The Project Gutenberg EBook of Mundus Foppensis, by John Evelyn This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mundus Foppensis The Fop Display'd Author: John Evelyn Release Date: July 25, 2011 [EBook #36841] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK MUNDUS FOPPENSIS *** Produced by Colin Bell, Joseph Cooper, Carol Ann Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net
OR, THE
BEING
In Answer to a late Pamphlet, Entituled,
Mundus Muliebris: Or, The Ladies
Dressing-Room Unlocked, &c.
In Burlesque.
Together with a short SUPPLEMENT
to the Fop-Dictionary: Compos'd for the
use of the Town Beaus.
Ovid de Arte Amandi. Lib. 3.
London, Printed for John Harris at the Harrow
in the Poultry, 1691.
ADVERTISEMENT.
There is newly published The Present State of Europe; or, The Historical and Political Mercury: Giving an Account of all the publick and private Occurrences that are most considerable in every Court, for the Months of August and September, 1690. With curious Reflections upon every State. To be continued Monthly from the Original, published at the Hague by the Authority of the States of Holland and West-Friesland. Sold by John Harris at the Harrow in the Poultrey.
There is newly published A plain Relation of the late Action at Sea, between the English and Dutch, and the French Fleets, from June 22th. to July 5th. last: With Reflections thereupon, and upon the Present State of the Nation, &c.
Written by the Author of the Reflections upon the last Years Occurrences, &c. London, Printed for John Harris at the Harrow in the Poultrey, Price 1 s.
THE
Ladies,
In the Tacker together of Mundus Muliebris, As it was a very great Piece of ill Manners, to unlock your Dressing-Rooms without your Leave, so was it no less indecent in him to expose your Wardrobes to the World, especially in such a Rhapsody of Rhime Doggeril as looks much more like an Inventory than a Poem; however, he has only pilfer'd away the Names of your Varieties without doing ye any other Mischief; for there is nothing to be found in all his Index, nor his Dictionary neither, but what becomes a Person of Quality to give, and a Person of Quality to receive; and indeed, considering how frail the mortal Estates of mortal Gentlemen are, it argues but a common Prudence in Ladies to take Advantage of the Kindness of their Admirers; to make Hay while the Sun shines; well knowing how often they are inveigl'd out of their Jointures upon all Occasions: Besides, it is a general Desire in Men, that their Ladies should keep Home, and therefore it is but reasonable they should make their Homes as delightful as it is possible; and therefore this Bubble of an Inventory is not to be thought the Effect of general Repentance, among your Servants and Adorers, but the capricious Malice of some Person envious of the little Remunerations of your Kindnesses for being disbandded from your Conversation; little indeed, considering the Rewards due to your Merits, otherwise it would be the greatest Injustice upon Earth for the Men to think of reforming the Women before they reform themselves, who are ten times worse in all respects, as you will have sufficient to retort upon them when you come by and by to the Matter.
But to shew that it is no new thing for Ladies to go gay and gaudy, we find in Ovid, that the Women made use of great Variety of Colours for the Silks of which they made their Garments, of which the chiefest in request among them were Azure, Sea-green, Saffron colour, Violet, Ash colour, Rose colour, Chesnut, Almond Colour, with several others, as their Fancy thought fit to make choice; nor were they deny'd the Purple in Grain, overlaid with Pearl, or embroider'd with Gold: Nor was it a strange thing for the Roman Women to die their Hair Yellow, as an augmentation to their Beauty; nor did the severity of the times at all oppose it, but rather allow'd it. Now, says Ovid, The Manner of dressing is not of one sort, and therefore let every Lady choose what best becomes her; first consulting her Looking-glass. And soon after, he confesses that there were not more Leaves upon a large Oak, not so many Bees in Hybla, nor so many wild Beasts ranging the Alps as he could number differences of dressing Ladies. He tells ye how Laodamia drest to set off a long Face. How Diana drest when she went a Hunting: And how Iole was carelessly drest when she took Alcides Captive in the Dangles of her Tresses: So that it is no such new thing for the Women of this Age to desire rich and splendid Ornaments. And why their Grandmothers, and Great Grandmothers confin'd themselves to their Nuptial Kirtles, their Gowns and Petticoats that lasted so many Anniversaries; their Virginals for Musick, and their Spanish Pavans, and Sellingers Rounds for Recreation, after their long poring upon Tent-stitch, 'tis not a farthing Matter for our Ladies to enquire: 'Twas their Misfortune they knew no better; but because they knew no better, 'tis no Argument that our Ladies should be ty'd to their obsolete Examples: For the Alterations of Times and Customs alter the Humors and Fashions of an Age, and change the whole Frame of Conversation. Juno is by the Poets trick'd up in Vestments embroidered with all the Colours of the Peacocks; and no question the Poets spoke with Relation to the Gallantry of the Women of those times. And who so gaudy as Madam Iris in the Skie, and therefore said to be chief Maid of Honour to Jupiter's Wife. I could give ye an Account of the Habits of Venus, and the Graces, which the Poets adapting to the Modes of those Times, plainly demonstrates, that the Ladies were no less curious in those days than now.
So then, Ladies, for your comfort be it spoken, here's only a Great Cry and little Wool; while the Unlocker of your Dressing-Rooms brings us a long Bedroll of hard Names to prove that you make use of a great deal of Variety to set forth and grace your Beauty, and render your Charms more unresistable, and that you love to have your Closets splendidly and richly furnish'd: Heavens be prais'd, he lays nothing Criminal to your Charge; but only puts ye in mind of a Chapter in Isaiah, of which you are not bound to take much notice, in regard his mistaking the 6. for the 3: may secure ye there is little heed to be given to his Divinity.
But on the other side it makes me mad to hear what the Devil of a Roman Satyr Juvenal speaks of his own Sex; for tho' he makes Women bad enough, he makes it an easier thing to meet with Prodigies and Monsters, than Men of Sense and Vertue.
Heavens! how many Wonders do's Juvenal make at the sight of an Honest Man in his time; and yet when he has spoken as bad as he could of the Women, we find no such severe Expressions of his upon the Female Sex. Now Ladies if good Men are so scarce, what need you care what Fools and bad Men say. 'Tis true it must be acknowledg'd a hard Censure upon Men; but it was a Man that said it; and therefore it makes the better for the Feminine Gender. Well, Ladies, you may be pleas'd to make what use of it you think fit, as being that which will certainly defend ye against all the Picklocks of your Dressing-Rooms for the future; besides the Liberty which Ovid, an Authentick Author, gives ye, to make use of what Dresses, what Ornaments, what Embellishments you please, according to the Mode and Practice of those times, under one of the best Rulers of the Roman Empire, and far more antient than when your Grandmothers and Great Grandmothers spun Flax, and bespittl'd their Fingers.
THE
OR,
The Ladies VINDICATION:
In ANSWER to
The Ladies Dressing-Room Unlock'd, &c.
A Short Supplement to the
Fop-Dictionary,
so far as concerns the present Matter.
Adieu donce me Cheres.
Farewell my dear Friends.
Arroy.
A Suit of Cloaths.
To adjust a Man's self.
That is, to dress himself.
Beau.
A Masculine French Adjective, signifying fine but now naturaliz'd into English to denote a sparkish dressing Fop.
Beaux Esprits.
A Club of Wits, who call'd themselves so.
Bachique.
A Drinking Song or Catch.
The Brilliant of Language.
Sharpness and wittiness of Expression.
A Brandenburgh.
A Morning Gown.
To Carine a Perriwig.
That is, to order it.
Chedreux.
A Perriwig.
Correct.
The same as Carine.
Deshabille.
Undrest, or rather in a careless Dress.
En Cavalier.
Like a Gentleman.
Esclat.
Of Beauty, or the Lustre of Beauty.
Eveille.
I observ'd her more Eveille than other Women; that is, more sprightly and airey.
Equipt.
That is, well furnish'd with Money and Cloaths.
Gaunte Bien Gaunte.
Modish in his Gloves.
Grossier.
The World is very Grossier; that is, very dull, and ill bred.
Levee and Couchee.
Is to attend a Gentleman at his rising or going to Bed.
Le Grass.
The furniture of a Suit.
Orangers.
The Term for Gloves scented with Oranges.
Picards.
Shoes in downright English.
Pulvillio.
Sweet Powder for the Hair.
Rolls.
A sort of Dress for the Knees, invented as some say by the Roman Catholicks, for the conveniency of Kneeling, but others ascribe the lucky Fancy to Coll. S——.
A Revoir.
Till I see you again.
Surtout.
The great Coat which covers all.
For the rest you are referr'd to the Dilucidations of the Alsatian Squire.
FINIS.
Long "s" was changed to contemporary "s" throughout. Font changes and correction of spelling of one word are indicated by dotted lines under the text. Scroll the mouse over the word and an explanation of the alteration will appear.
End of the Project Gutenberg EBook of Mundus Foppensis, by John Evelyn *** END OF THIS PROJECT GUTENBERG EBOOK MUNDUS FOPPENSIS *** ***** This file should be named 36841-h.htm or 36841-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/6/8/4/36841/ Produced by Colin Bell, Joseph Cooper, Carol Ann Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.