Project Gutenberg's "A Soldier Of The Empire", by Thomas Nelson Page This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: "A Soldier Of The Empire" 1891 Author: Thomas Nelson Page Release Date: October 12, 2007 [EBook #23014] Last Updated: January 9, 2013 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK "A SOLDIER OF THE EMPIRE" *** Produced by David Widger
It was his greatest pride in life that he had been a soldier—a soldier of the empire. (He was known simply as "The Soldier," and it is probable that there was not a man or woman, and certain that there was not a child in the Quarter who did not know him: the tall, erect old Sergeant with his white, carefully waxed moustache, and his face seamed with two sabre cuts. One of these cuts, all knew, had been received the summer day when he had stood, a mere boy, in the hollow square at Waterloo, striving to stay the fierce flood of the "men on the white horses"; the other, tradition said, was of even more ancient date.)
Yes, they all knew him, and knew how when he was not over thirteen, just the age of little Raoul the humpback, who was not as tall as Pauline, he had received the cross which he always wore over his heart sewed in the breast of his coat, from the hand of the emperor himself, for standing on the hill at Wagram when his regiment broke, and beating the long-roll, whilst he held the tattered colors resting in his arm, until the men rallied and swept back the left wing of the enemy. This the children knew, as their fathers and mothers and grandfathers and grandmothers before them had known it, and rarely an evening passed that some of the gamins were not to be found in the old man's kitchen, which was also his parlor, or else on his little porch, listening with ever-new delight to the story of his battles and of the emperor. They all knew as well as he the thrilling part where the emperor dashed by (the old Sergeant always rose reverently at the name, and the little audience also stood,—one or two nervous younger ones sometimes bobbing up a little ahead of time, but sitting down again in confusion under the contemptuous scowls and pluckings of the rest),—where the emperor dashed by, and reined up to ask an officer what regiment that was that had broken, and who was that drummer that had been promoted to ensign;—they all knew how, on the grand review afterwards, the Sergeant, beating his drum with one hand (while the other, which had been broken by a bullet, was in a sling), had marched with his company before the emperor, and had been recognized by him. They knew how he had been called up by a staff-officer (whom the children imagined to be a fine gentleman with a rich uniform, and a great shako like Marie's uncle, the drum-major), and how the emperor had taken from his own breast and with his own hand had given him the cross, which he had never from that day removed from his heart, and had said, "I would make you a colonel if I could spare you."
This was the story they liked best, though there were many others which they frequently begged to be told—of march and siege and battle, of victories over or escapes from red-coated Britishers and fierce German lancers, and of how the mere presence of the emperor was worth fifty thousand men, and how the soldiers knew that where he was no enemy could withstand them. It all seemed to them very long ago, and the soldier of the empire was the only man in the Quarter who was felt to be greater than the rich nobles and fine officers who flashed along the great streets, or glittered through the boulevards and parks outside. More than once when Paris was stirred up, and the Quarter seemed on the eve of an outbreak, a mounted orderly had galloped up to his door with a letter, requesting his presence somewhere (it was whispered at the prefect's), and when he returned, if he refused to speak of his visit the Quarter was satisfied; it trusted him and knew that when he advised quiet it was for its good. He loved France first, the Quarter next. Had he not been offered—? What had he not been offered! The Quarter knew, or fancied it knew, which did quite as well. At least, it knew how he always took sides with the Quarter against oppression. It knew how he had gone up into the burning tenement and brought the children down out of the garret just before the roof fell. It knew how he had jumped into the river that winter when it was full of ice, to save Raoul's little lame dog which had fallen into the water; it knew how he had reported the gendarmes for arresting poor little Aim�e just for begging a man in the Place de L'Op�ra for a franc for her old grandmother, who was blind, and how he had her released instead of being sent to ———. But what was the need of multiplying instances! He was "the Sergeant," a soldier of the empire, and there was not a dog in the Quarter which did not feel and look proud when it could trot on the inside of the sidewalk by him.
Thus the old Sergeant came to be regarded as the conservator of order in the Quarter, and was worth more in the way of keeping it quiet than all the gendarmes that ever came inside its precincts. And thus the children all knew him.
One story that the Sergeant sometimes told, the girls liked to hear, though the boys did not, because it had nothing about war in it, and Minette and Clarisse used to cry so when it was told, that the Sergeant would stop and put his arms around them and pet them until they only sobbed on his shoulder.
It was of how he had, when a lonely old man, met down in Lorraine his little Camille, whose eyes were as blue as the sky, and her hand as white as the flower from which she took her name, and her cheeks as pink as the roses in the gardens of the Tuileries. He had loved her, and she, though forty years his junior, had married him and had come here to live with him; but the close walls of the city had not suited her, and she had pined and languished before his eyes like a plucked lily, and, after she bore him Pierre, had died in his arms, and left him lonelier than before. And the old soldier always lowered his voice and paused a moment (Raoul said he was saying a mass), and then he would add consolingly: "But she left a soldier, and when I am gone, should France ever need one, Pierre will be here." The boys did not fancy this story for the reasons given, and besides, although they loved the Sergeant, they did not like Pierre. Pierre was not popular in the Quarter,—except with the young girls and a few special friends. The women said he was idle and vain like his mother, who had been, they said, a silly lazy thing with little to boast of but blue eyes and a white skin, of which she was too proud to endanger it by work, and that she had married the Sergeant for his pension, and would have ruined him if she had lived, and that Pierre was just like her.
The children knew nothing of the resemblance. They disliked Pierre because he was cross and disagreeable to them, and however their older sisters might admire his curling brown hair, his dark eyes, and delicate features, which he had likewise inherited from his mother, they did not like him; for he always scolded when he came home and found them there; and he had several times ordered the whole lot out of the house; and once he had slapped little Raoul, for which Jean Maison had beaten him. Of late, too, when it drew near the hour for him to come home, the old Sergeant had two or three times left out a part of his story, and had told them to run away and come back in the morning, as Pierre liked to be quiet when he came from his work—which Raoul said was gambling.
Thus it was that Pierre was not popular in the Quarter.
He was nineteen years old when war was declared.
They said Prussia was trying to rob France,—to steal Alsace and Lorraine. All Paris was in an uproar. The Quarter, always ripe for any excitement, shared in and enjoyed the general commotion. It struck off from work. It was like the commune; at least, so people said. Pierre was the loudest declaimer in the district. He got work in the armory.
Recruiting officers went in and out of the saloons and caf�s, drinking with the men, talking to the women, and stirring up as much fervor as possible. It needed little to stir it. The Quarter was seething. Troops were being mustered in, and the streets and parks were filled with the tramp of regiments; and the roll of the drums, the call of the bugles, and the cheers of the crowds as they marched by floated into the Quarter. Brass bands were so common that although in the winter a couple of strolling musicians had been sufficient to lose temporarily every child in the Quarter, it now required a full band and a grenadier regiment, to boot, to draw a tolerable representation.
Of all the residents of the Quarter, none took a deeper interest than the soldier of the empire. He became at once an object of more than usual attention. He had married in Lorraine, and could, of course, tell just how long it would take to whip the Prussians. He thought a single battle would decide it. It would if the emperor were there. His little court was always full of inquirers, and the stories of the emperor were told to audiences now of grandfathers and grandmothers.
Once or twice the gendarmes had sauntered down, thinking, from seeing the crowd, that a fight was going on. They had stayed to hear of the emperor. A hint was dropped by the soldier of the empire that perhaps France would conquer Prussia, and then go on across to Moscow to settle an old score, and that night it was circulated through the Quarter that the invasion of Russia would follow the capture of Berlin. The emperor became more popular than he had been since the coup d'�tat. Half the Quarter offered its services.
The troops were being drilled night and day, and morning after morning the soldier of the empire locked his door, buttoned his coat tightly around him, and with a stately military air marched over to the park to see the drill, where he remained until it was time for Pierre to have his supper.
The old Sergeant's acquaintance extended far beyond the Quarter. Indeed, his name had been mentioned in the papers more than once, and his presence was noted at the drill by those high in authority; so that he was often to be seen surrounded by a group listening to his accounts of the emperor, or showing what the manuel had been in his time. His air, always soldierly, was now imposing, and many a visitor of distinction inquiring who he might be, and learning that he was a soldier of the empire, sought an introduction to him. Sometimes they told him that they could hardly believe him so old, could hardly believe him much older than some of those in the ranks, and although at first he used to declare he was like a rusty flint-lock, too old and useless for service, their flattery soothed his vanity, and after a while, instead of shaking his head and replying as he did at first that France had no use for old men, he would smile doubtfully and say that when they let Pierre go, maybe he would go too, "just to show the children how they fought then."
The summer came. The war began in earnest. The troops were sent to the front, the crowds shouting, "On to Berlin." Others were mustered in and sent after them as fast as they were equipped. News of battle after battle came; at first, of victory (so the papers said), full and satisfying, then meagre and uncertain, and at last so scanty that only the wise ones knew there had been a defeat. The Quarter was in a fever of patriotism.
Jean Maison and nearly all the young men had enlisted and gone, leaving their sweethearts by turns waving their kerchiefs and wiping their eyes with them. Pierre, however, still remained behind. He said he was working for the Government. Raoul said he was not working at all; that he was skulking.
Suddenly the levy came. Pierre was conscripted.
That night the Sergeant enlisted in the same company. Before the week was out, their regiment was equipped and dispatched to the front, for the news came that the army was making no advance, and it was said that France needed more men. Some shook their heads and said that was not what she needed, that what she needed was better officers. A suggestion of this by some of the recruits in the old Sergeant's presence drew from him the rebuke that in his day "such a speech would have called out a corporal and a file of grenadiers."
The day they were mustered in, the captain of the company sent for him and bade him have the first sergeant's chevrons sewed on his sleeve. The order had come from the colonel, some even said from the marshal. In the Quarter it was said that it came from the emperor. The Sergeant suggested that Pierre was the man for the place; but the captain simply repeated the order. The Quarter approved the selection, and several fights occurred among the children who had gotten up a company as to who should be the sergeant. It was deemed more honorable than to be the captain.
The day the regiment left Paris, the Sergeant was ordered to report several reliable men for special duty; he detailed Pierre among the number. Pierre was sick, so sick that when the company started he would have been left behind but for his father. The old soldier was too proud of his son to allow him to miss the opportunity of fighting for France. Pierre was the handsomest man in the regiment.
The new levies on arrival in the field went into camp, in and near some villages and were drilled,—quite needlessly, Pierre and some of the others declared. They were not accustomed to restraint, and they could not see why they should be worked to death when they were lying in camp doing nothing. But the soldier of the empire was a strict drill-master, and the company was shortly the best-drilled one in the regiment.
Yet the army lay still: they were not marching on to Berlin. The sole principle of the campaign seemed to be the massing together of as many troops as possible. What they were to do no one appeared very clearly to know. What they were doing all knew: they were doing nothing. The men, at first burning for battle, became cold or lukewarm with waiting; dissatisfaction crept in, and then murmurs: "Why did they not fight?" The soldier of the empire himself was sorely puzzled. The art of war had clearly changed since his day. The emperor would have picked the best third of these troops and have been at the gates of the Prussian capital in less time than they had spent camped with the enemy right before them. Still, it was not for a soldier to question, and he reported for a week's extra guard duty a man who ventured to complain in his presence that the marshal knew as little as the men. Extra guard duty did no good. The army was losing heart.
Thus it was for several weeks. But at last, one evening, it was apparent that some change was at hand: the army stirred and shook itself as a great animal moves and stretches, not knowing if it will awake or drop off to sleep again.
During the night it became wide awake. It was high time. The Prussians were almost on them. They had them in a trap. They held the higher grounds and hemmed the French in. All night long the tents were being struck, and the army was in commotion. No one knew just why it was. Some said they were about to be attacked; some said they were surrounded. Uncertainty gave place to excitement. At length they marched.
When day began to break, the army had been tumbled into line of battle, and the regiment in which the old Sergeant and Pierre were was drawn up on the edge of a gentleman's park outside of the villages. The line extended beyond them farther than they could see, and large bodies of troops were massed behind them, and were marching and countermarching in clouds of dust. The rumor went along the ranks that they were in the advanced line, and that the Germans were just the other side of the little plateau, which they could dimly see in the gray light of the dawn. The men, having been marching in the dark, were tired, and most of them lay down, when they were halted, to rest. Some went to sleep; others, like Pierre, set to work and with their bayonets dug little trenches and threw up a slight earthwork before them, behind which they could lie; for the skirmishers had been thrown out, looking vague and ghostly as they trotted forward in the dim twilight, and they supposed that the battle would be fought right there. By the time, however, that the trenches were dug, the line was advanced, and the regiment was moved forward some distance, and was halted just under a knoll along which ran a road. The Sergeant was the youngest man in the company; the sound of battle had brought back all his fire. To him numbers were nothing. He thought it now but a matter of a few hours, and France would be at the gates of Berlin. He saw once more the field of glory and heard again the shout of victory; Lorraine would be saved; he beheld the tricolor floating over the capital of the enemies of France. Perhaps, it would be planted there by Pierre. And he saw in his imagination Pierre climbing at a stride from a private to a captain, a colonel, a—! who could tell?—had not the baton been won in a campaign? As to dreaming that a battle could bring any other result than victory!—It was impossible!
"Where are you going?" shouted derisively the men of a regiment at rest, to the Sergeant's command as they marched past.
"To Berlin," replied the Sergeant.
The reply evoked cheers, and that regiment that day stood its ground until a fourth of its men fell. The old soldier's enthusiasm infected the new recruits, who were pale and nervous under the strain of waiting. His eye rested on Pierre, who was standing down near the other end of the company, and the father's face beamed as he thought he saw there resolution and impatience for the fight. Ha! France should ring with his name; the Quarter should go wild with delight.
Just then the skirmishers ahead began to fire, and in a few moments it was answered by a sullen note from the villages beyond the plain, and the battle had begun. The dropping fire of the skirmish line increased and merged into a rattle, and suddenly the thunder broke from a hill to their right, and ran along the crest until the earth trembled under their feet. Bullets began to whistle over their heads and clip the leaves of the trees beyond them, and the long, pulsating scream of shells flying over them and exploding in the park behind them made the faces of the men look gray in the morning twilight. Waiting was worse than fighting. It told on the young men.
In a little while a staff-officer galloped up to the colonel, who was sitting on his horse in the road, quietly smoking a cigar, and a moment later the whole line was in motion. They were wheeled to the right, and marched under shelter of the knoll in the direction of the firing. As they passed the turn of the road, they caught a glimpse of the hill ahead where the artillery, enveloped in smoke, was thundering from an ever-thickening cloud. A battery of eight guns galloped past them, and turning the curve disappeared in a cloud of dust. To the new recruits it seemed as if the whole battle was being fought right there. They could see nothing but their own line, and only a part of that; smoke and dust hid everything else; but the hill was plainly an important point, for they were being pushed forward, and the firing on the rise ahead of them was terrific. They were still partly protected by the ridge, but shells were screaming over them, and the earth was rocking under their feet. More batteries came thundering by,—the men clinging to the pieces and the drivers lashing their horses furiously,—and disappearing into the smoke on the hill, unlimbered and swelled the deafening roar; they passed men lying on the ground dead or wounded, or were passed by others helping wounded comrades to the rear. Several men in the company fell, some crying out or groaning with pain, and two or three killed outright.
The men were dodging and twisting, with heads bent forward a little as if in a pelting rain. Only the old Sergeant and some of the younger ones were perfectly erect.
"Why don't you dodge the balls?" asked a recruit of the Sergeant.
"A soldier of the empire never dodges," was the proud reply.
Some change occurred on the hills; they could not see what. Just then the order came down the line to advance at a double-quick and support the batteries. They moved forward at a run and passed beyond the shelter of the ridge. Instantly they were in the line of fire from the Prussian batteries, whose white puffs of smoke were visible across the plain, and bullets and shell tore wide spaces in their ranks. They could not see the infantrymen, who were in pits, but the bullets hissed and whistled by them. The men on both sides of Pierre were killed and fell forward on their faces with a thud, one of them still clutching his musket. Pierre would have stopped, but there was no time, the men in the rear pressed him on. As they appeared in the smoke of the nearest battery, the artillerymen broke into cheers at the welcome sight, and all down the line it was taken up. All around were dead and dying men increasing in numbers momentarily. No one had time to notice them. Some of them had blankets thrown over them. The infantry, who were a little to the side of the batteries, were ordered to lie down; most of them had already done so; even then they were barely protected; shot and shell ploughed the ground around them as if it had been a fallow field; men spoke to their comrades, and before receiving a reply were shot dead at their sides. The wounded were more ghastly than the dead; their faces growing suddenly deadly white from the shock as they were struck.
The gunners lay in piles around their guns, and still the survivors worked furiously in the dense heat and smoke, the sweat pouring down their blackened faces. The fire was terrific.
Suddenly an officer galloped up, and spoke to the lieutenant of the nearest battery.
"Where is the colonel?"
"Killed."
"Where is your captain?"
"Dead, there under the gun."
"Are you in command?"
"I suppose so."
"Well, hold this hill."
"How long?"
"Forever." And he galloped off.
His voice was heard clear and ringing in a sudden lull, and the old Sergeant, clutching his musket, shouted:
"We will, forever."
There was a momentary lull.
Suddenly the cry was:
"Here they are."
In an instant a dark line of men appeared coming up the slope. The guns were trained down on them, but shot over their heads; they were double shotted and trained lower, and belched forth canister. They fell in swathes, yet still they came on at a run, hurrahing, until they were almost up among the guns, and the gunners were leaving their pieces. The old Sergeant's voice speaking to his men was as steady as if on parade, and kept them down, and when the command was given to fire kneeling, they rose as one man, and poured a volley into the Germans' faces which sent them reeling back down the hill, leaving a broken line of dead and struggling men on the deadly crest. Just then a brigade officer came along. They heard him say, "That repulse may stop them." Then he gave some order in an undertone to the lieutenant in command of the batteries, and passed on. A moment later the fire from the Prussian batteries was heavier than before; the guns were being knocked to pieces. A piece of shell struck the Sergeant on the cheek, tearing away the flesh badly. He tore the sleeve from his shirt and tied it around his head with perfect unconcern. The fire of the Germans was still growing heavier; the smoke was too dense to see a great deal, but they were concentrating or were coming closer. The lieutenant came back for a moment and spoke to the captain of the company, who, looking along the line, called the Sergeant, and ordered him to go back down the hill to where the road turned behind it, and tell General ——— to send them a support instantly, as the batteries were knocked to pieces, and they could not hold the hill much longer. The announcement was astonishing to the old soldier; it had never occurred to him that as long as a man remained they could not hold the hill, and he was half-way down the slope before he took it in. He had brought his gun with him, and he clutched it convulsively as if he could withstand alone the whole Prussian army. "He might have taken a younger man to do his trotting," he muttered to himself as he stalked along, not knowing that his wound had occasioned his selection. "Pierre—" but, no, Pierre must stay where he would have the opportunity to distinguish himself.
It was no holiday promenade that the old soldier was taking; for his path lay right across the track swept by the German batteries, and the whole distance was strewn with dead, killed as they had advanced in the morning. But the old Sergeant got safely across. He found the General with one or two members of his staff sitting on horseback in the road near the park gate, receiving and answering dispatches. He delivered his message.
"Go back and tell him he must hold it," was the reply. "Upon it depends the fate of the day; perhaps of France. Or wait, you are wounded; I will send some one else; you go to the rear." And he gave the order to one of his staff, who saluted and dashed off on his horse. "Hold it for France," he called after him.
The words were heard perfectly clear even above the din of battle which was steadily increasing all along the line, and they stirred the old soldier like a trumpet. No rear for him! He turned and pushed back up the hill at a run. The road had somewhat changed since he left, but he marked it not; shot and shell were ploughing across his path more thickly, but he did not heed them; in his ears rang the words—"For France." They came like an echo from the past; it was the same cry he had heard at Waterloo, when the soldiers of France that summer day had died for France and the emperor, with a cheer on their lips. "For France": the words were consecrated; the emperor himself had used them. He had heard him, and would have died then; should he not die now for her! Was it not glorious to die for France, and have men say that he had fought for her when a babe, and had died for her when an old man!
With these thoughts was mingled the thought of Pierre—Pierre also would die for France! They would save her or die together; and he pressed his hand with a proud caress over the cross on his breast. It was the emblem of glory.
He was almost back with his men now; he knew it by the roar, but the smoke hid everything. Just then it shifted a little. As it did so, he saw a man steal out of the dim line and start towards him at a run. He had on the uniform of his regiment. His cap was pulled over his eyes, and he saw him deliberately fling away his gun. He was skulking. All the blood boiled up in the old soldier's veins. Desert!—not fight for France! Why did not Pierre shoot him! Just then the coward passed close to him, and the old man seized him with a grip of iron. The deserter, surprised, turned his face; it was pallid with terror and shame; but no more so than his captor's. It was Pierre.
"Pierre!" he gasped. "Good God! where are you going?"
"I am sick," faltered the other.
"Come back," said the father sternly.
"I cannot," was the terrified answer.
"It is for France, Pierre," pleaded the old soldier.
"Oh! I cannot," moaned the young man, pulling away. There was a pause—the old man still holding on hesitatingly, then,—"Dastard!" he hissed, flinging his son from him with indescribable scorn.
Pierre, free once more, was slinking off with averted face, when anew idea seized his father, and his face grew grim as stone. Cocking his musket, he flung it up, took careful and deliberate aim at his son's retreating figure, and brought his finger slowly down upon the trigger. But, before he could fire, a shell exploded directly in the line of his aim, and when the smoke blew off, Pierre had disappeared. The Sergeant lowered his piece, gazed curiously down the hill, and then hurried to the spot where the shell had burst. A mangled form marked the place. The coward had in the very act of flight met the death he dreaded. Pierre lay dead on his face, shot in the back. The back of his head was shattered by a fragment of shell. The countenance of the living man was more pallid than that of the dead. No word escaped him, except that refrain, "For France, for France," which he repeated mechanically.
Although this had occupied but a few minutes, momentous changes had taken place on the ridge above. The sound of the battle had somewhat altered, and with the roar of artillery were mingled now the continuous rattle of the musketry and the shouts and cheers of the contending troops. The fierce onslaught of the Prussians had broken the line somewhere beyond the batteries, and the French were being borne back. Almost immediately the slope was filled with retreating men hurrying back in the demoralization of panic. All order was lost. It was a rout. The soldiers of his own regiment began to rush by the spot where the old Sergeant stood above his son's body. Recognizing him, some of his comrades seized his arm and attempted to hurry him along; but with a fierce exclamation the old soldier shook them off, and raising his voice so that he was heard even above the tumult of the rout, he shouted, "Are ye all cowards? Rally for France—For France——"
They tried to bear him along; the officers, they said, were dead; the Prussians had captured the guns, and had broken the whole line. But it was no use; still he shouted that rallying cry, For France, for France, "Vive la France; Vive l'Empereur"; and steadied by the war-cry, and accustomed to obey an officer, the men around him fell instinctively into something like order, and for an instant the rout was arrested. The fight was renewed over Pierre's dead body. As they had, however, truly said, the Prussians were too strong for them. They had carried the line and were now pouring down the hill by thousands in the ardor of hot pursuit, the line on either side of the hill was swept away, and whilst the gallant little band about the old soldier still stood and fought desperately, they were soon surrounded. There was no thought of quarter; none was asked, none was given. Cries, curses, cheers, shots, blows, were mingled together, and clear above all rang the old soldier's war-cry, For France, for France, "Vive la France, Vive l'Empereur." It was the refrain from an older and bloodier field. He thought he was at Waterloo.
Mad with excitement, the men took up the cry, and fought like tigers; but the issue could not be doubtful.
Man after man fell, shot or clubbed down, with the cry "For France" on his lips, and his comrades, standing astride his body, fought with bayonets and clubbed muskets till they too fell in turn. Almost the last one was the old Sergeant. Wounded to death, and bleeding from numberless gashes, he still fought, shouting his battle-cry, "For France," till his musket was hurled spinning from his shattered hand, and staggering senseless back, a dozen bayonets were driven into his breast, crushing out forever the brave spirit of the soldier of the empire.
It was best, for France was lost.
A few hours later the Quarter was in mourning over the terrible defeat.
That night a group of Prussian officers going over the field with lanterns looking after their wounded, stopped near a spot remarkable even on that bloody slope for the heaps of dead of both armies literally piled upon each other.
"It was just here," said one, "that they got reinforcements and made that splendid rally."
A second, looking at the body of an old French sergeant lying amidst heaps of slain, with his face to the sky, said simply as he saw his scars:
"There died a brave soldier."
Another, older than the first, bending closer to count the bayonet wounds, caught the gleam of something in the light of the lantern, and stooping to examine a broken cross of the Legion on the dead man's breast, said reverently:
"He was a soldier of the empire."
End of Project Gutenberg's "A Soldier Of The Empire", by Thomas Nelson Page *** END OF THIS PROJECT GUTENBERG EBOOK "A SOLDIER OF THE EMPIRE" *** ***** This file should be named 23014-h.htm or 23014-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/0/1/23014/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.