "Can He who rides upon the storm, Who breathes and, lo, the stars! Whose thought begets a flower-form, With leaves for avatars; "Can He who crowns the grass with dew, And gems the wood with rain; Fail of His purpose?"--My priest drew His breath and spoke again: "Alas, my son! Your words are wild And far from holy faith; Your reason is of one beguiled By some infernal wraith-- "Do you not know the written Word Tells of our father's fall? Have you not seen, have you not heard How death rules over all?" "There is no death"--I quickly said; And he: "But all must die!" "Now is Christ risen from the dead!" Forthwith I made reply. "Now is Christ risen and become Firstfruits of them that slept!" And lo, the fluent priest was dumb-- He was like one who wept! "Ah, you have suffered, you have sinned, Have known the dark abyss, Have felt upon the roaring wind The phantom of a kiss; "You have looked in a woman's eyes Lit with her love of you, And such a moment made you wise!" He murmured: "It is true." "Tell me, O priest, was it not worth Eternity of hell, When in your heart dear love had birth?"-- Tears from his closed eyes fell. "Then your great moment gives the point To what I said before-- There is no evil. You anoint The spirit's open door-- "A dying body--set the seal Of some old covenant, As though the spirit did not feel The Comrade-Visitant; "As though the soul were not God's son Knowing as he is known, Who hath by cross and passion won His place beside the throne! "If all my life were in the dark And dread of endless doom, Think you that I should fail the spark That gleamed athwart the gloom-- "My moment when I soared to bliss Upon a woman's lips And that revealing word--her kiss-- Thrilled to my finger tips? "Nay; by that instant I should know Evil--so called--worth while, Accept the challenge, forward go Bravely against the mile; "Till by degrees the lengthened space Should give me stronger thews, A firmer tread, a purer face, A never-empty cruse: "I then should reach a gentler hand To cripples by the way, Strike off the fetters, loose the band, Turn night into the day. "My tongue would be a tuned reed, My throat a silver horn, My lips for fuller faith would plead From even unto morn. "I should not waste the miracle Divine--the gift of speech-- With fancied images of hell-- This only would it teach: "If God with lilies keeps a tryst, Then He will also keep Faith with that moment of the Christ Who walks upon the deep-- "Christ walks upon the deep with him Who dares the rising wave, And though his failing faith grow dim, Finds love is strong to save; "Knows love is strong to save and lift The flagging feet that fail, Hearing across the cloudy drift: 'Courage, O comrade, hail!' "Who sees the Presence, finds the Face, And hears the mystic word; Who moves to his appointed place, Like any homing bird; "Who never doubts the highest peak Of his transcendent hour, And boldly ventures forth to seek Fulfilment of his power: "For him God waits beyond the sun, His Christ of many scars, To give for that which he hath done A heritage of stars." REVELATION All is revealed--naught is concealed! Sudden and swift, like the feet of the spring; Laughter of children in torrents of tears; Breathing of blossoms from orchards that fling Perfumes in prodigal scorn of the years Empty of fruitage; like the touch of a hand Soft and compassionate, known in the deep Valley of Death; like the flame from the brand Flung from a watchfire to frighten and keep Back from the fold the striped Terror that stares: All is revealed! A SONG OF WORKERS Hail to the hodmen, The builders of houses! Hail to the navvies Laying pipes for pure water! Hail to the miners Prisoned in pits, Cleaving the coal, Dauntless of death from the gases! Here's to you, sailors, Brave on the boisterous Breast of the ocean, Tanned by the sun and the tempest! Here's to you, trainmen-- Couplers and stokers-- All you conductors-- You with your hand on the throttle! Gloria! Doctors, Nurses and mothers, Teachers of children, Patient with feet that are plodding; Gloria! Students, Lovers of nature, And you scientists-- Priests of the veiled, vast Shekinahs! A SONG OF BATTLES You will not do this thing again! What thing? Mistake of owning overmuch: Great palaces and princely halls, Gardens of Babylon that hang High on a many-terraced hill, Created at the cost of slaves Dead by the thousands; that some queen Might gaze in rapture of her lord. Strange how the saddened centuries Stood clothed in garments red with blood Poured from the veins of innocents, Their mothers glad to give them birth, Their fathers driven forth to slay And to be slain on battle fields! Why?--Why? Because a few men sold their souls For little heaps of minted gold-- Round pieces stamped with Caesar's face Or Alexander's awful brow-- Gold pieces whose possession gives Command of battle ships and legions armed for enemies, Raised up because of gold! gold! gold! For when man gathers overmuch God is exchanged for paltry dust; And when God goes the devil comes In panoply of armies: Drums beating-- Trumpets blowing-- Flags fluttering--- Men hating, fighting, bleeding, dying; Women wailing and beating their breasts; Cities in conflagration; Tall towers tumbling to an accompaniment of thunder, Tumbling down among the statues and the pictures, Silencing the song of the singers, Making the beautiful ugly, Smothering in wide encompassing smoke The children--the glad, the wonderful children-- God's lilies of laughter-- His immaculate ones! I tell you gold is the cause of war, That war is the price we pay for gold-- Gold for which we give God! You will not do this thing again! What thing? Mistake of owning overmuch. CAN YOU FORGET Can you forget the pyramids, Persepolis and Tyre? Can you forget the barges on the Nile, The sculptor with his chisel and his artist-soul a-fire With a dream of Mother Isis and her smile? His dream that made immortal One pillar of the portal-- 'Tis broken now but beautiful above the yellow Nile! Can you forget the reedy pipes, the cymbals and the songs; The sun upon the desert like a targe; The shaking of the sistrum and the beating of the gongs; The fury of the spear-thrust in the charge? O leave your milk and honey, Your little bags of money, And dream the ancient dream again above the yellow Nile! BARTIMAEUS Bartimaeus at the highroad, Begging from the passer by Just enough to stop his hunger-- Hear him cry! Blind is he and lone and ragged, With no friendly hand to lead-- And the sky all blue above him! Hear him plead. There are olives and pomegranates Green and gold among the hills, Miles of vineyards through the valleys Fed by rills. In the distance is a city Walled and white beneath the sun, Domed and delicate with towers-- One by one Rising up like fingers lifted High in a perpetual prayer To Jehovah God who pities Want and care. Near the blind man, gray and broken Is an ancient olive-press-- Blue and scarlet blossoms give it Tenderness, Weave a spell of summer-beauty On each stained and splintered stone, Give the pile a royal grandeur Of a throne. On the road are many people-- Laughing as they hurry down To the little homes that wait them In the town. Comes a merchant on his camel-- Silk from Araby he sells: Listen to the rhythmic clangour Of the bells! Comes a priest back from the Temple, Pondering the written Law, Blind to all the lovely blossoms In the awe, In the testamented terror Of the lengthened scroll he reads; While the beggar at the highroad Vainly pleads! Comes a wanton in her madness, Drifting down the human stream; In her eyes the haunting horror Of a dream! Comes a harpist gaily singing, Brave above the smitten cords, Glancing at the royal huleh And the gourds. Come two lovers from betrothal-- She is on a milk-white ass, And he strides in strength beside her; As they pass, Bartimaeus pleads for pity: "Give the blind man of our all," Breathes the maiden, and the young man-- Straight and tall-- Gives three shekels to the beggar, Turns and looks into her eyes; Then they journey to their waiting Paradise! * * * * * Strange!--That day three people only Heard blind Bartimaeus' cry-- These, and Jesus Christ of Nazareth Passing by! THE COCK A cross within the portico, And leaning near an oaken door Through which the people come and go, As they have never done before. A cock upon the transverse beam Is perched. Within the High Priest's hall A man's voice rises to a scream: "God's Face! I know Him not at all!" A noise of laughter and of blows: "Ha! Prophet, tell us--who smote Thee?" "In sooth, this fellow Jesu knows!" "Art Thou the Christ? Come answer me!" The morning star pales in the sky-- The paschal moon dips down the hills-- The vineyards in the valley lie Veiled in the mist of many rills. A gleam of silver in the east; The cock awakes and spreads his wings; And he who of the day is priest, This canticle of Jesu sings: Wake up! Wake up! Jerusalem-- This is the day That men will slay The starry Son of Bethlehem! Like one lone cedar straight and tall, He stands within the High Priest's hall. His hands are bound, His breast is bare, There is no pity anywhere. His eyes are dim-- They laugh at Him; And since He will not to them speak, A man now smites Him on the cheek! Wake up! Wake up! Jerusalem-- This is the day That men will slay The starry Son of Bethlehem! Above the burning coals there stands One who is stretching forth his hands: Three times has he his Friend denied Who must this day be crucified! Those eyes so dim Have looked at him; And he who thrice denied and swore Is running blindly to the door! Wake up! Wake up! Jerusalem-- The silver dawn Is coming on-- A star hangs over Bethlehem! A breath of buds is in the air; The feet of Spring are on the stair, Descending to her olive-press From Winter's palace, and her dress Is wrought with flowers Of summer showers; A tear of woe is in her eye-- She mourns that Mary's Son must die! Wake up! Wake up! Jerusalem-- The night is spent-- Repent! Repent! What do ye down in Bethlehem? Cedron is calling soft and low; Gethsemane will never know Again the touch of Jesu's feet: O Nazareth, This day the death Of Him who loved you is your loss-- I call this to you from His cross! THE STREAM How many Christs have we two crucified; How many prophets have we sawn asunder; What wild woe have we wrought: how deep, how wide The wrong committed! In the sky God's thunder Threatens, His lightning cleaves the clouds apart To show an awful Face-- The Judge is in His place Of Judgment! Oh, the love That we have lost! Above, Beneath and all around us sounds the cry Of Rachel weeping over little hands And little feet! Her babes are dead! You, I, Alone are guilty; for while error stands Must all the starry Christs be crucified! Nay, do not hang your head: Though Christs be crucified, And Rachel's babes are dead, One river floweth wide Out of the urge of God; Of that eternal stream-- Its mother-bosom broad With vision and with dream-- Are you, Comrade and I! Yea, all its ancient shores That river runneth by Have we touched. Where it pours Past leagues of desert-sand, Jungles and miry places, Palms of an unknown land, Ferns and their fronded faces; Have we gone forth from God! Where slimy serpents crawl, And crocodiles are torpid in the sun; Where snarling tigers sprawl, And elephants come slowly one by one Down the yellow ridges Of the banyan's broken bridges To the river where the little shells are strawed; Where chattering monkeys leap, And the flamingo struts among the reeds; Where parrots pause and peep, And all day long the greedy ibis feeds: We went flowing, flowing, And eternally out-going From the impulse of the mighty love of God! Lift up your head, O my Brother, my friend! Know that your shame is the shame of the stream-- Memory floods all its banks, but the end-- What is the end? 'Tis a realized dream Dreamt in the depths of an infinite peace Ere the first star of the morning arose Over the earth! Since that river's release From the pure spring, how it flows! How it flows, Bears on its bosom the sorrows of man, Sin and the wreckage of faith and of truth, Lust and hot murder, the primitive ban: "Eye for an eye and a tooth for a tooth"! Yet that same bosom babe Moses did bare Safe in his cradle of wattles! Its tide Floated the tree on which Christ, crucified, Bled for His love of the stream and His share Of the Past! Lift up your head and endure! Are we not part of the All, and as pure? THE ONE OBLATION God does not need your virtue Proclaimed in any place, Who knows a better beauty Than such a pious face! The stars keep His commandments, The suns observe His law And all the countless comets Bow down to Him in awe. God does not want your temples, Whose domes are in the sky; With archangelic anthems How dare we mortals vie? One thing alone, my brothers, Rivals that bliss above: Not incense on an altar, But man's oblation--Love! A QUESTION Have you Christ found-- Whose eyes are cold And lips are set? How you forget That day of old, When on the ground He wrote one tender word: "Let him who has not erred Be first of these alone To cast a stone!" COMBATANTS My God and I met at the ford-- Lightning of wrath was on His face, And in His hand He held a sword! He whom of old I had adored Now challenged me! I paused a space-- My God and I met at the ford. Dauntless I stood, and daring poured Hot words of anger--stepped one pace; And in my hand I held a sword. Steel clashed on steel! Together warred Comrades of old in that fell place! My God and I met at the ford. One moment's thrust and He had scored; I of His mercy pleaded grace: God smiled on me and dropped His sword! ON THE WIDE, WHITE ROAD _The Question:_ Minstrel with a song On the wide, white road-- Loafing with the lilies of the June-- What makes you so strong Underneath your load, Lilting such a joyous little tune? Tell me, little brother, What I want to know-- Why your lips are tremulous with joy-- Why you, like a mother, Soothe and love me so, As she used to when I was a boy. All the way behind Fades into a dream Hideous with faces in the gloom; Phantom-terrors blind With a lurid gleam Glowing from Gehenna-gulfs of doom! _The Answer:_ Comrade, I will tell you How I laugh and sing, Loafing with the lilies by the way. Comrade, what befell you That you missed the King Crowned with purple pansies of the day? Brother, Him I know-- Lord of earth and star-- Find Him with the ferns beside the pool; All the splendours grow Dim and fade afar, When He walks at shut of day and cool. Fear not to address Him-- Cosmic-Comrade He-- Lonely for the love He wants from you! Up at once and bless Him-- Lift a jubilee With the host of loyal hearts and true! THAT ONE SHOULD LOVE ME That one should love me is enough, Be my path smooth or be it rough; Though on my head no splendours shine, Love crowns me with the victor-vine. If on my ears no plaudits fall Proclaiming me from stall to stall, Behind the scenes I wait my turn, Who saw two eyes with longing burn. Somewhere within that audience Gleamed golden Love's magnificence; I stood triumphant for a space Held by the rapture on one face. Out of the discord of to-day, Hark how the well-tuned harp-strings play! Peace, O my Soul! One song is true, Though thunder-clouds conceal the blue. Down in the lowest deep of hell One word of love upon me fell; Forthwith my flame-scarred face was bold, Uplifted to a gate of gold. Upon my path a phantom form Threatened with terror as of storm, Smote me with lightning; I was strong, Hearing the cadence of a song. A while within an awful wood, Uncertain of the path I stood; A shout of laughter from a tree Where lurked a devil, frightened me. Then there was whispering of leaves, Soft as of swallows under eaves: "I love you, love you!" Lo! a light Sundered the murkiness of night. Three times I fell, three times I rose To face the menacing of foes-- What gave me strength again to stand? Out of the dark I felt a hand! Out of the dark and dread of death, Upon my brow I felt a breath; And by the brink of that abyss The consolation of a kiss. Past many moors of pain I trod Impeded by the clinging clod, Until within one waking morn Love in response to love was born. Love in response to love was mine! The water-jar was filled with wine, The broken cruse again restored, And green had grown the withered gourd. RAHAB Rahab hath vermilion lips, Breasts of ivory, and her hips Taper down to little feet That go dancing on the street. Gossips call dear Rahab bold; Say her love is bought for gold, Barters kisses for a purse: Well, some women have done worse! Saw you ever Rahab's eyes-- All the blue of Canaan's skies Smiles a moment, and you see Beauty's best in Galilee. Heard you ever Rahab's song, You would murmur: "Surely wrong Lives not in that lovely voice-- I with Rahab will rejoice!" I came up the winding way Through the vines at shut of day Out of Orphir, bearing balms; And I saw among the palms Rahab wistful by the wall: She was slender, she was tall, And I trembled as her eyes Turned on me in swift surprise. Tyrian purple was her gown; Gold her girdle; and a crown Made of myrtle held her hair Oval on her forehead fair; Little sandals shod her feet. Rahab, smiling, murmured: "Greet You, my brother! Are you come, Laden with sweet spice and gum, "Out of Orphir?" and I said: "Rahab!" All the evening shed Light and perfume on her face Turned to me, I paused a space, Breathless. Nothing I could say But her name. A dear dismay Of her beauty made me mute, Like a stringless harp or lute! Then she laughed at me and flung High her hands! She tipped her tongue Saucily and danced along-- Feet in fellowship with song. I pursued her through the vines Growing where the bank confines Jordan; followed her until I forgot my master's will-- Master of the Caravan Out of Orphir! As I ran, Love arose and went with me Through the grapes of Galilee! Little leaves laughed as I sped After Rahab. Overhead Two white doves were on the wing, And I heard a throstle sing. Where my feet fell on the brown, Furrowed vineyard, shaken down By her body from the vine, Grapes were crushed to make me wine! Day was gazing from the west On high Hermon with confessed Love of her whose ample brow Crimsoned; and from every bough Twilight twitterings were heard. How my pulses leaped and stirred-- Wild with longing for her lips, Like two red pomegranate pips! I stretched forth my hands and cried: "Rahab!" and she turned aside From the vineyard where a wood Near a purple wine-press stood. There she paused and looked on me, Laughing: "Boy, what do you see In my eyes, you tremble so?" "Fate!" I answered. "Could you know, "Rahab, what is in my heart, You would pity, you would part With one kiss and one caress Here beside the purple press!" "Boy," she murmured, "gossips say Rahab's poisoned lips will slay Whom she kisses; that her breasts Are two hidden adders' nests!" "Though I die upon your mouth, Kiss me, Rahab! for the drouth Of the desert makes my soul Empty as an empty bowl. "Dreary days of journeying Where the sands go billowing Miles and miles beneath the sun Leave me broken and undone. "All my youth was in the sere, Dim the eye and deaf the ear Unto beauty until now; Rahab, harken to my vow: "Give me vision, give me sense Of lost beauty's immanence-- Give me these and I will pay, Careless of what gossips say, "All you ask in turn for this: Soul of you within one Kiss!" Rahab's eyes were suddenly Misted over, and to me Came her whisper: "O my Heart! Take the minstrel's gift--his art-- With my lips on yours; the price Be your spirit's sacrifice-- "Pain of vision! You shall know Summits of eternal snow, Depths of fire! You shall be torn, Twixt the twilight and the morn, "By strange dreams of angel-faces Bending from their starry places, Blent with devils out of hell!" Rahab kissed me--! Lo, there fell Veils of violet and gold From the sunset--fold on fold-- Till the tangled vines were caught And with mist the fields were fraught; Notes that I had never heard In the tall bulrushes stirred, Trembled from the swaying trees, Fluting strange, wild melodies. Rahab's kiss and tender glance Taught me earth's significance; Opened wide eternal doors, Where the flood of beauty pours Out of heaven! out of God! Quickening the stone and clod, Leaf and shrub and bird and beast For the artist--nature's priest, Sleepless when her altar lights Burn through balmy summer nights, Wakeful when upon the day Pours the pollen smoke alway! * * * * * Rahab kissed me by the press-- Bound me with dear Love's duress-- Laughed and clapped her hands in glee Mid the grapes of Galilee. ON GUARD Halt! Who comes there? _Care_. Word, friend or foe! _Woe_. What is thy will? _Ill_. Who sent thee here? _Fear_. Where doth he dwell? _Hell!_ Name me his mate! _Hate_. What is their palace? _Malice_. What are their crowns? _Frowns_. Show me the way! _Nay;_ _One from above, Greater than Wrath, Stands in thy path._ Who is he?--_Love!_ THE PLOUGHMAN The upper and the lower springs, The summer-fountains fail; A frowning sky his challenge flings With thunder through the hail; The autumn holds her mantle-folds To veil a pallid brow-- She pities me and mourns to see My pain upon the plough: For I must down the furrow fare And cleave the clod with sharpened share. Witless of wind that finds my face, I lean against the blast And plough to my appointed place-- Yon sapling like a mast; I plough this way till shut of day, Steady upon the mark; Reckless of cold, the handles hold From dawn until the dark-- This thing my duty: cleave the clod, Ploughing the field alone with God! DEAR LITTLE MAID OF DREAM Dear little Maid of Dream, My heart, dear Heart, is breaking; Things are not what they seem, And sorrow comes with waking! I yearn to hold you fast, My Dream, but then comes waking; The silver moment past, And then--the sad leave-taking! Dear little Maid of Dream, My heart, dear Heart, is breaking! THE VIOLET TO THE ASTER Said the Violet to the Aster All on a summer's day: "Your colour is the same as mine, Come marry me, I pray; Your bridesmaids shall be lilies, A rose the vested priest, And harebells ring the changes To call us to the feast." Said the Aster to the Violet: "What shall the dowry be, And what my stated fortune, If I should marry thee?" "Your fortune?" sang the Violet, "The fragrance of my breath!" The Aster swayed and murmured: "I will be yours till death!" MAGIC There is magic on the meadow And a witch has won the wood, Elfin laughter from the water As it rolls a rhythmic flood; For a spirit meets my spirit With a flash of iris-wings, And all the world's a garden Glad with many blossomings! THE KING AND THE MAID "O love"--cried the King On a day in spring, As he went through the leafy wood-- "I must be away To the court this day!" And he threw back the purple hood From his royal brow That was paling now With the pain of the parting hour: For the maid was dear, And her lips were near To his lips, like a crimson flower. "I shall be alone On a gilded throne In the midst of my nobles all; From my diadem To my garment's hem, I shall ache for your light footfall: 'Tis no little thing, Dear, to be a king With love of a man for a maid, And to play the part With an empty heart, Like a scabbard without its blade." But the maid was wise, And her hazel eyes Were brave with the light of her love: "God save thee, my King, From great suffering, Grant thee of His grace from above! Canst thou play thy part With an empty heart, If I fill it full to the brim Of the wine of prayer From the bowl I bear?" And his eyes with the tears were dim! "On that ivory throne Shalt thou be alone, If my thoughts are a-wing to thee; If upon thy brow That is paling now, My lips mark where the crown shall be?" So the King rode south From her crimson mouth Through the forest, field and the fells; And his voice was strong With words of a song To a chime of the bridle-bells. A WOMAN'S PRAYER God of the heaven and earth, Bring to the birth Soul of the man that I love; From the Above, Send Him the light of Thy face; Grant to him grace, Brave in the battle, his shield Never to yield! God of the zephyr and gale, That is a nail Holding the hand of my dream Hard to the beam! God of the good Paraclete, Both of his feet Bleed while the sentinels toss Dice near a cross! God of the magic of morn, Crimsoning thorn Crowns him! Oh, hark to his cry: "Sabachthani?" God of the laughter and tear, That is a spear Stained with the red drops that start Under his heart! God of the glamour and gloom, Into the tomb Low is he laid; see, a stone Leaves me alone! God of the lily and vine, Is he not mine? Balms for his body I bear, Myrrh for his hair. Love! who rolled the stone away? Bright as the day, Shineth thy brow, and thy face Gleams with a grace Caught from the whispering wings Of One who sings: "There is no death!" Lo, the tomb Breaks into bloom! God of a woman's wide love, Under, above, Over the earth there is light Sprung from the night; Now is the heart of me filled, Soul of me stilled; Glad of Thy shepherding care, Answering prayer! FOEMAN I stand With drawn sword in my hand To face You for a space-- You! You! Comrade, can this be true That I Must yield or die? Those eyes, Gray like November skies, I feel Sharper than steel.... One word Before sword clash on sword And stern Wrath in us burn Recall The swift footfall And mirth, When the awakened earth Grew glad Of what we had-- Love, life, Not this tremendous strife. Rose-red Petals were shed With bloom Of lilies in that room, Where we Stood silently And heard Heart-music stirred On chords By minstrel Lords Whose wings Moved to the strings. Why--why Dared we to try, To prove Our love? Wrong! Wrong! When we knew song And light And spirit-might. So now With paling brow And set Hard lips, we two are met To kill! Ah, would your will Make mine As grapes bruised for the wine? Seek you To run me through? I take My sword and break The blade-- Strike! I have made Of it a cross, Counting that loss Which holds Me from your garment-folds: The sign Proves me forever thine; Proves that I give Self that our love may live! GERAINT Open, dear Lady, the little red door-- The little red door to me! Night is all cold and my feet are sore; I have made a long journey. Leagues have I travelled, the mountains crossed Eager for love of thee; Lady, I fear that thy love is lost: Open thy heart to me! Open thy heart and I will go in The red door silently; There I shall find what I seek to win, Dear Lady, thy love for me! GRIEF My heart is pain, My spirit dearth; Tears are the rain Upon the earth: And all the over-clouded sky Is not more darkened than am I. A while ago I watched the snow, And laughed to see Its witchery; Now that your face is turned away, Winter's white magic melts from day. The casement wide, This wan Yuletide, I opened--heard One little bird A-piping on a crystalled bough, But he will pipe no longer now; For when he saw The stricken awe Upon my face, He left his place And winged into the upper air-- My visaged grief he could not bear. A little child, By me beguiled But yesterday From busy play, This morning hurried from these eyes-- He could not look where courage dies! Under the sun Two selves are one: Sorrow and I! Oh, let me die, And never meet the month of May-- Now that your face is turned away! THE EMPTY ROOM Out of the storm I hurry in To find an empty room; I call and call, but no footfall Answers across the room: Vainly your eyes I seek to win, You are not here! O dear--my dear, There is no sound and stir of you! I know not what to do. I know not what to do or say, I stand with vacant stare Upon the brink of pain to think: "Love, whither dost thou fare?" An echo answers: "Gone away!" Your roses red their petals shed Upon the book of verse I gave, Like tears down on a grave! LOVE ETERNAL Let us walk together, lass, (Lean upon me--so!) Through the field of feathergrass (How the daisies grow!) Till we find the word to say What is in our hearts to-day. Yes, I loved you from the first. Dear, there is surprise Blent with hunger and with thirst In your eager eyes, And you whisper: "Is it true?"-- Knowing that I always knew! Let me tell you how it came: Voices through the room; Then one spoke to me your name (Take this wild rose bloom-- I will place it in your hair) And of you I was aware. "She is of a slender grace, Like my Maid of dreams!" To myself I said--"Her face With that beauty gleams-- Beauty of that One I know In the Land of Long-Ago!" Did you, dearest, understand Why the scarlet grew On my forehead, when my hand Your fair fingers knew? Oh, the world went very still While on me you worked your will! Worked your will? Do not deny; For your heart was wise-- Ah, you shake your head and try Vainly to disguise What was on your lips to say When we met that fateful day! For from all eternity We are pledged to love, Bound in all our lives to be True to what above All the turmoil and the din Strives that starry tryst to win. Sit with me upon this stone Underneath the bough; Let the blossoms to us blown Learn our ancient vow-- Vow we made before the stars Strove to break Night's prison-bars. Lift your head and meet my gaze. Do you not recall Somewhere in a golden haze, Vistaed vast, a hall Paved with diamond and domed Blue above a fount that foamed With the water from the well Guarded, so they say, By the angel Israfel? Water of eternal bliss Sprinkled on the lips that kiss! There we lived before the suns Led the planets up; There we pledged the winged Ones In a crystal cup, Ere we left that pillared home Through the field of Time to roam. "Why," you ask me, dearest, "why Did we leave that place-- Is it such a thing to die?" Ponder for a space: What if love must lose to gain, Find eternal peace in pain? "But I want the Ever-Now!" Dear, do you not know They who drive the patient plough And the furrows sow, Own the sinews of the strong-- Reap the harvest with a song? "Let the scattered fragments be Gathered from the feast, Nothing lost"; thus speaketh He Who is Love's High Priest, And He knows who from a cross Pledged return for every loss. Thus, my Maid of long ago, Here within the field Let me tell what you would know: How I came to yield To your eyes, your lips, your hair, When the guests were gathered there In the room that day we met, Found amid the talk Light of ancient suns which set AEons ere the chalk Cliffs of Dover gleamed upon Merchant-prows from Babylon. Love and Life eternal are, Fill unfathomed space, Bind with rapture star to star, Gleam from every face, Soar with angels, plunge to hell: Lucifer and Israfel! So above the choric spheres, At the knees of God You and I beyond the years Kissed, then clove the clod With our spirit's sundered flame; Till amid the talk your name Fell seraphic, smote me through With unearthly pain: I was I and you were you-- Met on earth again, Bound to live and bound to love By that oath we made above! AFTER THE FEAST I have drunk deeply of the cup, Fared well and fed; The guests with whom I sat to sup, Are gone to bed: A broken harp lies on the floor, Its tangled strings will sound no more-- The wine-stained linen I deplore. Here is a little trampled rose, A violet; Here is a hyacinth, and those Are mignonette: They looked so proudly from their place, First at the feast--with tears I trace Now but a vestige of that grace. Upon the table is a crown-- Where is the King? The little leaves that tremble down, Cover a ring; A vase of crystal shattered lies Against a goblet, where the wise Talked through the laughter. How time flies! It is not very long ago, Here in the hall, When to the tapers' tangled glow The rise and fall Of voices over nuts and wine Murmured like wind through leaf and vine; And there was joy of me and mine. I snuff the tapers one by one. The darkness falls. Alas, for feasting and for fun! My madrigals Are ended. I will not again Sing. Sound of wind and weeping rain Is now the interlude of pain! Yet it was good to know the feast, To be a guest; Though at the table I was least Among the best. Blindly I grope unto the door, Gather a flower from the floor-- I will come back here never more! What! Never more go gladly back? Ah, foolish me! When down the winding starry track The company, With laughter their lord following, Shall yet return to greet the King Who claims the crown and wears the ring! And though I have put out each light, Gathered one flower, Bravely I fare forth into night-- What is an hour, A day, a year, if, after all The silence, those dear comrades call, And there is harping in the hall? I wait the summons; gladly go Against the rain; They will be seated row on row Here once again: And in that brave, loved company What song and laughter there will be, When I resume my minstrelsy! THE LONELY ROAD O will you take the lonely road, The upward road, Among the many stars? Its pavement is by Pain bestowed, Your feet shall find the scars! Your feet shall know the scars, my friend: It is a path without a bend. It leadeth not by pastures green, Through meadows green, Nor near the little hills; Gaunt granite cliffs it runs between, Dark Fear that chaos fills With cloud and storm and shadowings Of vigilant unfolded wings. It windeth not along the streams, The laughing streams; It leadeth straight and far Beyond the mirrored pool of dreams In peril to a star: Who comes this way must go alone, Steadfast and strong nor making moan. It is the path called Perilous, Named Perilous, The path that heroes tread Who hear the cry: "O come with us!"-- Brave voices of the dead-- For they are compassed by a throng Of Harpers harping to a song: Follow afar Past cliff and scar, Finding your star! Brave in the night, Up to the light, Proving your might! Though the foot fail, And the heart wail; Though the brow pale; Follow afar Where the gods are, Finding your star! Along this way Lord Jesu went, Christ Jesu went; Hither came Socrates, And all who were with tears forspent-- The shining companies Of those who lifted high the heart Beyond the lure of any mart. And would you fare this lonely way, This starry way? Take but a scrip and staff, With sandals for your feet, to-day; Though fools in folly laugh, Deriding that you leave the less-- Their idle dream of happiness! If you would find the way of wings, Wide-open wings, That lift one to a star, You must be free from hamperings Of lock and bolt and bar; Cast care of gold and silk aside With pomp of place and rank and pride. If on your path there be a cross, A wayside cross, With nails and sponge and spear, A gambling Guard who turn to toss Dice for the robe you wear; Avoid not that appointed place, Though thorns with crimson stain your face! But if you take this road, my friend, My wistful friend, Your world will wake to song, And all high, holy angels bend To hail you of their throng: And where the Sons Eternal are, You shall be throned upon your star. End of Project Gutenberg's The Piper and the Reed, by Robert Norwood *** END OF THIS PROJECT GUTENBERG EBOOK THE PIPER AND THE REED *** ***** This file should be named 36916.txt or 36916.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/6/9/1/36916/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.