JOAN OF NAPLES


This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online at
http://www.gutenberg.org/license. If you are not located in the United
States, you'll have to check the laws of the country where you are
located before using this ebook.



Title: Joan of Naples
Author: Alexandre Dumas, Pere
Release Date: August 15, 2006 [EBook #2750]
Reposted: November 28, 2016 [corrections made]
Language: English
Character set encoding: ISO-8859-1


*** START OF THIS PROJECT GUTENBERG EBOOK JOAN OF NAPLES ***




Produced by David Widger.





                            *JOAN OF NAPLES*

                                  _By_

                        *Alexandre Dumas, Pere*

         _From the set in Eight Volumes of "Celebrated Crimes"_


                                  1910




CONTENTS


    *JOAN OF NAPLES--1343-1382*
    CHAPTER I
    CHAPTER II
    CHAPTER III
    CHAPTER IV
    CHAPTER V
    CHAPTER VI
    CHAPTER VII
    CHAPTER VIII




*JOAN OF NAPLES--1343-1382*




CHAPTER I


In the night of the 15th of January 1343, while the inhabitants of
Naples lay wrapped in peaceful slumber, they were suddenly awakened by
the bells of the three hundred churches that this thrice blessed capital
contains. In the midst of the disturbance caused by so rude a call the
first thought in the mind of all was that the town was on fire, or that
the army of some enemy had mysteriously landed under cover of night and
could put the citizens to the edge of the sword. But the doleful,
intermittent sounds of all these fills, which disturbed the silence at
regular and distant intervals, were an invitation to the faithful to
pray for a passing soul, and it was soon evident that no disaster
threatened the town, but that the king alone was in danger.

Indeed, it had been plain for several days past that the greatest
uneasiness prevailed in Castel Nuovo; the officers of the crown were
assembled regularly twice a day, and persons of importance, whose right
it was to make their way into the king's apartments, came out evidently
bowed down with grief. But although the king's death was regarded as a
misfortune that nothing could avert, yet the whole town, on learning for
certain of the approach of his last hour, was affected with a sincere
grief, easily understood when one learns that the man about to die,
after a reign of thirty-three years, eight months, and a few days, was
Robert of Anjou, the most wise, just, and glorious king who had ever sat
on the throne of Sicily. And so he carried with him to the tomb the
eulogies and regrets of all his subjects.

Soldiers would speak with enthusiasm of the long wars he had waged with
Frederic and Peter of Aragon, against Henry VII and Louis of Bavaria;
and felt their hearts beat high, remembering the glories of campaigns in
Lombardy and Tuscany; priests would gratefully extol his constant
defence of the papacy against Ghibelline attacks, and the founding of
convents, hospitals, and churches throughout his kingdom; in the world
of letters he was regarded as the most learned king in Christendom;
Petrarch, indeed, would receive the poet's crown from no other hand, and
had spent three consecutive days answering all the questions that Robert
had deigned to ask him on every topic of human knowledge. The men of
law, astonished by the wisdom of those laws which now enriched the
Neapolitan code, had dubbed him the Solomon of their day; the nobles
applauded him for protecting their ancient privileges, and the people
were eloquent of his clemency, piety, and mildness. In a word, priests
and soldiers, philosophers and poets, nobles and peasants, trembled when
they thought that the government was to fall into the hands of a
foreigner and of a young girl, recalling those words of Robert, who, as
he followed in the funeral train of Charles, his only son, turned as he
reached the threshold of the church and sobbingly exclaimed to his
barons about him, "This day the crown has fallen from my head: alas for
me! alas for you!"

Now that the bells were ringing for the dying moments of the good king,
every mind was full of these prophetic words: women prayed fervently to
God; men from all parts of the town bent their steps towards the royal
palace to get the earliest and most authentic news, and after waiting
some moments, passed in exchanging sad reflections, were obliged to
return as they had come, since nothing that went on in the privacy of
the family found its way outside--the castle was plunged in complete
darkness, the drawbridge was raised as usual, and the guards were at
their post.

Yet if our readers care to be present at the death of the nephew of
Saint Louis and the grandson of Charles of Anjou, we may conduct them
into the chamber of the dying man. An alabaster lamp suspended from the
ceiling serves to light the vast and sombre room, with walls draped in
black velvet sewn with golden fleur-de-lys. Near the wall which faces
the two entrance doors that at this moment are both shut close, there
stands beneath a brocaded canopy an ebony bed, supported on four twisted
columns carved with symbolic figures. The king, after a struggle with a
violent paroxysm, has fallen swooning in the arms of his confessor and
his doctor, who each hold one of his dying hands, feeling his pulse
anxiously and exchanging looks of intelligence. At the foot of the bed
stands a woman about fifty years of age, her hands clasped, her eyes
raised to heaven, in an attitude of resigned grief: this woman is the
queen, No tears dim her eyes: her sunken cheek has that waxen yellow
tinge that one sees on the bodies of saints preserved by miracle. In her
look is that mingling of calm and suffering that points to a soul at
once tried by sorrow and imbued with religion. After the lapse of an
hour, while no movement had disturbed the profound silence which reigned
about the bed of death, the king trembled slightly; opened his eyes, and
endeavoured feebly to raise his head. They thanking the physician and
priest with a smile, who had both hastened to arrange his pillows, he
begged the queen to come near, and told her in a low voice that he would
speak with her a moment alone. The doctor and confessor retired, deeply
bowing, and the king followed them with his eyes up to the moment when
one of the doors closed behind them. He passed his hand across his brow,
as though seeking to collect his thoughts, and rallying all his forces
for the supreme effort, pronounced these words:

"What I must say to you, Sancha, has no concern with those two good
persons who were here a moment ago: their task is ended. One has done
all for my body that human science could teach him, and all that has
come of it is that my death is yet a little deferred; the other has now
absolved me of all my sins, and assured me of God's forgiveness, yet
cannot keep from me those dread apparitions which in this terrible hour
arise before me. Twice have you seen me battling with a superhuman
horror. My brow has been bathed in sweat, my limbs rigid, my cries have
been stifled by a hand of iron. Has God permitted the Evil Spirit to
tempt me? Is this remorse in phantom shape? These two conflicts I have
suffered have so subdued my strength that I can never endure a third.
Listen then, my Sandra, for I have instructions to give you on which
perhaps the safety of my soul depends."

"My lord and my master," said the queen in the most gentle accents of
submission, "I am ready to listen to your orders; and should it be that
God, in the hidden designs of His providence, has willed to call you to
His glory while we are plunged in grief, your last wishes shall be
fulfilled here on earth most scrupulously and exactly. But," she added,
with all the solicitude of a timid soul, "pray suffer me to sprinkle
drops of holy water and banish the accursed one from this chamber, and
let me offer up some part of that service of prayer that you composed in
honour of your sainted brother to implore God's protection in this hour
when we can ill afford to lose it."

Then opening a richly bound book, she read with fervent devotion certain
verses of the office that Robert had written in a very pure Latin for
his brother Louis, Bishop of Toulouse, which was in use in the Church as
late as the time of the Council of Trent.

Soothed by the charm of the prayers he had himself composed, the king
was near forgetting the object of the interview he had so solemnly and
eagerly demanded and letting himself lapse into a state of vague
melancholy, he murmured in a subdued voice, "Yes, yes, you are right;
pray for me, for you too are a saint, and I am but a poor sinful man."

"Say not so, my lord," interrupted Dona Sancha; "you are the greatest,
wisest, and most just king who has ever sat upon the throne of Naples."

"But the throne is usurped," replied Robert in a voice of gloom; "you
know that the kingdom belonged to my elder brother, Charles Martel; and
since Charles was on the throne of Hungary, which he inherited from his
mother, the kingdom of Naples devolved by right upon his eldest son,
Carobert, and not on me, who am the third in rank of the family. And I
have suffered myself to be crowned in my nephew's stead, though he was
the only lawful-king; I have put the younger branch in the place of the
elder, and for thirty-three years I have stifled the reproaches of my
conscience. True, I have won battles, made laws, founded churches; but a
single word serves to give the lie to all the pompous titles showered
upon me by the people's admiration, and this one word rings out clearer
in my ears than all the flattery of courtiers, all the songs of poets,
all the orations of the crowd:--I am an usurper!"

"Be not unjust towards yourself, my lord, and bear in mind that if you
did not abdicate in favour of the rightful heir, it was because you
wished to save the people from the worst misfortunes. Moreover,"
continued the queen, with that air of profound conviction that an
unanswerable argument inspires, "you have remained king by the consent
and authority of our Holy Father the sovereign pontiff, who disposes of
the throne as a fief belonging to the Church."

"I have long quieted my scruples thus," replied the dying man, "and the
pope's authority has kept me silent; but whatever security one may
pretend to feel in one's lifetime, there yet comes a dreadful solemn
hour when all illusions needs must vanish: this hour for me has come,
and now I must appear before God, the one unfailing judge."

"If His justice cannot fail, is not His mercy infinite?" pursued the
queen, with the glow of sacred inspiration. "Even if there were good
reason for the fear that has shaken your soul, what fault could not be
effaced by a repentance so noble? Have you not repaired the wrong you
may have done your nephew Carobert, by bringing his younger son Andre to
your kingdom and marrying him to Joan, your poor Charles's elder
daughter? Will not they inherit your crown?"

"Alas!" cried Robert, with a deep sigh, "God is punishing me perhaps for
thinking too late of this just reparation. O my good and noble Sandra,
you touch a chord which vibrates sadly in my heart, and you anticipate
the unhappy confidence I was about to make. I feel a gloomy
presentiment--and in the hour of death presentiment is prophecy--that
the two sons of my nephew, Louis, who has been King of Hungary since his
father died, and Andre, whom I desired to make King of Naples, will
prove the scourge of my family. Ever since Andre set foot in our castle,
a strange fatality has pursued and overturned my projects. I had hoped
that if Andre and Joan were brought up together a tender intimacy would
arise between the two children; and that the beauty of our skies, our
civilisation, and the attractions of our court would end by softening
whatever rudeness there might be in the young Hungarian's character; but
in spite of my efforts all has tended to cause coldness, and even
aversion, between the bridal pair. Joan, scarcely fifteen, is far ahead
of her age. Gifted with a brilliant and mobile mind, a noble and lofty
character, a lively and glowing fancy, now free and frolicsome as a
child, now grave and proud as a queen, trustful and simple as a young
girl, passionate and sensitive as a woman, she presents the most
striking contrast to Andre, who, after a stay of ten years at our court,
is wilder, more gloomy, more intractable than ever. His cold, regular
features, impassive countenance, and indifference to every pleasure that
his wife appears to love, all this has raised between him and Joan a
barrier of indifference, even of antipathy. To the tenderest effusion
his reply is no more than a scornful smile or a frown, and he never
seems happier than when on a pretext of the chase he can escape from the
court. These, then, are the two, man and wife, on whose heads my crown
shall rest, who in a short space will find themselves exposed to every
passion whose dull growl is now heard below a deceptive calm, but which
only awaits the moment when I breathe my last, to burst forth upon
them."

"O my God, my God!" the queen kept repeating in her grief: her arms fell
by her side, like the arms of a statue weeping by a tomb.

"Listen, Dona Sandra. I know that your heart has never clung to earthly
vanities, and that you only wait till God has called me to Himself to
withdraw to the convent of Santa Maria delta Croce, founded by yourself
in the hope that you might there end your days. Far be it from me to
dissuade you from your sacred vocation, when I am myself descending into
the tomb and am conscious of the nothingness of all human greatness.
Only grant me one year of widowhood before you pass on to your bridal
with the Lord, one year in which you will watch over Joan and her
husband, to keep from them all the dangers that threaten. Already the
woman who was the seneschal's wife and her son have too much influence
over our grand-daughter; be specially careful, and amid the many
interests, intrigues, and temptations that will surround the young
queen, distrust particularly the affection of Bertrand d'Artois, the
beauty of Louis of Tarentum; and the ambition of Charles of Durazzo."

The king paused, exhausted by the effort of speaking; then turning on
his wife a supplicating glance and extending his thin wasted hand, he
added in a scarcely audible voice:

"Once again I entreat you, leave not the court before a year has passed.
Do you promise me?"

"I promise, my lord."

"And now," said Robert, whose face at these words took on a new
animation, "call my confessor and the physician and summon the family,
for the hour is at hand, and soon I shall not have the strength to speak
my last words."

A few moments later the priest and the doctor re-entered the room, their
faces bathed, in tears. The king thanked them warmly for their care of
him in his last illness, and begged them help to dress him in the coarse
garb of a Franciscan monk, that God, as he said, seeing him die in
poverty, humility, and penitence, might the more easily grant him
pardon. The confessor and doctor placed upon his naked feet the sandals
worn by mendicant friars, robed him in a Franciscan frock, and tied the
rope about his waist. Stretched thus upon his bed, his brow surmounted
by his scanty locks, with his long white beard, and his hands crossed
upon his breast, the King of Naples looked like one of those aged
anchorites who spend their lives in mortifying the flesh, and whose
souls, absorbed in heavenly contemplation, glide insensibly from out
their last ecstasy into eternal bliss. Some time he lay thus with closed
eyes, putting up a silent prayer to God; then he bade them light the
spacious room as for a great solemnity, and gave a sign to the two
persons who stood, one at the head, the other at the foot of the bed.
The two folding doors opened, and the whole of the royal family, with
the queen at their head and the chief barons following, took their
places in silence around the dying king to hear his last wishes.

His eyes turned toward Joan, who stood next him on his right hand, with
an indescribable look of tenderness and grief. She was of a beauty so
unusual and so marvellous, that her grandfather was fascinated by the
dazzling sight, and mistook her for an angel that God had sent to
console him on his deathbed. The pure lines of her fine profile, her
great black liquid eyes, her noble brow uncovered, her hair shining like
the raven's wing, her delicate mouth, the whole effect of this beautiful
face on the mind of those who beheld her was that of a deep melancholy
and sweetness, impressing itself once and for ever. Tall and slender,
but without the excessive thinness of some young girls, her movements
had that careless supple grace that recall the waving of a flower stalk
in the breeze. But in spite of all these smiling and innocent graces one
could yet discern in Robert's heiress a will firm and resolute to brave
every obstacle, and the dark rings that circled her fine eyes plainly
showed that her heart was already agitated by passions beyond her years.

Beside Joan stood her younger sister, Marie, who was twelve or thirteen
years of age, the second daughter of Charles, Duke of Calabria, who had
died before her birth, and whose mother, Marie of Valois, had unhappily
been lost to her from her cradle. Exceedingly pretty and shy, she seemed
distressed by such an assembly of great personages, and quietly drew
near to the widow of the grand seneschal, Philippa, surnamed the
Catanese, the princesses' governess, whom they honoured as a mother.
Behind the princesses and beside this lady stood her son, Robert of
Cabane, a handsome young man, proud and upright, who with his left hand
played with his slight moustache while he secretly cast on Joan a glance
of audacious boldness. The group was completed by Dona Cancha, the young
chamberwoman to the princesses, and by the Count of Terlizzi, who
exchanged with her many a furtive look and many an open smile. The
second group was composed of Andre, Joan's husband, and Friar Robert,
tutor to the young prince, who had come with him from Budapesth, and
never left him for a minute. Andre was at this time perhaps eighteen
years old: at first sight one was struck by the extreme regularity of
his features, his handsome, noble face, and abundant fair hair; but
among all these Italian faces, with their vivid animation, his
countenance lacked expression, his eyes seemed dull, and something hard
and icy in his looks revealed his wild character and foreign extraction.
His tutor's portrait Petrarch has drawn for us: crimson face, hair and
beard red, figure short and crooked; proud in poverty, rich and miserly;
like a second Diogenes, with hideous and deformed limbs barely concealed
beneath his friar's frock.

In the third group stood the widow of Philip, Prince of Tarentum, the
king's brother, honoured at the court of Naples with the title of
Empress of Constantinople, a style inherited by her as the granddaughter
of Baldwin II. Anyone accustomed to sound the depths of the human heart
would at one glance have perceived that this woman under her ghastly
pallor concealed an implacable hatred, a venomous jealousy, and an
all-devouring ambition. She had her three sons about her--Robert,
Philip, and Louis, the youngest. Had the king chosen out from among his
nephews the handsomest, bravest, and most generous, there can be no
doubt that Louis of Tarentum would have obtained the crown. At the age
of twenty-three he had already excelled the cavaliers of most renown in
feats of arms; honest, loyal, and brave, he no sooner conceived a
project than he promptly carried it out. His brow shone in that clear
light which seems to serve as a halo of success to natures so privileged
as his; his fine eyes, of a soft and velvety black, subdued the hearts
of men who could not resist their charm, and his caressing smile made
conquest sweet. A child of destiny, he had but to use his will; some
power unknown, some beneficent fairy had watched over his birth, and
undertaken to smooth away all obstacles, gratify all desires.

Near to him, but in the fourth group, his cousin Charles of Duras stood
and scowled. His mother, Agnes, the widow of the Duke of Durazzo and
Albania, another of the king's brothers, looked upon him affrighted,
clutching to her breast her two younger sons, Ludovico, Count of
Gravina, and Robert, Prince of Morea. Charles, pale-faced, with short
hair and thick beard, was glancing with suspicion first at his dying
uncle and then at Joan and the little Marie, then again at his cousins,
apparently so excited by tumultuous thoughts that he could not stand
still. His feverish uneasiness presented a marked contrast with the
calm, dreamy face of Bertrand d'Artois, who, giving precedence to his
father Charles, approached the queen at the foot of the bed, and so
found himself face to face with Joan. The young man was so absorbed by
the beauty of the princess that he seemed to see nothing else in the
room.

As soon as Joan and Andre, the Princes of Tarentum and Durazzo, the
Counts of Artois, and Queen Sancha had taken their places round the bed
of death, forming a semicircle, as we have just described, the
vice-chancellor passed through the rows of barons, who according to
their rank were following closely after the princes of the blood; and
bowing low before the king, unfolded a parchment sealed with the royal
seal, and read in a solemn voice, amid a profound silence:

"Robert, by the grace of God King of Sicily and Jerusalem, Count of
Provence, Forcalquier, and Piedmont, Vicar of the Holy Roman Church,
hereby nominates and declares his sole heiress in the kingdom of Sicily
on this side and the other side of the strait, as also in the counties
of Provence, Forcalquier, and Piedmont, and in all his other
territories, Joan, Duchess of Calabria, elder daughter of the excellent
lord Charles, Duke of Calabria, of illustrious memory.

"Moreover, he nominates and declares the honourable lady Marie, younger
daughter of the late Duke of Calabria, his heiress in the county of Alba
and in the jurisdiction of the valley of Grati and the territory of
Giordano, with all their castles and dependencies; and orders that the
lady thus named receive them in fief direct from the aforesaid duchess
and her heirs; on this condition, however, that if the duchess give and
grant to her illustrious sister or to her assigns the sum of 10,000
ounces of gold by way of compensation, the county and jurisdiction
aforesaid--shall remain in the possession of the duchess and her heirs.

"Moreover, he wills and commands, for private and secret reasons, that
the aforesaid lady Marie shall contract a marriage with the very
illustrious prince, Louis, reigning King of Hungary. And in case any
impediment should appear to this marriage by reason of the union said to
be already arranged and signed between the King of Hungary and the King
of Bohemia and his daughter, our lord the king commands that the
illustrious lady Marie shall contract a marriage with the elder son of
the mighty lord Don Juan, Duke of Normandy, himself the elder son of the
reigning King of France."

At this point Charles of Durazzo gave Marie a singularly meaning look,
which escaped the notice of all present, their attention being absorbed
by the reading of Robert's will. The young girl herself, from the moment
when she first heard her own name, had stood confused and thunderstruck,
with scarlet cheeks, not daring to raise her eyes.

The vice-chancellor continued:

"Moreover, he has willed and commanded that the counties of Forcalquier
and Provence shall in all perpetuity be united to his kingdom, and shall
form one sole and inseparable dominion, whether or not there be several
sons or daughters or any other reason of any kind for its partition,
seeing that this union is of the utmost importance for the security and
common prosperity of the kingdom and counties aforesaid.

"Moreover, he has decided and commanded that in case of the death of the
Duchess Joan--which God avert!--without lawful issue of her body, the
most illustrious lord Andre, Duke of Calabria, her husband, shall have
the principality of Salerno, with the title, fruits, revenues, and all
the rights thereof, together with the revenue of 2000 ounces of gold for
maintenance.

"Moreover, he has decided and ordered that the Queen above all, and also
the venerable father Don Philip of Cabassole, Bishop of Cavaillon,
vice-chancellor of the kingdom of Sicily, and the magnificent lords
Philip of Sanguineto, seneschal of Provence, Godfrey of Marsan, Count of
Squillace, admiral of the kingdom, and Charles of Artois, Count of Aire,
shall be governors, regents, and administrators of the aforesaid lord
Andre and the aforesaid ladies Joan and Marie, until such time as the
duke, the duchess, and the very illustrious lady Marie shall have
attained their twenty-fifth year," etc. etc.

When the vice-chancellor had finished reading, the king sat up, and
glancing round upon his fair and numerous family, thus spoke:

"My children, you have heard my last wishes. I have bidden you all to my
deathbed, that you may see how the glory of the world passes away. Those
whom men name the great ones of the earth have more duties to perform,
and after death more accounts to render: it is in this that their
greatness lies. I have reigned thirty-three years, and God before whom I
am about to appear, God to whom my sighs have often arisen during my
long and painful life, God alone knows the thoughts that rend my heart
in the hour of death. Soon shall I be lying in the tomb, and all that
remains of me in this world will live in the memory of those who pray
for me. But before I leave you for ever, you, oh, you who are twice my
daughters, whom I have loved with a double love, and you my nephews who
have had from me all the care and affection of a father, promise me to
be ever united in heart and in wish, as indeed you are in my love. I
have lived longer than your fathers, I the eldest of all, and thus no
doubt God has wished to tighten the bonds of your affection, to accustom
you to live in one family and to pay honour to one head. I have loved
you all alike, as a father should, without exception or preference. I
have disposed of my throne according to the law of nature and the
inspiration of my conscience: Here are the heirs of the crown of Naples;
you, Joan, and you, Andre, will never forget the love and respect that
are due between husband and wife, and mutually sworn by you at the foot
of the altar; and you, my nephews all; my barons, my officers, render
homage to your lawful sovereigns; Andre of Hungary, Louis of Tarentum,
Charles of Durazzo, remember that you are brothers; woe to him who shall
imitate the perfidy of Cain! May his blood fall upon his own head, and
may he be accursed by Heaven as he is by the mouth of a dying man; and
may the blessing of the Father, the Son, and the Holy Spirit descend
upon that man whose heart is good, when the Lord of mercy shall call to
my soul Himself!"

The king remained motionless, his arms raised, his eyes fixed on heaven,
his cheeks extraordinarily bright, while the princes, barons, and
officers of the court proffered to Joan and her husband the oath of
fidelity and allegiance. When it was the turn of the Princes of Duras to
advance, Charles disdainfully stalked past Andre, and bending his knee
before the princess, said in a loud voice, as he kissed her hand--

"To you, my queen, I pay my homage."

All looks were turned fearfully towards the dying man, but the good king
no longer heard. Seeing him fall back rigid and motionless, Dona Sancha
burst into sobs, and cried in a voice choked with tears--

"The king is dead; let us pray for his soul."

At the very same moment all the princes hurried from the room, and every
passion hitherto suppressed in the presence of the king now found its
vent like a mighty torrent breaking through its banks.

"Long live Joan!" Robert of Cabane, Louis of Tarentum, and Bertrand of
Artois were the first to exclaim, while the prince's tutor, furiously
breaking through the crowd and apostrophising the various members of the
council of regency, cried aloud in varying tones of passion, "Gentlemen,
you have forgotten the king's wish already; you must cry, 'Long live
Andre!' too;" then, wedding example to precept, and himself making more
noise than all the barons together, he cried in a voice of thunder--

"Long live the King of Naples!"

But there was no echo to his cry, and Charles of Durazzo, measuring the
Dominican with a terrible look, approached the queen, and taking her by
the hand, slid back the curtains of the balcony, from which was seen the
square and the town of Naples. So far as the eye could reach there
stretched an immense crowd, illuminated by streams of light, and
thousands of heads were turned upward towards Castel Nuovo to gather any
news that might be announced. Charles respectfully drawing back and
indicating his fair cousin with his hand, cried out--

"People of Naples, the King is dead: long live the Queen!"

"Long live Joan, Queen of Naples!" replied the people, with a single
mighty cry that resounded through every quarter of the town.

The events that on this night had followed each other with the rapidity
of a dream had produced so deep an impression on Joan's mind, that,
agitated by a thousand different feelings, she retired to her own rooms,
and shutting herself up in her chamber, gave free vent to her grief. So
long as the conflict of so many ambitions waged about the tomb, the
young queen, refusing every consolation that was offered her, wept
bitterly for the death of her grandfather, who had loved her to the
point of weakness. The king was buried with all solemnity in the church
of Santa Chiara, which he had himself founded and dedicated to the Holy
Sacrament, enriching it with magnificent frescoes by Giotto and other
precious relics, among which is shown still, behind the tribune of the
high altar, two columns of white marble taken from Solomon's temple.
There still lies Robert, represented on his tomb in the dress of a king
and in a monk's frock, on the right of the monument to his son Charles,
the Duke of Calabria.




CHAPTER II


As soon as the obsequies were over, Andre's tutor hastily assembled the
chief Hungarian lords, and it was decided in a council held in the
presence of the prince and with his consent, to send letters to his
mother, Elizabeth of Poland, and his brother, Louis of Hungary, to make
known to them the purport of Robert's will, and at the same time to
lodge a complaint at the court of Avignon against the conduct of the
princes and people of Naples in that they had proclaimed Joan alone
Queen of Naples, thus overlooking the rights of her husband, and further
to demand for him the pope's order for Andre's coronation. Friar Robert,
who had not only a profound knowledge of the court intrigues, but also
the experience of a philosopher and all a monk's cunning, told his pupil
that he ought to profit by the depression of spirit the king's death had
produced in Joan, and ought not to suffer her favourites to use this
time in influencing her by their seductive counsels.

But Joan's ability to receive consolation was quite as ready as her
grief had at first been impetuous; the sobs which seemed to be breaking
her heart ceased all at once; new thoughts, more gentle, less
lugubrious, took possession of the young queen's mind; the trace of
tears vanished, and a smile lit up her liquid eyes like the sun's ray
following on rain. This change, anxiously awaited, was soon observed by
Joan's chamberwoman: she stole to the queen's room, and falling on her
knees, in accents of flattery and affection, she offered her first
congratulations to her lovely mistress. Joan opened her arms and held
her in a long embrace, for Dona Cancha was far more to her than a
lady-in-waiting; she was the companion of infancy, the depositary of all
her secrets, the confidante of her most private thoughts. One had but to
glance at this young girl to understand the fascination she could
scarcely fail to exercise over the queen's mind. She had a frank and
smiling countenance, such as inspires confidence and captivates the mind
at first sight. Her face had an irresistible charm, with clear blue
eyes, warm golden hair, mouth bewitchingly turned up at the corners, and
delicate little chin. Wild, happy, light of heart, pleasure and love
were the breath of her being; her dainty refinement, her charming
inconstancies, all made her at sixteen as lovely as an angel, though at
heart she was corrupt. The whole court was at her feet, and Joan felt
more affection for her than for her own sister.

"Well, my dear Cancha," she murmured, with a sigh, "you find me very sad
and very unhappy!"

"And you find me, fair queen," replied the confidante, fixing an
admiring look on Joan,--"you find me just the opposite, very happy that
I can lay at your feet before anyone else the proof of the joy that the
people of Naples are at this moment feeling. Others perhaps may envy you
the crown that shines upon your brow, the throne which is one of the
noblest in the world, the shouts of this entire town that sound rather
like worship than homage; but I, madam, I envy you your lovely black
hair, your dazzling eyes, your more than mortal grace, which make every
man adore you."

"And yet you know, my Cancha, I am much to be pitied both as a queen and
as a woman: when one is fifteen a crown is heavy to wear, and I have not
the liberty of the meanest of my subjects--I mean in my affections; for
before I reached an age when I could think I was sacrificed to a man
whom I can never love."

"Yet, madam," replied Cancha in a more insinuating voice, "in this court
there is a young cavalier who might by virtue of respect, love, and
devotion have made you forget the claims of this foreigner, alike
unworthy to be our king and to be your husband."

The queen heaved a heavy sigh.

"When did you lose your skill to read my heart?" she cried. "Must I
actually tell you that this love is making me wretched? True, at the
very first this unsanctioned love was a keen joy: a new life seemed to
wake within my heart; I was drawn on, fascinated by the prayers, the
tears, and the despair of this man, by the opportunities that his mother
so easily granted, she whom I had always looked upon as my own mother; I
have loved him.... O my God, I am still so young, and my past is so
unhappy. At times strange thoughts come into my mind: I fancy he no
longer loves me, that he never did love me; I fancy he has been led on
by ambition, by self-interest, by some ignoble motive, and has only
feigned a feeling that he has never really felt. I feel myself a
coldness I cannot account for; in his presence I am constrained, I am
troubled by his look, his voice makes me tremble: I fear him; I would
sacrifice a year of my life could I never have listened to him."

These words seemed to touch the young confidante to the very depths of
her soul; a shade of sadness crossed her brow, her eyelids dropped, and
for some time she answered nothing, showing sorrow rather than surprise.
Then, lifting her head gently, she said, with visible embarrassment--

"I should never have dared to pass so severe a judgment upon a man whom
my sovereign lady has raised above other men by casting upon him a look
of kindness; but if Robert of Cabane has deserved the reproach of
inconstancy and ingratitude, if he has perjured himself like a coward,
he must indeed be the basest of all miserable beings, despising a
happiness which other men might have entreated of God the whole time of
their life and paid for through eternity. One man I know, who weeps both
night and day without hope or consolation, consumed by a slow and
painful malady, when one word might yet avail to save him, did it come
from the lips of my noble mistress."

"I will not hear another word," cried Joan, suddenly rising; "there
shall be no new cause for remorse in my life. Trouble has come upon me
through my loves, both lawful and criminal; alas! no longer will I try
to control my awful fate, I will bow my head without a murmur. I am the
queen, and I must yield myself up for the good of my subjects."

"Will you forbid me, madam," replied Dona Cancha in a kind, affectionate
tone--"will you forbid me to name Bertrand of Artois in your presence,
that unhappy man, with the beauty of an angel and the modesty of a girl?
Now that you are queen and have the life and death of your subjects in
your own keeping, will you feel no kindness towards an unfortunate one
whose only fault is to adore you, who strives with all his mind and
strength to bear a chance look of yours without dying of his joy?"

"I have struggled hard never to look on him," cried the queen, urged by
an impulse she was not strong enough to conquer: then, to efface the
impression that might well have been made on her friend's mind, she
added severely, "I forbid you to pronounce his name before me; and if he
should ever venture to complain, I bid you tell him from me that the
first time I even suspect the cause of his distress he will be banished
for ever from my presence."

"Ah, madam, dismiss me also; for I shall never be strong enough to do so
hard a bidding: the unhappy man who cannot awake in your heart so much
as a feeling of pity may now be struck down by yourself in your wrath,
for here he stands; he has heard your sentence, and come to die at your
feet."

The last words were spoken in a louder voice, so that they might be
heard from outside, and Bertrand of Artois came hurriedly into the room
and fell on his knees before the queen. For a long time past the young
lady-in-waiting had perceived that Robert of Cabane had, through his own
fault, lost the love of Joan; for his tyranny had indeed become more
unendurable to her than her husband's.

Dona Cancha had been quick enough to perceive that the eyes of her young
mistress were wont to rest with a kind of melancholy gentleness on
Bertrand, a young man of handsome appearance but with a sad and dreamy
expression; so when she made up her mind to speak in his interests, she
was persuaded that the queen already loved him. Still, a bright colour
overspread Joan's face, and her anger would have fallen on both culprits
alike, when in the next room a sound of steps was heard, and the voice
of the grand seneschal's widow in conversation with her son fell on the
ears of the three young people like a clap of thunder. Dona Cancha, pale
as death, stood trembling; Bertrand felt that he was lost--all the more
because his presence compromised the queen; Joan only, with that
wonderful presence of mind she was destined to preserve in the most
difficult crises of her future life, thrust the young man against the
carved back of her bed, and concealed him completely beneath the ample
curtain: she then signed to Cancha to go forward and meet the governess
and her son.

But before we conduct into the queen's room these two persons, whom our
readers may remember in Joan's train about the bed of King Robert, we
must relate the circumstances which had caused the family of the
Catanese to rise with incredible rapidity from the lowest class of the
people to the highest rank at court. When Dona Violante of Aragon, first
wife of Robert of Anjou, became the mother of Charles, who was later on
the Duke of Calabria, a nurse was sought for the infant among the most
handsome women of the people. After inspecting many women of equal merit
as regards beauty, youth and health, the princess's choice lighted on
Philippa, a young Catanese woman, the wife of a fisherman of Trapani,
and by condition a laundress. This young woman, as she washed her linen
on the bank of a stream, had dreamed strange dreams: she had fancied
herself summoned to court, wedded to a great personage, and receiving
the honours of a great lady. Thus when she was called to Castel Nuovo
her joy was great, for she felt that her dreams now began to be
realised. Philippa was installed at the court, and a few months after
she began to nurse the child the fisherman was dead and she was a widow.
Meanwhile Raymond of Cabane, the major-domo of King Charles II's house,
had bought a negro from some corsairs, and having had him baptized by
his own name, had given him his liberty; afterwards observing that he
was able and intelligent, he had appointed him head cook in the king's
kitchen; and then he had gone away to the war. During the absence of his
patron the negro managed his own affairs at the court so cleverly, that
in a short time he was able to buy land, houses, farms, silver plate,
and horses, and could vie in riches with the best in the kingdom; and as
he constantly won higher favour in the royal family, he passed on from
the kitchen to the wardrobe. The Catanese had also deserved very well of
her employers, and as a reward for the care she had bestowed on the
child, the princess married her to the negro, and he, as a wedding gift,
was granted the title of knight.

From this day forward, Raymond of Cabane and Philippa the laundress rose
in the world so rapidly that they had no equal in influence at court.
After the death of Dona Violante, the Catanese became the intimate
friend of Dona Sandra, Robert's second wife, whom we introduced to our
readers at the beginning of this narrative. Charles, her foster son,
loved her as a mother, and she was the confidante of his two wives in
turn, especially of the second wife, Marie of Valois. And as the quondam
laundress had in the end learned all the manners and customs of the
court, she was chosen at the birth of Joan and her sister to be
governess and mistress over the young girls, and at this juncture
Raymond was created major-domo. Finally, Marie of Valois on her deathbed
commended the two young princesses to her care, begging her to look on
them as her own-daughters. Thus Philippa the Catanese, honoured in
future as foster mother of the heiress to the throne of Naples, had
power to nominate her husband grand seneschal, one of the seven most
important offices in the kingdom, and to obtain knighthood for her sons.
Raymond of Cabane was buried like a king in a marble tomb in the church
of the Holy Sacrament, and there was speedily joined by two of his sons.
The third, Robert, a youth of extraordinary strength and beauty, gave up
an ecclesiastical career, and was himself made major-domo, his two
sisters being married to the Count of Merlizzi and the Count of Morcone
respectively. This was now the state of affairs, and the influence of
the grand seneschal's widow seemed for ever established, when an
unexpected event suddenly occurred, causing such injury as might well
suffice to upset the edifice of her fortunes that had been raised stone
by stone patiently and slowly: this edifice was now undermined and
threatened to fall in a single day. It was the sudden apparition of
Friar Robert, who followed to the court of Rome his young pupil, who
from infancy had been Joan's destined husband, which thus shattered all
the designs of the Catanese and seriously menaced her future. The monk
had not been slow to understand that so long as she remained at the
court, Andre would be no more than the slave, possibly even the victim,
of his wife. Thus all Friar Robert's thoughts were obstinately
concentrated on a single end, that of getting rid of the Catanese or
neutralising her influence. The prince's tutor and the governess of the
heiress had but to exchange one glance, icy, penetrating, plain to read:
their looks met like lightning flashes of hatred and of vengeance. The
Catanese, who felt she was detected, lacked courage to fight this man in
the open, and so conceived the hope of strengthening her tottering
empire by the arts of corruption and debauchery. She instilled by
degrees into her pupil's mind the poison of vice, inflamed her youthful
imagination with precocious desires, sowed in her heart the seeds of an
unconquerable aversion for her husband, surrounded the poor child with
abandoned women, and especially attached to her the beautiful and
attractive Dona Cancha, who is branded by contemporary authors with the
name of a courtesan; then summed up all these lessons in infamy by
prostituting Joan to her own son. The poor girl, polluted by sin before
she knew what life was, threw her whole self into this first passion
with all the ardour of youth, and loved Robert of Cabane so violently,
so madly, that the Catanese congratulated herself on the success of her
infamy, believing that she held her prey so fast in her toils that her
victim would never attempt to escape them.

A year passed by before Joan, conquered by her infatuation, conceived
the smallest suspicion of her lover's sincerity. He, more ambitious than
affectionate, found it easy to conceal his coldness under the cloak of a
brotherly intimacy, of blind submission, and of unswerving devotion;
perhaps he would have deceived his mistress for a longer time had not
Bertrand of Artois fallen madly in love with Joan. Suddenly the bandage
fell from the young girl's eyes; comparing the two with the natural
instinct of a woman beloved which never goes astray, she perceived that
Robert of Cabane loved her for his own sake, while Bertrand of Artois
would give his life to make her happy. A light fell upon her past: she
mentally recalled the circumstances that preceded and accompanied her
earliest love; and a shudder went through her at the thought that she
had been sacrificed to a cowardly seducer by the very woman she had
loved most in the world, whom she had called by the name of mother.

Joan drew back into herself, and wept bitterly. Wounded by a single blow
in all her affections, at first her grief absorbed her; then, roused to
sudden anger, she proudly raised her head, for now her love was changed
to scorn. Robert, amazed at her cold and haughty reception of him,
following on so great a love, was stung by jealousy and wounded pride.
He broke out into bitter reproach and violent recrimination, and,
letting fall the mask, once for all lost his place in Joan's heart.

His mother at last saw that it was time to interfere: she rebuked her
son, accusing him of upsetting all her plans by his clumsiness.

"As you have failed to conquer her by love," she said, "you must now
subdue her by fear. The secret of her honour is in our hands, and she
will never dare to rebel. She plainly loves Bertrand of Artois, whose
languishing eyes and humble sighs contrast in a striking manner with
your haughty indifference and your masterful ways. The mother of the
Princes of Tarentum, the Empress of Constantinople, will easily seize an
occasion of helping on the princess's love so as to alienate her more
and more from her husband: Cancha will be the go between, and sooner or
later we shall find Bertrand at Joan's feet. Then she will be able to
refuse us nothing."

While all this was going on, the old king died, and the Catanese, who
had unceasingly kept on the watch for the moment she had so plainly
foreseen, loudly called to her son, when she saw Bertrand slip into
Joan's apartment, saying as she drew him after her--

"Follow me, the queen is ours."

It was thus that she and her son came to be there. Joan, standing in the
middle of the chamber, pallid, her eyes fixed on the curtains of the
bed, concealed her agitation with a smile, and took one step forward
towards her governess, stooping to receive the kiss which the latter
bestowed upon her every morning. The Catanese embraced her with affected
cordiality, and turning, to her son, who had knelt upon one knee, said,
pointing to Robert--

"My fair queen, allow the humblest of your subjects to offer his sincere
congratulations and to lay his homage at your feet."

"Rise, Robert," said Joan, extending her hand kindly, and with no show
of bitterness. "We were brought up together, and I shall never forget
that in our childhood--I mean those happy days when we were both
innocent--I called you my brother."

"As you allow me, madam," said Robert, with an ironical smile, "I too
shall always remember the names you formerly gave me."

"And I," said the Catanese, "shall forget that I speak to the Queen of
Naples, in embracing once more my beloved daughter. Come, madam, away
with care: you have wept long enough; we have long respected your grief.
It is now time to show yourself to these good Neapolitans who bless
Heaven continually for granting them a queen so beautiful and good; it
is time that your favours fall upon the heads of your faithful subjects,
and my son, who surpasses all in his fidelity, comes first to ask a
favour of you, in order that he may serve you yet more zealously."

Joan cast on Robert a withering look, and, speaking to the Catanese,
said with a scornful air--

"You know, madam, I can refuse your son nothing."

"All he asks," continued the lady, "is a title which is his due, and
which he inherited from his father--the title of Grand Seneschal of the
Two Sicilies: I trust, my daughter, you will have no difficulty in
granting this."

"But I must consult the council of regency."

"The council will hasten to ratify the queen's wishes," replied Robert,
handing her the parchment with an imperious gesture: "you need only
speak to the Count of Artois."

And he cast a threatening glance at the curtain, which had slightly
moved.

"You are right," said the queen at once; and going up to a table she
signed the parchment with a trembling hand.

"Now, my daughter, I have come in the name of all the care I bestowed on
your infancy, of all the maternal love I have lavished on you, to
implore a favour that my family will remember for evermore."

The queen recoiled one step, crimson with astonishment and rage; but
before she could find words to reply, the lady continued in a voice that
betrayed no feeling--

"I request you to make my son Count of Eboli."

"That has nothing to do with me, madam; the barons of this kingdom would
revolt to a man if I were on my own authority to exalt to one of the
first dignities the son of a---"

"A laundress and a negro; you would say, madam?" said Robert, with a
sneer. "Bertrand of Artois would be annoyed perhaps if I had a title
like his."

He advanced a step towards the bed, his hand upon the hilt of his sword.

"Have mercy, Robert!" cried the queen, checking him: "I will do all you
ask."

And she signed the parchment naming him Count of Eboli.

"And now," Robert went on impudently, "to show that my new title is not
illusory, while you are busy about signing documents, let me have the
privilege of taking part in the councils of the crown: make a
declaration that, subject to your good pleasure, my mother and I are to
have a deliberative voice in the council whenever an important matter is
under discussion."

"Never!" cried Joan, turning pale. "Philippa and Robert, you abuse my
weakness and treat your queen shamefully. In the last few days I have
wept and suffered continually, overcome by a terrible grief; I have no
strength to turn to business now. Leave me, I beg: I feel my strength
gives way."

"What, my daughter," cried the Catanese hypocritically, "are you feeling
unwell? Come and lie down at once." And hurrying to the bed, she took
hold of the curtain that concealed the Count of Artois.

The queen uttered a piercing cry, and threw herself before Philippa with
the fury of a lioness. "Stop!" she cried in a choking voice; "take the
privilege you ask, and now, if you value your own life, leave me."

The Catanese and her son departed instantly, not even waiting to reply,
for they had got all they wanted; while Joan, trembling, ran desperately
up to Bertrand, who had angrily drawn his dagger, and would have fallen
upon the two favourites to take vengeance for the insults they had
offered to the queen; but he was very soon disarmed by the lovely
shining eyes raised to him in supplication, the two arms cast about him,
and the tears shed by Joan: he fell at her feet and kissed them
rapturously, with no thought of seeking excuse for his presence, with no
word of love, for it was as if they had loved always: he lavished the
tenderest caresses on her, dried her tears, and pressed his trembling
lips upon her lovely head. Joan began to forget her anger, her vows, and
her repentance: soothed by the music of her lover's speech, she returned
uncomprehending monosyllables: her heart beat till it felt like
breaking, and once more she was falling beneath love's resistless spell,
when a new interruption occurred, shaking her roughly out of her
ecstasy; but this time the young count was able to pass quietly and
calmly into a room adjoining, and Joan prepared to receive her
importunate visitor with severe and frigid dignity.

The individual who arrived at so inopportune a moment was little
calculated to smooth Joan's ruffled brow, being Charles, the eldest son
of the Durazzo family. After he had introduced his fair cousin to the
people as their only legitimate sovereign, he had sought on various
occasions to obtain an interview with her, which in all probability
would be decisive. Charles was one of those men who to gain their end
recoil at nothing; devoured by raging ambition and accustomed from his
earliest years to conceal his most ardent desires beneath a mask of
careless indifference, he marched ever onward, plot succeeding plot,
towards the object he was bent upon securing, and never deviated one
hair's-breadth from the path he had marked out, but only acted with
double prudence after each victory, and with double courage after each
defeat. His cheek grew pale with joy; when he hated most, he smiled; in
all the emotions of his life, however strong, he was inscrutable. He had
sworn to sit on the throne of Naples, and long had believed himself the
rightful heir, as being nearest of kin to Robert of all his nephews. To
him the hand of Joan would have been given, had not the old king in his
latter days conceived the plan of bringing Andre from Hungary and
re-establishing the elder branch in his person, though that had long
since been forgotten. But his resolution had never for a moment been
weakened by the arrival of Andre in the kingdom, or by the profound
indifference wherewith Joan, preoccupied with other passion, had always
received the advances of her cousin Charles of Durazzo. Neither the love
of a woman nor the life of a man was of any account to him when a crown
was weighed in the other scale of the balance.

During the whole time that the queen had remained invisible, Charles had
hung about her apartments, and now came into her presence with
respectful eagerness to inquire for his cousin's health. The young duke
had been at pains to set off his noble features and elegant figure by a
magnificent dress covered with golden fleur-de-lys and glittering with
precious stones. His doublet of scarlet velvet and cap of the same
showed up, by their own splendour, the warm colouring of his skin, while
his face seemed illumined by his black eyes that shone keen as an
eagle's.

Charles spoke long with his cousin of the people's enthusiasm on her
accession and of the brilliant destiny before her; he drew a hasty but
truthful sketch of the state of the kingdom; and while he lavished
praises on the queen's wisdom, he cleverly pointed out what reforms were
most urgently needed by the country; he contrived to put so much warmth,
yet so much reserve, into his speech that he destroyed the disagreeable
impression his arrival had produced. In spite of the irregularities of
her youth and the depravity brought about by her wretched education,
Joan's nature impelled her to noble action: when the welfare of her
subjects was concerned, she rose above the limitations of her age and
sex, and, forgetting her strange position, listened to the Duke of
Durazzo with the liveliest interest and the kindliest attention. He then
hazarded allusions to the dangers that beset a young queen, spoke
vaguely of the difficulty in distinguishing between true devotion and
cowardly complaisance or interested attachment; he spoke of the
ingratitude of many who had been loaded with benefits, and had been most
completely trusted. Joan, who had just learned the truth of his words by
sad experience, replied with a sigh, and after a moment's silence
added--

"May God, whom I call to witness for the loyalty and uprightness of my
intentions, may God unmask all traitors and show me my true friends! I
know that the burden laid upon me is heavy, and I presume not on my
strength, but I trust that the tried experience of those counsellors to
whom my uncle entrusted me, the support of my family, and your warm and
sincere friendship above all, my dear cousin, will help me to accomplish
my duty."

"My sincerest prayer is that you may succeed, my fair cousin, and I will
not darken with doubts and fears a time that ought to be given up to
joy; I will not mingle with the shouts of gladness that rise on all
sides to proclaim you queen, any vain regrets over that blind fortune
which has placed beside the woman whom we all alike adore, whose single
glance would make a man more blest than the angels, a foreigner unworthy
of your love and unworthy of your throne."

"You forget, Charles," said the queen, putting out her hand as though to
check his words, "Andre is my husband, and it was my grandfather's will
that he should reign with me."

"Never!" cried the duke indignantly; "he King of Naples! Nay, dream that
the town is shaken to its very foundations, that the people rise as one
man, that our church bells sound a new Sicilian vespers, before the
people of Naples will endure the rule of a handful of wild Hungarian
drunkards, a deformed canting monk, a prince detested by them even as
you are beloved!"

"But why is Andre blamed? What has he done?"

"What has he done? Why is he blamed, madam? The people blame him as
stupid, coarse, a savage; the nobles blame him for ignoring their
privileges and openly supporting men of obscure birth; and I,
madam,"--here he lowered his voice, "I blame him for making you
unhappy."

Joan shuddered as though a wound had been touched by an unkind hand; but
hiding her emotion beneath an appearance of calm, she replied in a voice
of perfect indifference--

"You must be dreaming, Charles; who has given you leave to suppose I am
unhappy?"

"Do not try to excuse him, my dear cousin," replied Charles eagerly;
"you will injure yourself without saving him."

The queen looked fixedly at her cousin, as though she would read him
through and through and find out the meaning of his words; but as she
could not give credence to the horrible thought that crossed her mind,
she assumed a complete confidence in her cousin's friendship, with a
view to discovering his plans, and said carelessly--

"Well, Charles, suppose I am not happy, what remedy could you offer me
that I might escape my lot?"

"You ask me that, my dear cousin? Are not all remedies good when you
suffer, and when you wish for revenge?"

"One must fly to those means that are possible. Andre will not readily
give up his pretensions: he has a party of his own, and in case of open
rupture his brother the King of Hungary may declare war upon us, and
bring ruin and desolation upon our kingdom."

The Duke of Duras faintly smiled, and his countenance assumed a sinister
expression.

"You do not understand me," he said.

"Then explain without circumlocution," said the queen, trying to conceal
the convulsive shudder that ran through her limbs.

"Listen, Joan," said Charles, taking his cousin's hand and laying it
upon his heart: "can you feel that dagger?"

"I can," said Joan, and she turned pale.

"One word from you--and--"

"Yes?"

"To-morrow you will be free."

"A murder!" cried Joan, recoiling in horror: "then I was not deceived;
it is a murder that you have proposed."

"It is a necessity," said the duke calmly: "today I advise; later on you
will give your orders."

"Enough, wretch! I cannot tell if you are more cowardly or more rash:
cowardly, because you reveal a criminal plot feeling sure that I shall
never denounce you; rash, because in revealing it to me you cannot tell
what witnesses are near to hear it all."

"In any case, madam, since I have put myself in your hands, you must
perceive that I cannot leave you till I know if I must look upon myself
as your friend or as your enemy."

"Leave me," cried Joan, with a disdainful gesture; "you insult your
queen."

"You forget, my dear cousin, that some day I may very likely have a
claim to your kingdom."

"Do not force me to have you turned out of this room," said Joan,
advancing towards the door.

"Now do not get excited, my fair cousin; I am going: but at least
remember that I offered you my hand and you refused it. Remember what I
say at this solemn moment: to-day I am the guilty man; some day perhaps
I may be the judge."

He went away slowly, twice turning his head, repeating in the language
of signs his menacing prophecy. Joan hid her face in her hands, and for
a long time remained plunged in dismal reflections; then anger got the
better of all her other feelings, and she summoned Dona Cancha, bidding
her not to allow anybody to enter, on any pretext whatsoever.

This prohibition was not for the Count of Artois, for the reader will
remember that he was in the adjoining room.




CHAPTER III


Night fell, and from the Molo to the Mergellina, from the Capuano Castle
to the hill of St. Elmo, deep silence had succeeded the myriad sounds
that go up from the noisiest city in the world. Charles of Durazzo,
quickly walking away from the square of the Correggi, first casting one
last look of vengeance at the Castel Nuovo, plunged into the labyrinth
of dark streets that twist and turn, cross and recross one another, in
this ancient city, and after a quarter of an hour's walking, that was
first slow, then very rapid, arrived at his ducal palace near the church
of San Giovanni al Mare. He gave certain instructions in a harsh,
peremptory tone to a page who took his sword and cloak. Then Charles
shut himself into his room, without going up to see his poor mother, who
was weeping, sad and solitary over her son's ingratitude, and like every
other mother taking her revenge by praying God to bless him.

The Duke of Durazzo walked up and down his room several times like a
lion in a cage, counting the minutes in a fever of impatience, and was
on the point of summoning a servant and renewing his commands, when two
dull raps on the door informed him that the person he was waiting for
had arrived. He opened at once, and a man of about fifty, dressed in
black from head to foot, entered, humbly bowing, and carefully shut the
door behind him. Charles threw himself into an easy-chair, and gazing
fixedly at the man who stood before him, his eyes on the ground and his
arms crossed upon his breast in an attitude of the deepest respect and
blind obedience, he said slowly, as though weighing each word--

"Master Nicholas of Melazzo, have you any remembrance left of the
services I once rendered you?"

The man to whom these words were addressed trembled in every limb, as if
he heard the voice of Satan come to claim his soul; then lifting a look
of terror to his questioner's face, he asked in a voice of gloom--

"What have I done, my lord, to deserve this reproach?"

"It is not a reproach: I ask a simple question."

"Can my lord doubt for a moment of my eternal gratitude? Can I forget
the favours your Excellency showed me? Even if I could so lose my reason
and my memory, are not my wife and son ever here to remind me that to
you we owe all our life, our honour, and our fortune? I was guilty of an
infamous act," said the notary, lowering his voice, "a crime that would
not only have brought upon my head the penalty of death, but which meant
the confiscation of my goods, the ruin of my family, poverty and shame
for my only son--that very son, sire, for whom I, miserable wretch, had
wished to ensure a brilliant future by means of my frightful crime: you
had in your hands the proofs of this!

"I have them still."

"And you will not ruin me, my lord," resumed the notary, trembling; "I
am at your feet, your Excellency; take my life and I will die in torment
without a murmur, but save my son since you have been so merciful as to
spare him till now; have pity on his mother; my lord, have pity!"

"Be assured," said Charles, signing to him to rise; "it is nothing to do
with your life; that will come later, perhaps. What I wish to ask of you
now is a much simpler, easier matter."

"My lord, I await your command."

"First," said the duke, in a voice of playful irony, "you must draw up a
formal contract of my marriage."

"At once, your Excellency."

"You are to write in the first article that my wife brings me as dowry
the county of Alba, the jurisdiction of Grati and Giordano, with all
castles, fiefs, and lands dependent thereto."

"But, my lord--" replied the poor notary, greatly embarrassed.

"Do you find any difficulty, Master Nicholas?"

"God forbid, your Excellency, but--"

"Well, what is it?"

"Because, if my lord will permit, because there is only one person in
Naples who possesses that dowry your Excellency mentions."

"And so?"

"And she," stammered the notary, embarrassed more and more, "--she is
the queen's sister."

"And in the contract you will write the name of Marie of Anjou."

"But the young maiden," replied Nicholas timidly, "whom your Excellency
would marry is destined, I thought, under the will of our late king of
blessed memory, to become the wife of the King of Hungary or else of the
grandson of the King of France."

"Ah, I understand your surprise: you may learn from this that an uncle's
intentions are not always the same as his nephew's."

"In that case, sire, if I dared--if my lord would deign to give me
leave--if I had an opinion I might give, I would humbly entreat your
Excellency to reflect that this would mean the abduction of a minor."

"Since when did you learn to be scrupulous, Master Nicholas?"

These words were uttered with a glance so terrible that the poor notary
was crushed, and had hardly the strength to reply--

"In an hour the contract will be ready."

"Good: we agree as to the first point," continued Charles, resuming his
natural tone of voice. "You now will hear my second charge. You have
known the Duke of Calabria's valet for the last two years pretty
intimately?"

"Tommaso Pace; why, he is my best friend."

"Excellent. Listen, and remember that on your discretion the safety or
ruin of your family depends. A plot will soon be on foot against the
queen's husband; the conspirators no doubt will gain over Andre's valet,
the man you call your best friend; never leave him for an instant, try
to be his shadow; day by day and hour by hour come to me and report the
progress of the plot, the names of the plotters."

"Is this all your Excellency's command?"

"All."

The notary respectfully bowed, and withdrew to put the orders at once
into execution. Charles spent the rest of that night writing to his
uncle the Cardinal de Perigord, one of the most influential prelates at
the court of Avignon. He begged him before all things to use his
authority so as to prevent Pope Clement from signing the bull that would
sanction Andre's coronation, and he ended his letter by earnestly
entreating his uncle to win the pope's consent to his marriage with the
queen's sister.

"We shall see, fair cousin," he said as he sealed his letter, "which of
us is best at understanding where our interest lies. You would not have
me as a friend, so you shall have me as an enemy. Sleep on in the arms
of your lover: I will wake you when the time comes. I shall be Duke of
Calabria perhaps some day, and that title, as you well know, belongs to
the heir to the throne."

The next day and on the following days a remarkable change took place in
the behaviour of Charles towards Andre: he showed him signs of great
friendliness, cleverly flattering his inclinations, and even persuading
Friar Robert that, far from feeling any hostility in the matter of
Andre's coronation, his most earnest desire was that his uncle's wishes
should be respected; and that, though he might have given the impression
of acting contrary to them, it had only been done with a view to
appeasing the populace, who in their first excitement might have been
stirred up to insurrection against the Hungarians. He declared with much
warmth that he heartily detested the people about the queen, whose
counsels tended to lead her astray, and he promised to join Friar Robert
in the endeavour to get rid of Joan's favourites by all such means as
fortune might put at his disposal. Although the Dominican did not
believe in the least in the sincerity of his ally's protestations, he
yet gladly welcomed the aid which might prove so useful to the prince's
cause, and attributed the sudden change of front to some recent rupture
between Charles and his cousin, promising himself that he would make
capital out of his resentment. Be that as it might, Charles wormed
himself into Andre's heart, and after a few days one of them could
hardly be seen without the other. If Andre went out hunting, his
greatest pleasure in life, Charles was eager to put his pack or his
falcons at his disposal; if Andre rode through the town, Charles was
always ambling by his side. He gave way to his whims, urged him to
extravagances, and inflamed his angry passions: in a word, he was the
good angel--or the bad one--who inspired his every thought and guided
his every action.

Joan soon understood this business, and as a fact had expected it. She
could have ruined Charles with a single word; but she scorned so base a
revenge, and treated him with utter contempt. Thus the court was split
into two factions: the Hungarians with Friar Robert at their head and
supported by Charles of Durazzo; on the other side all the nobility of
Naples, led by the Princes of Tarentum. Joan, influenced by the grand
seneschal's widow and her two daughters, the Countesses of Terlizzi and
Morcone, and also by Dona Cancha and the Empress of Constantinople, took
the side of the Neapolitan party against the pretensions of her husband.
The partisans of the queen made it their first care to have her name
inscribed upon all public acts without adding Andre's; but Joan, led by
an instinct of right and justice amid all the corruption of her court,
had only consented to this last after she had taken counsel with Andre
d'Isernia, a very learned lawyer of the day, respected as much for his
lofty character as for his great learning. The prince, annoyed at being
shut out in this way, began to act in a violent and despotic manner. On
his own authority he released prisoners; he showered favours upon
Hungarians, and gave especial honours and rich gifts to Giovanni Pipino,
Count of Altanuera, the enemy of all others most dreaded and detested by
the Neapolitan barons. Then the Counts of San Severino, Mileto, Terlizzi
and Balzo, Calanzaro and Sant' Angelo, and most of the grandees,
exasperated by the haughty insolence of Andre's favourite, which grew
every day more outrageous, decided that he must perish, and his master
with him, should he persist in attacking their privileges and defying
their anger.

Moreover, the women who were about Joan at the court egged her on, each
one urged by a private interest, in the pursuit of her fresh passion.
Poor Joan,--neglected by her husband and betrayed by Robert of Cabane--
gave way beneath the burden of duties beyond her strength to bear, and
fled for refuge to the arms of Bertrand of Artois, whose love she did
not even attempt to resist; for every feeling for religion and virtue
had been destroyed in her own set purpose, and her young inclinations
had been early bent towards vice, just as the bodies of wretched
children are bent and their bones broken by jugglers when they train
them. Bertrand himself felt an adoration for her surpassing ordinary
human passion. When he reached the summit of a happiness to which in his
wildest dreams he had never dared to aspire, the young count nearly lost
his reason. In vain had his father, Charles of Artois (who was Count of
Aire, a direct descendant of Philip the Bold, and one of the regents of
the kingdom), attempted by severe admonitions to stop him while yet on
the brink of the precipice: Bertrand would listen to nothing but his
love for Joan and his implacable hatred for all the queen's enemies.
Many a time, at the close of day, as the breeze from Posilippo or
Sorrento coming from far away was playing in his hair, might Bertrand be
seen leaning from one of the casements of Castel Nuovo, pale and
motionless, gazing fixedly from his side of the square to where the Duke
of Calabria and the Duke of Durazzo came galloping home from their
evening ride side by side in a cloud of dust. Then the brows of the
young count were violently contracted, a savage, sinister look shone in
his blue eyes once so innocent, like lightning a thought of death and
vengeance flashed into his mind; he would all at once begin to tremble,
as a light hand was laid upon his shoulder; he would turn softly,
fearing lest the divine apparition should vanish to the skies; but there
beside him stood a young girl, with cheeks aflame and heaving breast,
with brilliant liquid eyes: she had come to tell how her past day had
been spent, and to offer her forehead for the kiss that should reward
her labours and unwilling absence. This woman, dictator of laws and
administrator of justice among grave magistrates and stern ministers,
was but fifteen years old; this man; who knew her griefs, and to avenge
them was meditating regicide, was not yet twenty: two children of earth,
the playthings of an awful destiny!

Two months and a few days after the old king's death, on the morning of
Friday the 28th of March of the same year, 1343, the widow of the grand
seneschal, Philippa, who, had already contrived to get forgiven for the
shameful trick she had used to secure all her son's wishes, entered the
queen's apartments, excited by a genuine fear, pale and distracted, the
bearer of news that spread terror and lamentation throughout the court:
Marie, the queen's younger sister, had disappeared.

The gardens and outside courts had been searched for any trace of her;
every corner of the castle had been examined; the guards had been
threatened with torture, so as to drag the truth from them; no one had
seen anything of the princess, and nothing could be found that suggested
either flight or abduction. Joan, struck down by this new blow in the
midst of other troubles, was for a time utterly prostrated; then, when
she had recovered from her first surprise, she behaved as all people do
if despair takes the place of reason: she gave orders for what was
already done to be done again, she asked the same questions that could
only bring the same answers, and poured forth vain regrets and unjust
reproaches. The news spread through the town, causing the greatest
astonishment: there arose a great commotion in the castle, and the
members of the regency hastily assembled, while couriers were sent out
in every direction, charged to promise 12,000 ducats to whomsoever
should discover the place where the princess was concealed. Proceedings
were at once taken against the soldiers who were on guard at the
fortress at the time of the disappearance.

Bertrand of Artois drew the queen apart, telling her his suspicions,
which fell directly upon Charles of Durazzo; but Joan lost no time in
persuading him of the improbability of his hypothesis: first of all,
Charles had never once set his foot in Castel Nuovo since the day of his
stormy interview with the queen, but had made a point of always leaving
Andre by the bridge when he came to the town with him; besides, it had
never been noticed, even in the past, that the young duke had spoken to
Marie or exchanged looks with her: the result of all attainable evidence
was that no stranger had entered the castle the evening before except a
notary named Master Nicholas of Melazzo, an old person, half silly, half
fanatical, for whom Tommaso Pace, valet de chambre to the Duke of
Calabria, was ready to answer with his life. Bertrand yielded to the
queen's reasoning, and day by day advanced new suggestions, each less
probable than the last, to draw his mistress on to feel a hope that he
was far from feeling himself.

But a month later, and precisely on the morning of Monday the 30th of
April, a strange and unexpected scene took place, an exhibition of
boldness transcending all calculations. The Neapolitan people were
stupefied in astonishment, and the grief of Joan and her friends was
changed to indignation. Just as the clock of San Giovanni struck twelve,
the gate of the magnificent palace of the Durazzo flung open its folding
doors, and there came forth to the sound of trumpets a double file of
cavaliers on richly caparisoned horses, with the duke's arms on their
shields. They took up their station round the house to prevent the
people outside from disturbing a ceremony which was to take place before
the eyes of an immense crowd, assembled suddenly, as by a miracle, upon
the square. At the back of the court stood an altar, and upon the steps
lay two crimson velvet cushions embroidered with the fleur-de-lys of
France and the ducal crown. Charles came forward, clad in a dazzling
dress, and holding by the hand the queen's sister, the Princess Marie,
at that time almost thirteen years of age. She knelt down timidly on one
of the cushions, and when Charles had done the same, the grand almoner
of the Duras house asked the young duke solemnly what was his intention
in appearing thus humbly before a minister of the Church. At these words
Master Nicholas of Melazzo took his place on the left of the altar, and
read in a firm, clear voice, first, the contract of marriage between
Charles and Marie, and then the apostolic letters from His Holiness the
sovereign pontiff, Clement VI, who in his own name removing all
obstacles that might impede the union, such as the age of the young
bride and the degrees of affinity between the two parties, authorised
his dearly beloved son Charles, Duke of Durazzo and Albania, to take in
marriage the most illustrious Marie of Anjou, sister of Joan, Queen of
Naples and Jerusalem, and bestowed his benediction on the pair.

The almoner then took the young girl's hand, and placing it in that of
Charles, pronounced the prayers of the Church. Charles, turning half
round to the people, said in a loud voice--

"Before God and man, this woman is my wife."

"And this man is my husband," said Marie, trembling.

"Long live the Duke and Duchess of Durazzo!" cried the crowd, clapping
their hands. And the young pair, at once mounting two beautiful horses
and followed by their cavaliers and pages, solemnly paraded through the
town, and re-entered their palace to the sound of trumpets and cheering.

When this incredible news was brought to the queen, her first feeling
was joy at the recovery of her sister; and when Bertrand of Artois was
eager to head a band of barons and cavaliers and bent on falling upon
the cortege to punish the traitor, Joan put up her hand to stop him with
a very mournful look.

"Alas!" she said sadly, "it is too late. They are legally married, for
the head of the Church--who is moreover by my grandfather's will the
head of our family--has granted his permission. I only pity my poor
sister; I pity her for becoming so young the prey of a wretched man who
sacrifices her to his own ambition, hoping by this marriage to establish
a claim to the throne. O God! what a strange fate oppresses the royal
house of Anjou! My father's early death in the midst of his triumphs; my
mother's so quickly after; my sister and I, the sole offspring of
Charles I, both before we are women grown fallen into the hands of
cowardly men, who use us but as the stepping-stones of their ambition!"
Joan fell back exhausted on her chair, a burning tear trembling on her
eyelid.

"This is the second time," said Bertrand reproachfully, "that I have
drawn my sword to avenge an insult offered to you, the second time I
return it by your orders to the scabbard. But remember, Joan, the third
time will not find me so docile, and then it will not be Robert of
Cabane or Charles of Durazzo that I shall strike, but him who is the
cause of all your misfortunes."

"Have mercy, Bertrand! do not you also speak these words; whenever this
horrible thought takes hold of me, let me come to you: this threat of
bloodshed that is drummed into my ears, this sinister vision that haunts
my sight; let me come to you, beloved, and weep upon your bosom, beneath
your breath cool my burning fancies, from your eyes draw some little
courage to revive my perishing soul. Come, I am quite unhappy enough
without needing to poison the future by an endless remorse. Tell me
rather to forgive and to forget, speak not of hatred and revenge; show
me one ray of hope amid the darkness that surrounds me; hold up my
wavering feet, and push me not into the abyss."

Such altercations as this were repeated as often as any fresh wrong
arose from the side of Andre or his party; and in proportion as the
attacks made by Bertrand and his friends gained in vehemence--and we
must add, in justice--so did Joan's objections weaken. The Hungarian
rule, as it became more and more arbitrary and unbearable, irritated
men's minds to such a point that the people murmured in secret and the
nobles proclaimed aloud their discontent. Andre's soldiers indulged in a
libertinage which would have been intolerable in a conquered city: they
were found everywhere brawling in the taverns or rolling about
disgustingly drunk in the gutters; and the prince, far from rebuking
such orgies, was accused of sharing them himself. His former tutor, who
ought to have felt bound to drag him away from so ignoble a mode of
life, rather strove to immerse him in degrading pleasures, so as to keep
him out of business matters; without suspecting it, he was hurrying on
the denouement of the terrible drama that was being acted behind the
scenes at Castel Nuovo. Robert's widow, Dona Sancha of Aragon, the good
and sainted lady whom our readers may possibly have forgotten, as her
family had done, seeing that God's anger was hanging over her house, and
that no counsels, no tears or prayers of hers could avail to arrest it,
after wearing mourning for her husband one whole year, according to her
promise, had taken the veil at the convent of Santa Maria delta Croce,
and deserted the court and its follies and passions, just as the
prophets of old, turning their back on some accursed city, would shake
the dust from off their sandals and depart. Sandra's retreat was a sad
omen, and soon the family dissensions, long with difficulty suppressed,
sprang forth to open view; the storm that had been threatening from afar
broke suddenly over the town, and the thunderbolt was shortly to follow.

On the last day of August 1344, Joan rendered homage to Americ, Cardinal
of Saint Martin and legate of Clement VI, who looked upon the kingdom of
Naples as being a fief of the Church ever since the time when his
predecessors had presented it to Charles of Anjou, and overthrown and
excommunicated the house of Suabia. For this solemn ceremony the church
of Saint Clara was chosen, the burial-place of Neapolitan kings, and but
lately the tomb of the grandfather and father of the young queen, who
reposed to right and left of the high altar. Joan, clad in the royal
robe, with the crown upon her head, uttered her oath of fidelity between
the hands of the apostolic legate in the presence of her husband, who
stood behind her simply as a witness, just like the other princes of the
blood. Among the prelates with their pontifical insignia who formed the
brilliant following of the envoy, there stood the Archbishops of Pisa,
Bari, Capua, and Brindisi, and the reverend fathers Ugolino, Bishop of
Castella, and Philip, Bishop of Cavaillon, chancellor to the queen. All
the nobility of Naples and Hungary were present at this ceremony, which
debarred Andre from the throne in a fashion at once formal and striking.
Thus, when they left the church the excited feelings of both parties
made a crisis imminent, and such hostile glances, such threatening words
were exchanged, that the prince, finding himself too weak to contend
against his enemies, wrote the same evening to his mother, telling her
that he was about to leave a country where from his infancy upwards he
had experienced nothing but deceit and disaster.

Those who know a mother's heart will easily guess that Elizabeth of
Poland was no sooner aware of the danger that threatened her son than
she travelled to Naples, arriving there before her coming was suspected.
Rumour spread abroad that the Queen of Hungary had come to take her son
away with her, and the unexpected event gave rise to strange comments:
the fever of excitement now blazed up in another direction. The Empress
of Constantinople, the Catanese, her two daughters, and all the
courtiers, whose calculations were upset by Andre's departure, hurried
to honour the arrival of the Queen of Hungary by offering a very cordial
and respectful reception, with a view to showing her that, in the midst
of a court so attentive and devoted, any isolation or bitterness of
feeling on the young prince's part must spring from his pride, from an
unwarrantable mistrust, and his naturally savage and untrained
character. Joan received her husband's mother with so much proper
dignity in her behaviour that, in spite of preconceived notions,
Elizabeth could not help admiring the noble seriousness and earnest
feeling she saw in her daughter-in-law. To make the visit more pleasant
to an honoured guest, fetes and tournaments were given, the barons vying
with one another in display of wealth and luxury. The Empress of
Constantinople, the Catanese, Charles of Duras and his young wife, all
paid the utmost attention to the mother of the prince. Marie, who by
reason of her extreme youth and gentleness of character had no share in
any intrigues, was guided quite as much by her natural feeling as by her
husband's orders when she offered to the Queen of Hungary those marks of
regard and affection that she might have felt for her own mother. In
spite, however, of these protestations of respect and love, Elizabeth of
Poland trembled for her son, and, obeying a maternal instinct, chose to
abide by her original intention, believing that she should never feel
safe until Andre was far away from a court in appearance so friendly but
in reality so treacherous. The person who seemed most disturbed by the
departure, and tried to hinder it by every means in his power, was Friar
Robert. Immersed in his political schemes, bending over his mysterious
plans with all the eagerness of a gambler who is on the point of
gaining, the Dominican, who thought himself on the eve of a tremendous
event, who by cunning, patience, and labour hoped to scatter his enemies
and to reign as absolute autocrat, now falling suddenly from the edifice
of his dream, stiffened himself by a mighty effort to stand and resist
the mother of his pupil. But fear cried too loud in the heart of
Elizabeth for all the reasonings of the monk to lull it to rest: to
every argument he advanced she simply said that while her son was not
king and had not entire unlimited power, it was imprudent to leave him
exposed to his enemies. The monk, seeing that all was indeed lost and
that he could not contend against the fears of this woman, asked only
the boon of three days' grace, at the end of which time, should a reply
he was expecting have not arrived, he said he would not only give up his
opposition to Andre's departure, but would follow himself, renouncing
for ever a scheme to which he had sacrificed everything.

Towards the end of the third day, as Elizabeth was definitely making her
preparations for departure, the monk entered radiant. Showing her a
letter which he had just hastily broken open, he cried triumphantly--

"God be praised, madam! I can at last give you incontestable proofs of
my active zeal and accurate foresight."

Andre's mother, after rapidly running through the document, turned her
eyes on the monk with yet some traces of mistrust in her manner, not
venturing to give way to her sudden joy.

"Yes, madam," said the monk, raising his head, his plain features
lighted up by his glance of intelligence--"yes, madam, you will believe
your eyes, perhaps, though you would never believe my words: this is not
the dream of an active imagination, the hallucination of a credulous
mind, the prejudice of a limited intellect; it is a plan slowly
conceived, painfully worked out, my daily thought and my whole life's
work. I have never ignored the fact that at the court of Avignon your
son had powerful enemies; but I knew also that on the very day I
undertook a certain solemn engagement in the prince's name, an
engagement to withdraw those laws that had caused coldness between the
pope and Robert; who was in general so devoted to the Church, I knew
very well that my offer would never be rejected, and this argument of
mine I kept back for the last. See, madam, my calculations are correct;
your enemies are put to shame and your son is triumphant."

Then turning to Andre, who was just corning in and stood dumbfounded at
the threshold on hearing the last words, he added--

"Come, my son, our prayers are at last fulfilled: you are king."

"King!" repeated Andre, transfixed with joy, doubt, and amazement.

"King of Sicily and Jerusalem: yes, my lord; there is no need for you to
read this document that brings the joyful, unexpected news. You can see
it in your mother's tears; she holds out her arms to press you to her
bosom; you can see it in the happiness of your old teacher; he falls on
his knees at your feet to salute you by this title, which he would have
paid for with his own blood had it been denied to you much longer."

"And yet," said Elizabeth, after a moment's mournful reflection, "if I
obey my presentiments, your news will make no difference to our plans
for departure."

"Nay, mother," said Andre firmly, "you would not force me to quit the
country to the detriment of my honour. If I have made you feel some of
the bitterness and sorrow that have spoiled my own young days because of
my cowardly enemies, it is not from a poor spirit, but because I was
powerless, and knew it, to take any sort of striking vengeance for their
secret insults, their crafty injuries, their underhand intrigues. It was
not because my arm wanted strength, but because my head wanted a crown.
I might have put an end to some of these wretched beings, the least
dangerous maybe; but it would have been striking in the dark; the
ringleaders would have escaped, and I should never have really got to
the bottom of their infernal plots. So I have silently eaten out my own
heart in shame and indignation. Now that my sacred rights are recognised
by the Church, you will see, my mother, how these terrible barons, the
queen's counsellors, the governors of the kingdom, will lower their
heads in the dust: for they are threatened with no sword and no
struggle; no peer of their own is he who speaks, but the king; it is by
him they are accused, by the law they shall be condemned, and shall
suffer on the scaffold."

"O my beloved son," cried the queen in tears, "I never doubted your
noble feelings or the justice of your claims; but when your life is in
danger, to what voice can I listen but the voice of fear? what can move
my counsels but the promptings of love?"

"Mother, believe me, if the hands and hearts alike of these cowards had
not trembled, you would have lost your son long ago."

"It is not violence that I fear, my son, it is treachery."

"My life, like every man's, belongs to God, and the lowest of sbirri may
take it as I turn the corner of the street; but a king owes something to
his people."

The poor mother long tried to bend the resolution of Andre by reason and
entreaties; but when she had spoken her last word and shed her last
tear, she summoned Bertram de Baux, chief-justice of the kingdom, and
Marie, Duchess of Durazzo. Trusting in the old man's wisdom and the
girl's innocence, she commended her son to them in the tenderest and
most affecting words; then drawing from her own hand a ring richly
wrought, and taking the prince aside, she slipped it upon his finger,
saying in a voice that trembled with emotion as she pressed him to her
heart--

"My son, as you refuse to come with me, here is a wonderful talisman,
which I would not use before the last extremity. So long as you wear
this ring on your finger, neither sword nor poison will have power
against you."

"You see then, mother," said the prince, smiling, "with this protection
there is no reason at all to fear for my life."

"There are other dangers than sword or poison," sighed the queen.

"Be calm, mother: the best of all talismans is your prayer to God for
me: it is the tender thought of you that will keep me for ever in the
path of duty and justice; your maternal love will watch over me from
afar, and cover me like the wings of a guardian angel."

Elizabeth sobbed as she embraced her son, and when she left him she felt
her heart was breaking. At last she made up her mind to go, and was
escorted by the whole court, who had never changed towards her for a
moment in their chivalrous and respectful devotion. The poor mother,
pale, trembling, and faint, leaned heavily upon Andre's arm, lest she
should fall. On the ship that was to take her for ever from her son, she
cast her arms for the last time about his neck, and there hung a long
time, speechless, tearless, and motionless; when the signal for
departure was given, her women took her in their arms half swooning.
Andre stood on the shore with the feeling of death at his heart: his
eyes were fixed upon the sail that carried ever farther from him the
only being he loved in the world. Suddenly he fancied he beheld
something white moving a long way off: his mother had recovered her
senses by a great effort, and had dragged herself up to the bridge to
give a last signal of farewell: the unhappy lady knew too well that she
would never see her son again.

At almost the same moment that Andre's mother left the kingdom, the
former queen of Naples, Robert's widow, Dona Sancha, breathed her last
sigh. She was buried in the convent of Santa Maria delta Croce, under
the name of Clara, which she had assumed on taking her vows as a nun, as
her epitaph tells us, as follows:

"Here lies, an example of great humility, the body of the sainted sister
Clara, of illustrious memory, otherwise Sancha, Queen of Sicily and
Jerusalem, widow of the most serene Robert, King of Jerusalem and
Sicily, who, after the death of the king her husband, when she had
completed a year of widowhood, exchanged goods temporary for goods
eternal. Adopting for the love of God a voluntary poverty, and
distributing her goods to the poor, she took upon her the rule of
obedience in this celebrated convent of Santa Croce, the work of her own
hands, in the year 1344, on the gist of January of the twelfth
indiction, where, living a life of holiness under the rule of the
blessed Francis, father of the poor, she ended her days religiously in
the year of our Lord 1345, on the 28th of July of the thirteenth
indiction. On the day following she was buried in this tomb."

The death of Dona Sancha served to hasten on the catastrophe which was
to stain the throne of Naples with blood: one might almost fancy that
God wished to spare this angel of love and resignation the sight of so
terrible a spectacle, that she offered herself as a propitiatory
sacrifice to redeem the crimes of her family.




CHAPTER IV


Eight days after the funeral of the old queen, Bertrand of Artois came
to Joan, distraught, dishevelled, in a state of agitation and confusion
impossible to describe.

Joan went quickly up to her lover, asking him with a look of fear to
explain the cause of his distress.

"I told you, madam," cried the young baron excitedly, "you will end by
ruining us all, as you will never take any advice from me."

"For God's sake, Bertrand, speak plainly: what has happened? What advice
have I neglected?"

"Madam, your noble husband, Andre of Hungary, has just been made King of
Jerusalem and Sicily, and acknowledged by the court of Avignon, so
henceforth you will be no better than his slave."

"Count of Artois, you are dreaming."

"No, madam, I am not dreaming: I have this fact to prove the truth of my
words, that the pope's ambassadors are arrived at Capua with the bull
for his coronation, and if they do not enter Castel Nuovo this very
evening, the delay is only to give the new king time to make his
preparations."

The queen bent her head as if a thunderbolt had fallen at her feet.

"When I told you before," said the count, with growing fury, "that we
ought to use force to make a stand against him, that we ought to break
the yoke of this infamous tyranny and get rid of the man before he had
the means of hurting you, you always drew back in childish fear, with a
woman's cowardly hesitation."

Joan turned a tearful look upon her lover.

"God, my God!" she cried, clasping her hands in desperation, "am I to
hear for ever this awful cry of death! You too, Bertrand, you too say
the word, like Robert of Cabane, like Charles of Duras? Wretched man,
why would you raise this bloody spectre between us, to check with icy
hand our adulterous kisses? Enough of such crimes; if his wretched
ambition makes him long to reign, let him be king: what matters his
power to me, if he leaves me with your love?"

"It is not so sure that our love will last much longer."

"What is this, Bertrand? You rejoice in this merciless torture."

"I tell you, madam, that the King of Naples has a black flag ready, and
on the day of his coronation it will be carried before him."

"And you believe," said Joan, pale as a corpse in its shroud, "--you
believe that this flag is a threat?"

"Ay, and the threat begins to be put in execution."

The queen staggered, and leaned against a table to save herself from
falling.

"Tell me all," she cried in a choking voice; "fear not to shock me; see,
I am not trembling. O Bertrand, I entreat you!"

"The traitors have begun with the man you most esteemed, the wisest
counsellor of the crown, the best of magistrates, the noblest-hearted,
most rigidly virtuous----"

"Andrea of Isernia!"

"Madam, he is no more."

Joan uttered a cry, as though the noble old man had been slain before
her eyes: she respected him as a father; then, sinking back, she
remained profoundly silent.

"How did they kill him?" she asked at last, fixing her great eyes in
terror on the count.

"Yesterday evening, as he left this castle, on the way to his own home,
a man suddenly sprang out upon him before the Porta Petruccia: it was
one of Andre's favourites, Conrad of Gottis chosen no doubt because he
had a grievance against the incorruptible magistrate on account of some
sentence passed against him, and the murder would therefore be put down
to motives of private revenge. The cowardly wretch gave a sign to two or
three companions, who surrounded the victim and robbed him of all means
of escape. The poor old man looked fixedly at his assassin, and asked
him what he wanted. 'I want you to lose your life at my hands, as I lost
my case at yours!' cried the murderer, and leaving him no time to
answer, he ran him through with his sword. Then the rest fell upon the
poor man, who did not even try to call for help, and his body was
riddled with wounds and horribly mutilated, and then left bathed in its
blood."

"Terrible!" murmured the queen, covering her face.

"It was only their first effort; the proscription lists are already
full: Andre must needs have blood to celebrate his accession to the
throne of Naples. And do you know, Joan, whose name stands first in the
doomed list?"

"Whose?" cried the queen, shuddering from head to foot.

"Mine," said the count calmly.

"Yours!" cried Joan, drawing herself up to her full height; "are you to
be killed next! Oh, be careful, Andre; you have pronounced your own
death-sentence. Long have I turned aside the dagger pointing to your
breast, but you put an end to all my patience. Woe to you, Prince of
Hungary! the blood which you have spilt shall fall on your own head."

As she spoke she had lost her pallor; her lovely face was fired with
revenge, her eyes flashed lightning. This child of sixteen was terrible
to behold; she pressed her lover's hand with convulsive tenderness, and
clung to him as if she would screen him with her own body.

"Your anger is awakened too late," said he gently and sadly; for at this
moment Joan seemed so lovely that he could reproach her with nothing.
"You do not know that his mother has left him a talisman preserving him
from sword and poison?"

"He will die," said Joan firmly; the smile that lighted up her face was
so unnatural that the count was dismayed, and dropped his eyes.

The next day the young Queen of Naples, lovelier, more smiling than
ever, sitting carelessly in a graceful attitude beside a window which
looked out on the magnificent view of the bay, was busy weaving a cord
of silk and gold. The sun had run nearly two-thirds of his fiery course,
and was gradually sinking his rays in the clear blue waters where
Posilippo's head is reflected with its green and flowery crown. A warm,
balmy breeze that had passed over the orange trees of Sorrento and
Amalfi felt deliciously refreshing to the inhabitants of the capital,
who had succumbed to torpor in the enervating softness of the day. The
whole town was waking from a long siesta, breathing freely after a
sleepy interval; the Molo was covered with a crowd of eager people
dressed out in the brightest colours; the many cries of a festival,
joyous songs, love ditties sounded from all quarters of the vast
amphitheatre, which is one of the chief marvels of creation; they came
to the ears of Joan, and she listened as she bent over her work,
absorbed in deep thought. Suddenly, when she seemed most busily
occupied, the indefinable feeling of someone near at hand, and the touch
of something on her shoulder, made her start: she turned as though waked
from a dream by contact with a serpent, and perceived her husband,
magnificently dressed, carelessly leaning against the back of her chair.
For a long time past the prince had not come to his wife in this
familiar fashion, and to the queen the pretence of affection and
careless behaviour augured ill. Andre did not appear to notice the look
of hatred and terror that had escaped Joan in spite of herself, and
assuming the best expression of gentleness as that his straight hard
features could contrive to put on in such circumstances as these, he
smilingly asked--

"Why are you making this pretty cord, dear dutiful wife?"

"To hang you with, my lord," replied the queen, with a smile.

Andre shrugged his shoulders, seeing in the threat so incredibly rash
nothing more than a pleasantry in rather bad taste. But when he saw that
Joan resumed her work, he tried to renew the conversation.

"I admit," he said, in a perfectly calm voice, "that my question is
quite unnecessary: from your eagerness to finish this handsome piece of
work, I ought to suspect that it is destined for some fine knight of
yours whom you propose to send on a dangerous enterprise wearing your
colours. If so, my fair queen, I claim to receive my orders from your
lips: appoint the time and place for the trial, and I am sure beforehand
of carrying off a prize that I shall dispute with all your adorers."

"That is not so certain," said Joan, "if you are as valiant in war as in
love." And she cast on her husband a look at once seductive and
scornful, beneath which the young man blushed up to his eyes.

"I hope," said Andre, repressing his feelings, "I hope soon to give you
such proofs of my affection that you will never doubt it again."

"And what makes you fancy that, my lord?"

"I would tell you, if you would listen seriously."

"I am listening."

"Well, it is a dream I had last night that gives me such confidence in
the future."

"A dream! You surely ought to explain that."

"I dreamed that there was a grand fete in the town: an immense crowd
filled the streets like an overflowing torrent, and the heavens were
ringing with their shouts of joy; the gloomy granite facades were hidden
by hangings of silk and festoons of flowers; the churches were decorated
as though for some grand ceremony. I was riding side by side with you."
Joan made a haughty movement: "Forgive me, madam, it was only a dream: I
was on your right, riding a fine white horse, magnificently caparisoned,
and the chief-justice of the kingdom carried before me a flag unfolded
in sign of honour. After riding in triumph through the main
thoroughfares of the city, we arrived, to the sound of trumpets and
clarions, at the royal church of Saint Clara, where your grandfather and
my uncle are buried, and there, before the high altar, the pope's
ambassador laid your hand in mine and pronounced a long discourse, and
then on our two heads in turn placed the crown of Jerusalem and Sicily;
after which the nobles and the people shouted in one voice, 'Long live
the King and Queen of Naples!' And I, wishing to perpetuate the memory
of so glorious a day, proceeded to create knights among the most zealous
in our court."

"And do you not remember the names of the chosen persons whom you judged
worthy of your royal favours?"

"Assuredly, madam: Bertrand, Count of Artois."

"Enough, my lord; I excuse you from naming the rest: I always supposed
you were loyal and generous, but you give me fresh proof of it by
showing favour to men whom I most honour and trust. I cannot tell if
your wishes are likely soon to be realised, but in any case feel sure of
my perpetual gratitude."

Joan's voice did not betray the slightest emotion; her look had became
kind, and the sweetest smile was on her lips. But in her heart Andre's
death was from that moment decided upon. The prince, too much
preoccupied with his own projects of vengeance, and too confident in his
all-powerful talisman and his personal valour, had no suspicion that his
plans could be anticipated. He conversed a long time with his wife in a
chatting, friendly way, trying to spy out her secret, and exposing his
own by his interrupted phrases and mysterious reserves. When he fancied
that every cloud of former resentment, even the lightest, had
disappeared from Joan's brow, he begged her to go with her suite on a
magnificent hunting expedition that he was organising for the 20th of
August, adding that such a kindness on her part would be for him a sure
pledge of their reconciliation and complete forgetfulness of the past.
Joan promised with a charming grace, and the prince retired fully
satisfied with the interview, carrying with him the conviction that he
had only to threaten to strike a blow at the queen's favourite to ensure
her obedience, perhaps even her love.

But on the eve of the 20th of August a strange and terrible scene was
being enacted in the basement storey of one of the lateral towers of
Castel Nuovo. Charles of Durazzo, who had never ceased to brood secretly
over his infernal plans, had been informed by the notary whom he had
charged to spy upon the conspirators, that on that particular evening
they were about to hold a decisive meeting, and therefore, wrapped in a
black cloak, he glided into the underground corridor and hid himself
behind a pillar, there to await the issue of the conference. After two
dreadful hours of suspense, every second marked out by the beating of
his heart, Charles fancied he heard the sound of a door very carefully
opened; the feeble ray of a lantern in the vault scarcely served to
dispel the darkness, but a man coming away from the wall approached him
walking like a living statue. Charles gave a slight cough, the sign
agreed upon. The man put out his light and hid away the dagger he had
drawn in case of a surprise.

"Is it you, Master Nicholas?" asked the duke in a low voice.

"It is I, my lord."

"What is it?"

"They have just fixed the prince's death for tomorrow, on his way to the
hunt."

"Did you recognise every conspirator?"

"Every one, though their faces were masked; when they gave their vote
for death, I knew them by their voices."

"Could you point out to me who they are?"

"Yes, this very minute; they are going to pass along at the end of this
corridor. And see, here is Tommaso Pace walking in front of them to
light their way."

Indeed, a tall spectral figure, black from head to foot, his face
carefully hidden under a velvet mask, walked at the end of the corridor,
lamp in hand, and stopped at the first step of a staircase which led to
the upper floors. The conspirators advanced slowly, two by two, like a
procession of ghosts, appeared for one moment in the circle of light
made by the torch, and again disappeared into shadow.

"See, there are Charles and Bertrand of Artois," said the notary; "there
are the Counts of Terlizzi and Catanzaro; the grand admiral and grand
seneschal, Godfrey of Marsan, Count of Squillace, and Robert of Cabane,
Count of Eboli; the two women talking in a low voice with the eager
gesticulations are Catherine of Tarentum, Empress of Constantinople, and
Philippa the Catanese, the queen's governess and chief lady; there is
Dona Cancha, chamberwoman and confidante of Joan; and there is the
Countess of Morcone."

The notary stopped on beholding a shadow alone, its head bowed, with
arms hanging loosely, choking back her sobs beneath a hood of black.

"Who is the woman who seems to drag herself so painfully along in their
train?" asked the duke, pressing his companion's arm.

"That woman," said the notary, "is the queen." "Ah, now I see," thought
Charles, breathing freely, with the same sort of satisfaction that Satan
no doubt feels when a long coveted soul falls at length into his power.

"And now, my lord," continued Master Nicholas, when all had returned
once more into silence and darkness, "if you have bidden me spy on these
conspirators with a view to saving the young prince you are protecting
with love and vigilance, you must hurry forward, for to-morrow maybe it
will be too late."

"Follow me," cried the duke imperiously; "it is time you should know my
real intention, and then carry out my orders with scrupulous exactness."

With these words he drew him aside to a place opposite to where the
conspirators had just disappeared. The notary mechanically followed
through a labyrinth of dark corridors and secret staircases, quite at a
loss how to account for the sudden change that had come over his
master--crossing one of the ante-chambers in the castle, they came upon
Andre, who joyfully accosted them; grasping the hand of his cousin Duras
in his affectionate manner, he asked him in a pressing way that would
brook no refusal, "Will you be of our hunting party to-morrow, duke?"

"Excuse me, my lord," said Charles, bowing down to the ground; "it will
be impossible for me to go to-morrow, for my wife is very unwell; but I
entreat you to accept the best falcon I have."

And here he cast upon the notary a petrifying glance.

The morning of the 20th of August was fine and calm--the irony of nature
contrasting cruelly with the fate of mankind. From break of day masters
and valets, pages and knights, princes and courtiers, all were on foot;
cries of joy were heard on every side when the queen arrived on a
snow-white horse, at the head of the young and brilliant throng. Joan
was perhaps paler than usual, but that might be because she had been
obliged to rise very early. Andre, mounted on one of the most fiery of
all the steeds he had tamed, galloped beside his wife, noble and proud,
happy in his own powers, his youth, and the thousand gilded hopes that a
brilliant future seemed to offer. Never had the court of Naples shown so
brave an aspect: every feeling of distrust and hatred seemed entirely
forgotten; Friar Robert himself, suspicious as he was by nature, when he
saw the joyous cavalcade go by under his window, looked out with pride,
and stroking his beard, laughed at his own seriousness.

Andre's intention was to spend several days hunting between Capua and
Aversa, and only to return to Naples when all was in readiness for his
coronation. Thus the first day they hunted round about Melito, and went
through two or three villages in the land of Labore. Towards evening the
court stopped at Aversa, with a view to passing the night there, and
since at that period there was no castle in the place worthy of
entertaining the queen with her husband and numerous court, the convent
of St. Peter's at Majella was converted into a royal residence: this
convent had been built by Charles II in the year of our Lord 1309.

While the grand seneschal was giving orders for supper and the
preparation of a room for Andre and his wife, the prince, who during the
whole day had abandoned himself entirely to his favourite amusement,
went up on the terrace to enjoy the evening air, accompanied by the good
Isolda, his beloved nurse, who loved him more even than his mother, and
would not leave his side for a moment. Never had the prince appeared so
animated and happy: he was in ecstasies over the beauty of the country,
the clear air, the scent of the trees around; he besieged his nurse with
a thousand queries, never waiting for an answer; and they were indeed
long in coming, for poor Isolda was gazing upon him with that appearance
of fascination which makes a mother absent-minded when her child is
talking: Andre was eagerly telling her about a terrible boar he had
chased that morning across the woods, how it had lain foaming at his
feet, and Isolda interrupted him to say he had a grain of dust in his
eye. Then Andre was full of his plans for the future, and Isolda stroked
his fair hair, remarking that he must be feeling very tired. Then,
heeding nothing but his own joy and excitement, the young prince hurled
defiance at destiny, calling by all his gods on dangers to come forward,
so that he might have the chance of quelling them, and the poor nurse
exclaimed, in a flood of tears, "My child, you love me no longer."

Out of all patience with these constant interruptions, Andre scolded her
kindly enough, and mocked at her childish fears. Then, paying no
attention to a sort of melancholy that was coming over him, he bade her
tell him old tales of his childhood, and had a long talk about his
brother Louis, his absent mother, and tears were in his eyes when he
recalled her last farewell. Isolda listened joyfully, and answered all
he asked; but no fell presentiment shook her heart: the poor woman loved
Andre with all the strength of her soul; for him she would have given up
her life in this world and in the world to come; yet she was not his
mother.

When all was ready, Robert of Cabane came to tell the prince that the
queen awaited him; Andre cast one last look at the smiling fields
beneath the starry heavens, pressed his nurse's hand to his lips and to
his heart, and followed the grand seneschal slowly and, it seemed, with
some regret. But soon the brilliant lights of the room, the wine that
circulated freely, the gay talk, the eager recitals of that day's
exploits served to disperse the cloud of gloom that had for a moment
overspread the countenance of the prince. The queen alone, leaning on
the table with fixed eyes and lips that never moved, sat at this strange
feast pale and cold as a baleful ghost summoned from the tomb to disturb
the joy of the party. Andre, whose brain began to be affected by the
draughts of wine from Capri and Syracuse, was annoyed at his wife's
look, and attributing it to contempt, filled a goblet to the brim and
presented it to the queen. Joan visibly trembled, her lips moved
convulsively; but the conspirators drowned in their noisy talk the
involuntary groan that escaped her. In the midst of a general uproar,
Robert of Cabane proposed that they should serve generous supplies of
the same wine drunk at the royal table to the Hungarian guards who were
keeping watch at the approaches to the convent, and this liberality
evoked frenzied applause. The shouting of the soldiers soon gave witness
to their gratitude for the unexpected gift, and mingled with the
hilarious toasts of the banqueters. To put the finishing touch to
Andre's excitement, there were cries on every side of "Long live the
Queen! Long live His Majesty the King of Naples!"

The orgy lasted far into the night: the pleasures of the next day were
discussed with enthusiasm, and Bertrand of Artois protested in a loud
voice that if they were so late now some would not rise early on the
morrow. Andre declared that, for his part, an hour or two's rest would
be enough to get over his fatigue, and he eagerly protested that it
would be well for others to follow his example. The Count of Terlizzi
seemed to express some doubt as to the prince's punctuality. Andre
insisted, and challenging all the barons present to see who would be up
first, he retired with the queen to the room that had been reserved for
them, where he very soon fell into a deep and heavy sleep. About two
o'clock in the morning, Tommaso Pace, the prince's valet and first usher
of the royal apartments, knocked at his master's door to rouse him for
the chase. At the first knock, all was silence; at the second, Joan, who
had not closed her eyes all night, moved as if to rouse her husband and
warn him of the threatened danger; but at the third knock the
unfortunate young man suddenly awoke, and hearing in the next room
sounds of laughter and whispering, fancied that they were making a joke
of his laziness, and jumped out of bed bareheaded, in nothing but his
shirt, his shoes half on and half off. He opened the door; and at this
point we translate literally the account of Domenico Gravina, a
historian of much esteem. As soon as the prince appeared, the
conspirators all at once fell upon him, to strangle him with their
hands; believing he could not die by poison or sword, because of the
charmed ring given him by his poor mother. But Andre was so strong and
active, that when he perceived the infamous treason he defended himself
with more than human strength, and with dreadful cries got free from his
murderers, his face all bloody, his fair hair pulled out in handfuls.
The unhappy young man tried to gain his own bedroom, so as to get some
weapon and valiantly resist the assassins; but as he reached the door,
Nicholas of Melazzo, putting his dagger like a bolt into the lock,
stopped his entrance. The prince, calling aloud the whole time and
imploring the protection of his friends, returned to the hall; but all
the doors were shut, and no one held out a helping hand; for the queen
was silent, showing no uneasiness about her husband's death.

But the nurse Isolda, terrified by the shouting of her beloved son and
lord, leapt from her bed and went to the window, filling the house with
dreadful cries. The traitors, alarmed by the mighty uproar, although the
place was lonely and so far from the centre of the town that nobody
could have come to see what the noise was, were on the point of letting
their victim go, when Bertrand of Artois, who felt he was more guilty
than the others, seized the prince with hellish fury round the waist,
and after a desperate struggle got him down; then dragging him by the
hair of his head to a balcony which gave upon the garden, and pressing
one knee upon his chest, cried out to the others--

"Come here, barons: I have what we want to strangle him with."

And round his neck he passed a long cord of silk and gold, while the
wretched man struggled all he could. Bertrand quickly drew up the knot,
and the others threw the body over the parapet of the balcony, leaving
it hanging between earth and sky until death ensued. When the Count of
Terlizzi averted his eyes from the horrid spectacle, Robert of Cabane
cried out imperiously--

"What are you doing there? The cord is long enough for us all to hold:
we want not witnesses, we want accomplices!"

As soon as the last convulsive movements of the dying man had ceased,
they let the corpse drop the whole height of the three storeys, and
opening the doors of the hall, departed as though nothing had happened.

Isolda, when at last she contrived to get a light, rapidly ran to the
queen's chamber, and finding the door shut on the inside, began to call
loudly on her Andre. There was no answer, though the queen was in the
room. The poor nurse, distracted, trembling, desperate, ran down all the
corridors, knocked at all the cells and woke the monks one by one,
begging them to help her look for the prince. The monks said that they
had indeed heard a noise, but thinking it was a quarrel between soldiers
drunken perhaps or mutinous, they had not thought it their business to
interfere. Isolda eagerly, entreated: the alarm spread through the
convent; the monks followed the nurse, who went on before with a torch.
She entered the garden, saw something white upon the grass, advanced
trembling, gave one piercing cry, and fell backward.

The wretched Andre was lying in his blood, a cord round his neck as
though he were a thief, his head crushed in by the height from which he
fell. Then two monks went upstairs to the queen's room, and respectfully
knocking at the door, asked in sepulchral tones--

"Madam, what would you have us do with your husband's corpse?"

And when the queen made no answer, they went down again slowly to the
garden, and kneeling one at the head, the other at the foot of the dead
man, they began to recite penitential psalms in a low voice. When they
had spent an hour in prayer, two other monks went up in the same way to
Joan's chamber, repeating the same question and getting no answer,
whereupon they relieved the first two, and began themselves to pray.
Next a third couple went to the door of this inexorable room, and coming
away perturbed by their want of success, perceived that there was a
disturbance of people outside the convent, while vengeful cries were
heard amongst the indignant crowd. The groups became more and more
thronged, threatening voices were raised, a torrent of invaders
threatened the royal dwelling, when the queen's guard appeared, lance in
readiness, and a litter closely shut, surrounded by the principal barons
of the court, passed through the crowd, which stood stupidly gazing.
Joan, wrapped in a black veil, went back to Castel Nuovo, amid her
escort; and nobody, say the historians, had the courage to say a word
about this terrible deed.




CHAPTER V


The terrible part that Charles of Durazzo was to play began as soon as
this crime was accomplished. The duke left the corpse two whole days
exposed to the wind and the rain, unburied and dishonoured, the corpse
of a man whom the pope had made King of Sicily and Jerusalem, so that
the indignation of the mob might be increased by the dreadful sight. On
the third he ordered it to be conveyed with the utmost pomp to the
cathedral of Naples, and assembling all the Hungarians around the
catafalque, he thus addressed them, in a voice of thunder:--

"Nobles and commoners, behold our king hanged like a dog by infamous
traitors. God will soon make known to us the names of all the guilty:
let those who desire that justice may be done hold up their hands and
swear against murderers bloody persecution, implacable hatred,
everlasting vengeance."

It was this one man's cry that brought death and desolation to the
murderers' hearts, and the people dispersed about the town, shrieking,
"Vengeance, vengeance!"

Divine justice, which knows naught of privilege and respects no crown,
struck Joan first of all in her love. When the two lovers first met,
both were seized alike with terror and disgust; they recoiled trembling,
the queen seeing in Bertrand her husband's executioner, and he in her
the cause of his crime, possibly of his speedy punishment. Bertrand's
looks were disordered, his cheeks hollow, his eyes encircled with black
rings, his mouth horribly distorted; his arm and forefinger extended
towards his accomplice, he seemed to behold a frightful vision rising
before him. The same cord he had used when he strangled Andre, he now
saw round the queen's neck, so tight that it made its way into her
flesh: an invisible force, a Satanic impulse, urged him to strangle with
his own hands the woman he had loved so dearly, had at one time adored
on his knees. The count rushed out of the room with gestures of
desperation, muttering incoherent words; and as he shewed plain signs of
mental aberration, his father, Charles of Artois, took him away, and
they went that same evening to their palace of St. Agatha, and there
prepared a defence in case they should be attacked.

But Joan's punishment, which was destined to be slow as well as
dreadful, to last thirty-seven years and end in a ghastly death, was now
only beginning. All the wretched beings who were stained with Andre's
death came in turn to her to demand the price of blood. The Catanese and
her son, who held in their hands not only the queen's honour but her
life, now became doubly greedy and exacting. Dona Cancha no longer put
any bridle on her licentiousness, and the Empress of Constantinople
ordered her niece to marry her eldest son, Robert, Prince of Tarentum.
Joan, consumed by remorse, full of indignation and shame at the arrogant
conduct of her subjects, dared scarcely lift her head, and stooped to
entreaties, only stipulating for a few days' delay before giving her
answer: the empress consented, on condition that her son should come to
reside at Castel Nuovo, with permission to see the queen once a day.
Joan bowed her head in silence, and Robert of Tarentum was installed at
the castle.

Charles of Durazzo, who by the death of Andre had practically become the
head of the family, and, would, by the terms of his grandfather's will,
inherit the kingdom by right of his wife Marie in the case of Joan's
dying without lawful issue, sent to the queen two commands: first, that
she should not dream of contracting a new marriage without first
consulting him in the choice of a husband; secondly, that she should
invest him at once with the title of Duke of Calabria. To compel his
cousin to make these two concessions, he added that if she should be so
ill advised as to refuse either of them, he should hand over to justice
the proofs of the crime and the names of the murderers. Joan, bending
beneath the weight of this new difficulty, could think of no way to
avoid it; but Catherine, who alone was stout enough to fight this nephew
of hers, insisted that they must strike at the Duke of Durazzo in his
ambition and hopes, and tell him, to begin with--what was the fact--that
the queen was pregnant. If, in spite of this news, he persisted in his
plans, she would find some means or other, she said, of causing trouble
and discord in her nephew's family, and wounding him in his most
intimate affections or closest interests, by publicly dishonouring him
through his wife or his mother.

Charles smiled coldly when his aunt came to tell him from the queen that
she was about to bring into the world an infant, Andre's posthumous
child. What importance could a babe yet unborn possibly have--as a fact,
it lived only a few months--in the eyes of a man who with such admirable
coolness got rid of people who stood in his wary, and that moreover by
the hand of his own enemies? He told the empress that the happy news she
had condescended to bring him in person, far from diminishing his
kindness towards his cousin, inspired him rather with more interest and
goodwill; that consequently he reiterated his suggestion, and renewed
his promise not to seek vengeance for his dear Andre, since in a certain
sense the crime was not complete should a child be destined to survive;
but in case of a refusal he declared himself inexorable. He cleverly
gave Catherine to understand that, as she had some interest herself in
the prince's death, she ought for her own sake to persuade the queen to
stop legal proceedings.

The empress seemed to be deeply impressed by her nephew's threatening
attitude, and promised to do her best to persuade the queen to grant all
he asked, on condition, however, that Charles should allow the necessary
time for carrying through so delicate a business. But Catherine profited
by this delay to think out her own plan of revenge, and ensure the means
of certain success. After starting several projects eagerly and then
regretfully abandoning them, she fixed upon an infernal and unheard-of
scheme, which the mind would refuse to believe but for the unanimous
testimony of historians. Poor Agnes of Duras, Charles's mother, had for
some few days been suffering with an inexplicable weariness, a slow
painful malady with which her son's restlessness and violence may have
had not a little to do. The empress resolved that the first effect of
her hatred was to fall upon this unhappy mother. She summoned the Count
of Terlizzi and Dona Cancha, his mistress, who by the queen's orders had
been attending Agnes since her illness began. Catherine suggested to the
young chamberwoman, who was at that time with child, that she should
deceive the doctor by representing that certain signs of her own
condition really belonged to the sick woman, so that he, deceived by the
false indications, should be compelled to admit to Charles of Durazzo
that his mother was guilty and dishonoured. The Count of Terlizzi, who
ever since he had taken part in the regicide trembled in fear of
discovery, had nothing to oppose to the empress's desire, and Dona
Cancha, whose head was as light as her heart was corrupt, seized with a
foolish gaiety on any chance of taking her revenge on the prudery of the
only princess of the blood who led a pure life at a court that was
renowned for its depravity. Once assured that her accomplices would be
prudent and obedient, Catherine began to spread abroad certain vague and
dubious but terribly serious rumours, only needing proof, and soon after
the cruel accusation was started it was repeated again and again in
confidence, until it reached the ears of Charles.

At this amazing revelation the duke was seized with a fit of trembling.
He sent instantly for the doctor, and asked imperiously what was the
cause of his mother's malady. The doctor turned pale and stammered; but
when Charles grew threatening he admitted that he had certain grounds
for suspecting that the duchess was enceinte, but as he might easily
have been deceived the first time, he would make a second investigation
before pronouncing his opinion in so serious a matter. The next day, as
the doctor came out of the bedroom, the duke met him, and interrogating
him with an agonised gesture, could only judge by the silence that his
fears were too well confirmed. But the doctor, with excess of caution,
declared that he would make a third trial. Condemned criminals can
suffer no worse than Charles in the long hours that passed before that
fatal moment when he learned that his mother was indeed guilty. On the
third day the doctor stated on his soul and conscience that Agnes of
Durazzo was pregnant.

"Very good," said Charles, dismissing the doctor with no sign of
emotion.

That evening the duchess took a medicine ordered by the doctor; and
when, half an hour later, she was assailed with violent pains, the duke
was warned that perhaps other physicians ought to be consulted, as the
prescription of the ordinary doctor, instead of bringing about an
improvement in her state, had only made her worse.

Charles slowly went up to the duchess's room, and sending away all the
people who were standing round her bed, on the pretext that they were
clumsy and made his mother worse, he shut the door, and they were alone.
Then poor Agnes, forgetting her internal agony when she saw her son,
pressed his hand tenderly and smiled through her tears.

Charles, pale beneath his bronzed complexion, his forehead moist with a
cold sweat, and his eyes horribly dilated, bent over the sick woman and
asked her gloomily--

"Are you a little better, mother?"

"Ah, I am in pain, in frightful pain, my poor Charles. I feel as though
I have molten lead in my veins. O my son, call your brothers, so that I
may give you all my blessing for the last time, for I cannot hold out
long against this pain. I am burning. Mercy! Call a doctor: I know I
have been poisoned."

Charles did not stir from the bedside.

"Water!" cried the dying woman in a broken voice,--"water! A doctor, a
confessor! My children--I want my children!"

And as the duke paid no heed, but stood moodily silent, the poor mother,
prostrated by pain, fancied that grief had robbed her son of all power
of speech or movement, and so, by a desperate effort, sat up, and
seizing him by the arm, cried with all the strength she could muster--

"Charles, my son, what is it? My poor boy, courage; it is nothing, I
hope. But quick, call for help, call a doctor. Ah, you have no idea of
what I suffer."

"Your doctor," said Charles slowly and coldly, each word piercing his
mother's heart like a dagger,--"your doctor cannot come."

"Oh why?" asked Agnes, stupefied.

"Because no one ought to live who knows the secret of our shame."

"Unhappy man!" she cried, overwhelmed with, pain and terror, "you have
murdered him! Perhaps you have poisoned your mother too! Charles,
Charles, have mercy on your own soul!"

"It is your doing," said Charles, without show of emotion: "you have
driven me into crime and despair; you have caused my dishonour in this
world and my damnation in the next."

"What are you saying? My own Charles, have mercy! Do not let me die in
this horrible uncertainty; what fatal delusion is blinding you? Speak,
my son, speak: I am not feeling the poison now. What have I done? Of
what have I been accused?"

She looked with haggard eyes at her son: her maternal love still
struggled against the awful thought of matricide; at last, seeing that
Charles remained speechless in spite of her entreaties, she repeated,
with a piercing cry--

"Speak, in God's name, speak before I die!"

"Mother, you are with child."

"What!" cried Agnes, with a loud cry, which broke her very heart. "O
God, forgive him! Charles, your mother forgives and blesses you in
death."

Charles fell upon her neck, desperately crying for help: he would now
have gladly saved her at the cost of his life, but it was too late. He
uttered one cry that came from his heart, and was found stretched out
upon his mother's corpse.

Strange comments were made at the court on the death of the Duchess of
Durazzo and her doctor's disappearance; but there was no doubt at all
that grief and gloom were furrowing wrinkles on Charles's brow, which
was already sad enough. Catherine alone knew the terrible cause of her
nephew's depression, for to her it was very plain that the duke at one
blow had killed his mother and her physician. But she had never expected
a reaction so sudden and violent in a man who shrank before no crime.
She had thought Charles capable of everything except remorse. His
gloomy, self absorbed silence seemed a bad augury for her plans. She had
desired to cause trouble for him in his own family, so that he might
have no time to oppose the marriage of her son with the queen; but she
had shot beyond her mark, and Charles, started thus on the terrible path
of crime, had now broken through the bonds of his holiest affections,
and gave himself up to his bad passions with feverish ardour and a
savage desire for revenge. Then Catherine had recourse to gentleness and
submission. She gave her son to understand that there was only one way
of obtaining the queen's hand, and that was by flattering the ambition
of Charles and in some sort submitting himself to his patronage. Robert
of Tarentum understood this, and ceased making court to Joan, who
received his devotion with cool kindness, and attached himself closely
to Charles, paying him much the same sort of respect and deference that
he himself had affected for Andre, when the thought was first in his
mind of causing his ruin. But the Duke of Durazzo was by no means
deceived as to the devoted friendship shown towards him by the heir of
the house of Tarentum, and pretending to be deeply touched by the
unexpected change of feeling, he all the time kept a strict guard on
Robert's actions.

An event outside all human foresight occurred to upset the calculations
of the two cousins. One day while they were out together on horseback,
as they often were since their pretended reconciliation, Louis of
Tarentum, Robert's youngest brother, who had always felt for Joan a
chivalrous, innocent love,--a love which a young man of twenty is apt to
lock up in his heart as a secret treasure,--Louis, we say, who had held
aloof from the infamous family conspiracy and had not soiled his hands
with Andre's blood, drawn on by an irrepressible passion, all at once
appeared at the gates of Castel Nuovo; and while his brother was wasting
precious hours in asking for a promise of marriage, had the bridge
raised and gave the soldiers strict orders to admit no one. Then, never
troubling himself about Charles's anger or Robert's jealousy, he hurried
to the queen's room, and there, says Domenico Gravina, without any
preamble, the union was consummated.

On returning from his ride, Robert, astonished that the bridge was not
at once lowered for him, at first loudly called upon the soldiers on
guard at the fortress, threatening severe punishment for their
unpardonable negligence; but as the gates did not open and the soldiers
made no sign of fear or regret, he fell into a violent fit of rage, and
swore he would hang the wretches like dogs for hindering his return
home. But the Empress of Constantinople, terrified at the bloody quarrel
beginning between the two brothers, went alone and on foot to her son,
and making use of her maternal authority to beg him to master his
feelings, there in the presence of the crowd that had come up hastily to
witness the strange scene, she related in a low voice all that had
passed in his absence.

A roar as of a wounded tiger escaped from Robert's breast: all but blind
with rage, he nearly trampled his mother under the feet of his horse,
which seemed to feel his master's anger, and plunging violently,
breathed blood from his nostrils. When the prince had poured every
possible execration on his brother's head, he turned and galloped away
from the accursed castle, flying to the Duke of Durazzo, whom he had
only just left, to tell him of this outrage and stir him to revenge.
Charles was talking carelessly with his young wife, who was but little
used to such tranquil conversation and expansiveness, when the Prince of
Tarentum, exhausted, out of breath, bathed in perspiration, came up with
his incredible tale. Charles made him say it twice over, so impossible
did Louis's audacious enterprise appear to him. Then quickly changing
from doubt to fury, he struck his brow with his iron glove, saying that
as the queen defied him he would make her tremble even in her castle and
in her lover's arms. He threw one withering look on Marie, who
interceded tearfully for her sister, and pressing Robert's hand with
warmth, vowed that so long as he lived Louis should never be Joan's
husband.

That same evening he shut himself up in his study, and wrote letters
whose effect soon appeared. A bull, dated June 2, 1346, was addressed to
Bertram de Baux, chief-justice of the kingdom of Sicily and Count of
Monte Scaglioso, with orders to make the most strict inquiries
concerning Andre's murderers, whom the pope likewise laid under his
anathema, and to punish them with the utmost rigour of the law. But a
secret note was appended to the bull which was quite at variance with
the designs of Charles: the sovereign pontiff expressly bade the
chief-justice not to implicate the queen in the proceedings or the
princes of the blood, so as to avoid worse disturbances, reserving, as
supreme head of the Church and lord of the kingdom, the right of judging
them later on, as his wisdom might dictate.

For this imposing trial Bertram de Baux made great preparations. A
platform was erected in the great hall of tribunal, and all the officers
of the crown and great state dignitaries, and all the chief barons, had
a place behind the enclosure where the magistrates sat. Three days after
Clement VI's bull had been published in the capital, the chief-justice
was ready for a public examination of two accused persons. The two
culprits who had first fallen into the hands of justice were, as one may
easily suppose, those whose condition was least exalted, whose lives
were least valuable, Tommaso Pace and Nicholas of Melazzo. They were led
before the tribunal to be first of all tortured, as the custom was. As
they approached the judges, the notary passing by Charles in the street
had time to say in a low voice--

"My lord, the time has come to give my life for you: I will do my duty;
I commend my wife and children to you."

Encouraged by a nod from his patron, he walked on firmly and
deliberately. The chief-justice, after establishing the identity of the
accused, gave them over to the executioner and his men to be tortured in
the public square, so that their sufferings might serve as a show and an
example to the crowd. But no sooner was Tommaso Pace tied to the rope,
when to the great disappointment of all he declared that he would
confess everything, and asked accordingly to be taken back before his
judges. At these words, the Count of Terlizzi, who was following every
movement of the two men with mortal anxiety, thought it was all over now
with him and his accomplices; and so, when Tommaso Pace was turning his
steps towards the great hall, led by two guards, his hands tied behind
his back, and followed by the notary, he contrived to take him into a
secluded house, and squeezing his throat with great force, made him thus
put his tongue out, whereupon he cut it off with a sharp razor.

The yells of the poor wretch so cruelly mutilated fell on the ears of
the Duke of Durazzo: he found his way into the room where the barbarous
act had been committed just as the Count of Terlizzi was coming out, and
approached the notary, who had been present at the dreadful spectacle
and had not given the least sign of fear or emotion. Master Nicholas,
thinking the same fate was in store for him, turned calmly to the duke,
saying with a sad smile--

"My lord, the precaution is useless; there is no need for you to cut out
my tongue, as the noble count has done to my poor companion. The last
scrap of my flesh may be torn off without one word being dragged from my
mouth. I have promised, my lord, and you have the life of my wife and
the future of my children as guarantee for my word."

"I do not ask for silence," said the duke solemnly; "you can free me
from all my enemies at once, and I order you to denounce them at the
tribunal."

The notary bowed his head with mournful resignation; then raising it in
affright, made one step up to the duke and murmured in a choking voice--

"And the queen?"

"No one would believe you if you ventured to denounce her; but when the
Catanese and her son, the Count of Terlizzi and his wife and her most
intimate friends, have been accused by you, when they fail to endure the
torture, and when they denounce her unanimously--"

"I see, my lord. You do not only want my life; you would have my soul
too. Very well; once more I commend to you my children."

With a deep sigh he walked up to the tribunal. The chief-justice asked
Tommaso Pace the usual questions, and a shudder of horror passed through
the assembly when they saw the poor wretch in desperation opening his
mouth, which streamed with blood. But surprise and terror reached their
height when Nicholas of Melazzo slowly and firmly gave a list of Andre's
murderers, all except the queen and the princes of the blood, and went
on to give all details of the assassination.

Proceedings were at once taken for the arrest of the grand seneschal,
Robert of Cabane, and the Counts of Terlizzi and Morcone, who were
present and had not ventured to make any movement in self-defence. An
hour later, Philippa, her two daughters, and Dona Cancha joined them in
prison, after vainly imploring the queen's protection. Charles and
Bertrand of Artois, shut up in their fortress of Saint Agatha, bade
defiance to justice, and several others, among them the Counts of Meleto
and Catanzaro, escaped by flight.

As soon as Master Nicholas said he had nothing further to confess, and
that he had spoken the whole truth and nothing but the truth, the
chief-justice pronounced sentence amid a profound silence; and without
delay Tommaso Pace and the notary were tied to the tails of two horses,
dragged through the chief streets of the town, and hanged in the market
place.

The other prisoners were thrown into a subterranean vault, to be
questioned and put to the torture on the following day. In the evening,
finding themselves in the same dungeon, they reproached one another,
each pretending he had been dragged into the crime by someone else. Then
Dona Cancha, whose strange character knew no inconsistencies, even face
to face with death and torture, drowned with a great burst of laughter
the lamentations of her companions, and joyously exclaimed--

"Look here, friends, why these bitter recriminations--this ill-mannered
raving? We have no excuses to make, and we are all equally guilty. I am
the youngest of all, and not the ugliest, by your leave, ladies, but if
I am condemned, at least I will die cheerfully. For I have never denied
myself any pleasure I could get in this world, and I can boast that much
will be forgiven me, for I have loved much: of that you, gentlemen, know
something. You, bad old man," she continued to the Count of Terlizzi,
"do you not remember lying by my side in the queen's ante-chamber? Come,
no blushes before your noble family; confess, my lord, that I am with
child by your Excellency; and you know how we managed to make up the
story of poor Agnes of Durazzo and her pregnancy--God rest her soul! For
my part, I never supposed the joke would take such a serious turn all at
once. You know all this and much more; spare your lamentations, for, by
my word, they are getting very tiresome: let us prepare to die joyously,
as we have lived."

With these words she yawned slightly, and, lying down on the straw, fell
into a deep sleep, and dreamed as happy dreams as she had ever dreamed
in her life.

On the morrow from break of day there was an immense crowd on the sea
front. During the night an enormous palisade had been put up to keep the
people away far enough for them to see the accused without hearing
anything. Charles of Durazzo, at the head of a brilliant cortege of
knights and pages, mounted on a magnificent horse, all in black, as a
sign of mourning, waited near the enclosure. Ferocious joy shone in his
eyes as the accused made their way through the crowd, two by two, their
wrists tied with ropes; for the duke every minute expected to hear the
queen's name spoken. But the chief-justice, a man of experience, had
prevented indiscretion of any kind by fixing a hook in the tongue of
each one. The poor creatures were tortured on a ship, so that nobody
should hear the terrible confessions their sufferings dragged from them.

But Joan, in spite of the wrongs that most of the conspirators had done
her, felt a renewal of pity for the woman she had once respected as a
mother, for her childish companions and her friends, and possibly also
some remains of love for Robert of Cabane, and sent two messengers to
beg Bertram de Baux to show mercy to the culprits. But the chief-justice
seized these men and had them tortured; and on their confession that
they also were implicated in Andre's murder, he condemned them to the
same punishment as the others. Dona Cancha alone, by reason of her
situation, escaped the torture, and her sentence was deferred till the
day of her confinement.

As this beautiful girl was returning to prison, with many a smile for
all the handsomest cavaliers she could see in the crowd, she gave a sign
to Charles of Durazzo as she neared him to come forward, and since her
tongue had not been pierced (for the same reason) with an iron
instrument, she said some words to him a while in a low voice.

Charles turned fearfully pale, and putting his hand to his sword,
cried--

"Wretched woman!"

"You forget, my lord, I am under the protection of the law."

"My mother!--oh, my poor mother!" murmured Charles in a choked voice,
and he fell backward.

The next morning the people were beforehand with the executioner, loudly
demanding their prey. All the national troops and mercenaries that the
judicial authorities could command were echelonned in the streets,
opposing a sort of dam to the torrent of the raging crowd. The sudden
insatiable cruelty that too often degrades human nature had awaked in
the populace: all heads were turned with hatred and frenzy; all
imaginations inflamed with the passion for revenge; groups of men and
women, roaring like wild beasts, threatened to knock down the walls of
the prison, if the condemned were not handed over to them to take to the
place of punishment: a great murmur arose, continuous, ever the same,
like the growling of thunder: the queen's heart was petrified with
terror.

But, in spite of the desire of Bertram de Baux to satisfy the popular
wish, the preparations for the solemn execution were not completed till
midday, when the sun's rays fell scorchingly upon the town. There went
up a mighty cry from ten thousand palpitating breasts when a report
first ran through the crowd that the prisoners were about to appear.
There was a moment of silence, and the prison doors rolled slowly back
on their hinges with a rusty, grating noise. A triple row of horsemen,
with lowered visor and lance in rest, started the procession, and amid
yells and curses the condemned prisoners came out one by one, each tied
upon a cart, gagged and naked to the waist, in charge of two
executioners, whose orders were to torture them the whole length of
their way. On the first cart was the former laundress of Catana,
afterwards wife of the grand seneschal and governess to the queen,
Philippa of Cabane: the two executioners at right and left of her
scourged her with such fury that the blood spurting up from the wounds
left a long track in all the streets passed by the cortege.

Immediately following their mother on separate carts came the Countesses
of Terlizzi and Morcone, the elder no more than eighteen years of age.
The two sisters were so marvellously beautiful that in the crowd a
murmur of surprise was heard, and greedy eyes were fixed upon their
naked trembling shoulders. But the men charged to torture them gazed
with ferocious smiles upon their forms of seductive beauty, and, armed
with sharp knives, cut off pieces of their flesh with a deliberate
enjoyment and threw them out to the crowd, who eagerly struggled to get
them, signing to the executioners to show which part of the victims'
bodies they preferred.

Robert of Cabane, the grand seneschal, the Counts of Terlizzi and
Morcone, Raymond Pace, brother of the old valet who had been executed
the day before, and many more, were dragged on similar carts, and both
scourged with ropes and slashed with knives; their flesh was torn out
with red-hot pincers, and flung upon brazen chafing-dishes. No cry of
pain was heard from the grand seneschal, he never stirred once in his
frightful agony; yet the torturers put such fury into their work that
the poor wretch was dead before the goal was reached.

In the centre of the square of Saint Eligius an immense stake was set
up: there the prisoners were taken, and what was left of their mutilated
bodies was thrown into the flames. The Count of Terlizzi and the grand
seneschal's widow were still alive, and two tears of blood ran down the
cheeks of the miserable mother as she saw her son's corpse and the
palpitating remains of her two daughters cast upon the fire--they by
their stifled cries showed that they had not ceased to suffer. But
suddenly a fearful noise overpowered the groans of the victims; the
enclosure was broken and overturned by the mob. Like madmen, they rushed
at the burning pile,--armed with sabres, axes, and knives, and snatching
the bodies dead or alive from the flames, tore them to pieces, carrying
off the bones to make whistles or handles for their daggers as a
souvenir of this horrible day.




CHAPTER VI


The spectacle of this frightful punishment did not satisfy the revenge
of Charles of Durazzo. Seconded by the chief-justice, he daily brought
about fresh executions, till Andre's death came to be no more than a
pretext for the legal murder of all who opposed his projects. But Louis
of Tarentum, who had won Joan's heart, and was eagerly trying to get the
necessary dispensation for legalising the marriage, from this time
forward took as a personal insult every act of the high court of justice
which was performed against his will and against the queen's
prerogative: he armed all his adherents, increasing their number by all
the adventurers he could get together, and so put on foot a strong
enough force to support his own party and resist his cousin. Naples was
thus split up into hostile camps, ready to come to blows on the smallest
pretext, whose daily skirmishes, moreover, were always followed by some
scene of pillage or death.

But Louis had need of money both to pay his mercenaries and to hold his
own against the Duke of Durazzo and his own brother Robert, and one day
he discovered that the queen's coffers were empty. Joan was wretched and
desperate, and her lover, though generous and brave and anxious to
reassure her so far as he could, did not very clearly see how to
extricate himself from such a difficult situation. But his mother
Catherine, whose ambition was satisfied in seeing one of her sons, no
matter which, attain to the throne of Naples, came unexpectedly to their
aid, promising solemnly that it would only take her a few days to be
able to lay at her niece's feet a treasure richer than anything she had
ever dreamed of, queen as she was.

The empress then took half her son's troops, made for Saint Agatha, and
besieged the fortress where Charles and Bertrand of Artois had taken
refuge when they fled from justice. The old count, astonished at the
sight of this woman, who had been the very soul of the conspiracy, and
not in the least understanding her arrival as an enemy, sent out to ask
the intention of this display of military force. To which Catherine
replied in words which we translate literally:

"My friends, tell Charles, our faithful friend, that we desire to speak
with him privately and alone concerning a matter equally interesting to
us both, and he is not to be alarmed at our arriving in the guise of an
enemy, for this we have done designedly, as we shall explain in the
course of our interview. We know he is confined to bed by the gout, and
therefore feel no surprise at his not coming out to meet us. Have the
goodness to salute him on our part and reassure him, telling him that we
desire to come in, if such is his good pleasure, with our intimate
counsellor, Nicholas Acciajuoli, and ten soldiers only, to speak with
him concerning an important matter that cannot be entrusted to
go-betweens."

Entirely reassured by these frank, friendly explanations, Charles of
Artois sent out his son Bertrand to the empress to receive her with the
respect due to her rank and high position at the court of Naples.
Catherine went promptly to the castle with many signs of joy, and
inquiring after the count's health and expressing her affection, as soon
as they were alone, she mysteriously lowered her voice and explained
that the object of her visit was to consult a man of tried experience on
the affairs of Naples, and to beg his active cooperation in the queen's
favour. As, however, she was not pressed for time, she could wait at
Saint Agatha for the count's recovery to hear his views and tell him of
the march of events since he left the court. She succeeded so well in
gaining the old man's confidence and banishing his suspicions, that he
begged her to honour them with her presence as long as she was able, and
little by little received all her men within the walls. This was what
Catherine was waiting for: on the very day when her army was installed
at Saint Agatha, she suddenly entered the count's room, followed by four
soldiers, and seizing the old man by the throat, exclaimed wrathfully--

"Miserable traitor, you will not escape from our hands before you have
received the punishment you deserve. In the meanwhile, show me where
your treasure is hidden, if you would not have me throw your body out to
feed the crows that are swooping around these dungeons."

The count, half choking, the dagger at his breast, did not even attempt
to call for help; he fell on his knees, begging the empress to save at
least the life of his son, who was not yet well from the terrible attack
of melancholia that had shaken his reason ever since the catastrophe.
Then he painfully dragged himself to the place where he had hidden his
treasure, and pointing with his finger, cried--

"Take all; take my life; but spare my son."

Catherine could not contain herself for joy when she saw spread out at
her feet exquisite and incredibly valuable cups, caskets of pearls,
diamonds and rubies of marvellous value, coffers full of gold ingots,
and all the wonders of Asia that surpass the wildest imagination. But
when the old man, trembling, begged for the liberty of his son as the
price of his fortune and his own life, the empress resumed her cold,
pitiless manner, and harshly replied--

"I have already given orders for your son to be brought here; but
prepare for an eternal farewell, for he is to be taken to the fortress
of Melfi, and you in all probability will end your days beneath the
castle of Saint Agatha."

The grief of the poor count at this violent separation was so great,
that a few days later he was found dead in his dungeon, his lips covered
with a bloody froth, his hands gnawed in despair. Bertrand did not long
survive him. He actually lost his reason when he heard of his father's
death, and hanged himself on the prison grating. Thus did the murderers
of Andre destroy one another, like venomous animals shut up in the same
cage.

Catherine of Tarentum, carrying off the treasure she had so gained,
arrived at the court of Naples, proud of her triumph and contemplating
vast schemes. But new troubles had come about in her absence. Charles of
Durazzo, for the last time desiring the queen to give him the duchy of
Calabria, a title which had always belonged to the heir presumptive, and
angered by her refusal, had written to Louis of Hungary, inviting him to
take possession of the kingdom, and promising to help in the enterprise
with all his own forces, and to give up the principal authors of his
brother's death, who till now had escaped justice.

The King of Hungary eagerly accepted these offers, and got ready an army
to avenge Andre's death and proceed to the conquest of Naples. The tears
of his mother Elizabeth and the advice of Friar Robert, the old
minister, who had fled to Buda, confirmed him in his projects of
vengeance. He had already lodged a bitter complaint at the court of
Avignon that, while the inferior assassins had been punished, she who
was above all others guilty had been shamefully let off scot free, and
though still stained with her husband's blood, continued to live a life
of debauchery and adultery. The pope replied soothingly that, so far as
it depended upon him, he would not be found slow to give satisfaction to
a lawful grievance; but the accusation ought to be properly formulated
and supported by proof; that no doubt Joan's conduct during and after
her husband's death was blamable; but His Majesty must consider that the
Church of Rome, which before all things seeks truth and justice, always
proceeds with the utmost circumspection, and in so grave a matter more
especially must not judge by appearances only.

Joan, frightened by the preparations for war, sent ambassadors to the
Florentine Republic, to assert her innocence of the crime imputed to her
by public opinion, and did not hesitate to send excuses even to the
Hungarian court; but Andre's brother replied in a letter laconic and
threatening:--

"Your former disorderly life, the arrogation to yourself of exclusive
power, your neglect to punish your husband's murderers, your marriage to
another husband, moreover your own excuses, are all sufficient proofs
that you were an accomplice in the murder."

Catherine would not be put out of heart by the King of Hungary's
threats, and looking at the position of the queen and her son with a
coolness that was never deceived, she was convinced that there was no
other means of safety except a reconciliation with Charles, their mortal
foe, which could only be brought about by giving him all he wanted. It
was one of two things: either he would help them to repulse the King of
Hungary, and later on they would pay the cost when the dangers were less
pressing, or he would be beaten himself, and thus they would at least
have the pleasure of drawing him down with them in their own
destruction.

The agreement was made in the gardens of Castel Nuovo, whither Charles
had repaired on the invitation of the queen and her aunt. To her cousin
of Durazzo Joan accorded the title so much desired of Duke of Calabria,
and Charles, feeling that he was hereby made heir to the kingdom,
marched at once on Aquila, which town already was flying the Hungarian
colours. The wretched man did not foresee that he was going straight to
his destruction.

When the Empress of Constantinople saw this man, whom she hated above
all others, depart in joy, she looked contemptuously upon him, divining
by a woman's instinct that mischief would befall him; then, having no
further mischief to do, no further treachery on earth, no further
revenge to satisfy, she all at once succumbed to some unknown malady,
and died suddenly, without uttering a cry or exciting a single regret.

But the King of Hungary, who had crossed Italy with a formidable army,
now entered the kingdom from the side of Aquila: on his way he had
everywhere received marks of interest and sympathy; and Alberto and
Mertino delta Scala, lords of Verona, had given him three hundred horse
to prove that all their goodwill was with him in his enterprise. The
news of the arrival of the Hungarians threw the court into a state of
confusion impossible to describe. They had hoped that the king would be
stopped by the pope's legate, who had come to Foligno to forbid him, in
the name of the Holy Father, and on pain of excommunication to proceed
any further without his consent; but Louis of Hungary replied to the
pope's legate that, once master of Naples, he should consider himself a
feudatory of the Church, but till then he had no obligations except to
God and his own conscience. Thus the avenging army fell like a
thunderbolt upon the heart of the kingdom, before there was any thought
of taking serious measures for defence. There was only one plan
possible: the queen assembled the barons who were most strongly attached
to her, made them swear homage and fidelity to Louis of Tarentum, whom
she presented to them as her husband, and then leaving with many tears
her most faithful subjects, she embarked secretly, in the middle of the
night, on a ship of Provence, and made for Marseilles. Louis of
Tarentum, following the prompting of his adventure-loving character,
left Naples at the head of three thousand horse and a considerable
number of foot, and took up his post on the banks of the Voltorno, there
to contest the enemy's passage; but the King of Hungary foresaw the
stratagem, and while his adversary was waiting for him at Capua, he
arrived at Beneventum by the mountains of Alife and Morcone, and on the
same day received Neapolitan envoys: they in a magnificent display of
eloquence congratulated him on his entrance, offered the keys of the
town, and swore obedience to him as being the legitimate successor of
Charles of Anjou. The news of the surrender of Naples soon reached the
queen's camp, and all the princes of the blood and the generals left
Louis of Tarentum and took refuge in the capital. Resistance was
impossible. Louis, accompanied by his counsellor, Nicholas Acciajuoli,
went to Naples on the same evening on which his relatives quitted the
town to get away from the enemy. Every hope of safety was vanishing as
the hours passed by; his brothers and cousins begged him to go at once,
so as not to draw down upon the town the king's vengeance, but unluckily
there was no ship in the harbour that was ready to set sail. The terror
of the princes was at its height; but Louis, trusting in his luck,
started with the brave Acciajuoli in an unseaworthy boat, and ordering
four sailors to row with all their might, in a few minutes disappeared,
leaving his family in a great state of anxiety till they learned that he
had reached Pisa, whither he had gone to join the queen in Provence.
Charles of Durazzo and Robert of Tarentum, who were the eldest
respectively of the two branches of the royal family, after hastily
consulting, decided to soften the Hungarian monarch's wrath by a
complete submission. Leaving their young brothers at Naples, they
accordingly set off for Aversa, where the king was. Louis received them
with every mark of friendship, and asked with much interest why their
brothers were not with them. The princes replied that their young
brothers had stayed at Naples to prepare a worthy reception for His
Majesty. Louis thanked them for their kind intentions, but begged them
to invite the young princes now, saying that it would be infinitely more
pleasant to enter Naples with all his family, and that he was most
anxious to see his cousins. Charles and Robert, to please the king, sent
equerries to bid their brothers come to Aversa; but Louis of Durazzo,
the eldest of the boys, with many tears begged the others not to obey,
and sent a message that he was prevented by a violent headache from
leaving Naples. So puerile an excuse could not fail to annoy Charles,
and the same day he compelled the unfortunate boys to appear before the
king, sending a formal order which admitted of no delay. Louis of
Hungary embraced them warmly one after the other, asked them several
questions in an affectionate way, kept them to supper, and only let them
go quite late at night.

When the Duke of Durazzo reached his room, Lello of Aquila and the Count
of Fondi slipped mysteriously to the side of his bed, and making sure
that no one could hear, told him that the king in a council held that
morning had decided to kill him and to imprison the other princes.
Charles heard them out, but incredulously: suspecting treachery, he
dryly replied that he had too much confidence in his cousin's loyalty to
believe such a black calumny. Lello insisted, begging him in the name of
his dearest friends to listen; but the duke was impatient, and harshly
ordered him to depart.

The next day there was the same kindness on the king's part, the same
affection shown to the children, the same invitation to supper. The
banquet was magnificent; the room was brilliantly lighted, and the
reflections were dazzling: vessels of gold shone on the table; the
intoxicating perfume of flowers filled the air; wine foamed in the
goblets and flowed from the flagons in ruby streams; conversation,
excited and discursive, was heard on every side; all faces beamed with
joy.

Charles of Durazzo sat opposite the king, at a separate table among his
brothers. Little by little his look grew fixed, his brow pensive. He was
fancying that Andre might have supped in this very hall on the eve of
his tragic end, and he thought how all concerned in that death had
either died in torment or were now languishing in prison; the queen, an
exile and a fugitive, was begging pity from strangers: he alone was
free. The thought made him tremble; but admiring his own cleverness in
pursuing his infernal schemes, and putting away his sad looks, he smiled
again with an expression of indefinable pride. The madman at this moment
was scoffing at the justice of God. But Lello of Aquila, who was waiting
at the table, bent down, whispering gloomily--

"Unhappy duke, why did you refuse to believe me? Fly, while there is yet
time."

Charles, angered by the man's obstinacy, threatened that if he were such
a fool as to say any more, he would repeat every word aloud.

"I have done my duty," murmured Lello, bowing his head; "now it must
happen as God wills."

As he left off speaking, the king rose, and as the duke went up to take
his leave, his face suddenly changed, and he cried in an awful voice--

"Traitor! At length you are in my hands, and you shall die as you
deserve; but before you are handed over to the executioner, confess with
your own lips your deeds of treachery towards our royal majesty: so
shall we need no other witness to condemn you to a punishment
proportioned to your crimes. Between our two selves, Duke of Durazzo,
tell me first why, by your infamous manoeuvring, you aided your uncle,
the Cardinal of Perigord, to hinder the coronation of my brother, and so
led him on, since he had no royal prerogative of his own, to his
miserable end? Oh, make no attempt to deny it. Here is the letter sealed
with your seal; in secret you wrote it, but it accuses you in public.
Then why, after bringing us hither to avenge our brother's death, of
which you beyond all doubt were the cause,--why did you suddenly turn to
the queen's party and march against our town of Aquila, daring to raise
an army against our faithful subjects? You hoped, traitor, to make use
of us as a footstool to mount the throne withal, as soon as you were
free from every other rival. Then you would but have awaited our
departure to kill the viceroy we should have left in our place, and so
seize the kingdom. But this time your foresight has been at fault. There
is yet another crime worse than all the rest, a crime of high treason,
which I shall remorselessly punish. You carried off the bride that our
ancestor King Robert designed for me, as you knew, by his will. Answer,
wretch what excuse can you make for the rape of the Princess Marie?"

Anger had so changed Louis's voice that the last words sounded like the
roar of a wild beast: his eyes glittered with a feverish light, his lips
were pale and trembling. Charles and his brothers fell upon their knees,
frozen by mortal terror, and the unhappy duke twice tried to speak, but
his teeth were chattering so violently that he could not articulate a
single word. At last, casting his eyes about him and seeing his poor
brothers, innocent and ruined by his fault, he regained some sort of
courage, and said--

"My lord, you look upon me with a terrible countenance that makes me
tremble. But on my knees I entreat you, have mercy on me if I have done
wrong, for God is my witness that I did not call you to this kingdom
with any criminal intention: I have always desired, and still desire,
your supremacy in all the sincerity of my soul. Some treacherous
counsellors, I am certain, have contrived to draw down your hatred upon
me. If it is true, as you say, that I went with an armed force to Aquila
I was compelled by Queen Joan, and I could not do otherwise; but as soon
as I heard of your arrival at Fermo I took my troops away again. I hope
for the love of Christ I may obtain your mercy and pardon, by reason of
my former services and constant loyalty. But as I see you are now angry
with me, I say no more waiting for your fury to pass over. Once again,
my lord, have pity upon us, since we are in the hands of your Majesty."

The king turned away his head, and retired slowly, confiding the
prisoners to the care of Stephen Vayvoda and the Count of Zornic, who
guarded them during the night in a room adjoining the king's chamber.
The next day Louis held another meeting of his council, and ordered that
Charles should have his throat cut on the very spot where poor Andre had
been hanged. He then sent the other princes of the blood, loaded with
chains, to Hungary, where they were long kept prisoners. Charles, quite
thunderstruck by such an unexpected blow, overwhelmed by the thought of
his past crimes, trembled like a coward face to face with death, and
seemed completely crushed. Bowed, upon his knees, his face half hidden
in his hands, from time to time convulsive sobs escaped him, as he tried
to fix the thoughts that chased each other through his mind like the
shapes of a monstrous dream. Night was in his soul, but every now and
then light flashed across the darkness, and over the gloomy background
of his despair passed gilded figures fleeing from him with smiles of
mockery. In his ears buzzed voices from the other world; he saw a long
procession of ghosts, like the conspirators whom Nicholas of Melazzo had
pointed out in the vaults of Castel Nuovo. But these phantoms each held
his head in his hand, and shaking it by the hair, bespattered him with
drops of blood. Some brandished whips, some knives: each threatened
Charles with his instrument of torture. Pursued by the nocturnal train,
the hapless man opened his mouth for one mighty cry, but his breath was
gone, and it died upon his lips. Then he beheld his mother stretching
out her arms from afar, and he fancied that if he could but reach her he
would be safe. But at each step the path grew more and more narrow,
pieces of his flesh were torn off by the approaching walls; at last,
breathless, naked and bleeding, he reached his goal; but his mother
glided farther away, and it was all to begin over again. The phantoms
pursued him, grinning and screaming in his ears:--

"Cursed be he who slayeth his mother!"

Charles was roused from these horrors by the cries of his brothers, who
had come to embrace him for the last time before embarking. The duke in
a low voice asked their pardon, and then fell back into his state of
despair. The children were dragged away, begging to be allowed to share
their brother's fate, and crying for death as an alleviation of their
woes. At length they were separated, but the sound of their lamentation
sounded long in the heart of the condemned man. After a few moments, two
soldiers and two equerries came to tell the duke that his hour had come.

Charles followed them, unresisting, to the fatal balcony where Andre had
been hanged. He was there asked if he desired to confess, and when he
said yes, they brought a monk from the sane convent where the terrible
scene had been enacted: he listened to the confession of all his sins,
and granted him absolution. The duke at once rose and walked to the
place where Andre had been thrown down for the cord to be put round his
neck, and there, kneeling again, he asked his executioners--

"Friends, in pity tell me, is there any hope for my life?"

And when they answered no, Charles exclaimed:

"Then carry out your instructions."

At these words, one of the equerries plunged his sword into his breast,
and the other cut his head off with a knife, and his corpse was thrown
over the balcony into the garden where Andre's body had lain for three
days unburied.




CHAPTER VII


The King of Hungary, his black flag ever borne before him, started for
Naples, refusing all offered honours, and rejecting the canopy beneath
which he was to make his entry, not even stopping to give audience to
the chief citizens or to receive the acclamations of the crowd. Armed at
all points, he made for Castel Nuovo, leaving behind him dismay and
fear. His first act on entering the city was to order Dona Cancha to be
burnt, her punishment having been deferred by reason of her pregnancy.
Like the others, she was drawn on a cart to the square of St. Eligius,
and there consigned to the flames. The young creature, whose suffering
had not impaired her beauty, was dressed as for a festival, and laughing
like a mad thing up to the last moment, mocked at her executioners and
threw kisses to the crowd.

A few days later, Godfrey of Marsana, Count of Squillace and grand
admiral of the kingdom, was arrested by the king's orders. His life was
promised him on condition of his delivering up Conrad of Catanzaro, one
of his relatives, accused of conspiring against Andre. The grand admiral
committed this act of shameless treachery, and did not shrink from
sending his own son to persuade Conrad to come to the town. The poor
wretch was given over to the king, and tortured alive on a wheel made
with sharp knives. The sight of these barbarities, far from calming the
king's rage, seemed to inflame it the more. Every day there were new
accusations and new sentences. The prisons were crowded: Louis's
punishments were redoubled in severity. A fear arose that the town, and
indeed the whole kingdom, were to be treated as having taken part in
Andre's death. Murmurs arose against this barbarous rule, and all men's
thoughts turned towards their fugitive queen. The Neapolitan barons had
taken the oath of fidelity with no willing hearts; and when it came to
the turn of the Counts of San Severino, they feared a trick of some
kind, and refused to appear all together before the Hungarian, but took
refuge in the town of Salerno, and sent Archbishop Roger, their brother,
to make sure of the king's intentions beforehand. Louis received him
magnificently, and appointed him privy councillor and grand proto
notary. Then, and not till then, did Robert of San Severino and Roger,
Count of Chiaramonte, venture into the king's presence; after doing
homage, they retired to their homes. The other barons followed their
example of caution, and hiding their discontent under a show of respect,
awaited a favourable moment for shaking off the foreign yoke. But the
queen had encountered no obstacle in her flight, and arrived at Nice
five days later. Her passage through Provence was like a triumph. Her
beauty, youth, and misfortunes, even certain mysterious reports as to
her adventures, all contributed to arouse the interest of the Provencal
people. Games and fetes were improvised to soften the hardship of exile
for the proscribed princess; but amid the outbursts of joy from every
town, castle, and city, Joan, always sad, lived ever in her silent grief
and glowing memories.

At the gates of Aix she found the clergy, the nobility, and the chief
magistrates, who received her respectfully but with no signs of
enthusiasm. As the queen advanced, her astonishment increased as she saw
the coldness of the people and the solemn, constrained air of the great
men who escorted her. Many anxious thoughts alarmed her, and she even
went so far as to fear some intrigue of the King of Hungary. Scarcely
had her cortege arrived at Castle Arnaud, when the nobles, dividing into
two ranks, let the queen pass with her counsellor Spinelli and two
women; then closing up, they cut her off from the rest of her suite.
After this, each in turn took up his station as guardian of the
fortress.

There was no room for doubt: the queen was a prisoner; but the cause of
the manoeuvre it was impossible to guess. She asked the high
dignitaries, and they, protesting respectful devotion, refused to
explain till they had news from Avignon. Meanwhile all honours that a
queen could receive were lavished on Joan; but she was kept in sight and
forbidden to go out. This new trouble increased her depression: she did
not know what had happened to Louis of Tarentum, and her imagination,
always apt at creating disasters, instantly suggested that she would
soon be weeping for his loss.

But Louis, always with his faithful Acciajuoli, had after many fatiguing
adventures been shipwrecked at the port of Pisa; thence he had taken
route for Florence, to beg men and money; but the Florentines decided to
keep an absolute neutrality, and refused to receive him. The prince,
losing his last hope, was pondering gloomy plans, when Nicholas
Acciajuoli thus resolutely addressed him:

"My lord, it is not given to mankind to enjoy prosperity for ever: there
are misfortunes beyond all human foresight. You were once rich and
powerful, and you are now a fugitive in disguise, begging the help of
others. You must reserve your strength for better days. I still have a
considerable fortune, and also have relations and friends whose wealth
is at my disposal: let us try to make our way to the queen, and at once
decide what we can do. I myself shall always defend you and obey you as
my lord and master."

The prince received these generous offers with the utmost gratitude, and
told his counsellor that he placed his person in his hands and all that
remained of his future. Acciajuoli, not content with serving his master
as a devoted servant, persuaded his brother Angelo, Archbishop of
Florence, who was in great favour at Clement VI's court, to join with
them in persuading the pope to interest himself in the cause of Louis of
Tarentum. So, without further delay, the prince, his counsellor, and the
good prelate made their way to the port of Marseilles, but learning that
the queen was a prisoner at Aix, they embarked at Acque-Morte, and went
straight to Avignon. It soon appeared that the pope had a real affection
and esteem for the character of the Archbishop of Florence, for Louis
was received with paternal kindness at the court of Avignon; which was
far more than he had expected: when he kneeled before the sovereign
pontiff, His Holiness bent affectionately towards him and helped him to
rise, saluting him by the title of king.

Two days later, another prelate, the Archbishop of Aix, came into the
queen's presence,--

"Most gracious and dearly beloved sovereign, permit the most humble and
devoted of your servants to ask pardon, in the name of your subjects,
for the painful but necessary measure they have thought fit to take
concerning your Majesty. When you arrived on our coast, your loyal town
of Aix had learned from a trustworthy source that the King of France was
proposing to give our country to one of his own sons, making good this
loss to you by the cession of another domain, also that the Duke of
Normandy had come to Avignon to request this exchange in person. We were
quite decided, madam, and had made a vow to God that we would give up
everything rather than suffer the hateful tyranny of the French. But
before spilling blood we thought it best to secure your august person as
a sacred hostage, a sacred ark which no man dared touch but was smitten
to the ground, which indeed must keep away from our walls the scourge of
war. We have now read the formal annulment of this hateful plan, in a
brief sent by the sovereign pontiff from Avignon; and in this brief he
himself guarantees your good faith.

"We give you your full and entire liberty, and henceforth we shall only
endeavour to keep you among us by prayers and protestations. Go then,
madam, if that is your pleasure, but before you leave these lands, which
will be plunged into mourning by your withdrawal, leave with us some
hope that you forgive the apparent violence to which we have subjected
you, only in the fear that we might lose you; and remember that on the
day when you cease to be our queen you sign the death-warrant of all
your subjects."

Joan reassured the archbishop and the deputation from her good town of
Aix with a melancholy smile, and promised that she would always cherish
the memory of their affection. For this time she could not be deceived
as to the real sentiments of the nobles and people; and a fidelity so
uncommon, revealed with sincere tears, touched her heart and made her
reflect bitterly upon her past. But a league's distance from Avignon a
magnificent triumphal reception awaited her. Louis of Tarentum and all
the cardinals present at the court had come out to meet her. Pages in
dazzling dress carried above Joan's head a canopy of scarlet velvet,
ornamented with fleur-de-lys in gold and plumes. Handsome youths and
lovely girls, their heads crowned with flowers, went before her singing
her praise. The streets were bordered with a living hedge of people; the
houses were decked out; the bells rang a triple peal, as at the great
Church festivals. Clement VI first received the queen at the castle of
Avignon with all the pomp he knew so well how to employ on solemn
occasions, then she was lodged in the palace of Cardinal Napoleon of the
Orsini, who on his return from the Conclave at Perugia had built this
regal dwelling at Villeneuve, inhabited later by the popes.

No words could give an idea of the strangely disturbed condition of
Avignon at this period. Since Clement V had transported the seat of the
papacy to Provence, there had sprung up, in this rival to Rome, squares,
churches, cardinals' palaces, of unparalleled splendour. All the
business of nations and kings was transacted at the castle of Avignon.
Ambassadors from every court, merchants of every nation, adventurers of
all kinds, Italians, Spaniards, Hungarians, Arabs, Jews, soldiers,
Bohemians, jesters, poets, monks, courtesans, swarmed and clustered
here, and hustled one another in the streets. There was confusion of
tongues, customs, and costumes, an inextricable mixture of splendour and
rags, riches and misery, debasement and grandeur. The austere poets of
the Middle Ages stigmatised the accursed city in their writings under
the name of the New Babylon.

There is one curious monument of Joan's sojourn at Avignon and the
exercise of her authority as sovereign. She was indignant at the
effrontery of the women of the town, who elbowed everybody shamelessly
in the streets, and published a notable edict, the first of its kind,
which has since served as a model in like cases, to compel all
unfortunate women who trafficked in their honour to live shut up
together in a house, that was bound to be open every day in the year
except the last three days of Holy Week, the entrance to be barred to
Jews at all times. An abbess, chosen once a year, had the supreme
control over this strange convent. Rules were established for the
maintenance of order, and severe penalties inflicted for any
infringement of discipline. The lawyers of the period gained a great
reputation by this salutary institution; the fair ladies of Avignon were
eager in their defence of the queen in spite of the calumnious reports
that strove to tarnish her reputation: with one voice the wisdom of
Andre's widow was extolled. The concert of praises was disturbed,
however, by murmurs from the recluses themselves, who, in their own
brutal language, declared that Joan of Naples was impeding their
commerce so as to get a monopoly for herself.

Meanwhile Marie of Durazzo had joined her sister. After her husband's
death she had found means to take refuge in the convent of Santa Croce
with her two little daughters; and while Louis of Hungary was busy
burning his victims, the unhappy Marie had contrived to make her escape
in the frock of an old monk, and as by a miracle to get on board a ship
that was setting sail for Provence. She related to her sister the
frightful details of the king's cruelty. And soon a new proof of his
implacable hatred confirmed the tales of the poor princess.

Louis's ambassadors appeared at the court of Avignon to demand formally
the queen's condemnation.

It was a great day when Joan of Naples pleaded her own cause before the
pope, in the presence of all the cardinals then at Avignon, all the
ambassadors of foreign powers, and all the eminent persons come from
every quarter of Europe to be present at this trial, unique in the
annals of history. We must imagine a vast enclosure, in whose midst upon
a raised throne, as president of the august tribunal, sat God's vicar on
earth, absolute and supreme judge, emblem of temporal and spiritual
power, of authority human and divine. To right and left of the sovereign
pontiff, the cardinals in their red robes sat in chairs set round in a
circle, and behind these princes of the Sacred College stretched rows of
bishops extending to the end of the hall, with vicars, canons, deacons,
archdeacons, and the whole immense hierarchy of the Church. Facing the
pontifical throne was a platform reserved for the Queen of Naples and
her suite. At the pope's feet stood the ambassadors from the King of
Hungary, who played the part of accusers without speaking a word, the
circumstances of the crime and all the proofs having been discussed
beforehand by a committee appointed for the purpose. The rest of the
hall was filled by a brilliant crowd of high dignitaries, illustrious
captains, and noble envoys, all vying with one another in proud display.
Everyone ceased to breathe, all eyes were fixed on the dais whence Joan
was to speak her own defence. A movement of uneasy curiosity made this
compact mass of humanity surge towards the centre, the cardinals above
raised like proud peacocks over a golden harvest-field shaken in the
breeze.

The queen appeared, hand in hand with her uncle, the old Cardinal of
Perigord, and her aunt, the Countess Agnes. Her gait was so modest and
proud, her countenance so melancholy and pure, her looks so open and
confident, that even before she spoke every heart was hers. Joan was now
twenty years of age; her magnificent beauty was fully developed, but an
extreme pallor concealed the brilliance of her transparent satin skin,
and her hollow cheek told the tale of expiation and suffering. Among the
spectators who looked on most eagerly there was a certain young man with
strongly marked features, glowing eyes, and brown hair, whom we shall
meet again later on in our narrative; but we will not divert our
readers' attention, but only tell them that his name was James of
Aragon, that he was Prince of Majorca, and would have been ready to shed
every drop of his blood only to check one single tear that hung on
Joan's eyelids. The queen spoke in an agitated, trembling voice,
stopping from time to time to dry her moist and shining eyes, or to
breathe one of those deep sighs that go straight to the heart. She told
the tale of her husband's death painfully and vividly, painted
truthfully the mad terror that had seized upon her and struck her down
at that frightful time, raised her hands to her brow with the gesture of
despair, as though she would wrest the madness from her brain--and a
shudder of pity and awe passed through the assembled crowd. It is a fact
that at this moment, if her words were false, her anguish was both
sincere and terrible. An angel soiled by crime, she lied like Satan
himself, but like him too she suffered all the agony of remorse and
pride. Thus, when at the end of her speech she burst into tears and
implored help and protection against the usurper of her kingdom, a cry
of general assent drowned her closing words, several hands flew to their
sword-hilts, and the Hungarian ambassadors retired covered with shame
and confusion.

That same evening the sentence, to the great joy of all, was proclaimed,
that Joan was innocent and acquitted of all concern in the assassination
of her husband. But as her conduct after the event and the indifference
she had shown about pursuing the authors of the crime admitted of no
valid excuse, the pope declared that there were plain traces of magic,
and that the wrong-doing attributed to Joan was the result of some
baneful charm cast upon her, which she could by no possible means
resist. At the same time, His Holiness confirmed her marriage with Louis
of Tarentum, and bestowed on him the order of the Rose of Gold and the
title of King of Sicily and Jerusalem. Joan, it is true, had on the eve
of her acquittal sold the town of Avignon to the pope for the sum of
80,000 florins.

While the queen was pleading her cause at the court of Clement VI, a
dreadful epidemic, called the Black Plague--the same that Boccaccio has
described so wonderfully--was ravaging the kingdom of Naples, and indeed
the whole of Italy. According to the calculation of Matteo Villani,
Florence lost three-fifths of her population, Bologna two-thirds, and
nearly all Europe was reduced in some such frightful proportion. The
Neapolitans were already weary of the cruelties and greed of the
Hungarians, they were only awaiting some opportunity to revolt against
the stranger's oppression, and to recall their lawful sovereign, whom,
for all her ill deeds, they had never ceased to love. The attraction of
youth and beauty was deeply felt by this pleasure-loving people.
Scarcely had the pestilence thrown confusion into the army and town,
when loud cursing arose against the tyrant and his executioners. Louis
of Hungary, suddenly threatened by the wrath of Heaven and the people's
vengeance, was terrified both by the plague and by the riots, and
disappeared in the middle of the night. Leaving the government of Naples
in the hands of Conrad Lupo, one of his captains, he embarked hastily at
Berletta, and left the kingdom in very much the same way as Louis of
Tarentum, fleeing from him, had left it a few months before.

This news arrived at Avignon just when the pope was about to send the
queen his bull of absolution. It was at once decided to take away the
kingdom from Louis's viceroy. Nicholas Acciajuoli left for Naples with
the marvellous bull that was to prove to all men the innocence of the
queen, to banish all scruples and stir up a new enthusiasm. The
counsellor first went to the castle of Melzi, commanded by his son
Lorenzo: this was the only fortress that had always held out. The father
and son embraced with the honourable pride that near relatives may
justly feel when they meet after they have united in the performance of
a heroic duty. From the governor of Melzi Louis of Tarentum's counsellor
learned that all men were wearied of the arrogance and vexatious conduct
of the queen's enemies, and that a conspiracy was in train, started in
the University of Naples, but with vast ramifications all over the
kingdom, and moreover that there was dissension in the enemy's army. The
indefatigable counsellor went from Apulia to Naples, traversing towns
and villages, collecting men everywhere, proclaiming loudly the
acquittal of the queen and her marriage with Louis of Tarentum, also
that the pope was offering indulgences to such as would receive with joy
their lawful sovereigns. Then seeing that the people shouted as he went
by, "Long live Joan! Death to the Hungarians!" he returned and told his
sovereigns in what frame of mind he had left their subjects.

Joan borrowed money wherever she could, armed galleys, and left
Marseilles with her husband, her sister, and two faithful advisers,
Acciajuoli and Spinelli, on the 10th of September 1348. The king and
queen not being able to enter at the harbour, which was in the enemy's
power, disembarked at Santa Maria del Carmine, near the river Sebeto,
amid the frenzied applause of an immense crowd, and accompanied by all
the Neapolitan nobles. They made their way to the palace of Messire
Ajutorio, near Porta Capuana, the Hungarians having fortified themselves
in all the castles; but Acciajuoli, at the head of the queen's
partisans, blockaded the fortresses so ably that half of the enemy were
obliged to surrender, and the other half took to flight and were
scattered about the interior of the kingdom. We shall now follow Louis
of Tarentum in his arduous adventures in Apulia, the Calabrias, and the
Abruzzi, where he recovered one by one the fortresses that the
Hungarians had taken. By dint of unexampled valour and patience, he at
last mastered nearly all the more considerable places, when suddenly
everything changed, and fortune turned her back upon him for the second
time. A German captain called Warner, who had deserted the Hungarian
army to sell himself to the queen, had again played the traitor and sold
himself once more, allowed himself to be surprised at Corneto by Conrad
Lupo, the King of Hungary's vicar-general, and openly joined him, taking
along with him a great party of the adventurers who fought under his
orders. This unexpected defection forced Louis of Tarentum to retire to
Naples. The King of Hungary soon learning that the troops had rallied
round his banner, and only awaited his return to march upon the capital,
disembarked with a strong reinforcement of cavalry at the port of
Manfredonia, and taking Trani, Canosa, and Salerno, went forward to lay
siege to Aversa.

The news fell like a thunder-clap on Joan and her husband. The Hungarian
army consisted of 10,000 horse and more than 7000 infantry, and Aversa
had only 500 soldiers under Giacomo Pignatelli. In spite of the immense
disproportion of the numbers, the Neapolitan general vigorously repelled
the attack; and the King of Hungary, fighting in the front, was wounded
in his foot by an arrow. Then Louis, seeing that it would be difficult
to take the place by storm, determined to starve them out. For three
months the besieged performed prodigies of valour, and further
assistance was impossible. Their capitulation was expected at any
moment, unless indeed they decided to perish every man. Renaud des Baux,
who was to come from Marseilles with a squadron of ten ships to defend
the ports of the capital and secure the queen's flight, should the
Hungarian army get possession of Naples, had been delayed by adverse
winds and obliged to stop on the way. All things seemed to conspire in
favour of the enemy. Louis of Tarentum, whose generous soul refused to
shed the blood of his brave men in an unequal and desperate struggle,
nobly sacrificed himself, and made an offer to the King of Hungary to
settle their quarrel in single combat. We append the authentic letters
that passed between Joan's husband and Andre's brother.

"Illustrious King of Hungary, who has come to invade our kingdom, we, by
the grace of God King of Jerusalem and Sicily, invite you to single
combat. We know that you are in no wise disturbed by the death of your
lancers or the other pagans in your suite, no more indeed than if they
were dogs; but we, fearing harm to our own soldiers and men-at-arms,
desire to fight with you personally, to put an end to the present war
and restore peace to our kingdom. He who survives shall be king. And
therefore, to ensure that this duel shall take place, we definitely
propose as a site either Paris, in the presence of the King of France,
or one of the towns of Perugia, Avignon, or Naples. Choose one of these
four places, and send us your reply."

The King of Hungary first consulted with his council, and then
replied:--

"Great King, we have read and considered your letter sent to us by the
bearer of these presents, and by your invitation to a duel we are most
supremely pleased; but we do not approve of any of the places you
propose, since they are all suspect, and for several reasons. The King
of France is your maternal grandfather, and although we are also
connected by blood with him, the relationship is not so near. The town
of Avignon, although nominally belonging to the sovereign pontiff, is
the capital of Provence, and has always been subject to your rule.
Neither have we any more confidence in Perugia, for that town is devoted
to your cause.

"As to the city of Naples, there is no need to say that we refuse that
rendezvous, since it is in revolt against us and you are there as king.
But if you wish to fight with us, let it be in the presence of the
Emperor of Germany, who is lord supreme, or the King of England, who is
our common friend, or the Patriarch of Aquilea, a good Catholic. If you
do not approve of any of the places we propose, we shall soon be near
you with our army, and so remove all difficulties and delays. Then you
can come forth, and our duel can take place in the presence of both
armies."

After the interchange of these two letters, Louis of Tarentum proposed
nothing further. The garrison at Aversa had capitulated after a heroic
resistance, and it was known only too well that if the King of Hungary
could get so far as the walls of Naples, he would not have to endanger
his life in order to seize that city. Happily the Provencal galleys had
reached port at last. The king and the queen had only just time to
embark and take refuge at Gaeta. The Hungarian army arrived at Naples.
The town was on the point of yielding, and had sent messengers to the
king humbly demanding peace; but the speeches of the Hungarians showed
such insolence that the people, irritated past endurance, took up arms,
and resolved to defend their household gods with all the energy of
despair.




CHAPTER VIII


While the Neapolitans were holding out against their enemy at the Porta
Capuana, a strange scene was being enacted at the other side of the
town, a scene that shows us in lively colours the violence and treachery
of this barbarous age. The widow of Charles of Durazzo was shut up in
the castle of Ovo, and awaiting in feverish anxiety the arrival of the
ship that was to take her to the queen. The poor Princess Marie,
pressing her weeping children to her heart, pale, with dishevelled
locks, fixed eyes, and drawn lips, was listening for every sound,
distracted between hope and fear. Suddenly steps resounded along the
corridor; a friendly voice was heard; Marie fell upon her knees with a
cry of joy: her liberator had come.

Renaud des Baux, admiral of the Provencal squadron, respectfully
advanced, followed by his eldest son Robert and his chaplain.

"God, I thank Thee!" exclaimed Marie, rising to her feet; "we are
saved."

"One moment, madam," said Renaud, stopping her: "you are indeed saved,
but upon one condition."

"A condition?" murmured the princess in surprise.

"Listen, madam. The King of Hungary, the avenger of Andre's murderers,
the slayer of your husband, is at the gates of Naples; the people and
soldiers will succumb, as soon as their last gallant effort is
spent--the army of the conqueror is about to spread desolation and death
throughout the city by fire and the sword. This time the Hungarian
butcher will spare no victims: he will kill the mother before her
children's eyes, the children in their mother's arms. The drawbridge of
this castle is up and there are none on guard; every man who can wield a
sword is now at the other end of the town. Woe to you, Marie of Durazzo,
if the King of Hungary shall remember that you preferred his rival to
him!"

"But have you not come here to save me?" cried Marie in a voice of
anguish. "Joan, my sister, did she not command you to take me to her?"

"Your sister is no longer in the position to give orders," replied
Renaud, with a disdainful smile. "She had nothing for me but thanks
because I saved her life, and her husband's too, when he fled like a
coward before the man whom he had dared to challenge to a duel."

Marie looked fixedly at the admiral to assure herself that it was really
he who thus arrogantly talked about his masters. But she was terrified
at his imperturbable expression, and said gently--

"As I owe my life and my children's lives solely to your generosity, I
am grateful to you beyond all measure. But we must hurry, my lord: every
moment I fancy I hear cries of vengeance, and you would not leave me now
a prey to my brutal enemy?"

"God forbid, madam; I will save you at the risk of my life; but I have
said already, I impose a condition."

"What is it?" said Marie, with forced calm.

"That you marry my son on the instant, in the presence of our reverend
chaplain."

"Rash man!" cried Marie, recoiling, her face scarlet with indignation
and shame; "you dare to speak thus to the sister of your legitimate
sovereign? Give thanks to God that I will pardon an insult offered, as I
know, in a moment of madness; try by your devotion to make me forget
what you have said."

The count, without one word, signed to his son and a priest to follow,
and prepared to depart. As he crossed the threshold Marie ran to him,
and clasping her hands, prayed him in God's name never to forsake her.
Renaud stopped.

"I might easily take my revenge," he said, "for your affront when you
refuse my son in your pride; but that business I leave to Louis of
Hungary, who will acquit himself, no doubt, with credit."

"Have mercy on my poor daughters!" cried the princess; "mercy at least
for my poor babes, if my own tears cannot move you."

"If you loved your children," said the admiral, frowning, "you would
have done your duty at once."

"But I do not love your son!" cried Marie, proud but trembling. "O God,
must a wretched woman's heart be thus trampled? You, father, a minister
of truth and justice, tell this man that God must not be called on to
witness an oath dragged from the weak and helpless!"

She turned to the admiral's son; and added, sobbing--

"You are young, perhaps you have loved: one day no doubt you will love.
I appeal to your loyalty as a young man, to your courtesy as a knight,
to all your noblest impulses; join me, and turn your father away from
his fatal project. You have never seen me before: you do not know but
that in my secret heart I love another. Your pride should be revolted at
the sight of an unhappy woman casting herself at your feet and imploring
your favour and protection. One word from you, Robert, and I shall bless
you every moment of my life: the memory of you will be graven in my
heart like the memory of a guardian angel, and my children shall name
you nightly in their prayers, asking God to grant your wishes. Oh, say,
will you not save me? Who knows, later on I may love you--with real
love."

"I must obey my father," Robert replied, never lifting his eyes to the
lovely suppliant.

The priest was silent. Two minutes passed, and these four persons, each
absorbed in his own thoughts, stood motionless as statues carved at the
four corners of a tomb. Marie was thrice tempted to throw herself into
the sea. But a confused distant sound suddenly struck upon her ears:
little by little it drew nearer, voices were more distinctly heard;
women in the street were uttering cries of distress--

"Fly, fly! God has forsaken us; the Hungarians are in the town!"

The tears of Marie's children were the answer to these cries; and little
Margaret, raising her hands to her mother, expressed her fear in speech
that was far beyond her years. Renaud, without one look at this touching
picture, drew his son towards the door.

"Stay," said the princess, extending her hand with a solemn gesture: "as
God sends no other aid to my children, it is His will that the sacrifice
be accomplished."

She fell on her knees before the priest, bending her head like a victim
who offers her neck to the executioner. Robert des Baux took his place
beside her, and the priest pronounced the formula that united them for
ever, consecrating the infamous deed by a sacrilegious blessing.

"All is over!" murmured Marie of Durazzo, looking tearfully on her
little daughters.

"No, all is not yet over," said the admiral harshly, pushing her towards
another room; "before we leave, the marriage must be consummated."

"O just God!" cried the princess, in a voice torn with anguish, and she
fell swooning to the floor.

Renaud des Baux directed his ships towards Marseilles, where he hoped to
get his son crowned Count of Provence, thanks to his strange marriage
with Marie of Durazzo. But this cowardly act of treason was not to go
unpunished. The wind rose with fury, and drove him towards Gaeta, where
the queen and her husband had just arrived. Renaud bade his sailors keep
in the open, threatening to throw any man into the sea who dared to
disobey him. The crew at first murmured; soon cries of mutiny rose on
every side. The admiral, seeing he was lost, passed from threats to
prayers. But the princess, who had recovered her senses at the first
thunder-clap, dragged herself up to the bridge and screamed for help,

"Come to me, Louis! Come, my barons! Death to the cowardly wretches who
have outraged my honour!"

Louis of Tarentum jumped into a boat, followed by some ten of his
bravest men, and, rowing rapidly, reached the ship. Then Marie told him
her story in a word, and he turned upon the admiral a lightning glance,
as though defying him to make any defence.

"Wretch!" cried the king, transfixing the traitor with his sword.

Then he had the son loaded with chains, and also the unworthy priest who
had served as accomplice to the admiral, who now expiated his odious
crime by death. He took the princess and her children in his boat, and
re-entered the harbour.

The Hungarians, however, forcing one of the gates of Naples, marched
triumphant to Castel Nuovo. But as they were crossing the Piazza delle
Correggie, the Neapolitans perceived that the horses were so weak and
the men so reduced by all they had undergone during the siege of Aversa
that a mere puff of wind would dispense this phantom-like army. Changing
from a state of panic to real daring, the people rushed upon their
conquerors, and drove them outside the walls by which they had just
entered. The sudden violent reaction broke the pride of the King of
Hungary, and made him more tractable when Clement VI decided that he
ought at last to interfere. A truce was concluded first from the month
of February 1350 to the beginning of April 1351, and the next year this
was converted into a real peace, Joan paying to the King of Hungary the
sum of 300,000 florins for the expenses of the war.

After the Hungarians had gone, the pope sent a legate to crown Joan and
Louis of Tarentum, and the 25th of May, the day of Pentecost, was chosen
for the ceremony. All contemporary historians speak enthusiastically of
this magnificent fete. Its details have been immortalised by Giotto in
the frescoes of the church which from this day bore the name of
L'Incoronata. A general amnesty was declared for all who had taken part
in the late wars on either side, and the king and queen were greeted
with shouts of joy as they solemnly paraded beneath the canopy, with all
the barons of the kingdom in their train.

But the day's joy was impaired by an accident which to a superstitious
people seemed of evil augury. Louis of Tarentum, riding a richly
caparisoned horse, had just passed the Porta Petruccia, when some ladies
looking out from a high window threw such a quantity of flowers at the
king that his frightened steed reared and broke his rein. Louis could
not hold him, so jumped lightly to the ground; but the crown fell at his
feet and was broken into three pieces. On that very day the only
daughter of Joan and Louis died.

But the king not wishing to sadden the brilliant ceremony with show of
mourning, kept up the jousts and tournaments for three days, and in
memory of his coronation instituted the order of 'Chevaliers du Noeud'.
But from that day begun with an omen so sad, his life was nothing but a
series of disillusions. After sustaining wars in Sicily and Apulia, and
quelling the insurrection of Louis of Durazzo, who ended his days in the
castle of Ovo, Louis of Tarentum, worn out by a life of pleasure, his
health undermined by slow disease, overwhelmed with domestic trouble,
succumbed to an acute fever on the 5th of June 1362, at the age of
forty-two. His body had not been laid in its royal tomb at Saint
Domenico before several aspirants appeared to the hand of the queen.

One was the Prince of Majorca, the handsome youth we have already spoken
of: he bore her off triumphant over all rivals, including the son of the
King of France. James of Aragon had one of those faces of melancholy
sweetness which no woman can resist. Great troubles nobly borne had
thrown as it were a funereal veil over his youthful days: more than
thirteen years he had spent shut in an iron cage; when by the aid of a
false key he had escaped from his dreadful prison, he wandered from one
court to another seeking aid; it is even said that he was reduced to the
lowest degree of poverty and forced to beg his bread. The young
stranger's beauty and his adventures combined had impressed both Joan
and Marie at the court of Avignon. Marie especially had conceived a
violent passion for him, all the more so for the efforts she made to
conceal it in her own bosom. Ever since James of Aragon came to Naples,
the unhappy princess, married with a dagger at her throat, had desired
to purchase her liberty at the expense of crime. Followed by four armed
men, she entered the prison where Robert des Baux was still suffering
for a fault more his father's than his own. Marie stood before the
prisoner, her arms crossed, her cheeks livid, her lips trembling. It was
a terrible interview. This time it was she who threatened, the man who
entreated pardon. Marie was deaf to his prayers, and the head of the
luckless man fell bleeding at her feet, and her men threw the body into
the sea. But God never allows a murder to go unpunished: James preferred
the queen to her sister, and the widow of Charles of Durazzo gained
nothing by her crime but the contempt of the man she loved, and a bitter
remorse which brought her while yet young to the tomb.

Joan was married in turn to James of Aragon, son of the King of Majorca,
and to Otho of Brunswick, of the imperial family of Saxony. We will pass
rapidly over these years, and come to the denouement of this history of
crime and expiation. James, parted from his wife, continued his stormy
career, after a long contest in Spain with Peter the Cruel, who had
usurped his kingdom: about the end of the year 1375 he died near
Navarre. Otho also could not escape the Divine vengeance which hung over
the court of Naples, but to the end he valiantly shared the queen's
fortunes. Joan, since she had no lawful heir, adopted her nephew,
Charles de la Paix (so called after the peace of Trevisa). He was the
son of Louis Duras, who after rebelling against Louis of Tarentum, had
died miserably in the castle of Ovo. The child would have shared his
father's fate had not Joan interceded to spare his life, loaded him with
kindness, and married him to Margaret, the daughter of her sister Marie
and her cousin Charles, who was put to death by the King of Hungary.

Serious differences arose between the queen and one of her former
subjects, Bartolommeo Prigiani, who had become pope under the name of
Urban VI. Annoyed by the queen's opposition, the pope one day angrily
said he would shut her up in a convent. Joan, to avenge the insult,
openly favoured Clement VII, the anti-pope, and offered him a home in
her own castle, when, pursued by Pope Urban's army, he had taken refuge
at Fondi. But the people rebelled against Clement, and killed the
Archbishop of Naples, who had helped to elect him: they broke the cross
that was carried in procession before the anti-pope, and hardly allowed
him time to make his escape on shipboard to Provence. Urban declared
that Joan was now dethroned, and released her subjects from their oath
of fidelity to her, bestowing the crown of Sicily and Jerusalem upon
Charles de la Paix, who marched on Naples with 8000 Hungarians. Joan,
who could not believe in such base ingratitude, sent out his wife
Margaret to meet her adopted son, though she might have kept her as a
hostage, and his two children, Ladislaus and Joan, who became later the
second queen of that name. But the victorious army soon arrived at the
gates of Naples, and Charles blockaded the queen in her castle,
forgetting in his ingratitude that she had saved his life and loved him
like a mother.

Joan during the siege endured all the worst fatigues of war that any
soldier has to bear. She saw her faithful friends fall around her wasted
by hunger or decimated by sickness. When all food was exhausted, dead
and decomposed bodies were thrown into the castle that they might
pollute the air she breathed. Otho with his troops was kept at Aversa;
Louis of Anjou, the brother of the King of France whom she had named as
her successor when she disinherited her nephew, never appeared to help
her, and the Provencal ships from Clement VII were not due to arrive
until all hope must be over. Joan asked for a truce of five days,
promising that, if Otho had not come to relieve her in that time, she
would surrender the fortress.

On the fifth day Otho's army appeared on the side of Piedigrotta. The
fight was sharp on both sides, and Joan from the top of a tower could
follow with her eyes the cloud of dust raised by her husband's horse in
the thickest of the battle. The victory was long uncertain: at length
the prince made so bold an onset upon the royal standard, in his
eagerness to meet his enemy hand to hand, that he plunged into the very
middle of the army, and found himself pressed on every side. Covered
with blood and sweat, his sword broken in his hand, he was forced to
surrender. An hour later Charles was writing to his uncle, the King of
Hungary, that Joan had fallen into his power, and he only awaited His
Majesty's orders to decide her fate.

It was a fine May morning: the queen was under guard in the castle of
Aversa: Otho had obtained his liberty on condition of his quitting
Naples, and Louis of Anjou had at last got together an army of 50,000
men and was marching in hot haste to the conquest of the kingdom. None
of this news had reached the ears of Joan, who for some days had lived
in complete isolation. The spring lavished all her glory on these
enchanted plains, which have earned the name of the blessed and happy
country, campagna felite. The orange trees were covered with sweet white
blossoms, the cherries laden with ruby fruit, the olives with young
emerald leaves, the pomegranate feathery with red bells; the wild
mulberry, the evergreen laurel, all the strong budding vegetation,
needing no help from man to flourish in this spot privileged by Nature,
made one great garden, here and there interrupted by little hidden
runlets. It was a forgotten Eden in this corner of the world. Joan at
her window was breathing in the perfumes of spring, and her eyes misty
with tears rested on a bed of flowery verdure; a light breeze, keen and
balmy, blew upon her burning brow and offered a grateful coolness to her
damp and fevered cheeks. Distant melodious voices, refrains of
well-known songs, were all that disturbed the silence of the poor little
room, the solitary nest where a life was passing away in tears and
repentance, a life the most brilliant and eventful of a century of
splendour and unrest.

The queen was slowly reviewing in her mind all her life since she ceased
to be a child--fifty years of disillusionment and suffering. She thought
first of her happy, peaceful childhood, her grandfather's blind
affection, the pure joys of her days of innocence, the exciting games
with her little sister and tall cousins. Then she shuddered at the
earliest thought of marriage, the constraint, the loss of liberty, the
bitter regrets; she remembered with horror the deceitful words murmured
in her ear, designed to sow the seeds of corruption and vice that were
to poison her whole life. Then came the burning memories of her first
love, the treachery and desertion of Robert of Cabane, the moments of
madness passed like a dream in the arms of Bertrand of Artois--the whole
drama up to its tragic denouement showed as in letters of fire on the
dark background of her sombre thoughts. Then arose cries of anguish in
her soul, even as on that terrible fatal night she heard the voice of
Andre asking mercy from his murderers. A long deadly silence followed
his awful struggle, and the queen saw before her eyes the carts of
infamy and the torture of her accomplices. All the rest of this vision
was persecution, flight, exile, remorse, punishments from God and curses
from the world. Around her was a frightful solitude: husbands, lovers,
kindred, friends, all were dead; all she had loved or hated in the world
were now no more; her joy, pain, desire, and hope had vanished for ever.
The poor queen, unable to free herself from these visions of woe,
violently tore herself away from the awful reverie, and kneeling at a
prie-dieu, prayed with fervour. She was still beautiful, in spite of her
extreme pallor; the noble lines of her face kept their pure oval; the
fire of repentance in her great black eyes lit them up with superhuman
brilliance, and the hope of pardon played in a heavenly smile upon her
lips.

Suddenly the door of the room where Joan was so earnestly praying opened
with a dull sound: two Hungarian barons in armour entered and signed to
the queen to follow them. Joan arose silently and obeyed; but a cry of
pain went up from her heart when she recognised the place where both
Andre and Charles of Durazzo had died a violent death. But she collected
her forces, and asked calmly why she was brought hither. For all answer,
one of the men showed her a cord of silk and gold....

"May the will of a just God be done!" cried Joan, and fell upon her
knees. Some minutes later she had ceased to suffer.

This was the third corpse that was thrown over the balcony at Aversa.




                                  ----

*** END OF THIS PROJECT GUTENBERG EBOOK JOAN OF NAPLES ***




A Word from Project Gutenberg


We will update this book if we find any errors.

This book can be found under: http://www.gutenberg.org/ebooks/2750

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works, so
the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this
license, apply to copying and distributing Project Gutenberg(tm)
electronic works to protect the Project Gutenberg(tm) concept and
trademark. Project Gutenberg is a registered trademark, and may not be
used if you charge for the eBooks, unless you receive specific
permission. If you do not charge anything for copies of this eBook,
complying with the rules is very easy. You may use this eBook for nearly
any purpose such as creation of derivative works, reports, performances
and research.  They may be modified and printed and given away - you may
do practically _anything_ in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.



The Full Project Gutenberg License


_Please read this before you distribute or use this work._

To protect the Project Gutenberg(tm) mission of promoting the free
distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg(tm) License available with this file or online at
http://www.gutenberg.org/license.


Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
electronic works


*1.A.* By reading or using any part of this Project Gutenberg(tm)
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all the
terms of this agreement, you must cease using and return or destroy all
copies of Project Gutenberg(tm) electronic works in your possession. If
you paid a fee for obtaining a copy of or access to a Project
Gutenberg(tm) electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

*1.B.* "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few things
that you can do with most Project Gutenberg(tm) electronic works even
without complying with the full terms of this agreement. See paragraph
1.C below. There are a lot of things you can do with Project
Gutenberg(tm) electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg(tm) electronic
works. See paragraph 1.E below.

*1.C.* The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection of
Project Gutenberg(tm) electronic works. Nearly all the individual works
in the collection are in the public domain in the United States. If an
individual work is unprotected by copyright law in the United States and
you are located in the United States, we do not claim a right to prevent
you from copying, distributing, performing, displaying or creating
derivative works based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will support the
Project Gutenberg(tm) mission of promoting free access to electronic
works by freely sharing Project Gutenberg(tm) works in compliance with
the terms of this agreement for keeping the Project Gutenberg(tm) name
associated with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached full
Project Gutenberg(tm) License when you share it without charge with
others.


*1.D.* The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg(tm) work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

*1.E.* Unless you have removed all references to Project Gutenberg:

*1.E.1.* The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg(tm) License must appear
prominently whenever any copy of a Project Gutenberg(tm) work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United
    States and most other parts of the world at no cost and with
    almost no restrictions whatsoever. You may copy it, give it away
    or re-use it under the terms of the Project Gutenberg License
    included with this eBook or online at http://www.gutenberg.org .
    If you are not located in the United States, you'll have to
    check the laws of the country where you are located before using
    this ebook.

*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
derived from texts not protected by U.S. copyright law (does not contain
a notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the United
States without paying any fees or charges. If you are redistributing or
providing access to a work with the phrase "Project Gutenberg"
associated with or appearing on the work, you must comply either with
the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission
for the use of the work and the Project Gutenberg(tm) trademark as set
forth in paragraphs 1.E.8 or 1.E.9.

*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
any additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg(tm) License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

*1.E.4.* Do not unlink or detach or remove the full Project
Gutenberg(tm) License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg(tm).

*1.E.5.* Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg(tm) License.

*1.E.6.* You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg(tm) work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg(tm) web site
(http://www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or a
means of obtaining a copy upon request, of the work in its original
"Plain Vanilla ASCII" or other form. Any alternate format must include
the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.

*1.E.7.* Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg(tm) works
unless you comply with paragraph 1.E.8 or 1.E.9.

*1.E.8.* You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg(tm) electronic works
provided that

  - You pay a royalty fee of 20% of the gross profits you derive from
    the use of Project Gutenberg(tm) works calculated using the method
    you already use to calculate your applicable taxes. The fee is owed
    to the owner of the Project Gutenberg(tm) trademark, but he has
    agreed to donate royalties under this paragraph to the Project
    Gutenberg Literary Archive Foundation. Royalty payments must be paid
    within 60 days following each date on which you prepare (or are
    legally required to prepare) your periodic tax returns. Royalty
    payments should be clearly marked as such and sent to the Project
    Gutenberg Literary Archive Foundation at the address specified in
    Section 4, "Information about donations to the Project Gutenberg
    Literary Archive Foundation."

  - You provide a full refund of any money paid by a user who notifies
    you in writing (or by e-mail) within 30 days of receipt that s/he
    does not agree to the terms of the full Project Gutenberg(tm)
    License. You must require such a user to return or destroy all
    copies of the works possessed in a physical medium and discontinue
    all use of and all access to other copies of Project Gutenberg(tm)
    works.

  - You provide, in accordance with paragraph 1.F.3, a full refund of
    any money paid for a work or a replacement copy, if a defect in the
    electronic work is discovered and reported to you within 90 days of
    receipt of the work.

  - You comply with all other terms of this agreement for free
    distribution of Project Gutenberg(tm) works.


*1.E.9.* If you wish to charge a fee or distribute a Project
Gutenberg(tm) electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg(tm)
trademark. Contact the Foundation as set forth in Section 3. below.

*1.F.*

*1.F.1.* Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg(tm) collection. Despite these efforts, Project Gutenberg(tm)
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by your
equipment.

*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg(tm) trademark, and any other party distributing a Project
Gutenberg(tm) electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

*1.F.4.* Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

*1.F.5.* Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg(tm) electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg(tm) electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg(tm) work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg(tm)


Project Gutenberg(tm) is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg(tm)'s
goals and ensuring that the Project Gutenberg(tm) collection will remain
freely available for generations to come. In 2001, the Project Gutenberg
Literary Archive Foundation was created to provide a secure and
permanent future for Project Gutenberg(tm) and future generations. To
learn more about the Project Gutenberg Literary Archive Foundation and
how your efforts and donations can help, see Sections 3 and 4 and the
Foundation web page at http://www.pglaf.org .


Section 3. Information about the Project Gutenberg Literary Archive
Foundation


The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the state
of Mississippi and granted tax exempt status by the Internal Revenue
Service. The Foundation's EIN or federal tax identification number is
64-6221541. Its 501(c)(3) letter is posted at
http://www.gutenberg.org/fundraising/pglaf . Contributions to the
Project Gutenberg Literary Archive Foundation are tax deductible to the
full extent permitted by U.S.  federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers
and employees are scattered throughout numerous locations. Its business
office is located at 809 North 1500 West, Salt Lake City, UT 84116,
(801) 596-1887, email business@pglaf.org. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at http://www.pglaf.org

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org


Section 4. Information about Donations to the Project Gutenberg Literary
Archive Foundation


Project Gutenberg(tm) depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations where
we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit http://www.gutenberg.org/fundraising/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside
the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other ways
including checks, online payments and credit card donations. To donate,
please visit: http://www.gutenberg.org/fundraising/donate


Section 5. General Information About Project Gutenberg(tm) electronic
works.


Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg(tm) eBooks with only a loose network of volunteer support.

Project Gutenberg(tm) eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's eBook
number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected _editions_ of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
_Versions_ based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

    http://www.gutenberg.org

This Web site includes information about Project Gutenberg(tm),
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.