The Project Gutenberg EBook of A Border Ruffian, by Thomas A. Janvier This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Border Ruffian 1891 Author: Thomas A. Janvier Release Date: December 10, 2007 [EBook #23803] Last Updated: January 5, 2013 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A BORDER RUFFIAN *** Produced by David Widger
CONTENTS
The Incident of the Boston Young Lady, the Commercial Traveller, and the Desperado.
Throughout the whole of the habitable globe there nowhere is to be found more delightful or more invigorating air than that which every traveller through New Mexico, from Albuquerque, past Las Vegas, to the Raton Mountains, is free to breathe.
Miss Grace Winthrop, of Boston, and also Miss Winthrop, her paternal aunt, and also Mr. Hutchinson Port, of Philadelphia, her maternal uncle—all of whom were but forty hours removed from the Alkali Desert west of the Continental Divide—felt in the very depths of their several beings how entirely good this air was; and, as their several natures moved them, they betrayed their lively appreciation of its excellence.
Miss Grace Winthrop, having contrived for herself, with the intelligent assistance of the porter, a most comfortable nest of pillows, suffered her novel to remain forgotten upon her knees; and, as she leaned her pretty blond head against the wood-work separating her section from that adjoining it, looked out upon the brown mountains, and accorded to those largely-grand objects of nature the rare privilege of being reflected upon the retina of her very blue eyes. Yet the mountains could not flatter themselves with the conviction that contemplation of them wholly filled her mind, for occasionally she smiled a most delightful smile.
Miss Winthrop, retired from the gaze of the world in the cell that the Pullman-car people euphemistically style a state-room, ignored all such casual excrescences upon the face of nature as mountains, and seriously read her morning chapter of Emerson.
Mr. Hutchinson Port, lulled by the easy, jog-trot motion of the car, and soothed by the air from Paradise that, for his virtues, he was being permitted to breathe, lapsed into calm and grateful slumber: and dreamed (nor could a worthy Philadelphian desire a better dream) of a certain meeting of the Saturday Night Club, in December, 1875, whereat the terrapin was remarkable, even for Philadelphia.
Miss Winthrop, absorbed in her Emersonian devotions, and Mr. Hutchinson Port, absorbed in slumber, did not perceive that the slow motion of the train gradually became slower, and finally entirely ceased; and even Grace, lost in her pleasant daydream, scarcely observed that the unsightly buildings of a little way-station had thrust themselves into the foreground of her landscape—for this foreground she ignored, keeping her blue eyes serenely fixed upon the great brown mountains beyond. Nor was she more than dimly conscious of the appearance upon the station platform of a tall, broad-shouldered young man clad in corduroy, wearing a wide-brimmed felt-hat, and girded about with a belt, stuck full of cartridges, from which depended a very big revolver. In a vague way she was conscious of this young man's existence, and of an undefined feeling that, as the type of a dangerous and interesting class, his appearance was opportune in a part of the country which she had been led to believe was inhabited almost exclusively by cut-throats and outlaws.
In a minute or two the train went on again, and as it started Grace was aroused and shocked by the appearance at the forward end of the car of the ruffianly character whom she had but half seen from the car window. For a moment she believed that the train-robbery, that she had been confidently expecting over since her departure from San Francisco, was about to take place. Her heart beat hard, and her breath came quickly. But before these symptoms had time to become alarming the desperado had passed harmlessly to the rear end of the car, and after him had come the porter carrying his valise and a Winchester rifle.
"Goin' to Otero? Yes, sah! All right, sah! Put yo' heah; nice seat on shady side, sah! Thank yo', sah! Have a pillow, sah?" And, hearing this address on the part of the porter, Grace knew that the desperado, for the moment at least, was posing in the character of a law-abiding citizen, and was availing himself of his rights as such to ride in a Pullman-car. Being thus relieved of cause for immediate alarm, her breast presently began to swell with a fine indignation at the impudence of this abandoned person in thus thrusting himself into a place reserved, if not absolutely for aristocratic, certainly, at least, for respectable society.
The slight stir incident to the entrance of this offensive stranger aroused Mr. Hutchinson Port from his agreeable slumber. He yawned slightly, cast a disparaging glance upon the mountains, and then, drawing an especially good cigar from his case, betook himself to the smoking-room. Grace did not realize his intentions until they had become accomplished deeds.
Mr. Hutchinson Port—although a member (on the retired list) of the First City Troop, and therefore, presumably, inflamed with the martial spirit characteristic of that ancient and honorable organization—was not, perhaps, just the man that a person knowing in such matters would have selected to pit against a New Mexico desperado in a hand-to-hand conflict. But Grace felt her heart sink a little as she saw the round and rather pursy form of her natural protector walk away into the depths of a mirror at the forward end of the car, and so vanish. And in this same mirror she beheld, seated only two sections behind her, the scowling ruffian!
The situation, as Grace regarded it, was an alarming one; and it was the more trying to her nerves because it did not, reasonably, admit of action. She was aware that the very presence of a ruffian in a Pullman car was in the nature of a promise, on his part, that for the time being it was not his intention either to murder or to rob—unless, indeed, he were one of a robber band, and was awaiting the appearance of his confederates. For her either to call her uncle, or break in upon the Emersonian seclusion of her aunt, she felt would not be well received, under the circumstances, by either of these her relatives. As to the porter, that sable functionary had vanished; there was no electric bell, and the car, one of a Pullman train, had no conductor.
For protection, therefore, should need for protection arise, Grace perceived that she must depend upon the one other passenger. (They had lingered so long amid the delights of a Santa Barbara spring that they were journeying in that pleasant time of year when spring travel eastward has ended, and summer travel has not yet begun.) This one other passenger was a little man of dapper build and dapper dress, whose curiously-shaped articles of luggage betokened his connection with commercial affairs. Grace was forced to own, as she now for the first time regarded him attentively, that he did not seem to be wrought of the stern stuff out of which, as a rule, champions are made.
As she thus looked upon him, she was startled to find that he was looking very fixedly upon her; and she was further startled, as their eyes met, by the appearance upon his face of a friendly smile. She would have been vastly surprised had she been aware that this little person labored under the belief that he had already effected a favorable lodgement in her good graces; and she would have been both surprised and horrified could she have known that each of her own strictly confidential smiles during her day-dream had been accepted by the commercial traveller as intended for himself; and had been met, as they successively appeared, by his own smiles in answer. Yet this was the actual state of the case; and the little man's soul was uplifted by the thought that here was a fresh proof, and a very pleasant one, of how irresistible were his personal appearance and his personal charm of manner when arrayed in battery against any one of the gentler sex.
Viewed from the stand-point of his experience, this inquiring look and its attendant eye-encounter indicated that the moment for more pronounced action now had arrived. With the assured air of one who possibly may be repulsed, but who certainly cannot be defeated, he arose from his seat, crossed to Miss Grace Winthrop's section, and, with a pleasant remark to the effect that in travelling it always was nice to be sociable, edged himself into the seat beside her.
For a moment, the insolent audacity of this move was so overwhelming that Grace was quite incapable of coherent expression. The lovely pink of her cheeks became a deep crimson that spread to the very tips of her ears; her blue eyes flashed, and her hands clinched instinctively.
"Looked like a perfect little blue-eyed devil," the drummer subsequently declared, in narrating a highly-embellished version of his adventure, "but she didn't mean it, you know—at least, only for a minute or two. I soon combed her down nicely." What he actually said, was:
"Been travellin' far, miss?"
"What do you mean by this? Go away!" Grace managed to say; but she could not speak very clearly, for she was choking.
"Come, don't get mad, miss! I know you're not mad, really, anyway. When a woman's as handsome as you are, she can't be bad-natured. Come from California, I suppose? Nice country over there, ain't it?"
What with surprise and rage and fright, Grace was very nearly frantic For the moment she was powerless—her uncle in the smoking-room, her aunt locked up with her Emersonian meditations, the porter in the lobby; the only available person upon whom she could call for aid a horrible drunken murderer and robber, steeped in all the darkest crimes of the frontier! She felt herself growing faint, but she struggled to her feet. The drummer laid his hand on her arm: "Don't go away, my dear! Just stay and have a little talk. You see—"
But the sentence was not finished. Grace felt her head buzzing, and then, from somewhere—a long way off, it seemed—she heard a voice saying: "I beg your pardon; this thing seems to be annoying you. Permit me to remove it."
Her head cleared a little, for there was a promise of help—not only in the words but in the tone. And then she saw the desperado calmly settle a big hand into the collar of the little man's coat, lift him out of the seat and well up into the air, and so carry him at arm's-length—kicking and struggling, and looking for all the world like a jumping-jack—out through the passage-way at the forward end of the car.
As they disappeared, she precipitately sought refuge in the state-room—where Miss Winthrop was aroused from her serious contemplation of All-pervading Thought by a sudden and most energetic demand upon her protection and her salts-bottle. And, before she could be made in the least degree to comprehend why Grace should require either the one or the other, Grace had still further complicated and mystified the matter by fainting dead away.
In the course of two or three hours—aided by Miss Winthrop's salts and Mr. Hutchinson Port's travelling-flask of peculiar old Otard, which together contributed calmness and strength, and being refreshed by a little slumber—Grace was able to explain in an intelligible manner the adventure that had befallen her.
"And no matter what dreadful crimes that horrible man may have committed," she said, in conclusion. "I shall be most grateful to him to my dying day. And I want you, Uncle Hutchinson, no matter how unpleasant it may be to you to do so, to thank him from me for what he did. And, oh! it was so funny to see that detestable little impudent man kicking about that way in the air!" Which remembrance, at the same moment, of both the terrifying and the ludicrous side of her recent experience, not unnaturally sent Grace off into hysterics.
Mr. Hutchinson Port was quite ready to carry the message of thanks to the desperado, and to add to it some very hearty thanks of his own. But his good intentions could not be realized; the desperado no longer was on the train.
"Yes, sah; I knows the gen'l'm yo' means, sah," responded the porter, in answer to inquiries. "Pow'fl big gen'l'm yo' means, as got on this mo'nin' to Vegas. Thet's th' one, sah! He'd some kind er trib-bilation with th' little gen'l'm'—th' drummer gen'lm' as got on las' night to Lamy—an' he brought him out, holdin' him like he was a kitten, to the lobby, an' jus' set him down an' boxed his ears till he hollered! Yes, sah, thet's th' one. He got off to Otero. An' th' little man he got off to Trinidad, an' said he was agoin' up by the Denver to Pueblo. Yes, sah; they's both got off, sah! Thank yo', sah! Get yo' a pillow, sah?"
And so it came to pass that Miss Grace Winthrop returned to Boston cherishing towards desperadoes in general, and towards the desperadoes of New Mexico in particular, sentiments as generous as they were unusual.
Miss Winthrop the elder, whose soul was accustomed to a purer ether than that in which desperadoes ordinarily are found, presently forgot the vicarious excitements of her journey eastward in the calm joys of the Summer School of Philosophy.
And Mr. Hutchinson Port longed to be able to forget the whole State of California: when he realized, as he did with a most bitter keenness, that the superficial charms of that greatly overrated region had detained him upon the Western coast until the terrapin season was absolutely at an end!
The Incident of the Mysterious Stranger, and the Philadelphia Dinner-party.
Mrs. Rittenhouse Smith had achieved righteousness. That is to say, being a Philadelphian, she was celebrated for giving successful dinners. The person who achieves celebrity of this sort in Philadelphia is not unlike the seraph who attains to eminence in the heavenly choir.
It was conceded that Mr. Rittenhouse Smith (he was one of the Smiths, of course—not the others. His mother was a Biddle) was an important factor in his wife's success; for, as became a well-brought-up Philadelphian, he attended personally to the marketing. But had these Smith dinners been commendable only because the food was good, they would not have been at all remarkable. In Philadelphia, so far as the eating is concerned, a bad dinner seems to be an impossibility.
In truth, Mrs. Smith's dinners were famous because they never were marred by even the slightest suggestion of a contretemps; because they glided along smoothly, and at precisely the proper rate of speed, from oysters to coffee; and, because—and to accomplish this in Philadelphia was to accomplish something very little short of a miracle—they never were stupid.
Therefore it was that Mrs. Rittenhouse Smith stood among the elect, with a comfortable sense of security in her election; and she smelled with a satisfied nose the smell of the social incense burned before her shrine; and she heard with well-pleased ears the social hosannas which constantly were sung in her praise.
Occupying a position at once so ornate and so enviable, the feelings of Mrs. Rittenhouse Smith may be imagined upon finding herself confronted. with the tragical probability that one of her most important dinner-parties would be a failure.
In preparing for this dinner-party she had thought deeply in the still watches of the night, and she had pondered upon it in the silence of noonday. For Mrs. Smith, above all others, knew that only by such soulful vigilance can a perfect dinner be secured. It was her desire that it should be especially bright intellectually, for it was to be given to Miss Winthrop, of Boston, and was to include Miss Winthrop's niece, Miss Grace Winthrop, also of Boston. These ladies, as she knew, belonged to clubs which, while modestly named after the days of the week, were devoted wholly to the diffusion of the most exalted mental culture. Moreover, they both were on terms of intimacy with Mr. Henry James. On the other hand, it was her desire that the dinner should be perfect materially, because among her guests was to be Miss Grace Winthrop's uncle, Mr. Hutchinson Port. It was sorely against Mrs. Smith's will that Mr. Hutchinson Port was included in her list, for he had the reputation of being the most objectionable diner-out in Philadelphia. His conversation at table invariably consisted solely of disparaging remarks, delivered in an undertone to his immediate neighbors, upon the character and quality of the food. However, in the present case, as Miss Grace Winthrop's uncle, he was inevitable.
And, such was Mrs. Smith's genius, she believed that she had mastered the situation. Her list—excepting, of course, Mr. Hutchinson Port, and he could not reasonably be objected to by his own relatives—was all that she could desire. The nine other guests, she was satisfied, were such as could be exhibited creditably even to ladies belonging to Boston clubs and personally acquainted with Mr. Henry James. As to the dinner itself, Mr. Rittenhouse Smith, who never spoke inconsiderately in matters of this grave nature, had agreed with her that—barring, of course, some Providentially interposed calamity such as scorching the ducks or getting too much salt in the terrapin—even Mr. Hutchinson Port would be unable to find a flaw in it.
And now, at the last moment, at twelve o'clock of the day on which the dinner was to take place, came a note from the man upon whom she had most strongly counted to make the affair a success—the brightest man on her list, and the one who was to take out Miss Grace Winthrop—saying that he was laid up with a frightful cold and face-ache! He tried to make a joke of it, poor fellow, by adding a sketch—he sketched quite nicely—of his swelled cheek swathed in a handkerchief. But Mrs. Rittenhouse Smith was in no humor for joking; she was furious!
When a woman misses fire in this way, it usually is possible to fill her place with a convenient young sister, or even with an elderly aunt. But when a man is wanted, and, especially, as in the case in point, a clever man, the matter very readily may become desperate. Mrs. Rittenhouse Smith certainly was dismayed, yet was she not utterly cast down. She had faith in her own quick wits, which had rescued her in times past from other social calamities, though never from one darker than this, of having, at a single fatal blow, her best man cut off from one of her most important dinner-parties, and the dinner-party itself reduced to thirteen; an ominous and dismal number that surely would be discovered, and that would cast over her feast a superstitious gloom.
In this trying emergency Mrs. Smith acted with characteristic decision and wisdom. She perceived that to send invitations simultaneously to all the possible men of her acquaintance might involve her in still more awkward complications, while to send invitations successively might result in a fatal loss of time. Obviously, the only practicable course was a series of prompt, personal appeals from one to another, until assurance was received that the vacant place certainly would be filled. Therefore she despatched a note to Mr. Rittenhouse Smith, at his down-town office, acquainting him with the impending catastrophe and bidding him drop all other concerns until he had averted it by securing a satisfactory man.
Now, under ordinary circumstances, Mr. Rittenhouse Smith would have obeyed his wife's orders cheerfully and promptly; but on this particular day there was a flurry in the stock-market (Mr. Smith was a stock-broker), and every minute that he was away from his office exposed him to serious business danger. At what he considered to be the safest moments, he made no less than five sallies after as many different men; and three of these had engagements for the evening, and two of them were out of town. What with the condition of the stock-market and the gloomy outlook for the dinner-party, Mr. Smith, albeit he was ordinarily a calm, sedate man, was almost distraught.
Three o'clock brought a prospect of relief, but after a day of such active dealing his books could not be settled hurriedly. In point of fact, when at last he was able to leave his Third Street office the State House clock was striking five; and the dinner, in accordance with Philadelphia custom, was to be at seven! He knew that his wife had discharged into his hands the matter of procuring the needed man; and he knew that this line of action on her part had been both right and wise; but he groaned in spirit, as he thought how dreadful a responsibility was his!
Mr. Smith was a methodical man, and in the calmness partly bred of his naturally orderly habits, and partly bred of his despair, he seated himself at his desk, in company with a comforting cigar, to think of any possible men whom he might beat up at their homes as he went westward. While he thus meditated—and while blackness settled down upon his soul, for of none could he think available for his purpose—he looked idly at the list of hotel arrivals in the morning paper that chanced to lie beside him; and suddenly he arose with a great shout of joy, for in this list he beheld the name, "Van R. Livingstone."
Here, indeed, was good-fortune at last! Van Rensselaer Livingstone was in college with him, in his own class, at Harvard. They had been capital friends while their college life lasted; and although Livingstone had spent the last ten or twelve years in Europe, they had not wholly lost track of each other. Clever, handsome, well-born, and well-bred, he was everything that the present occasion required. He seemed to have been sent from heaven direct. In twenty minutes Mr. Smith was asking for him at his hotel.
"Mr. Livingstone? Mr. Livingstone is out."
"Did he leave any word as to when he would come in?"
"Yes, sir. He said that a gentleman might call, and to say that he certainly would be back at six, and would not go out again to-night."
Mr. Smith looked at his watch—it was 5:30. Had there been any uncertainty as to Livingstone's return, he would have waited. But it was clear that he was coming back to dine at his hotel, and to spend the evening there. A note, therefore, could be trusted to do the business, and by writing, instead of waiting, Mr. Smith would save half an hour; moreover, if he waited, he would not have time to make the mayonnaise.
Probably it is only in Philadelphia that it ever occurs nowadays to the master of a feast to dress the salad; which, doubtless, is the reason why a better salad is served at certain dinner-tables in Philadelphia than at any other dinner-tables in the whole world.
The thought of the mayonnaise settled the matter. Mr. Smith hastily wrote an account of the trying situation, and concluded his note with a solemn demand upon "dear old Van" to fill the vacant place, "in the holy name of the class of '68, and for love of your old classmate, R. Smith."
Presently the person thus adjured returned to his hotel, and with a somewhat puzzled expression read the adjuration. "R. Smith," he murmured, reflectively. "I think I do remember a Dicky Smith, from Philadelphia, at Columbia. But he wasn't in my class, and my class wasn't '68, but '76, and I don't remember ever saying a dozen words to him. He's got a good deal of cheek, whoever he is—and he, and his dinner, and his missing man may all go to the devil together! His invitation is absurd!" And with this ultimatum Mr. Livingstone laid the letter and envelope neatly together, preparatory to tearing them into fragments.
But before this purpose was accomplished, another view of the situation came into his mind. "I don't see why I shouldn't go," he thought. "I've been muddling all day with this wretched wool man—which is a bore, even if I have made a pretty good bargain with him for next season's clip; and Ned hasn't come to time, which is another bore, for now I'll have to eat my dinner alone. And this Dicky Smith writes like a gentleman, even if he is cheeky; and he certainly seems to be in a peck of troubles about his missing man, and his thirteen at table, and the rest of it. Why, it's a regular adventure! And to think of having an adventure in Philadelphia, of all places in the world! By Jove, I'll go!"
"How very, very good of you, Mr. Livingstone, to come to our rescue!" It was Mrs. Rittenhouse Smith who spoke, and she spoke in a guarded tone; for Livingstone was among the last to arrive, and she had no desire to publish among her guests the catastrophe that so nearly had overtaken her.
"And I know," she continued: "that you will understand how sorry I am that this first visit of Mr. Smith's old friend to our house should be under such peculiar circumstances. But you will have your reward, for you are to take out the very prettiest and the very brightest girl here. Come and be rewarded!" And Mrs. Smith slipped her hand upon her benefactor's arm, and piloted him across the room.
"Miss Winthrop, permit me to present Mr. Livingstone. Miss Winthrop is half Boston and half European, Mr. Livingstone; and as you, after these ten years abroad, must be wholly European, you can cheer each other as fellow foreigners in the midst of Philadelphia barbarism"—with which pleasant speech the hostess turned quickly to receive the last arrival (a man, of course; only a man would dare to be even near to late at one of Mrs. Rittenhouse Smith's dinners), and then, standing beside the doorway, with Mr. Hutchinson Port, marshalled her company in to dinner. It was a comfort to her to know that for once in his fault-finding life Mr. Port would be compelled, since he was to be seated beside his hostess, to eat his food without abusing it.
Just at this time two things struck Mrs. Smith as odd. One was that as she presented her handsome guest to Miss Grace Winthrop she certainly had felt him start, while his arm had trembled curiously beneath her hand. The other was that as Mr. Rittenhouse Smith left the drawing-room, passing close beside her with Miss Winthrop upon his arm, he made a face at her. The first of these phenomena struck her as curious. The second struck her as ominous. Had it been possible she would have investigated the cause of Mr. Smith's facial demonstration. But it was not possible. She only could breathe a silent prayer that all would go well—and the while sniff anxiously to discover if perchance there were a smell of scorching duck.
Mrs. Smith would have been still more mystified could she have been cognizant at this juncture of her husband's and of Miss Grace Winthrop's and of Mr. Livingstone's thoughts.
The first of these was thinking: "It isn't Van Rensselaer Livingstone, any more than I am; though he certainly looks like him. And I'm sure that he knows that he don't know me. And I think that we've managed to get into a blank idiotic mess!"
And the second of these was thinking: "If he's been in Europe for the past ten years, there's not one chance in fifty that I ever have laid eyes on him. But I know I have!"
And the third of these was thinking: "There isn't man in the room who looks enough like Dicky Smith to be his tenth cousin. But if ever the goodness of heaven was shown in the affairs of men it is shown here to me to-night!"
Even as the sun triumphs over the darkness of night and the gloom of the tempest, so did Mrs. Rittenhouse Smith's dinner-party emerge radiantly from the sombre perils which had beset it. It was a brilliant, unqualified success.
Miss Winthrop was good enough to say, when the evening was ended—saying it in that assured, unconscious way that gives to the utterances of Boston people so peculiar a charm—"Really, Mrs. Smith, you have given me not only a delightful dinner, but a delightful surprise; I would not have believed, had I not seen it myself, that outside of Boston so many clever people could be brought together!"
And Mr. Hutchinson Port, upsetting all his traditions, had kept up a running fire of laudatory comment upon the dinner that had filled Mrs. Smith's soul with joy. She had expected him, being cut off by her presence from engaging in his accustomed grumbling, to maintain a moody silence. She had not expected praise: and she valued his praise the more because she knew that he spoke out of the fulness of his wisdom; and because in a matter of such vital moment as eating she knew that she could trust him to be sincere. His only approach to invidious comment was in regard to the terrapin.
With the grave solemnity that marks the serving of this delicacy in Philadelphia; in the midst of a holy calm befitting a sacred rite, the silver vessels were carried around the board, and in hushed rapture (a little puzzling to the Bostonians) the precious mixture was ladled out upon the fourteen plates; and Mr. Hutchinson Port, as the result of many years of soulful practice, was able to secure to himself at one dexterous scoop more eggs than fell to the lot of any other two men.
It was while rapturously eating these eggs that he spake: "My dear Mrs. Smith, will you forgive me if I venture to suggest, even to you—for what I have seen this night has convinced me that you are one of the very few people who know what a dinner ought to be—that the Madeira used in dressing terrapin cannot possibly be too old?"
Proceeding in accordance with the cue that Mrs. Smith had given her, Miss Grace Winthrop engaged Mr. Livingstone in conversation upon European topics; and was somewhat astonished to find, in view of his past ten years in Europe, that they evidently had very little interest for him. And all the while that she talked with him she was haunted by the conviction that she had seen him somewhere; and all the while she was aware of something in his manner, she could not tell what, that seemed to imply that she ought to know who he was.
What Miss Grace Winthrop did feel entirely certain about, however, was that this was one of the cleverest and one of the manliest men she had ever come across. His well-shaped hands were big and brown, and his face was brown, and the set of his head and the range of his broad shoulders gave him an alert look and a certain air of command. There was that about him which suggested a vigorous life in the open air. There was nothing to suggest ten years in Europe, unless it were the charm of his manner, and his neat way of saying bright things.
As for Livingstone, he was as one who at the same time is both entranced and inspired. He knew that he never had been happier in his life; he knew that he never had said so many clever things in so short a time. Therefore it was that these young people always thereafter were most harmoniously agreed that this was the very happiest dinner that they had eaten in all their lives.
It came to an end much too soon for either of them. The ladies left the room, and cigars were invoked to fill their place. This was the moment that Livingstone had looked forward to as affording the first practicable opportunity for taking his host apart and explaining that his, Livingstone's, presence at that particular feast certainly must be owing to some mistake. And this was the moment that Mr. Smith, also, had looked forward to as available for clearing up the mystery—of which his wife still was blissfully ignorant—as to who their stranger guest really was. But the moment now being come, Livingstone weakly but deliberately evaded it by engaging in an animated conversation with Mr. Hutchinson Port in regard to the precise number of minutes and seconds that a duck ought to remain before the fire; and Mr. Smith—having partaken of his own excellent wines and meats until his whole being was aglow with a benevolent friendliness—contented himself with thinking that, no matter who his guest was, he certainly was a capital fellow; and that to cross-question him as to his name, at least until the evening was at an end, would be a gross outrage upon the laws of hospitality.
Livingstone, however, had the grace to feel a good deal ashamed of himself as they returned to the drawing-room. In all that had gone before, he had been a victim of circumstances. He had an uncomfortable conviction that his position now was not wholly unlike that of an impostor. But as he pushed aside the portiere he beheld a pair of blue eyes which, he flattered himself, betrayed an expression of pleased expectancy—and his compunctions vanished.
There was only a little time left to them, for the evening was almost at an end. Their talk came back to travel. Did she like travelling in America? he asked. Yes, she liked it very much indeed, "only "—as a sudden memory of a past experience flashed into her mind—"one does sometimes meet such dreadfully horrid people!"
They were sitting, as they talked, in a narrow space between a table and the wall, made narrower by the presence of an unused chair. Just as this memory was aroused, some one tried to push by them, and Livingstone, rising, lifted the obstructing chair away. To find a clear space in which to put it down, he lifted it across the table; and for a moment he stood erect, holding the chair out before him at arm's-length.
When he seated himself and turned again to speak to Grace, he was startled to find that her face and shoulders, and even her arms—her arms and shoulders were delectable—were crimson; and in her eyes he found at last the look of recognition that he had hoped for earlier in the evening, but that now he had ceased to expect. Recognition of this emphatic sort he certainly had not expected at all.
"You—you see," she said, "I al—always have thought that you were a robber and a murderer, and shocking things like that. And I didn't really see you that day, except as you walked away, holding up that horrid little man, kicking—just as you held up the chair. Can you ever, ever forgive me for thinking such wicked things about you, and for being so ungrateful as not to know you at the very first?"
And Livingstone, then and later, succeeded in convincing her that he could.
By an emphatic whisper Miss Grace Winthrop succeeded in impressing upon her aunt the necessity—at no matter what sacrifice of the social conventions—of being the last to go. In the matter of keeping Livingstone, she experienced no difficulty at all. And when the unnecessary eight had departed, she presented to her aunt and uncle her deliverer, and—in a delightfully hesitating way—told to Mr. and Mrs. Smith the story of her deliverance.
It was when this matter had been explained that Livingstone, who felt that his position now was absolutely secure, brought up the delicate question of his own identity.
"You can understand, I am sure, Mrs. Smith," he said, "how very grateful I am to you for this evening; but, indeed, I don't think that I am the person you meant to ask. And it has occurred to me, from something that you said about my having been in Europe for a good while, that Mr. Smith might have meant his invitation for Van Rensselaer Livingstone. He's my cousin, you know; and he has spent the last ten years in Europe, and is there yet, I fancy. But I am Van Ruyter Livingstone, and if I can be said to have a home anywhere—except the old home in New York, of course—it is on my sheep range in New Mexico.
"But you won't be cruel enough, Mrs. Smith, after letting me into Paradise—even if I did get in by mistake—to turn me out again; will you?"
And Mrs. Rittenhouse Smith, who was a clever woman, as well as a remarkably clear-sighted one, replied that even if she wanted to turn Mr. Van Ruyter Livingstone out of Paradise she believed that it was now too late.
End of the Project Gutenberg EBook of A Border Ruffian, by Thomas A. Janvier *** END OF THIS PROJECT GUTENBERG EBOOK A BORDER RUFFIAN *** ***** This file should be named 23803-h.htm or 23803-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/8/0/23803/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.