Project Gutenberg's ...After a Few Words..., by Gordon Randall Garrett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: ...After a Few Words... Author: Gordon Randall Garrett Release Date: December 22, 2007 [EBook #23960] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ...AFTER A FEW WORDS... *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
This is a science-fiction story. History is a science; the other part is, as all Americans know, the most fictional field we have today.
He settled himself comfortably in his seat, and carefully put the helmet on, pulling it down firmly until it was properly seated. For a moment, he could see nothing.
Then his hand moved up and, with a flick of the wrist, lifted the visor. Ahead of him, in serried array, with lances erect and pennons flying, was the forward part of the column. Far ahead, he knew, were the Knights Templars, who had taken the advance. Behind the Templars rode the mailed knights of Brittany and Anjou. These were followed by King Guy of Jerusalem and the host of Poitou.
He himself, Sir Robert de Bouain, was riding with the Norman and English troops, just behind the men of Poitou. Sir Robert turned slightly in his saddle. To his right, he could see the brilliant red-and-gold banner of the lion-hearted Richard of England—gules, in pale three lions passant guardant or. Behind the standard-bearer, his great war horse moving with a steady, measured pace, his coronet of gold on his steel helm gleaming in the glaring desert sun, the lions of England on his firm-held shield, was the King himself.
Further behind, the Knights Hospitallers protected the rear, guarding the column of the hosts of Christendom from harassment by the Bedouins.
"By our Lady!" came a voice from his left. "Three days out from Acre, and the accursed Saracens still elude us."
Sir Robert de Bouain twisted again in his saddle to look at the knight riding alongside him. Sir Gaeton de l'Arc-Tombé sat tall and straight in his saddle, his visor up, his blue eyes narrowed against the glare of the sun.
Sir Robert's lips formed a smile. "They are not far off, Sir Gaeton. They have been following us. As we march parallel to the seacoast, so they have been marching with us in those hills to the east."
"Like the jackals they are," said Sir Gaeton. "They assail us from the rear, and they set up traps in our path ahead. Our spies tell us that the Turks lie ahead of us in countless numbers. And yet, they fear to face us in open battle."
"Is it fear, or are they merely gathering their forces?"
"Both," said Sir Gaeton flatly. "They fear us, else they would not dally to amass so fearsome a force. If, as our informers tell us, there are uncounted Turks to the fore, and if, as we are aware, our rear is being dogged by the Bedouin and the black horsemen of Egypt, it would seem that Saladin has at hand more than enough to overcome us, were they all truly Christian knights."
"Give them time. We must wait for their attack, sir knight. It were foolhardy to attempt to seek them in their own hills, and yet they must stop us. They will attack before we reach Jerusalem, fear not."
"We of Gascony fear no heathen Musselman," Sir Gaeton growled. "It's this Hellish heat that is driving me mad." He pointed toward the eastern hills. "The sun is yet low, and already the heat is unbearable."
Sir Robert heard his own laugh echo hollowly within his helmet. "Perhaps 'twere better to be mad when the assault comes. Madmen fight better than men of cooler blood." He knew that the others were baking inside their heavy armor, although he himself was not too uncomfortable.
Sir Gaeton looked at him with a smile that held both irony and respect. "In truth, sir knight, it is apparent that you fear neither men nor heat. Nor is your own blood too cool. True, I ride with your Normans and your English and your King Richard of the Lion's Heart, but I am a Gascon, and have sworn no fealty to him. But to side with the Duke of Burgundy against King Richard—" He gave a short, barking laugh. "I fear no man," he went on, "but if I had to fear one, it would be Richard of England."
Sir Robert's voice came like a sword: steely, flat, cold, and sharp. "My lord the King spoke in haste. He has reason to be bitter against Philip of France, as do we all. Philip has deserted the field. He has returned to France in haste, leaving the rest of us to fight the Saracen for the Holy Land leaving only the contingent of his vassal the Duke of Burgundy to remain with us."
"Richard of England has never been on the best of terms with Philip Augustus," said Sir Gaeton.
"No, and with good cause. But he allowed his anger against Philip to color his judgment when he spoke harshly against the Duke of Burgundy. The Duke is no coward, and Richard Plantagenet well knows it. As I said, he spoke in haste."
"And you intervened," said Sir Gaeton.
"It was my duty." Sir Robert's voice was stubborn. "Could we have permitted a quarrel to develop between the two finest knights and warleaders in Christendom at this crucial point? The desertion of Philip of France has cost us dearly. Could we permit the desertion of Burgundy, too?"
"You did what must be done in honor," the Gascon conceded, "but you have not gained the love of Richard by doing so."
Sir Robert felt his jaw set firmly. "My king knows I am loyal."
Sir Gaeton said nothing more, but there was a look in his eyes that showed that he felt that Richard of England might even doubt the loyalty of Sir Robert de Bouain.
Sir Robert rode on in silence, feeling the movement of the horse beneath him.
There was a sudden sound to the rear. Like a wash of the tide from the sea came the sound of Saracen war cries and the clash of steel on steel mingled with the sounds of horses in agony and anger.
Sir Robert turned his horse to look.
The Negro troops of Saladin's Egyptian contingent were thundering down upon the rear! They clashed with the Hospitallers, slamming in like a rain of heavy stones, too close in for the use of bows. There was only the sword against armor, like the sound of a thousand hammers against a thousand anvils.
"Stand fast! Stand fast! Hold them off!" It was the voice of King Richard, sounding like a clarion over the din of battle.
Sir Robert felt his horse move, as though it were urging him on toward the battle, but his hand held to the reins, keeping the great charger in check. The King had said "Stand fast!" and this was no time to disobey the orders of Richard.
The Saracen troops were coming in from the rear, and the Hospitallers were taking the brunt of the charge. They fought like madmen, but they were slowly being forced back.
The Master of the Hospitallers rode to the rear, to the King's standard, which hardly moved in the still desert air, now that the column had stopped moving.
The voice of the Duke of Burgundy came to Sir Robert's ears.
"Stand fast. The King bids you all to stand fast," said the duke, his voice fading as he rode on up the column toward the knights of Poitou and the Knights Templars.
The Master of the Hospitallers was speaking in a low, urgent voice to the King: "My lord, we are pressed on by the enemy and in danger of eternal infamy. We are losing our horses, one after the other!"
"Good Master," said Richard, "it is you who must sustain their attack. No one can be everywhere at once."
The Master of the Hospitallers nodded curtly and charged back into the fray.
The King turned to Sir Baldwin de Carreo, who sat ahorse nearby, and pointed toward the eastern hills. "They will come from there, hitting us in the flank; we cannot afford to amass a rearward charge. To do so would be to fall directly into the hands of the Saracen."
A voice very close to Sir Robert said: "Richard is right. If we go to the aid of the Hospitallers, we will expose the column to a flank attack." It was Sir Gaeton.
"My lord the King," Sir Robert heard his voice say, "is right in all but one thing. If we allow the Egyptians to take us from the rear, there will be no need for Saladin and his Turks to come down on our flank. And the Hospitallers cannot hold for long at this rate. A charge at full gallop would break the Egyptian line and give the Hospitallers breathing time. Are you with me?"
"Against the orders of the King?"
"The King cannot see everything! There are times when a man must use his own judgment! You said you were afraid of no man. Are you with me?"
After a moment's hesitation, Sir Gaeton couched his lance. "I'm with you, sir knight! Live or die, I follow! Strike and strike hard!"
"Forward then!" Sir Robert heard himself shouting. "Forward for St. George and for England!"
"St. George and England!" the Gascon echoed.
Two great war horses began to move ponderously forward toward the battle lines, gaining momentum as they went. Moving in unison, the two knights, their horses now at a fast trot, lowered their lances, picking their Saracen targets with care. Larger and larger loomed the Egyptian cavalrymen as the horses changed pace to a thundering gallop.
The Egyptians tried to dodge, as they saw, too late, the approach of the Christian knights.
Sir Robert felt the shock against himself and his horse as the steel tip of the long ash lance struck the Saracen horseman in the chest. Out of the corner of his eye, he saw that Sir Gaeton, too, had scored.
The Saracen, impaled on Sir Robert's lance, shot from the saddle as he died. His lighter armor had hardly impeded the incoming spear-point, and now his body dragged it down as he dropped toward the desert sand. Another Moslem cavalryman was charging in now, swinging his curved saber, taking advantage of Sir Robert's sagging lance.
There was nothing else to do but drop the lance and draw his heavy broadsword. His hand grasped it, and it came singing from its scabbard.
The Egyptian's curved sword clanged against Sir Robert's helm, setting his head ringing. In return, the knight's broadsword came about in a sweeping arc, and the Egyptian's horse rode on with the rider's headless body.
Behind him, Sir Robert heard further cries of "St. George and England!"
The Hospitallers, taking heart at the charge, were going in! Behind them came the Count of Champagne, the Earl of Leister, and the Bishop of Beauvais, who carried a great warhammer in order that he might not break Church Law by shedding blood.
Sir Robert's own sword rose and fell, cutting and hacking at the enemy. He himself felt a dreamlike detachment, as though he were watching the battle rather than participating in it.
But he could see that the Moslems were falling back before the Christian onslaught.
And then, quite suddenly, there seemed to be no foeman to swing at. Breathing heavily, Sir Robert sheathed his broadsword.
Beside him, Sir Gaeton did the same, saying: "It will be a few minutes before they can regroup, sir knight. We may have routed them completely."
"Aye. But King Richard will not approve of my breaking ranks and disobeying orders. I may win the battle and lose my head in the end."
"This is no time to worry about the future," said the Gascon. "Rest for a moment and relax, that you may be the stronger later. Here—have an Old Kings."
He had a pack of cigarettes in his gauntleted hand, which he profferred to Sir Robert. There were three cigarettes protruding from it, one slightly farther than the others. Sir Robert's hand reached out and took that one.
"Thanks. When the going gets rough, I really enjoy an Old Kings."
He put one end of the cigarette in his mouth and lit the other from the lighter in Sir Gaeton's hand.
"Yes, sir," said Sir Gaeton, after lighting his own cigarette, "Old Kings are the greatest. They give a man real, deep-down smoking pleasure."
"There's no doubt about it, Old Kings are a man's cigarette." Sir Robert could feel the soothing smoke in his lungs as he inhaled deeply. "That's great. When I want a cigarette, I don't want just any cigarette."
"Nor I," agreed the Gascon. "Old Kings is the only real cigarette when you're doing a real man's work."
"That's for sure." Sir Robert watched a smoke ring expand in the air.
There was a sudden clash of arms off to their left. Sir Robert dropped his cigarette to the ground. "The trouble is that doing a real he-man's work doesn't always allow you to enjoy the fine, rich tobaccos of Old Kings right down to the very end."
"No, but you can always light another later," said the Gascon knight.
King Richard, on seeing his army moving suddenly toward the harassed rear, had realized the danger and had charged through the Hospitallers to get into the thick of the fray. Now the Turks were charging down from the hills, hitting—not the flank as he had expected, but the rear! Saladin had expected him to hold fast!
Sir Robert and Sir Gaeton spurred their chargers toward the flapping banner of England.
The fierce warrior-king of England, his mighty sword in hand, was cutting down Turks as though they were grain-stalks, but still the Saracen horde pressed on. More and more of the terrible Turks came boiling down out of the hills, their glittering scimitars swinging.
Sir Robert lost all track of time. There was nothing to do but keep his own great broadsword moving, swinging like some gigantic metronome as he hacked down the Moslem foes.
And then, suddenly, he found himself surrounded by the Saracens! He was isolated and alone, cut off from the rest of the Christian forces! He glanced quickly around as he slashed another Saracen from pate to breastbone. Where was Sir Gaeton? Where were the others? Where was the red-and-gold banner of Richard?
He caught a glimpse of the fluttering banner far to the rear and started to fall back.
And then he saw another knight nearby, a huge man who swung his sparkling blade with power and force. On his steel helm gleamed a golden coronet! Richard!
And the great king, in spite of his prowess was outnumbered heavily and would, within seconds, be cut down by the Saracen horde!
Without hesitation, Sir Robert plunged his horse toward the surrounded monarch, his great blade cutting a path before him.
He saw Richard go down, falling from the saddle of his charger, but by that time his own sword was cutting into the screaming Saracens and they had no time to attempt any further mischief to the King. They had their hands full with Sir Robert de Bouain.
He did not know how long he fought there, holding his charger motionless over the inert body of the fallen king, hewing down the screaming enemy, but presently he heard the familiar cry of "For St. George and for England" behind him. The Norman and English troops were charging in, bringing with them the banner of England!
And then Richard was on his feet, cleaving the air about him with his own broadsword. Its bright edge, besmeared with Saracen blood, was biting viciously into the foe.
The Turks began to fall back. Within seconds, the Christian knights were boiling around the embattled pair, forcing the Turks into retreat. And for the second time, Sir Robert found himself with no one to fight.
And then a voice was saying: "You have done well this day, sir knight. Richard Plantagenet will not forget."
Sir Robert turned in his saddle to face the smiling king.
"My lord king, be assured that I would never forget my loyalty to my sovereign and liege lord. My sword and my life are yours whenever you call."
King Richard's gauntleted hand grasped his own. "If it please God, I shall never ask your life. An earldom awaits you when we return to England, sir knight."
And then the king mounted his horse and was running full gallop after the retreating Saracens.
Robert took off his helmet.
He blinked for a second to adjust his eyes to the relative dimness of the studio. After the brightness of the desert that the televicarion helmet had projected into his eyes, the studio seemed strangely cavelike.
"How'd you like it, Bob?" asked one of the two producers of the show.
Robert Bowen nodded briskly and patted the televike helmet. "It was O.K.," he said. "Good show. A little talky at the beginning, and it needs a better fade-out, but the action scenes were fine. The sponsor ought to like it—for a while, at least."
"What do you mean, 'for a while'?"
Robert Bowen sighed. "If this thing goes on the air the way it is, he'll lose sales."
"Why? Commercial not good enough?"
"Too good! Man, I've smoked Old Kings, and, believe me, the real thing never tasted as good as that cigarette did in the commercial!"
End of Project Gutenberg's ...After a Few Words..., by Gordon Randall Garrett
*** END OF THIS PROJECT GUTENBERG EBOOK ...AFTER A FEW WORDS... ***
***** This file should be named 23960-h.htm or 23960-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/3/9/6/23960/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.