The Project Gutenberg EBook of Uncanny Tales, by Mary Louisa Molesworth

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Uncanny Tales

Author: Mary Louisa Molesworth

Illustrator: Fred Hyland

Release Date: April 25, 2011 [EBook #35641]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK UNCANNY TALES ***




Produced by Delphine Lettau and the Online Distributed
Proofreading Canada Team at http://www.pgdpcanada.net









  Uncanny Tales

  BY MRS MOLESWORTH

  LONDON: HUTCHINSON & CO
  Paternoster Row

  FRED HYLAND




  TO
  AN OTHERWISE UNACKNOWLEDGED "COLLABORATEUR"
  IN THESE STORIES,
  J. C. P.

  19 SUMNER PLACE, S.W.,

  _October, 1896._




CONTENTS.


                                     PAGE

  THE SHADOW IN THE MOONLIGHT           1

  "THE MAN WITH THE COUGH"             82

  "HALF-WAY BETWEEN THE STILES"       112

  AT THE DIP OF THE ROAD              141

  "---- WILL NOT TAKE PLACE"          153

  THE CLOCK THAT STRUCK THIRTEEN      183




UNCANNY TALES.




THE SHADOW IN THE MOONLIGHT.

PART I.


We never thought of Finster St. Mabyn's being haunted. We really never
did.

This may seem strange, but it is absolutely true. It was such an
extremely interesting and curious place in many ways that it required
nothing extraneous to add to its attractions. Perhaps this was the
reason.

Now-a-days, immediately that you hear of a house being "very old," the
next remark is sure to be "I hope it is"--or "is not"--that depends on
the taste of the speaker--"haunted".

But Finster was more than very old; it was _ancient_ and, in a modest
way, historical. I will not take up time by relating its history,
however, or by referring my readers to the chronicles in which mention
of it may be found. Nor shall I yield to the temptation of describing
the room in which a certain royalty spent one night, if not two or three
nights, four centuries ago, or the tower, now in ruins, where an even
more renowned personage was imprisoned for several months. All these
facts--or legends--have nothing to do with what I have to tell. Nor,
strictly speaking, has Finster itself, except as a sort of prologue to
my narrative.

We heard of the house through friends living in the same county, though
some distance farther inland. They--Mr. and Miss Miles, it is convenient
to give their name at once--knew that we had been ordered to leave our
own home for some months, to get over the effects of a very trying
visitation of influenza, and that sea-air was specially desirable.

We grumbled at this. Seaside places are often so dull and commonplace.
But when we heard of Finster we grumbled no longer.

"Dull" in a sense it might be, but assuredly not "commonplace". Janet
Miles's description of it, though she was not particularly clever at
description, read like a fairy tale, or one of Longfellow's poems.

"A castle by the sea--how perfect!" we all exclaimed. "Do, oh, do fix
for it, mother!"

The objections were quickly over-ruled. It was rather isolated, said
Miss Miles, standing, as was not difficult to trace in its name, on a
point of land--a corner rather--with sea on two sides. It had not been
lived in, save spasmodically, for some years, for the late owner was one
of those happy, or unhappy people, who have more houses than they can
use, and the present one was a minor. Eventually it was to be overhauled
and some additions and alterations made, but the trustees would be glad
to let it at a moderate rent for some months, and had intended putting
it into some agents' hands when Mr. Miles happened to meet one of them,
who mentioned it to him. There was nothing against it; it was absolutely
healthy. But the furniture was old and shabby, and there was none too
much of it. If we wanted to have visitors we should certainly require to
add to it. This, however, could easily be done, our informant went on to
say. There was a very good upholsterer and furniture dealer at Raxtrew,
the nearest town, who was in the habit of hiring out things to the
officers at the fort. "Indeed," she added, "we often pick up charming
old pieces of furniture from him for next to nothing, so you could both
hire and buy."

Of course, we should have visitors--and our own house would not be the
worse for some additional chairs and tables here and there, in place of
some excellent monstrosities Phil and Nugent and I had persuaded mother
to get rid of.

"If I go down to spy the land with father," I said, "I shall certainly
go to the furniture dealer's and have a good look about me."

I did go with father. I was nineteen--it is four years ago--and a
capable sort of girl. Then I was the only one who had not been ill,
and mother had been the worst of all, mother and Dormy--poor little
chap--for _he_ nearly died.

He is the youngest of us--we are four boys and two girls. Sophy was then
fifteen. My own name is Leila.

If I attempted to give any idea of the impression Finster St. Mabyn's
made upon us, I should go on for hours. It simply took our breath away.
It really felt like going back a few centuries merely to enter within
the walls and gaze round you. And yet we did not see it to any advantage,
so at least said the two Miles's who were our guides. It was a gloomy
day, with the feeling of rain not far off, early in April. It might have
been November, though it was not cold.

"You can scarcely imagine what it is on a bright day," said Janet,
eager, as people always are in such circumstances, to show off her
_trouvaille_. "The lights and shadows are so exquisite."

"I love it as it is," I said. "I don't think I shall ever regret having
seen it first on a grey day. It is just perfect."

She was pleased at my admiration, and did her utmost to facilitate
matters. Father was taken with the place, too, I could see, but he
hummed and hawed a good deal about the bareness of the rooms--the
bedrooms especially. So Janet and I went into it at once in a
business-like way, making lists of the actually necessary additions,
which did not prove very formidable after all.

"Hunter will manage all that _easily_," said Miss Miles, upon which
father gave in--I believe he had meant to do so all the time. The rent
was really so low that a little furniture-hire could be afforded, I
suggested. And father agreed.

"It is extremely low," he said, "for a place possessing so many
advantages."

But even then it did not occur to any of us to suggest "suspiciously
low".

We had the Miles's guarantee for it all, to begin with. Had there been
any objection they must have known it.

We spent the night with them and the next morning at the furniture
dealer's. He was a quick, obliging little man, and took in the situation
at a glance. And _his_ terms were so moderate that father said to me
amiably: "There are some quaint odds and ends here, Leila. You might
choose a few things, to use at Finster in the first place, and then to
take home with us."

I was only too ready to profit by the permission, and with Janet's
help a few charmingly quaint chairs and tables, a three-cornered wall
cabinet, and some other trifles were soon put aside for us. We were just
leaving, when at one end of the shop some tempting-looking draperies
caught my eye.

"What are these?" I asked the upholsterer. "Curtains! Why, this is real
old tapestry!"

The obliging Hunter drew out the material in question.

"They are not exactly curtains, miss," he said. "I thought they would
make nice _portieres_. You see the tapestry is set into cloth. It was so
frail when I got it that it was the only thing to do with it."

He had managed it very ingeniously. Two panels, so to say, of old
tapestry, very charming in tone, had been lined and framed with dull
green cloth, making a very good pair of _portieres_ indeed.

"Oh, papa!" I cried, "do let us have these. There are sure to be
draughty doors at Finster, and afterwards they would make _perfect_
"_portieres_" for the two side doors in the hall at home."

Father eyed the tapestry appreciatively, but first prudently inquired
the price. It seemed higher in proportion than Hunter's other charges.

"You see, sir," he said half apologetically, "the panels are real
antique work, though so much the worse for wear."

"Where did they come from?" asked father.

Hunter hesitated.

"To tell you the truth, sir," he replied, "I was asked not to name the
party that I bought it from. It seems a pity to part with _h_eir-looms,
but--it happens sometimes--I bought several things together of a family
quite lately. The _portieres_ have only come out of the workroom this
morning. We hurried on with them to stop them fraying more--you see
where they were before, they must have been nailed to the wall."

Janet Miles, who was something of a connoisseur, had been examining the
tapestry.

"It is well worth what he asks," she said, in a low voice. "You don't
often come across such tapestry in England."

So the bargain was struck, and Hunter promised to see all that we had
chosen, both purchased and hired, delivered at Finster the week before
we proposed to come.

Nothing interfered with our plans. By the end of the month we found
ourselves at our temporary home--all of us except Nat, our third
brother, who was at school. Dormer, the small boy, still did lessons
with Sophy's governess. The two older "boys," as we called them,
happened to be at home from different reasons--one, Nugent, on leave
from India; Phil, forced to miss a term at college through an attack
of the same illness which had treated mother and Dormy so badly.

But now that everybody was well again, and going to be very much better,
thanks to Finster air, we thought the ill wind had brought us some very
distinct good. It would not have been half such fun had we not been a
large family party to start with, and before we had been a week at the
place we had added to our numbers by the first detachment of the guests
we had invited.

It was not a very large house; besides ourselves we had not room for
more than three or four others. For some of the rooms--those on the top
story--were really too dilapidated to suit any one but rats--"rats or
ghosts," said some one laughingly one day, when we had been exploring
them.

Afterwards the words returned to my memory.

We had made ourselves very comfortable, thanks to the invaluable Hunter.
And every day the weather grew milder and more spring-like. The woods on
the inland side were full of primroses. It promised to be a lovely
season.

There was a gallery along one side of the house, which soon became a
favourite resort; it made a pleasant lounging-place, in the day-time
especially, though less so in the evening, as the fireplace at one end
warmed it but imperfectly, and besides this it was difficult to light
up. It was draughty, too, as there was a superfluity of doors, two of
which, one at each end, we at once condemned. They were not needed, as
the one led by a very long spiral staircase, to the unused attic rooms,
the other to the kitchen and offices. And when we did have afternoon
tea in the gallery, it was easy to bring it through the dining or
drawing-rooms, long rooms, lighted at their extreme ends, which ran
parallel to the gallery lengthways, both of which had a door opening on
to it as well as from the hall on the other side. For all the principal
rooms at Finster were on the first-floor, not on the ground-floor.

The closing of these doors got rid of a great deal of draught, and, as I
have said, the weather was really mild and calm.

One afternoon--I am trying to begin at the beginning of our strange
experiences; even at the risk of long-windedness it seems better to do
so--we were all assembled in the gallery at tea-time. The "children,"
as we called Sophy and Dormer, much to Sophy's disgust, and their
governess, were with us, for rules were relaxed at Finster, and Miss
Larpent was a great favourite with us all.

Suddenly Sophy gave an exclamation of annoyance.

"Mamma," she said, "I wish you would speak to Dormer. He has thrown
over my tea-cup--only look at my frock!" "If you cannot sit still," she
added, turning herself to the boy, "I don't think you should be allowed
to come to tea here."

"What is the matter, Dormy?" said mother.

Dormer was standing beside Sophy, looking very guilty, and rather white.

"Mamma," he said, "I was only drawing a chair out. It got so dreadfully
cold where I was sitting, I really could not stay there," and he
shivered slightly.

He had been sitting with his back to one of the locked-up doors. Phil,
who was nearest, moved his hand slowly across the spot.

"You are fanciful, Dormy," he said, "there is really no draught
whatever."

This did not satisfy mother.

"He must have got a chill, then," she said, and she went on to question
the child as to what he had been doing all day, for, as I have said, he
was still delicate.

But he persisted that he was quite well, and no longer cold.

"It wasn't exactly a draught," he said, "it was--oh! just icy, all of a
sudden. I've felt it before--sitting in that chair."

Mother said no more, and Dormer went on with his tea, and when bed-time
came he seemed just as usual, so that her anxiety faded. But she made
thorough investigation as to the possibility of any draught coming up
from the back stairs, with which this door communicated. None was to be
discovered--the door fitted fairly well, and beside this, Hunter had
tacked felt round the edges--furthermore, one of the thick heavy
_portieres_ had been hung in front.

An evening or two later we were sitting in the drawing room after
dinner, when a cousin who was staying with us suddenly missed her fan.

"Run and fetch Muriel's fan, Dormy," I said, for Muriel felt sure it had
slipped under the dinner table. None of the men had as yet joined us.

"Why, where are you going, child?" as he turned towards the farther
door. "It is much quicker by the gallery."

He said nothing, but went out, walking rather slowly, by the gallery
door. And in a few minutes he returned, fan in hand, but by the _other_
door.

He was a sensitive child, and though I wondered what he had got into his
head against the gallery, I did not say anything before the others. But
when, soon after, Dormy said "Good night," and went off to bed, I
followed him.

"What do you want, Leila?" he said rather crossly.

"Don't be vexed, child," I said. "I can see there is something the
matter. Why do you not like the gallery?"

He hesitated, but I had laid my hand on his shoulder, and he knew I
meant to be kind.

"Leila," he said, with a glance round, to be sure that no one was within
hearing--we were standing, he and I, near the inner dining-room door,
which was open--"you'll laugh at me, but--there's something queer
there--sometimes!"

"What? And how do you mean 'sometimes'?" I asked, with a slight thrill
at his tone.

"I mean not always, I've felt it several times--there was the cold the
day before yesterday, and besides that, I've felt a--a sort of
_breaving_"--Dormy was not perfect in his "th's"--"like somebody very
unhappy."

"Sighing?" I suggested.

"Like sighing in a whisper," he replied, "and that's always near the
door. But last week--no, not so long ago, it was on Monday--I went round
that way when I was going to bed. I didn't want to be silly. But it was
moonlight--and--Leila, a shadow went all along the wall on that side,
and stopped at the door. I saw it waggling about--its _hands_," and here
he shivered--"on that funny curtain that hangs up, as if it were feeling
for a minute or two, and then----"

"Well,--what then?"

"It just went out," he said simply. "But it's moonlight again to-night,
sister, and I daren't see it again. I just _daren't_."

"But you did go to the dining-room that way," I reminded him.

"Yes, but I shut my eyes and ran, and even then I felt as if something
cold was behind me."

"Dormy, dear," I said, a good deal concerned, "I do think it's your
fancy. You are not _quite_ well yet, you know."

"Yes, I am," he replied sturdily. "I'm not a bit frightened anywhere
else. I sleep in a room alone you know. It's not _me_, sister, its
somefing in the gallery."

"Would you be frightened to go there with me now? We can run through the
dining-room; there's no one to see us," and I turned in that direction
as I spoke.

Again my little brother hesitated.

"I'll go with you if you'll hold hands," he said, "but I'll shut my
eyes. And I won't open them till you tell me there's no shadow on the
wall. You must tell me truly."

"But there must be some shadows," I said, "in this bright moonlight,
trees and branches, or even clouds scudding across--something of that
kind is what you must have seen, dear."

He shook his head.

"No, no, of course I wouldn't mind that. I know the difference. No--you
couldn't mistake. It goes along, right along, in a creeping way, and
then at the door its hands come farther out, and it _feels_."

"Is it like a man or a woman?" I said, beginning to feel rather creepy
myself.

"I think it's most like a rather little man," he replied, "but I'm not
sure. Its head has got something fuzzy about it--oh, I know, like a
sticking out wig. But lower down it seems wrapped up, like in a cloak.
Oh, it's _horrid_."

And again he shivered--it was quite time all this nightmare nonsense was
put out of his poor little head.

I took his hand and held it firmly; we went through the dining-room.
Nothing could have looked more comfortable and less ghostly. For the
lights were still burning on the table, and the flowers in their silver
bowls, some wine gleaming in the glasses, the fruit and pretty dishes,
made a pleasant glow of colour. It certainly seemed a curiously sudden
contrast when we found ourselves in the gallery beyond, cold and
unillumined, save by the pale moonlight streaming through the
unshuttered windows. For the door closed with a bang as we passed
through--the gallery _was_ a draughty place.

Dormy's hold tightened.

"Sister," he whispered, "I've shut my eyes now. You must stand with
your back to the windows--between them, or else you'll think it's our
own shadows--and watch."

I did as he said, and I had not long to wait.

It came--from the farther end, the second condemned door, whence the
winding stair mounted to the attics--it seemed to begin or at least
take form there. Creeping along, just as Dormy said--stealthily but
steadily--right down to the other extremity of the long room. And then
it grew blacker--more concentrated--and out from the vague outline came
two bony hands, and, as the child had said, too, you could see that they
were _feeling_--all over the upper part of the door.

I stood and watched. I wondered afterwards at my own courage, if courage
it was. It was the shadow of a small man, I felt sure. The head seemed
large in proportion, and--yes--it--the original of the shadow--was
evidently covered by an antique wig. Half mechanically I glanced
round--as if in search of the material body that _must_ be there. But
no; there was nothing, literally _nothing_, that could throw this
extraordinary shadow.

Of this I was instantly convinced; and here I may as well say once
for all, that never was it maintained by any one, however previously
sceptical, who had fully witnessed the whole, that it could be accounted
for by ordinary, or, as people say, "natural" causes. There was this
peculiarity at least about our ghost.

Though I had fast hold of his hand, I had almost forgotten Dormy--I
seemed in a trance.

Suddenly he spoke, though in a whisper.

"You see it, sister, I know you do," he said.

"Wait, wait a minute, dear," I managed to reply in the same tone, though
I could not have explained why I waited.

Dormer had said that after a time--after the ghastly and apparently
fruitless _feeling_ all over the door--"it"--"went out".

I think it was this that I was waiting for. It was not quite as he had
said. The door was in the extreme corner of the wall, the hinges almost
in the angle, and as the shadow began to move on again, it _looked_ as
if it disappeared; but no, it was only fainter. My eyes, preternaturally
sharpened by my intense gaze, still saw it, working its way round the
corner, as assuredly no _shadow_ in the real sense of the word ever did
nor could do. I realised this, and the sense of horror grew all but
intolerable; yet I stood still, clasping the cold little hand in mine
tighter and tighter. And an instinct of protection of the child gave me
strength. Besides, it was coming on so quickly--we could not have
escaped--it was coming, nay, it _was behind_ us.

"Leila!" gasped Dormy, "the cold--you feel it now?"

Yes, truly--like no icy breath that I had ever felt before was that
momentary but horrible thrill of utter cold. If it had lasted another
second I think it would have killed us both. But, mercifully, it passed,
in far less time than it has taken me to tell it, and then we seemed in
some strange way to be released.

"Open your eyes, Dormy," I said, "you won't see anything, I promise you.
I want to rush across to the dining-room."

He obeyed me. I felt there was time to escape before that awful presence
would again have arrived at the dining-room door, though it was
_coming_--ah, yes, it was coming, steadily pursuing its ghastly round.
And, alas! the dining-room door was closed. But I kept my nerve to some
extent. I turned the handle without over much trembling, and in another
moment, the door shut and locked behind us, we stood in safety, looking
at each other, in the bright cheerful room we had left so short a time
ago.

_Was_ it so short a time? I said to myself. It seemed hours!

And through the door open to the hall came at that moment the sound
of cheerful laughing voices from the drawing-room. Some one was coming
out. It seemed impossible, incredible, that within a few feet of the
matter-of-fact pleasant material life, this horrible inexplicable drama
should be going on, as doubtless it still was.

Of the two I was now more upset than my little brother. I was older and
"took in" more. He, boy-like, was in a sense triumphant at having proved
himself correct and no coward, and though he was still pale, his eyes
shone with excitement and a queer kind of satisfaction.

But before we had done more than look at each other, a figure appeared
at the open doorway. It was Sophy.

"Leila," she said, "mamma wants to know what you are doing with Dormy?
He is to go to bed at once. We saw you go out of the room after him,
and then a door banged. Mamma says if you are playing with him it's very
bad for him so late at night."

Dormy was very quick. He was still holding my hand, and he pinched it to
stop my replying.

"Rubbish!" he said. "I am speaking to Leila quietly, and she is coming
up to my room while I undress. Good night, Sophy."

"Tell mamma Dormy really wants me," I added, and then Sophy departed.

"We musn't tell _her_, Leila," said the boy. "She'd have 'sterics."

"Whom shall we tell?" I said, for I was beginning to feel very helpless
and upset.

"Nobody, to-night," he replied sensibly. "You _mustn't_ go in there,"
and he shivered a little as he moved his head towards the gallery;
"you're not fit for it, and they'd be wanting you to. Wait till the
morning and then I'd--I think I'd tell Philip first. You needn't be
frightened to-night, sister. It won't stop you sleeping. It didn't me
the time I saw it before."

He was right. I slept dreamlessly. It was as if the intense nervous
strain of those few minutes had utterly exhausted me.


PART II.

Phil is our soldier brother. And there is nothing fanciful about _him_!
He is a rock of sturdy common-sense and unfailing good nature. He was
the very best person to confide our strange secret to, and my respect
for Dormy increased.

We did tell him--the very next morning. He listened very attentively,
only putting in a question here and there, and though, of course, he was
incredulous--had I not been so myself?--he was not mocking.

"I am glad you have told no one else," he said, when we had related the
whole as circumstantially as possible. "You see mother is not very
strong yet, and it would be a pity to bother father, just when he's
taken this place and settled it all. And for goodness' sake, don't let a
breath of it get about among the servants; there'd be the--something to
pay, if you did."

"I won't tell anybody," said Dormy.

"Nor shall I," I added. "Sophy is far too excitable, and if she knew,
she would certainly tell Nannie." Nannie is our old nurse.

"If we tell any one," Philip went on, "that means," with a rather
irritating smile of self-confidence, "if by any possibility I do not
succeed in making an end of your ghost and we want another opinion about
it, the person to tell would be Miss Larpent."

"Yes," I said, "I think so, too."

I would not risk irritating him by saying how convinced I was that
conviction awaited _him_ as surely it had come to myself, and I knew
that Miss Larpent, though far from credulous, was equally far from
stupid scepticism concerning the mysteries "not dreamt of" in ordinary
"philosophy".

"What do you mean to do?" I went on. "You have a theory, I see. Won't
you tell me what it is?"

"I have two," said Phil, rolling up a cigarette as he spoke. "It is
either some queer optical illusion, partly the effect of some odd
reflection outside--or it is a clever trick."

"A trick!" I exclaimed; "what _possible_ motive could there be for a
trick?"

Phil shook his head.

"Ah," he said, "that I cannot at present say."

"And what are you going to do?"

"I shall sit up to-night in the gallery and see for myself."

"Alone?" I exclaimed, with some misgiving. For big, sturdy fellow as he
was, I scarcely liked to think of him--of _any one_--alone with that
awful thing.

"I don't suppose you or Dormy would care to keep me company," he
replied, "and on the whole I would rather not have you."

"I wouldn't do it," said the child honestly, "not for--for nothing."

"I shall keep Tim with me," said Philip, "I would rather have him than
any one."

Tim is Phil's bull-dog, and certainly, I agreed, much better than
nobody.

So it was settled.

Dormy and I went to bed unusually early that night, for as the day wore
on we both felt exceedingly tired. I pleaded a headache, which was not
altogether a fiction, though I repented having complained at all when I
found that poor mamma immediately began worrying herself with fears
that "after all" I, too, was to fall a victim to the influenza.

"I shall be all right in the morning," I assured her.

I knew no further details of Phil's arrangements. I fell asleep almost
at once. I usually do. And it seemed to me that I had slept a whole
night when I was awakened by a glimmering light at my door, and heard
Philip's voice speaking softly.

"Are you awake, Lel?" he said, as people always say when they awake you
in any untimely way. Of course, _now_ I was awake, very much awake
indeed.

"What is it?" I exclaimed eagerly, my heart beginning to beat very fast.

"Oh, nothing, nothing at all," said my brother, advancing a little into
the room. "I just thought I'd look in on my way to bed to reassure you.
I have seen _nothing_, absolutely nothing."

I do not know if I was relieved or disappointed.

"Was it moonlight?" I asked abruptly.

"No," he replied, "unluckily the moon did not come out at all, though
it is nearly at the full. I carried in a small lamp, which made things
less eerie. But I should have preferred the moon."

I glanced up at him. Was it the reflection of the candle he held, or did
he look paler than usual?

"And," I added suddenly, "did you _feel_ nothing?"

He hesitated.

"It--it was chilly, certainly," he said. "I fancy I must have dosed a
little, for I did feel pretty cold once or twice."

"Ah, indeed!" thought I to myself. "And how about Tim?"

Phil smiled, but not very successfully.

"Well," he said, "I must confess Tim did not altogether like it. He
started snarling, then he growled, and finished up with whining in a
decidedly unhappy way. He's rather upset--poor old chap!"

And then I saw that the dog was beside him--rubbing up close to Philip's
legs--a very dejected, reproachful Tim--all the starch taken out of him.

"Good-night, Phil," I said, turning round on my pillow. "I'm glad
you are satisfied. To-morrow morning you must tell me which of your
theories holds most water. Good-night, and many thanks."

He was going to say more, but my manner for the moment stopped him, and
he went off.

Poor old Phil!

We had it out the next morning. He and I alone. He was _not_ satisfied.
Far from it. In the bottom of his heart I believe it was a strange
yearning for a breath of human companionship, for the sound of a human
voice, that had made him look in on me the night before.

_For he had felt the cold passing him._

But he was very plucky.

"I'll sit up again to-night, Leila," he said.

"Not to-night," I objected. "This sort of adventure requires one to be
at one's best. If you take my advice you will go to bed early and have a
good stretch of sleep, so that you will be quite fresh by to-morrow.
There will be a moon for some nights still."

"Why do you keep harping on the moon?" said Phil rather crossly, for
him.

"Because--I have some idea that it is only in the moonlight that--that
anything is to be _seen_."

"Bosh!" said my brother politely--he was certainly rather
discomposed--"we are talking at cross-purposes. You are satisfied----"

"Far from satisfied," I interpolated.

"Well, convinced, whatever you like to call it--that the whole thing is
supernatural, whereas I am equally sure it is a trick; a clever trick I
allow, though I haven't yet got at the motive of it."

"You need your nerves to be at their best to discover a trick of this
kind, if a trick it be," I said quietly.

Philip had left his seat, and walked up and down the room; his way of
doing so gave me a feeling that he wanted to walk off some unusual
consciousness of irritability. I felt half provoked and half sorry for
him.

At that moment--we were alone in the drawing-room--the door opened, and
Miss Larpent came in.

"I cannot find Sophy," she said, peering about through her rather
short-sighted eyes, which, nevertheless, see a great deal sometimes; "do
you know where she is?"

"I saw her setting off somewhere with Nugent," said Philip, stopping
his quarter-deck exercise for a moment.

"Ah, then it is hopeless. I suppose I must resign myself to very
irregular ways for a little longer," Miss Larpent replied with a smile.

She is not young, and not good looking, but she is gifted with a
delightful way of smiling, and she is--well, the dearest and almost the
wisest of women.

She looked at Philip as he spoke. She had known us nearly since our
babyhood.

"Is there anything the matter?" she said suddenly. "You look fagged,
Leila, and Philip seems worried."

I glanced at Philip. He understood me.

"Yes," he replied, "I am irritated, and Leila is----" he hesitated.

"What?" asked Miss Larpent.

"Oh, I don't know--obstinate, I suppose. Sit down, Miss Larpent, and
hear our story. Leila, you can tell it."

I did so--first obtaining a promise of secrecy, and making Phil relate
his own experience.

Our new _confidante_ listened attentively, her face very grave. When
she had heard all, she said quietly, after a moment's silence:--

"It's very strange, very. Philip, if you will wait till to-morrow night,
and I quite agree with Leila that you had better do so, I will sit up
with you. I have pretty good nerves, and I have always wanted an
experience of that kind."

"Then you don't think it is a trick?" I said eagerly. I was like Dormer,
divided between my real underlying longing to explain the thing, and get
rid of the horror of it, and a half childish wish to prove that I had
not exaggerated its ghastliness.

"I will tell you that the day after to-morrow," she said. I could not
repress a little shiver as she spoke.

She _had_ good nerves, and she was extremely sensible.

But I almost blamed myself afterwards for having acquiesced in the plan.
For the effect on her was very great. They never told me exactly what
happened; "You _know_," said Miss Larpent. I imagine their experience
was almost precisely similar to Dormy's and mine, intensified, perhaps,
by the feeling of loneliness. For it was not till all the rest of
the family was in bed that this second vigil began. It was a bright
moonlight night--they had the whole thing complete.

It was impossible to throw off the effect; even in the daytime the four
of us who had seen and heard, shrank from the gallery, and made any
conceivable excuse for avoiding it.

But Phil, however convinced, behaved consistently. He examined the
closed door thoroughly, to detect any possible trickery. He explored
the attics, he went up and down the staircase leading to the offices,
till the servants must have thought he was going crazy. He found
_nothing_--no vaguest hint even as to why the gallery was chosen by the
ghostly shadow for its nightly round.

Strange to say, however, as the moon waned, our horror faded, so that we
almost began to hope the thing was at an end, and to trust that in time
we should forget about it. And we congratulated ourselves that we had
kept our own counsel and not disturbed any of the others--even father,
who would, no doubt, have hooted at the idea--by the baleful whisper
that our charming castle by the sea was haunted!

And the days passed by, growing into weeks. The second detachment of
our guests had left, and a third had just arrived, when one morning as I
was waiting at what we called "the sea-door" for some of the others to
join me in a walk along the sands, some one touched me on the shoulder.
It was Philip.

"Leila," he said, "I am not happy about Dormer. He is looking ill again,
and----"

"I thought he seemed so much stronger," I said, surprised and
distressed, "quite rosy, and so much merrier."

"So he was till a few days ago," said Philip. "But if you notice him
well you'll see that he's getting that white look again. And--I've got
it into my head--he is an extraordinarily sensitive child, that it has
something to do with the moon. It's getting on to the full."

For the moment I stupidly forgot the association.

"Really, Phil," I said, "you are too absurd! Do you actually--oh," as he
was beginning to interrupt me, and my face fell, I feel sure--"you don't
mean about the gallery."

"Yes, I do," he said.

"How? Has Dormy told you anything?" and a sort of sick feeling came
over me. "I had begun to hope," I went on, "that somehow it had gone;
that, perhaps, it only comes once a year at a certain season, or
possibly that newcomers see it at the first and not again. Oh, Phil,
we _can't_ stay here, however nice it is, if it is really haunted."

"Dormy hasn't said much," Philip replied. "He only told me he had _felt
the cold_ once or twice, 'since the moon came again,' he said. But I can
see the fear of more is upon him. And this determined me to speak to
you. I have to go to London for ten days or so, to see the doctors about
my leave, and a few other things. I don't like it for you and Miss
Larpent if--if this thing is to return--with no one else in your
confidence, especially on Dormy's account. Do you think we must tell
father before I go?"

I hesitated. For many reasons I was reluctant to do so. Father would be
exaggeratedly sceptical at first, and then, if he were convinced, as I
_knew_ he would be, he would go to the other extreme and insist upon
leaving Finster, and there would be a regular upset, trying for mother
and everybody concerned. And mother liked the place, and was looking so
much better!

"After all," I said, "it has not hurt any of us. Miss Larpent got
a shake, so did I. But it wasn't as great a shock to us as to you,
Phil, to have to believe in a ghost. And we can avoid the gallery
while you are away. No, except for Dormy, I would rather keep it to
ourselves--after all, we are not going to live here always. Yet it is so
nice, it seems such a pity."

It was such an exquisite morning; the air, faintly breathing of the sea,
was like elixir; the heights and shadows on the cliffs, thrown out by
the darker woods behind, were indeed, as Janet Miles had said,
"wonderful".

"Yes," Phil agreed, "it is an awful nuisance. But as for Dormy," he went
on, "supposing I get mother to let me take him with me? He'd be as jolly
as a sand-boy in London, and my old landlady would look after him like
anything if ever I had to be out late. And I'd let my doctor see
him--quietly, you know--he might give him a tonic or something."

I heartily approved of the idea. So did mamma when Phil broached
it--she, too, had thought her "baby" looking quite pale lately. A London
doctor's opinion would be such a satisfaction. So it was settled, and
the very next day the two set off. Dormer, in his "old-fashioned,"
reticent way, in the greatest delight, though only by one remark did the
brave little fellow hint at what was, no doubt, the principal cause of
his satisfaction.

"The moon will be long past the full when we come back," he said. "And
after that there'll only be one other time before we go, won't there,
Leila? We've only got this house for three months?"

"Yes," I said, "father only took it for three," though in my heart I
knew it was with the option of three more--six in all.

And Miss Larpent and I were left alone, not with the ghost, certainly,
but with our fateful knowledge of its unwelcome proximity.

We did not speak of it to each other, but we tacitly avoided the
gallery, even, as much as possible, in the daytime. I felt, and so, she
has since confessed, did she, that it would be impossible to endure
_that cold_ without betraying ourselves.

And I began to breathe more freely, trusting that the dread of the
shadow's possible return was really only due to the child's overwrought
nerves.

Till--one morning--my fool's paradise was abruptly destroyed.

Father came in late to breakfast--he had been for an early walk, he
said, to get rid of a headache. But he did not look altogether as if he
had succeeded in doing so.

"Leila," he said, as I was leaving the room after pouring out his
coffee--mamma was not yet allowed to get up early--"Leila, don't go. I
want to speak to you."

I stopped short, and turned towards the table. There was something very
odd about his manner. He is usually hearty and eager, almost impetuous
in his way of speaking.

"Leila," he began again, "you are a sensible girl, and your nerves are
strong, I fancy. Besides, you have not been ill like the others. Don't
speak of what I am going to tell you."

I nodded in assent; I could scarcely have spoken. My heart was beginning
to thump. Father would not have commended my nerves had he known it.

"Something odd and inexplicable happened last night," he went on.
"Nugent and I were sitting in the gallery. It was a mild night, and the
moon magnificent. We thought the gallery would be pleasanter than the
smoking-room, now that Phil and his pipes are away. Well--we were
sitting quietly. I had lighted my reading-lamp on the little table at
one end of the room, and Nugent was half lying in his chair, doing
nothing in particular except admiring the night, when all at once he
started violently with an exclamation, and, jumping up, came towards me.
Leila, his teeth were chattering, and he was _blue_ with cold. I was
very much alarmed--you know how ill he was at college. But in a moment
or two he recovered.

"'What on earth is the matter?' I said to him. He tried to laugh.

"'I really don't know,' he said; 'I felt as if I had had an electric
shock of _cold_--but I'm all right again now.'

"I went into the dining-room, and made him take a little brandy and
water, and sent him off to bed. Then I came back, still feeling rather
uneasy about him, and sat down with my book, when, Leila--you will
scarcely credit it--I myself felt the same shock exactly. A perfectly
_hideous_ thrill of cold. That was how it began. I started up, and then,
Leila, by degrees, in some instinctive way, I seemed to realise what had
caused it. My dear child, you will think I have gone crazy when I tell
you that there was a shadow--a shadow in the moonlight--_chasing_ me,
so to say, round the room, and once again it caught me up, and again
came that appalling sensation. I would not give in. I dodged it after
that, and set myself to watch it, and then----"

I need not quote my father further; suffice to say his experience
matched that of the rest of us entirely--no, I think it surpassed them.
It was the worst of all.

Poor father! I shuddered for him. I think a shock of that kind is harder
upon a man than upon a woman. Our sex is less sceptical, less entrenched
in sturdy matters of fact, more imaginative, or whatever you like to
call the readiness to believe what we cannot explain. And it was
astounding to me to see how my father at once capitulated--never even
_alluding_ to a possibility of trickery. Astounding, yet at the same
time not without a certain satisfaction in it. It was almost a relief to
find others in the same boat with ourselves.

I told him at once all _we_ had to tell, and how painfully exercised we
had been as to the advisability of keeping our secret to ourselves. I
never saw father so impressed; he was awfully kind, too, and so sorry
for us. He made me fetch Miss Larpent, and we held a council of--I
don't know what to call it!--not "war," assuredly, for none of us
thought of fighting the ghost. How could one fight a shadow?

We decided to do nothing beyond endeavouring to keep the affair from
going further. During the next few days father arranged to have some
work done in the gallery which would prevent our sitting there, without
raising any suspicions on mamma's or Sophy's part.

"And then," said father, "we must see. Possibly this extraordinary
influence only makes itself felt periodically."

"I am almost certain it is so," said Miss Larpent.

"And in this case," he continued, "we may manage to evade it. But I do
not feel disposed to continue my tenancy here after three months are
over. If once the servants get hold of the story, and they are sure to
do so sooner or later, it would be unendurable--the worry and annoyance
would do your mother far more harm than any good effect the air and
change have had upon her."

I was glad to hear this decision. Honestly, I did not feel as if I
could stand the strain for long, and it might kill poor little Dormy.

But where should we go? Our own home would be quite uninhabitable till
the autumn, for extensive alterations and repairs were going on there. I
said this to father.

"Yes," he agreed, "it is not convenient,"--and he hesitated. "I cannot
make it out," he went on, "Miles would have been _sure_ to know if the
house had a bad name in any way. I think I will go over and see him
to-day, and tell him all about it--at least I shall inquire about some
other house in the neighbourhood--and _perhaps_ I will tell him our
reason for leaving this."

He did so--he went over to Raxtrew that very afternoon, and, as I quite
anticipated would be the case, he told me on his return that he had
taken both our friends into his confidence.

"They are extremely concerned about it," he said, "and very
sympathising, though, naturally, inclined to think us a parcel of very
weak-minded folk indeed. But I am glad of one thing--the Rectory there,
is to be let from the first of July for three months. Miles took me to
see it. I think it will do very well--it is quite out of the village,
for you really can't call it a town--and a nice little place in its way.
Quite modern, and as unghost-like as you could wish, bright and cheery."

"And what will mamma think of our leaving so soon?" I asked.

But as to this father reassured me. He had already spoken of it to her,
and somehow she did not seem disappointed. She had got it into her head
that Finster did not suit Dormy, and was quite disposed to think that
three months of such strong air were enough at a time.

"Then have you decided upon Raxtrew Rectory?" I asked.

"I have the refusal of it," said my father. "But you will be almost
amused to hear that Miles begged me not to fix absolutely for a few
days. He is coming to us to-morrow, to spend the night."

"You mean to see for himself?"

Father nodded.

"Poor Mr. Miles!" I ejaculated. "You won't sit up with him, I hope,
father?"

"I offered to do so, but he won't hear of it," was the reply. "He is
bringing one of his keepers with him--a sturdy, trustworthy young
fellow, and they two with their revolvers are going to nab the ghost, so
he says. We shall see. We must manage to prevent our servants suspecting
anything."

This _was_ managed. I need not go into particulars. Suffice to say that
the sturdy keeper reached his own home before dawn on the night of the
vigil, no endeavours of his master having succeeded in persuading him to
stay another moment at Finster, and that Mr. Miles himself looked so ill
the next morning when he joined us at the breakfast-table that we, the
initiated, could scarcely repress our exclamations, when Sophy, with the
curious instinct of touching a sore place which some people have, told
him that he looked exactly "as if he had seen a ghost".

His experience had been precisely similar to ours. After that we heard
no more from him--about the pity it was to leave a place that suited us
so well, etc., etc. On the contrary, before he left, he told my father
and myself that he thought us uncommonly plucky for staying out the
three months, though at the same time he confessed to feeling completely
nonplussed.

"I have lived near Finster St. Mabyn's all my life," he said, "and
my people before me, and _never_, do I honestly assure you, have
I heard one breath of the old place being haunted. And in a shut-up
neighbourhood like this, such a thing would have leaked out."

We shook our heads, but what could we say?


PART III.

We left Finster St. Mabyn's towards the middle of July.

Nothing worth recording happened during the last few weeks. If
the ghostly drama were still re-enacted night after night, or only
during some portion of each month, we took care not to assist at the
performance. I believe Phil and Nugent planned another vigil, but gave
it up by my father's expressed wish, and on one pretext or another he
managed to keep the gallery locked off without arousing any suspicion in
my mother or Sophy, or any of our visitors.

It was a cold summer,--those early months of it at least--and that made
it easier to avoid the room.

Somehow none of us were sorry to go. This was natural, so far as
several were concerned, but rather curious as regarded those of the
family who knew no drawback to the charms of the place. I suppose it was
due to some instinctive consciousness of the influence which so many of
the party had felt it impossible to resist or explain.

And the Rectory at Raxtrew was really a dear little place. It was so
bright and open and sunny. Dormy's pale face was rosy with pleasure the
first afternoon when he came rushing in to tell us that there were tame
rabbits and a pair of guinea-pigs in an otherwise empty loose box in the
stable-yard.

"Do come and look at them," he begged, and I went with him, pleased to
see him so happy.

I did not care for the rabbits, but I always think guinea-pigs rather
fascinating, and we stayed playing with them some little time.

"I'll show you another way back into the house," said Dormy, and he led
me through a conservatory into a large, almost unfurnished room, opening
again into a tiled passage leading to the offices.

"This is the Warden boys' playroom," he said. "They keep their cricket
and football things here, you see, and their tricycle. I wonder if I
might use it?"

"We must write and ask them," I said. "But what are all these big
packages?" I went on. "Oh, I see, its our heavy luggage from Finster.
There is not room in this house for our odds and ends of furniture, I
suppose. It's rather a pity they have put it in here, for we could have
had some nice games in this big room on a wet day, and see, Dormy, here
are several pairs of roller skates! Oh, we must have this place
cleared."

We spoke to father about it--he came and looked at the room and agreed
with us that it would be a pity not to have the full use of it. Roller
skating would be good exercise for Dormy, he said, and even for Nat, who
would be joining us before long for his holidays.

So our big cases, and the chairs and tables we had bought from Hunter,
in their careful swathings of wisps and matting, were carried out to an
empty barn--a perfectly dry and weather-tight barn--for everything at
the Rectory was in excellent repair. In this, as in all other details,
our new quarters were a complete contrast to the picturesque abode we
had just quitted.

The weather was charming for the first two or three weeks--much warmer
and sunnier than at Finster. We all enjoyed it, and seemed to breathe
more freely. Miss Larpent, who was staying through the holidays this
year, and I congratulated each other more than once, when sure of not
being overheard, on the cheerful, wholesome atmosphere in which we found
ourselves.

"I do not think I shall ever wish to live in a very old house again,"
she said one day. We were in the play-room, and I had been persuading
her to try her hand--or feet--at roller skating. "Even now," she went
on, "I own to you, Leila, though it may sound very weak-minded, I cannot
think of that horrible night without a shiver. Indeed, I could fancy I
feel that thrill of indescribable cold at the present moment."

She _was_ shivering--and, extraordinary to relate, as she spoke, her
tremor communicated itself to me. Again, I could swear to it, again I
felt that blast of unutterable, unearthly cold.

I started up. We were seated on a bench against the wall--a bench
belonging to the play-room, and which we had not thought of removing, as
a few seats were a convenience.

Miss Larpent caught sight of my face. Her own, which was very white,
grew distressed in expression. She grasped my arm.

"My dearest child," she exclaimed, "you look blue, and your teeth are
chattering! I do wish I had not alluded to that fright we had. I had no
idea you were so nervous."

"I did not know it myself," I replied. "I often think of the Finster
ghost quite calmly, even in the middle of the night. But just then, Miss
Larpent, do you know, I really _felt_ that horrid cold again!"

"So did I--or rather my imagination did," she replied, trying to talk in
a matter-of-fact way. She got up as she spoke, and went to the window.
"It can't be _all_ imagination," she added. "See, Leila, what a gusty,
stormy day it is--not like the beginning of August. It really is cold."

"And this play-room seems nearly as draughty as the gallery at Finster,"
I said. "Don't let us stay here--come into the drawing-room and play
some duets. I wish we could quite forget about Finster."

"Dormy has done so, I hope," said Miss Larpent.

That chilly morning was the commencement of the real break-up in the
weather. We women would not have minded it so much, as there are always
plenty of indoor things we can find to do. And my two grown-up brothers
were away. Raxtrew held no particular attractions for them, and Phil
wanted to see some of our numerous relations before he returned to
India. So he and Nugent started on a round of visits. But, unluckily,
it was the beginning of the public school holidays, and poor Nat--the
fifteen-year-old boy--had just joined us. It was very disappointing
for him in more ways than one. He had set his heart on seeing Finster,
impressed by our enthusiastic description of it when we first went
there, and now his anticipations had to come down to a comparatively
tame and uninteresting village, and every probability--so said the
wise--of a stretch of rainy, unsummerlike weather.

Nat is a good-natured, cheery fellow, however--not nearly as clever or
as impressionable as Dormy, but with the same common sense. So he wisely
determined to make the best of things, and as we were really sorry for
him, he did not, after all, come off very badly.

His principal amusement was roller-skating in the play-room. Dormy had
not taken to it in the same way--the greater part of _his_ time was
spent with the rabbits and guinea-pigs, where Nat, when he himself had
had skating enough, was pretty sure to find him.

I suppose it is with being the eldest sister that it always seems my
fate to receive the confidences of the rest of the family, and it was
about this time, a fortnight or so after his arrival, that it began to
strike me that Nat looked as if he had something on his mind.

"He is sure to tell me what it is, sooner or later," I said to myself.
"Probably he has left some small debts behind him at school--only he did
not look worried or anxious when he first came home."

The confidence was given. One afternoon Nat followed me into the
library, where I was going to write some letters, and said he wanted to
speak to me. I put my paper aside and waited.

"Leila," he began, "you must promise not to laugh at me."

This was not what I expected.

"Laugh at you--no, certainly not," I replied, "especially if you are in
any trouble. And I have thought you were looking worried, Nat."

"Well, yes," he said, "I don't know if there is anything coming over
me--I feel quite well, but--Leila," he broke off, "do you believe in
ghosts?"

I started.

"Has any one----" I was beginning rashly, but the boy interrupted me.

"No, no," he said eagerly, "no one has put anything of the kind into my
head--no one. It is my own senses that have seen--felt it--or else, if
it is fancy, I must be going out of my mind, Leila--I do believe there
is a ghost here _in the play-room_."

I sat silent, an awful dread creeping over me, which, as he went on,
grew worse and worse. Had the thing--the Finster shadow--attached itself
to us--I had read of such cases--had it journeyed with us to this
peaceful, healthful house? The remembrance of the cold thrill
experienced by Miss Larpent and myself flashed back upon me. And Nat
went on.

Yes, the cold was the first thing he had been startled by, followed,
just as in the gallery of our old castle, by the consciousness of the
terrible shadow-like presence, gradually taking form in the moonlight.
For there had been moonlight the last night or two, and Nat, in his
skating ardour, had amused himself alone in the play-room after Dormy
had gone to bed.

"The night before last was the worst," he said. "It stopped raining,
you remember, Leila, and the moon was very bright--I noticed how it
glistened on the wet leaves outside. It was by the moonlight I saw
the--the shadow. I wouldn't have thought of skating in the evening but
for the light, for we've never had a lamp in there. It came round the
walls, Leila, and then it seemed to stop and fumble away in one
corner--at the end where there is a bench, you know."

Indeed I did know; it was where our governess and I had been sitting.

"I got so awfully frightened," said Nat honestly, "that I ran off. Then
yesterday I was ashamed of myself, and went back there in the evening
with a candle. But I saw nothing: the moon did not come out. Only--I
felt the cold again. I believe it was there--though I could not see it.
Leila, what _can_ it be? If only I could make you understand! It is so
_much_ worse than it sounds to tell."

I said what I could to soothe him. I spoke of odd shadows thrown by the
trees outside swaying in the wind, for the weather was still stormy. I
repeated the time-worn argument about optical illusions, etc., etc.,
and in the end he gave in a little. It _might_ have been his fancy.
And he promised me most faithfully to breathe no hint--not the very
faintest--of the fright he had had, to Sophy or Dormy, or any one.

Then I had to tell my father. I really shrank from doing so, but there
seemed no alternative. At first, of course, he pooh-poohed it at once by
saying Dormy must have been talking to Nat about the Finster business,
or if not Dormy, _some one_--Miss Larpent even! But when all such
explanations were entirely set at nought, I must say poor father looked
rather blank. I was sorry for him, and sorry for myself--the idea of
being _followed_ by this horrible presence was too sickening.

Father took refuge at last in some brain-wave theory--involuntary
impressions had been made on Nat by all of us, whose minds were still
full of the strange experience. He said he felt sure, and no doubt he
tried to think he did, that this theory explained the whole. I felt glad
for him to get any satisfaction out of it, and I did my best to take it
up too. But it was no use. I felt that Nat's experience had been an
"objective" one, as Miss Larpent expressed it--or, as Dormy had said at
the first at Finster: "No, no, sister--it's something _there_--it's
nothing to do with _me_."

And earnestly I longed for the time to come for our return to our own
familiar home.

"I don't think I shall ever wish to leave it again," I thought.

But after a week or two the feeling began to fade again. And father very
sensibly discovered that it would not do to leave our spare furniture
and heavy luggage in the barn--it was getting all dusty and cobwebby. So
it was all moved back again to the play-room, and stacked as it had been
at first, making it impossible for us to skate or amuse ourselves in any
way there, at which Sophy grumbled, but Nat did not.

Father was very good to Nat. He took him about with him as much as he
could to get the thought of that horrid thing out of his head. But yet
it could not have been half as bad for Nat as for the rest of us, for
we took the greatest possible precautions against any whisper of the
dreadful and mysterious truth reaching him, that the ghost had _followed
us_ from Finster.

Father did not tell Mr. Miles or Jenny about it. They had been worried
enough, poor things, by the trouble at Finster, and it would be too bad
for them to think that the strange influence was affecting us in the
_second_ house we had taken at their recommendation.

"In fact," said father with a rather rueful smile, "if we don't take
care, we shall begin to be looked upon askance as a haunted family! Our
lives would have been in danger in the good old witchcraft days."

"It is really a mercy that none of the servants have got hold of the
story," said Miss Larpent, who was one of our council of three. "We must
just hope that no further annoyance will befall us till we are safe at
home again."

Her hopes were fulfilled. Nothing else happened while we remained at the
Rectory--it really seemed as if the unhappy shade was limited locally,
in one sense. For at Finster, even, it had never been seen or felt save
in the one room.

The vividness of the impression of poor Nat's experience had almost died
away when the time came for us to leave. I felt now that I should rather
enjoy telling Phil and Nugent about it, and hearing what _they_ could
bring forward in the way of explanation.

We left Raxtrew early in October. Our two big brothers were awaiting us
at home, having arrived there a few days before us. Nugent was due at
Oxford very shortly.

It was very nice to be in our own house again, after several months'
absence, and it was most interesting to see how the alterations,
including a good deal of new papering and painting, had been carried
out. And as soon as the heavy luggage arrived we had grand consultations
as to the disposal about the rooms of the charming pieces of furniture
we had picked up at Hunter's. Our rooms are large and nicely shaped,
most of them. It was not difficult to make a pretty corner here and
there with a quaint old chair or two and a delicate spindle-legged
table, and when we had arranged them all--Phil, Nugent, and I, were the
movers--we summoned mother and Miss Larpent to give their opinion.

They quite approved, mother even saying that she would be glad of a few
more odds and ends.

"We might empower Janet Miles," she said, "to let us know if she sees
anything very tempting. Is that really all we have? They looked so much
more important in their swathings."

The same idea struck me. I glanced round.

"Yes," I said, "that's all, except--oh, yes, there are the tapestry
"_portieres_"--the best of all. We can't have them in the drawing-room,
I fear. It is too modern for them. Where shall we hang them?"

"You are forgetting, Leila," said mother. "We spoke of having them in
the hall. They will do beautifully to hang before the two side doors,
which are seldom opened. And in cold weather the hall is draughty,
though nothing like the gallery at Finster."

Why did she say that? It made me shiver, but then, of course, she did
not know.

Our hall is a very pleasant one. We sit there a great deal. The side
doors mother spoke of are second entrances to the dining-room and
library--quite unnecessary, except when we have a large party, a dance
or something of that sort. And the "_portieres_" certainly seemed the
very thing, the mellow colouring of the tapestry showing to great
advantage. The boys--Phil and Nugent, I mean--set to work at once, and
in an hour or two the hangings were placed.

"Of course," said Philip, "if ever these doors are to be opened, this
precious tapestry must be taken down, or very carefully looped back. It
is very worn in some places, and in spite of the thick lining it should
be tenderly handled. I am afraid it has suffered a little from being so
long rolled up at the Rectory. It should have been hung up!"

Still, it looked very well indeed, and when father, who was away at some
magistrates' meeting, came home that afternoon, I showed him our
arrangements with pride.

He was very pleased.

"Very nice--very nice indeed," he said, though it was almost too dusk
for him to judge quite fully of the effect of the tapestry. "But, dear
me, child, this hall is very cold. We must have a larger fire. Only
October! What sort of a winter are we going to have?"

He shivered as he spoke. He was standing close to one of the
"_portieres_"--smoothing the tapestry half absently with one hand. I
looked at him with concern.

"I _hope_ you have not got a chill, papa," I said.

But he seemed all right again when we went into the library, where tea
was waiting--an extra late tea for his benefit.

The next day Nugent went to Oxford. Nat had already returned to school.
So our home party was reduced to father and mother, Miss Larpent, Phil
and I, and the children.

We were very glad to have Phil settled at home for some time. There was
little fear of his being tempted away, now that the shooting had begun.
We were expecting some of our usual guests at this season; the weather
was perfect autumn weather; we had thrown off all remembrance of
influenza and other depressing "influences," and were feeling bright
and cheerful, when again--ah, yes, even now it gives me a faint, sick
sensation to recall the horror of that _third_ visitation!

But I must tell it simply, and not give way to painful remembrances.

It was the very day before our first visitors were expected that the
blow fell, the awful fear made itself felt. And, as before, the victim
was a new one--the one who, for reasons already mentioned, we had
specially guarded from any breath of the gruesome terror--poor little
Sophy!

What she was doing alone in the hall late that evening I cannot quite
recall--yes, I think I remember her saying she had run downstairs when
half-way up to bed, to fetch a book she had left there in the afternoon.
She had no light, and the one lamp in the hall--we never sat there after
dinner--was burning feebly. _It was bright moonlight._

I was sitting at the piano, where I had been playing in a rather sleepy
way--when a sudden touch on my shoulder made me start, and, looking up,
I saw my sister standing beside me, white and trembling.

"Leila," she whispered, "come with me quickly. I don't want mamma to
notice."

For mother was still nervous and delicate.

The drawing-room is very long, and has two or three doors. No-one else
was at our end. It was easy to make our way out unperceived. Sophy
caught my hand and hurried me upstairs without speaking till we reached
my own room, where a bright fire was burning cheerfully.

Then she began.

"Leila," she said, "I have had such an awful fright. I did not want to
speak until we were safe up here."

"What was it?" I exclaimed breathlessly. Did I already suspect the
truth? I really do not know, but my nerves were not what they had been.

Sophy gasped and began to tremble. I put my arm round her.

"It does not sound so bad," she said. "But--oh, Leila, what _could_ it
be? It was in the hall," and then I think she explained how she had come
to be there. "I was standing near the side door into the library that we
never use--and--all of a sudden a sort of darkness came along the wall,
and seemed to settle on the door--where the old tapestry is, you know.
I thought it was the shadow of something outside, for it was bright
moonlight, and the windows were not shuttered. But in a moment I saw it
could not be that--there is nothing to throw such a shadow. It seemed
to wriggle about--like--like a monstrous spider, or--" and there she
hesitated--"almost like a deformed sort of human being. And all at once,
Leila, my breath went and I fell down. I really did. I was _choked_ with
cold. I think my senses went away, but I am not sure. The next thing I
remember was rushing across the hall and then down the south corridor to
the drawing-room, and then I was so thankful to see you there by the
piano."

I drew her down on my knee, poor child.

"It was very good of you, dear," I said, "to control yourself, and not
startle mamma."

This pleased her, but her terror was still uppermost.

"Leila," she said piteously, "can't you explain it? I did so hope you
could."

What _could_ I say?

"I--one would need to go to the hall and look well about to see what
could cast such a shadow," I said vaguely, and I suppose I must
involuntarily have moved a little, for Sophy started, and clutched me
fast.

"Oh, Leila, don't go--you don't mean you are going now?" she entreated.

Nothing truly was farther from my thoughts, but I took care not to say
so.

"I won't leave you if you'd rather not," I said, "and I tell you what,
Sophy, if you would like very much to sleep here with me to-night, you
shall. I will ring and tell Freake to bring your things down and undress
you--on one condition."

"What?" she said eagerly. She was much impressed by my amiability.

"That you won't say _one word_ about this, or give the least shadow of a
hint to any one that you have had a fright. You don't know the trouble
it will cause."

"Of course I will promise to let no one know, if you think it better,
for you are so kind to me," said Sophy. But there was a touch of
reluctance in her tone. "You--you mean to do something about it though,
Leila," she went on. "I shall never be able to forget it if you don't."

"Yes," I said, "I shall speak to father and Phil about it to-morrow.
If any one has been trying to frighten us," I added unguardedly, "by
playing tricks, they certainly must be exposed."

"Not _us_," she corrected, "it was only me," and I did not reply. Why I
spoke of the possibility of a trick I scarcely know. I had no hope of
any such explanation.

But another strange, almost incredible idea was beginning to take shape
in my mind, and with it came a faint, very faint touch of relief. Could
it be not the _houses_, nor the _rooms_, nor, worst of all, we ourselves
that were haunted, but something or things among the old furniture we
had bought at Raxtrew?

And lying sleepless that night a sudden flash of illumination struck
me--could it--whatever the "it" was--could it have something to do with
the tapestry hangings?

The more I thought it over the more striking grew the coincidences. At
Finster it had been on one of the closed doors that the shadow seemed
to settle, as again here in our own hall. But in both cases the
"_portieres_" had hung in front!

And at the Rectory? The tapestry, as Philip had remarked, had been there
rolled up all the time. Was it possible that it had never been taken out
to the barn at all? What _more_ probable than that it should have been
left, forgotten, under the bench where Miss Larpent and I had felt
for the second time that hideous cold? And, stay, something else was
returning to my mind in connection with that bench. Yes--I had it--Nat
had said "it seemed to stop and fumble away in one corner--at the end
where there is a bench, you know."

And then to my unutterable thankfulness at last I fell asleep.


PART IV.

I told Philip the next morning. There was no need to bespeak his
attention. I think he felt nearly as horrified as I had done myself at
the idea that our own hitherto bright, cheerful home was to be haunted
by this awful thing--influence or presence, call it what you will. And
the suggestions which I went on to make struck him, too, with a sense of
relief.

He sat in silence for some time after making me recapitulate as
precisely as possible every detail of Sophy's story.

"You are sure it was the door into the library?" he said at last.

"Quite sure," I replied; "and, oh, Philip," I went on, "it has just
occurred to me that _father_ felt a chill there the other evening."

For till that moment the little incident in question had escaped my
memory.

"Do you remember which of the "_portieres_" hung in front of the door at
Finster?" said Philip.

I shook my head.

"Dormy would," I said, "he used to examine the pictures in the tapestry
with great interest. I should not know one from the other. There is an
old castle in the distance in each, and a lot of trees, and something
meant for a lake."

But in his turn Philip shook his head.

"No," he said, "I won't speak to Dormy about it if I can possibly help
it. Leave it to me, Leila, and try to put it out of your own mind as
much as you possibly can, and don't be surprised at anything you may
notice in the next few days. I will tell you, first of any one, whenever
I have anything to tell."

That was all I could get out of him. So I took his advice.

Luckily, as it turned out, Mr. Miles, the only outsider, so to say
(except the unfortunate keeper), who had witnessed the ghostly drama,
was one of the shooting party expected that day. And him Philip at
once determined to consult about this new and utterly unexpected
manifestation.

He did not tell me this. Indeed, it was not till fully a week later that
I heard anything, and then in a letter--a very long letter from my
brother, which, I think, will relate the sequel of our strange ghost
story better than any narration at second-hand, of my own.

Mr. Miles only stayed two nights with us. The very day after he
came he announced that, to his great regret, he was obliged--most
unexpectedly--to return to Raxtrew on important business.

"And," he continued, "I am afraid you will all feel much more vexed with
me when I tell you I am going to carry off Phil with me."

Father looked very blank indeed.

"Phil!" he exclaimed, "and how about our shooting?"

"You can easily replace us," said my brother, "I have thought of that,"
and he added something in a lower tone to father. He--Phil--was leaving
the room at the time. _I_ thought it had reference to the real reason of
his accompanying Mr. Miles, but I was mistaken. Father, however, said
nothing more in opposition to the plan, and the next morning the two
went off.

We happened to be standing at the hall door--several of us--for we were
a large party now--when Phil and his friend drove away. As we turned to
re-enter the house, I felt some one touch me. It was Sophy. She was
going out for a constitutional with Miss Larpent, but had stopped a
moment to speak to me.

"Leila," she said in a whisper, "why have they--did you know that the
tapestry had been taken down?"

She glanced at me with a peculiar expression. I had not observed it.
Now, looking up, I saw that the two locked doors were visible in the
dark polish of their old mahogany as of yore--no longer shrouded by the
ancient _portieres_. I started in surprise.

"No," I whispered in return, "I did not know. Never mind, Sophy. I
suspect there is a reason for it which we shall know in good time."

I felt strongly tempted--the moon being still at the full--to visit the
hall that night--in hopes of feeling and seeing--_nothing_. But when
the time drew near, my courage failed; besides I had tacitly promised
Philip to think as little as I possibly could about the matter, and any
vigil of the kind would certainly not have been acting in accordance
with the spirit of his advice.

I think I will now copy, as it stands, the letter from Philip which I
received a week or so later. It was dated from his club in London.


  "MY DEAR LEILA,

     "I have a long story to tell you and a very extraordinary one. I
     think it is well that it should be put into writing, so I will
     devote this evening to the task--especially as I shall not be
     home for ten days or so.

     "You may have suspected that I took Miles into my confidence as
     soon as he arrived. If you did you were right. He was the best
     person to speak to for several reasons. He looked, I must say,
     rather--well 'blank' scarcely expresses it--when I told him of
     the ghost's re-appearance, not only at the Rectory, but in our
     own house, and on both occasions to persons--Nat, and then
     Sophy--who had not heard a breath of the story. But when I went
     on to propound your suggestion, Miles cheered up. He had been,
     I fancy, a trifle touchy about our calling Finster haunted,
     and it was evidently a satisfaction to him to start another
     theory. We talked it well over, and we decided to test the
     thing again--it took some resolution, I own, to do so. We sat
     up that night--bright moonlight luckily--and--well, I needn't
     repeat it all. Sophy was quite correct. It came again--the
     horrid creeping shadow--poor wretch, I'm rather sorry for it
     now--just in the old way--quite as much at home in ----shire,
     apparently, as in the Castle. It stopped at the closed library
     door, and fumbled away, then started off again--ugh! We watched
     it closely, but kept well in the middle of the room, so that
     the cold did not strike us so badly. We both noted the special
     part of the tapestry where its hands seemed to sprawl, and we
     meant to stay for another round; but--when it came to the point
     we funked it, and went to bed.

     "Next morning, on pretence of examining the date of
     the tapestry, we had it down--you were all out--and we
     found--_something_. Just where the hands felt about, there had
     been a cut--three cuts, three sides of a square, as it were,
     making a sort of door in the stuff, the fourth side having
     evidently acted as a hinge, for there was a mark where it had
     been folded back. And just where--treating the thing as a
     door--you might expect to find a handle to open it by, we found
     a distinct dint in the tapestry, as if a button or knob had
     once been there. We looked at each other. The same idea had
     struck us. The tapestry had been used to conceal a small door
     in the wall--the door of a secret cupboard probably. The
     ghostly fingers had been vainly seeking for the spring which in
     the days of their flesh and bone they had been accustomed to
     press.

     "'The first thing to do,' said Miles, 'is to look up Hunter and
     make him tell where he got the tapestry from. Then we shall
     see.'

     "'Shall we take the _portieres_ with us?' I said.

     "But Miles shuddered, though he half laughed too.

     "'No, thank you,' he said. 'I'm not going to travel with the
     evil thing.'

     "'We can't hang it up again, though,' I said, 'after this last
     experience.'

     "In the end we rolled up the two _portieres_, not to attract
     attention by only moving one, and--well, I thought it just
     possible the ghost might make a mistake, and I did not want
     any more scares while I was away--we rolled them up together,
     first carefully measuring the cut, and its position in the
     curtain, and then we hid them away in one of the lofts that no
     one ever enters, where they are at this moment, and where the
     ghost may have been disporting himself, for all I know, though
     I fancy he has given it up by this time, for reasons you shall
     hear.

     "Then Miles and I, as you know, set off for Raxtrew. I smoothed
     my father down about it, by reminding him how good-natured they
     had been to us, and telling him Miles really needed me. We went
     straight to Hunter. He hummed and hawed a good deal--he had
     not distinctly promised not to give the name of the place the
     tapestry had come from, but he knew the gentleman he had bought
     it from did not want it known.

     "'Why?' said Miles. 'Is it some family that has come down in
     the world, and is forced to part with things to get some ready
     money?'

     "'Oh, dear no!' said Hunter. 'It is not that, at all. It
     was only that--I suppose I must give you the name--Captain
     Devereux--did not want any gossip to get about, as to ----'

     "'Devereux!' repeated Miles, 'you don't mean the people at
     Hallinger?'

     "'The same,' said Hunter. 'If you know them, sir, you will be
     careful, I hope, to assure the captain that I did my best to
     carry out his wishes?'

     "'Certainly,' said Miles, 'I'll exonerate you.'

     "And then Hunter told us that Devereux, who only came into the
     Hallinger property a few years ago, had been much annoyed by
     stories getting about of the place being haunted, and this had
     led to his dismantling one wing, and--Hunter thought, but was
     not quite clear as to this--pulling down some rooms altogether.
     But he, Devereux, was very touchy on the subject--he did not
     want to be laughed at.

     "'And the tapestry came from him--you are certain as to that?'
     Miles repeated.

     "'Positive, sir. I took it down with my own hands. It was
     fitted on to two panels in what they call the round room at
     Hallinger--there were, oh, I daresay, a dozen of them, with
     tapestry nailed on, but I only bought these two pieces--the
     others were sold to a London dealer.'

     "'The round room,' I said. Leila, the expression struck me.

     "Miles, it appeared, knew Devereux fairly well. Hallinger is
     only ten miles off. We drove over there, but found he was in
     London. So our next move was to follow him there. We called
     twice at his club, and then Miles made an appointment, saying
     that he wanted to see him on private business.

     "He received us civilly, of course. He is quite a young
     fellow--in the Guards. But when Miles began to explain to him
     what we had come about, he stiffened.

     "'I suppose you belong to the Psychical Society?' he said. 'I
     can only repeat that I have nothing to tell, and I detest the
     whole subject.'

     "'Wait a moment,' said Miles, and as he went on I saw that
     Devereux changed. His face grew intent with interest and a
     queer sort of eagerness, and at last he started to his feet.

     "'Upon my soul,' he said, 'I believe you've run him to earth
     for me--the ghost, I mean, and if so, you shall have my endless
     gratitude. I'll go down to Hallinger with you at once--this
     afternoon, if you like, and see it out.'

     "He was so excited that he spoke almost incoherently, but after
     a bit he calmed down, and told us all he had to tell--and that
     was a good deal--which would indeed have been nuts for the
     Psychical Society. What Hunter had said was but a small part of
     the whole. It appeared that on succeeding to Hallinger, on the
     death of an uncle, young Devereux had made considerable changes
     in the house. He had, among others, opened out a small wing--a
     sort of round tower--which had been completely dismantled and
     bricked up for, I think he said, over a hundred years. There
     was some story about it. An ancestor of his--an awful
     gambler--had used the principal room in this wing for his
     orgies. Very queer things went on there, the finish up being
     the finding of old Devereux dead there one night, when his
     servants were summoned by the man he had been playing
     with--with whom he had had an awful quarrel. This man, a low
     fellow, probably a professional cardsharper, vowed that he had
     been robbed of a jewel which his host had staked, and it was
     said that a ring of great value had disappeared. But it was
     all hushed up--Devereux had really died in a fit--though soon
     after, for reasons only hinted at, the round tower was shut
     up, till the present man rashly opened it again.

     "Almost at once, he said, the annoyances, to use a mild term,
     began. First one, then another of the household were terrified
     out of their wits, just as we were, Leila. Devereux himself had
     seen it two or three times, the 'it,' of course, being his
     miserable old ancestor. A small man, with a big wig, and long,
     thin, claw-like fingers. It all corresponded. Mrs. Devereux is
     young and nervous. She could not stand it. So in the end the
     round tower was shut up again, all the furniture and hangings
     sold, and locally speaking, the ghost laid. That was all
     Devereux knew.

     "We started, the three of us, that very afternoon, as excited
     as a party of schoolboys. Miles and I kept questioning
     Devereux, but he had really no more to tell. He had never
     thought of examining the walls of the haunted room--it was
     wainscotted, he said--and might be lined all through with
     secret cupboards, for all he knew. But he could not get
     over the extraordinariness of the ghost's sticking to the
     _tapestry_--and indeed it does rather lower one's idea of
     ghostly intelligence.

     "We went at it at once--the tower was not _bricked_ up again,
     luckily--we got in without difficulty the next morning--Devereux
    making some excuse to the servants, a new set who had not heard
    of the ghost, for our eccentric proceedings. It was a tiresome
    business. There were so many panels in the room, as Hunter had
    said, and it was impossible to tell in which _the_ tapestry had
    been fixed. But we had our measures, and we carefully marked a
    line as near as we could guess at the height from the floor that
    the cut in the _portieres_ must have been. Then we tapped and
    pummelled and pressed imaginary springs till we were nearly sick
    of it--there was nothing to guide us. The wainscotting was dark
    and much shrunk and marked with age, and full of joins in the
    wood any one of which might have meant a door.

     "It was Devereux himself who found it at last. We heard an
     exclamation from where he was standing by himself at the other
     side of the room. He was quite white and shaky.

     "'Look here,' he said, and we looked.

     "Yes--there was a small deep recess, or cupboard in the
     thickness of the wall, excellently contrived. Devereux had
     touched the spring at last, and the door, just matching the
     cut in the tapestry, flew open.

     "Inside lay what at first we took for a packet of letters, and
     I hoped to myself they contained nothing that would bring
     trouble on poor Devereux. They were not letters, however, but
     two or three incomplete packs of cards--grey and dust-thick
     with age--and as Miles spread them out, certain markings on
     them told their own tale. Devereux did not like it,
     naturally--their supposed owner had been a member of his house.

     "'The ghost has kept a conscience,' he said, with an attempt at
     a laugh. 'Is there nothing more?'

     "Yes--a small leather bag--black and grimy, though originally,
     I fancy, of chamois skin. It drew with strings. Devereux pulled
     it open, and felt inside.

     "'By George!' he exclaimed. And he held out the most
     magnificent diamond ring I have ever seen--sparkling away as if
     it had only just come from the polisher's. 'This must be _the_
     ring,' he said.

     "And we all stared--too astonished to speak.

     "Devereux closed the cupboard again, after carefully examining
     it to make sure nothing had been left behind. He marked the
     exact spot where he had pressed the spring so as to find it at
     any time. Then we all left the round room, locking the door
     securely after us.

     "Miles and I spent that night at Hallinger. We sat up late
     talking it all over. There are some queer inconsistencies about
     the thing which will probably never be explained. First and
     foremost--why has the ghost stuck to the tapestry instead of to
     the actual spot he seemed to have wished to reveal? Secondly,
     what was the connection between his visits and the full
     moon--or is it that only by the moonlight the shade becomes
     perceptible to human sense? Who can say?

     "As to the story itself--what was old Devereux's motive in
     concealing his own ring? Were the marked cards his, or his
     opponent's, of which he had managed to possess himself, and had
     secreted as testimony against the other fellow?

     "I incline, and so does Miles, to this last theory, and when we
     suggested it to Devereux, I could see it was a relief to him.
     After all, one likes to think one's ancestors were gentlemen!

     "'But what, then, has he been worrying about all this century
     or more?' he said. 'If it were that he wanted the ring returned
     to its real owner--supposing the fellow _had_ won it--I could
     understand it, though such a thing would be impossible. There
     is no record of the man at all--his name was never mentioned in
     the story.'

     "'He may want the ring restored to its proper owner all the
     same,' said Miles. 'You are its owner, as the head of the
     family, and it has been your ancestor's fault that it has been
     hidden all these years. Besides, we cannot take upon ourselves
     to explain motives in such a case. Perhaps--who knows?--the
     poor shade could not help himself. His peregrinations may have
     been of the nature of punishment.'

     "'I hope they are over now,' said Devereux, 'for his sake and
     everybody else's. I should be glad to think he wanted the ring
     restored to us, but besides that, I should like to do
     something--something _good_ you know--if it would make him
     easier, poor old chap. I must consult Lilias.' Lilias is Mrs.
     Devereux.

     "This is all I have to tell you at present, Leila. When I come
     home we'll have the _portieres_ up again and see what happens.
     I want you now to read all this to my father, and if he has no
     objection--he and my mother, of course--I should like to invite
     Captain and Mrs. Devereux to stay a few days with us--as well
     as Miles, as soon as I come back."

Philip's wish was acceded to. It was with no little anxiety and interest
that we awaited his return.

The tapestry _portieres_ were restored to their place--and on the first
moonlight night, my father, Philip, Captain Devereux and Mr. Miles held
their vigil.

What happened?

_Nothing_--the peaceful rays lighted up the quaint landscape of
the tapestry, undisturbed by the poor groping fingers--no gruesome
unearthly chill as of worse than death made itself felt to the midnight
watchers--the weary, may we not hope repentant, spirit was at rest at
last!

And never since has any one been troubled by the shadow in the
moonlight.

"I cannot help hoping," said Mrs. Devereux, when talking it over, "that
what Michael has done may have helped to calm the poor ghost."

And she told us what it was. Captain Devereux is rich, though not
immensely so. He had the ring valued--it represented a very large sum,
but Philip says I had better not name the figures--and then he, so to
say, bought it from himself. And with this money he--no, again, Phil
says I must not enter into particulars beyond saying that with it he did
something very good, and very useful, which had long been a pet scheme
of his wife's.

Sophy is grown up now and she knows the whole story. So does our mother.
And Dormy too has heard it all. The horror of it has quite gone. We feel
rather proud of having been the actual witnesses of a ghostly drama.




"THE MAN WITH THE COUGH."


I am a German by birth and descent. My name is Schmidt. But by education
I am quite as much an Englishman as a "Deutscher," and by affection much
more the former. My life has been spent pretty equally between the two
countries, and I flatter myself I speak both languages without any
foreign accent.

I count England my headquarters now: it is "home" to me. But a few years
ago I was resident in Germany, only going over to London now and then on
business. I will not mention the town where I lived. It is unnecessary
to do so, and in the peculiar experience I am about to relate I think
real names of people and places are just as well, or better, avoided.

I was connected with a large and important firm of engineers. I had been
bred up to the profession, and was credited with a certain amount of
talent; and I was considered--and, with all modesty, I think I deserved
the opinion--steady and reliable, so that I had already attained a fair
position in the house, and was looked upon as a "rising man". But I was
still young, and not quite so wise as I thought myself. I came very near
once to making a great mess of a certain affair. It is this story which
I am going to tell.

Our house went in largely for patents--rather too largely, some thought.
But the head partner's son was a bit of a genius in his way, and his
father was growing old, and let Herr Wilhelm--Moritz we will call the
family name--do pretty much as he chose. And on the whole Herr Wilhelm
did well. He was cautious, and he had the benefit of the still greater
caution and larger experience of Herr Gerhardt, the second partner in
the firm.

Patents and the laws which regulate them are queer things to have to do
with. No one who has not had personal experience of the complications
that arise could believe how far these spread and how entangled they
become. Great acuteness as well as caution is called for if you would
guide your patent bark safely to port--and perhaps more than anything,
a power of holding your tongue. I was no chatterbox, nor, when on a
mission of importance, did I go about looking as if I were bursting
with secrets, which is, in my opinion, almost as dangerous as revealing
them. No one, to meet me on the journeys which it often fell to my lot
to undertake, would have guessed that I had anything on my mind but an
easy-going young fellow's natural interest in his surroundings, though
many a time I have stayed awake through a whole night of railway travel
if at all doubtful about my fellow-passengers, or not dared to go to
sleep in a hotel without a ready-loaded revolver by my pillow.

For now and then--though not through me--our secrets did ooze out. And
if, as _has_ happened, they were secrets connected with Government
orders or contracts, there was, or but for the exertion of the greatest
energy and tact on the part of my superiors, there _would_ have been, to
put it plainly, the devil to pay.

One morning--it was nearing the end of November--I was sent for to Herr
Wilhelm's private room. There I found him and Herr Gerhardt before a
table spread with papers covered with figures and calculations, and
sheets of beautifully executed diagrams.

"Lutz," said Herr Wilhelm. He had known me from childhood, and often
called me by the abbreviation of my Christian name, which is Ludwig,
or Louis. "Lutz, we are going to confide to you a matter of extreme
importance. You must be prepared to start for London to-morrow."

"All right, sir," I said, "I shall be ready."

"You will take the express through to Calais--on the whole it is the
best route, especially at this season. By travelling all night you will
catch the boat there, and arrive in London so as to have a good night's
rest, and be clear-headed for work the next morning."

I bowed agreement, but ventured to make a suggestion.

"If, as I infer, the matter is one of great importance," I said, "would
it not be well for me to start sooner? I can--yes," throwing a rapid
survey over the work I had before me for the next two days--"I can be
ready to-night."

Herr Wilhelm looked at Herr Gerhardt. Herr Gerhardt shook his head.

"No," he replied; "to-morrow it must be," and then he proceeded to
explain to me why.

I need not attempt to give all the details of the matter with which I
was entrusted. Indeed, to "lay" readers it would be impossible. Suffice
it to say, the whole concerned a patent--that of a very remarkable and
wonderful invention, which it was hoped and believed the Governments
of both countries would take up. But to secure this being done in a
thoroughly satisfactory manner it was necessary that our firm should go
about it in concert with an English house of first-rate standing. To
this house--the firm of Messrs. Bluestone and Fagg I will call them--I
was to be sent with full explanations. And the next half-hour or more
passed in my superiors going minutely into the details, so as to satisfy
themselves that I understood. The mastering of the whole was not
difficult, for I was well grounded technically; and like many of the
best things the idea was essentially simple, and the diagrams were
perfect. When the explanations were over, and my instructions duly
noted, I began to gather together the various sheets, which were all
numbered. But, to my surprise, Herr Gerhardt, looking over me, withdrew
two of the most important diagrams, without which the others were
valueless, because inexplicable.

"Stay," he said; "these two, Ludwig, must be kept separate. These we
send to-day, by registered post, direct to Bluestone and Fagg. They
will receive them a day before they see you, and with them a letter
announcing your arrival."

I looked up in some disappointment. I had known of precautions of the
kind being taken, but usually when the employe sent was less reliable
than I believed myself to be. Still, I scarcely dared to demur.

"Do you think that necessary?" I said respectfully. "I can assure you
that from the moment you entrust me with the papers they shall never
quit me day or night. And if there were any postal delay--you say time
is valuable in this case--or if the papers were stolen in the
transit--such things have happened--my whole mission would be
worthless."

"We do not doubt your zeal and discretion, my good Schmidt," said Herr
Gerhardt. "But in this case we must take even extra precautions. I
had not meant to tell you, fearing to add to the certain amount of
nervousness and strain unavoidable in such a case, but still, perhaps
it is best that you should know that we _have_ reason for some special
anxiety. It has been hinted to us that some breath of this"--and he
tapped the papers--"has reached those who are always on the watch for
such things. We cannot be too careful."

"And yet," I persisted, "you would trust the post?"

"We do not trust the post," he replied. "Even if these diagrams were
tampered with, they would be perfectly useless. And tampered with they
will not be. But even supposing anything so wild, the rogues in question
knowing of your departure (and they are _more_ likely to know of it than
of our packet by post), were they in collusion with some traitor in the
post-office, are sharp enough to guess the truth--that we have made a
Masonic secret of it--the two separate diagrams are valueless without
your papers; _your_ papers reveal nothing without Nos. 7 and 13."

I bowed in submission. But I was, all the same, disappointed, as I said,
and a trifle mortified.

Herr Wilhelm saw it, and cheered me up.

"All right, Lutz, my boy," he said. "I feel just like you--nothing I
should enjoy more than a rush over to London, carrying the whole
documents, and prepared for a fight with any one who tried to get hold
of them. But Herr Gerhardt here is cooler-blooded than we are."

The elder man smiled.

"I don't doubt your readiness to fight, nor Ludwig's either. But it
would be by no such honestly brutal means as open robbery that we should
be outwitted. Make friends readily with no one while travelling, Lutz,
yet avoid the appearance of keeping yourself aloof. You understand?"

"Perfectly," I said. "I shall sleep well to-night, so as to be prepared
to keep awake throughout the journey."

The papers were then carefully packed up. Those consigned to my care
were to be carried in a certain light, black handbag with a very good
lock, which had often before been my travelling companion.

And the following evening I started by the express train agreed upon.
So, at least, I have always believed, but I have never been able to
bring forward a witness to the fact of my train at the start being the
right one, as no one came with me to see me off. For it was thought best
that I should depart in as unobtrusive a manner as possible, as, even in
a large town such as ours, the members and employes of an old and
important house like the Moritzes' were well known.

I took my ticket then, registering no luggage, as I had none but what I
easily carried in my hand, as well as _the_ bag. It was already dusk, if
not dark, and there was not much bustle in the station, nor apparently
many passengers. I took my place in an empty second-class compartment,
and sat there quietly till the train should start. A few minutes before
it did so, another man got in. I was somewhat annoyed at this, as in my
circumstances nothing was more undesirable than travelling alone with
one other. Had there been a crowded compartment, or one with three or
four passengers, I would have chosen it; but at the moment I got in, the
carriages were all either empty or with but one or two occupants. Now, I
said to myself, I should have done better to wait till nearer the time
of departure, and then chosen my place.

I turned to reconnoitre my companion, but I could not see his face
clearly, as he was half leaning out of the window. Was he doing so on
purpose? I said to myself, for naturally I was in a suspicious mood. And
as the thought struck me I half started up, determined to choose another
compartment. Suddenly a peculiar sound made itself heard. My companion
was coughing. He drew his head in, covering his face with his hand, as
he coughed again. You never heard such a curious cough. It was more like
a hen clucking than anything I can think of. Once, twice he coughed;
then, as if he had been waiting for the slight spasm to pass, he sprang
up, looked eagerly out of the window again, and, opening the door,
jumped out, with some exclamation, as if he had just caught sight of a
friend.

And in another moment or two--he could barely have had time to get in
elsewhere--much to my satisfaction, the train moved off.

"Now," thought I, "I can make myself comfortable for some hours. We do
not stop till M----: it will be nine o'clock by then. If no one gets in
there I am safe to go through till to-morrow alone; then there will only
be ---- Junction, and a clear run to Calais."

I unstrapped my rug and lit a cigar--of course I had chosen a
smoking-carriage--and, delighted at having got rid of my clucking
companion, the time passed pleasantly till we pulled up at M----. The
delay there was not great, and to my enormous satisfaction no one
molested my solitude. Evidently the express to Calais was not in very
great demand that night. I now felt so secure that, notwithstanding my
intention of keeping awake all night, my innermost consciousness had not
I suppose quite resigned itself to the necessity, for, not more than a
hour or so after leaving M----, possibly sooner, I fell fast asleep.

It seemed to me that I had slept heavily, for when I awoke I had great
difficulty in remembering where I was. Only by slow degrees did I
realise that I was not in my comfortable bed at home, but in a chilly,
ill-lighted railway-carriage. Chilly--yes, that it was--very chilly; but
as my faculties returned I remembered my precious bag, and forgot all
else in a momentary terror that it had been taken from me. No; there it
was--my elbow had been pressed against it as I slept. But how was this?
The train was not in motion. We were standing in a station; a dingy
deserted-looking place, with no cheerful noise or bustle; only one or
two porters slowly moving about, with a sort of sleepy "night duty,"
surly air. It could not be the Junction? I looked at my watch. Barely
midnight! Of course, not the Junction. We were not due there till four
o'clock in the morning or so.

What, then, were we doing here, and what _was_ "here"? Had there been
an accident--some unforeseen necessity for stopping? At that moment a
curious sound, from some yards' distance only it seemed to come, caught
my ear. It was that croaking, cackling cough!--the cough of my momentary
fellow-passenger, towards whom I had felt an instinctive aversion. I
looked out of the window--there was a refreshment-room just opposite,
dimly lighted, like everything else, and in the doorway, as if just
entering, was a figure which I felt pretty sure was that of the man with
the cough.

"Bah!" I said to myself, "I must not be fanciful. I daresay the fellow's
all right. He is evidently in the same hole as myself. What in Heaven's
name are we waiting here for?"

I sprang out of the carriage, nearly tumbling over a porter slowly
passing along.

"How long are we to stay here?" I cried. "When do we start again for
----?" and I named the Junction.

"For ----" he repeated in the queerest German I ever heard--was it
German? or did I discover his meaning by some preternatural cleverness
of my own? "There is no train for ---- for four or five hours, not
till----" and he named the time; and leaning forward lazily, he took
out my larger bag and my rug, depositing them on the platform. He did
not seem the least surprised at finding me there--I might have been
there for a week, it seemed to me.

"No train for five hours? Are you mad?" I said.

He shook his head and mumbled something, and it seemed to me that he
pointed to the refreshment-room opposite. Gathering my things together I
hurried thither, hoping to find some more reliable authority. But there
was no one there except a fat man with a white apron, who was clearing
the counter--and--yes, in one corner was the figure I had mentally
dubbed "The man with the cough".

I addressed the cook or waiter--whichever he was. But he only shook his
head--denied all knowledge of the trains, but informed me that--in other
words--I must turn out; he was going to shut up.

"And where am I to spend the night, then?" I said angrily, though
clearly it was not the aproned individual who was responsible for the
position in which I found myself.

There was a "Restauration," he informed me, near at hand, which I
should find still open, straight before me on leaving the station, and
then a few doors to the right, I would see the lights.

Clearly there was nothing else to be done. I went out, and as I did so
the silent figure in the corner rose also and followed me. The station
was evidently going to bed. As I passed the porter I repeated the hour
he had named, adding: "That is the first train for ---- Junction?"

He nodded, again naming the exact time. But I cannot do so, as I have
never been able to recollect it.

I trudged along the road--there were lamps, though very feeble ones; but
by their light I saw that the man who had been in the refreshment-room
was still a few steps behind me. It made me feel slightly nervous, and I
looked round furtively once or twice; the last time I did so he was not
to be seen, and I hoped he had gone some other way.

The "Restauration" was scarcely more inviting than the station
refreshment-room. It, too, was very dimly lighted, and the one or two
attendants seemed half asleep and were strangely silent. There was a
fire, of a kind, and I seated myself at a small table near it and asked
for some coffee, which would, I thought, serve the double purpose of
warming me and keeping me awake.

It was brought me, in silence. I drank it, and felt the better for it.
But there was something so gloomy and unsociable, so queer and almost
weird about the whole aspect and feeling of the place, that a sort of
irritable resignation took possession of me. If these surly folk won't
speak, neither will I, I said to myself childishly. And, incredible as
it may sound, I did _not_ speak. I think I paid for the coffee, but I am
not quite sure. I know I never asked what I had meant to ask--the name
of the town--a place of some importance, to judge by the size of the
station and the extent of twinkling lights I had observed as I made my
way to the "Restauration". From that day to this I have never been able
to identify it, and I am quite sure I never shall.

What was there peculiar about that coffee? Or was it something peculiar
about my own condition that caused it to have the unusual effect I now
experienced? That question, too, I cannot answer. All I remember is
feeling a sensation of irresistible drowsiness creeping over me--mental,
or moral I may say, as well as physical. For when one part of me feebly
resisted the first onslaught of sleep, something seemed to reply: "Oh,
nonsense! you have several hours before you. Your papers are all right.
No one can touch them without awaking you."

And dreamily conscious that my belongings were on the floor at my
feet--_the_ bag itself actually resting against my ankle--my scruples
silenced themselves in an extraordinary way. I remember nothing more,
save a vague consciousness through all my slumber of confused and
chaotic dreams, which I have never been able to recall.

I awoke at last, and that with a start, almost a jerk. Something had
awakened me--a sound--and as it was repeated to my now aroused ears I
knew that I had heard it before, off and on, during my sleep. It was the
extraordinary cough!

I looked up. Yes, there he was! At some two or three yards' distance
only, at the other side of the fireplace, which, and this I have
forgotten to mention as another peculiar item in that night's peculiar
experiences, considering I have every reason to believe I was still in
Germany, was not a stove, but an open grate.

And he had not been there when I first fell asleep; to that I was
prepared to swear.

"He must have come sneaking in after me," I thought, and in all
probability I should neither have noticed nor recognised him but for
that traitorous cackle of his.

Now, my misgivings aroused, my first thought, of course, was for my
precious charge. I stooped. There were my rugs, my larger bag, but--no,
not the smaller one; and though the other two were there, I knew at
once that they were not quite in the same position--not so close to me.
Horror seized me. Half wildly I gazed around, when my silent neighbour
bent towards me. I could declare there was nothing in his hand when he
did so, and I could declare as positively that I had already looked
under the small round table beside which I sat, and that the bag was not
there. And yet when the man, with a slight cackle, caused, no doubt, by
his stooping, raised himself, the thing was in his hand!

Was he a conjurer, a pupil of Maskelyne and Cook? And how was it that,
even as he held out my missing property, he managed, and that most
cleverly and unobtrusively, to prevent my catching sight of his face? I
did not see it then--I never did see it!

Something he murmured, to the effect that he supposed the bag was what I
was looking for. In what language he spoke I know not; it was more that
by the action accompanying the mumbled sounds I gathered his meaning,
than that I heard anything articulate.

I thanked him, of course, mechanically, so to say, though I began to
feel as if he were an evil spirit haunting me. I could only hope that
the splendid lock to the bag had defied all curiosity, but I felt in a
fever to be alone again, and able to satisfy myself that nothing had
been tampered with.

The thought recalled my wandering faculties. How long had I been asleep?
I drew out my watch. Heavens! It was close upon the hour named for the
first train in the morning. I sprang up, collected my things, and dashed
out of the "Restauration". If I had not paid for my coffee before, I
certainly did not pay for it then. Besides my haste, there was another
reason for this--there was no one to pay to! Not a creature was to be
seen in the room or at the door as I passed out--always excepting the
man with the cough.

As I left the place and hurried along the road, a bell began, not to
ring, but to toll. It sounded most uncanny. What it meant, of course, I
have never known. It may have been a summons to the workpeople of some
manufactory, it may have been like all the other experiences of that
strange night. But no; this theory I will not at present enter upon.

Dawn was not yet breaking, but there was in one direction a faint
suggestion of something of the kind not far off. Otherwise all was dark.
I stumbled along as best as I could, helped in reality, I suppose, by
the ugly yellow glimmer of the woebegone street, or road lamps. And it
was not far to the station, though somehow it seemed farther than when I
came; and somehow, too, it seemed to have grown steep, though I could
not remember having noticed any slope the other way on my arrival. A
nightmare-like sensation began to oppress me. I felt as if my luggage
was growing momentarily heavier and heavier, as if I should _never_
reach the station; and to this was joined the agonising terror of
missing the train.

I made a desperate effort. Cold as it was, the beads of perspiration
stood out upon my forehead as I forced myself along. And by degrees the
nightmare feeling cleared off. I found myself entering the station at a
run just as--yes, a train was actually beginning to move! I dashed,
baggage and all, into a compartment; it was empty, and it was a
second-class one, precisely similar to the one I had occupied before; it
might have been the very same one. The train gradually increased its
speed, but for the first few moments, while still in the station and
passing through its immediate _entourage_, another strange thing struck
me--the extraordinary silence and lifelessness of all about. Not one
human being did I see, no porter watching our departure with the
faithful though stolid interest always to be seen on the porter's
visage. I might have been alone in the train--it might have had a
freight of the dead, and been itself propelled by some supernatural
agency, so noiselessly, so gloomily did it proceed.

You will scarcely credit that I actually and for the third time fell
asleep. I could not help it. Some occult influence was at work upon me
throughout those dark hours, I am positively certain. And with the
daylight it was dispelled. For when I again awoke I felt for the first
time since leaving home completely and normally myself, fresh and
vigorous, all my faculties at their best.

But, nevertheless, my first sensation was a start of amazement, almost
of terror. The compartment was nearly full! There were at least five or
six travellers besides myself, very respectable, ordinary-looking folk,
with nothing in the least alarming about them. Yet it was with a gasp of
extraordinary relief that I found my precious bag in the corner beside
me, where I had carefully placed it. It was concealed from view. No one,
I felt assured, could have touched it without awaking me.

It was broad and bright daylight. How long had I slept?

"Can you tell me," I inquired of my opposite neighbour, a cheery-faced
compatriot--"Can you tell me how soon we get to ---- Junction by this
train? I am most anxious to catch the evening mail at Calais, and am
quite out in my reckonings, owing to an extraordinary delay at ----. I
have wasted the night by getting into a stopping train instead of the
express."

He looked at me in astonishment. He must have thought me either mad or
just awaking from a fit of intoxication--only I flatter myself I did
not look as if the latter were the case.

"How soon we get to ---- Junction?" he repeated. "Why, my good sir, you
left it about three hours ago! It is now eight o'clock. We all got in at
the Junction. You were alone, if I mistake not?"--he glanced at one or
two of the others, who endorsed his statement. "And very fast asleep
you were, and must have been, not to be disturbed by the bustle at the
station. And as for catching the evening boat at Calais"--he burst into
a loud guffaw--"why, it would be very hard lines to do no better than
that! _We_ all hope to cross by the mid-day one."

"Then--what train _is_ this?" I exclaimed, utterly perplexed.

"The express, of course. All of us, excepting yourself, joined it at the
Junction," he replied.

"The express?" I repeated. "The express that leaves"--and I named my own
town--"at six in the evening?"

"Exactly. You have got into the right train after all," and here came
another shout of amusement. "How did you think we had all got in if you
had not yet passed the Junction? You had not the pleasure of our
company from M----, I take it? M----, which you passed at nine o'clock
last night, if my memory is correct."

"Then," I persisted, "this is the double-fast express, which does not
stop between M---- and your Junction?"

"Exactly," he repeated; and then, confirmed most probably in his belief
that I was mad, or the other thing, he turned to his newspaper, and left
me to my extraordinary cogitations.

Had I been dreaming? Impossible! Every sensation, the very taste of
the coffee, seemed still present with me--the curious accent of the
officials at the mysterious town, I could perfectly recall. I still
shivered at the remembrance of the chilly waking in the "Restauration";
I heard again the cackling cough.

But I felt I must collect myself, and be ready for the important
negotiation entrusted to me. And to do this I must for the time banish
these fruitless efforts at solving the problem.

We had a good run to Calais, found the boat in waiting, and a fair
passage brought us prosperously across the Channel. I found myself in
London punctual to the intended hour of my arrival.

At once I drove to the lodgings in a small street off the Strand which I
was accustomed to frequent in such circumstances. I felt nervous till I
had an opportunity of thoroughly overhauling my documents. The bag had
been opened by the Custom House officials, but the words "private
papers" had sufficed to prevent any further examination; and to my
unspeakable delight they were intact. A glance satisfied me as to this
the moment I got them out, for they were most carefully numbered.

The next morning saw me early on my way to--No. 909, we will
say--Blackfriars Street, where was the office of Messrs. Bluestone &
Fagg. I had never been there before, but it was easy to find, and had I
felt any doubt, their name stared me in the face at the side of the open
doorway. "Second-floor" I thought I read; but when I reached the first
landing I imagined I must have been mistaken. For there, at a door ajar,
stood an eminently respectable-looking gentleman, who bowed as he saw
me, with a discreet smile.

"Herr Schmidt?" he said. "Ah, yes; I was on the look-out for you."

I felt a little surprised, and my glance involuntarily strayed to the
doorway. There was no name upon it, and it appeared to have been freshly
painted. My new friend saw my glance.

"It is all right," he said; "we have the painters here. We are using
these lower rooms temporarily. I was watching to prevent your having the
trouble of mounting to the second-floor."

And as I followed him in, I caught sight of a painter's ladder--a small
one--on the stair above, and the smell was also unmistakable.

The large outer office looked bare and empty, but under the
circumstances that was natural. No one was, at the first glance, to be
seen; but behind a dulled glass partition screening off one corner I
fancied I caught sight of a seated figure. And an inner office, to which
my conductor led the way, had a more comfortable and inhabited look.
Here stood a younger man. He bowed politely.

"Mr. Fagg, my junior," said the first individual airily. "And now, Herr
Schmidt, to business at once, if you please. Time is everything. You
have all the documents ready?"

I answered by opening my bag and spreading out its contents. Both men
were very grave, almost taciturn; but as I proceeded to explain things
it was easy to see that they thoroughly understood all I said.

"And now," I went on, when I had reached a certain point, "if you will
give me Nos. 7 and 13 which you have already received by registered
post, I can put you in full possession of the whole. Without them, of
course, all I have said is, so to say, preliminary only."

The two looked at each other.

"Of course," said the elder man, "I follow what you say. The key of the
whole is wanting. But I was momentarily expecting you to bring it out.
We have not--Fagg, I am right, am I not--we have received nothing by
post?"

"Nothing whatever," replied his junior. And the answer seemed simplicity
itself. Why did a strange thrill of misgiving go through me? Was it
something in the look that had passed between them? Perhaps so. In any
case, strange to say, the inconsistency between their having received no
papers and yet looking for my arrival at the hour mentioned in the
letter accompanying the documents, and accosting me by name, did not
strike me till some hours later.

I threw off what I believed to be my ridiculous mistrust, and it was
not difficult to do so in my extreme annoyance.

"I cannot understand it," I said. "It is really too bad. Everything
depends upon 7 and 13. I must telegraph at once for inquiries to be
instituted at the post-office."

"But your people must have duplicates," said Fagg eagerly. "These can be
forwarded at once."

"I hope so," I said, though feeling strangely confused and worried.

"They must send them direct _here_," he went on.

I did not at once answer. I was gathering my papers together.

"And in the meantime," he proceeded, touching my bag, "you had better
leave _these_ here. We will lock them up in the safe at once. It is
better than carrying them about London."

It certainly seemed so. I half laid down the bag on the table, but at
that moment from the outer room a most peculiar sound caught my ears--a
faint cackling cough! I _think_ I concealed my start. I turned away as
if considering Fagg's suggestion, which, to confess the truth, I had
been on the very point of agreeing to. For it would have been a great
relief to me to know that the papers were in safe custody. But now a
flash of lurid light seemed to have transformed everything.

"I thank you," I replied. "I should be glad to be free from the
responsibility of the charge, but I dare not let these out of my own
hands till the agreement is formally signed."

The younger man's face darkened. He assumed a bullying tone.

"I don't know how it strikes _you_, Mr. Bluestone," he said, "but it
seems to me that this young gentleman is going rather too far. Do you
think your employers will be pleased to hear of your insulting us, sir?"

But the elder man smiled condescendingly, though with a touch of
superciliousness. It was very well done. He waved his hand.

"Stay, my dear Mr. Fagg; we can well afford to make allowance. You will
telegraph at once, no doubt, Herr Schmidt, and--let me see--yes, we
shall receive the duplicates of Nos. 7 and 13 by first post on Thursday
morning."

I bowed.

"Exactly," I replied, as I lifted the now locked bag. "And you may
expect me at the same hour on Thursday morning."

Then I took my departure, accompanied to the door by the urbane
individual who had received me.

The telegram which I at once despatched was not couched precisely as he
would have dictated, I allow. And he would have been considerably
surprised at my sending off another, later in the day, to Bluestone &
Fagg's telegraphic address, in these words:---

"Unavoidably detained till Thursday morning.--SCHMIDT."

This was _after_ the arrival of a wire from home in answer to mine.

By Thursday morning I had had time to receive a letter from Herr
Wilhelm, and to secure the services of a certain noted detective,
accompanied by whom I presented myself at the appointed hour at 909. But
my companion's services were not required. The birds had flown, warned
by the same traitor in our camp through whom the first hints of the new
patent had leaked out. With him it was easy to deal, poor wretch! but
the clever rogues who had employed him and personated the members of the
honourable firm of Bluestone & Fagg were never traced.

The negotiation was successfully carried out. The experience I had gone
through left me a wiser man. It is to be hoped, too, that the owners of
909 Blackfriars Street were more cautious in the future as to whom they
let their premises to when temporarily vacant. The re-painting of the
doorway, etc., at the tenant's own expense had already roused some
slight suspicion.

It is needless to add that Nos. 7 and 13 had been duly received on the
second-floor.

I have never known the true history of that extraordinary night. Was it
all a dream, or a prophetic vision of warning? Or was it in any sense
true? _Had_ I, in some inexplicable way, left my own town earlier than I
intended, and really travelled in a slow train?

Or had the man with a cough, for his own nefarious purposes, mesmerised
or hypnotised me, and to some extent succeeded?

I cannot say. Sometimes, even, I ask myself if I am quite sure that
there ever was such a person as "the man with the cough"!




"HALF-WAY BETWEEN THE STILES."

(A RIGHT-OF-WAY INCIDENT.)


By the road, Scarby village is good three miles from Colletwood, the
nearest town and railway station. But there is a short cut over the
hills for foot passengers. _Over_ the hills they call it, but _between_
the hills would be more correct, for there is a sort of tableland once
you have climbed a short, steep bit up from the town, which extends
nearly to Scarby, sloping gradually down to the village.

And on each side of this tableland the hills rise again, north and
south, much higher to the north than to the south. So this flat stretch,
though at some considerable height, is neither bleak nor exposed, being
sheltered on the colder side, and fairly open to the sunshine south and
west.

It is a pleasant place, and so it must have been considered in the old
days; for a large monastery stood there once, of which the ruins are
still to be seen, and of which the memory is still preserved in the
name--"Monksholdings".

Pleasant, but a trifle inconvenient, as the only carriage-road makes a
great round from Colletwood, winding along the base of the hill on the
north side till it reaches the village, then up again by the gradual
slope, half a mile or so--a drive in all of three to four miles,
whereas, as the bird flies or the pedestrian walks, the distance from
the town is barely a quarter of that.

In the old days there was probably no road at all, the hill-path
doubtless serving all requirements. Naturally enough, therefore, it came
to be looked upon as entirely public property, and people forgot--if,
indeed, any one had ever thought of it--that though the monastery was a
ruin, the once carefully kept land round about the old dwelling-place of
Monksholdings was still private property.

And the sensation was great when suddenly the news reached the
neighbourhood that this "unique estate," as the agents called it, was
sold--sold by the old Duke of Scarshire, who scarcely remembered that
he owned it, to a man who meant to live on it, to build a house which
should be a home for several months of the year for himself and his
family.

There was considerable growling and grumbling; and this rose to its
height when a rumour got about that the hill-path--such part of it, that
is to say, as lay within the actual demesne--was to be closed--_must_ be
closed, if the site already chosen for the new house was to be retained;
for the house would actually stand upon the old foot-track, and there
could be no two opinions that this position had been well and wisely
selected.

Things grew warlike, boding no agreeable reception for the newcomers--a
Mr. Raynald and his family, newcomers to England, it was said, as well
as to Scarshire. Every one plunged into questions of right-of-way; the
local legalities raised and discussed knotty points; Colletwood and
Scarby were aflame. But it all ended, flatly enough, in a compromise!

Mr. Raynald turned out to be one of the most reasonable and courteous of
men. He came, saw, and--conquered. The goodwill of his future neighbours
was won e'er he knew he had risked its loss. Henceforward congratulations,
reciprocated and repeated, on the charming additions to Scarby society
were the order of the day, and the _detour_, skirting the south boundary
of the Monksholdings grounds, which the footpath was now inveigled into
making, was voted "a great improvement".

And in due time the mansion rose.

"A great improvement" also, to the aspect of the surrounding landscape.
It was in perfectly good taste--unpretentious and quietly picturesque.
It might have been there always for any jarring protest to the contrary.

And just half-way along the old foot-track, that is to say, between the
two stiles which let the traveller to or from Scarby in or out of the
Monksholdings demesne, stood Sybil Raynald's grand piano!

The stiles remained as an interesting survival; but they were made use
of by no one not bound for the house itself. And beside each was a
gate--a good oaken gate, that suited the place, as did everything about
it; and beside each gate a quaint miniature dwelling, one of which came
to be known as the east, and the other as the west, Monksholdings lodge.

The first time the Raynalds came down to their new home they made but
a short stay there. It was already late in the season, and though the
preceding summer had been a magnificent one for drying fresh walls and
plaster, it would scarcely have done to risk damp or chilly weather in
so recently-built a house.

They stayed long enough to confirm the favourable impression the head of
the family had already made, and to lead themselves to look forward with
pleasure to a less curtailed stay in Scarshire.

The last morning of their visit, Sybil, the eldest daughter, up and
about betimes, turned to her father, when she had taken her place beside
him at the breakfast-table, with a suspicion of annoyance on her usually
cheerful face.

"Papa," she said, "I have seen that old man _again_, leaning on the
stile by the Scarby lodge and looking in--along the drive--_so_ queerly.
I don't quite like it. It gave me rather a ghosty feeling; or else he is
out of his mind."

Her brother, Mark by name, began to laugh, after the manner of brothers.

"How very oddly you express yourself!" he said. "I should like to
experience 'a ghosty feeling'. A ghost is just what this place wants to
make it perfect. But it should be the spirit of one of the original
monks."

Mr. Raynald turned to his son rather sharply.

"I don't want any nonsense of that kind set about, Mark," he said. "It
would frighten the younger children when they come down here. I will ask
about the old man. It is quite possible he is half-witted, or something
of that sort. I forgot about it when Sybil mentioned it before. But no
doubt he is perfectly harmless. Has no one seen him but you, Sybil?"

The girl shook her head.

"None of _us_," she replied. "And I wasn't exactly frightened. There was
something very pathetic about him. He looked at me closely, murmuring
some words, and then shook his head. That was all."

But just then her father was called away to give some last directions,
and in the bustle of hurry to catch their train the matter passed from
the minds of the younger as well as the elder members of the family.

It returned to Sybil's memory, however, when she found herself in their
London house again, and called upon by her younger sisters to relate
every detail of Monksholdings and its neighbourhood. But mindful of her
father's warning, she said nothing to Esther or Annis of the figure at
the gate. It was only to Miss March--Ellinor March--the dearly-loved
governess, who was more friend than teacher to her three pupils, that
she spoke of it, late in the evening, when the younger ones had gone to
bed, and her father and mother were busy with Indian letters in Mr.
Raynald's study.

The two girls, we may say--for Ellinor was still some years under
thirty--were alone in the drawing-room. Ellinor had been playing
something tender and faintly weird--it died away under her fingers, and
she sat on at the piano in silence.

Sybil spoke suddenly.

"That is _so_ melancholy," she said, "something so long ago about it,
like the ghost of a sorrow rather than a sorrow itself. I know--I know
what it makes me think of. Listen, Ellinor."

For out of school hours the two threw formality aside. And Sybil told of
the sad, wistful old face looking over the stile.

"Now it has come back to me," she said, "I can't forget it."

Ellinor, too, was impressed.

"Yes," she said, "it sounds very pitiful. Who knows what tragedy is
bound up in it?" and she sighed.

Sybil understood her. Miss March's own history was a strange one.

"We must find out about it when we go down to Monksholdings next year,"
she said.

"And perhaps," added Ellinor, "even if he is half-witted, we might do
something to comfort the poor man."

Sybil hesitated.

"Then you don't think he can be a ghost?" she said, looking half ashamed
of the suggestion.

Miss March smiled--her smile was sad.

"In one sense, no, I should think it highly improbable; in another, yes,
there must be the ghost of some great sorrow about the face you
describe," she said.

So there was.

This is the story.

At the farther end of Scarby village--the farther end, that is to say,
from Monksholdings and the path between the hills--the road drops
again somewhat suddenly. Only for a short distance, however; Mayling
Farm--"Giles's" as it is colloquially called--which is the first house
you come to when you reach level ground again, being by no means low
lying.

On the contrary, the west windows command a grand view of the great
Scarshire plain beneath, bordered by the faint hazy blue, scarcely to be
distinguished from clouds, of the long range of hills concealing the
far-off glimmer of the ocean, which otherwise might sometimes be
perceptible.

Mayling is a very old place, and the Giles's had been there "always," so
to speak--steady-going, unambitious, save as regards their farming and
its success; they had been just the make of men to settle on to their
ground as if it and they could have no existence apart. A fine race
physically as well as morally, though some twenty-five years or so
before the Raynalds bought Monksholdings, a run of ill luck, a whole
chapter of casualties, had brought them down to but one representative,
and he scarcely the typical Farmer Giles of Mayling.

This was Barnett, the youngest of four stalwart sons; the youngest and
the only survivor. He was already forty when his father died, earnestly
commending to him the "old place," which even at eighty the aged farmer
felt himself better fitted to manage than the somewhat delicate,
sensitive man whom his brothers had made good-natured fun of in his
youth as a "book-worm".

But Barnett was intelligent and sensible, and he rose to the occasion.
Circumstances helped him. The year after old Giles's death Barnett for
the first time fell in love, wisely and well. His affection was bestowed
on a worthy object--Marion Grover, the daughter of a yeoman in the next
county--and was fully returned.

Marion was years younger than her lover, fifteen at least, eminently
practical, healthy, and pretty. She brought her husband just exactly
what he was most in need of--brightness, energy, and youth. It was an
ideal marriage, and everything prospered at Mayling. Four years after
the advent of the new Mrs. Giles you would scarcely have recognised the
farmer, he seemed another man.

He adored his wife, and could hardly find it in his heart to regret that
their child was not a son, even though, failing an heir, the old name
must die out; for if there was one creature the husband and wife loved
more than each other it was their baby girl.

A month or two after this child's second birthday the singular
catastrophe occurred which changed the world to poor Barnett Giles,
leaving him but a wreck of his former self, physically and mentally.

Young Mrs. Giles was strong in every way, and from the first she took
the line of saving her husband all extra fatigue or annoyance which
she could possibly hoist on to her own brave shoulders. There was
something quaint and even pathetic in the relations of the couple. For,
notwithstanding Marion's being so much Barnett's junior, her attitude
towards him had a decided suggestion of the maternal about it, though at
times of real emergency his sound judgment and advice never failed her.
It was within a week or two of Christmas; the weather was bitingly,
raspingly cold. And though as yet no snow had fallen, the weather-wise
were predicting it daily.

"I _must_ go over to Colletwood this week," said Mrs. Giles, "and I must
take Nelly. Her new coat is waiting to be tried at the dressmaker's, and
I must get her some boots and several other things before Christmas. And
there is a whole list of other shopping too--all our Christmas presents
to see to."

Her husband was looking out of the window, it was still very early in
the day.

"I doubt if the snow will hold off much longer," he said.

"And once it begins it may be heavy," his wife replied, "and then I
might not be able to go for ever so long, even by the road,"--for a deep
fall of snow at Scarby was practically a stoppage to all traffic. "I'll
tell you what, Barnett, we'll go to-day and make sure of it. I will put
other things aside and start before noon. A couple of hours, or three at
the most, will do everything, and then Nelly and I will be back long
before dark. You'll come to meet us, won't you?"

"Of course I will--if you go. But," and again he glanced at the sky.
The morning was, so far, clear and bright, though very cold, but over
towards the north there was a suspicious look about the blue-grey
clouds. "I don't know," he said, "but that you'd better wait till
to-morrow and see if it blows off again."

But Marion shook her head.

"I've a feeling," she said, "that if I don't go to-day, I won't go at
all. And I really must. I'll take Betsy to carry the child till we're
just above the town, and then send her home, so as not to be tired for
coming back. Not that I'm _ever_ tired, as you know," with a smile.

He gave in, only stipulating that at all costs they should start to
return by a certain hour, unless the snow should have already begun, in
which case Marion was to run no risks, but either to hire a fly to bring
her home by the road, or to stay in the town with some of her friends
till the weather cleared again.

"And I'll meet you," he added. "Let us set our watches together--I'll
start from here so as to be at--let me see----"

"Half-way between the stiles," said Marion. "We can each see the other
from one stile to the opposite one, you know, even though it's a good
bit of a way. Yes, dear, I'll time it as near as I can to meet half-way
between the stiles."

And with these words the last on her lips, she set off, a picture of
health and happiness--little Nelly crowing back to "Dada" from over
stout Betsy's shoulder.

Betsy was home again within the hour.

But the mother and child--alas and alas! It was the immortal story of
"Lucy Gray" in an almost more pathetic shape.

Farmer Giles, as I have said, was a studious, often absent-minded man.
There was not much to do at that season and in such weather, and what
there was, some amount of supervision on his part was enough for. After
his early dinner he got out his books for an hour or two's quiet reading
till it should be time to set off to meet his darlings. No fear of his
forgetting _that_ time, but till the clock struck, and he saw it was
approaching nearly, he never looked out--he was unconscious of the rapid
growth of the lurid, steely clouds; he had no idea that the snowflakes
were already falling, falling, more and more closely and thickly with
each instant that passed.

Then rose the storm spirit and issued his orders--all too quickly
obeyed. Before Barnett Giles had left the village street he found
himself in what now-a-days would be called a "blizzard". And his pale
face grew paler, and his heart beat as if to choke him, when at last he
reached the first stile and stood there panting, to regain his breath.
It was all he could do to battle on through the fury of the wind, the
blinding, whirling snow, which seemed to envelop him as if in sheets.
Not for many and many a day will that awful snowstorm be forgotten in
Scarshire.

       *       *       *       *       *

It was at the appointed trysting place they found him--"half-way between
the stiles". But not till late that evening, when Betsy, more alarmed by
his absence than by her mistress's not returning, at last struggled out
through the deep-lying snow to alarm the nearest neighbours.

"The missis and Miss Nell will have stayed the night in the town," she
said. "But I misdoubt me if the master will ever have got so far, though
he may have been tempted on when he did not meet them."

By this time the fury of the storm had spent itself, and they found poor
Giles after a not very protracted search, and brought him home--dead,
they thought at first.

No, he was not dead, but it was less than half _life_ that he
returned to. For his first inquiry late the next day, when glimmering
consciousness had begun to revive--"Marion, the baby?"--seemed by some
subtle instinct to answer itself truthfully, in spite of the kindly
endeavour to deceive him for the time.

"Dead!" he murmured. "I knew it. Half-way between the stiles," and he
turned his face to the wall.

They almost wished he had died too--the rough but kind-hearted
country-folk who were his neighbours. But he lived. He never asked and
never knew the details of the tragedy, which, indeed, was never fully
known by any one.

All that came to light was that the dead body of Marion Giles was
brought by some semi-gipsy wanderers to the workhouse of a town several
miles south of Colletwood, early on the morning after the blizzard. They
had found it, they said, at some little distance from the road along
which they were journeying, so that she must have lost her way long
before approaching the Monksholdings confines, not improbably, indeed,
in attempting to retrace her steps to the town which she had so
imprudently quitted. But of the child the tramps said nothing, and after
making the above deposition, they were allowed to go on their way, which
they expressed themselves as anxious to do; for reasons of their own, no
doubt; possibly the same reasons which had prevented their returning to
Colletwood with the young woman's corpse, as would have seemed more
natural.

And afterwards no very special inquiry was made about the baby. The
father was incapable of it, and in those days people accepted things
more carelessly, perhaps. It was taken for granted that "Little Nell"
had fallen down some cliff, no doubt, and lay buried there, with the
snow for her shroud, like a strayed lambkin. Her tiny bones might yet be
found, years hence, maybe, by a shepherd in search of some bleating
wanderer, or--no more might ever be known of the infant's fate!

Barnett Giles rose from his bed, after many weeks, with all the look of
a very old man. At first it was thought that his mind was quite gone;
but it did not prove to be so. After a time, with the help of an
excellent foreman, or bailiff, he showed himself able to manage his farm
with a strange, mechanical kind of intelligence. It seemed as if the
sense of duty outlived the loss of other perceptions, though these, too,
cleared by degrees to a considerable extent, and material things,
curious as it may appear, prospered with him.

But he rarely spoke unless obliged to do so; and whenever he felt
himself at leisure, and knew that his work was not calling for him, he
seemed to relapse into the half-dreamy state which was his more real
life. Then he would pass through the village and slowly climb the slope
to the stile, where he would stand for hours together, patiently gazing
before him, while he murmured the old refrain: "'Half-way between the
stiles,' she said. I shall meet them there, 'half-way between the
stiles'."

Fortunately, perhaps, it was not often he attempted to climb over; he
contented himself with standing and gazing. Fortunately so, for
otherwise the changes at Monksholdings would have probably terribly
shocked his abnormally sensitive brain. But he did not seem to notice
them, nor the new route of the old right-of-way agreed to by the
compromise. He was content with his post--standing, leaning on the
stile, and gazing before him.

His, of course, was the worn, wistful face which had half frightened,
half appealed to Sybil Raynald.

But she forgot about it again, or other things put it temporarily
aside, so that when the Raynalds came down to Monksholdings again the
following Easter it did not at once occur to her to remind her father of
the inquiry he had promised to make.

Miss March was not with her pupils and their parents at first. She had
gone to spend a holiday week with the friends who had brought her up
and seen to her education--good, benevolent people, if not specially
sympathetic, but to whom she felt herself bound by ties of sincerest
gratitude, though her five years with the Raynald family had given her
more of the feeling of a "home" than she had ever had before.

And her arrival at Monksholdings was the occasion of much rejoicing.
There was everything to show her, and every one, from Mark down to
little Robin, wanted to be her guide. It was not till the morning of the
next day that Sybil managed to get her to herself for a _tete-a-tete_
stroll.

Ellinor had some things to tell her quondam pupil. Mrs. Bellairs, her
self-appointed guardian, was growing old and somewhat feeble.

"I fear she is not likely to live many years," said Miss March, "and she
thinks so herself. She has a curious longing, which I never saw in her
before, to find out my history--to know if there is no one really
belonging to me to whom she can give me back, as it were, before she
dies. She gave me the little parcel containing the clothes I had on when
she rescued me from being sent to a workhouse. They are carefully washed
and mended, and though I was a poor, dirty little object when I was
found, they do not look really as if I had been a beggar child," with a
little smile.

"You a beggar child!" exclaimed Sybil indignantly. "Of course not.
Perhaps, on the contrary, you were somebody very grand."

"No, no," said Ellinor sensibly. "In that case I should have been
advertised for and inquired after. No, I have never thought that, and I
should not wish it. I should be more than thankful to know I came of
good, honest people, however simple; to have some one of my very own."

"I forget the actual details," said Sybil, "though you have often told
me about it. You were found--no, not literally in the workhouse, was
it?"

"They were going to take me there," said Miss March. "It was at a
village near Bath where Mr. and Mrs. Bellairs were then living, and
one day, after a party of gipsies had been encamping on the common, a
cottager's wife heard something crying in the night, and found me in her
little garden. She was too poor to keep me herself, and felt certain I
was a child the gipsies had stolen and then wanted to get rid of. I was
fair-haired and blue-eyed, not like them. She was a friend or relation
of some of Mrs. Bellairs's servants, and so the story got round to my
kind old friend. And you know the rest--how they first thought of
bringing me up in quite a humble way, and then finding me--well,
intelligent and naturally rather refined, I suppose, I got a really good
education, and my good luck did not desert me, dear, when I came to be
your governess."

Sybil smiled.

"And can you remember _nothing_?"

Ellinor hesitated.

"Queer, dreamy fragments come back to me sometimes," she said. "I have
a feeling of having seen hills long, long ago. It is strange," she
went on, for by this time they had left the private grounds and were
strolling along the hill-path in the direction of the town, "it is
strange that since I came here I seem to have got hold of a tiny bit of
these old memories, if they are such. It must be the hills," and she
stood still and gazed round her with a deep breath of satisfaction, "I
could only have been between two and three when I was found," she went
on. "The only words I said were 'Dada' and 'Nennie'--it sounded like
'Nelly'. That was why Mrs. Bellairs called me 'Ellinor,' and 'March,'
because it was in that month she took me to her house."

Sybil walked on in silence for a moment or two.

"It _is_ such a romantic story," she said at last. "I am never tired of
thinking about it."

They entered Monksholdings again from the east entrance, Ellinor glanced
at the stile.

"By-the-bye," she said, "this is one of the two old stiles, I suppose.
Have you ever seen your ghost again, Sybil? Have you found out anything
about him?"

Sybil looked round her half nervously.

"It is the other stile he haunts," she said. "I rather avoid it, at
least, I mean to do so now. It is curious you speak of it, for till
yesterday I had not seen him again, and had almost forgotten about it.
But yesterday afternoon, just before you came, there he was--exactly
the same, staring in. I meant to speak to papa about it, but with the
pleasure and bustle of your arrival, I forgot it. Remind me about it. I
am afraid he is out of his mind."

"Poor old man!" said Ellinor. "I wish we could do something to comfort
him. I feel as if everybody _must_ be happy here. It is such a charming,
exhilarating place. Dear me, how windy it is! The path is all strewn
with the white petals of the cherry blossom."

"They have degenerated into wild cherry trees," said Sybil. "Long ago
papa says these must have been good fruit trees of many kinds, and this
is a great cherry country, you know."

The wind dropped that afternoon, but only temporarily. It rose again so
much during the night that by the next morning the grounds looked, to
use little Annis's expression, "quite untidy".

"And down in the village, or just beyond it," said Mark, who had been
for an early stroll, "at one place it really looks as if it had been
snowing. The road skirts that old farmhouse; you know it, father? I
forget the name--there's a grand cherry orchard there."

"'Mayling Farm,' you must mean," said Mr. Raynald. "Farmer Giles's. Oh,
by the way, that reminds me, Sybil," but a glance round the table made
him stop short. They were at breakfast. He scarcely felt inclined to
relate the tragic story before the younger children, "they might look
frightened or run away if they came across the poor fellow," he
reflected. "I will tell Sybil about it afterwards."

Easter holidays were not yet over, though the governess had returned, so
regular routine was set aside, and the whole of the young party, Ellinor
included, spent that morning in a scramble among the hills.

The children seemed untirable, and set off again somewhere or other in
the afternoon. Sybil was busy with her mother, writing letters and
orders to be despatched to London, so that towards four o'clock or so,
when Miss March, having finished her own correspondence, entered the
drawing-room, she found it deserted.

Sybil had promised to practise some duets with her, and while waiting on
the chance of her coming, Ellinor seated herself at the piano and began
to play--nothing very important--just snatches of old airs which she
wove into a kind of half-dreamy harmony, one melting into another as
they occurred to her.

All at once a shadow fell on the keys, and then she remembered having
heard the door softly open a moment or two before--so softly, that she
had not looked round, imagining it to be the wind, which, though fallen
now, still lingered about.

Now her ideas took another shape.

"It is Sybil, no doubt," she thought with a smile. "She is going to make
me jump," and she waited, half expecting to feel Sybil's hands suddenly
clasped over her eyes from behind.

But this was not to be the mode of attack, apparently, though she heard
what sounded like stealthy footsteps.

"You need not try to startle me, Sybbie," she exclaimed laughingly,
without turning or ceasing to play, "I hear you."

It was no laughing voice which replied.

On the contrary, a sigh, almost a groan, close to her made her look
up sharply--a trifle indignant perhaps at the joke being carried so
far--and she saw, a pace or two from her only, the figure of an old
man--a white-haired, somewhat bent form, a worn face with wistful blue
eyes--gazing at her.

She had scarcely time to feel frightened, for almost instantaneously
Sybil's "ghost" recurred to her memory.

"He has found his way in, then," she thought, not without a slight
and natural tremor, which, however, disappeared as she gazed, so
pathetically gentle was the whole aspect of the intruder.

But--his face changed curiously--the sight of hers, now fully in
his view, seemed strangely to affect him. With a gesture of utter
bewilderment he raised his hand to his forehead as if to brush something
away--the cloud still resting on his brain--then a smile broke over the
old face, a wonderful smile.

"Marion," he said, "at last? I--I thought I was dreaming. I heard you
playing in my dream. It is the right place though, 'Half-way between the
stiles,' you said. I have waited so long and come so often, and now it
is snowing again. Just a little, dear, nothing to hurt. Marion, my
darling, why don't you speak? Is it all a dream--this fine room, the
music and all? Are _you_ a dream?"

He closed his eyes as if he were fainting. Inexpressibly touched, all
Ellinor's womanly nature went out to him. She started forward, half
leading, half lifting him to a seat close at hand.

"I--I am not Marion," she said, and afterwards she wondered what had
inspired the words, "but I am"--not "Ellinor," something made her change
the name as he spoke--"I am Nelly."

He opened his eyes again.

"Little Nell," he said, "has she sent you down to me from heaven? My
little Nell!"

And then he fell back unconscious--this time he had fainted.

She thought he was dead, but it was not so--her cries for help soon
brought her friends, Mr. Raynald first of all. He did not seem startled,
he soothed Ellinor at once.

"It is poor old Giles," he said. "I know all about him, he has found his
way in at last."

"But--but----," stammered the girl, "there is something else, Mr.
Raynald. I--I seem to remember something."

She looked nearly as white as their poor visitor, and as Mr. Raynald
glanced at her, a curious expression flitted across his own face.

Could it be so? He knew all her story.

"Wait a little, my dear," he said. "We must attend to poor Giles first."

They were very kind and tender to the old man, but he seemed to be
barely conscious, even after restoratives had brought him out of the
actual fainting fit. Then Mrs. Raynald proposed that his servants--his
housekeeper if he had one--should be sent for.

And when faithful Betsy, stout as of old, though less nimble, made her
appearance, her irrepressible emotion at the sight of Ellinor, pale and
trembling though the young governess was, gave form and substance to Mr.
Raynald's suspicions.

Yes, they had met at last--father and daughter--"half-way between the
stiles". He was "Dada," she was little "Nell". Might it not be that
Marion's prayers had brought them together?

Every reasonable proof was forthcoming--the little parcel of clothes,
the correspondence in the dates, the strong resemblance to her mother.

And--joy does not often kill. Barnett was able to understand it all
better than might have been expected. He was never _quite_ himself, but
infinitely better both in mind and body than poor old Betsy had ever
dreamt of seeing him. And he was perfectly content--content to live as
long as it should please God to spare him to his little Nell; ready to
go to his Marion when the time should come.

And Ellinor had her wish--a home, though not a "grand" one; some one of
her "very own" to care for; a father's devoted love, and, to complete
her happiness, the friends who had grown so dear to her close at hand.

More may yet be hers in the future, for she is still young. Her father
may live to see his grandchildren playing about the farmstead at
Mayling, so that, though the name be changed, the old stock will still
nourish where so many generations of its ancestors have sown and
reaped.




AT THE DIP OF THE ROAD.


Have I ever seen a ghost?

I do not know.

That is the only reply I can truthfully make to the question now-a-days
so often asked. And sometimes, if inquirers care to hear more, I go on
to tell them the one experience which makes it impossible for me to
reply positively either in the affirmative or negative, and restricts me
to "I do not know".

This was the story.

I was staying with relations in the country. Not a very isolated or
out-of-the-way part of the world, and yet rather inconvenient of access
by the railway. For the nearest station was six miles off. Though the
family I was visiting were nearly connected with me I did not know much
of their home or its neighbourhood, as the head of the house, an uncle
of mine by marriage, had only come into the property a year or two
previously to the date of which I am writing, through the death of an
elder brother.

It was a nice place. A good comfortable old house, a prosperous,
satisfactory estate. Everything about it was in good order, from the
farmers, who always paid their rents, to the shooting, which was always
good; from the vineries, which were noted, to the woods, where the
earliest primroses in all the country side were yearly to be found.

And my uncle and aunt and their family deserved these pleasant things
and made a good use of them.

But there was a touch of the commonplace about it all. There was nothing
picturesque or romantic. The country was flat though fertile, the house,
though old, was conveniently modern in its arrangements, airy, cheery,
and bright.

"Not even a ghost, or the shadow of one," I remember saying one day with
a faint grumble.

"Ah, well--as to that," said my uncle, "perhaps we----" but just then
something interrupted him, and I forgot his unfinished speech.

Into the happy party of which for the time being I was one, there fell
one morning a sudden thunderbolt of calamity. The post brought news of
the alarming illness of the eldest daughter--Frances, married a year or
two ago and living, as the crow flies, at no very great distance. But
as the crow flies is not always as the railroad runs, and to reach the
Aldoyns' home from Fawne Court, my uncle's place, was a complicated
business--it was scarcely possible to go and return in a day.

"Can one of you come over?" wrote the young husband. "She is already out
of danger, but longing to see her mother or one of you. She is worrying
about the baby"--a child of a few months old--"and wishing for nurse."

We looked at each other.

"Nurse must go at once," said my uncle to me, as the eldest of the
party. Perhaps I should here say that I am a widow, though not old, and
with no close ties or responsibilities. "But for your aunt it is
impossible."

"Quite so," I agreed. For she was at the moment painfully lamed by
rheumatism.

"And the other girls are almost too young at such a crisis," my uncle
continued. "Would you, Charlotte----" and he hesitated. "It would be
such a comfort to have personal news of her."

"Of course I will go," I said. "Nurse and I can start at once. I will
leave her there, and return alone, to give you, I have no doubt, better
news of poor Francie."

He was full of gratitude. So were they all.

"Don't hurry back to-night," said my uncle. "Stay till--till Monday if
you like." But I could not promise. I knew they would be glad of news at
once, and in a small house like my cousin's, at such a time, an inmate
the more might be inconvenient.

"I will try to return to-night," I said. And as I sprang into the
carriage I added: "Send to Moore to meet the last train, unless I
telegraph to the contrary."

My uncle nodded; the boys called after me, "All right;" the old butler
bowed assent, and I was satisfied.

Nurse and I reached our journey's end promptly, considering the four or
five junctions at which we had to change carriages. But on the whole
"going," the trains fitted astonishingly.

We found Frances better, delighted to see us, eager for news of her
mother, and, finally, disposed to sleep peacefully now that she knew
that there was an experienced person in charge. And both she and her
husband thanked me so much that I felt ashamed of the little I had done.
Mr. Aldoyn begged me to stay till Monday; but the house was upset, and I
was eager to carry back my good tidings.

"They are meeting me at Moore by the last train," I said. "No, thank
you, I think it is best to go."

"You will have an uncomfortable journey," he replied. "It is Saturday,
and the trains will be late, and the stations crowded with the market
people. It will be horrid for you, Charlotte."

But I persisted.

It _was_ rather horrid. And it was queer. There was a sort of uncanny
eeriness about that Saturday evening's journey that I have never
forgotten. The season was very early spring. It was not very cold, but
chilly and ungenial. And there were such odd sorts of people about. I
travelled second-class; for I am not rich, and I am very independent.
I did not want my uncle to pay my fare, for I liked the feeling of
rendering him some small service in return for his steady kindness to
me. The first stage of my journey was performed in the company of two
old naturalists travelling to Scotland to look for some small plant
which was to be found only in one spot in the Highlands. This I gathered
from their talk to each other. You never saw two such extraordinary
creatures as they were. They both wore black kid gloves much too large
for them, and the ends of the fingers waved about like feathers.

Then followed two or three short transits, interspersed with weary
waitings at stations. The last of these was the worst, and tantalising,
too, for by this time I was within a few miles of Moore. The station was
crowded with rough folk, all, it seemed to me, more or less tipsy. So I
took refuge in a dark waiting-room on the small side line by which I was
to proceed, where I felt I might have been robbed and murdered and no
one the wiser.

But at last came my slow little train, and in I jumped, to jump out
again still more joyfully some fifteen minutes later when we drew up at
Moore.

I peered about for the carriage. It was not to be seen; only two or
three tax-carts or dog-carts, farmers' vehicles, standing about, while
their owners, it was easy to hear, were drinking far more than was good
for them in the taproom of the Unicorn. Thence, nevertheless--not to
the taproom, but to the front of the inn--I made my way, though not
undismayed by the shouts and roars breaking the stillness of the quiet
night. "Was the Fawne Court carriage not here?" I asked.

The landlady was a good-natured woman, especially civil to any member of
the "Court" family. But she shook her head.

"No, no carriage had been down to-day. There must have been some
mistake."

There was nothing for it but to wait till she could somehow or other
disinter a fly and a horse, and, worst of all a driver. For the "men"
she had to call were all rather--"well, ma'am, you see it's Saturday
night. We weren't expecting any one."

And when, after waiting half an hour, the fly at last emerged, my heart
almost failed me. Even before he drove out of the yard, it was very
plain that if ever we reached Fawne Court alive, it would certainly be
more thanks to good luck than to the driver's management.

But the horse was old and the man had a sort of instinct about him. We
got on all right till we were more than half way to our journey's end.
The road was straight and the moonlight bright, especially after we had
passed a certain corner, and got well out of the shade of the trees
which skirted the first part of the way.

Just past this turn there came a dip in the road. It went down, down
gradually, for a quarter of a mile or more, and I looked up anxiously,
fearful of the horse taking advantage of the slope. But no, he jogged
on, if possible more slowly than before, though new terrors assailed me
when I saw that the driver was now fast asleep, his head swaying from
side to side with extraordinary regularity. After a bit I grew easier
again; he seemed to keep his equilibrium, and I looked out at the side
window on the moon-flooded landscape, with some interest. I had never
seen brighter moonlight.

Suddenly from out of the intense stillness and loneliness a figure, a
human figure, became visible. It was that of a man, a young and active
man, running along the footpath a few feet to our left, apparently
from some whim, keeping pace with the fly. My first feeling was of
satisfaction that I was no longer alone, at the tender mercies of my
stupefied charioteer. But, as I gazed, a slight misgiving came over me.
Who could it be running along this lonely road so late, and what was his
motive in keeping up with us so steadily. It almost seemed as if he had
been waiting for us, yet that, of course, was impossible. He was not
very highwayman-like certainly; he was well-dressed--neatly-dressed that
is to say, like a superior gamekeeper--his figure was remarkably good,
tall and slight, and he ran gracefully. But there was something queer
about him, and suddenly the curiosity that had mingled in my observation
of him was entirely submerged in alarm, when I saw that, as he ran, he
was slowly but steadily drawing nearer and nearer to the fly.

"In another moment he will be opening the door and jumping in," I
thought, and I glanced before me only to see that the driver was more
hopelessly asleep than before; there was no chance of his hearing if
I called out. And get out I could not without attracting the strange
runner's attention, for as ill-luck would have it, the window was drawn
up on the right side, and I could not open the door without rattling the
glass. While, worse and worse, the left hand window was down! Even that
slight protection wanting!

I looked out once more. By this time the figure was close, close to the
fly. Then an arm was stretched out and laid along the edge of the door,
as if preparatory to opening it, and then, for the first time I saw his
face. It was a young face, but terribly, horribly pale and ghastly, and
the eyes--all was so visible in the moonlight--had an expression such as
I had never seen before or since. It terrified me, though afterwards on
recalling it, it seemed to me that it might have been more a look of
agonised appeal than of menace of any kind.

I cowered back into my corner and shut my eyes, feigning sleep. It was
the only idea that occurred to me. My heart was beating like a sledge
hammer. All sorts of thoughts rushed through me; among them I remember
saying to myself: "He must be an escaped lunatic--his eyes are so
awfully wild".

How long I sat thus I don't know--whenever I dared to glance out
furtively he was still there. But all at once a strange feeling of
relief came over me. I sat up--yes, he was gone! And though, as I took
courage, I leant out and looked round in every direction, not a trace of
him was to be seen, though the road and the fields were bare and clear
for a long distance round.

When I got to Fawne Court I had to wake the lodge-keeper--every one was
asleep. But my uncle was still up, though not expecting me, and very
distressed he was at the mistake about the carriage.

"However," he concluded, "all's well that ends well. It's delightful to
have your good news. But you look sadly pale and tired, Charlotte."

Then I told him of my fright--it seemed now so foolish of me, I said.
But my uncle did not smile--on the contrary.

"My dear," he said. "It sounds very like our ghost, though, of course,
it may have been only one of the keepers."

He told me the story. Many years ago in his grandfather's time, a young
and favourite gamekeeper had been found dead in a field skirting the
road down there. There was no sign of violence upon the body; it was
never explained what had killed him. But he had had in his charge a
watch--a very valuable one--which his master for some reason or other
had handed to him to take home to the house, not wishing to keep it on
him. And when the body was found late that night, the watch was not on
it. Since then, so the story goes, on a moonlight night the spirit of
the poor fellow haunts the spot. It is supposed that he wants to tell
what had become of his master's watch, which was never found. But no one
has ever had courage to address him.

"He never comes farther than the dip in the road," said my uncle. "If
you had spoken to him, Charlotte, I wonder if he would have told you his
secret?"

He spoke half laughingly, but I have never quite forgiven myself for my
cowardice. It was the look in those eyes!




"---- WILL NOT TAKE PLACE."


"'Lingard,' 'Trevannion,'" murmured Captain Murray, as he ran his eye
down the column of the morning paper specially devoted to so-called
fashionable intelligence, "Lingard, Arthur Lingard; yes, I've met him;
a very good fellow. And Trevannion; don't you know a Miss Trevannion,
Bessie?"

Mrs. Murray glanced up from her teacups.

"What do you say, Walter? Trevannion; yes, I have met a girl of the name
at my aunt's. A pretty girl, and I think I heard she was going to be
married. Is that what you are talking about?"

"No," her husband replied. "It's the other way--broken off, I wonder
why."

"What an old gossip you are," said Mrs. Murray. "No good reason at all,
I daresay. People are so capricious now-a-days."

"Still, they don't often announce a marriage till it's pretty certain
to come off. This sort of thing," tapping the paper as he spoke, "isn't
exactly pleasant."

"Very much the reverse," agreed Mrs. Murray, and then they thought no
more about it.

"I wonder why," said a good many people that morning, when they caught
sight of the announcement. For the two principals it concerned--Arthur
Lingard, especially--had a large circle of friends and acquaintances, and
their engagement had been the subject of much and hearty congratulation.
It seemed so natural and fitting that these two should marry. Both
young, amiable, good-looking, and sufficiently well off. Even the most
cynical could discern no cloud in the bright sky of their future, no
crook in the lot before them.

And now--

No marvel that Captain Murray's soliloquy was repeated by many.

But who would have guessed that in one heart it was ever ringing with
maddening anguish?

"I wonder why, oh, I wonder why he has done it. Oh, if he would but tell
me, it could not surely seem quite so unendurable."

And Daisy Trevannion pressed her aching head, and her poor swollen eyes
on to her mother's loving bosom in a sort of wild despair.

"Mamma, mamma," she cried, "help me. I cannot be angry with him. I wish
I could. He was so gentle, so sweet--and he is so heartbroken, I can see
by his letter. Oh, mamma, what can it be?"

But to this, even the devoted mother, who would gladly have given her
own life to save her child this misery, could find no answer.

This was what had happened.

They had been engaged about three months, the wedding day was
approximately fixed, when one morning the blow fell.

A letter to Daisy's father, enclosing one to herself--a letter which
made Mr. Trevannion draw his brows together in instinctive indignation,
and then as the first impulse cooled a little, caused him to turn to his
daughter with a movement of irritation, underneath which, hope had,
nevertheless, found time to reassert itself.

"Daisy," he exclaimed sharply, "what is the meaning of all this
nonsense? Have you been quarrelling with Lingard? You're a bit of a
spoilt child I know, my dear, but I don't like playing with edged
tools--a man like Arthur won't stand being trifled with. Do you hear,
Daisy--eh, what?"

For the girl had scarcely caught the sense of his words, so absorbed was
she in those of the short, all too short, but terrible letter she had
just read--the letter addressed to herself, which began "Daisy, my
Daisy, for the last time," and ended abruptly with the simple signature,
"Arthur Lingard".

She gazed up at her father--her white face all drawn, and as it were,
withered with that minute's agony--her eyes dulled and yet wild. Never
was there such a metamorphosis from the happy, laughing girl who had
hurried in with some pretty excuse for her unpunctuality.

"Daisy, my child! Daisy," her father repeated, repenting already of his
hasty remarks, "don't take it so seriously." "Margaret," to his wife,
"speak to her."

And Mrs. Trevannion, as pale almost as her daughter, drew the sheet of
note-paper from the girl's unresisting hands, while her husband held out
to her his own letter.

"Some complete mistake," she said, "some misplaced quixotry. Daisy, my
own darling, do not take it so seriously. Your father will see him--you
will, will you not, Hugh?" detecting the proud hesitation in her
husband's face. "It is not as if we did not know him well, and all about
him. Your father will find out, Daisy, and make it all right."

Mr. Trevannion did not contradict her, but murmured some consolatory
words, and then the mother led Daisy away, and to a certain extent the
girl allowed herself to be reassured.

"I will consult Keir if necessary," said the father when out of hearing
of his daughter. "He is the natural person, both as our own connection
and because he introduced Lingard, and thinks so highly of him. But
first I will see Arthur alone. The fewer mixed up in such a case the
better."

Mrs. Trevannion agreed. She was constitutionally sanguine, but a painful
idea struck her as her husband spoke.

"Hugh," she said hesitatingly, "you don't think--it surely is not
possible that his--that Arthur's brain is affected?"

"His brain--tut, nonsense! What a woman's idea!" replied Mr. Trevannion
irritably. "Why, he is receiving compliments on every side, from the
very highest quarters, too, on that article of his on the Capricorn
Islands. Brain affected, indeed!"

And to a whisper of, "I was thinking of over-work," which followed him
apologetically, he vouchsafed no reply.

Some intensely trying days passed. Mr. Trevannion's interview with his
recalcitrant son-in-law-to-be, proved a complete failure. Nothing,
absolutely nothing was to be "got out of the fellow," he told his wife
in mingled anger and wretchedness, for the poor man was a devoted
father. Arthur was gentleness itself, respectful, deferential even,
to the man whose peculiarly disagreeable position he felt for
inexpressibly. But he was as firm, as hard in his decision that all
should be, must be, over between Miss Trevannion and himself, as if his
own heart had suddenly turned to iron, as if he possessed no feelings at
all. He grew white to the lips, with a terrible death-like whiteness,
when he named her; he said with a quiet, deliberate emphasis, more
impressive by far than any passionate declaration, that never, never
while he lived, would he forgive himself for the trouble he had brought
into her young life, but that he was powerless to do otherwise, he was
absolutely without a choice. As to the reason for the breaking off of
the engagement to be given to the world, he left it entirely in the
Trevannions' own hands; he would contradict nothing they thought it best
to say; but, if possible, he grew still whiter when his visitor from
under his shaggy eyebrows glanced at him with a look of contempt while
he replied cuttingly that he had no love of falsehood. For his part he
would tell the truth, and in the end he believed it would be best for
Daisy that all the world should know the way in which she had been
treated.

"Best for her and worst for you," he repeated.

And Arthur only said:--

"I hope so. It must be as you think well."

Then Trevannion softened again a little.

"I shall say nothing to any one at present," he went on. "I must see
Keir; possibly he may understand you better than I can."

But, "No, it will be no use," the young man repeated coldly, though his
very heart was wrung for the father, crushing down his own pride while
he thought he saw still the ghost of a hope. "It will be no use. No one
can do anything."

"And you adhere to your determination not to see my--not to see Daisy
again?"

Lingard bowed his head.

And Mr. Trevannion left him.

Philip Keir was no blood relation of the Trevannions, but a cousin by
marriage and a very intimate friend. He was some years older than Mr.
Lingard, and it was through him that the acquaintance resulting in
Daisy's engagement had begun. He was a reserved man, with a frank and
cordial manner. Daisy thought she knew him well, but as to this she was
in some directions entirely mistaken.

He was away from home when Mr. Trevannion called on him, driving
straight to his chambers from the fruitless interview with Lingard.
Philip did not return for a couple of days, and had left no address.
Hence ensued the painful interval of suspense alluded to.

But on the third evening a hansom dashed up to the Trevannions' door,
and Mr. Keir jumped out. It was late, but there was no hesitation as to
admitting him.

"I found your note," he said, as he grasped his host's hand, "and came
straight on. I have only just got back. What is the matter? Tell me at
once."

He was a self-controlled man, but his agitation was evident. "Daisy?" he
added hastily.

"Yes," replied the father. The two were alone in his study. "Poor
Daisy!" And then he told the story.

Keir listened, though not altogether in silence, for broken
exclamations, which he seemed unable to repress, broke out from him more
than once.

"Impossible----inconceivable!" he muttered, "Lingard, of all men, to
behave like a----" he stopped short, at a loss for a comparison.

"Then you can throw no light upon it--none whatever?" said Mr.
Trevannion. "We had hoped--foolishly, perhaps--I had somehow hoped that
you might have helped us. You know him well, you see, you have been so
much together, your acquaintance is of old date, and you must understand
any peculiarities of his character."

His tone still sounded as if he could not bring himself finally to
accept the position. Keir was inexpressibly sorry for him.

"I know of none," he said. "Frankly, I know of nothing about him that is
not estimable. And, as you say, we have been much and most intimately
associated. We have travelled together half over the world, we have been
dependent on each other for months at a time, and the more I have seen
of him the more I have admired and--yes--loved him. If I had to pick a
fault in him I would say it is a curious spice of obstinacy--I have seen
it very strongly now and then. Once," and his face grew grave, "once, we
nearly quarrelled because he would not give in on a certain point. It
was in Siberia, not long ago," and here Philip gave a sort of shiver,
"it was very horrible--no need to go into details. He, Arthur, got it
into his head that a particular course of action was called for, and
there was no moving him. However it ended all right. I had almost
forgotten it. But he was determined."

Mr. Trevannion listened, but vaguely. Keir's remarks scarcely seemed to
the point.

"Obstinate!" he repeated. "Yes, but that doesn't explain things. There
was no question of giving in. They had had no quarrel. Daisy was
perfectly happy. The only thing she can say on looking back over the
last week or two closely, is that Arthur had seemed depressed now and
then, and when she taxed him with it he evaded a reply. You don't think,
Philip, that there is anything of that kind--melancholia, you know--in
his family?"

"Bless you, no, my dear sir. He comes of the healthiest stock possible.
People one knows all about for generations. No, no, it's nothing of that
kind," Keir replied. "And--what man ever had such happy prospects?"

"Then what in heaven's name is it?" said Mr. Trevannion, bringing his
hand down violently on the table beside which they were sitting. "Can
you get it out of him, if you can do nothing else for us, Philip? It is
our right to know; it is--it is due to my child, it is----" he stopped,
his face working with emotion. "He won't see her, you know," he added
disconnectedly.

"I will try," said Philip. "It is indeed the least I can do. If--if I
could get him to see her--Daisy; surely that would be the best chance."

Mr. Trevannion looked at him sharply, scrutinisingly.

"You--you are satisfied then--entirely satisfied that there is nothing
we need dread her being mixed up in, so to say? Nothing wrong--nothing
to shock a girl like her? You see," half apologetically, "his refusing
to see her makes one afraid----"

"I am as sure of him as of myself--surer," said Philip earnestly. "There
is nothing in his past to explain it--nothing."

"An early secret marriage; a wife he thought dead turning up again,"
suggested the father. "It sounds absurd, sensational--but after
all--there must be some reason."

"Not that," said Keir, getting up as he spoke. "Well then, I will see
him first thing in the morning, and communicate with you as soon as
possible after I have done so. You will tell Mrs. Trevannion and--and
Daisy that I will do my best?"

"My wife is still in the drawing-room. Will you not see her to-night?"

Philip shook his head.

"It is late," he said, "and I am dusty and unpresentable. Besides, there
is really nothing to say. To-morrow it shall be as you all think best. I
will see Mrs. Trevannion--and Daisy," here he flushed a little, but his
host did not observe it, "if you like and if she wishes it. Heaven send
I may have better news than I expect."

And with a warm pressure of his old friend's hand, Mr. Keir left him.

The two younger men met the next morning. There was no difficulty about
it, for Lingard, knowing by instinct that the interview must take place,
had determined to face it. So of the two he was the more prepared, the
more forearmed.

The conversation was long--an hour, two hours passed before poor Philip
could make up his mind to accept the ultimatum contained in the few hard
words with which Arthur Lingard first greeted him.

"I know what you have come about. I knew you must come. You could not
help yourself. But, Philip, it will save you pain--I don't mind for
myself; nothing can matter now--if you will at once take my word for it
that nothing you can say will do the least shadow of good. No, don't
shake hands with me. I would rather you didn't."

And he put his right arm behind his back and stood there, leaning
against the mantelpiece, facing his friend.

Philip looked up at him grimly.

"No," he said, "I've given my word to--to these poor dear people, and
I'll stick to it. You've got to make up your mind to a cross-examination,
Lingard."

But through or below the grimness was a terrible pity. Philip's heart
was very tender for the man whose inexplicable conduct was yet filling
him with indignation past words. Arthur was so changed--the last week or
two had done the work of years--all the youthfulness, the almost boyish
brightness, which had been one of his charms, was gone, dead. He was
pale with a strange indescribable pallor, that told of days, and worse
still, of nights of agony; the lines of his face were hardened; the lips
spoke of unalterable determination. Only once had Philip seen him look
thus, and then it was but in expression--the likeness and the contrast
struck him curiously. The other time it had been resolution temporarily
hardening a youthful face; now--what did it remind him of? A monk who
had gone through a life-time of spiritual struggle alone, unaided by
human sympathy? A martyr--no, there was no enthusiasm. It was all dull,
dead anguish of unalterable resolve.

There was silence for a moment. Keir was choking down an uncomfortable
something in his throat, and bracing himself to the inquisitorial
torture before him to perform.

"Well," said Arthur, at last.

And Philip looked up at him again.

How queer his eyes were--they used to be so deeply blue. Daisy had often
laughed at his changeable eyes, as she called them--blue in the daytime,
almost black at night, but always lustrous and liquid. Now, they were
glassy, almost filmy. What was it? A sudden thought struck Philip.

"Arthur!" he exclaimed, "Arthur, old fellow, are you going blind? Is
that the mystery? If it is that, good Lord, how little you know her, if
you think that----"

Arthur's pale lips grew visibly paler. He had been unprepared for attack
in this direction, and for the moment he quailed before it.

"No," he whispered hoarsely, "it is not that. Would to God it were!"

But almost instantly he had mastered himself, and from that moment
throughout the interview not even the mention of Daisy's name had power
to stir him.

And Philip, annoyed with his own impulsiveness, stiffened again.

"You are determined not to reveal your secret," he began, "but I want to
come to an understanding with you on one point. If I guess it, if I put
my finger on it, will you give me the satisfaction of owning that I have
done so."

Lingard hesitated.

"Yes," he said, "I will do so on one condition--your word of honour,
your oath, never to tell it to any human being."

"Not to--her--Daisy?"

"Least of all."

Philip groaned. This did not look very promising for the meeting with
Daisy, which at the bottom of his heart he believed in as his last--his
trump card.

Still, he had gained something.

"Then, my first question seems, in the face of that, almost a mockery. I
was going to ask you," and he half gasped--"it is nothing--nothing about
her that is at the root of all this misery? No fancy," again the gasp,
"that--that she doesn't care for you, or love you enough? No nonsense
about your not being suited to each other, or that you couldn't make a
girl of her sensitive, high-strung nature happy?"

"No," said Arthur, and the word seemed to ring through the room. "No, I
know she loves me as I love her. Oh, no, not quite like that, I trust,"
and his voice was firm through all the tragedy of the last sentence.
"And I believe I could have made her very happy. Leave her name out of
it now, Phil, once for all. It has nothing to do personally with the
woman who is, and always will be, to me my perfect ideal of sweetness
and excellence and truth and beauty."

"Then it has to do with yourself," murmured Keir. "Come, the radius is
narrowing. I flew out at poor Trevannion when he suggested it, but all
the same, it's nothing in your past you're ashamed of that's come to
light, is it? The best fellows in the world make fools of themselves
sometimes, you know. Don't mind my asking."

"I don't mind," said Arthur wearily, "but it's no use. No, it's nothing
like that. I have done nothing I am ashamed of. I am not secretly
married, nor have I committed forgery," with a very ghastly attempt at a
smile.

"Then," said Philip, "is it something about your family. Have you found
out that there's a strain of insanity in the Lingards perhaps? People
exaggerate that kind of thing now-a-days. There's a touch of it in us
all, I take it."

"No," said Arthur, again "my family's all right. I've no very near
relations except my sister, but you know her, and you know all about us.
We're not adventurers in any sense of the word."

"Far from it," agreed Philip warmly. Then for a moment or two he
relapsed into silence. "Does your sister--does Lady West know
about--about this mysterious affair?" he asked abruptly, after some
pondering.

"Nothing whatever. I, of course, was bound by every consideration not to
tell her--to tell no one anything till it was understood by--the
Trevannions. And I had no reason for consulting her or--any friend,"
Arthur replied.

He spoke jerkily and with effort, as if he were putting force on himself
to endure what yet he was convinced was absolutely useless torture.

But his words gave Keir a new opening, which he was quick to seize.

"That's just it," he exclaimed eagerly. "That's just where it strikes
me you've gone wrong. You should have consulted some one--not myself,
not your sister even; I don't say whom, but some one sensible and
trustworthy. I believe your mind has got warped. You've been thinking
over this trouble, whatever it is, till you can't see it rightly. You've
exaggerated it out of all proportion, and you shouldn't trust your own
morbid judgment."

Lingard did not answer. He stood motionless, his eyes fixed upon the
ground. For an instant a wild hope dashed through Philip that at last
he had made some impression. But as Arthur slowly raised his dim, worn
eyes, and looked him in the face, it faded again, even before the young
man spoke.

"To satisfy you, I will tell you this much. I have consulted one
person--a man whom you would allow was trustworthy and wise and good.
From him I have hidden nothing whatever, and he agrees with me that I
have no choice--that duty points unmistakably to the course I am
pursuing."

Again a flash of suggestion struck his hearer.

"One person--a man," he repeated. "Arthur, is it some priest? Have they
been converting or perverting you, my boy? Are you going over to Rome,
fancying yourself called to be a Trappist, or a--those fellows at the
Grande Chartreuse, you remember?"

For the second time during the interview, Arthur smiled, and his smile
was a trifle less ghastly this time.

"No, again," he said. "You're quite on a wrong tack. I have not the
slightest inclination that way. I--I wish I had. No, my adviser is no
priest. But he's one of the best of men, all the same, and one of the
wisest."

"You won't tell me who he is?"

"I cannot."

"And"--Philip was reluctant to try his last hope, and felt conscious
that he would do it clumsily--"Arthur," he burst out, "you will see
her--Daisy--once more? She has a right to it. You are putting enough
upon her without refusing this one request of hers."

He stood up as he spoke. He himself had grown strangely pale, and seeing
this, as he glanced at him, Lingard's own face became ashen.

He shook his head.

"Good God!" he said, "I think this might have been spared me. No, I will
not see her again. The only thing I can do for her is to refuse this
last request. Tell her so, Philip--tell her what I say. And now leave
me. Don't shake hands with me. I don't wish it, and I daresay you don't.
If--if we never meet again, you and I--and who knows?--if this is our
goodbye, thank you, old fellow, thank you for all you have tried to do.
Perhaps I know the cost of it to you better than you imagine. Good-bye,
Phil!"

Keir turned towards the door. But he looked back ere he reached it.
Arthur was standing as he had been--motionless.

"You're not thinking of killing yourself, are you?" he said quietly.

Arthur looked at him. His eyes had a different expression now--or was
it that something was gleaming softly in them that had not been there
before?

"No, no--I am not going to be false to my colours. I--I don't care to
talk much about it, but--I am a Christian, Phil."

"At least I can put that horrid idea out of the poor child's head,
then," thought Keir to himself. Though to Arthur he did not reply, save
by a bend of his head.

       *       *       *       *       *

Time passed. And in his wings there was healing.

At twenty-four, Daisy Trevannion, though her face bore traces of
suffering of no common order, was yet a sweet and serene woman. To some
extent she had outlived the strange tragedy of her earlier girlhood.

It had never been explained. The one person who might naturally have
been looked to, to throw some light on the mystery, Lingard's sister,
Lady West, was, as her brother had stated, completely in the dark. At
first she had been disposed to blame Daisy, or her family; and though
afterwards convinced that in so doing she was entirely mistaken, she
never became in any sense confidential with them on the matter. And
after a few months they met no more. For her husband was sent abroad,
and detained there on an important diplomatic mission.

Now and then, in the earlier days of her broken engagement, Daisy would
ask Philip to "try to find out if Mary West knows where he is". And to
please her he did so. But all he learnt was--what indeed was all the
sister had to tell--that Arthur was off again on his old travels--to
the Capricorn Islands or to the moon, it was not clear which.

"He has promised that I shall hear from him once a year--as near my
birthday as he can manage. That is all I can tell you," she said, trying
to make light of it.

And whether this promise was kept or no, one thing was certain--Arthur
Lingard had entirely disappeared from London society.

At twenty-five, Daisy married Philip. He had always loved her, though he
had never allowed her to suspect it; and knowing herself and her history
as he did, he was satisfied with the true affection she could give
him--satisfied, that is to say, in the hope and belief that his own
devotion would kindle ever-increasing response on her side. And his
hopes were not disappointed. They were very happy.

Now for the sequel to the story--such sequel, that is to say, as there
is to give--a suggestion of explanation rather than any positive
_denoument_ of the mystery.

They--Philip and Daisy--had been married for two or three years when one
evening it chanced to them to dine at the house of a rather well-known
literary man with whom they were but slightly acquainted. They had been
invited for a special reason; their hosts were pleasant and genial
people who liked to get those about them with interests in common.
And Keir, though his wings were now so happily clipt, still held his
position as a traveller who had seen and noted much in his former
wanderings.

"We think your husband may enjoy a talk with Sir Abel Maynard, who is
with us for a few days," Mrs. Thorncroft had said in her note.

And Sir Abel, not being of the surly order of lions who refuse to roar
when they know that their audience is eager to hear them, made himself
most agreeable. He appreciated Mr. Keir's intelligence and sympathy, and
was by no means indifferent to Mrs. Keir's beauty, though "evidently,"
he thought to himself, "she is not over fond of reminiscences of her
husband's travels. Perhaps she is afraid of his taking flight again."

During dinner the conversation turned, not unnaturally, on a subject
just at that moment much to the fore. For it was about the time of the
heroic Damien's death.

"No," said Sir Abel, in answer to some inquiry, "I never visited his
place. But I have seen lepers--to perfection. By-the-by," he went on
suddenly, "I came across a queer, a very queer, story a while ago. I
wonder, Keir, if you can throw any light upon it?"

But at that moment Mrs. Thorncroft gave the magic signal and the women
left the room.

By degrees the men came straggling upstairs after them, then a little
music followed, but it was not till much later in the evening than was
usual with him that Philip made his appearance in the drawing-room,
preceded by Sir Abel Maynard. Philip looked tired and rather "distrait,"
thought Daisy, whose eyes were keen with the quick discernment of
perfect affection, and she was not sorry when, before very long, he
whispered to her that it was getting late, might they not leave soon?
Nor was she sorry that during the interval before her husband made this
suggestion, Sir Abel, who had been devoting himself to her, had avoided
all mention of his travels, and had been amusing her with his criticism
of a popular novel instead. She could never succeed altogether in
banishing the painful association of Arthur Lingard from allusion to
her husband's old wanderings.

Poor Arthur! Where was he now?

"Philip, dear," she said, slipping her hand into his when they found
themselves alone, and with a longish drive before them, in their own
little brougham, "there is something the matter. You have heard
something? Tell me what it is."

Keir hesitated.

"Yes," he said, "I suppose it is best to tell you. It is the strange
story Sir Abel alluded to before you left the room."

"About--about Arthur? Is it about Arthur?" whispered she, shivering a
little.

Philip put his arm round her.

"I can't say. We shall perhaps never know certainly," he replied. "But
it looks very like it. Listen, dear. Some little time ago--two or
three years ago--Maynard spent some days at one of those awful leper
settlements--never mind where. I would just as soon you did not know.
There, to his amazement, among the most devoted of the attendants upon
the poor creatures he found an Englishman, young still, at least by his
own account, though to judge by his appearance it would have been
impossible to say. For he was himself far gone, very far gone in some
ways, in the disease. But he was, or had been, a man of strong
constitution and enormous determination. Ill as he was, he yet managed
to tend others with indescribable devotion. They looked upon him as a
saint. Maynard did not like to inquire what had brought him to such a
pass--he, the poor fellow, was a perfect gentleman. But the day Sir Abel
was leaving, the Englishman took him to some extent into his confidence,
and asked him to do him a service. This was his story. Some years
before, in quite a different part of the world, the young man had nursed
a leper--a dying leper--for some hours. He believed for long that he had
escaped all danger, in fact he never thought of it; but it was not so.
There must have been an unhealed wound of some kind--a slight scratch
would do it--on his hand. No need to go into the details of his first
misgivings, of the horror of the awful certainty at last. It came upon
him in the midst of the greatest happiness; he was going to be married
to a girl he adored."

"Oh, Philip, Philip, why did he not tell?" Daisy wailed.

"He consulted the best and greatest physician, who--as a friend, he
said--approved of the course he had mapped out for himself. He decided
to tell no one, to break off his engagement, and die out of her--the
girl's--life; not once, after he was sure, did he see her again. He
would not even risk touching her hand. And he believed that telling
would only have brought worse agony upon her in the end than the agony
he was forced to inflict. For he was a doomed man, though they gave him
a few years to live. And he did the only thing he could do with those
years. He set off to the settlement in question. Maynard was to call
there some months later on his way home, and the young man knew he would
be dead then, and so he was. But he showed Maynard a letter explaining
all, that he had got ready--all but the address--_that_, he would not
add till he was in the act of dying. There must be no risk of her
knowing till he was dead. And this letter Maynard was to fetch on his
return. He did so, but--there had been no time to add the address--death
had come suddenly. All sorts of precautions had been ordered by the poor
fellow as to disinfecting the letter and so on. But it did not seem to
Maynard that these had been taken. So he contented himself by spreading
out the paper on the sea-shore and learning it by heart, and then
leaving it. The sum total of it was what I have told you, but not one
name was named."

Daisy was sobbing quietly.

"Was it he?" she said.

"Yes, I feel sure of it," Philip replied. "For I can supply the missing
link. The one time I really quarrelled with Arthur was when we were in
Siberia. He _would_ spend a night in a dying leper's hut. I would have
done it myself, I believe and hope, had it been necessary. But by riding
on a few miles we could have got help for the poor creature--which
indeed I did--and more efficient help than ours. But Lingard was
determined, and no ill seemed to come of it. I had almost forgotten the
circumstance. I never associated it with the mystery that caused you
such anguish, my poor darling."

"It was he," whispered Daisy. "Philip, he was a hero after all."

"Not even you can feel that, as I do," Keir replied.

Then they were silent.

       *       *       *       *       *

A few weeks afterwards came a letter from Lady West, in her far-off
South American home. Daisy had not heard from her for years.

"By circuitous ways, I need not explain the details," she wrote, "I have
learnt that my darling brother is dead. I thought I had better tell you.
I am sure his most earnest wish was that you should live to be happy,
dear Daisy, as I trust you are. And I know you have long forgiven him
the sorrow he caused you--it was worse still for him."

"I wonder," said Daisy, "if she knows more?"

But the letter seemed to add certainty to their own conviction.




THE CLOCK THAT STRUCK THIRTEEN.


"You misunderstand me wilfully, Helen. I neither said nor inferred
anything of the kind."

"What did you mean then, for if words to you bear a different
interpretation from what they do to me, I must trouble you to speak in
_my_ language when addressing me," angrily retorted a young girl, with
what nature had intended to be a very pretty face with a charming
expression, but which at the present moment was far from deserving the
latter part of the description. Eyes flashing, cheeks burning and hands
clenched in the excess of her indignation, stood Helen Beaumont by the
window of her pretty little sitting-room, or "studio" as she loved to
call it, presenting a striking contrast to the peaceful scene without;
where a carefully tended garden still looked bright with the remaining
flowers of late September. Her companion, standing in the attitude
invariably assumed now-a-days by novelists' heroes, namely, leaning
against the mantelpiece, was a young man of equally prepossessing
appearance with her own. At first glance no one would have suspected him
of sharing any of the young lady's excitement, for his expression was so
calm as almost to merit the description of sleepy. Looking more closely,
however, the signs of some unusual disturbance or annoyance were to be
descried, for his face was slightly flushed and his blue eyes had lost
the look of sweet temper evidently their ordinary expression.

"What I meant to say, Helen, was not, as you choose to misinterpret it,
that I blame you for proper womanly courage and spirit, than which, I
consider few things more admirable, nor as you are well aware do I
admire the sweetly silly and affectedly timid order of young ladies. But
this I do mean and repeat, that I think your persistence in this foolish
scheme a piece of sheer bravado and foolhardiness, totally unworthy of
any sensible person's approval, and what is more----"

"Thank you, Malcolm, or rather Mr. Willoughby, I have heard quite
enough,"--and as she spoke, Helen turned from the window out of which
she had been gazing while Malcolm spoke, with, it must be confessed,
very little interest in the varied tints of the dahlias blooming in all
their rich brilliance on the terrace,--"I have heard quite enough, and
think myself exceedingly fortunate in having heard it now before it
is too late. You may imagine," she continued, "that I am speaking in
temper, but it is not so. I have for some time suspected, and now feel
convinced, that we are not suited to each other. Your own words bear
witness to your opinion of me, 'self-willed, foolhardy, unwomanly,' and
I know not what other pretty expressions you have applied to me, and for
my part I tell you simply that I cannot and will not marry a man whose
opinion of what a woman should be is like yours; and who insults me
constantly as you do, by telling me how far short I fall of his ideal.
Marry your ideal, Malcolm Willoughby, and I shall wish you joy of her.
Some silly little fool who dares not move a step alone in her bewitching
helplessness. But do not think to convert _me_ into such a piece of
contemptible inanity," and so saying she turned towards the door.

"Helen," said Malcolm quietly, so quietly that Helen was arrested in
spite of herself, "you are unjust, unreasonable and ungenerous. You know
that I never cared for any woman but you, you know that nothing pleases
me more than to witness your superiority in numberless particulars to
the general run of girls, and you know too the pride and pleasure I take
in your skill as an artist; but blinded by self-will you will not see
the perfect reasonableness of my request that you will abandon this
absurd expedition. If not for your own sake, at least do so for Edith's,
who is as you know left in your special charge by Leonard."

The first part of this speech seemed, to judge by Helen's transparent
countenance, likely to soften and move her, but the unlucky word
"absurd" and the tone in which Malcolm spoke, as if it was necessary to
remind her of her duty, effectually did away with any good result that
his remonstrance might have worked. She turned, with her hand on the
door, and saying, "I have told you my decision, Mr. Willoughby, and I
wish you good-evening," left the room. Malcolm remained behind, lost
in thought of no pleasurable nature. At last he too left the little
sitting-room, after first ringing the bell and ordering his horse to be
brought round. Making his way to the front entrance he there "mounted
and rode away," his spirits, poor fellow, by no means the better for
his visit.

It is time, I think, to explain the cause of the lovers' quarrel
above described. Helen and Edith Beaumont were orphans, left to the
guardianship of their brother Leonard, in whose house we have seen the
former. Delicacy, induced by a severe illness some months previously,
had obliged Mr. Beaumont, accompanied by his wife, to go for the autumn
and winter months to the south of France, leaving his sisters at home
under the nominal chaperonage of an elderly aunt, who performed her duty
to the perfect satisfaction of her nieces by letting them do exactly as
they liked. More correctly speaking, perhaps, exactly as Helen liked,
for the younger of the two, Edith, a girl of seventeen and four years
her sister's junior, could hardly be said to have likes or dislikes
distinct from those of Helen. Possibly Mr. Beaumont might not have left
the two to their own devices with so easy a mind, had he not quitted
home happy in the knowledge of Helen's engagement to his friend and
neighbour Malcolm Willoughby. The gentleman in question lived within a
few miles of our heroine's home, having succeeded some years before to
his father's property. His only sister, Mrs. Lindsay, was at this time
living with him for a few months while awaiting her husband's return
from India, and though some years older, was, next to her sister,
Helen's most valued friend and companion. Malcolm Willoughby was a man
of high character, peculiarly fitted, by his unusual amount of sterling
good sense, to be the guide of an impulsive, enthusiastic girl like
pretty Helen Beaumont, whom to know was to love, and who would have been
altogether charming but for her inordinate amount of self-will and
inveterate dislike to being, as she expressed it, "ordered" to do or not
to do whatever came into her head. She and her sister had real talent as
artists, and their spirited and well-executed landscapes bore but little
resemblance to the insipid productions of most young lady painters. To
improving herself in this direction Helen had devoted much time and
labour. Unfortunately, it had so absorbed her thoughts and desires that
in its pursuance she was inclined sometimes to forget what were for
her more important avocations. Helen's fortunate engagement to Mr.
Willoughby had for some time past corrected these only objectionable
tendencies in her character, and all had gone smoothly and happily till
the date at which our story commences, when, unluckily, some artist
friends had filled her head with their descriptions of the exquisite
autumn scenery, "effects of foliage," etc., to be seen in a mountainous
and hitherto little explored part of Wales. Her imagination, and through
her that of her sister Edith, ran wild on the subject, and now nothing
would satisfy her but a journey to the spot in question, by themselves,
in order that they might enjoy their freedom to the utmost, and revel in
the delight of painting some of the wonderful Welsh scenery described to
them. The idea had at first been mooted half in joke, but an impolitic
expression of strong disapprobation on the part of Mr. Willoughby had
done more to determine Helen on carrying it out than all the anticipated
artistic enjoyment.

"It will be just the opportunity I wanted," thought the foolish girl,
"of showing him that I do not intend to be a silly nonentity of a wife
with no opinion of my own, and hedged in by all the absurd old-fashioned
conventionalities which will not allow a woman to have an existence of
her own or give her opportunity to cultivate what talents she may
possess."

And once determined, Miss Helen remained inflexible. In vain Mr.
Willoughby remonstrated, in vain even their indulgent old aunt expressed
her horror at the idea of "two young girls scouring the country by
themselves," her own feebleness rendering her accompanying them out of
the question. Go to Wales Helen and Edith must, and go they would, till
at last the discussion with her _fiance_ terminated in the disastrous
manner above recorded.

I will not undertake to describe Helen's feelings, when, in the solitude
of her own room, she thought over what she had done. Had she herself
been obliged to put them into words, I believe she would have repeated
that she had not acted in temper and that the stand she had made for her
womanly freedom, as she would have expressed it, had been an act of
supreme heroism and devotion to the cause of right. She said all this
to herself and tried hard, very hard to believe it; and to stifle the
little voice at the very bottom of her heart which whispered that
she had behaved like a silly, self-willed, petted child, and shown
herself undeserving of so good a gift as the love of a man like
Malcolm Willoughby. The little voice was smothered for the time by
exaggerated anticipations of the delights of their tour and attempted
self-congratulations at her newly regained liberty to do as she chose;
for Malcolm did not come near her again, and it took all her pride to
hide from herself and others the shock she felt through all her being
when, in the course of a few days, she heard accidentally that Mr.
Willoughby was leaving home for an uncertain length of time.

"He has taken me at my word," thought she, "but of course I meant him to
do so," and she hurried on the preparations for their journey which they
were now on the eve of.

"You will at least take Maxwell," said Aunt Fanny timidly.

"Maxwell, aunt! No, thank you," said Helen ironically; "she would be
crying for her spring mattress the first night and thinking she was
going to die if she heard the wind howl. No, thank you, I mean to be
independent for once in my life, and so does Edith."

Other twenty-four hours saw our two young ladies on their way.
Unaccustomed as they were to travelling alone they got on very well for
the greater part of their journey, till they arrived at a certain
railway station in Wales, of name unpronounceable by civilised tongue,
but which sounded to them like that of the place where they were to
leave the railway. Never doubting but what they were right in so doing
Helen and Edith calmly descended from their carriage, watched the train
disappear in the tunnel hard by, and then began to make inquiries for a
conveyance to transport themselves and their luggage, white umbrellas,
easels and all, the five or six miles which they imagined were all that
divided them from their destination. A colloquy ensued with the most
intelligible of two or three fly-drivers, carmen, or whatever these
personages are called in Wales; but what was Helen's consternation on
learning that fifteen miles at least remained to be traversed; they
having left the railway at Llanfar, two stations too soon, instead of
remaining in it till they reached Llanfair, the point nearest to the
farm-house where lodgings had been taken for them. No chance of a train
to Llanfair till to-morrow morning, for the line was a new one, and the
traffic as yet but small. No prospect of a night's accommodation where
they were. Nothing for it but to trust to the driver's assurance that he
and his unpromising-looking horse could easily convey them to the
farm-house, with the inevitably unpronounceable name. With some
unconfessed misgivings Helen and Edith mounted the vehicle awaiting
them, and drove off along a muddy, jolting lane into the quickly
gathering gloom.

Shivering on her uncomfortable seat, did Helen wish herself at home
again in her own little sitting-room, with Aunt Fanny peacefully
knitting, Edith kneeling on the hearth-rug, and Malcolm's face bright
with the reflection of the ruddy log fire so welcome in autumn evenings;
all together as was their wont, enjoying "blind man's holiday"?

I think we had better not press the question too closely. However, "it's
a long lane that has no ending," and even this dreary journey gradually
drew to a close. They passed but few houses of any kind, one or two
straggling hamlets were left behind, and for some two or three miles the
road had been perfectly solitary, when they suddenly heard wheels
advancing to meet them, and in a few minutes a car like their own drove
towards them, and being hailed by their driver, drew up at their side. A
jabbering ensued of directions asked and given, and they again drove on.

"Are you sure you know the way?" said Helen timidly.

"Oh yes, miss," the driver answered confidently, and further informed
them that the car they had met, had just returned from their own
destination (being translated), the Black Nest Farm, having there
deposited a traveller who had taken the middle course of leaving the
railway at the intermediate stoppage between Llanfar and Llanfair. Other
three-quarters of an hour and they pulled up at last before a house
which the darkness prevented their seeing more of than that it was long
and low. They stumbled up the rough garden path, and in answer to their
knock, the door was opened by a tidy, clean-looking old woman, with a
flickering candle in her hand, evidently surprised at their appearance.
She had, she said, quite given up thoughts of their coming that night,
and feared the fire in the sitting-room was out. Thankful to have
reached the Black Nest at last, a chilly room seemed a smaller evil than
the two girls would have considered it at home; and after all, things
were not so bad, for the fire in the little farmhouse parlour, to which
their landlady conducted them, was not quite out, and a little judicious
coaxing soon brought it round.

Their hostess's and their own first idea was of course _tea_. What a
blessing, by the way, it is that British womankind in general, high and
low, rich and poor, old and young, have this _one_ taste in common!
Refreshed by the homely meal speedily set before them, Helen and Edith
proceeded, under the guidance of the old woman (apparently the only
inhabitant of the house), and the flickering candle, to inspect their
sleeping apartment. The result was not eminently satisfactory, for it
struck them as gloomy, ill-ventilated, and a long way from their
parlour, though but few rooms appeared to intervene between the two.
This puzzled them at the time, but was afterwards explained by the fact
that Black Nest Farm-house had originally consisted of two one-storeyed
cottages standing at some yards distance from each other, and which, on
becoming the property of one owner, had been united by a long passage;
which arrangement was looked upon in the neighbourhood as a triumph of
architectural ingenuity. On returning to their sitting-room Helen's eye
fell on a door beside their own which she had not before noticed, and
she inquired if that was a bedroom. To which the old woman replied in
the affirmative, but added that they could not have it, as it and a
small sitting-room opening out of it were engaged by a "strange
gentleman". And besides this, she added, the bedroom was not so
desirable for ladies, having a second, or rather third door to the
outside of the house. The only other room they could have was so small
that she did not think they would like it, but they should see for
themselves, and so saying she turned towards a recess in the passage.
Helen followed her, but the flickering candle suddenly throwing light in
a new direction, she gave a little exclamation of alarm at what appeared
at the first moment to be a very ugly grinning portrait high up on the
wall.

"It's only the clock, miss," said the old woman. "Though, to be sure, it
is quare," and as she spoke she threw the light more fully upon the
object that had startled Helen, which she now perceived to be a very
antique clock, standing high in a dark wooden case, and with the face
she had seen, peeping at you as it were from behind the dial-plate. An
ugly, coarsely painted face, with a disagreeably mocking expression it
seemed to Helen; nor was it the only repulsive feature in this very
remarkable clock, for the artist appeared to have outdone himself in the
grotesquely hideous devices at the bottom of the dial. Death's heads,
cross-bones, and other equally unpleasant objects of various kinds,
curiously intermingled with a condensed solar system, in which sun, moon
and stars appeared jumbled together haphazard. The general object of the
whole evidently being to bring before the spectator the ghastly side of
his future, and to read him a wholesome, but certainly not attractive,
homily on the shortness of life, and the speed with which time was
ticking away. Helen felt half fascinated by its hideousness.

"Dear me, what a very curious clock!" she ejaculated, and the old woman
repeated, with a little inward chuckle at what she evidently considered
the admiration drawn forth by her heirloom:--

"Yes, sure it _is_ quare."

An uncanny object it certainly was, and Helen felt relieved that the
room in its immediate vicinity was so small as to be out of the question
for the accommodation of her sister and herself. Re-entering the
sitting-room she found poor Edith looking so utterly worn-out that she
proposed that they should at once go to bed; which they accordingly did,
followed by the old woman with offers of assistance. Passing the door of
"the strange gentleman's" room, they heard sounds of some one moving
inside, and Edith sleepily remarked that she wondered what could have
brought a gentleman to an outlandish place like the Black Nest, unless,
like themselves, he came to take views in the neighbourhood. Helen
pricked up her ears at this and inquired of Mrs. Jones if their
fellow-lodger was an artist. Mrs. Jones thought not, but seemed
unwilling to pursue the topic of the strange gentleman further. In
rather a forced manner she changed the subject by inquiring if the young
ladies would like to hire her pony while there, as it was rough walking,
and her grandson Griffith, the only other inhabitant of the cottage, a
little lad of twelve, could lead it for them, and show them the way
whenever they chose. Helen gladly closed with the offer.

"Dear me, Mrs. Jones," she exclaimed "how very lonely you must be living
here with no one but a little boy. Have you no near neighbours?"

"None nearer than three miles ma'am, for the farm-men live at a
distance, save old Thomas in the last cottage you passed, but he is
bed-ridden. My widow daughter, Griffith's mother, was with me till she
took ill, two winters ago, and died before the doctor could get to her.
Yes, it is lonesome like in winter to be sure. It's not often that
gentry like you, miss, care to be in these parts so late in the year."

Further inquiries elicited that the nearest church was a good five miles
off, that there was no doctor nearer than Llanfar, that the butcher only
came in the winter once a fortnight and that irregularly; in consequence
of which the Black Nesters had often to depend upon their own scanty
resources, the roads being almost impassable in stormy weather.

"Don't you think it feels rather dreary, Helen?" said Edith, as she was
falling asleep.

"_Eerie_, rather, I should say," replied her sister, "but that, you
know, is the beauty of it. In the morning, I daresay, it will look
bright enough, but I confess I do not like that clock. Listen, can't
you hear its ticking, faintly, even here, at the end of that long
passage?"

"What clock do you mean? I saw no clock," said Edith, but almost before
Helen could answer, her soft regular breathing told that she was asleep.
Helen however, could not so quickly compose herself. She felt excited
and vaguely uneasy; and when she at last fell asleep, it was only to
have her discomfort increased, by absurd, yet alarming dreams. With
them all the ugly clock was grotesquely intermingled. Sometimes it was
herself, sometimes Edith, and once Malcolm, whom she fancied in some
position of terrible peril, always associated with the clock, and at
last she awoke with a half-smothered scream of horror at the most
frightful dream of all; in which the "strange gentleman," their
fellow-lodger, was pursuing her with a veil over his face, which just as
he caught her fell off, and disclosed, horrible to relate, the face on
the clock.

Edith started up as Helen convulsively clutched her, and exclaiming,
"What in the world is the matter?" really thought Helen was going out of
her mind when she replied, "That horrible clock;" and as she spoke, as
if invoked, the clock began to strike: "One, two, three, four," and so
on. "Is it never going to stop?" said Helen. Poor Edith, half asleep
still, listened with her.

"Edith, I am almost certain that clock struck _thirteen_," said Helen in
an awe-struck voice; and then they heard a door shut at the end of the
passage.

"Helen, you have been dreaming, and you are only half awake now," said
Edith. "It is not like you to waken me in this frightening way, please
let me go to sleep."

"I am very sorry," said Helen penitently, and she too closed her eyes
and tried hard to go to sleep, which of course she did, as soon as she
left off trying, and had made up her mind to lie awake till daylight.

The morning broke clear and fresh; and, as Helen had said, things in
general bore a very different aspect to that of the night before.
Indoors, the quaint old house now looked simply picturesque, and Mrs.
Jones the _beau ideal_ of a cheery old hostess. Even the face of the
clock, when Helen pointed it out to Edith, seemed to have lost its
mocking grin, and to be merely bidding them good-morning, with a comical
smile at the consternation it had awakened the night before.

Out-of-doors they soon turned their steps. There was no view from the
house, but a short voyage of discovery quickly explained to them their
locality. Black Nest Farm stood at the foot of a hill close on to the
high road, or what passed for such in that hitherto little frequented
neighbourhood. On the opposite side of the road but little was to be
seen, as the meadows were soon lost in a thick belt of wood; but
immediately behind the house was a tempting prospect, for there a little
winding path led up the hill to one of the spots Helen and Edith most
ardently desired to paint, and of which their friends had given them a
glowing description. It was rather a long walk to the Black Lake, Mrs.
Jones informed them, but their enthusiasm knew no bounds, and hardly
permitted them to do justice to their breakfast of ham and eggs,
home-made bread and home-churned butter. See them then starting on their
expedition,--their painting materials, and some creature comforts in the
shape of sandwiches and hard-boiled eggs, safely packed on the pony's
back, Griffith leading him and acting as guide. A pretty stiff pull it
was, enthusiasm notwithstanding, and rather hard work for the little
feet, sensibly shod in good strong boots it is true, but unaccustomed
nevertheless to mountain scrambling. But at last their circuitous path
brought them to the summit, and there a curious prospect broke upon
them. They stood at the edge of the great Welsh tableland. There it
stretched away before them, miles and miles beyond their view; a vast
expanse of wild, brown moor, unrelieved by tree or shrub, but here and
there dotted by great patches of what Edith at first sight took to be
"lovely emerald moss". Treacherous loveliness, for it told, as they
learnt from Griffith, of fearful bog-pits, down whose slimy sides once
slipped no man or beast could ever regain firm ground.

"What a horrible death that would be," said Helen, shuddering, "far
worse than regular drowning in clean water. It would be slow suffocation
in nasty, dirty mud."

A few minutes' careful walking brought them in sight of the Black Lake,
the special object of their excursion. And it certainly was well worth
coming to see, if not to paint; probably too, better seen in the
greyness of a late autumn day than in the summer sun, whose bright rays
reflected on its surface would have little harmonised with its character
of gloom and loneliness. The lake was equal to several acres in extent,
but from where they stood could not all be seen, as its farther end
was hidden by the undulations of the land. In colour it was a dull,
leaden grey, and looking at it, one's mind spontaneously reverted to
travellers' descriptions of the Dead Sea, for _dead_ was essentially the
word by which to describe it. There were no fish to be caught in it
Griffith told them, and as for its depth he had never heard tell of any
one's sounding it. The effect of the whole scene was very peculiar, and
so Helen and Edith felt it to be, as they stood gazing at the leaden
water and the great, apparently boundless moorland. It was difficult to
realise that they were so far above the ordinary haunts of men, for
there was nothing in that great plain to remind them of the existence
even of hills and mountains, except a steady-blowing breeze of that
peculiar freshness pertaining only to sea or mountain air. Pleasantly
invigorating at first, but soon becoming too chilly to make one care to
stand about, or, worse still, to _sit_, as our young ladies now
prepared to do.

"We are very lucky in the weather," remarked Helen, as they prepared for
their sketching. "I should fancy it is just the day to see the lake to
the best advantage."

"Or disadvantage," said Edith, "for I do think it is the most horrible
place I ever saw. I don't know," added she dreamily, "but what it would
seem even more desolate on a bright, sunny day. I don't know why."

"I understand how you mean," replied her sister, "the contrast would be
so strange. Like a skeleton dressed in a golden robe. Dear me, I am
becoming quite poetical. But look, Edith, how do you like this?" And a
consultation on their work ensued.

Very cold work it became, as it grew to afternoon, notwithstanding the
pleasurable excitement of their occupation, and Edith, for one, was not
sorry when Helen at last thought it time to pack up their painting
materials and turn homewards. A drizzling rain began to fall as they
neared the foot of the hill, and they both felt thankful to reach the
farm-house,--tired, muddy and damp, and in not _quite_ such high
spirits as when they set off on their expedition. A savoury odour
meeting them on their entrance, Helen suddenly bethought herself that
she had utterly forgotten to order anything for their "high tea," or
whatever one likes to call the said incongruous meal. It was therefore
an agreeable surprise to her after remembering her neglect to see on
entering their little sitting-room the brightest of fires, and the table
daintily set out with evident preparation for a tempting repast; part of
which, in the shape of a delicious-looking ham, "a new-made pat of
butter and a wheaten loaf so fine," had already made its appearance.
Damp clothes and muddy boots discarded, they sat down with an excellent
appetite to their meal, and the savoury odour which had greeted them was
soon explained by the appearance of Mrs. Jones bearing a chicken stewed
in mushrooms.

"Mushrooms!" exclaimed Helen, "the thing of all others I like. How
clever you are, Mrs. Jones, to get us all these good things! I shall
leave our food to your providing, I think, in future."

Mrs. Jones laughed and said a friend had sent some things from Llanfar,
and a friend also had gathered the mushrooms, the last of their season,
thinking the young ladies might like them.

"Your friends are as good as yourself then, Mrs. Jones," said Helen; but
as she spoke she was startled by what sounded like a half-smothered
laugh or exclamation of some kind just outside the door. Almost at the
same moment her friend the clock began to strike, and she therefore
fancied the sound she had heard must have come from it. "Its internal
arrangements are, I daresay, as peculiar as its outside," thought she to
herself, and refrained therefore from mentioning to Edith what she
thought she had heard. All the rest of the evening, however, though she
would hardly have owned it to herself, she felt a little nervous and
uneasy, particularly when she heard the clock strike.

"I wonder what our fellow-lodger does with himself all day," said Edith
that evening.

"I am sure I don't know, or care either," said Helen, "indeed, I hardly
believe there is such a being at all."

They went early to bed, and fell quickly asleep. After having slept, it
seemed to her for several hours, Helen woke suddenly with the feeling
that something had wakened her, and found that the clock was busy
striking, and to her confused fancy had been striking for ever so long
before she woke. Its strokes ceased before she was sufficiently awake to
count them, but a moment or two afterwards she heard a door shut as it
had done the night before.

"It is very annoying that I can't get a good night's rest here," thought
she. A whispered "Helen," told her that Edith too was awake.

"The clock _did_ strike thirteen," said Edith, "and there _must_ be
somebody in that room, for I heard the door shut again."

"And so did I," said Helen, whereupon they lay still in awe-struck
silence, till they both fell fast asleep again.

The next day was Saturday, and though somewhat stiff and tired with
their exertions, Friday's programme was repeated. The sketches proceeded
satisfactorily, but our heroines were less fortunate in other respects,
for just as they were about to leave the Black Lake in the afternoon,
the rain came on in torrents. Long before they got back to the
farm-house the poor girls were thoroughly drenched. Edith escaped with
no ill results, but Helen sat shivering over the fire all the evening,
passed an uneasy night in which it seemed to her that the clock never
left off striking at all, and woke on Sunday morning with every symptom
of a delightfully bad cold. The prospect outside was not cheering. Rain,
rain, rain. Down it came in torrents. No chance of making their way to
the five miles' off church, no chance even of a quiet stroll along the
lanes; and, worst of all, no books to read, for such a possibility as a
whole day in the house had never presented itself to their inexperienced
imaginations! It was very dull. Helen was almost cross with Edith for
being so exceedingly sympathetic. It was kind of course, but provoking
nevertheless, as to Helen's sensitiveness it seemed to convey a tacit
reproach. She would not allow to herself that they were at all to be
pitied. All the same she was not sorry when the time came at last for
them to go to bed.

"I wish we had brought some sherry with us," said Edith. "A little white
wine whey would have been the very thing for your cold."

"What's the good of wishing," replied her sister rather snappishly, "you
had better call Mrs. Jones and ask her to make me some gruel." But on
Mrs. Jones's appearance, and when the request had been made, both the
girls felt rather surprised at her volunteering the very thing they had
been wishing for.

She had, she said, "some very nice sherry wine, given her by a friend,"
and many years ago, when she was in service in Chester, she had learnt
to make white wine whey. Sure enough a tempting-looking basinful shortly
after made its appearance.

Thanks to its soporific influence Helen soon fell asleep, but woke (as
she had got strangely into the habit of doing) just at midnight, or
as Edith had taken to calling it, "thirteen o'clock". The clock was
half-way through its striking when she woke, and a sudden impulse seized
her to jump up, and, opening the door slightly, to peep out and either
see who it was that always shut a door after the clock struck, or, by
seeing nothing, satisfy herself that the sound had all along been merely
the creation of her own and Edith's imagination.

She opened the door very cautiously, and instantly perceived that there
was a light at the end of the passage in the recess where stood the
clock. Helen's heart beat more loudly, and she wished devoutly that she
had allowed her curiosity to remain unsatisfied, when to her horror the
light moved out of the recess, and she saw that it was held by a tall
dark figure with its back turned towards her. The passage was so long
and the light flickered so much that it was impossible for her to
distinguish anything but the general outline of the person who held it.
Not Mrs. Jones or Griffith, assuredly, but poor Helen was too frightened
to do more than lock the door with her trembling fingers and leap back
into bed, thereby awakening Edith, who on hearing Helen's story calmly
assured her that she had either been dreaming, or had seen the strange
gentleman their fellow-lodger whose existence Helen had rashly dared to
question. Oddly enough she had forgotten all about him, and felt
somewhat relieved by Edith's matter-of-fact solution.

"Only what should he be doing at the clock at this time of night? I hope
he is not out of his mind;"--to which Edith replied:--

"I do believe he gets up to make it strike thirteen on purpose to tease
us."

Monday morning wore a more promising aspect than Sunday, for such clouds
as there were, bespoke nothing worse than showers, and our young ladies
succeeded in obtaining an hour or two's sketching at the lake. Helen,
however, felt still considerably the worse of her terrible wetting,
and was actually the first to propose that they should return to the
farm-house. Somewhat weakened by her cold, and tired too, she mounted
the little pony at Edith's suggestion, and they were proceeding cheerily
enough on their way--Griffith, loaded with their painting materials,
some little distance behind--when a stumble on the pony's part brought
him suddenly to the ground. Helen had been paying little attention to
her steed, and, unprepared for the shock, fell on her side with some
little force. A most undignified procedure had there been any one to
witness it, but which would have drawn forth nothing but a laugh had it
not been that in the fall her foot caught in the stirrup. Her sharp cry
of pain terrified Edith, who, however, soon succeeded in disentangling
her, as the poor little pony remained perfectly quiet, but a moment's
examination, and a vain attempt to stand, showed them that the ankle was
badly sprained. All that could be done was to mount Helen again as well
as Edith and Griffith could manage, and to make the best of their way
home. Arrived there, hot applications soon reduced the pain, but it was
easy to be seen, even by their inexperienced eyes, that Helen must not
attempt to move for several days to come.

Here was a charming ending to their expedition! Helen, even, felt
woefully disconcerted, and poor Edith fairly began to cry.

"If it were not that you would not like it, I would write to Mrs.
Lindsay to come and nurse you," said Edith, "she is so good and kind,
and I know she would come in a minute, for she has nothing to prevent
her."

"Mrs. Lindsay! Edith," exclaimed Helen indignantly, "the very last
person I would apply to, however good and kind she may be. Do you really
think that. I would put myself under such an obligation to the sister of
the man I have----" "Quarrelled with for nothing at all," said the
little voice at the bottom of her heart. Edith said nothing, but for the
first time in her life took an independent resolution and acted upon it.
Her love for Helen conquered her fear of displeasing her. What this
resolution was we shall not disclose, nor shall we tell whose hand
addressed a letter to Mrs. Lindsay carried that evening by the post-boy
to Llanfar. The strangest coincidence was that _two_ letters bearing the
same direction left the Black Nest Farm that evening.

Tired out with the pain of her ankle, Helen, for the first time since
their arrival, slept past midnight and only woke to hear the clock
strike five. All too soon for her comfort, for her thoughts were none
of the brightest, as she lay waiting for the daylight. Her folly, her
headstrong determination, right or wrong, to carry out her own way,
began to show themselves to her more clearly; or rather, she began to
allow herself to see them in their true light. And when at last the
morning came, and she was established for the day on the hard little
horse-hair sofa in their sitting-room, her spirits were not improved by
the perusal of a letter from her Aunt Fanny. The good old lady, after
deploring their absence and pathetically describing her anxiety on their
behalf, made mention of a visit from Mrs. Lindsay, who had come to tell
her how unhappy she was about her brother. "He left home," wrote Aunt
Fanny, "two days after that unfortunate conversation with you without
telling his sister what was the matter. At least she only gathered that
something unpleasant had happened from his saying that you were leaving
home, and that he did not expect to see you before you went. He left no
direction beyond telling her to write to his club, which she has done
two or three times, but got no answer. She says he looked so unlike
himself that she fears he has fallen ill somewhere and cannot write to
tell her. Oh, Helen, I do wish you had never thought of this
expedition."

"How very silly Mrs. Lindsay is to be so fanciful," said Helen, in which
view of the case tender-hearted little Edith did not at all agree,
though she hardly dared to say so. They spent a dull day, for Edith
would not consent to leave her sister, and their paintings were at a
standstill for want of another day's sketching from the original.

"To-morrow, Edith," said Helen, "you might go to the lake for an hour or
so without me and finish your sketch, and I might go on with mine from
yours," to which Edith made no objection.

By night Helen's feverish uneasiness had increased, and Edith secretly
congratulated herself on her resolute step of the day before. And a
wretched night followed. In reality Helen was very anxious and unhappy
about Malcolm Willoughby, and her dreams were full of terrors that
something had befallen him. Through all, the disagreeable clock again
thrust forward its ugly face, and she woke in an indescribable state of
horror, fancying that the clock was standing by her bedside, striking
loudly in her ears to a kind of "refrain" of the words: "I told you so.
I told you so." Of course the clock _was_ striking, and had evidently
awakened her by so doing.

"Thirteen again," whispered Edith, "it is really very disagreeable."

"It sounds to _me_ like the voice of my conscience," said Helen,
"warning me that some terrible punishment is coming upon me for my
wicked folly. Yes, Edith, I see it all now, and as soon as ever I can
move we shall go home, and I shall ask poor Aunt Fanny to forgive me. I
wish every other consequence of my wrong-doing could be done away with
as easily as her displeasure." And all her pride broken down, poor Helen
burst into tears, and Edith's affectionate words of soothing were of no
avail to stop her sobs. She felt rather better in the morning however,
partly, perhaps, because the day was bright and sunny. About mid-day
she fell into a doze on her sofa, and waking after an hour's sleep was
surprised to miss Edith. A note in pencil pinned to the table-cover
caught her attention. It bore these words: "You are so nicely asleep I
don't like to waken you. I shall come back as early as I can, but don't
be alarmed if I am a little later than you expect."

"She has gone to finish the sketch," thought Helen uneasily. "I wish I
had not asked her to do so, it looks dull and overcast."

She rang the hand-bell for Mrs. Jones, who appeared with a basin of
soup, and told her that the young lady had set off a quarter of an hour
before.

"It can't be helped now," said Helen, "but I wish I had not proposed
it."

The afternoon seemed long and dull, and yet Helen felt sorry when it
began to close in, for no Edith had yet appeared. Still it was not later
than they had been out together more than once. Helen tried to think it
was not yet dusk outside, but felt this comfort fail her when it
gradually grew so indisputably dark that Mrs. Jones brought in candles
without her asking for them.

"Are you not uneasy about my sister and Griffith, Mrs. Jones?" said
Helen; but her anxiety was tenfold increased when Mrs. Jones replied
calmly:--

"Griffith is not with the young lady to-day. I had to send him a message
to Llanfair, and as like as not he will stay at his uncle's till the
morning. The young lady said it did not matter, and I saddled the pony
for her myself."

"Griffith not with her!" exclaimed Helen. "Oh, Mrs. Jones, what will
become of her?"

"Don't be alarmed, miss," said the old woman, "the pony is very steady,
and the darkness comes on so sudden-like, it seems later than it is."

And with this scanty consolation Helen was obliged to remain satisfied.
Mrs. Jones stirred up the fire and set the tea all ready, but Helen grew
sick at heart as the time went on, and still no Edith. Six, struck the
clock, and ticked on again to seven. Helen could bear it no longer.

"Mrs. Jones," cried she, "can you not get any one to go to look for my
sister? She may be on her way down the hill, and have got into some
difficulty with the pony."

"Indeed, miss, I don't know what I can do. There's no one nearer than
old Thomas and he can't move."

"The strange gentleman!" said Helen suddenly; "your other lodger. Would
he not help me?"

"He has been out since early this morning," replied Mrs. Jones, "and he
told me he was not sure of being back to-night. He has gone to meet a
friend."

Helen felt more in despair than before. It seemed an aggravation of her
anxiety to have to lie still on the sofa doing nothing. Indeed had she
been able to do so, nothing would have prevented her making her way to
the Black Lake, and too probably losing her own life in the endeavour to
save her sister's. As it was, she managed at last to drag herself to the
door in hopes of hearing footsteps up the path, but nothing broke the
silence save the tick, tick of the clock. It wore on to nine, despite
her wretchedness and indescribable anxiety. She pictured to herself her
sister, her dear little Edith, left so specially in her charge, cowering
on the moor, alone in that dreary darkness, sobbing in despair of ever
finding her way out of that frightful desert. Or, worse still, lying
cold and dead in one of those fearful pits under the mockingly beautiful
moss; whence, in all probability, her poor body even would never be
recovered. It was too frightful. Helen almost shrieked aloud: "Oh, my
darling, my little sister, come back, do come back. Oh, Malcolm, if
only you were here. How terribly I am punished for my self-will!" And
terribly punished she was, for the memory of that night's suffering was
too painful to recall in after years without a shudder. Mrs. Jones was
in helpless distress, though in hopes of every moment hearing the pony
and the young lady at the gate, and she returned to her own domains
saying she had better have hot water ready as Miss Edith would be
fainting for her tea. Helen remained alone at the window of the
sitting-room.

The night was fine but very dark. Darker than she had ever seen a night
before, it seemed to Helen. She was almost in a stupor of despair. She
sank down half-unconsciously before the fire and never knew how long she
had lain there when she was roused by the clock striking. "One, two,
three, four,"--she counted aloud as if bewitched, till when it got to
the fatal _thirteen_, her over-strained nerves gave way, and with a
scream she ran or stumbled, she knew not how, along the passage to seek
for Mrs. Jones. As she passed the front-door she was arrested by the
sharp sounds of steps coming quickly up the garden path. The door was
pushed open. The only light was what came through the open door of the
room she had just left, and she could distinguish nothing but a tall
dark figure hurrying towards her. She screamed with terror but stood,
unable to move, when to her intense relief a voice from behind the
person she saw, exclaimed eagerly: "Helen, dearest Helen, don't be
frightened. I am quite safe," and some one rushed past the tall person,
now close to her, and kissing her passionately, Helen felt, rather than
saw, that it was Edith.

"Malcolm! Malcolm! she is fainting!" called Edith, and the tall person
pressed forward, caught her up in his arms like a baby, and, unconscious
now of everything, Helen was carried back into the sitting-room, laid on
the hard little sofa, and there held tenderly by the strong yet gentle
arms whose protecting care she, poor foolish child, had fancied she
could so well dispense with.

It was the first time in her life that Helen Beaumont had ever fainted,
and it was not long before she began to recover.

"Malcolm! oh, Malcolm!" were her first words on returning consciousness
(and it seemed to her afterwards as if some one else had spoken them for
her, her good angel perhaps!), "can you ever forgive me?"

"My darling," was the whispered answer, "you know you need not ask it."
And then Helen felt as if she were just going to die, but was too happy
to care, and too languid to ask even how all this had come about. But
now a third person came forward saying:--

"Malcolm, let me stay beside her," and, wonderful to tell, the sweet
voice and kind face were Mrs. Lindsay's. Helen thought she must be
dreaming, but lay still as she was told, and then drank something or
other Mrs. Lindsay brought her; so before long she was able to sit up
and begin to wonder what was the meaning of it all.

"Are you not amazed, Helen?" said Edith; "but first of all you must
forgive me for frightening you so, for indeed I have been nearly as
wretched as you, thinking of what you must have been feeling." And
before Helen could reply the eager girl ran on with her explanations.
"Who do you think has been our fellow-lodger all this time, Helen? Who
do you think is the 'strange gentleman'? Only fancy Malcolm's having
been here ever since we came! It was he that travelled by the same
train, and seeing as it moved off at Llanfar that we had got out, he did
so at the next station, and arrived here before us. He had inquired
about Mrs. Jones, and heard what a good creature she was; and he had
time to have a talk with her, and to take her to some extent into his
confidence."

Helen looked at first, as this recital went on, as if she were wavering
between a return to her old dislike to being interfered with, and
gratitude to Malcolm for his undeserved devotion. The good angel
triumphed, as Malcolm, who was watching her anxiously, quickly
perceived.

"I did not interfere with you, Helen," he said in a low voice, "but it
was the greatest comfort to me to be able to protect and care for you,
even though you did not know it."

The tears started to Helen's eyes.

"Oh, Malcolm, I know how good you are, but----"

"Never mind any 'buts,'" said Mrs. Lindsay brightly, catching the last
word. "'All's well, that ends well.'"

"I know now who foraged for us so successfully," said Edith. "Who was
the mysterious friend that gave Mrs. Jones the mushrooms!"

"And nearly betrayed myself by laughing at the door, when passing I
heard Helen's enthusiastic thanks to Mrs. Jones," said Malcolm.

"Yes, and frightened me horribly by so doing," added Helen, "as I really
began to think that clock was bewitched, and had a special ill-will
against me. In fact it took the place of my conscience for the time
being."

"I have the very greatest regard for the clock," said Malcolm demurely,
"and I intend to make Mrs. Jones an offer for it forthwith."

"Please don't," said Helen piteously. "I daresay it is very silly, but I
really don't quite like that clock, though, after all, its warning of
ill-luck has brought the very reverse to me. But I have not heard yet
what kept Edith out so late, or how in the world you and Mrs. Lindsay
met her at the Black Lake."

"The Black Lake?" said Mrs. Lindsay, "what do you mean?"

Whereupon Edith hastened on with that part of her story relating to her
own adventures. She, it appeared, feeling confident in Mrs. Lindsay's
ready kindness, and never doubting but what she would at once respond to
her appeal by coming to nurse Helen, instead of going to the Black Lake
to sketch, as Helen imagined, set off on the pony to meet her friend
at the station, having proposed to her to come by a certain train.
Overtaking Griffith on the road to Llanfair, as she expected from Mrs.
Jones's account, he accompanied her to the village, where she gave over
the pony to his care. As she entered the station she saw a return train
about to start for the Junction about half an hour's journey from where
she was. Finding by her watch that she was in ample time, it struck her
that she might as well go so far to meet her friend, but on arriving at
the Junction she was startled to find that with the new month a change
had taken place in the trains, and that consequently Mrs. Lindsay could
not arrive till late in the evening. Worse still she herself could not
now get back to Helen till she was frightened to think what hour, the
evening train in question not going farther than Llanfar, the station
near the Junction at which she and her sister had by mistake got out on
their arrival, and which was fifteen miles from the Black Nest. It is
needless to describe her distress of mind all the long hours she had to
sit in the little waiting-room at the Junction; or her corresponding
delight when, on the train coming up, she descried looking out of a
window the familiar face of Malcolm Willoughby, and found that he was
accompanied by his sister whom he had gone to meet half-way on her
journey.

Helen woke at noon the next day feeling indescribably happy, she could
not tell why till the sight of Mrs. Lindsay's sweet face recalled to her
mind all her misery of the night before and the relief and happiness
with which it had ended.

"How little I deserve it!" thought she humbly and gratefully, "and how
can I ever repay Malcolm for his goodness?"

Their dull little parlour looked very different now that it was
enlivened by the presence of the two newcomers; and Helen could scarcely
believe it to be the same room in which, but yesterday, she had passed
hours of such agonising suspense. So thoroughly penitent and softened
did she feel that she offered no opposition to anything proposed, and it
was therefore arranged that as soon as Helen was well enough to travel
they should all return home together to relieve poor Aunt Fanny's
anxiety.

"I wonder," said Helen, with a little sigh, a few days afterwards, when
they were packing up their painting materials, "I wonder if I shall ever
finish my sketch of the Black Lake."

"I don't like to make rash promises," said Malcolm, "but if somebody I
know is _very_ good perhaps next summer she may see the Black Lake
again, provided she will neither catch cold nor tumble off her pony."

Edith laughed and Helen blushed.

"But there's one thing still," said Edith, "which I don't understand.
Why, Malcolm, did you always shut your door as the clock struck
thirteen?"

"Very simply explained," replied he. "The first night I was here I was
sitting up reading till midnight and thought I heard it strike thirteen.
I thought it very odd, and for a night or two I listened till it began
to strike and then opened my door to make sure I was not mistaken. And
one night I went out with my candle to examine the clock, trying to make
out the cause of it, and to see if I could put it right. No man, they
say, can resist meddling with a clock even though he is no mechanical
genius."

"All the same," said Edith triumphantly, "notwithstanding your
examinations, you and no one else can tell the reason why that clock
does strike thirteen."


THE END.

ABERDEEN UNIVERSITY PRESS




TRANSCRIBER'S NOTE


Hyphenation is inconsistent; in a small number of instances, missing
punctuation has been added.

A duplicated word "than" was removed from the sentence "...of a "home"
than she had ever had before."

Several obvious misspellings have been corrected. The following
additional change was made to punctuation in keeping with the logic of
the plot (original is followed by corrected version):

    The more I thought it over the more striking grew the
    coincidences at Finster. It had been on one of the closed doors
    that the shadow seemed to settle, as again here in our own hall.

    The more I thought it over the more striking grew the
    coincidences. At Finster it had been on one of the closed doors
    that the shadow seemed to settle, as again here in our own hall.





End of the Project Gutenberg EBook of Uncanny Tales, by Mary Louisa Molesworth

*** END OF THIS PROJECT GUTENBERG EBOOK UNCANNY TALES ***

***** This file should be named 35641.txt or 35641.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/5/6/4/35641/

Produced by Delphine Lettau and the Online Distributed
Proofreading Canada Team at http://www.pgdpcanada.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.