The Project Gutenberg EBook of Works Of George W. Peck, by George W. Peck
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Works Of George W. Peck
A Linked Index to the Project Gutenberg Editions of The
"Bad Boy" Series and Others
Author: George W. Peck
Editor: David Widger
Release Date: May 25, 2009 [EBook #28970]
Last Updated: February 2, 2019
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK WORKS OF GEORGE W. PECK ***
Produced by David Widger
DETAILED CONTENTS:
CHAPTER I.
THE BOY WITH A LAME BACK—THE BOY COULDN'T SIT DOWN—A PRACTICAL JOKE ON
THE OLD MAN—A LETTER FROM "DAISY "—GUARDING THE FOUR CORNERS—THE OLD
MAN IS UNUSUALLY GENEROUS—MA ASKS AWKWARD QUESTIONS—THE BOY TALKED TO
WITH A BED SLAT—NO ENCOURAGEMENT FOR A BOY
CHAPTER II.
THE BOY AT WORK AGAIN—THE BEST BOYS FULL OF TRICKS—THE OLD MAN
LAYS DOWN THE LAW ABOUT JOKES—RUBBER HOSE MACARONI—THE OLD MAS's
STRUGGLES—CHEWING VIGOROUSLY BUT IN VAIN—AN INQUEST HELD—REVELRY BY
NIGHT—MUSIC IN THE WOODSHED—"'twas ever thus."
CHAPTER III.
THE BAD BOY GIVES HIS PA AWAY—PA IS A HARD CITIZEN—DRINKING
SOZODONT—MAKING UP THE SPARE BED—THE MIDNIGHT WAR DANCE—AN
APPOINTMENT BY THE COAL-BIN.
CHAPTER IV.
THE BAD BOY'S FOURTH OF JULY.—PA IS A POINTER, NOT A SETTER—SPECIAL
ARRANGEMENTS FOR THE FOURTH OF JULY—A GRAND SUPPLY OF FIREWORKS—THE
EXPLOSION—THE AIR FULL OF PA AND DOG AND ROCKETS—THE NEW HELL—A SCENE
THAT BEGGARS DESCRIPTION.
CHAPTER V.
THE BAD BOY'S MA COMES HOME.—DEVILTRY, ONLY A LITTLE FUN—THE BAD
BOY'S CHUM—A LADY'S WARDROBE IN THE OLD MAN'S ROOM—MA's UNEXPECTED
ARRIVAL—WHERE IS THE HUZZY?—DAMFINO!—THE BAD BOY WANTS TO TRAVEL WITH
A CIRCUS
CHAPTER VI.
HIS PA IS A DARN COWARD—HIS PA HAS BEEN A MAJOR—HOW HE WOULD DEAL WITH
BURGLARS—HIS BRAVERY PUT TO THE TEST—THE ICE REVOLVER—HIS PA BEGINS
TO PRAY—TELLS WHERE THE CHANGE IS—"PLEASE MR. BURGLAR SPARE A POOR
MAN'S LIFE!"—MA WAKES UP—THE BAD BOY AND HIS CHUM RUN—FISH-POLE
SAUCE—MA WOULD MAKE A GOOD CHIEF OF POLICE
CHAPTER VII.
HIS PA GETS A BITE.—"HIS PA GETS TOO MUCH WATER"—THE DOCTOR'S
DISAGREE—HOW TO SPOIL BOYS—HIS PA GOES TO PEWAUKEE IN SEARCH OF HIS
SON—ANXIOUS TO FISH—"STOPER, I'VE GOT A WHALE!"—OVERBOARD—HIS PA IS
SAVED—A DOLLAR FOR HIS PANTS.
CHAPTER VIII.
HE IS TOO HEALTHY—AN EMPTY CHAMPAGNE BOTTLE AND A BLACK EYE—HE IS
ARRESTED—OCONOMOWOC FOR HEALTH—HIS PA. IS AN OLD MASHER—DANCED TILL
THE COWS CAME HOME—THE GIRL FROM THE SUNNY SOUTH—THE BAD BOY IS SENT
HOME
CHAPTER IX.
HIS PA HAS GOT 'EM AGAIN.—HIS PA IS DRINKING HARD—HE HAS BECOME A
TERROR—A JUMPING DOG——THE OLD MAN IS SHAMEFULLY ASSAULTED—"THIS IS
A HELLISH CLIMATE MY BOY!"—HIS PA SWEARS OFF—HIS MA STILL SNEEZING AT
LAKE SUPERIOR
CHAPTER X.
HIS PA HAS GOT RELIGION—THE BAD BOY GOES TO SUNDAY SCHOOL—PROMISES
REFORMATION—THE OLD MAN ON TRIAL FOR SIX MONTHS—WHAT MA THINKS—ANTS
IN PA'S LIVER-PAD—THE OLD MAN IN CHURCH—RELIGION IS ONE THING, ANTS
ANOTHER
CHAPTER XI.
HIS PA TAKES A TRICK—JAMAICA RUM AND CARDS—THE BAD BOY POSSESSED OF
A DEVIL—THE KIND DEACON—AT PRAYER-MEETING—THE OLD MAN TELLS HIS
EXPERIENCE—THE FLYING CARDS—THE PRAYER-MEETING SUDDENLY CLOSED
CHAPTER XII.
HIS PA GETS PULLED—THE OLD MAN STUDIES THE BIBLE—DANIEL IN THE LIONS'
DEN—THE MULE AND THE MULE'S FATHER—MURDER IN THE THIRD WARD—THE OLD
MAN ARRESTED—THE OLD MAN FANS THE DUST OUT OF HIS SON'S PANTS
CHAPTER XIII.
HIS PA GOES TO THE EXPOSITION—THE BAD BOY ACTS AS GUIDE—THE CIRCUS
STORY—THE OLD MAN WANTS TO SIT DOWN—TRIES TO EAT PANCAKES—DRINKS SOME
MINERAL WATER—THE OLD MAN FALLS IN LOVE WITH A WAX WOMAN—A POLICEMAN
INTERFERES—THE LIGHTS GO OUT—THE GROCERY MAN DON'T WANT A CLERK
CHAPTER XIV.
HIS PA CATCHES ON—TWO DAYS AND NIGHTS IN THE BATHROOM—RELIGION CAKES
THE OLD MAN'S BREAST—THE BAD BOY'S CHUM DRESSED UP AS A GIRL—THE OLD
MAN DELUDED—THE COUPLE START FOR THE COURT HOUSE PARK—HIS MA APPEARS
ON THE SCENE—"IF YOU LOVE ME, KISS ME?"—MA TO THE RESCUE—"I AM DEAD
AM I?"—HIS PA THROWS A CHAIR THROUGH THE TRANSOM
CHAPTER XV.
HIS PA AT THE RE-UNION—THE OLD MAN IN MILITARY SPLENDOR—TELLS HOW HE
MOWED DOWN THE REBELS—"I AND GRANT"—WHAT IS A SUTLER.—TEN DOLLARS FOR
PICKLES!—"LET US HANG HIM!"—THE OLD MAN ON THE RUN—HE STANDS UP TO
SUPPER—THE BAD BOY IS TO DIE AT SUNSET
CHAPTER XVI.
THE BAD BOY IN LOVE—ARE YOU A CHRISTIAN?—NO GETTING TO HEAVEN ON SMALL
POTATOES—THE BAD BOY HAS TO CHEW COBS—MA SAYS IT'S GOOD FOR A BOY
TO BE IN LOVE—LOVE WEAKENS THE BAD BOY—HOW MUCH DOES IT COST TO GET
MARRIED?—MAD DOG—NEVER EAT ICE CREAM
CHAPTER XVII.
HIS PA FIGHTS HORNETS—THE OLD MAN LOOKS BAD—THE WOODS OF
WAUWATOSA—THE OLD MAN TAKES A NAP—"HELEN DAMNATION!"—"HELL IS OUT
FOR NOON."—THE LIVER MEDICINE—ITS WONDERFUL EFFECTS—THE BAD BOY
IS DRUNK—GIVE ME A LEMON!—A SIGHT OF THE COMET!—THE HIRED GIRL'S
RELIGION
CHAPTER XVIII.
HIS PA GOES HUNTING—MUTILATED JAW—THE OLD MAN HAS TAKEN TO SWEARING
AGAIN—OUT WEST, DUCK SHOOTING—-HIS COAT TAIL SHOT OFF—SHOOTS AT A
WILD GOOSE—THE GUN KICKS!—THROWS A CHAIR AT HIS SON—THE ASTONISHED
SHE-DEACON
CHAPTER XIX.
HIS PA IS "NISHIATED"—ARE YOU A MASON?—NO HARM TO PLAY AT LODGE—WHY
GOATS ARE KEPT IN STABLES—THE BAD BOY GETS THE GOAT UPSTAIRS—THE GRAND
DUMPER DEGREE—KYAN PEPPER ON THE GOAT'S BEARD—"BRING FORTH THE ROYAL
BUMPER"—THE GOAT ON THE RAMPAGE
CHAPTER XX.
HIS GIRL GOES BACK ON HIM. THE GROCERY MAN IS AFRAID—BUT THE BAD BOY IS
A WRECK—"MY GIRL, HAS SHOOK ME!"—THE BAD BOY'S HEART IS BROKEN—STILL
HE ENJOYS A BIT OF FUN—COD LIVER OIL ON THE PANCAKES—THE HIRED GIRLS
MADE VICTIMS—THE BAD BOY VOWS VENGEANCE ON HIS GIRL AND THE TELEGRAPH
MESSENGER
CHAPTER XXI.
HE AND HIS PA IN CHICAGO—NOTHING LIKE TRAVELING TO GIVE TONE—LAUGHING
IN THE WRONG PLACE—A DIABOLICAL PLOT—-HIS PA ARRESTED AS A
KIDNAPPER—-THE NUMBERS ON THE DOORS CHANGED—THE WRONG ROOM—"NOTHIN'
THE MAZZER WITH ME, PET!"—THE TELL-TALE HAT
CHAPTER XXII.
HIS PA IS DISCOURAGED—"I AIN'T NO JONER!"—THE STORY OF THE ANCIENT
PROPHET—THE SUNDAY SCHOOL FOLKS GO BACK ON THE BAD BOY:—CAGED
CATS—A COMMITTEE MEETING—A REMARKABLE CATASTROPHE!—"THAT BOY BEATS
HELL!"—BASTING THE BAD BOY—THE HOT WATER IN THE SPONGE TRICK
CHAPTER XXIII.
HE BECOMES A DRUGGIST—"I HAVE GONE INTO BUSINESS!"—-A NEW
ROSE-GERANIUM PERFUME—-THE BAD BOY IN A DRUGGIST'S STORE—PRACTICING
ON HIS PA—THE EXPLOSION—THE SEIDLETZ POWDER—HIS PA'S FREQUENT
PAINS—POUNDING INDIA-RUBBER—CURING A WART
CHAPTER XXIV. HE QUITS THE DRUG BUSINESS.
HE HAS DISSOLVED WITH THE DRUGGER—THE OLD LADY AND THE GIN—THE BAD BOY
IGNOMINIOUSLY FIRED—HOW HE DOSED HIS PA'S BRANDY—THE BAD BOY AS "HAWTY
AS A DOOK!"—HE GETS EVEN WITH HIS GIRL—-THE BAD BOY WANTS A QUIET
PLACE—THE OLD MAN THREATENS THE PARSON
CHAPTER XXV.
HIS PA KILLS HIM—A GENIUS AT WHISTLING—A FUR-LINED CLOAK A CURE CURE
FOR CONSUMPTION—ANOTHER LETTER SENT TO THE OLD MAN—HE RESOLVES ON
IMMEDIATE PUNISHMENT—THE BLADDER-BUFFER—THE EXPLOSION—A TRAGIC
SCENE—HIS PA VOWS TO REFORM
CHAPTER XXVI.
HIS PA MORTIFIED—SEARCHING FOR SEWER GAS—THE POWERFUL ODOR OF
LIMBURGER CHEESE AT CHURCH—THE AFTER MEETING—FUMIGATING THE HOUSE—THE
BAD BOY RESOLVES TO BOARD AT AN HOTEL.
CHAPTER XXVII.
HIS PA BROKE UP—THE BAD BOY DON'T THINK THE GROCER FIT FOR HEAVEN—HE
IS VERY SEVERE ON HIS OLD FRIEND—THE NEED OF A NEW REVISED EDITION—THE
BAD BOY TURNS REVISER—HIS PA REACHES FOR THE POKER—A SPECIAL
PROVIDENCE—THE SLED SLEWED!—HIS PA UNDER THE MULES
CHAPTER XXVIII.
HIS PA GOES SKATING—THE BAD BOY CARVES A TURKEY—HIS PA'S FAME AS A
SKATER—THE OLD MAN ESSAYS TO SKATE ON ROLLERS—HIS WILD CAPERS—HE
SPREADS HIMSELF—-HOLIDAYS A CONDEMNED NUISANCER—THE BAD BOY'S
CHRISTMAS PRESENTS
CHAPTER XXIX.
HIS PA GOES CALLING—HIS PA STARTS FORTH—A PICTURE OF THE OLD
MAN "FULL"—POLITENESS AT A WINTER PICNIC—ASSAULTED BY
SANDBAGGERS—RESOLVED TO DRINK NO MORE COFFEE—A GIRL FULL OF "AIG NOGG"
CHAPTER XXX.
HIS PA DISSECTED—THE MISERIES OF THE MUMPS—NO PICKLES, THANK
YOU—ONE MORE EFFORT To REFORM THE OLD MAN—THE BAD BOY PLAYS MEDICAL
STUDENT—PROCEEDS TO DISSECT HIS PA—"GENTLEMEN, I AM NOT DEAD!"—SAVED
FROM THE SCALPEL—"NO MORE WHISKY FOR YOU."
CHAPTER XXXI.
HIS PA JOINS A TEMPERANCE SOCIETY—THE GROCERY MAN SYMPATHISES WITH THE
OLD MAN—WARNS THE BAD BOY THAT HE MAY HAVE A STEP-FATHER!—THE BAD
BOY SCORNS THE IDEA—INTRODUCES HIS PA TO THE GRAND "WORTHY DUKE!"—THE
SOLEMN OATH—THE BRAND PLUCKED FROM THE BURNING
CHAPTER XXXII.
HIS PA'S MARVELOUS ESCAPE—THE GROCERY MAN HAS NO VASELINE—THE OLD
MAN PROVIDES THREE FIRE ESCAPES—ONE OF THE ESCAPES TESTED—HIS PA
SCANDALIZES THE CHURCH—"SHE'S A DARLING!"—WORLDLY MUSIC IN THE COURTS
OF ZION
CHAPTER XXXIII.
HIS PA JOKES HIM—THE BAD BOY CAUGHT AT LAST—HOW TO GROW A
MOUSTACHE—TAR AND CAYENNE PEPPER—THE GROCERY MAN'S FATE IS
SEALED—FATHER AND SON JOIN IN A PRACTICAL JOKE—SOFT SOAP ON THE
STEPS—DOWNFALL OF MINISTERS AND DEACONS—"MA TO THE RESCUE!"—THE BAD
BOY GETS EVEN WITH HIS PA
CHAPTER XXXIV.
HIS PA GETS MAD—A ROOM IN COURT-PLASTER—THE BAD BOY DECLINES BEING
MAULED!—THE OLD MAN GETS A HOT BOX—THE BAD BOY BORROWS A CAT!—THE
BATTLE!—"HELEN BLAZES!"—THE CAT VICTORIOUS!—THE BAD BOY DRAWS THE
LINE AT KINDLING WOOD!
CHAPTER XXXV.
HIS PA AN INVENTOR—THE BAD BOY A MARTYR—THE DOG-COLLAR IN
THE SAUSAGE—A PATENT STOVE—THE PATENT TESTED!—HIS PA A BURNT
OFFERING—EARLY BREAKFAST!
HIS PA GETS BOXED—PARROT FOR SALE—THE OLD MAN IS DOWN ON THE
GROCER—"A CONTRITE HEART BEATS A BOB-TAILED FLUSH!"—POLLY'S
RESPONSES—CAN A PARROT GO TO HELL?—THE OLD MAN GETS ANOTHER BLACK
EYE—DUFFY HITS FOR KEEPS!—NOTHING LIKE AN OYSTER FOR A BLACK EYE
|
Great God, Hanner, We Are Blowed Up The Old Man, the Hired Girl and The Goat The Minister and Deacons Salted |
CHAPTER I.
VARIEGATED DOGS—THE BAD BOY SLEEPS ON THE ROOF—A MAN DOESN'T
KNOW EVERYTHING AT FORTY-EIGHT—THE OLD MAN WANTS SOME POLLYNURIOUS
WATER—THE DYER'S DOGS—PROCESSION OF THE DOGS—PINK, BLUE, GREEN AND
WHITE—"WELL, I'M DEM'd"—HIS PA DON'T APPRECIATE.
CHAPTER II.
HIS PA PLAYS JOKES—A MAN SHOULDN'T GET MAD AT A JOKE—THE MAGIC
BOUQUET—THE GROCERY MAN TAKES A TURN—HIS PA TRIES THE BOUQUET AT
CHURCH—ONE FOR THE OLD MAID—A FIGHT ENSUES—THE BAD BOY THREATENS THE
GROCERY man—A COMPROMISE.
CHAPTER III.
HIS PA STABBED—THE GROCERY MAN SETS A TRAP IN VAIN—A BOOM IN
LINIMENT—HIS PA GOES TO THE LANGTRY SHOW—THE BAD BOY TURNS
BURGLAR—THE OLD MAN STABBED—HIS ACCOUNT OF THE FRAY—A GOOD SINGLE
HANDED LIAR.
CHAPTER IV.
HIS PA BUSTED—THE CRAZE FOR MINING STOCK—WHAT'S A BILK?—THE PIOUS
BILK—THE OLD MAN INVESTS—THE DEACONS AND EVEN THE HIRED GIRLS
INVEST—HOT MAPLE SYRUP FOR ONE—GETTING A MAN'S MIND OFF HIS TROUBLES.
CHAPTER V.
HIS PA AND DYNAMITE—THE OLD MAN SELLING SILVER STOCK—FENIAN
SCARE—"DYNAMITE" IN MILWAUKEE—THE FENIAN BOOM—"GREAT GOD, MANNER!
WE ARE BLOWED UP!"—HIS MA HAS LOTS OF SAND—THE OLD MAN USELESS IN
TROUBLE—THE DOG AND THE FALSE TEETH
CHAPTER VI.
HIS PA AN ORANGEMAN—THE GROCERY MAN SHAMEFULLY ABUSED—HE GETS
HOT—BUTTER, OLEOMARGARINE AND AXLE GREASE—THE OLD MAN WEARS ORANGE
ON ST. PATRICK'S DAY—HE HAS TO RUN FOR HIS LIFE—THE BAD BOY AT SUNDAY
SCHOOL—INGERSOLL AND BEECHER VOTED OUT—MARY HAD A LAMB
CHAPTER VII.
HIS MA DECEIVES HIM—THE BAD BOY IN SEARCH OF SAFFRON—"WELL, IT'S A
GIRL, IF YOU MUST KNOW"—THE BAD BOY IS GRIEVED AT HIS MA'S DECEPTION—
"SH-H-H TOOTSY GO TO SLEEP"—"BY LOW, BABY"—THAT SETTLED IT WITH
THE CAT—A BABY! BAH! IT MAKES ME TIRED
CHAPTER VIII.
THE BABY AND THE GOAT. THE BAD BOY THINKS HIS SISTER WILL BE A FIRE
ENGINE—"OLD NUMBER TWO"—BABY REQUIRES GOAT MILK—? THE GOAT IS
FRISKY—TAKES TO EATING ROMAN CANDLES—THE OLD MAN, THE HIRED GIRL, AND
THE GOAT—THE BAD BOY BECOMES TELLER IN A LIVERY STABLE
CHAPTER IX.
A FUNERAL PROCESSION—THE BAD BOY ON CRUTCHES—"YOU OUGHT TO SEE THE
MINISTER"—AN ELEVEN DOLLAR FUNERAL—THE MINISTER TAKES THE LINES—AN
EARTHQUAKE—AFTER THE EARTHQUAKE WAS OVER—THE POLICEMAN FANS THE
MINISTER—A MINISTER SHOULD HAVE SENSE
CHAPTER X.
THE OLD MAN MAKES A SPEECH. THE GROCERY MAN AND THE BAD BOY HAVE
A FUSS—THE BOHEMIAN BAND—THE BAD BOY ORGANIZES A SERENADE—"BABY
MINE"—THE OLD MAN ELOQUENT—THE BOHEMIANS CREATE A FAMINE—THE Y. M. C.
A. ANNOUNCEMENT
CHAPTER XI.
GARDENING UNDER DIFFICULTIES—THE GROCERY MAN IS DECEIVED—THE BAD
BOY DON'T LIKE MOVING—GOES INTO THE COLORING BUSINESS—THE OLD MAN
THOROUGHLY DISGUSTED—UNCLE TOM AND TOPSY—THE OLD MAN ARRESTED—WHAT
THE GROCERY MAN THINKS—THE BAD BOY MORALIZES ON HIS FATE—RESOLVES TO
BE GOOD
CHAPTER XII.
THE OLD MAN SHOOTS THE MINISTER—THE BAD BOY TRIES TO LEAD A DIFFERENT
LIFE—MURDER IN THE AIR—THE OLD MAN AND HIS FRIENDS GIVE THEMSELVES
AWAY—DREADFUL STORIES OF THEIR WICKED YOUTH—THE CHICKEN COOP
INVADED—THE OLD MAN TO THE RESCUE—THE MINISTER AND THE DEACONS SALTED
CHAPTER XIII.
THE BAD BOY A THOROUGHBRED. THE BAD BOY WITH A BLACK EYE—A POOR
FRIENDLESS GIRL EXCITES HIS PITY—PROVES HIMSELF A GALLANT
KNIGHT—THE OLD MAN IS CHARMED AT HIS SON'S COURAGE—THE GROCERY MAN
MORALIZES—FIFTEEN CHRISTS IN MILWAUKEE—THE TABLES TURNED—THE OLD MAN
WEARS THE BOY'S OLD CLOTHES
CHAPTER XIV.
ENTERTAINING Y. M. C. A. DELEGATES—THE BAD BOY MINISTERS AT THE Y.
M. C. A. WATER FOUNTAIN—THE DELEGATES FLOOD THEMSELVES WITH SODA
WATER—TWO DELEGATES DEALT TO HIS MA—THE NIGHT KEY—THE FALL OF THE
FLOWER STAND—DELEGATES IN THE CELLAR ALL NIGHT—THE BAD BOY'S GIRL IS
WORKING HIS REFORMATION
CHAPTER XV.
HE TURNS SUPE. THE BAD BOY QUITS JERKING SODA—ENTERS THE DRAMATIC
PROFESSION—"WHAT'S A SUPER"—THE PRIVILEGES OF A SUPE'S FATHER—BEHIND
THE SCENES—THE BAD BOY HAS PLAYED WITH MC'CULLOUGH—"IWAS THE
POPULACE."—PLAYS IT ON HIS SUNDAY SCHOOL TEACHER—"I PRITHEE, AU
RESERVOIR, I GO HENS!"
CHAPTER XVI.
UNCLE EZRA PAYS A VISIT. UNCLE EZRA CAUSES THE BAD BOY TO
BACKSLIDE—UNCLE EZRA AND THE OLD MAN WERE BAD PILLS—THEIR RECORD IS
AWFUL—KEEPING UNCLE EZRA ON THE RAGGED EDGE—THE BED SLATS FIXED—THE
OLD MAN TANGLED UP—THIS WORLD IS NOT RUN RIGHT—UNCLE EZRA MAKES HIM
TIRED
CHAPTER XVII.
HE DISCUSSES THEOLOGY. MEDITATIONS ON NOAH'S ARK—THE GARDEN OF
EDEN—THE ANCIENT DUDE—ADAM WITH A PLUG HAT ON—"I'M A THINKER FROM
THINKERSVILLE"—THE APOSTLES IN A PATROL WAGON—ELIJAH AND ELISHA—THE
PRODIGAL SON—A VEAL POT PIE FOR DINNER
CHAPTER XVIII.
THE DEPARTED ROOSTER. THE GROCERY MAN DISCOURSES ON DEATH—THE DEAD
ROOSTER—A BIOGRAPHICAL SKETCH—THE TENDERNESS BETWEEN THE ROOSTER
AND HIS FAITHFUL HEN—THE HEN RETIRES TO SET—THE CHICKENS—THE PROUD
ROOSTER DIES—THE FICKLE HEN FLIRTING IN INDECENT HASTE
CHAPTER XIX.
ONE MORE JOKE ON THE OLD MAN—UNCLE EZRA RETURNS—THE BASKET ON THE
STEPS—THE ANONYMOUS LETTER—"O, BROTHER THAT I SHOULD LIVE TO SEE THIS
DAY!"—AN UGLY DUTCH BABY—THE OLD MAN WHEELS THE BABY NOW—A FROG IN
THE OLD MAN'S BED
CHAPTER XX.
FOURTH OF JULY MISADVENTURES. TROUBLE IN THE PISTOL POCKET—THE GROCERY
MAN'S CAT THE BAD BOY A MINISTERING ANGEL—ASLEEP ON THE FOURTH OF
JULY—GOES WITH HIS GIRL TO THE SOLDIER'S HOME—TERRIBLE. FOURTH OF JULY
MISADVENTURES—THE GIRL WHO WENT OUT COMES BACK A BURNT OFFERING
CHAPTER XXI.
WORKING ON SUNDAY. TURNING A GRINDSTONE IS HEALTHY—"NOT ANY GRINDSTONE
FOR HENNERY!"—THIS HYPOCRISY IS PLAYED OUT—ANOTHER JOB ON THE OLD
MAN—HOW THE DAYS OF THE WEEK GOT MIXED—THE NUMEROUS FUNERALS—THE
MINISTER APPEARS—THE BAD BOY GOES OVER THE BACK FENCE
CHAPTER XXII.
THE OLD MAN AWFULLY BLOATED. THE OLD MAN BEGINS DRINKING AGAIN—THINKS
BETTING IS HARMLESS—HAD TO WALK HOME FROM CHICAGO—THE SPECTACLES
CHANGED—A SMALL SUIT OF CLOTHES—THE OLD MAN AWFULLY BLOATED—"HENNERY,
YOUR PA IS A MIGHTY SICK MAN"—THE SWELLING SUDDENLY GOES DOWN
CHAPTER XXIII.
THE GROCERY MAN AND THE GHOST. GHOSTS DON'T STEAL WORMY FIGS—A GRAND
REHEARSAL—THE MINISTER MURDERS HAMLET—THE WATER MELON KNIFE—THE OLD
MAN WANTED TO REHEARSE THE DRUNKEN SCENE IN RIP VAN WINKLE—NO HUGGING
ALLOWED—HAMLET WOULDN'T HAVE TWO GHOSTS—"HOW WOULD YOU LIKE TO BE AN
IDIOT?"
CHAPTER XXIV.
THE CRUEL WOMAN AND THE LUCKLESS DOG—THE BAD BOY WITH A DOG AND A BLACK
EYE—WHERE DID YOU STEAL HIM?—ANGELS DON'T BREAK DOGS' LEGS—A WOMAN
WHO BREAKS DOGS' LEGS HAS NO SHOW WITH ST. PETER—ANOTHER BURGLAR
SCARE—THE GROCERY DELIVERY MAN SCARED
CHAPTER XXV.
THE BAD BOY GROWS THOUGHTFUL—WHY IS LETTUCE LIKE A GIRL?—KING SOLOMON
A FOOL—THINK OF ANY SANE MAN HAVING A THOUSAND WIVES—HE WOULD HAVE
TO HAVE TWO HOTELS DURING VACATION—300 BLONDES—600 BRUNETTES, ETC.—A
THOUSAND WIVES TAKING ICE CREAM—"I DON'T ENVY SOLOMON HIS THOUSAND"
CHAPTER XXVI.
FARM EXPERIENCES. THE BAD BOY WORKS ON A FARM FOR A DEACON—HE KNOWS
WHEN HE HAS GOT ENOUGH—HOW THE DEACON MADE HIM FLAX AROUND—AND HOW HE
MADE IT WARM FOR THE DEACON
DRINKING CIDER IN THE CELLAR—THE DEACON WILL NOT ACCEPT HENNERY'S
RESIGNATION—HE WANTS BUTTER ON HIS PANCAKES—HIS CHUM JOINS HIM—THE
SKUNK IN THE CELLAR—THE POOR BOY GETS THE "AGER."
CHAPTER I.
The Bad Boy and His Chum Call on the Old Groceryman After Being Away at
School—The Bad Boy's Dad in a Bad Way
CHAPTER II.
The Bad Boy and His Dad Ready for Their Travels—The Bad Boy Labels the
Old Man's Suit Case—How the Cowboys Made Him Dance Once
CHAPTER III.
The Bad Boy Writes About the Fun They Had Going to Washington—He
and His Dad Call on President Roosevelt—The Bad Boy Meets One of the
Children and They Disagree
CHAPTER IV.
The Bad Boy and His Dad Visit Mount Vernon—Dad Weeps at the Grave of
the Father of Our Country
CHAPTER V.
The Bad Boy and His Dad Have Dinner at the Waldorf-Astoria—The Bad Boy
Orders Dinner—The Old Man Gets Stuck—Tries to Rescue a Countess in
Distress
CHAPTER VI.
The Bad Boy Writes the Old Groceryman About Ocean Voyages—His Dad Has
an Argument Over a Steamer Chair.
CHAPTER VII.
The Bad Boy and His Dad Eat Fog—Call on Astor—A Dynamite Outrage
CHAPTER VIII.
The Bad Boy Writes About the Craze for Gin in the White-chapel
District—He Gives His Dad a Scare in the Tower of London
CHAPTER IX.
The Bad Boy and His Dad Call on King Edward and Almost Settle the Irish
Question
CHAPTER X.
The Bad Boy Writes of Ancient and Modern Highwaymen—¦ They Get a Taste
of High Life in London and Dad Tells the Story of the Picklemaker's
Daughter
CHAPTER XI.
The Bad Boy Writes About Paris—Tells About the Trip Across the English
Channel—Dad Feeds a Dog and Gets Arrested
CHAPTER XII.
The Bad Boy's Second Letter from Paris—Dad Poses as a Mormon Bishop
and Has to Be Rescued—They Climb the Eiffel Tower and the Old Man Gets
Converted
CHAPTER XIII.
The Bad Boy's Dad and a Man from Dakota Frame Up a Scheme to Break the
Bank, But They Go Broke—The Party in Trouble
CHAPTER XIV.
The Bad Boy and His Dad Have an Automobile Ride—They Run Over a
Peasant—Climb "Glaziers"—Dad Falls Over a Precipice, But Is Rescued by
the Guides After a Hard Time of It
CHAPTER XV.
Dad Plays He Is an Anarchist—They Give Alms to the Beggars and the Bad
Boy Ducks a Gondolier and His Dad in the Grand Canal
CHAPTER XVI.
The Bad Boy Writes from Naples—Dad Sees Vesuvius and Calls the Servants
to Put Out the Fire—They Have Trouble with a "Dago" in Pompeii
CHAPTER XVII.
The Bad Boy and His Dad Climb Vesuvius—A Chicago Lady Joins the Party
and Causes Trouble
CHAPTER XVIII.
The Bad Boy Makes Friends with Some Italian Children—Dad is Chased by
Lions from the Coliseum—" Not Any More Rome for Papa," says Dad
CHAPTER XIX.
The Bad Boy and His Dad Visit the Pope—They Bow to, the King of Italy
and His Nine Spots—Dad Finds That "The Catacombs" Is Not a Comic Opera
CHAPTER XX.
The Bad Boy Tells About the Land of the Czar and the Trouble They Had to
Get There—Dad Does a Stunt and Mixes It Up with the People and Soldiers
CHAPTER XXI.
Dad Sees a Russian Revolution and Faints—'The Bad Boy Arranges a Wolf
Hunt—Dad Threatens to Throw the Boy to the Wolves
CHAPTER XXII.
Dad Wears His Masonic Fez in Constantinople—They Find the Turks
Sensitive on the Dog Question—A College Yell for the Sultan Sends Him
Into a Fit
CHAPTER XXIII.
The Bad Boy and His Dad Meet the Cream of the Harem—"Little Egypt" Does
a Dancing Stunt—The Sultan Wants to Send Fifty Wives to the President
CHAPTER XXIV.
The Bad Boy and His Dad Arrive in Cairo—At the Hotel They Meet Some
Egyptian Princesses—Dad Rides a Camel to the Pyramids and Meets with
Difficulties
CHAPTER XXV.
The Bad Boy and His Dad Climb the Pyramids—The Bad Boy Lights a Cannon
Cracker in Rameses' Tomb—They Flee from Egypt in Disguise
CHAPTER XXVI.
The Bad Boy Writes About Gibraltar—The Irish-English Army—How He Would
Take the Fortress—Dad Wants to Buy the "Rock"
CHAPTER XXVII.
The Bad Boy Writes of Spain—They call On the King and the Bad Boy Is At
It Once More—They See a Bull Fight and Dad Does a Turn
CHAPTER XXVIII.
The Bad Boy and His Dad at Berlin—They Call On Emperor William and His
Family and the Bad Boy Plays a Joke on Them All
CHAPTER XXIX.
The Bad Boy Writes from Brussels—He and Dad See the Field of Waterloo
and Call on King Leopold, and Dad and the King Go in for a Swim—The Bad
Boy, a Dog and Some Goats Do the Rest
CHAPTER XXX.
The Bad Boy's Delayed Letter About Holland and Cuba—Dad and the Boy Go
for a Drive in a Dog-Cart—They Have a Great Time—Land in Cuba and See
the Island We Fought For
End of Project Gutenberg's Works Of George W. Peck, by George W. Peck
*** END OF THIS PROJECT GUTENBERG EBOOK WORKS OF GEORGE W. PECK ***
***** This file should be named 28970-h.htm or 28970-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/8/9/7/28970/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.