The Project Gutenberg EBook of Breakaway, by Stanley Gimble

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Breakaway

Author: Stanley Gimble

Release Date: November 22, 2007 [EBook #23592]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK BREAKAWAY ***




Produced by Greg Weeks and the Online Distributed
Proofreading Team at http://www.pgdp.net





Transcriber's Note: This etext was produced from Astounding Science
Fiction December 1955. Extensive research did not uncover any evidence
that the U.S. copyright on this publication was renewed.

[Illustration]




BREAKAWAY

BY STANLEY GIMBLE

Illustrated by Freas

_She surely got her wish ... but there was some question about getting
what she wanted._


Phil Conover pulled the zipper of his flight suit up the front of his
long, thin body and came into the living room. His face, usually serious
and quietly handsome, had an alive, excited look. And the faint lines
around his dark, deep-set eyes were accentuated when he smiled at his
wife.

"All set, honey. How do I look in my monkey suit?"

His wife was sitting stiffly on the flowered couch that was still not
theirs completely. In her fingers she held a cigarette burned down too
far. She said, "You look fine, Phil. You look just right." She managed a
smile. Then she leaned forward and crushed the cigarette in the ash
tray on the maple coffee table and took another from the pack.

He came to her and touched his hands to her soft blond hair, raising her
face until she was looking into his eyes. "You're the most beautiful
girl I know. Did I ever tell you that?"

"Yes, I think so. Yes, I'm sure you did," she said, finishing the
ritual; but her voice broke, and she turned her head away. Phil sat
beside her and put his arm around her small shoulders. He had stopped
smiling.

"Honey, look at me," he said. "It isn't going to be bad. Honestly it
isn't. We know exactly how it will be. If anything could go wrong, they
wouldn't be sending me; you know that. I told you that we've sent five
un-manned ships up and everyone came back without a hitch."

She turned, facing him. There were tears starting in the corners of her
wide, brown eyes, and she brushed them away with her hand.

"Phil, don't go. Please don't. They can send Sammy. Sammy doesn't have a
wife. Can't he go? They'd understand, Phil. Please!" She was holding his
arms tightly with her hands, and the color had drained from her cheeks.

"Mary, you know I can't back out now. How could I? It's been three
years. You know how much I've wanted to be the first man to go. Nothing
would ever be right with me again if I didn't go. Please don't make it
hard." He stopped talking and held her to him and stroked the back of
her head. He could feel her shoulders shaking with quiet sobs. He
released her and stood up.

"I've got to get started, Mary. Will you come to the field with me?"

"Yes, I'll come to say good-by." She paused and dropped her eyes. "Phil,
if you go, I won't be here when you get back--if you get back. I won't
be here because I won't be the wife of a space pilot for the rest of my
life. It isn't the kind of life I bargained for. No matter how much I
love you, I just couldn't take that, Phil. I'm sorry. I guess I'm not
the noble sort of wife."

She finished and took another cigarette from the pack on the coffee
table and put it to her lips. Her hand was trembling as she touched the
lighter to the end of the cigarette and drew deeply. Phil stood watching
her, the excitement completely gone from his eyes.

"I wish you had told me this a long time ago, Mary," Phil said. His
voice was dry and low. "I didn't know you felt this way about it."

"Yes, you did. I told you how I felt. I told you I could never be the
wife of a space pilot. But I don't think I ever really believed it was
possible--not until this morning when you said tonight was the take-off.
It's so stupid to jeopardize everything we've got for a ridiculous
dream!"

He sat down on the edge of the couch and took her hands between his.
"Mary, listen to me," he said. "It isn't a dream. It's real. There's
nothing means anything more to me than you do--you know that. But no
man ever had the chance to do what I'm going to do tonight--no man ever.
If I backed out now for any reason, I'd never be able to look at the sky
again. I'd be through."

She looked at him without seeing him, and there was nothing at all in
her eyes.

"Let's go, if you're still going," she finally said.

       *       *       *       *       *

They drove through the streets of the small town with its small
bungalows, each alike. There were no trees and very little grass. It was
a new town, a government built town, and it had no personality yet. It
existed only because of the huge ship standing poised in the take-off
zone five miles away in the desert. Its future as a town rested with the
ship, and the town seemed to feel the uncertainty of its future, seemed
ready to stop existing as a town and to give itself back to the desert,
if such was its destiny.

Phil turned the car off the highway onto the rutted dirt road that led
across the sand to the field where the ship waited. In the distance they
could see the beams of the searchlights as they played across the
take-off zone and swept along the top of the high wire fence stretching
out of sight to right and left. At the gate they were stopped by the
guard. He read Phil's pass, shined his flashlight in their faces, and
then saluted. "Good luck, colonel," he said, and shook Phil's hand.

"Thanks, sergeant. I'll be seeing you next week," Phil said, and smiled.
They drove between the rows of wooden buildings that lined the field,
and he parked near the low barbed fence ringing the take-off zone. He
turned off the ignition, and sat quietly for a moment before lighting a
cigarette. Then he looked at his wife. She was staring through the
windshield at the rocket two hundred yards away. Its smooth polished
surface gleamed in the spotlight glare, and it sloped up and up until
the eye lost the tip against the stars.

"She's beautiful, Mary. You've never seen her before, have you?"

"No, I've never seen her before," she said. "Hadn't you better go?" Her
voice was strained and she held her hands closed tightly in her lap.
"Please go now, Phil," she said.

He leaned toward her and touched her cheek. Then she was in his arms,
her head buried against his shoulder.

"Good-by, darling," she said.

"Wish me luck, Mary?" he asked.

"Yes, good luck, Phil," she said. He opened the car door and got out.
The noise of men and machines scurrying around the ship broke the spell
of the rocket waiting silently for flight.

"Mary, I--" he began, and then turned and strode toward the
administration building without looking back.

       *       *       *       *       *

Inside the building it was like a locker room before the big game. The
tension stood alone, and each man had the same happy, excited look that
Phil had worn earlier. When he came into the room, the noise and bustle
stopped. They turned as one man toward him, and General Small came up to
him and took his hand.

"Hello, Phil. We were beginning to think you weren't coming. You all
set, son?"

"Yes, sir, I'm all set, I guess," Phil said.

"I'd like you to meet the Secretary of Defense, Phil. He's over here by
the radar."

As they crossed the room, familiar faces smiled, and each man shook his
hand or touched his arm. He saw Sammy, alone, by the coffee urn. Sammy
waved to him, but he didn't smile. Phil wanted to talk to him, to say
something; but there was nothing to be said now. Sammy's turn would come
later.

"Mr. Secretary," the general said, "this is Colonel Conover. He'll be
the first man in history to see the other side of the Moon. Colonel--the
Secretary of Defense."

"How do you do, sir. I'm very proud to meet you," Phil said.

"On the contrary, colonel. I'm very proud to meet you. I've been looking
at that ship out there and wondering. I almost wish I were a young man
again. I'd like to be going. It's a thrilling thought--man's first
adventure into the universe. You're lighting a new dawn of history,
colonel. It's a privilege few men have ever had; and those who have had
it didn't realize it at the time. Good luck, and God be with you."

"Thank you, sir. I'm aware of all you say. It frightens me a little."

The general took Phil's arm and they walked to the briefing room. There
were chairs set up for the scientists and Air Force officers directly
connected with the take-off. They were seated now in a semicircle in
front of a huge chart of the solar system. Phil took his seat, and the
last minute briefing began. It was a routine he knew by heart. He had
gone over and over it a thousand times, and he only half listened now.
He kept thinking of Mary outside, alone by the fence.

The voice of the briefing officer was a dull hum in his ears.

"... And orbit at 18,000-mph. You will then accelerate for the breakaway
to 24,900-mph for five minutes and then free-coast for 116 hours
until--"

Phil asked a few questions about weather and solar conditions. And then
the session was done. They rose and looked at each other, the same
unanswered questions on each man's face. There were forced smiles and
handshakes. They were ready now.

"Phil," the general said, and took him aside.

"Sir?"

"Phil, you're ... you feel all right, don't you, son?"

"Yes, sir. I feel fine. Why?"

"Phil, I've spent nearly every day with you for three years. I know you
better than I know myself in many ways. And I've studied the
psychologist's reports on you carefully. Maybe it's just nervousness,
Phil, but I think there's something wrong. Is there?"

"No, sir. There's nothing wrong," Phil said, but his voice didn't carry
conviction. He reached for a cigarette.

"Phil, if there is anything--anything at all--you know what it might
mean. You've got to be in the best mental and physical condition of your
life tonight. You know better than any man here what that means to our
success. I think there is something more than just natural apprehension
wrong with you. Want to tell me?"

       *       *       *       *       *

Outside, the take-off zone crawled with men and machines at the base of
the rocket. For ten hours, the final check-outs had been in progress;
and now the men were checking again, on their own time. The thing they
had worked toward for six years was ready to happen, and each one felt
that he was sending just a little bit of himself into the sky. Beyond
the ring of lights and moving men, on the edge of the field, Mary stood.
Her hands moved slowly over the top of the fence, twisting the barbs of
wire. But her eyes were on the ship.

And then they were ready. A small group of excited men came out from the
administration building and moved forward. The check-out crews climbed
into their machines and drove back outside the take-off zone. And,
alone, one man climbed the steel ladder up the side of the
rocket--ninety feet into the air. At the top he waved to the men on the
ground and then disappeared through a small port.

Mary waved to him. "Good-by," she said to herself, but the words stuck
tight in her throat.

The small group at the base of the ship turned and walked back to the
fence. And for an eternity the great ship stood alone, waiting. Then,
from deep inside, a rumble came, increasing in volume to a gigantic roar
that shook the earth and tore at the ears. Slowly, the first manned
rocket to the Moon lifted up and up to the sky.

       *       *       *       *       *

For a long time after the rocket had become a tiny speck of light in the
heavens, she stood holding her face in her hands and crying softly to
herself. And then she felt the touch of a hand on her arm. She turned.

"Phil! Oh, Phil." She held tightly to him and repeated his name over and
over.

"They wouldn't let me go, Mary," he said finally. "The general would not
let me go."

She looked at him. His face was drawn tight, and there were tears on his
cheeks. "Thank, God," she said. "It doesn't matter, darling. The only
thing that matters is you didn't go."

"You're right, Mary," he said. His voice was low--so low she could
hardly hear him. "It doesn't matter. Nothing matters now." He stood with
his hands at his sides, watching her. And then turned away and walked
toward the car.


THE END





End of the Project Gutenberg EBook of Breakaway, by Stanley Gimble

*** END OF THIS PROJECT GUTENBERG EBOOK BREAKAWAY ***

***** This file should be named 23592.txt or 23592.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/3/5/9/23592/

Produced by Greg Weeks and the Online Distributed
Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.