The Project Gutenberg eBook, The O'Conors of Castle Conor, by Anthony Trollope This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The O'Conors of Castle Conor Author: Anthony Trollope Release Date: January 16, 2015 [eBook #3616] [This file was first posted on June 15, 2001] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE O'CONORS OF CASTLE CONOR***
Transcribed from the 1864 Chapman & Hall “Tales of All Countries” edition by David Price, email [email protected]
I shall never forget my first introduction to country life in Ireland, my first day’s hunting there, or the manner in which I passed the evening afterwards. Nor shall I ever cease to be grateful for the hospitality which I received from the O’Conors of Castle Conor. My acquaintance with the family was first made in the following manner. But before I begin my story, let me inform my reader that my name is Archibald Green.
I had been for a fortnight in Dublin, and was about to proceed into county Mayo on business which would occupy me there for some weeks. My head-quarters would, I found, be at the town of Ballyglass; and I soon learned that Ballyglass was not a place in which I should find hotel accommodation of a luxurious kind, or much congenial society indigenous to the place itself.
“But you are a hunting man, you say,” said old Sir P— C—; “and in that case you will soon know Tom O’Conor. Tom won’t let you be dull. I’d write you a letter to Tom, only he’ll certainly make you out without my taking the trouble.”
I did think at the time that the old baronet might have written the letter for me, as he had been a friend of my father’s in former days; but he did not, and I started for Ballyglass with no other introduction to any one in the county than that contained in Sir P—’s promise that I should soon know Mr. Thomas O’Conor.
I had already provided myself with a horse, groom, saddle and bridle, and these I sent down, en avant, that the Ballyglassians might know that I was somebody. Perhaps, before I arrived Tom O’Conor might learn that a hunting man was coming into the neighbourhood, and I might find at the inn a polite note intimating that a bed was at my service at Castle Conor. I had heard so much of the free hospitality of the Irish gentry as to imagine that such a thing might be possible.
But I found nothing of the kind. Hunting gentlemen in those days were very common in county Mayo, and one horse was no great evidence of a man’s standing in the world. Men there as I learnt afterwards, are sought for themselves quite as much as they are elsewhere; and though my groom’s top-boots were neat, and my horse a very tidy animal, my entry into Ballyglass created no sensation whatever.
In about four days after my arrival, when I was already infinitely disgusted with the little Pot-house in which I was forced to stay, and had made up my mind that the people in county Mayo were a churlish set, I sent my horse on to a meet of the fox-hounds, and followed after myself on an open car.
No one but an erratic fox-hunter such as I am,—a fox-hunter, I mean, whose lot it has been to wander about from one pack of hounds to another,—can understand the melancholy feeling which a man has when he first intrudes himself, unknown by any one, among an entirely new set of sportsmen. When a stranger falls thus as it were out of the moon into a hunt, it is impossible that men should not stare at him and ask who he is. And it is so disagreeable to be stared at, and to have such questions asked! This feeling does not come upon a man in Leicestershire or Gloucestershire where the numbers are large, and a stranger or two will always be overlooked, but in small hunting fields it is so painful that a man has to pluck up much courage before he encounters it.
We met on the morning in question at Bingham’s Grove. There were not above twelve or fifteen men out, all of whom, or nearly all were cousins to each other. They seemed to be all Toms, and Pats, and Larrys, and Micks. I was done up very knowingly in pink, and thought that I looked quite the thing, but for two or three hours nobody noticed me.
I had my eyes about me, however, and soon found out which of them was Tom O’Conor. He was a fine-looking fellow, thin and tall, but not largely made, with a piercing gray eye, and a beautiful voice for speaking to a hound. He had two sons there also, short, slight fellows, but exquisite horsemen. I already felt that I had a kind of acquaintance with the father, but I hardly knew on what ground to put in my claim.
We had no sport early in the morning. It was a cold bleak February day, with occasional storms of sleet. We rode from cover to cover, but all in vain. “I am sorry, sir, that we are to have such a bad day, as you are a stranger here,” said one gentleman to me. This was Jack O’Conor, Tom’s eldest son, my bosom friend for many a year after. Poor Jack! I fear that the Encumbered Estates Court sent him altogether adrift upon the world.
“We may still have a run from Poulnaroe, if the gentleman chooses to come on,” said a voice coming from behind with a sharp trot. It was Tom O’Conor.
“Wherever the hounds go, I’ll follow,” said I.
“Then come on to Poulnaroe,” said Mr. O’Conor. I trotted on quickly by his side, and before we reached the cover had managed to slip in something about Sir P. C.
“What the deuce!” said he. “What! a friend of Sir P—’s? Why the deuce didn’t you tell me so? What are you doing down here? Where are you staying?” &c. &c. &c.
At Poulnaroe we found a fox, but before we did so Mr. O’ Conor had asked me over to Castle Conor. And this he did in such a way that there was no possibility of refusing him—or, I should rather say, of disobeying him. For his invitation came quite in the tone of a command.
“You’ll come to us of course when the day is over—and let me see; we’re near Ballyglass now, but the run will be right away in our direction. Just send word for them to send your things to Castle Conor.”
“But they’re all about, and unpacked,” said I.
“Never mind. Write a note and say what you want now, and go and get the rest to-morrow yourself. Here, Patsey!—Patsey! run into Ballyglass for this gentleman at once. Now don’t be long, for the chances are we shall find here.” And then, after giving some further hurried instructions he left me to write a line in pencil to the innkeeper’s wife on the back of a ditch.
This I accordingly did. “Send my small portmanteau,” I said, “and all my black dress clothes, and shirts, and socks, and all that, and above all my dressing things which are on the little table, and the satin neck-handkerchief, and whatever you do, mind you send my pumps;” and I underscored the latter word; for Jack O’Conor, when his father left me, went on pressing the invitation. “My sisters are going to get up a dance,” said he; “and if you are fond of that kind of things perhaps we can amuse you.” Now in those days I was very fond of dancing—and very fond of young ladies too, and therefore glad enough to learn that Tom O’Conor had daughters as well as sons. On this account I was very particular in underscoring the word pumps.
“And hurry, you young divil,” Jack O’Conor said to Patsey.
“I have told him to take the portmanteau over on a car,” said I.
“All right; then you’ll find it there on our arrival.”
We had an excellent run, in which I may make bold to say that I did not acquit myself badly. I stuck very close to the hounds, as did the whole of the O’Conor brood; and when the fellow contrived to earth himself, as he did, I received those compliments on my horse, which is the most approved praise which one fox-hunter ever gives to another.
“We’ll buy that fellow of you before we let you go,” said Peter, the youngest son.
“I advise you to look sharp after your money if you sell him to my brother,” said Jack.
And then we trotted slowly off to Castle Conor, which, however, was by no means near to us. “We have ten miles to go;—good Irish miles,” said the father. “I don’t know that I ever remember a fox from Poulnaroe taking that line before.”
“He wasn’t a Poulnaroe fox,” said Peter.
“I don’t know that;” said Jack; and then they debated that question hotly.
Our horses were very tired, and it was late before we reached Mr. O’Conor’s house. That getting home from hunting with a thoroughly weary animal, who has no longer sympathy or example to carry him on, is very tedious work. In the present instance I had company with me; but when a man is alone, when his horse toes at every ten steps, when the night is dark and the rain pouring, and there are yet eight miles of road to be conquered,—at such time a man is almost apt to swear that he will give up hunting.
At last we were in the Castle Conor stable yard;—for we had approached the house by some back way; and as we entered the house by a door leading through a wilderness of back passages, Mr. O’Conor said out loud, “Now, boys, remember I sit down to dinner in twenty minutes.” And then turning expressly to me, he laid his hand kindly upon my shoulder and said, “I hope you will make yourself quite at home at Castle Conor, and whatever you do, don’t keep us waiting for dinner. You can dress in twenty minutes, I suppose?”
“In ten!” said I, glibly.
“That’s well. Jack and Peter will show you your room,” and so he turned away and left us.
My two young friends made their way into the great hall, and thence into the drawing-room, and I followed them. We were all dressed in pink, and had waded deep through bog and mud. I did not exactly know whither I was being led in this guise, but I soon found myself in the presence of two young ladies, and of a girl about thirteen years of age.
“My sisters,” said Jack, introducing me very laconically; “Miss O’Conor, Miss Kate O’Conor, Miss Tizzy O’Conor.”
“My name is not Tizzy,” said the younger; “it’s Eliza. How do you do, sir? I hope you had a fine hunt! Was papa well up, Jack?”
Jack did not condescend to answer this question, but asked one of the elder girls whether anything had come, and whether a room had been made ready for me.
“Oh yes!” said Miss O’Conor; “they came, I know, for I saw them brought into the house; and I hope Mr. Green will find everything comfortable.” As she said this I thought I saw a slight smile steal across her remarkably pretty mouth.
They were both exceedingly pretty girls. Fanny the elder wore long glossy curls,—for I write, oh reader, of bygone days, as long ago as that, when ladies wore curls if it pleased them so to do, and gentlemen danced in pumps, with black handkerchiefs round their necks,—yes, long black, or nearly black silken curls; and then she had such eyes;—I never knew whether they were most wicked or most bright; and her face was all dimples, and each dimple was laden with laughter and laden with love. Kate was probably the prettier girl of the two, but on the whole not so attractive. She was fairer than her sister, and wore her hair in braids; and was also somewhat more demure in her manner.
In spite of the special injunctions of Mr. O’Conor senior, it was impossible not to loiter for five minutes over the drawing-room fire talking to these houris—more especially as I seemed to know them intimately by intuition before half of the five minutes was over. They were so easy, so pretty, so graceful, so kind, they seemed to take it so much as a matter of course that I should stand there talking in my red coat and muddy boots.
“Well; do go and dress yourselves,” at last said Fanny, pretending to speak to her brothers but looking more especially a me. “You know how mad papa will be. And remember Mr. Green, we expect great things from your dancing to-night. Your coming just at this time is such a Godsend.” And again that soupçon of a smile passed over her face.
I hurried up to my room, Peter and Jack coming with me to the door. “Is everything right?” said Peter, looking among the towels and water-jugs. “They’ve given you a decent fire for a wonder,” said Jack, stirring up the red hot turf which blazed in the grate. “All right as a trivet,” said I. “And look alive like a good fellow,” said Jack. We had scowled at each other in the morning as very young men do when they are strangers; and now, after a few hours, we were intimate friends.
I immediately turned to my work, and was gratified to find that all my things were laid out ready for dressing; my portmanteau had of course come open, as my keys were in my pocket, and therefore some of the excellent servants of the house had been able to save me all the trouble of unpacking. There was my shirt hanging before the fire; my black clothes were spread upon the bed, my socks and collar and handkerchief beside them; my brushes were on the toilet table, and everything prepared exactly as though my own man had been there. How nice!
I immediately went to work at getting off my spurs and boots, and then proceeded to loosen the buttons at my knees. In doing this I sat down in the arm-chair which had been drawn up for me, opposite the fire. But what was the object on which my eyes then fell;—the objects I should rather say!
Immediately in front of my chair was placed, just ready for may feet, an enormous pair of shooting-boots—half-boots made to lace up round the ankles, with thick double leather soles, and each bearing half a stone of iron in the shape of nails and heel-pieces. I had superintended the making of these shoes in Burlington Arcade with the greatest diligence. I was never a good shot; and, like some other sportsmen, intended to make up for my deficiency in performance by the excellence of my shooting apparel. “Those nails are not large enough,” I had said; “nor nearly large enough.” But when the boots came home they struck even me as being too heavy, too metalsome. “He, he, he,” laughed the boot boy as he turned them up for me to look at. It may therefore be imagined of what nature were the articles which were thus set out for the evening’s dancing.
And then the way in which they were placed! When I saw this the conviction flew across my mind like a flash of lightning that the preparation had been made under other eyes than those of the servant. The heavy big boots were placed so prettily before the chair, and the strings of each were made to dangle down at the sides, as though just ready for tying! They seemed to say, the boots did, “Now, make haste. We at any rate are ready—you cannot say that you were kept waiting for us.” No mere servant’s hand had ever enabled a pair of boots to laugh at one so completely.
But what was I to do? I rushed at the small portmanteau, thinking that my pumps also might be there. The woman surely could not have been such a fool as to send me those tons of iron for my evening wear! But, alas, alas! no pumps were there. There was nothing else in the way of covering for my feet; not even a pair of slippers.
And now what was I to do? The absolute magnitude of my misfortune only loomed upon me by degrees. The twenty minutes allowed by that stern old paterfamilias were already gone and I had done nothing towards dressing. And indeed it was impossible that I should do anything that would be of avail. I could not go down to dinner in my stocking feet, nor could I put on my black dress trousers, over a pair of mud-painted top-boots. As for those iron-soled horrors—; and then I gave one of them a kick with the side of my bare foot which sent it half way under the bed.
But what was I to do? I began washing myself and brushing my hair with this horrid weight upon my mind. My first plan was to go to bed, and send down word that I had been taken suddenly ill in the stomach; then to rise early in the morning and get away unobserved. But by such a course of action I should lose all chance of any further acquaintance with those pretty girls! That they were already aware of the extent of my predicament, and were now enjoying it—of that I was quite sure.
What if I boldly put on the shooting-boots, and clattered down to dinner in them? What if I took the bull by the horns, and made, myself, the most of the joke? This might be very well for the dinner, but it would be a bad joke for me when the hour for dancing came. And, alas! I felt that I lacked the courage. It is not every man that can walk down to dinner, in a strange house full of ladies, wearing such boots as those I have described.
Should I not attempt to borrow a pair? This, all the world will say, should have been my first idea. But I have not yet mentioned that I am myself a large-boned man, and that my feet are especially well developed. I had never for a moment entertained a hope that I should find any one in that house whose boot I could wear. But at last I rang the bell. I would send for Jack, and if everything failed, I would communicate my grief to him.
I had to ring twice before anybody came. The servants, I well knew, were putting the dinner on the table. At last a man entered the room, dressed in rather shabby black, whom I afterwards learned to be the butler.
“What is your name, my friend?” said I, determined to make an ally of the man.
“My name? Why Larry sure, yer honer. And the masther is out of his sinses in a hurry, becase yer honer don’t come down.”
“Is he though? Well now, Larry; tell me this; which of all the gentlemen in the house has got the largest foot?”
“Is it the largest foot, yer honer?” said Larry, altogether surprised by my question.
“Yes; the largest foot,” and then I proceeded to explain to him my misfortune. He took up first my top-boot, and then the shooting-boot—in looking at which he gazed with wonder at the nails;—and then he glanced at my feet, measuring them with his eye; and after this he pronounced his opinion.
“Yer honer couldn’t wear a morsel of leather belonging to ere a one of ’em, young or ould. There niver was a foot like that yet among the O’Conors.”
“But are there no strangers staying here?”
“There’s three or four on ’em come in to dinner; but they’ll be wanting their own boots I’m thinking. And there’s young Misther Dillon; he’s come to stay. But Lord love you—” and he again looked at the enormous extent which lay between the heel and the toe of the shooting apparatus which he still held in his hand. “I niver see such a foot as that in the whole barony,” he said, “barring my own.”
Now Larry was a large man, much larger altogether than myself, and as he said this I looked down involuntarily at his feet; or rather at his foot, for as he stood I could only see one. And then a sudden hope filled my heart. On that foot there glittered a shoe—not indeed such as were my own which were now resting ingloriously at Ballyglass while they were so sorely needed at Castle Conor; but one which I could wear before ladies, without shame—and in my present frame of mind with infinite contentment.
“Let me look at that one of your own,” said I to the man, as though it were merely a subject for experimental inquiry. Larry, accustomed to obedience, took off the shoe and handed it to me.
My own foot was immediately in it, and I found that it fitted me like a glove.
“And now the other,” said I—not smiling, for a smile would have put him on his guard; but somewhat sternly, so that that habit of obedience should not desert him at this perilous moment. And then I stretched out my hand.
“But yer honer can’t keep ’em, you know,” said he. “I haven’t the ghost of another shoe to my feet.” But I only looked more sternly than before, and still held out my hand. Custom prevailed. Larry stooped down slowly, looking at me the while, and pulling off the other slipper handed it to me with much hesitation. Alas! as I put it to my foot I found that it was old, and worn, and irredeemably down at heel;—that it was in fact no counterpart at all to that other one which was to do duty as its fellow. But nevertheless I put my foot into it, and felt that a descent to the drawing-room was now possible.
“But yer honer will give ’em back to a poor man?” said Larry almost crying. “The masther’s mad this minute becase the dinner’s not up. Glory to God, only listhen to that!” And as he spoke a tremendous peal rang out from some bell down stairs that had evidently been shaken by an angry hand.
“Larry,” said I—and I endeavoured to assume a look of very grave importance as I spoke—“I look to you to assist me in this matter.”
“Och—wirra sthrue then, and will you let me go? just listhen to that,” and another angry peal rang out, loud and repeated.
“If you do as I ask you,” I continued, “you shall be well rewarded. Look here; look at these boots,” and I held up the shooting-shoes new from Burlington Arcade. “They cost thirty shillings—thirty shillings! and I will give them to you for the loan of this pair of slippers.”
“They’d be no use at all to me, yer honer; not the laist use in life.”
“You could do with them very well for to-night, and then you could sell them. And here are ten shillings besides,” and I held out half a sovereign which the poor fellow took into his hand.
I waited no further parley but immediately walked out of the room. With one foot I was sufficiently pleased. As regarded that I felt that I had overcome my difficulty. But the other was not so satisfactory. Whenever I attempted to lift it from the ground the horrid slipper would fall off, or only just hang by the toe. As for dancing, that would be out of the question.
“Och, murther, murther,” sang out Larry, as he heard me going down stairs. “What will I do at all? Tare and ’ounds; there, he’s at it agin, as mad as blazes.” This last exclamation had reference to another peal which was evidently the work of the master’s hand.
I confess I was not quite comfortable as I walked down stairs. In the first place I was nearly half an hour late, and I knew from the vigour of the peals that had sounded that my slowness had already been made the subject of strong remarks. And then my left shoe went flop, flop, on every alternate step of the stairs. By no exertion of my foot in the drawing up of my toe could I induce it to remain permanently fixed upon my foot. But over and above and worse than all this was the conviction strong upon my mind that I should become a subject of merriment to the girls as soon as I entered the room. They would understand the cause of my distress, and probably at this moment were expecting to hear me clatter through the stone hall with those odious metal boots.
However, I hurried down and entered the drawing-room, determined to keep my position near the door, so that I might have as little as possible to do on entering and as little as possible in going out. But I had other difficulties in store for me. I had not as yet been introduced to Mrs. O’Conor; nor to Miss O’Conor, the squire’s unmarried sister.
“Upon my word I thought you were never coming,” said Mr. O’Conor as soon as he saw me. “It is just one hour since we entered the house. Jack, I wish you would find out what has come to that fellow Larry,” and again he rang the bell. He was too angry, or it might be too impatient to go through the ceremony of introducing me to anybody.
I saw that the two girls looked at me very sharply, but I stood at the back of an arm-chair so that no one could see my feet. But that little imp Tizzy walked round deliberately, looked at my heels, and then walked back again. It was clear that she was in the secret.
There were eight or ten people in the room, but I was too much fluttered to notice well who they were.
“Mamma,” said Miss O’Conor, “let me introduce Mr. Green to you.”
It luckily happened that Mrs. O’Conor was on the same side of the fire as myself, and I was able to take the hand which she offered me without coming round into the middle of the circle. Mrs. O’Conor was a little woman, apparently not of much importance in the world, but, if one might judge from first appearance, very good-natured.
“And my aunt Die, Mr. Green,” said Kate, pointing to a very straight-backed, grim-looking lady, who occupied a corner of a sofa, on the opposite side of the hearth. I knew that politeness required that I should walk across the room and make acquaintance with her. But under the existing circumstances how was I to obey the dictates of politeness? I was determined therefore to stand my ground, and merely bowed across the room at Miss O’Conor. In so doing I made an enemy who never deserted me during the whole of my intercourse with the family. But for her, who knows who might have been sitting opposite to me as I now write?
“Upon my word, Mr. Green, the ladies will expect much from an Adonis who takes so long over his toilet,” said Tom O’Conor in that cruel tone of banter which he knew so well how to use.
“You forget, father, that men in London can’t jump in and out of their clothes as quick as we wild Irishmen,” said Jack.
“Mr. Green knows that we expect a great deal from him this evening. I hope you polk well, Mr. Green,” said Kate.
I muttered something about never dancing, but I knew that that which I said was inaudible.
“I don’t think Mr. Green will dance,” said Tizzy; “at least not much.” The impudence of that child was, I think, unparalleled by any that I have ever witnessed.
“But in the name of all that’s holy, why don’t we have dinner?” And Mr. O’Conor thundered at the door. “Larry, Larry, Larry!” he screamed.
“Yes, yer honer, it’ll be all right in two seconds,” answered Larry, from some bottomless abyss. “Tare an’ ages; what’ll I do at all,” I heard him continuing, as he made his way into the hall. Oh what a clatter he made upon the pavement,—for it was all stone! And how the drops of perspiration stood upon my brow as I listened to him!
And then there was a pause, for the man had gone into the dining-room. I could see now that Mr. O’Conor was becoming very angry, and Jack the eldest son—oh, how often he and I have laughed over all this since—left the drawing-room for the second time. Immediately afterwards Larry’s footsteps were again heard, hurrying across the hall, and then there was a great slither, and an exclamation, and the noise of a fall—and I could plainly hear poor Larry’s head strike against the stone floor.
“Ochone, ochone!” he cried at the top of his voice—“I’m murthered with ’em now intirely; and d— ’em for boots—St. Peter be good to me.”
There was a general rush into the hall, and I was carried with the stream. The poor fellow who had broken his head would be sure to tell how I had robbed him of his shoes. The coachman was already helping him up, and Peter good-naturedly lent a hand.
“What on earth is the matter?” said Mr. O’Conor.
“He must be tipsy,” whispered Miss O’Conor, the maiden sister.
“I aint tipsy at all thin,” said Larry, getting up and rubbing the back of his head, and sundry other parts of his body. “Tipsy indeed!” And then he added when he was quite upright, “The dinner is sarved—at last.”
And he bore it all without telling! “I’ll give that fellow a guinea to-morrow morning,” said I to myself—“if it’s the last that I have in the world.”
I shall never forget the countenance of the Miss O’Conors as Larry scrambled up cursing the unfortunate boots—“What on earth has he got on?” said Mr. O’Conor.
“Sorrow take ’em for shoes,” ejaculated Larry. But his spirit was good and he said not a word to betray me.
We all then went in to dinner how we best could. It was useless for us to go back into the drawing-room, that each might seek his own partner. Mr. O’Conor “the masther,” not caring much for the girls who were around him, and being already half beside himself with the confusion and delay, led the way by himself. I as a stranger should have given my arm to Mrs. O’Conor; but as it was I took her eldest daughter instead, and contrived to shuffle along into the dining-room without exciting much attention, and when there I found myself happily placed between Kate and Fanny.
“I never knew anything so awkward,” said Fanny; “I declare I can’t conceive what has come to our old servant Larry. He’s generally the most precise person in the world, and now he is nearly an hour late—and then he tumbles down in the hall.”
“I am afraid I am responsible for the delay,” said I.
“But not for the tumble I suppose,” said Kate from the other side. I felt that I blushed up to the eyes, but I did not dare to enter into explanations.
“Tom,” said Tizzy, addressing her father across the table, “I hope you had a good run to-day.” It did seem odd to me that young lady should call her father Tom, but such was the fact.
“Well; pretty well,” said Mr. O’Conor.
“And I hope you were up with the hounds.”
“You may ask Mr. Green that. He at any rate was with them, and therefore he can tell you.”
“Oh, he wasn’t before you, I know. No Englishman could get before you;—I am quite sure of that.”
“Don’t you be impertinent, miss,” said Kate. “You can easily see, Mr. Green, that papa spoils my sister Eliza.”
“Do you hunt in top-boots, Mr. Green?” said Tizzy.
To this I made no answer. She would have drawn me into a conversation about my feet in half a minute, and the slightest allusion to the subject threw me into a fit of perspiration.
“Are you fond of hunting, Miss O’Conor?” asked I, blindly hurrying into any other subject of conversation.
Miss O’Conor owned that she was fond of hunting—just a little; only papa would not allow it. When the hounds met anywhere within reach of Castle Conor, she and Kate would ride out to look at them; and if papa was not there that day,—an omission of rare occurrence,—they would ride a few fields with the hounds.
“But he lets Tizzy keep with them the whole day,” said she, whispering.
“And has Tizzy a pony of her own?”
“Oh yes, Tizzy has everything. She’s papa’s pet, you know.”
“And whose pet are you?” I asked.
“Oh—I am nobody’s pet, unless sometimes Jack makes a pet of me when he’s in a good humour. Do you make pets of your sisters, Mr. Green?”
“I have none. But if I had I should not make pets of them.”
“Not of your own sisters?”
“No. As for myself, I’d sooner make a pet of my friend’s sister; a great deal.”
“How very unnatural,” said Miss O’Conor, with the prettiest look of surprise imaginable.
“Not at all unnatural I think,” said I, looking tenderly and lovingly into her face. Where does one find girls so pretty, so easy, so sweet, so talkative as the Irish girls? And then with all their talking and all their ease who ever hears of their misbehaving? They certainly love flirting, as they also love dancing. But they flirt without mischief and without malice.
I had now quite forgotten my misfortune, and was beginning to think how well I should like to have Fanny O’Conor for my wife. In this frame of mind I was bending over towards her as a servant took away a plate from the other side, when a sepulchral note sounded in my ear. It was like the memento mori of the old Roman;—as though some one pointed in the midst of my bliss to the sword hung over my head by a thread. It was the voice of Larry, whispering in his agony just above my head—
“They’s disthroying my poor feet intirely, intirely; so they is! I can’t bear it much longer, yer honer.” I had committed murder like Macbeth; and now my Banquo had come to disturb me at my feast.
“What is it he says to you?” asked Fanny.
“Oh nothing,” I answered, once more in my misery.
“There seems to be some point of confidence between you and our Larry,” she remarked.
“Oh no,” said I, quite confused; “not at all.”
“You need not be ashamed of it. Half the gentlemen in the county have their confidences with Larry;—and some of the ladies too, I can tell you. He was born in this house, and never lived anywhere else; and I am sure he has a larger circle of acquaintance than any one else in it.”
I could not recover my self-possession for the next ten minutes. Whenever Larry was on our side of the table I was afraid he was coming to me with another agonised whisper. When he was opposite, I could not but watch him as he hobbled in his misery. It was evident that the boots were too tight for him, and had they been made throughout of iron they could not have been less capable of yielding to the feet. I pitied him from the bottom of my heart. And I pitied myself also, wishing that I was well in bed upstairs with some feigned malady, so that Larry might have had his own again.
And then for a moment I missed him from the room. He had doubtless gone to relieve his tortured feet in the servants’ hall, and as he did so was cursing my cruelty. But what mattered it? Let him curse. If he would only stay away and do that, I would appease his wrath when we were alone together with pecuniary satisfaction.
But there was no such rest in store for me. “Larry, Larry,” shouted Mr. O’Conor, “where on earth has the fellow gone to?” They were all cousins at the table except myself, and Mr. O’Conor was not therefore restrained by any feeling of ceremony. “There is something wrong with that fellow to-day; what is it, Jack?”
“Upon my word, sir, I don’t know,” said Jack.
“I think he must be tipsy,” whispered Miss O’Conor, the maiden sister, who always sat at her brother’s left hand. But a whisper though it was, it was audible all down the table.
“No, ma’am; it aint dhrink at all,” said the coachman. “It is his feet as does it.”
“His feet!” shouted Tom O’Conor.
“Yes; I know it’s his feet,” said that horrid Tizzy. “He’s got on great thick nailed shoes. It was that that made him tumble down in the hall.”
I glanced at each side of me, and could see that there was a certain consciousness expressed in the face of each of my two neighbours;—on Kate’s mouth there was decidedly a smile, or rather, perhaps, the slightest possible inclination that way; whereas on Fanny’s part I thought I saw something like a rising sorrow at my distress. So at least I flattered myself.
“Send him back into the room immediately,” said Tom, who looked at me as though he had some consciousness that I had introduced all this confusion into his household. What should I do? Would it not be best for me to make clean breast of it before them all? But alas! I lacked the courage.
The coachman went out, and we were left for five minutes without any servant, and Mr. O’Conor the while became more and more savage. I attempted to say a word to Fanny, but failed. Vox faucibus haesit.
“I don’t think he has got any others,” said Tizzy—“at least none others left.”
On the whole I am glad I did not marry into the family, as I could not have endured that girl to stay in my house as a sister-in-law.
“Where the d— has that other fellow gone to?” said Tom. “Jack, do go out and see what is the matter. If anybody is drunk send for me.”
“Oh, there is nobody drunk,” said Tizzy.
Jack went out, and the coachman returned; but what was done and said I hardly remember. The whole room seemed to swim round and round, and as far as I can recollect the company sat mute, neither eating nor drinking. Presently Jack returned.
“It’s all right,” said he. I always liked Jack. At the present moment he just looked towards me and laughed slightly.
“All right?” said Tom. “But is the fellow coming?”
“We can do with Richard, I suppose,” said Jack.
“No—I can’t do with Richard,” said the father. “And will know what it all means. Where is that fellow Larry?”
Larry had been standing just outside the door, and now he entered gently as a mouse. No sound came from his footfall, nor was there in his face that look of pain which it had worn for the last fifteen minutes. But he was not the less abashed, frightened and unhappy.
“What is all this about, Larry?” said his master, turning to him. “I insist upon knowing.”
“Och thin, Mr. Green, yer honer, I wouldn’t be afther telling agin yer honer; indeed I wouldn’t thin, av’ the masther would only let me hould my tongue.” And he looked across at me, deprecating my anger.
“Mr. Green!” said Mr. O’Conor.
“Yes, yer honer. It’s all along of his honer’s thick shoes;” and Larry, stepping backwards towards the door, lifted them up from some corner, and coming well forward, exposed them with the soles uppermost to the whole table.
“And that’s not all, yer honer; but they’ve squoze the very toes of me into a jelly.”
There was now a loud laugh, in which Jack and Peter and Fanny and Kate and Tizzy all joined; as too did Mr. O’Conor—and I also myself after a while.
“Whose boots are they?” demanded Miss O’Conor senior, with her severest tone and grimmest accent.
“’Deed then and the divil may have them for me, Miss,” answered Larry. “They war Mr. Green’s, but the likes of him won’t wear them agin afther the likes of me—barring he wanted them very particular,” added he, remembering his own pumps.
I began muttering something, feeling that the time had come when I must tell the tale. But Jack with great good nature, took up the story and told it so well, that I hardly suffered in the telling.
“And that’s it,” said Tom O’Conor, laughing till I thought he would have fallen from his chair. “So you’ve got Larry’s shoes on—”
“And very well he fills them,” said Jack.
“And it’s his honer that’s welcome to ’em,” said Larry, grinning from ear to ear now that he saw that “the masther” was once more in a good humour.
“I hope they’ll be nice shoes for dancing,” said Kate.
“Only there’s one down at the heel I know,” said Tizzy.
“The servant’s shoes!” This was an exclamation made by the maiden lady, and intended apparently only for her brother’s ear. But it was clearly audible by all the party.
“Better that than no dinner,” said Peter.
“But what are you to do about the dancing?” said Fanny, with an air of dismay on her face which flattered me with an idea that she did care whether I danced or no.
In the mean time Larry, now as happy as an emperor, was tripping round the room without any shoes to encumber him as he withdrew the plates from the table.
“And it’s his honer that’s welcome to ’em,” said he again, as he pulled off the table-cloth with a flourish. “And why wouldn’t he, and he able to folly the hounds betther nor any Englishman that iver war in these parts before,—anyways so Mick says!”
Now Mick was the huntsman, and this little tale of eulogy from Larry went far towards easing my grief. I had ridden well to the hounds that day, and I knew it.
There was nothing more said about the shoes, and I was soon again at my ease, although Miss O’Conor did say something about the impropriety of Larry walking about in his stocking feet. The ladies however soon withdrew,—to my sorrow, for I was getting on swimmingly with Fanny; and then we gentlemen gathered round the fire and filled our glasses.
In about ten minutes a very light tap was heard, the door was opened to the extent of three inches, and a female voice which I readily recognised called to Jack.
Jack went out, and in a second or two put his head back into the room and called to me—“Green,” he said, “just step here moment, there’s a good fellow.” I went out, and there I found Fanny standing with her brother.
“Here are the girls at their wits’ ends,” said he, “about your dancing. So Fanny has put a boy upon one of the horse and proposes that you should send another line to Mrs. Meehan at Ballyglass. It’s only ten miles, and he’ll be back in two hours.”
I need hardly say that I acted in conformity with this advice, I went into Mr. O’Conor’s book room, with Jack and his sister, and there scribbled a note. I was delightful to feel how intimate I was with them, and how anxious they were to make me happy.
“And we won’t begin till they come,” said Fanny.
“Oh, Miss O’Conor, pray don’t wait,” said I.
“Oh, but we will,” she answered. “You have your wine to drink, and then there’s the tea; and then we’ll have a song two. I’ll spin it out; see if I don’t.” And so we went to the front door where the boy was already on his horse—her own nag as I afterwards found.
“And Patsey,” said she, “ride for your life; and Patsey, whatever you do, don’t come back without Mr. Green’s pumps—his dancing-shoes you know.”
And in about two hours the pumps did arrive; and I don’t think I ever spent a pleasanter evening or got more satisfaction out of a pair of shoes. They had not been two minutes on my feet before Larry was carrying a tray of negus across the room in those which I had worn at dinner.
“The Dillon girls are going to stay here,” said Fanny as I wished her good night at two o’clock. “And we’ll have dancing every evening as long as you remain.”
“But I shall leave to-morrow,” said I.
“Indeed you won’t. Papa will take care of that.”
And so he did. “You had better go over to Ballyglass yourself to-morrow,” said he, “and collect your own things. There’s no knowing else what you may have to borrow of Larry.”
I stayed there three weeks, and in the middle of the third I thought that everything would be arranged between me and Fanny. But the aunt interfered; and in about a twelvemonth after my adventures she consented to make a more fortunate man happy for his life.
***END OF THE PROJECT GUTENBERG EBOOK THE O'CONORS OF CASTLE CONOR***
***** This file should be named 3616-h.htm or 3616-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/6/1/3616 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.