The Project Gutenberg EBook of The Golfer's Rubaiyat, by H. W. Boynton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Golfer's Rubaiyat Author: H. W. Boynton Release Date: December 24, 2007 [EBook #24018] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE GOLFER'S RUBAIYAT *** Produced by David Edwards, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
WAKE! for the sun has driven in equal flight
The stars before him from the Tee of Night,
And holed them every one without a Miss,
Swinging at ease his gold-shod Shaft of Light.
WAKE, Loiterer! for already Dawn is seen
With her red marker on the eastern Green,
And summons all her Little Ones to change
A joyous Three for every sad Thirteen.
AND as the Cock crew, those who stood before
The first Tee murmur’d: “Just this chance to score,
You know how little while we have to play,
And, once departed, may return no more.”
NOW the fresh Year, reviving old Desires,
The thoughtful Soul to Solitude retires,
Pores on this Club and That with anxious eye,
And dreams of Rounds beyond the Rounds of Liars.
CAMPBELL indeed is past with all his Fame,
And old Tom Morris now is but a name;
But many a Jamie by the Bunker blows,
And many a Willie rules us, just the same.
A THOUSAND lips are lockt; but still in hoar
High-balling Andrew’s Shrine, with “Fore, fore, fore!
Oh, fore!” the Golfer to the Duffer cries,
That reddened cheek of his to redden more.
COME, choose your Ball, and in the fire of Spring
Your Red Coat, and your wooden Putter fling;
The Club of Time has but a little while
To waggle, and the Club is on the swing.
WHETHER at Musselburgh or Shinnecock,
In motley Hose or humbler motley Sock,
The Cup of Life is ebbing Drop by Drop,
Whether the Cup be filled with Scotch or Bock.
EACH Morn a thousand Matches brings, you say;
Yes, but who plays the Match of Yesterday?
And this first Summer month of opening Greens
Shall take this Championship and That away.
WELL, let it take them! What have we to do
With Championships, or, Champion, with you?
Let This or Other struggle as he will,
For him alone the Strife—for him to rue.
WITH me along the strip of sandy Down
That just divides the Desert from the sown,
Where name of Shop and Study is forgot,—
And Peace to Croker on his golden Throne!
A BAG of Clubs, a Silver-Town or two,
A Flask of Scotch, a Pipe of Shag—and Thou
Beside me caddying in the Wilderness—
Ah, Wilderness were Paradise enow.
SOME for the weekly Handicap; and some
Sigh for a greater Championship to come:
Ah, play the Match, and let the Medal go,
Nor heed old Bogey with his wretched Sum.
LOOK to the blowing Rows about us—“Lo,
“Strolling,” they say, “over the course we go,
“And here or there we lightly flick the Ball,
“Turn, and the Trick is done—in So-and-so.”
BUT those who keep their Cards and turn them in,
And those who weekly Handicaps may win,
Alike to no such aureate Fame are brought,
As, buried once, Men want dug up again.
THE shining Cup men set their hearts upon
Is lost to them—or won them; and anon,
Like a good Three set in a bald Three-score,
That Glory gleams a moment—and is gone.
THINK, in this worn, forlorn old Field of Play,
Whose Green-keepers in turn are Night and Day,
How Champion after Champion with his Pomp
Abode his destin’d Hour and went his way.
THEY say the Female and the Duffer strut
On sacred Greens where Morris used to putt;
Himself a natural Hazard now, alas!
That nice Hand quiet now, that great Eye shut.
I SOMETIMES think that never springs so green
The Turf as where some Good Fellow has been,
And every emerald Stretch the Fair Green shows
His kindly Tread has known, his sure Play seen.
AND this reviving Herb whose tender green
Muffles the fair white Sphere o’er which we lean,
Ah, curse it gently, for here Jamie once—
Great Jamie—lay, and fetch’d a bad Thirteen.
AH, my Belovéd, play the Round that offers
TO-DAY some joy, whate’er To-morrow suffers:
To-morrow!—why, to-morrow I may be
Myself with Yesterday’s Sev’n thousand Duffers.
AND some we loved, the feeblest with a Club,
Ordain’d to sclaff, to foozle, and to flub,
Have turned in Cards a Round or two before,
And played that final Green without a Rub.
AND we that now make merry on the Green
They left, and Summer dresses in new sheen,
Ourselves must we beneath the springing Turf
Add our Ell to the Bunker of Has-been.
AH, make the most of what we yet may spend
Before we too into the Dust descend;
Dust into dust, and under Dust to lie,
Sans Breath, sans Golf, sans Golfer, and—sans End!
ALIKE for those who for TO-DAY prepare,
And those who after some TO-MORROW stare,
A Keeper from the Links of Darkness cries
Fools, your Reward is neither Here nor There.
WHY, all the Toms and Jamies who discuss’d
Of the True Art so wisely—they are thrust
Like foolish prophets forth; their Words to Scorn
Are scatter’d, and their Mouths are stopt with Dust.
MYSELF when young did eagerly frequent
Jamie and His, and heard great argument
Of Grip and Stance and Swing; but evermore
Found at the Exit but a Dollar spent.
WITH them the seed of Wisdom did I sow,
And with mine own hand sought to make it grow;
And this was all the Harvest that I reap’d—
“You hold it This Way, and you swing it So.”
PATIENT I fared to many a sacred Spot,
Ev’n at the Shrine of Andrew cast my lot,
And many a Knot unravel’d by the Road;
But not, alas! of Golf the Master-knot.
THERE was a Green for which I found no Tee,
And a blind Bunker which I might not see:
Out of the distant Dark a Voice cries “Fore!”
And then—and then no more of Thee and Me.
AS then the Sparrow for his morning Crumb,
Do thou each Morrow to the First Tee come,
And play thy quiet Round, till crusty Age
Condemn thee to a hopeless Dufferdom.
PERPLEXT no more with Where or How or Why,
Thy easy fingers to the Shaft apply,
Content to send away a fair straight Ball,
Though follow’d earthward by the naked Eye.
AND if the Ball you drive, the Shaft you press,
End in what all begins and ends in—Yes;
Thank Heav’n you play To-day as Yesterday
You play’d—To-morrow you shall not do less.
GLAD if the Master of the Handicap
At last shall find you come without Mishap,
Though without Glory, to turn in the Card
He has expected of your sort of Chap.
WHAT though a Fluke should fling your Class aside,
And Best Gross be your momentary pride:
Are you a Golfer more than when last week
You did Your best, and barely saved your Hide?
’TIS like a private Bar where for a Day
Innumerable Rickies come your way,
Happy—but on the morrow happier far
Had there been less to drink and more to pay.
AND fear not lest the Fair Green after your
Ill-luck and mine should yield Bad Lies no more;
One or two Others may fare ill as you:
Nay, even three, or maybe—maybe four.
WHEN you and I our final Match have play’d,
Think not the ever-springing Green shall fade;
Which of our Coming and Departure heeds
As Caddies heed the Bag,—their Quarter paid.
A MOMENT’S Flight—a momentary Flick
Of Being from the Providential Stick,
And Lo!—the phantom human Sphere has reacht
The Nothing it set out from—Ah, be quick!
WOULD you that Fillip of Existence spend
About THE SECRET—quick about it, Friend!
A Hair perhaps divides the False and True,
And upon what, prithee, does this Golf depend?
A HAIR perhaps divides the False and True,
Yes, and a single Jamie were the Clue—
Could you but find him—to the Championship,
And peradventure to the Champion too.
AND yet what matter who a Moment reigns?
’Tis not for such a Toy you take your pains;
To play the steady, simple, honest Game;
That is the Joy and Credit that remains.
BEHIND the uprisen Turf fair in the Ditch,
To risk the Overhang, or play back—which
To do? Ah, Brother, let the Gallery go:
Than tear the Web, better to drop a Stitch!
TWO—Three—aye, better Golf we all have seen—
But—bravo! Four—a sweet Approach and Clean;
Steady, you still may well go down in Five:
There are no Hazards on the Putting-Green.
WASTE not your Hour, nor try in vain to fix
The How and Why—some wondrous Brew to mix;
Better be jocund with a calm Two-score
Than sadden for a bitter Thirty-six.
STRANGE, is it not?—that of the myriads who
Into the Out-of-Bounds have late play’d through,
Not one returns to tell us of the Stroke
To guarantee the shortest Hole in Two.
THE Ball no question makes of Ayes and Noes,
But Here or There as strikes the Player goes,
And ye who play behold the Ball fly clean,
Or roll a Rod; but why? Who knows? Who knows?
THE swinging Brassie strikes; and, having struck,
Moves on: nor all your Wit or future Luck
Shall lure it back to cancel half a Stroke,
Nor from the Card a single Seven pluck.
NO hope by Club or Ball to win the Prize:
The batter’d, blacken’d Re-made sweetly flies,
Swept cleanly from the Tee; this is the truth:
Nine-tenths is Skill, and all the rest is Lies.
AND that inverted Ball they call the High—
By which the Duffer thinks to live or die,
Lift not your hands to It for help, for it
As impotently froths as you or I.
OF Earth’s first Clay was the last Golfer framed,
And that last Golfer’s latest Score was named
When the first Morning of Creation sang
The Dirge of every Duffer Golf has claimed.
YESTERDAY this Day’s Foozling did prepare;
To-morrow’s Slicing will not yield to Prayer:
Play! for you know not whence you came, nor why:
Play! for you know not why you go, nor where.
I TELL you this—When, after youth was past,
A kindly Heav’n gave me to Golf at last;
No Freedom but I gladly barter’d for
The satisfying Bond that holds me fast.
AND this I know: there is a Charm about
The quiet State of Golf, tho’ fools may flout,
That with its magic has unlock’d the Door
Of Happiness they only howl without.
* * * *
AS under cover of departing Day
Slinks the defeated Duffer on his way,
Once more within the Maker’s house alone
I stood, surrounded by the Tools of Play.
CLUBS of all Sorts and Sizes, great and small,
That stood along the floor and by the wall;
And some old batter’d Veterans were; and some
Had swung perhaps, but never driv’n at all.
SAID one among them—“Surely not for naught
Tom Morris fashion’d me with anxious thought,
Has not my Form won many a Match and Cup?
And yet—and yet—I am no longer bought.”
THEN said a Second—“Hear the Codger croak!
Sure he would make of Golf an ancient Joke;
But Me—just think! a modern Willie Park,
My fickle Owner cannot sell nor soak!”
AFTER a momentary silence spake
A Brassie of a more ungainly make—
“They sneer at me for leaning all awry:
Well, then, I ask who won the last Sweepstake?”
WHEREAT some one of the loquacious Lot,
I think a putting Niblick, or if not,
A driving Putter, or a goose-neck’d Cleek—
“Pray, what is Golf then,—and the Golfer what?”
“WHY,” said another, “Some there are who say
That Golf is but a Game that Golfers play,
And some that Life is but a mighty Green,
And Golf the Art to use it day by day.”
“WELL,” murmur’d one, “let whoso make or buy,
All in one Pickle we—like as we lie:
For let the right Good-Fellow come along,
We all may lay the Ball dead by and by.”
SO one and one and one I heard them speak:
“Ah, Friends,” said I, “’tis not a Make we seek,
A Duffer arm’d with all the Clubs there be—
What is he to a Player with a Cleek?”
* * * *
LATELY, agape beside the door of Fame,
Sudden a Touch upon my shoulder came,
And thro’ the Dusk an Angel Shape held out
The greater Guerdon; and it was—the Game!
THE Game that can with Logic absolute
The Dronings of the Soberheads confute,
Silence the scoffing ones, and in a trice
Life’s leaden metal into Gold transmute.
INDEED, the brave Game I have loved so well
Has little taught me how to buy or sell;
Has pawn’d my Greatness for an Hour of Ease,
And barter’d cold Cash for—a Miracle.
INDEED, indeed, Repentance oft before
I swore—but it was Winter when I swore,
And then and then came Spring, and Club-in-hand
I hasten’d forth for one Round—one Round more.
BUT much as Golf has play’d the Infidel,
And robb’d me of my worldly Profit—Well,
I often wonder what the Grubbers earn
One half so precious as the Joy they sell.
WHAT! for a senseless Bank-Account to wreak
Their manly Strength on Ledgers, till too weak
To swing a club?—So Caddies calmly tread
In Mire the Ball Heav’n sent them here to seek.
WHAT! as a poor dull Drudge to waste the Force
That might have made a Golfer, till the Source
Of Golf be dried—and Life grow all too brief
To top a Ball around the Ladies’ Course!
YET, ah, that Golf should vanish with the green!
What noble matches Winter might have seen;
And in Old Age what glorious Hazards foil’d,
What Zest of painful Pleasures might have been!
WOULD but the dim Face of old Winter yield
One glimpse of green, like Youth to Age reveal’d,
Thro’ which once more the failing Limbs might spring
As springs the trampled Herbage of the Field.
AH! with the Green my fading life provide,
Some ancient golfing Crony by my side:
Content to play one Round, or, meeker still,
To mix a gentle Foursome satisfied.
THAT even the wavering Remnant of the Swing
May bear some witness to my virtuous Spring,
And leave no True-believer passing-by
Unedified by its Admonishing.
WOULD but the god of Golfers ere too late
Arrest the sure-advancing step of Fate,
What matter if we play the Odd or Like?
Or—if we play—hole out in Four or Eight?
AH, let the Honor go to Fate, and let
All difficulties by that Crack be met;
The Duffer still may win a Half or two,
Content while Fate is only Dormie yet.
OR if ev’n this be taken, you and I
May still fare onward calmly, honestly,
Nor care how many Down the Record stand:
The Match is over—Let us play the Bye!
YON rising Moon that leads us Home again,
How oft hereafter will she wax and wane;
How oft hereafter rising wait for us
At this same Turning—and for One in vain.
AND when, like her, my Golfer, I have been
And am no more above the pleasant Green,
And you in your mild Journey pass the Hole
I made in One—ah! pay my Forfeit then!
TAMÁM
End of the Project Gutenberg EBook of The Golfer's Rubaiyat, by H. W. Boynton *** END OF THIS PROJECT GUTENBERG EBOOK THE GOLFER'S RUBAIYAT *** ***** This file should be named 24018-h.htm or 24018-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/0/1/24018/ Produced by David Edwards, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.