Project Gutenberg's Wonderwings and other Fairy Stories, by Edith Howes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Wonderwings and other Fairy Stories Author: Edith Howes Illustrator: Alicea Polson Release Date: January 15, 2007 [EBook #20366] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WONDERWINGS *** Produced by Marilynda Fraser-Cunliffe, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net
Whitcombe & Tombs Limited Auckland, Christchurch, Dunedin and
Wellington, N.Z.
Melbourne and London.
Poppypink sat up in bed and yawned. "Why is everybody getting up so early?" she asked. "Is it a holiday?"
The older fairies were dressing themselves and brushing their long fine hair. "Wonderwings is coming to see us," they said. "Jump up, little Poppypink."
"Who is Wonderwings?" she asked.
"You will see when you are dressed. Hurry, or you will miss her."
"Oh dear! I am so sleepy," said Poppypink, and she yawned again. "I don't care about8 Wonderwings." She snuggled down into the bedclothes again, and went to sleep.
Presently she was awakened by the sound of the sweetest singing she had ever heard, and a flash of brilliant colour went past her window pane of crystal set in pearl.
"That must be Wonderwings," she said. "Oh, I must see her. I hope I am not too late."
She sprang from bed and dressed so hurriedly that I am afraid her hair did not receive its due amount of brushing. Then she ran out into the garden.
The older fairies stood all in a group, saying loudly "I will go," and "I will go." And before them, scarcely touching the ground with the tip of her foot, stood poised a glorious fairy, taller than any other there. She was altogether beautiful; and her wings—as soon as Poppypink saw them she knew why the visitor had been called Wonderwings. For they reached high above her head and almost to the ground, and they glowed with so many colours that it seemed as if a million jewels had been Hung upon them and had stuck, growing into a million flashing stars9 that made a million little rainbows with every sway and movement of her body.
"How lovely! Oh, how lovely!" cried Poppypink. She crept nearer to the beautiful fairy and sat among the daisies at her feet. "See," she cried. "My wings are small and colourless. Tell me how I may grow wings like yours." Just as little girls adore beautiful hair, so do little fairies adore beautiful wings.
Wonderwings smiled down at her. "Such wings as mine are only to be won in sadder lands than these," she said. "If you would have them you must leave your fairyland and come where humans live, and where hunger and sorrow and death trample the city streets."
"I will come!" cried Poppypink. "I will come!"
"Come then," said Wonderwings. She took the little fairy's hand, and up they all rose into the clear air, flying far and far away till they left their fairyland behind and came at last to the sadder lands where humans lived. There Wonderwings showed them where hunger and sorrow and death trampled the10 city streets, and the band of fairies flew lower and lower to look.
"The children tumble and fight in the dirty lanes, and cry for bread," cried Poppypink. "The little ones, I cannot bear to hear them sob."
"Perhaps you can help them," said Wonderwings.
"I am only a little fairy. What can I do?" asked Poppypink. "I have no bread to give them."
She flew a little lower, to gaze at them more nearly. "What can I do?" she asked again.
No answer came. She looked around, and found herself alone. Wonderwings and the older fairies had in a moment gone from sight.
Below, a crippled child sat among rags in a dark corner of a dreary room, and tears ran down her cheeks. "The sunshine, the pretty yellow sunshine!" she wailed. "If only I could run and play in the pretty sunshine!"
"Here is something I can do," thought Poppypink. She gathered armfuls of the golden sunbeams, and flying with them1211 through the glass as only a fairy can fly, herself unseen, she heaped them over the twisted hands and pale thin face of the child, and left her playing with them and smiling happily.
Lower she flew to help the little ones who cried about the gutters. She led the starving and shelterless to comfort, the toddlers to safety; she brought a flower to the hopeless, ease to sick ones racked with pain; at night she flew with glittering dreams from room to room, so that even sad-eyed feeble babies laughed for pleasure in their sleep. Day after day, night after night she toiled, for weeks and months and years. There was so much to do! The time passed like a moment. So busy was she that she had forgotten all about her wings.
One day there came a flash of colour in the air beside her, and Wonderwings and all the older fairies stood around her. "Dear Poppypink," cried one, "how your wings have grown! And how beautiful they are! They are so tall that they reach above your head and almost to the ground, and they glow with so many colours that it seems as if a million jewels had been flung upon them and had13 stuck, growing into a million flashing stars that make a million little rainbows with every sway and movement of your body."
Poppypink laughed with joy. "I am so glad, so very glad!" she said. "I had forgotten all about my wings."
"Yet they have grown with use," said Wonderwings; "and for every deed of kindness done a star has sprung, to shine in beauty there for evermore."
There was once a wise old king in a far-off land who said to himself, "I have a daughter as well as a son; why should she not have a kingdom too? I will see to it at once."
He called the chief map-maker to him, and said: "Make a map of my kingdom and divide it by a line so evenly that each part shall be exactly half. There must not be one hair's breadth more on the east of the line than on the west."
The chief map-maker worked hard, and soon had the map ready, and it was divided so evenly that there was not a hair's breadth more on the east of the line than on the west. Then the king made a law that when he died the Prince should rule over all the country on one side of the line, and the Princess should rule over all the country on the other side. The Prince's land he called Eastroyal, and the Princess's land he called Westroyal, and from that day to this there have always been kings over Eastroyal and queens over Westroyal.18
But it was soon noticed that in Eastroyal the people became discontented and quarrelsome and poor, and were always finding fault with the government; whereas in the west country over the border they were so happy and kindly that they praised each queen from the beginning of her reign to the end. Nobody knew why there should be so great a difference, but a great difference there was. Things grew worse and worse in Eastroyal, until at last the people rose and turned the reigning king off his throne and set his little son in his place. "Perhaps we shall be better satisfied now!" they said.
The new king's mother walked alone, deep in thought; and she was very troubled. "How can I teach my little son to please his people better than his father did?" she wondered. "It would break my heart if he too angered them and lost his crown, yet already he is showing a haughty temper in his treatment of his lords, and I know not what to do."
"I know! I know!" said a voice.
The Queen-mother was much startled; though she had not spoken aloud, the words seemed an answer to her thought. She looked19 over the low wall of the garden into the road. There an old woman hobbled, leaning on a stick, and muttering to herself. She was poor and ragged, and bent with age. "I know, I know!" she said again.
"What do you know?" asked the Queen-mother gently.
The old woman looked up at her. "Go to Westroyal," she said; and she hobbled away.
"Ah, a witch!" thought the Queen-mother; "and she is right. The Queens of the West have undoubtedly some secret means of making their people love them. I will find out what it is."
She prepared for a visit to Westroyal, and arrived a few days later at the palace of the reigning queen. Here she was welcomed and feasted and treated right lovingly, but though she kept her eyes and her ears as wide open as it was possible for eyes and ears to be, she could not discover the secret. She grew sad with disappointment.
The young queen saw that she was sorrowful. "You are not happy here. What is the matter?" she asked. "What can I do to make you glad?"20
The Queen-mother held out her hands imploringly. "Only give me your secret," she begged. "Tell me how you gain the love of your people and keep it through all the years. Tell me so that I may teach my young son how to hold his throne?"
"Is that all?" exclaimed the Queen. "Come, I will show you."
She led the way to her own lovely sleeping-chamber, hung with rose silk and panelled with polished silver and amethyst, and she pointed to a great mirror set strongly into the wall. "Look within!" she said.
Wonderingly, the Queen-mother obeyed. On the surface of the mirror the faces and forms of herself and the young queen were21 reflected; but after a few moments, as she gazed, these faded away, and in their places came a picture of a mine, with blackened toilers filling tracks with coal. That, too, faded, and a golden cornfield showed upon the polished glass; under the hot summer sun the busy reapers moved, wiping the sweat from their brows when they stopped a moment to rest. A third picture was of weavers making cloth. A cottage home came next, and a lordly mansion of the rich, and a homeless child seeking shelter under a city bridge. So scene followed scene, beautiful, or sad, or sordid, sometimes wild and violent, and sometimes gay and peaceful, showing in the main a people happy and content.
"What is it?" asked the amazed Queen-mother at last. "How come these pictures here?"
"They are the life of my state reflected on this magic mirror for my help," replied the Queen. "Long ago, when the first queen came to rule the new kingdom of Westroyal, the fairies brought this mirror and set it in the wall as here you see it. Faithfully ever since it has reflected the daily happenings through-out the land, the people's toil and pleasures,22 their dangers and their comforts and rewards. So each queen has known her country. Your son, looking in his mirror, sees but himself; I see the sufferings of my people and know what things they need, and so plainly are these pictures set before me that I cannot rest till I have used my power to give relief."
"Oh!" cried the Queen-mother, "now I see why you are loved. How can I get such a mirror for my son?"
"That I know not," replied the Queen.
Then the Queen-mother returned sad at heart to the kingdom of her son, pondering on what she had seen.
Once again she walked in her garden alone. "How shall I get such a mirror?" she wondered. "What should I do?"
As once before, a voice replied "I know! I know!"
The Queen-mother looked over the garden wall. Hobbling along the road was the old woman who had bade her go to Westroyal. "You who helped me before, help me again!" cried the Queen-mother. "I have obeyed you. How now shall I get a magic mirror for my son?"23
The old woman looked up at her. "Go to the Deeps," she said, and she hobbled off.
Now this was a dreadful command to the Queen-mother, for the Deeps was a horrible black pool in the roughest and most dangerous part of the country. It was said to be formed of the country's tears and to be also bottomless, and to be haunted by beings of strange shape. There were stories of their mysterious power and evil ways. Yet go she must, if going meant the gaining of a magic mirror for her son. And she must go alone, for only so could any seeker find the pathway to the pool, so it was said.
"I will go at once, before my courage fails," she said, and she left her sheltered garden and set off across the land.
She had many weary miles to travel, past villages and towns and fields, and she was footsore and faint when at last she reached the winding track that led between the darkening hills. Yet on she went, following the murmur of a tiny stream that dropped through thick-set bushes into a shadowed valley. On she went still, and now the darkness came, and she had lost her way. She stumbled over fallen logs, pushed with bleeding hands and24 torn clothes through bramble wildernesses, and found at last her way again to the narrow track beside the little stream that murmured in the dark.
On she went, and down. The stream suddenly widened into a round blackness open to the sky, but walled in by jagged rocks. It was the pool. Utterly spent through weariness and fear, she sank down among the rocks to rest, and waited there for what might come to her.
Strange rustlings sounded round the rocks, strange forms loomed close beside her, strange voices asked her: "What are you? Why come you to our haunts?" Though her heart was sick with dread she answered boldly in a firm clear voice. "Give me a magic mirror for my son, that he may learn to rule."
There was a flash, and the pool and all the rocks were lit by a light brighter and softer than that of moon or stars. All round her stood the beings who had loomed so strangely in the darkness. They were fairies, exquisite in shape and fineness, robed in flowing gossamer of many colours. They smiled at her, and touched her with their gentle hands, and immediately she was well. "Your love has2625 brought you nobly through much fear and hurt," they said. "You shall have your due reward. Look into the Deeps."
One took her hand and led her to the edge, and the Queen-mother, fearless and smiling now, looked down into the fathomless water of the pool. As she gazed, ripples came upon its surface. They broke away into shining cascades of diamonds and pearls, and between them appeared the face and shoulders of the old woman of the road. "I have your magic mirror," she cried. "It is formed of the lowest teardrops of the Deeps."
She sprang out and trod the water to the shore, and as she went her rags fell from her and she rose into the air a shining queen of fairies, more beautiful than any other there, holding in her hand a tiny gleaming mirror. "Come," she said, "let us set it in its place."
She touched the Queen-mother's hand, and in a flash they were all at the palace, within the young king's sleeping chamber of turquoise and gold. There as he lay asleep the fairies set the mirror in its place with magic words, and as it touched the wall it lengthened out and widened till it stood as large as that of the young queen across the border line.27 Over the polished glass began to float the pictures of the country's life. "How can I show my gratitude?" the Queen-mother asked; but the fairies were gone.
Next morning when the little king awoke he ran to see the fine new mirror in his room. He gazed and gazed upon the strange entrancing pictures that came on it, and every day he spent long hours at the mirror. And as he learned to recognise the hardships and the sufferings of his people his heart grew hot to give relief, and he was no more haughty, but used his power to ease their woes. So in Eastroyal as in Westroyal there was content, and the people loved their king and praised him through all his days until the end. And all the kings who followed after him ruled wisely and were loved.
Little Fairy Tenderheart was weeping. She sat on a ledge that overlooked the world, and her tears fell fast. In twos and threes her sisters flew from Fairyland to put their arms about her, but none could comfort her. "Come, dance and sing with us and forget your grief," they said. She shook her head. "The terrible fighting!" she said. "See where far below men rage, killing each other. Rivers run red with blood, and the sorrow of weeping women rises through the air to where I sit. How can I dance and sing?"
"It is the world at war," said an older fairy sadly. "I too have wept in earlier days when men have fought. But our tears are wasted, little sister. Come away."
Fairy Tenderheart looked eagerly at her. "You who have watched the world so many years," she said, "tell me why such dreadful deeds are done down there."
The older fairy bent her eyes on the blackened plains of earth. "I cannot tell you that,"3332 she slowly said. "We watch and pity, but we cannot know what works in the hearts of men that they should gather in their millions to destroy their brothers and themselves. No other creature turns on its own kind and kills so terribly as man."
"What can we do? It must be stopped. What can we do?"
"We can do nothing, little sister. See where the women of the world stretch out their hands, imploring men to live in peace. They beg the lives of fathers, husbands, sons; they point to ruined homes and desolated lands. 'War wrecks our lives!' they cry. Yet even for those they love men will not give up battle. What, then, can fairies do? Tears are useless. Come away."
"I must stay here. I must think of something I can do," said Fairy Tenderheart; and she would not go.
Her tears had stopped. She searched with anxious eyes across the world to find some means of helping men to better things, but no way could she find. And still the fighters shot and stabbed, and the dying and the dead lay piled upon the fields.34
Another fairy flew to her. "Come away, little sister!" she said. "I cannot bear to see you sorrowing. Come, or you will forget the merry ways of Fairyland and grow like the Oldest Fairy of All, who spends her life brooding over this dreary earth."
Fairy Tenderheart sprang up. "Where is she? Tell me where to find her. Why did I not know of her before? I will go to her that we may be companions in our sorrow. Perhaps together we may find a way to help."
"Ah, do not go. Listen! She is so old that she has watched the world since the beginning of wars, yet, as you see, she has found no way of stopping them. How then can you?"
"I must go."
"She left our joyful Fairyland for a Magic Garden, and whoever enters that Garden can never come back to us. There she dwells for ever alone, at work or in thought, or preparing for her mysterious journeys to the earth. Do not go, or you too will be cut off from our life of dance and song, never to return."
"I will go. Tell me the way."35
The fairy flew off. "I will not tell you," she said. "You shall not go."
"I will go," said Fairy Tenderheart again. With steadfast steps she searched through Fairyland until she found a narrow track that led between the winding mountains and far out across wide, shimmering plains. This track she followed till she came upon the Magic Garden.
The Oldest Fairy of All sat thinking among her flowers, and her eyes were filled with peace. She looked at Fairy Tenderheart standing at the gate. "Who enters here can never return to Fairyland," she said, and her voice was sweeter than the songs of birds.
Fairy Tenderheart pushed open the gate and stepped within the Garden. "Who enters here finds joy," said the Oldest Fairy of All, and a crown of happiness sat on her hair.
"You come to work?" she asked.
"I come to learn what I may do to help the suffering earth," said Fairy Tenderheart. "Its cries of agony have beaten on my heart until there was no rest for me in Fairyland. Is there no way to make war cease? I come to you for wisdom."36
The Oldest Fairy of All rose up and smiled, and her face was brighter than the moon and stars. "Look closely at my flowers," she said, "and tell me which you think most beautiful."
The flowers bloomed on every side, in every lovely hue—crimson and gold and orange, blue and purple and pink and softest lavender. All were scented, and all were beautiful; but there was one plant that pleased the little fairy more than any other. It grew no taller than the rest, made no great show of colour, yet through its stems and leaves there shone a radiance as if a light hid in them. Its flowers were clear as crystal—one could see quite through them—but the sunlight falling on them was broken into glowing colours, so that every blossom was a little bunch of flashing rainbows. And where the flowers had closed and grown to fruit they hung golden as the sun and fragrant with a scent that stole upon the wind and made the heart heat high with happiness.
"This is the most beautiful," said Fairy Tenderheart.
"You have chosen well," said the Oldest Fairy of All. "You are fitted to help me in37 my work. That is the Plant of Knowledge; its crystal blossoms are called the Flowers of Understanding, and its fruit is Love. By it alone can war be made to cease."
She pointed far below. "I have planted it upon the earth in many spots," she said. "Here and there it has flourished and spread, and its fruit has sweetened all the air. But, alas!" her eyes grew sad, "too often it has been trampled under foot and killed, and war has broken out afresh. If only men would care for it and let it grow the world would soon be wrapped in peace."
"Can we not plant more and more until it spreads across the world in spite of all neglect?" asked Fairy Tenderheart.
The Oldest Fairy shook her head. "I have done my best," she said; "but while men tramp it down it cannot spread across the world. Even when it has grown well it cannot do the good it ought to do: a nation which has eaten of its Fruit of Love and has learned to scorn the littleness of war is yet forced by that same Love to fight, that it may rescue a weak and helpless country from the greedy clutches of those who have refused to let my38 dear plant bloom. In the end it shall spread, no doubt, and my work shall be complete; but the time is long, the time is long."
She mused, and Fairy Tenderheart gazed thoughtfully upon the earth. Presently she raised her eyes, and they were bright with hope.
"See where a group of children gathers round your precious plant!" she said. "How eagerly they stretch their hands towards it, and how they look into its flashing flowers. They will never tread it in the mud, for they have seen its splendour. Let me take seeds to all the children's gardens in the world. The Children! They will welcome your Plant of Knowledge with its Flowers of Understand39ing, and when they have tasted its Fruit of Love they will grow up scorning war, and the world will live in peace."
The Oldest Fairy laughed with joy. "Oh, little sister, you have come to help indeed!" she said. "You are right. The Children! It is to them we must take our plant. Come, let us gather seeds and start at once."
They gathered the golden seeds and carried them swiftly down. In the children's gardens across the world they planted them, and everywhere the children ran to gaze at the wonder of the springing plants, and to watch the flowers unclose. And when through later days they ate and ate again of the fragrant golden fruit, Love filled their veins and they became a new race, scorning the littleness of war. And the world was wrapped in peace.
Exquisitely dainty and altogether charming.
| Teddy Bear's Birthday Party. |
| The Naughty Baby Monkey. |
| The Guinea Pig that wanted a Tail. |
| Peter's Peach. |
| Fuzzy, Wuzzy, and Buzzy. |
| The Quarrel of the Baby Lions. |
PRINTED BY
WHITCOMBE & TOMBS LIMITED
End of Project Gutenberg's Wonderwings and other Fairy Stories, by Edith Howes
*** END OF THIS PROJECT GUTENBERG EBOOK WONDERWINGS ***
***** This file should be named 20366-h.htm or 20366-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/0/3/6/20366/
Produced by Marilynda Fraser-Cunliffe, Janet Blenkinship
and the Online Distributed Proofreading Team at
http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.