The Project Gutenberg EBook of The Club of Queer Trades, by G.K.Chesterton

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: The Club of Queer Trades

Author: G.K.Chesterton

Release Date: April, 1999 [EBook #1696]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on March 6, 2003]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK THE CLUB OF QUEER TRADES ***




This HTM version was produced by Walter Debeuf

The Club of Queer Trades

by G.K.Chesterton

Chapter 1

The Tremendous Adventures of Major Brown

Rabelais, or his wild illustrator Gustave Dore, must have had
something to do with the designing of the things called flats in
England and America. There is something entirely Gargantuan in the
idea of economising space by piling houses on top of each other,
front doors and all. And in the chaos and complexity of those
perpendicular streets anything may dwell or happen, and it is in
one of them, I believe, that the inquirer may find the offices of
the Club of Queer Trades. It may be thought at the first glance
that the name would attract and startle the passer-by, but nothing
attracts or startles in these dim immense hives. The passer-by is
only looking for his own melancholy destination, the Montenegro
Shipping Agency or the London office of the Rutland Sentinel, and
passes through the twilight passages as one passes through the
twilight corridors of a dream. If the Thugs set up a Strangers'
Assassination Company in one of the great buildings in Norfolk
Street, and sent in a mild man in spectacles to answer inquiries,
no inquiries would be made. And the Club of Queer Trades reigns in
a great edifice hidden like a fossil in a mighty cliff of fossils.

The nature of this society, such as we afterwards discovered it to
be, is soon and simply told. It is an eccentric and Bohemian Club,
of which the absolute condition of membership lies in this, that
the candidate must have invented the method by which he earns his
living. It must be an entirely new trade. The exact definition of
this requirement is given in the two principal rules. First, it
must not be a mere application or variation of an existing trade.
Thus, for instance, the Club would not admit an insurance agent
simply because instead of insuring men's furniture against being
burnt in a fire, he insured, let us say, their trousers against
being torn by a mad dog. The principle (as Sir Bradcock
Burnaby-Bradcock, in the extraordinarily eloquent and soaring
speech to the club on the occasion of the question being raised in
the Stormby Smith affair, said wittily and keenly) is the same.
Secondly, the trade must be a genuine commercial source of income,
the support of its inventor. Thus the Club would not receive a man
simply because he chose to pass his days collecting broken sardine
tins, unless he could drive a roaring trade in them. Professor
Chick made that quite clear. And when one remembers what Professor
Chick's own new trade was, one doesn't know whether to laugh or
cry.

The discovery of this strange society was a curiously refreshing
thing; to realize that there were ten new trades in the world was
like looking at the first ship or the first plough. It made a man
feel what he should feel, that he was still in the childhood of
the world. That I should have come at last upon so singular a body
was, I may say without vanity, not altogether singular, for I have
a mania for belonging to as many societies as possible: I may be
said to collect clubs, and I have accumulated a vast and fantastic
variety of specimens ever since, in my audacious youth, I
collected the Athenaeum. At some future day, perhaps, I may tell
tales of some of the other bodies to which I have belonged. I will
recount the doings of the Dead Man's Shoes Society (that
superficially immoral, but darkly justifiable communion); I will
explain the curious origin of the Cat and Christian, the name of
which has been so shamefully misinterpreted; and the world shall
know at last why the Institute of Typewriters coalesced with the
Red Tulip League. Of the Ten Teacups, of course I dare not say a
word. The first of my revelations, at any rate, shall be concerned
with the Club of Queer Trades, which, as I have said, was one of
this class, one which I was almost bound to come across sooner or
later, because of my singular hobby. The wild youth of the
metropolis call me facetiously `The King of Clubs'. They also call
me `The Cherub', in allusion to the roseate and youthful
appearance I have presented in my declining years. I only hope the
spirits in the better world have as good dinners as I have. But
the finding of the Club of Queer Trades has one very curious thing
about it. The most curious thing about it is that it was not
discovered by me; it was discovered by my friend Basil Grant, a
star-gazer, a mystic, and a man who scarcely stirred out of his
attic.

Very few people knew anything of Basil; not because he was in the
least unsociable, for if a man out of the street had walked into
his rooms he would have kept him talking till morning. Few people
knew him, because, like all poets, he could do without them; he
welcomed a human face as he might welcome a sudden blend of colour
in a sunset; but he no more felt the need of going out to parties
than he felt the need of altering the sunset clouds. He lived in a
queer and comfortable garret in the roofs of Lambeth. He was
surrounded by a chaos of things that were in odd contrast to the
slums around him; old fantastic books, swords, armour--the whole
dust-hole of romanticism. But his face, amid all these quixotic
relics, appeared curiously keen and modern--a powerful, legal
face. And no one but I knew who he was.

Long ago as it is, everyone remembers the terrible and grotesque
scene that occurred in--, when one of the most acute and forcible
of the English judges suddenly went mad on the bench. I had my own
view of that occurrence; but about the facts themselves there is
no question at all. For some months, indeed for some years, people
had detected something curious in the judge's conduct. He seemed
to have lost interest in the law, in which he had been beyond
expression brilliant and terrible as a K.C., and to be occupied in
giving personal and moral advice to the people concerned. He
talked more like a priest or a doctor, and a very outspoken one at
that. The first thrill was probably given when he said to a man
who had attempted a crime of passion: "I sentence you to three
years imprisonment, under the firm, and solemn, and God-given
conviction, that what you require is three months at the seaside."
He accused criminals from the bench, not so much of their obvious
legal crimes, but of things that had never been heard of in a
court of justice, monstrous egoism, lack of humour, and morbidity
deliberately encouraged. Things came to a head in that celebrated
diamond case in which the Prime Minister himself, that brilliant
patrician, had to come forward, gracefully and reluctantly, to
give evidence against his valet. After the detailed life of the
household had been thoroughly exhibited, the judge requested the
Premier again to step forward, which he did with quiet dignity.
The judge then said, in a sudden, grating voice: "Get a new soul.
That thing's not fit for a dog. Get a new soul." All this, of
course, in the eyes of the sagacious, was premonitory of that
melancholy and farcical day when his wits actually deserted him
in open court. It was a libel case between two very eminent and
powerful financiers, against both of whom charges of considerable
defalcation were brought. The case was long and complex; the
advocates were long and eloquent; but at last, after weeks of
work and rhetoric, the time came for the great judge to give a
summing-up; and one of his celebrated masterpieces of lucidity
and pulverizing logic was eagerly looked for. He had spoken very
little during the prolonged affair, and he looked sad and lowering
at the end of it. He was silent for a few moments, and then burst
into a stentorian song. His remarks (as reported) were as follows:

"O Rowty-owty tiddly-owty Tiddly-owty tiddly-owty Highty-ighty
tiddly-ighty Tiddly-ighty ow."

He then retired from public life and took the garret in Lambeth.

I was sitting there one evening, about six o'clock, over a glass of
that gorgeous Burgundy which he kept behind a pile of black-letter
folios; he was striding about the room, fingering, after a habit of
his, one of the great swords in his collection; the red glare of
the strong fire struck his square features and his fierce grey
hair; his blue eyes were even unusually full of dreams, and he had
opened his mouth to speak dreamily, when the door was flung open,
and a pale, fiery man, with red hair and a huge furred overcoat,
swung himself panting into the room.

"Sorry to bother you, Basil," he gasped. "I took a liberty--made an
appointment here with a man--a client--in five minutes--I beg your
pardon, sir," and he gave me a bow of apology.

Basil smiled at me. "You didn't know," he said, "that I had a
practical brother. This is Rupert Grant, Esquire, who can and does
all there is to be done. Just as I was a failure at one thing, he
is a success at everything. I remember him as a journalist, a
house-agent, a naturalist, an inventor, a publisher, a
schoolmaster, a--what are you now, Rupert?"

"I am and have been for some time," said Rupert, with some dignity,
"a private detective, and there's my client."

A loud rap at the door had cut him short, and, on permission being
given, the door was thrown sharply open and a stout, dapper man
walked swiftly into the room, set his silk hat with a clap on the
table, and said, "Good evening, gentlemen," with a stress on the
last syllable that somehow marked him out as a martinet, military,
literary and social. He had a large head streaked with black and
grey, and an abrupt black moustache, which gave him a look of
fierceness which was contradicted by his sad sea-blue eyes.

Basil immediately said to me, "Let us come into the next room,
Gully," and was moving towards the door, but the stranger said:

"Not at all. Friends remain. Assistance possibly."

The moment I heard him speak I remembered who he was, a certain
Major Brown I had met years before in Basil's society. I had
forgotten altogether the black dandified figure and the large
solemn head, but I remembered the peculiar speech, which consisted
of only saying about a quarter of each sentence, and that sharply,
like the crack of a gun. I do not know, it may have come from
giving orders to troops.

Major Brown was a V.C., and an able and distinguished soldier, but
he was anything but a warlike person. Like many among the iron men
who recovered British India, he was a man with the natural beliefs
and tastes of an old maid. In his dress he was dapper and yet
demure; in his habits he was precise to the point of the exact
adjustment of a tea-cup. One enthusiasm he had, which was of the
nature of a religion--the cultivation of pansies. And when he
talked about his collection, his blue eyes glittered like a child's
at a new toy, the eyes that had remained untroubled when the troops
were roaring victory round Roberts at Candahar.

"Well, Major," said Rupert Grant, with a lordly heartiness,
flinging himself into a chair, "what is the matter with you?"

"Yellow pansies. Coal-cellar. P. G. Northover," said the Major,
with righteous indignation.

We glanced at each other with inquisitiveness. Basil, who had his
eyes shut in his abstracted way, said simply:

"I beg your pardon."

"Fact is. Street, you know, man, pansies. On wall. Death to me.
Something. Preposterous."

We shook our heads gently. Bit by bit, and mainly by the seemingly
sleepy assistance of Basil Grant, we pieced together the Major's
fragmentary, but excited narration. It would be infamous to submit
the reader to what we endured; therefore I will tell the story of
Major Brown in my own words. But the reader must imagine the
scene. The eyes of Basil closed as in a trance, after his habit,
and the eyes of Rupert and myself getting rounder and rounder as
we listened to one of the most astounding stories in the world,
from the lips of the little man in black, sitting bolt upright in
his chair and talking like a telegram.

Major Brown was, I have said, a successful soldier, but by no
means an enthusiastic one. So far from regretting his retirement
on half-pay, it was with delight that he took a small neat villa,
very like a doll's house, and devoted the rest of his life to
pansies and weak tea. The thought that battles were over when he
had once hung up his sword in the little front hall (along with
two patent stew-pots and a bad water-colour), and betaken himself
instead to wielding the rake in his little sunlit garden, was to
him like having come into a harbour in heaven. He was Dutch-like
and precise in his taste in gardening, and had, perhaps, some
tendency to drill his flowers like soldiers. He was one of those
men who are capable of putting four umbrellas in the stand rather
than three, so that two may lean one way and two another; he saw
life like a pattern in a freehand drawing-book. And assuredly he
would not have believed, or even understood, any one who had told
him that within a few yards of his brick paradise he was destined
to be caught in a whirlpool of incredible adventure, such as he
had never seen or dreamed of in the horrible jungle, or the heat
of battle.

One certain bright and windy afternoon, the Major, attired in his
usual faultless manner, had set out for his usual constitutional.
In crossing from one great residential thoroughfare to another, he
happened to pass along one of those aimless-looking lanes which lie
along the back-garden walls of a row of mansions, and which in
their empty and discoloured appearance give one an odd sensation as
of being behind the scenes of a theatre. But mean and sulky as the
scene might be in the eyes of most of us, it was not altogether so
in the Major's, for along the coarse gravel footway was coming a
thing which was to him what the passing of a religious procession
is to a devout person. A large, heavy man, with fish-blue eyes and
a ring of irradiating red beard, was pushing before him a barrow,
which was ablaze with incomparable flowers. There were splendid
specimens of almost every order, but the Major's own favourite
pansies predominated. The Major stopped and fell into conversation,
and then into bargaining. He treated the man after the manner of
collectors and other mad men, that is to say, he carefully and with
a sort of anguish selected the best roots from the less excellent,
praised some, disparaged others, made a subtle scale ranging from a
thrilling worth and rarity to a degraded insignificance, and then
bought them all. The man was just pushing off his barrow when he
stopped and came close to the Major.

"I'll tell you what, sir," he said. "If you're interested in them
things, you just get on to that wall."

"On the wall!" cried the scandalised Major, whose conventional soul
quailed within him at the thought of such fantastic trespass.

"Finest show of yellow pansies in England in that there garden,
sir," hissed the tempter. "I'll help you up, sir."

How it happened no one will ever know but that positive enthusiasm
of the Major's life triumphed over all its negative traditions,
and with an easy leap and swing that showed that he was in no need
of physical assistance, he stood on the wall at the end of the
strange garden. The second after, the flapping of the frock-coat
at his knees made him feel inexpressibly a fool. But the next
instant all such trifling sentiments were swallowed up by the most
appalling shock of surprise the old soldier had ever felt in all
his bold and wandering existence. His eyes fell upon the garden,
and there across a large bed in the centre of the lawn was a vast
pattern of pansies; they were splendid flowers, but for once it
was not their horticultural aspects that Major Brown beheld, for
the pansies were arranged in gigantic capital letters so as to
form the sentence:

DEATH TO MAJOR BROWN

A kindly looking old man, with white whiskers, was watering them.
Brown looked sharply back at the road behind him; the man with the
barrow had suddenly vanished. Then he looked again at the lawn
with its incredible inscription. Another man might have thought he
had gone mad, but Brown did not. When romantic ladies gushed over
his V.C. and his military exploits, he sometimes felt himself to
be a painfully prosaic person, but by the same token he knew he
was incurably sane. Another man, again, might have thought himself
a victim of a passing practical joke, but Brown could not easily
believe this. He knew from his own quaint learning that the garden
arrangement was an elaborate and expensive one; he thought it
extravagantly improbable that any one would pour out money like
water for a joke against him. Having no explanation whatever to
offer, he admitted the fact to himself, like a clear-headed man,
and waited as he would have done in the presence of a man with six
legs.

At this moment the stout old man with white whiskers looked up, and
the watering can fell from his hand, shooting a swirl of water down
the gravel path.

"Who on earth are you?" he gasped, trembling violently.

"I am Major Brown," said that individual, who was always cool in
the hour of action.

The old man gaped helplessly like some monstrous fish. At last he
stammered wildly, "Come down--come down here!"

"At your service," said the Major, and alighted at a bound on the
grass beside him, without disarranging his silk hat.

The old man turned his broad back and set off at a sort of waddling
run towards the house, followed with swift steps by the Major. His
guide led him through the back passages of a gloomy, but gorgeously
appointed house, until they reached the door of the front room.
Then the old man turned with a face of apoplectic terror dimly
showing in the twilight.

"For heaven's sake," he said, "don't mention jackals."

Then he threw open the door, releasing a burst of red lamplight,
and ran downstairs with a clatter.

The Major stepped into a rich, glowing room, full of red copper,
and peacock and purple hangings, hat in hand. He had the finest
manners in the world, and, though mystified, was not in the least
embarrassed to see that the only occupant was a lady, sitting by
the window, looking out.

"Madam," he said, bowing simply, "I am Major Brown."

"Sit down," said the lady; but she did not turn her head.

She was a graceful, green-clad figure, with fiery red hair and a
flavour of Bedford Park. "You have come, I suppose," she said
mournfully, "to tax me about the hateful title-deeds."

"I have come, madam," he said, "to know what is the matter. To know
why my name is written across your garden. Not amicably either."

He spoke grimly, for the thing had hit him. It is impossible to
describe the effect produced on the mind by that quiet and sunny
garden scene, the frame for a stunning and brutal personality.
The evening air was still, and the grass was golden in the place
where the little flowers he studied cried to heaven for his
blood.

"You know I must not turn round," said the lady; "every afternoon
till the stroke of six I must keep my face turned to the street."

Some queer and unusual inspiration made the prosaic soldier
resolute to accept these outrageous riddles without surprise.

"It is almost six," he said; and even as he spoke the barbaric
copper clock upon the wall clanged the first stroke of the hour.
At the sixth the lady sprang up and turned on the Major one of
the queerest and yet most attractive faces he had ever seen in
his life; open, and yet tantalising, the face of an elf.

"That makes the third year I have waited," she cried. "This is an
anniversary. The waiting almost makes one wish the frightful thing
would happen once and for all."

And even as she spoke, a sudden rending cry broke the stillness.
From low down on the pavement of the dim street (it was already
twilight) a voice cried out with a raucous and merciless
distinctness:

"Major Brown, Major Brown, where does the jackal dwell?"

Brown was decisive and silent in action. He strode to the front
door and looked out. There was no sign of life in the blue gloaming
of the street, where one or two lamps were beginning to light their
lemon sparks. On returning, he found the lady in green trembling.

"It is the end," she cried, with shaking lips; "it may be death for
both of us. Whenever--"

But even as she spoke her speech was cloven by another hoarse
proclamation from the dark street, again horribly articulate.

"Major Brown, Major Brown, how did the jackal die?"

Brown dashed out of the door and down the steps, but again he was
frustrated; there was no figure in sight, and the street was far
too long and empty for the shouter to have run away. Even the
rational Major was a little shaken as he returned in a certain time
to the drawing-room. Scarcely had he done so than the terrific
voice came:

"Major Brown, Major Brown, where did--"

Brown was in the street almost at a bound, and he was in time--in
time to see something which at first glance froze the blood. The
cries appeared to come from a decapitated head resting on the
pavement.

The next moment the pale Major understood. It was the head of a
man thrust through the coal-hole in the street. The next moment,
again, it had vanished, and Major Brown turned to the lady.
"Where's your coal-cellar?" he said, and stepped out into the
passage.

She looked at him with wild grey eyes. "You will not go down," she
cried, "alone, into the dark hole, with that beast?"

"Is this the way?" replied Brown, and descended the kitchen stairs
three at a time. He flung open the door of a black cavity and
stepped in, feeling in his pocket for matches. As his right hand
was thus occupied, a pair of great slimy hands came out of the
darkness, hands clearly belonging to a man of gigantic stature,
and seized him by the back of the head. They forced him down, down
in the suffocating darkness, a brutal image of destiny. But the
Major's head, though upside down, was perfectly clear and
intellectual. He gave quietly under the pressure until he had slid
down almost to his hands and knees. Then finding the knees of the
invisible monster within a foot of him, he simply put out one of
his long, bony, and skilful hands, and gripping the leg by a
muscle pulled it off the ground and laid the huge living man, with
a crash, along the floor. He strove to rise, but Brown was on top
like a cat. They rolled over and over. Big as the man was, he had
evidently now no desire but to escape; he made sprawls hither and
thither to get past the Major to the door, but that tenacious
person had him hard by the coat collar and hung with the other
hand to a beam. At length there came a strain in holding back this
human bull, a strain under which Brown expected his hand to rend
and part from the arm. But something else rent and parted; and the
dim fat figure of the giant vanished out of the cellar, leaving
the torn coat in the Major's hand; the only fruit of his adventure
and the only clue to the mystery. For when he went up and out at
the front door, the lady, the rich hangings, and the whole
equipment of the house had disappeared. It had only bare boards
and whitewashed walls.

"The lady was in the conspiracy, of course," said Rupert, nodding.
Major Brown turned brick red. "I beg your pardon," he said, "I
think not."

Rupert raised his eyebrows and looked at him for a moment, but said
nothing. When next he spoke he asked:

"Was there anything in the pockets of the coat?"

"There was sevenpence halfpenny in coppers and a threepenny-bit,"
said the Major carefully; "there was a cigarette-holder, a piece of
string, and this letter," and he laid it on the table. It ran as
follows:

Dear Mr Plover,

I am annoyed to hear that some delay has occurred in the
arrangements re Major Brown. Please see that he is attacked as
per arrangement tomorrow The coal-cellar, of course.

Yours faithfully, P. G. Northover.

Rupert Grant was leaning forward listening with hawk-like eyes. He
cut in:

"Is it dated from anywhere?"

"No--oh, yes!" replied Brown, glancing upon the paper; "14 Tanner's
Court, North--"

Rupert sprang up and struck his hands together.

"Then why are we hanging here? Let's get along. Basil, lend me your
revolver."

Basil was staring into the embers like a man in a trance; and it
was some time before he answered:

"I don't think you'll need it."

"Perhaps not," said Rupert, getting into his fur coat. "One never
knows. But going down a dark court to see criminals--"

"Do you think they are criminals?" asked his brother.

Rupert laughed stoutly. "Giving orders to a subordinate to strangle
a harmless stranger in a coal-cellar may strike you as a very
blameless experiment, but--"

"Do you think they wanted to strangle the Major?" asked Basil, in
the same distant and monotonous voice.

"My dear fellow, you've been asleep. Look at the letter."

"I am looking at the letter," said the mad judge calmly; though, as
a matter of fact, he was looking at the fire. "I don't think it's
the sort of letter one criminal would write to another."

"My dear boy, you are glorious," cried Rupert, turning round, with
laughter in his blue bright eyes. "Your methods amaze me. Why,
there is the letter. It is written, and it does give orders for a
crime. You might as well say that the Nelson Column was not at all
the sort of thing that was likely to be set up in Trafalgar
Square."

Basil Grant shook all over with a sort of silent laughter, but did
not otherwise move.

"That's rather good," he said; "but, of course, logic like that's
not what is really wanted. It's a question of spiritual atmosphere.
It's not a criminal letter."

"It is. It's a matter of fact," cried the other in an agony of
reasonableness.

"Facts," murmured Basil, like one mentioning some strange, far-off
animals, "how facts obscure the truth. I may be silly--in fact,
I'm off my head--but I never could believe in that man--what's his
name, in those capital stories?--Sherlock Holmes. Every detail
points to something, certainly; but generally to the wrong thing.
Facts point in all directions, it seems to me, like the thousands
of twigs on a tree. It's only the life of the tree that has unity
and goes up--only the green blood that springs, like a fountain,
at the stars."

"But what the deuce else can the letter be but criminal?"

"We have eternity to stretch our legs in," replied the mystic. "It
can be an infinity of things. I haven't seen any of them--I've
only seen the letter. I look at that, and say it's not criminal."

"Then what's the origin of it?"

"I haven't the vaguest idea."

"Then why don't you accept the ordinary explanation?"

Basil continued for a little to glare at the coals, and seemed
collecting his thoughts in a humble and even painful way. Then he
said:

"Suppose you went out into the moonlight. Suppose you passed
through silent, silvery streets and squares until you came into an
open and deserted space, set with a few monuments, and you beheld
one dressed as a ballet girl dancing in the argent glimmer. And
suppose you looked, and saw it was a man disguised. And suppose
you looked again, and saw it was Lord Kitchener. What would you
think?"

He paused a moment, and went on:

"You could not adopt the ordinary explanation. The ordinary
explanation of putting on singular clothes is that you look nice
in them; you would not think that Lord Kitchener dressed up like a
ballet girl out of ordinary personal vanity. You would think it
much more likely that he inherited a dancing madness from a great
grandmother; or had been hypnotised at a seance; or threatened by
a secret society with death if he refused the ordeal. With
Baden-Powell, say, it might be a bet--but not with Kitchener. I
should know all that, because in my public days I knew him quite
well. So I know that letter quite well, and criminals quite well.
It's not a criminal's letter. It's all atmospheres." And he closed
his eyes and passed his hand over his forehead.

Rupert and the Major were regarding him with a mixture of respect
and pity. The former said

"Well, I'm going, anyhow, and shall continue to think--until your
spiritual mystery turns up--that a man who sends a note
recommending a crime, that is, actually a crime that is actually
carried out, at least tentatively, is, in all probability, a
little casual in his moral tastes. Can I have that revolver?"

"Certainly," said Basil, getting up. "But I am coming with you."
And he flung an old cape or cloak round him, and took a
sword-stick from the corner.

"You!" said Rupert, with some surprise, "you scarcely ever leave
your hole to look at anything on the face of the earth."

Basil fitted on a formidable old white hat.

"I scarcely ever," he said, with an unconscious and colossal
arrogance, "hear of anything on the face of the earth that I do
not understand at once, without going to see it."

And he led the way out into the purple night.

We four swung along the flaring Lambeth streets, across Westminster
Bridge, and along the Embankment in the direction of that part of
Fleet Street which contained Tanner's Court. The erect, black
figure of Major Brown, seen from behind, was a quaint contrast to
the hound-like stoop and flapping mantle of young Rupert Grant, who
adopted, with childlike delight, all the dramatic poses of the
detective of fiction. The finest among his many fine qualities was
his boyish appetite for the colour and poetry of London. Basil, who
walked behind, with his face turned blindly to the stars, had the
look of a somnambulist.

Rupert paused at the corner of Tanner's Court, with a quiver of
delight at danger, and gripped Basil's revolver in his great-coat
pocket.

"Shall we go in now?" he asked.

"Not get police?" asked Major Brown, glancing sharply up and down
the street.

"I am not sure," answered Rupert, knitting his brows. "Of course,
it's quite clear, the thing's all crooked. But there are three of
us, and--"

"I shouldn't get the police," said Basil in a queer voice. Rupert
glanced at him and stared hard.

"Basil," he cried, "you're trembling. What's the matter--are you
afraid?"

"Cold, perhaps," said the Major, eyeing him. There was no doubt
that he was shaking.

At last, after a few moments' scrutiny, Rupert broke into a curse.

"You're laughing," he cried. "I know that confounded, silent,
shaky laugh of yours. What the deuce is the amusement, Basil?
Here we are, all three of us, within a yard of a den of
ruffians--"

"But I shouldn't call the police," said Basil. "We four heroes
are quite equal to a host," and he continued to quake with his
mysterious mirth.

Rupert turned with impatience and strode swiftly down the court,
the rest of us following. When he reached the door of No. 14 he
turned abruptly, the revolver glittering in his hand.

"Stand close," he said in the voice of a commander. "The scoundrel
may be attempting an escape at this moment. We must fling open the
door and rush in."

The four of us cowered instantly under the archway, rigid, except
for the old judge and his convulsion of merriment.

"Now," hissed Rupert Grant, turning his pale face and burning eyes
suddenly over his shoulder, "when I say `Four', follow me with a
rush. If I say `Hold him', pin the fellows down, whoever they are.
If I say `Stop', stop. I shall say that if there are more than
three. If they attack us I shall empty my revolver on them. Basil,
have your sword-stick ready. Now--one, two three, four!"

With the sound of the word the door burst open, and we fell into
the room like an invasion, only to stop dead.

The room, which was an ordinary and neatly appointed office,
appeared, at the first glance, to be empty. But on a second and
more careful glance, we saw seated behind a very large desk with
pigeonholes and drawers of bewildering multiplicity, a small man
with a black waxed moustache, and the air of a very average clerk,
writing hard. He looked up as we came to a standstill.

"Did you knock?" he asked pleasantly. "I am sorry if I did not
hear. What can I do for you?"

There was a doubtful pause, and then, by general consent, the Major
himself, the victim of the outrage, stepped forward.

The letter was in his hand, and he looked unusually grim.

"Is your name P. G. Northover?" he asked.

"That is my name," replied the other, smiling.

"I think," said Major Brown, with an increase in the dark glow of
his face, "that this letter was written by you." And with a loud
clap he struck open the letter on the desk with his clenched fist.
The man called Northover looked at it with unaffected interest and
merely nodded.

"Well, sir," said the Major, breathing hard, "what about that?"

"What about it, precisely," said the man with the moustache.

"I am Major Brown," said that gentleman sternly.

Northover bowed. "Pleased to meet you, sir. What have you to say to
me?"

"Say!" cried the Major, loosing a sudden tempest; "why, I want this
confounded thing settled. I want--"

"Certainly, sir," said Northover, jumping up with a slight
elevation of the eyebrows. "Will you take a chair for a moment."
And he pressed an electric bell just above him, which thrilled and
tinkled in a room beyond. The Major put his hand on the back of the
chair offered him, but stood chafing and beating the floor with his
polished boot.

The next moment an inner glass door was opened, and a fair, weedy,
young man, in a frock-coat, entered from within.

"Mr Hopson," said Northover, "this is Major Brown. Will you please
finish that thing for him I gave you this morning and bring it in?"

"Yes, sir," said Mr Hopson, and vanished like lightning.

"You will excuse me, gentlemen," said the egregious Northover, with
his radiant smile, "if I continue to work until Mr Hopson is ready.
I have some books that must be cleared up before I get away on my
holiday tomorrow. And we all like a whiff of the country, don't we?
Ha! ha!"

The criminal took up his pen with a childlike laugh, and a
silence ensued; a placid and busy silence on the part of Mr P. G.
Northover; a raging silence on the part of everybody else.

At length the scratching of Northover's pen in the stillness was
mingled with a knock at the door, almost simultaneous with the
turning of the handle, and Mr Hopson came in again with the same
silent rapidity, placed a paper before his principal, and
disappeared again.

The man at the desk pulled and twisted his spiky moustache for a
few moments as he ran his eye up and down the paper presented to
him. He took up his pen, with a slight, instantaneous frown, and
altered something, muttering--"Careless." Then he read it again
with the same impenetrable reflectiveness, and finally handed it
to the frantic Brown, whose hand was beating the devil's tattoo
on the back of the chair.

"I think you will find that all right, Major," he said briefly.

The Major looked at it; whether he found it all right or not will
appear later, but he found it like this:

Major Brown to P. G. Northover. L s. d.
January 1, to account rendered 5 6 0
May 9, to potting and embedding of zoo pansies 2 0 0
To cost of trolley with flowers 0 15 0
To hiring of man with trolley 0 5 0
To hire of house and garden for one day 1 0 0
To furnishing of room in peacock curtains, copper ornaments, etc. 3 0 0
To salary of Miss Jameson 1 0 0
To salary of Mr Plover 1 0 0
----------
Total L14 6 0
A Remittance will oblige.

"What," said Brown, after a dead pause, and with eyes that seemed
slowly rising out of his head, "What in heaven's name is this?"

"What is it?" repeated Northover, cocking his eyebrow with
amusement. "It's your account, of course."

"My account!" The Major's ideas appeared to be in a vague stampede.
"My account! And what have I got to do with it?"

"Well," said Northover, laughing outright, "naturally I prefer you
to pay it."

The Major's hand was still resting on the back of the chair as the
words came. He scarcely stirred otherwise, but he lifted the chair
bodily into the air with one hand and hurled it at Northover's
head.

The legs crashed against the desk, so that Northover only got a
blow on the elbow as he sprang up with clenched fists, only to be
seized by the united rush of the rest of us. The chair had fallen
clattering on the empty floor.

"Let me go, you scamps," he shouted. "Let me--"

"Stand still," cried Rupert authoritatively. "Major Brown's action
is excusable. The abominable crime you have attempted--"

"A customer has a perfect right," said Northover hotly, "to
question an alleged overcharge, but, confound it all, not to throw
furniture."

"What, in God's name, do you mean by your customers and
overcharges?" shrieked Major Brown, whose keen feminine nature,
steady in pain or danger, became almost hysterical in the presence
of a long and exasperating mystery. "Who are you? I've never seen
you or your insolent tomfool bills. I know one of your cursed
brutes tried to choke me--"

"Mad," said Northover, gazing blankly round; "all of them mad. I
didn't know they travelled in quartettes."

"Enough of this prevarication," said Rupert; "your crimes are
discovered. A policeman is stationed at the corner of the court.
Though only a private detective myself, I will take the
responsibility of telling you that anything you say--"

"Mad," repeated Northover, with a weary air.

And at this moment, for the first time, there struck in among them
the strange, sleepy voice of Basil Grant.

"Major Brown," he said, "may I ask you a question?"

The Major turned his head with an increased bewilderment.

"You?" he cried; "certainly, Mr Grant."

"Can you tell me," said the mystic, with sunken head and lowering
brow, as he traced a pattern in the dust with his sword-stick,
"can you tell me what was the name of the man who lived in your
house before you?"

The unhappy Major was only faintly more disturbed by this last and
futile irrelevancy, and he answered vaguely:

"Yes, I think so; a man named Gurney something--a name with a
hyphen--Gurney-Brown; that was it."

"And when did the house change hands?" said Basil, looking up
sharply. His strange eyes were burning brilliantly.

"I came in last month," said the Major.

And at the mere word the criminal Northover suddenly fell into his
great office chair and shouted with a volleying laughter.

"Oh! it's too perfect--it's too exquisite," he gasped, beating the
arms with his fists. He was laughing deafeningly; Basil Grant was
laughing voicelessly; and the rest of us only felt that our heads
were like weathercocks in a whirlwind.

"Confound it, Basil," said Rupert, stamping. "If you don't want me
to go mad and blow your metaphysical brains out, tell me what all
this means."

Northover rose.

"Permit me, sir, to explain," he said. "And, first of all, permit
me to apologize to you, Major Brown, for a most abominable and
unpardonable blunder, which has caused you menace and
inconvenience, in which, if you will allow me to say so, you have
behaved with astonishing courage and dignity. Of course you need
not trouble about the bill. We will stand the loss." And, tearing
the paper across, he flung the halves into the waste-paper basket
and bowed.

Poor Brown's face was still a picture of distraction. "But I don't
even begin to understand," he cried. "What bill? what blunder?
what loss?"

Mr P. G. Northover advanced in the centre of the room,
thoughtfully, and with a great deal of unconscious dignity. On
closer consideration, there were apparent about him other things
beside a screwed moustache, especially a lean, sallow face,
hawk-like, and not without a careworn intelligence. Then he looked
up abruptly.

"Do you know where you are, Major?" he said.

"God knows I don't," said the warrior, with fervour.

"You are standing," replied Northover, "in the office of the
Adventure and Romance Agency, Limited."

"And what's that?" blankly inquired Brown.

The man of business leaned over the back of the chair, and fixed
his dark eyes on the other's face.

"Major," said he, "did you ever, as you walked along the empty
street upon some idle afternoon, feel the utter hunger for
something to happen--something, in the splendid words of Walt
Whitman: `Something pernicious and dread; something far removed
from a puny and pious life; something unproved; something in a
trance; something loosed from its anchorage, and driving free.'
Did you ever feel that?"

"Certainly not," said the Major shortly.

"Then I must explain with more elaboration," said Mr Northover,
with a sigh. "The Adventure and Romance Agency has been started to
meet a great modern desire. On every side, in conversation and in
literature, we hear of the desire for a larger theatre of events
for something to waylay us and lead us splendidly astray. Now the
man who feels this desire for a varied life pays a yearly or a
quarterly sum to the Adventure and Romance Agency; in return, the
Adventure and Romance Agency undertakes to surround him with
startling and weird events. As a man is leaving his front door, an
excited sweep approaches him and assures him of a plot against his
life; he gets into a cab, and is driven to an opium den; he
receives a mysterious telegram or a dramatic visit, and is
immediately in a vortex of incidents. A very picturesque and moving
story is first written by one of the staff of distinguished
novelists who are at present hard at work in the adjoining room.
Yours, Major Brown (designed by our Mr Grigsby), I consider
peculiarly forcible and pointed; it is almost a pity you did not
see the end of it. I need scarcely explain further the monstrous
mistake. Your predecessor in your present house, Mr Gurney-Brown,
was a subscriber to our agency, and our foolish clerks, ignoring
alike the dignity of the hyphen and the glory of military rank,
positively imagined that Major Brown and Mr Gurney-Brown were the
same person. Thus you were suddenly hurled into the middle of
another man's story."

"How on earth does the thing work?" asked Rupert Grant, with bright
and fascinated eyes.

"We believe that we are doing a noble work," said Northover
warmly. "It has continually struck us that there is no element in
modern life that is more lamentable than the fact that the modern
man has to seek all artistic existence in a sedentary state. If he
wishes to float into fairyland, he reads a book; if he wishes to
dash into the thick of battle, he reads a book; if he wishes to
soar into heaven, he reads a book; if he wishes to slide down the
banisters, he reads a book. We give him these visions, but we give
him exercise at the same time, the necessity of leaping from wall
to wall, of fighting strange gentlemen, of running down long
streets from pursuers--all healthy and pleasant exercises. We give
him a glimpse of that great morning world of Robin Hood or the
Knights Errant, when one great game was played under the splendid
sky. We give him back his childhood, that godlike time when we can
act stories, be our own heroes, and at the same instant dance and
dream."

Basil gazed at him curiously. The most singular psychological
discovery had been reserved to the end, for as the little business
man ceased speaking he had the blazing eyes of a fanatic.

Major Brown received the explanation with complete simplicity and
good humour.

"Of course; awfully dense, sir," he said. "No doubt at all, the
scheme excellent. But I don't think--" He paused a moment, and
looked dreamily out of the window. "I don't think you will find me
in it. Somehow, when one's seen--seen the thing itself, you
know--blood and men screaming, one feels about having a little
house and a little hobby; in the Bible, you know, `There remaineth
a rest'."

Northover bowed. Then after a pause he said:

"Gentlemen, may I offer you my card. If any of the rest of you
desire, at any time, to communicate with me, despite Major Brown's
view of the matter--"

"I should be obliged for your card, sir," said the Major, in his
abrupt but courteous voice. "Pay for chair."

The agent of Romance and Adventure handed his card, laughing.

It ran, "P. G. Northover, B.A., C.Q.T., Adventure and Romance
Agency, 14 Tanner's Court, Fleet Street."

"What on earth is "C.QT."?" asked Rupert Grant, looking over the
Major's shoulder.

"Don't you know?" returned Northover. "Haven't you ever heard of
the Club of Queer Trades?"

"There seems to be a confounded lot of funny things we haven't
heard of," said the little Major reflectively. "What's this one?"

"The Club of Queer Trades is a society consisting exclusively of
people who have invented some new and curious way of making money.
I was one of the earliest members."

"You deserve to be," said Basil, taking up his great white hat,
with a smile, and speaking for the last time that evening.

When they had passed out the Adventure and Romance agent wore a
queer smile, as he trod down the fire and locked up his desk. "A
fine chap, that Major; when one hasn't a touch of the poet one
stands some chance of being a poem. But to think of such a
clockwork little creature of all people getting into the nets of
one of Grigsby's tales," and he laughed out aloud in the silence.

Just as the laugh echoed away, there came a sharp knock at the
door. An owlish head, with dark moustaches, was thrust in, with
deprecating and somewhat absurd inquiry.

"What! back again, Major?" cried Northover in surprise. "What can
I do for you?"

The Major shuffled feverishly into the room.

"It's horribly absurd," he said. "Something must have got started
in me that I never knew before. But upon my soul I feel the most
desperate desire to know the end of it all."

"The end of it all?"

"Yes," said the Major. "`Jackals', and the title-deeds, and `Death
to Major Brown'."

The agent's face grew grave, but his eyes were amused.

"I am terribly sorry, Major," said he, "but what you ask is
impossible. I don't know any one I would sooner oblige than you;
but the rules of the agency are strict. The Adventures are
confidential; you are an outsider; I am not allowed to let you
know an inch more than I can help. I do hope you understand--"

"There is no one," said Brown, "who understands discipline better
than I do. Thank you very much. Good night."

And the little man withdrew for the last time.

He married Miss Jameson, the lady with the red hair and the green
garments. She was an actress, employed (with many others) by the
Romance Agency; and her marriage with the prim old veteran caused
some stir in her languid and intellectualized set. She always
replied very quietly that she had met scores of men who acted
splendidly in the charades provided for them by Northover, but that
she had only met one man who went down into a coal-cellar when he
really thought it contained a murderer.

The Major and she are living as happily as birds, in an absurd
villa, and the former has taken to smoking. Otherwise he is
unchanged--except, perhaps, there are moments when, alert and full
of feminine unselfishness as the Major is by nature, he falls into
a trance of abstraction. Then his wife recognizes with a concealed
smile, by the blind look in his blue eyes, that he is wondering
what were the title-deeds, and why he was not allowed to mention
jackals. But, like so many old soldiers, Brown is religious, and
believes that he will realize the rest of those purple adventures
in a better world.

Chapter 2

The Painful Fall of a Great Reputation

Basil Grant and I were talking one day in what is perhaps the most
perfect place for talking on earth--the top of a tolerably deserted
tramcar. To talk on the top of a hill is superb, but to talk on the
top of a flying hill is a fairy tale.

The vast blank space of North London was flying by; the very pace
gave us a sense of its immensity and its meanness. It was, as it
were, a base infinitude, a squalid eternity, and we felt the real
horror of the poor parts of London, the horror that is so totally
missed and misrepresented by the sensational novelists who depict
it as being a matter of narrow streets, filthy houses, criminals
and maniacs, and dens of vice. In a narrow street, in a den of
vice, you do not expect civilization, you do not expect order. But
the horror of this was the fact that there was civilization, that
there was order, but that civilisation only showed its morbidity,
and order only its monotony. No one would say, in going through a
criminal slum, "I see no statues. I notice no cathedrals." But here
there were public buildings; only they were mostly lunatic asylums.
Here there were statues; only they were mostly statues of railway
engineers and philanthropists--two dingy classes of men united by
their common contempt for the people. Here there were churches;
only they were the churches of dim and erratic sects, Agapemonites
or Irvingites. Here, above all, there were broad roads and vast
crossings and tramway lines and hospitals and all the real marks of
civilization. But though one never knew, in one sense, what one
would see next, there was one thing we knew we should not
see--anything really great, central, of the first class, anything
that humanity had adored. And with revulsion indescribable our
emotions returned, I think, to those really close and crooked
entries, to those really mean streets, to those genuine slums which
lie round the Thames and the City, in which nevertheless a real
possibility remains that at any chance corner the great cross of
the great cathedral of Wren may strike down the street like a
thunderbolt.

"But you must always remember also," said Grant to me, in his heavy
abstracted way, when I had urged this view, "that the very vileness
of the life of these ordered plebeian places bears witness to the
victory of the human soul. I agree with you. I agree that they have
to live in something worse than barbarism. They have to live in a
fourth-rate civilization. But yet I am practically certain that the
majority of people here are good people. And being good is an
adventure far more violent and daring than sailing round the world.
Besides--"

"Go on," I said.

No answer came.

"Go on," I said, looking up.

The big blue eyes of Basil Grant were standing out of his head and
he was paying no attention to me. He was staring over the side of
the tram.

"What is the matter?" I asked, peering over also.

"It is very odd," said Grant at last, grimly, "that I should have
been caught out like this at the very moment of my optimism. I said
all these people were good, and there is the wickedest man in
England."

"Where?" I asked, leaning over further, "where?"

"Oh, I was right enough," he went on, in that strange continuous
and sleepy tone which always angered his hearers at acute moments,
"I was right enough when I said all these people were good. They
are heroes; they are saints. Now and then they may perhaps steal a
spoon or two; they may beat a wife or two with the poker. But they
are saints all the same; they are angels; they are robed in white;
they are clad with wings and haloes--at any rate compared to that
man."

"Which man?" I cried again, and then my eye caught the figure at
which Basil's bull's eyes were glaring.

He was a slim, smooth person, passing very quickly among the
quickly passing crowd, but though there was nothing about him
sufficient to attract a startled notice, there was quite enough to
demand a curious consideration when once that notice was attracted.
He wore a black top-hat, but there was enough in it of those
strange curves whereby the decadent artist of the eighties tried to
turn the top-hat into something as rhythmic as an Etruscan vase.
His hair, which was largely grey, was curled with the instinct of
one who appreciated the gradual beauty of grey and silver. The rest
of his face was oval and, I thought, rather Oriental; he had two
black tufts of moustache.

"What has he done?" I asked.

"I am not sure of the details," said Grant, "but his besetting sin
is a desire to intrigue to the disadvantage of others. Probably he
has adopted some imposture or other to effect his plan."

"What plan?" I asked. "If you know all about him, why don't you
tell me why he is the wickedest man in England? What is his name?"

Basil Grant stared at me for some moments.

"I think you've made a mistake in my meaning," he said. "I don't
know his name. I never saw him before in my life."

"Never saw him before!" I cried, with a kind of anger; "then what
in heaven's name do you mean by saying that he is the wickedest man
in England?"

"I meant what I said," said Basil Grant calmly. "The moment I saw
that man, I saw all these people stricken with a sudden and
splendid innocence. I saw that while all ordinary poor men in the
streets were being themselves, he was not being himself. I saw that
all the men in these slums, cadgers, pickpockets, hooligans, are
all, in the deepest sense, trying to be good. And I saw that that
man was trying to be evil."

"But if you never saw him before--" I began.

"In God's name, look at his face," cried out Basil in a voice that
startled the driver. "Look at the eyebrows. They mean that infernal
pride which made Satan so proud that he sneered even at heaven when
he was one of the first angels in it. Look at his moustaches, they
are so grown as to insult humanity. In the name of the sacred
heavens look at his hair. In the name of God and the stars, look at
his hat."

I stirred uncomfortably.

"But, after all," I said, "this is very fanciful--perfectly absurd.
Look at the mere facts. You have never seen the man before, you--"

"Oh, the mere facts," he cried out in a kind of despair. "The mere
facts! Do you really admit--are you still so sunk in superstitions,
so clinging to dim and prehistoric altars, that you believe in
facts? Do you not trust an immediate impression?"

"Well, an immediate impression may be," I said, "a little less
practical than facts."

"Bosh," he said. "On what else is the whole world run but immediate
impressions? What is more practical? My friend, the philosophy of
this world may be founded on facts, its business is run on
spiritual impressions and atmospheres. Why do you refuse or accept
a clerk? Do you measure his skull? Do you read up his physiological
state in a handbook? Do you go upon facts at all? Not a scrap. You
accept a clerk who may save your business--you refuse a clerk that
may rob your till, entirely upon those immediate mystical
impressions under the pressure of which I pronounce, with a perfect
sense of certainty and sincerity, that that man walking in that
street beside us is a humbug and a villain of some kind."

"You always put things well," I said, "but, of course, such things
cannot immediately be put to the test."

Basil sprang up straight and swayed with the swaying car.

"Let us get off and follow him," he said. "I bet you five pounds
it will turn out as I say."

And with a scuttle, a jump, and a run, we were off the car.

The man with the curved silver hair and the curved Eastern face
walked along for some time, his long splendid frock-coat flying
behind him. Then he swung sharply out of the great glaring road
and disappeared down an ill-lit alley. We swung silently after
him.

"This is an odd turning for a man of that kind to take," I said.

"A man of what kind?" asked my friend.

"Well," I said, "a man with that kind of expression and those
boots. I thought it rather odd, to tell the truth, that he should
be in this part of the world at all."

"Ah, yes," said Basil, and said no more.

We tramped on, looking steadily in front of us. The elegant
figure, like the figure of a black swan, was silhouetted suddenly
against the glare of intermittent gaslight and then swallowed
again in night. The intervals between the lights were long, and a
fog was thickening the whole city. Our pace, therefore, had become
swift and mechanical between the lamp-posts; but Basil came to a
standstill suddenly like a reined horse; I stopped also. We had
almost run into the man. A great part of the solid darkness in
front of us was the darkness of his body.

At first I thought he had turned to face us. But though we were
hardly a yard off he did not realize that we were there. He tapped
four times on a very low and dirty door in the dark, crabbed
street. A gleam of gas cut the darkness as it opened slowly. We
listened intently, but the interview was short and simple and
inexplicable as an interview could be. Our exquisite friend handed
in what looked like a paper or a card and said:

"At once. Take a cab."

A heavy, deep voice from inside said:

"Right you are."

And with a click we were in the blackness again, and striding
after the striding stranger through a labyrinth of London lanes,
the lights just helping us. It was only five o'clock, but winter
and the fog had made it like midnight.

"This is really an extraordinary walk for the patent-leather
boots," I repeated.

"I don't know," said Basil humbly. "It leads to Berkeley Square."

As I tramped on I strained my eyes through the dusky atmosphere
and tried to make out the direction described. For some ten
minutes I wondered and doubted; at the end of that I saw that
my friend was right. We were coming to the great dreary spaces
of fashionable London--more dreary, one must admit, even than
the dreary plebeian spaces.

"This is very extraordinary!" said Basil Grant, as we turned into
Berkeley Square.

"What is extraordinary?" I asked. "I thought you said it was quite
natural."

"I do not wonder," answered Basil, "at his walking through nasty
streets; I do not wonder at his going to Berkeley Square. But I do
wonder at his going to the house of a very good man."

"What very good man?" I asked with exasperation.

"The operation of time is a singular one," he said with his
imperturbable irrelevancy. "It is not a true statement of the case
to say that I have forgotten my career when I was a judge and a
public man. I remember it all vividly, but it is like remembering
some novel. But fifteen years ago I knew this square as well as
Lord Rosebery does, and a confounded long sight better than that
man who is going up the steps of old Beaumont's house."

"Who is old Beaumont?" I asked irritably.

"A perfectly good fellow. Lord Beaumont of Foxwood--don't you know
his name? He is a man of transparent sincerity, a nobleman who
does more work than a navvy, a socialist, an anarchist, I don't
know what; anyhow, he's a philosopher and philanthropist. I admit
he has the slight disadvantage of being, beyond all question, off
his head. He has that real disadvantage which has arisen out of
the modern worship of progress and novelty; and he thinks anything
odd and new must be an advance. If you went to him and proposed to
eat your grandmother, he would agree with you, so long as you put
it on hygienic and public grounds, as a cheap alternative to
cremation. So long as you progress fast enough it seems a matter
of indifference to him whether you are progressing to the stars or
the devil. So his house is filled with an endless succession of
literary and political fashions; men who wear long hair because it
is romantic; men who wear short hair because it is medical; men
who walk on their feet only to exercise their hands; and men who
walk on their hands for fear of tiring their feet. But though the
inhabitants of his salons are generally fools, like himself, they
are almost always, like himself, good men. I am really surprised
to see a criminal enter there."

"My good fellow," I said firmly, striking my foot on the pavement,
"the truth of this affair is very simple. To use your own eloquent
language, you have the `slight disadvantage' of being off your
head. You see a total stranger in a public street; you choose to
start certain theories about his eyebrows. You then treat him as a
burglar because he enters an honest man's door. The thing is too
monstrous. Admit that it is, Basil, and come home with me. Though
these people are still having tea, yet with the distance we have to
go, we shall be late for dinner."

Basil's eyes were shining in the twilight like lamps.

"I thought," he said, "that I had outlived vanity."

"What do you want now?" I cried.

"I want," he cried out, "what a girl wants when she wears her new
frock; I want what a boy wants when he goes in for a clanging match
with a monitor--I want to show somebody what a fine fellow I am. I
am as right about that man as I am about your having a hat on your
head. You say it cannot be tested. I say it can. I will take you to
see my old friend Beaumont. He is a delightful man to know."

"Do you really mean--?" I began.

"I will apologize," he said calmly, "for our not being dressed
for a call," and walking across the vast misty square, he walked
up the dark stone steps and rang at the bell.

A severe servant in black and white opened the door to us: on
receiving my friend's name his manner passed in a flash from
astonishment to respect. We were ushered into the house very
quickly, but not so quickly but that our host, a white-haired
man with a fiery face, came out quickly to meet us.

"My dear fellow," he cried, shaking Basil's hand again and again,
"I have not seen you for years. Have you been--er--" he said,
rather wildly, "have you been in the country?"

"Not for all that time," answered Basil, smiling. "I have long
given up my official position, my dear Philip, and have been
living in a deliberate retirement. I hope I do not come at an
inopportune moment."

"An inopportune moment," cried the ardent gentleman. "You come at
the most opportune moment I could imagine. Do you know who is
here?"

"I do not," answered Grant, with gravity. Even as he spoke a roar
of laughter came from the inner room.

"Basil," said Lord Beaumont solemnly, "I have Wimpole here."

"And who is Wimpole?"

"Basil," cried the other, "you must have been in the country.
You must have been in the antipodes. You must have been in the
moon. Who is Wimpole? Who was Shakespeare?"

"As to who Shakespeare was," answered my friend placidly, "my views
go no further than thinking that he was not Bacon. More probably he
was Mary Queen of Scots. But as to who Wimpole is--" and his speech
also was cloven with a roar of laughter from within.

"Wimpole!" cried Lord Beaumont, in a sort of ecstasy. "Haven't
you heard of the great modern wit? My dear fellow, he has turned
conversation, I do not say into an art--for that, perhaps, it
always was but into a great art, like the statuary of Michael
Angelo--an art of masterpieces. His repartees, my good friend,
startle one like a man shot dead. They are final; they are--"

Again there came the hilarious roar from the room, and almost with
the very noise of it, a big, panting apoplectic old gentleman came
out of the inner house into the hall where we were standing.

"Now, my dear chap," began Lord Beaumont hastily.

"I tell you, Beaumont, I won't stand it," exploded the large old
gentleman. "I won't be made game of by a twopenny literary
adventurer like that. I won't be made a guy. I won't--"

"Come, come," said Beaumont feverishly. "Let me introduce you.
This is Mr Justice Grant--that is, Mr Grant. Basil, I am sure you
have heard of Sir Walter Cholmondeliegh."

"Who has not?" asked Grant, and bowed to the worthy old baronet,
eyeing him with some curiosity. He was hot and heavy in his
momentary anger, but even that could not conceal the noble though
opulent outline of his face and body, the florid white hair, the
Roman nose, the body stalwart though corpulent, the chin
aristocratic though double. He was a magnificent courtly gentleman;
so much of a gentleman that he could show an unquestionable
weakness of anger without altogether losing dignity; so much of a
gentleman that even his faux pas were well-bred.

"I am distressed beyond expression, Beaumont," he said gruffly,
"to fail in respect to these gentlemen, and even more especially
to fail in it in your house. But it is not you or they that are
in any way concerned, but that flashy half-caste jackanapes--"

At this moment a young man with a twist of red moustache and a
sombre air came out of the inner room. He also did not seem to be
greatly enjoying the intellectual banquet within.

"I think you remember my friend and secretary, Mr Drummond," said
Lord Beaumont, turning to Grant, "even if you only remember him as
a schoolboy."

"Perfectly," said the other. Mr Drummond shook hands pleasantly
and respectfully, but the cloud was still on his brow. Turning to
Sir Walter Cholmondeliegh, he said:

"I was sent by Lady Beaumont to express her hope that you were not
going yet, Sir Walter. She says she has scarcely seen anything of
you."

The old gentleman, still red in the face, had a temporary internal
struggle; then his good manners triumphed, and with a gesture of
obeisance and a vague utterance of, "If Lady Beaumont . . . a lady,
of course," he followed the young man back into the salon. He had
scarcely been deposited there half a minute before another peal of
laughter told that he had (in all probability) been scored off
again.

"Of course, I can excuse dear old Cholmondeliegh," said Beaumont,
as he helped us off with our coats. "He has not the modern mind."

"What is the modern mind?" asked Grant.

"Oh, it's enlightened, you know, and progressive--and faces the
facts of life seriously." At this moment another roar of laughter
came from within.

"I only ask," said Basil, "because of the last two friends of yours
who had the modern mind; one thought it wrong to eat fishes and the
other thought it right to eat men. I beg your pardon--this way, if
I remember right."

"Do you know," said Lord Beaumont, with a sort of feverish
entertainment, as he trotted after us towards the interior, "I can
never quite make out which side you are on. Sometimes you seem so
liberal and sometimes so reactionary. Are you a modern, Basil?"

"No," said Basil, loudly and cheerfully, as he entered the crowded
drawing-room.

This caused a slight diversion, and some eyes were turned away
from our slim friend with the Oriental face for the first time
that afternoon. Two people, however, still looked at him. One was
the daughter of the house, Muriel Beaumont, who gazed at him with
great violet eyes and with the intense and awful thirst of the
female upper class for verbal amusement and stimulus. The other
was Sir Walter Cholmondeliegh, who looked at him with a still and
sullen but unmistakable desire to throw him out of the window.

He sat there, coiled rather than seated on the easy chair;
everything from the curves of his smooth limbs to the coils of his
silvered hair suggesting the circles of a serpent more than the
straight limbs of a man--the unmistakable, splendid serpentine
gentleman we had seen walking in North London, his eyes shining
with repeated victory.

"What I can't understand, Mr Wimpole," said Muriel Beaumont
eagerly, "is how you contrive to treat all this so easily. You say
things quite philosophical and yet so wildly funny. If I thought
of such things, I'm sure I should laugh outright when the thought
first came."

"I agree with Miss Beaumont," said Sir Walter, suddenly exploding
with indignation. "If I had thought of anything so futile, I should
find it difficult to keep my countenance."

"Difficult to keep your countenance," cried Mr Wimpole, with an air
of alarm; "oh, do keep your countenance! Keep it in the British
Museum."

Every one laughed uproariously, as they always do at an already
admitted readiness, and Sir Walter, turning suddenly purple,
shouted out:

"Do you know who you are talking to, with your confounded
tomfooleries?"

"I never talk tomfooleries," said the other, "without first knowing
my audience."

Grant walked across the room and tapped the red-moustached
secretary on the shoulder. That gentleman was leaning against the
wall regarding the whole scene with a great deal of gloom; but, I
fancied, with very particular gloom when his eyes fell on the young
lady of the house rapturously listening to Wimpole.

"May I have a word with you outside, Drummond?" asked Grant. "It is
about business. Lady Beaumont will excuse us."

I followed my friend, at his own request, greatly wondering, to
this strange external interview. We passed abruptly into a kind of
side room out of the hall.

"Drummond," said Basil sharply, "there are a great many good
people, and a great many sane people here this afternoon.
Unfortunately, by a kind of coincidence, all the good people are
mad, and all the sane people are wicked. You are the only person I
know of here who is honest and has also some common sense. What do
you make of Wimpole?"

Mr Secretary Drummond had a pale face and red hair; but at this his
face became suddenly as red as his moustache.

"I am not a fair judge of him," he said.

"Why not?" asked Grant.

"Because I hate him like hell," said the other, after a long pause
and violently.

Neither Grant nor I needed to ask the reason; his glances towards
Miss Beaumont and the stranger were sufficiently illuminating.
Grant said quietly:

"But before--before you came to hate him, what did you really think
of him?"

"I am in a terrible difficulty," said the young man, and his voice
told us, like a clear bell, that he was an honest man. "If I spoke
about him as I feel about him now, I could not trust myself. And I
should like to be able to say that when I first saw him I thought
he was charming. But again, the fact is I didn't. I hate him, that
is my private affair. But I also disapprove of him--really I do
believe I disapprove of him quite apart from my private feelings.
When first he came, I admit he was much quieter, but I did not
like, so to speak, the moral swell of him. Then that jolly old Sir
Walter Cholmondeliegh got introduced to us, and this fellow, with
his cheap-jack wit, began to score off the old man in the way he
does now. Then I felt that he must be a bad lot; it must be bad to
fight the old and the kindly. And he fights the poor old chap
savagely, unceasingly, as if he hated old age and kindliness. Take,
if you want it, the evidence of a prejudiced witness. I admit that
I hate the man because a certain person admires him. But I believe
that apart from that I should hate the man because old Sir Walter
hates him."

This speech affected me with a genuine sense of esteem and pity for
the young man; that is, of pity for him because of his obviously
hopeless worship of Miss Beaumont, and of esteem for him because of
the direct realistic account of the history of Wimpole which he had
given. Still, I was sorry that he seemed so steadily set against
the man, and could not help referring it to an instinct of his
personal relations, however nobly disguised from himself.

In the middle of these meditations, Grant whispered in my ear what
was perhaps the most startling of all interruptions.

"In the name of God, let's get away."

I have never known exactly in how odd a way this odd old man
affected me. I only know that for some reason or other he so
affected me that I was, within a few minutes, in the street
outside.

"This," he said, "is a beastly but amusing affair."

"What is?" I asked, baldly enough.

"This affair. Listen to me, my old friend. Lord and Lady Beaumont
have just invited you and me to a grand dinner-party this very
night, at which Mr Wimpole will be in all his glory. Well, there
is nothing very extraordinary about that. The extraordinary thing
is that we are not going."

"Well, really," I said, "it is already six o'clock and I doubt if
we could get home and dress. I see nothing extraordinary in the
fact that we are not going."

"Don't you?" said Grant. "I'll bet you'll see something
extraordinary in what we're doing instead."

I looked at him blankly.

"Doing instead?" I asked. "What are we doing instead?"

"Why," said he, "we are waiting for one or two hours outside this
house on a winter evening. You must forgive me; it is all my
vanity. It is only to show you that I am right. Can you, with the
assistance of this cigar, wait until both Sir Walter Cholmondeliegh
and the mystic Wimpole have left this house?"

"Certainly," I said. "But I do not know which is likely to leave
first. Have you any notion?"

"No," he said. "Sir Walter may leave first in a glow of rage. Or
again, Mr Wimpole may leave first, feeling that his last epigram is
a thing to be flung behind him like a firework. And Sir Walter may
remain some time to analyse Mr Wimpole's character. But they will
both have to leave within reasonable time, for they will both have
to get dressed and come back to dinner here tonight."

As he spoke the shrill double whistle from the porch of the great
house drew a dark cab to the dark portal. And then a thing happened
that we really had not expected. Mr Wimpole and Sir Walter
Cholmondeliegh came out at the same moment.

They paused for a second or two opposite each other in a natural
doubt; then a certain geniality, fundamental perhaps in both of
them, made Sir Walter smile and say: "The night is foggy. Pray
take my cab."

Before I could count twenty the cab had gone rattling up the street
with both of them. And before I could count twenty-three Grant had
hissed in my ear:

"Run after the cab; run as if you were running from a mad dog--
run."

We pelted on steadily, keeping the cab in sight, through dark mazy
streets. God only, I thought, knows why we are running at all, but
we are running hard. Fortunately we did not run far. The cab pulled
up at the fork of two streets and Sir Walter paid the cabman, who
drove away rejoicing, having just come in contact with the more
generous among the rich. Then the two men talked together as men do
talk together after giving and receiving great insults, the talk
which leads either to forgiveness or a duel--at least so it seemed
as we watched it from ten yards off. Then the two men shook hands
heartily, and one went down one fork of the road and one down
another.

Basil, with one of his rare gestures, flung his arms forward.

"Run after that scoundrel," he cried; "let us catch him now."

We dashed across the open space and reached the juncture of two paths.

"Stop!" I shouted wildly to Grant. "That's the wrong turning."

He ran on.

"Idiot!" I howled. "Sir Walter's gone down there. Wimpole has
slipped us. He's half a mile down the other road. You're wrong . . .
Are you deaf? You're wrong!"

"I don't think I am," he panted, and ran on.

"But I saw him!" I cried. "Look in front of you. Is that Wimpole?
It's the old man . . . What are you doing? What are we to do?"

"Keep running," said Grant.

Running soon brought us up to the broad back of the pompous old
baronet, whose white whiskers shone silver in the fitful lamplight.
My brain was utterly bewildered. I grasped nothing.

"Charlie," said Basil hoarsely, "can you believe in my common sense
for four minutes?"

"Of course," I said, panting.

"Then help me to catch that man in front and hold him down. Do it
at once when I say `Now'. Now!"

We sprang on Sir Walter Cholmondeliegh, and rolled that portly old
gentleman on his back. He fought with a commendable valour, but we
got him tight. I had not the remotest notion why. He had a splendid
and full-blooded vigour; when he could not box he kicked, and we
bound him; when he could not kick he shouted, and we gagged him.
Then, by Basil's arrangement, we dragged him into a small court by
the street side and waited. As I say, I had no notion why.

"I am sorry to incommode you," said Basil calmly out of the
darkness; "but I have made an appointment here."

"An appointment!" I said blankly.

"Yes," he said, glancing calmly at the apoplectic old aristocrat gagged on the ground, whose eyes were starting impotently from his head. "I have made an appointment here with a thoroughly nice young fellow. An old friend. Jasper Drummond his name is--you may have met him this afternoon at the Beaumonts. He can scarcely come though till the Beaumonts' dinner is over."

For I do not know how many hours we stood there calmly in the darkness. By the time those hours were over I had thoroughly made up my mind that the same thing had happened which had happened long ago on the bench of a British Court of Justice. Basil Grant had gone mad. I could imagine no other explanation of the facts, with the portly, purple-faced old country gentleman flung there strangled on the floor like a bundle of wood.

After about four hours a lean figure in evening dress rushed into
the court. A glimpse of gaslight showed the red moustache and white
face of Jasper Drummond.

"Mr Grant," he said blankly, "the thing is incredible. You were
right; but what did you mean? All through this dinner-party, where
dukes and duchesses and editors of Quarterlies had come especially
to hear him, that extraordinary Wimpole kept perfectly silent. He
didn't say a funny thing. He didn't say anything at all. What does
it mean?"

Grant pointed to the portly old gentleman on the ground.

"That is what it means," he said.

Drummond, on observing a fat gentleman lying so calmly about the
place, jumped back, as from a mouse.

"What?" he said weakly, ". . . what?"

Basil bent suddenly down and tore a paper out of Sir Walter's
breastpocket, a paper which the baronet, even in his hampered
state, seemed to make some effort to retain.

It was a large loose piece of white wrapping paper, which Mr Jasper
Drummond read with a vacant eye and undisguised astonishment. As
far as he could make out, it consisted of a series of questions and
answers, or at least of remarks and replies, arranged in the manner
of a catechism. The greater part of the document had been torn and
obliterated in the struggle, but the termination remained. It ran
as follows:

C. Says . . . Keep countenance.

W. Keep . . . British Museum.

C. Know whom talk . . . absurdities.

W. Never talk absurdities without

"What is it?" cried Drummond, flinging the paper down in a sort of
final fury.

"What is it?" replied Grant, his voice rising into a kind of
splendid chant. "What is it? It is a great new profession. A great
new trade. A trifle immoral, I admit, but still great, like
piracy."

"A new profession!" said the young man with the red moustache
vaguely; "a new trade!"

"A new trade," repeated Grant, with a strange exultation, "a new
profession! What a pity it is immoral."

"But what the deuce is it?" cried Drummond and I in a breath of
blasphemy.

"It is," said Grant calmly, "the great new trade of the Organizer
of Repartee. This fat old gentleman lying on the ground strikes
you, as I have no doubt, as very stupid and very rich. Let me clear
his character. He is, like ourselves, very clever and very poor. He
is also not really at all fat; all that is stuffing. He is not
particularly old, and his name is not Cholmondeliegh. He is a
swindler, and a swindler of a perfectly delightful and novel kind.
He hires himself out at dinner-parties to lead up to other people's
repartees. According to a preconcerted scheme (which you may find
on that piece of paper), he says the stupid things he has arranged
for himself, and his client says the clever things arranged for
him. In short, he allows himself to be scored off for a guinea a
night."

"And this fellow Wimpole--" began Drummond with indignation.

"This fellow Wimpole," said Basil Grant, smiling, "will not be an
intellectual rival in the future. He had some fine things, elegance
and silvered hair, and so on. But the intellect is with our friend
on the floor."

"That fellow," cried Drummond furiously, "that fellow ought to be
in gaol."

"Not at all," said Basil indulgently; "he ought to be in the Club
of Queer Trades."

Chapter 3

The Awful Reason of the Vicar's Visit

The revolt of Matter against Man (which I believe to exist) has now
been reduced to a singular condition. It is the small things rather
than the large things which make war against us and, I may add,
beat us. The bones of the last mammoth have long ago decayed, a
mighty wreck; the tempests no longer devour our navies, nor the
mountains with hearts of fire heap hell over our cities. But we are
engaged in a bitter and eternal war with small things; chiefly with
microbes and with collar studs. The stud with which I was engaged
(on fierce and equal terms) as I made the above reflections, was
one which I was trying to introduce into my shirt collar when a
loud knock came at the door.

My first thought was as to whether Basil Grant had called to fetch
me. He and I were to turn up at the same dinner-party (for which I
was in the act of dressing), and it might be that he had taken it
into his head to come my way, though we had arranged to go
separately. It was a small and confidential affair at the table of
a good but unconventional political lady, an old friend of his. She
had asked us both to meet a third guest, a Captain Fraser, who had
made something of a name and was an authority on chimpanzees. As
Basil was an old friend of the hostess and I had never seen her, I
felt that it was quite possible that he (with his usual social
sagacity) might have decided to take me along in order to break the
ice. The theory, like all my theories, was complete; but as a fact
it was not Basil.

I was handed a visiting card inscribed: "Rev. Ellis Shorter", and
underneath was written in pencil, but in a hand in which even hurry
could not conceal a depressing and gentlemanly excellence, "Asking
the favour of a few moments' conversation on a most urgent
matter."!

I had already subdued the stud, thereby proclaiming that the image
of God has supremacy over all matters (a valuable truth), and
throwing on my dress-coat and waistcoat, hurried into the
drawing-room. He rose at my entrance, flapping like a seal; I can
use no other description. He flapped a plaid shawl over his right
arm; he flapped a pair of pathetic black gloves; he flapped his
clothes; I may say, without exaggeration, that he flapped his
eyelids, as he rose. He was a bald-browed, white-haired,
white-whiskered old clergyman, of a flappy and floppy type. He
said:

"I am so sorry. I am so very sorry. I am so extremely sorry. I come
--I can only say--I can only say in my defence, that I come--upon
an important matter. Pray forgive me."

I told him I forgave perfectly and waited.

"What I have to say," he said brokenly, "is so dreadful--it is so
dreadful--I have lived a quiet life."

I was burning to get away, for it was already doubtful if I should
be in time for dinner. But there was something about the old man's
honest air of bitterness that seemed to open to me the
possibilities of life larger and more tragic than my own.

I said gently: "Pray go on."

Nevertheless the old gentleman, being a gentleman as well as old,
noticed my secret impatience and seemed still more unmanned.

"I'm so sorry," he said meekly; "I wouldn't have come--but for--
your friend Major Brown recommended me to come here."

"Major Brown!" I said, with some interest.

"Yes," said the Reverend Mr Shorter, feverishly flapping his plaid
shawl about. "He told me you helped him in a great difficulty--and
my difficulty! Oh, my dear sir, it's a matter of life and death."

I rose abruptly, in an acute perplexity. "Will it take long, Mr
Shorter?" I asked. "I have to go out to dinner almost at once."

He rose also, trembling from head to foot, and yet somehow, with
all his moral palsy, he rose to the dignity of his age and his
office.

"I have no right, Mr Swinburne--I have no right at all," he said.
"If you have to go out to dinner, you have of course--a perfect
right--of course a perfect right. But when you come back--a man
will be dead."

And he sat down, quaking like a jelly.

The triviality of the dinner had been in those two minutes dwarfed
and drowned in my mind. I did not want to go and see a political
widow, and a captain who collected apes; I wanted to hear what had
brought this dear, doddering old vicar into relation with immediate
perils.

"Will you have a cigar?" I said.

"No, thank you," he said, with indescribable embarrassment, as if
not smoking cigars was a social disgrace.

"A glass of wine?" I said.

"No, thank you, no, thank you; not just now," he repeated with
that hysterical eagerness with which people who do not drink at
all often try to convey that on any other night of the week they
would sit up all night drinking rum-punch. "Not just now, thank
you."

"Nothing else I can get for you?" I said, feeling genuinely sorry
for the well-mannered old donkey. "A cup of tea?"

I saw a struggle in his eye and I conquered. When the cup of tea
came he drank it like a dipsomaniac gulping brandy. Then he fell
back and said:

"I have had such a time, Mr Swinburne. I am not used to these
excitements. As Vicar of Chuntsey, in Essex'--he threw this in
with an indescribable airiness of vanity--'I have never known
such things happen."

"What things happen?" I asked.

He straightened himself with sudden dignity.

"As Vicar of Chuntsey, in Essex," he said, "I have never been
forcibly dressed up as an old woman and made to take part in a
crime in the character of an old woman. Never once. My experience
may be small. It may be insufficient. But it has never occurred
to me before."

"I have never heard of it," I said, "as among the duties of a
clergyman. But I am not well up in church matters. Excuse me if
perhaps I failed to follow you correctly. Dressed up--as what?"

"As an old woman," said the vicar solemnly, "as an old woman."

I thought in my heart that it required no great transformation to
make an old woman of him, but the thing was evidently more tragic
than comic, and I said respectfully:

"May I ask how it occurred?"

"I will begin at the beginning," said Mr Shorter, "and I will tell
my story with the utmost possible precision. At seventeen minutes
past eleven this morning I left the vicarage to keep certain
appointments and pay certain visits in the village. My first visit
was to Mr Jervis, the treasurer of our League of Christian
Amusements, with whom I concluded some business touching the claim
made by Parkes the gardener in the matter of the rolling of our
tennis lawn. I then visited Mrs Arnett, a very earnest
churchwoman, but permanently bedridden. She is the author of
several small works of devotion, and of a book of verse, entitled
(unless my memory misleads me) Eglantine."

He uttered all this not only with deliberation, but with something
that can only be called, by a contradictory phrase, eager
deliberation. He had, I think, a vague memory in his head of the
detectives in the detective stories, who always sternly require
that nothing should be kept back.

"I then proceeded," he went on, with the same maddening
conscientiousness of manner, "to Mr Carr (not Mr James Carr, of
course; Mr Robert Carr) who is temporarily assisting our organist,
and having consulted with him (on the subject of a choir boy who
is accused, I cannot as yet say whether justly or not, of cutting
holes in the organ pipes), I finally dropped in upon a Dorcas
meeting at the house of Miss Brett. The Dorcas meetings are
usually held at the vicarage, but my wife being unwell, Miss
Brett, a newcomer in our village, but very active in church work,
had very kindly consented to hold them. The Dorcas society is
entirely under my wife's management as a rule, and except for Miss
Brett, who, as I say, is very active, I scarcely know any members
of it. I had, however, promised to drop in on them, and I did so.

"When I arrived there were only four other maiden ladies with Miss
Brett, but they were sewing very busily. It is very difficult, of
course, for any person, however strongly impressed with the
necessity in these matters of full and exact exposition of the
facts, to remember and repeat the actual details of a
conversation, particularly a conversation which (though inspired
with a most worthy and admirable zeal for good work) was one which
did not greatly impress the hearer's mind at the time and was in
fact--er--mostly about socks. I can, however, remember distinctly
that one of the spinster ladies (she was a thin person with a
woollen shawl, who appeared to feel the cold, and I am almost sure
she was introduced to me as Miss James) remarked that the weather
was very changeable. Miss Brett then offered me a cup of tea,
which I accepted, I cannot recall in what words. Miss Brett is a
short and stout lady with white hair. The only other figure in the
group that caught my attention was a Miss Mowbray, a small and
neat lady of aristocratic manners, silver hair, and a high voice
and colour. She was the most emphatic member of the party; and her
views on the subject of pinafores, though expressed with a natural
deference to myself, were in themselves strong and advanced.
Beside her (although all five ladies were dressed simply in black)
it could not be denied that the others looked in some way what you
men of the world would call dowdy.

"After about ten minutes' conversation I rose to go, and as I did
so I heard something which--I cannot describe it--something which
seemed to--but I really cannot describe it."

"What did you hear?" I asked, with some impatience.

"I heard," said the vicar solemnly, "I heard Miss Mowbray (the
lady with the silver hair) say to Miss James (the lady with the
woollen shawl), the following extraordinary words. I committed
them to memory on the spot, and as soon as circumstances set me
free to do so, I noted them down on a piece of paper. I believe I
have it here." He fumbled in his breast-pocket, bringing out mild
things, note-books, circulars and programmes of village concerts.
"I heard Miss Mowbray say to Miss James, the following words:
`Now's your time, Bill.'"

He gazed at me for a few moments after making this announcement,
gravely and unflinchingly, as if conscious that here he was
unshaken about his facts. Then he resumed, turning his bald head
more towards the fire.

"This appeared to me remarkable. I could not by any means
understand it. It seemed to me first of all peculiar that one
maiden lady should address another maiden lady as `Bill'. My
experience, as I have said, may be incomplete; maiden ladies may
have among themselves and in exclusively spinster circles wilder
customs than I am aware of. But it seemed to me odd, and I could
almost have sworn (if you will not misunderstand the phrase), I
should have been strongly impelled to maintain at the time that
the words, `Now's your time, Bill', were by no means pronounced
with that upper-class intonation which, as I have already said,
had up to now characterized Miss Mowbray's conversation. In fact,
the words, `Now's your time, Bill', would have been, I fancy,
unsuitable if pronounced with that upper-class intonation.

"I was surprised, I repeat, then, at the remark. But I was still
more surprised when, looking round me in bewilderment, my hat and
umbrella in hand, I saw the lean lady with the woollen shawl
leaning upright against the door out of which I was just about to
make my exit. She was still knitting, and I supposed that this
erect posture against the door was only an eccentricity of
spinsterhood and an oblivion of my intended departure.

"I said genially, `I am so sorry to disturb you, Miss James, but I
must really be going. I have--er--' I stopped here, for the words
she had uttered in reply, though singularly brief and in tone
extremely business-like, were such as to render that arrest of my
remarks, I think, natural and excusable. I have these words also
noted down. I have not the least idea of their meaning; so I have
only been able to render them phonetically. But she said," and Mr
Shorter peered short-sightedly at his papers, "she said: `Chuck it,
fat 'ead,' and she added something that sounded like `It's a kop',
or (possibly) `a kopt'. And then the last cord, either of my sanity
or the sanity of the universe, snapped suddenly. My esteemed friend
and helper, Miss Brett, standing by the mantelpiece, said: `Put 'is
old 'ead in a bag, Sam, and tie 'im up before you start jawin'.
You'll be kopt yourselves some o' these days with this way of coin'
things, har lar theater.'

"My head went round and round. Was it really true, as I had
suddenly fancied a moment before, that unmarried ladies had some
dreadful riotous society of their own from which all others were
excluded? I remembered dimly in my classical days (I was a scholar
in a small way once, but now, alas! rusty), I remembered the
mysteries of the Bona Dea and their strange female freemasonry. I
remembered the witches' Sabbaths. I was just, in my absurd
lightheadedness, trying to remember a line of verse about Diana's
nymphs, when Miss Mowbray threw her arm round me from behind. The
moment it held me I knew it was not a woman's arm.

"Miss Brett--or what I had called Miss Brett--was standing in front
of me with a big revolver in her hand and a broad grin on her face.
Miss James was still leaning against the door, but had fallen into
an attitude so totally new, and so totally unfeminine, that it gave
one a shock. She was kicking her heels, with her hands in her
pockets and her cap on one side. She was a man. I mean he was a
wo--no, that is I saw that instead of being a woman she--he, I
mean--that is, it was a man."

Mr Shorter became indescribably flurried and flapping in
endeavouring to arrange these genders and his plaid shawl at the
same time. He resumed with a higher fever of nervousness:

"As for Miss Mowbray, she--he, held me in a ring of iron. He had
her arm--that is she had his arm--round her neck--my neck I mean--
and I could not cry out. Miss Brett--that is, Mr Brett, at least Mr
something who was not Miss Brett--had the revolver pointed at me.
The other two ladies--or er--gentlemen, were rummaging in some bag
in the background. It was all clear at last: they were criminals
dressed up as women, to kidnap me! To kidnap the Vicar of Chuntsey,
in Essex. But why? Was it to be Nonconformists?

"The brute leaning against the door called out carelessly, `'Urry
up, 'Arry. Show the old bloke what the game is, and let's get off.'

"`Curse 'is eyes,' said Miss Brett--I mean the man with the
revolver--`why should we show 'im the game?'

"`If you take my advice you bloomin' well will,' said the man at
the door, whom they called Bill. `A man wot knows wet 'e's doin' is
worth ten wot don't, even if 'e's a potty old parson.'

"`Bill's right enough,' said the coarse voice of the man who held
me (it had been Miss Mowbray's). `Bring out the picture, 'Arry.'

"The man with the revolver walked across the room to where the
other two women--I mean men--were turning over baggage, and asked
them for something which they gave him. He came back with it across
the room and held it out in front of me. And compared to the
surprise of that display, all the previous surprises of this awful
day shrank suddenly.

"It was a portrait of myself. That such a picture should be in the
hands of these scoundrels might in any case have caused a mild
surprise; but no more. It was no mild surprise that I felt. The
likeness was an extremely good one, worked up with all the
accessories of the conventional photographic studio. I was leaning
my head on my hand and was relieved against a painted landscape of
woodland. It was obvious that it was no snapshot; it was clear that
I had sat for this photograph. And the truth was that I had never
sat for such a photograph. It was a photograph that I had never had
taken.

"I stared at it again and again. It seemed to me to be touched up a
good deal; it was glazed as well as framed, and the glass blurred
some of the details. But there unmistakably was my face, my eyes,
my nose and mouth, my head and hand, posed for a professional
photographer. And I had never posed so for any photographer.

"`Be'old the bloomin' miracle,' said the man with the revolver,
with ill-timed facetiousness. `Parson, prepare to meet your God.'
And with this he slid the glass out of the frame. As the glass
moved, I saw that part of the picture was painted on it in Chinese
white, notably a pair of white whiskers and a clerical collar. And
underneath was a portrait of an old lady in a quiet black dress,
leaning her head on her hand against the woodland landscape. The
old lady was as like me as one pin is like another. It had required
only the whiskers and the collar to make it me in every hair.

"`Entertainin', ain't it?' said the man described as 'Arry, as he
shot the glass back again. `Remarkable resemblance, parson.
Gratifyin' to the lady. Gratifyin' to you. And hi may hadd,
particlery gratifyin' to us, as bein' the probable source of a
very tolerable haul. You know Colonel Hawker, the man who's come
to live in these parts, don't you?'

"I nodded.

"`Well,' said the man 'Arry, pointing to the picture, `that's 'is
mother. 'Oo ran to catch 'im when 'e fell? She did,' and he flung
his fingers in a general gesture towards the photograph of the old
lady who was exactly like me.

"`Tell the old gent wot 'e's got to do and be done with it,' broke
out Bill from the door. `Look 'ere, Reverend Shorter, we ain't
goin' to do you no 'arm. We'll give you a sov. for your trouble if
you like. And as for the old woman's clothes--why, you'll look
lovely in 'em.'

"`You ain't much of a 'and at a description, Bill,' said the man
behind me. `Mr Shorter, it's like this. We've got to see this man
Hawker tonight. Maybe 'e'll kiss us all and 'ave up the champagne
when 'e sees us. Maybe on the other 'and--'e won't. Maybe 'e'll be
dead when we goes away. Maybe not. But we've got to see 'im. Now as
you know, 'e shuts 'isself up and never opens the door to a soul;
only you don't know why and we does. The only one as can ever get
at 'im is 'is mother. Well, it's a confounded funny coincidence,'
he said, accenting the penultimate, `it's a very unusual piece of
good luck, but you're 'is mother.'

"`When first I saw 'er picture,' said the man Bill, shaking his
head in a ruminant manner, `when I first saw it I said--old
Shorter. Those were my exact words--old Shorter.'

"`What do you mean, you wild creatures?' I gasped. `What am I to
do?'

"`That's easy said, your 'oldness,' said the man with the revolver,
good-humouredly; `you've got to put on those clothes,' and he
pointed to a poke-bonnet and a heap of female clothes in the corner
of the room.

"I will not dwell, Mr Swinburne, upon the details of what followed.
I had no choice. I could not fight five men, to say nothing of a
loaded pistol. In five minutes, sir, the Vicar of Chuntsey was
dressed as an old woman--as somebody else's mother, if you
please--and was dragged out of the house to take part in a crime.

"It was already late in the afternoon, and the nights of winter
were closing in fast. On a dark road, in a blowing wind, we set out
towards the lonely house of Colonel Hawker, perhaps the queerest
cortege that ever straggled up that or any other road. To every
human eye, in every external, we were six very respectable old
ladies of small means, in black dresses and refined but antiquated
bonnets; and we were really five criminals and a clergyman.

"I will cut a long story short. My brain was whirling like a
windmill as I walked, trying to think of some manner of escape. To
cry out, so long as we were far from houses, would be suicidal, for
it would be easy for the ruffians to knife me or to gag me and
fling me into a ditch. On the other hand, to attempt to stop
strangers and explain the situation was impossible, because of the
frantic folly of the situation itself. Long before I had persuaded
the chance postman or carrier of so absurd a story, my companions
would certainly have got off themselves, and in all probability
would have carried me off, as a friend of theirs who had the
misfortune to be mad or drunk. The last thought, however, was an
inspiration; though a very terrible one. Had it come to this, that
the Vicar of Chuntsey must pretend to be mad or drunk? It had come
to this.

"I walked along with the rest up the deserted road, imitating and
keeping pace, as far as I could, with their rapid and yet lady-like
step, until at length I saw a lamp-post and a policeman standing
under it. I had made up my mind. Until we reached them we were all
equally demure and silent and swift. When we reached them I
suddenly flung myself against the railings and roared out: `Hooray!
Hooray! Hooray! Rule Britannia! Get your 'air cut. Hoop-la! Boo!'
It was a condition of no little novelty for a man in my position.

"The constable instantly flashed his lantern on me, or the
draggled, drunken old woman that was my travesty. `Now then, mum,'
he began gruffly.

"`Come along quiet, or I'll eat your heart,' cried Sam in my ear
hoarsely. `Stop, or I'll flay you.' It was frightful to hear the
words and see the neatly shawled old spinster who whispered them.

"I yelled, and yelled--I was in for it now. I screamed comic
refrains that vulgar young men had sung, to my regret, at our
village concerts; I rolled to and fro like a ninepin about to fall.

"`If you can't get your friend on quiet, ladies,' said the
policeman, `I shall have to take 'er up. Drunk and disorderly she
is right enough.'

"I redoubled my efforts. I had not been brought up to this sort of
thing; but I believe I eclipsed myself. Words that I did not know I
had ever heard of seemed to come pouring out of my open mouth.

"`When we get you past,' whispered Bill, `you'll howl louder;
you'll howl louder when we're burning your feet off.'

"I screamed in my terror those awful songs of joy. In all the
nightmares that men have ever dreamed, there has never been
anything so blighting and horrible as the faces of those five men,
looking out of their poke-bonnets; the figures of district visitors
with the faces of devils. I cannot think there is anything so
heart-breaking in hell.

"For a sickening instant I thought that the bustle of my companions
and the perfect respectability of all our dresses would overcome
the policeman and induce him to let us pass. He wavered, so far as
one can describe anything so solid as a policeman as wavering. I
lurched suddenly forward and ran my head into his chest, calling
out (if I remember correctly), `Oh, crikey, blimey, Bill.' It was
at that moment that I remembered most dearly that I was the Vicar
of Chuntsey, in Essex.

"My desperate coup saved me. The policeman had me hard by the back
of the neck.

"`You come along with me,' he began, but Bill cut in with his
perfect imitation of a lady's finnicking voice.

"`Oh, pray, constable, don't make a disturbance with our poor
friend. We will get her quietly home. She does drink too much, but
she is quite a lady--only eccentric.'

"`She butted me in the stomach,' said the policeman briefly.

"`Eccentricities of genius,' said Sam earnestly.

"`Pray let me take her home,' reiterated Bill, in the resumed
character of Miss James, `she wants looking after.' `She does,'
said the policeman, `but I'll look after her.'

"`That's no good,' cried Bill feverishly. `She wants her friends.
She wants a particular medicine we've got.'

"`Yes,' assented Miss Mowbray, with excitement, `no other medicine
any good, constable. Complaint quite unique.'

"`I'm all righ'. Cutchy, cutchy, coo!' remarked, to his eternal
shame, the Vicar of Chuntsey.

"`Look here, ladies,' said the constable sternly, `I don't like the
eccentricity of your friend, and I don't like 'er songs, or 'er
'ead in my stomach. And now I come to think of it, I don't like the
looks of you I've seen many as quiet dressed as you as was wrong
'uns. Who are you?'

"`We've not our cards with us,' said Miss Mowbray, with
indescribable dignity. `Nor do we see why we should be insulted by
any Jack-in-office who chooses to be rude to ladies, when he is
paid to protect them. If you choose to take advantage of the
weakness of our unfortunate friend, no doubt you are legally
entitled to take her. But if you fancy you have any legal right to
bully us, you will find yourself in the wrong box.'

"The truth and dignity of this staggered the policeman for a
moment. Under cover of their advantage my five persecutors turned
for an instant on me faces like faces of the damned and then
swished off into the darkness. When the constable first turned his
lantern and his suspicions on to them, I had seen the telegraphic
look flash from face to face saying that only retreat was possible
now.

"By this time I was sinking slowly to the pavement, in a state of
acute reflection. So long as the ruffians were with me, I dared not
quit the role of drunkard. For if I had begun to talk reasonably
and explain the real case, the officer would merely have thought
that I was slightly recovered and would have put me in charge of my
friends. Now, however, if I liked I might safely undeceive him.

"But I confess I did not like. The chances of life are many, and
it may doubtless sometimes lie in the narrow path of duty for a
clergyman of the Church of England to pretend to be a drunken old
woman; but such necessities are, I imagine, sufficiently rare to
appear to many improbable. Suppose the story got about that I had
pretended to be drunk. Suppose people did not all think it was
pretence!

"I lurched up, the policeman half-lifting me. I went along weakly
and quietly for about a hundred yards. The officer evidently
thought that I was too sleepy and feeble to effect an escape, and
so held me lightly and easily enough. Past one turning, two
turnings, three turnings, four turnings, he trailed me with him,
a limp and slow and reluctant figure. At the fourth turning, I
suddenly broke from his hand and tore down the street like a
maddened stag. He was unprepared, he was heavy, and it was dark.
I ran and ran and ran, and in five minutes' running, found I was
gaining. In half an hour I was out in the fields under the holy
and blessed stars, where I tore off my accursed shawl and bonnet
and buried them in clean earth."

The old gentleman had finished his story and leant back in his
chair. Both the matter and the manner of his narration had, as
time went on, impressed me favourably. He was an old duffer and
pedant, but behind these things he was a country-bred man and
gentleman, and had showed courage and a sporting instinct in the
hour of desperation. He had told his story with many quaint
formalities of diction, but also with a very convincing realism.

"And now--" I began.

"And now," said Shorter, leaning forward again with something like
servile energy, "and now, Mr Swinburne, what about that unhappy
man Hawker. I cannot tell what those men meant, or how far what
they said was real. But surely there is danger. I cannot go to the
police, for reasons that you perceive. Among other things, they
wouldn't believe me. What is to be done?"

I took out my watch. It was already half past twelve.

"My friend Basil Grant," I said, "is the best man we can go to. He
and I were to have gone to the same dinner tonight; but he will
just have come back by now. Have you any objection to taking a
cab?"

"Not at all," he replied, rising politely, and gathering up his
absurd plaid shawl.

A rattle in a hansom brought us underneath the sombre pile of
workmen's flats in Lambeth which Grant inhabited; a climb up a
wearisome wooden staircase brought us to his garret. When I
entered that wooden and scrappy interior, the white gleam of
Basil's shirt-front and the lustre of his fur coat flung on the
wooden settle, struck me as a contrast. He was drinking a glass
of wine before retiring. I was right; he had come back from the
dinner-party.

He listened to the repetition of the story of the Rev. Ellis
Shorter with the genuine simplicity and respect which he never
failed to exhibit in dealing with any human being. When it was
over he said simply:

"Do you know a man named Captain Fraser?"

I was so startled at this totally irrelevant reference to the
worthy collector of chimpanzees with whom I ought to have dined
that evening, that I glanced sharply at Grant. The result was
that I did not look at Mr Shorter. I only heard him answer, in
his most nervous tone, "No."

Basil, however, seemed to find something very curious about his
answer or his demeanour generally, for he kept his big blue eyes
fixed on the old clergyman, and though the eyes were quite quiet
they stood out more and more from his head.

"You are quite sure, Mr Shorter," he repeated, "that you don't
know Captain Fraser?"

"Quite," answered the vicar, and I was certainly puzzled to
find him returning so much to the timidity, not to say the
demoralization, of his tone when he first entered my presence.

Basil sprang smartly to his feet.

"Then our course is clear," he said. "You have not even begun your
investigation, my dear Mr Shorter; the first thing for us to do is
to go together to see Captain Fraser."

"When?" asked the clergyman, stammering.

"Now," said Basil, putting one arm in his fur coat.

The old clergyman rose to his feet, quaking all over.

"I really do not think that it is necessary," he said.

Basil took his arm out of the fur coat, threw it over the chair
again, and put his hands in his pockets.

"Oh," he said, with emphasis. "Oh--you don't think it necessary;
then," and he added the words with great clearness and
deliberation, "then, Mr Ellis Shorter, I can only say that I would
like to see you without your whiskers."

And at these words I also rose to my feet, for the great tragedy
of my life had come. Splendid and exciting as life was in
continual contact with an intellect like Basil's, I had always the
feeling that that splendour and excitement were on the borderland
of sanity. He lived perpetually near the vision of the reason of
things which makes men lose their reason. And I felt of his
insanity as men feel of the death of friends with heart disease.
It might come anywhere, in a field, in a hansom cab, looking at a
sunset, smoking a cigarette. It had come now. At the very moment
of delivering a judgement for the salvation of a fellow creature,
Basil Grant had gone mad.

"Your whiskers," he cried, advancing with blazing eyes. "Give me
your whiskers. And your bald head."

The old vicar naturally retreated a step or two. I stepped
between.

"Sit down, Basil," I implored, "you're a little excited. Finish
your wine."

"Whiskers," he answered sternly, "whiskers."

And with that he made a dash at the old gentleman, who made a dash
for the door, but was intercepted. And then, before I knew where I
was the quiet room was turned into something between a pantomime
and a pandemonium by those two. Chairs were flung over with a
crash, tables were vaulted with a noise like thunder, screens were
smashed, crockery scattered in smithereens, and still Basil Grant
bounded and bellowed after the Rev. Ellis Shorter.

And now I began to perceive something else, which added the last
half-witted touch to my mystification. The Rev. Ellis Shorter, of
Chuntsey, in Essex, was by no means behaving as I had previously
noticed him to behave, or as, considering his age and station, I
should have expected him to behave. His power of dodging, leaping,
and fighting would have been amazing in a lad of seventeen, and in
this doddering old vicar looked like a sort of farcical
fairy-tale. Moreover, he did not seem to be so much astonished as
I had thought. There was even a look of something like enjoyment
in his eyes; so there was in the eye of Basil. In fact, the
unintelligible truth must be told. They were both laughing.

At length Shorter was cornered.

"Come, come, Mr Grant," he panted, "you can't do anything to me.
It's quite legal. And it doesn't do any one the least harm. It's
only a social fiction. A result of our complex society, Mr Grant."

"I don't blame you, my man," said Basil coolly. "But I want your
whiskers. And your bald head. Do they belong to Captain Fraser?"

"No, no," said Mr Shorter, laughing, "we provide them ourselves.
They don't belong to Captain Fraser."

"What the deuce does all this mean?" I almost screamed. "Are you
all in an infernal nightmare? Why should Mr Shorter's bald head
belong to Captain Fraser? How could it? What the deuce has Captain
Fraser to do with the affair? What is the matter with him? You
dined with him, Basil."

"No," said Grant, "I didn't."

"Didn't you go to Mrs Thornton's dinner-party?" I asked, staring.
"Why not?"

"Well," said Basil, with a slow and singular smile, "the fact is I
was detained by a visitor. I have him, as a point of fact, in my
bedroom."

"In your bedroom?" I repeated; but my imagination had reached that
point when he might have said in his coal scuttle or his waistcoat
pocket.

Grant stepped to the door of an inner room, flung it open and
walked in. Then he came out again with the last of the bodily
wonders of that wild night. He introduced into the sitting-room,
in an apologetic manner, and by the nape of the neck, a limp
clergyman with a bald head, white whiskers and a plaid shawl.

"Sit down, gentlemen," cried Grant, striking his hands heartily.
"Sit down all of you and have a glass of wine. As you say, there is
no harm in it, and if Captain Fraser had simply dropped me a hint I
could have saved him from dropping a good sum of money. Not that
you would have liked that, eh?"

The two duplicate clergymen, who were sipping their Burgundy with
two duplicate grins, laughed heartily at this, and one of them
carelessly pulled off his whiskers and laid them on the table.

"Basil," I said, "if you are my friend, save me. What is all this?"

He laughed again.

"Only another addition, Cherub, to your collection of Queer Trades.
These two gentlemen (whose health I have now the pleasure of
drinking) are Professional Detainers."

"And what on earth's that?" I asked.

"It's really very simple, Mr Swinburne," began he who had once
been the Rev. Ellis Shorter, of Chuntsey, in Essex; and it gave
me a shock indescribable to hear out of that pompous and familiar
form come no longer its own pompous and familiar voice, but the
brisk sharp tones of a young city man. "It is really nothing very
important. We are paid by our clients to detain in conversation,
on some harmless pretext, people whom they want out of the way
for a few hours. And Captain Fraser--" and with that he hesitated
and smiled.

Basil smiled also. He intervened.

"The fact is that Captain Fraser, who is one of my best friends,
wanted us both out of the way very much. He is sailing tonight for
East Africa, and the lady with whom we were all to have dined is--
er--what is I believe described as `the romance of his life'. He
wanted that two hours with her, and employed these two reverend
gentlemen to detain us at our houses so as to let him have the
field to himself."

"And of course," said the late Mr Shorter apologetically to me, "as
I had to keep a gentleman at home from keeping an appointment with
a lady, I had to come with something rather hot and strong--rather
urgent. It wouldn't have done to be tame."

"Oh," I said, "I acquit you of tameness."

"Thank you, sir," said the man respectfully, "always very grateful
for any recommendation, sir."

The other man idly pushed back his artificial bald head, revealing
close red hair, and spoke dreamily, perhaps under the influence of
Basil's admirable Burgundy.

"It's wonderful how common it's getting, gentlemen. Our office is
busy from morning till night. I've no doubt you've often knocked
up against us before. You just take notice. When an old bachelor
goes on boring you with hunting stories, when you're burning to be
introduced to somebody, he's from our bureau. When a lady calls on
parish work and stops hours, just when you wanted to go to the
Robinsons', she's from our bureau. The Robinson hand, sir, may be
darkly seen."

"There is one thing I don't understand," I said. "Why you are both
vicars."

A shade crossed the brow of the temporary incumbent of Chuntsey, in
Essex.

"That may have been a mistake, sir," he said. "But it was not our
fault. It was all the munificence of Captain Fraser. He requested
that the highest price and talent on our tariff should be employed
to detain you gentlemen. Now the highest payment in our office goes
to those who impersonate vicars, as being the most respectable and
more of a strain. We are paid five guineas a visit. We have had the
good fortune to satisfy the firm with our work; and we are now
permanently vicars. Before that we had two years as colonels, the
next in our scale. Colonels are four guineas."

Chapter 4

The Singular Speculation of the House-Agent

Lieutenant Drummond Keith was a man about whom conversation always
burst like a thunderstorm the moment he left the room. This arose
from many separate touches about him. He was a light, loose
person, who wore light, loose clothes, generally white, as if he
were in the tropics; he was lean and graceful, like a panther, and
he had restless black eyes.

He was very impecunious. He had one of the habits of the poor,
in a degree so exaggerated as immeasurably to eclipse the most
miserable of the unemployed; I mean the habit of continual change
of lodgings. There are inland tracts of London where, in the very
heart of artificial civilization, humanity has almost become
nomadic once more. But in that restless interior there was no
ragged tramp so restless as the elegant officer in the loose white
clothes. He had shot a great many things in his time, to judge
from his conversation, from partridges to elephants, but his
slangier acquaintances were of opinion that "the moon" had been
not unfrequently amid the victims of his victorious rifle. The
phrase is a fine one, and suggests a mystic, elvish, nocturnal
hunting.

He carried from house to house and from parish to parish a kit
which consisted practically of five articles. Two odd-looking,
large-bladed spears, tied together, the weapons, I suppose, of
some savage tribe, a green umbrella, a huge and tattered copy of
the Pickwick Papers, a big game rifle, and a large sealed jar of
some unholy Oriental wine. These always went into every new
lodging, even for one night; and they went in quite undisguised,
tied up in wisps of string or straw, to the delight of the poetic
gutter boys in the little grey streets.

I had forgotten to mention that he always carried also his old
regimental sword. But this raised another odd question about him.
Slim and active as he was, he was no longer very young. His hair,
indeed, was quite grey, though his rather wild almost Italian
moustache retained its blackness, and his face was careworn under
its almost Italian gaiety. To find a middle-aged man who has left
the Army at the primitive rank of lieutenant is unusual and not
necessarily encouraging. With the more cautious and solid this
fact, like his endless flitting, did the mysterious gentleman no
good.

Lastly, he was a man who told the kind of adventures which win a
man admiration, but not respect. They came out of queer places,
where a good man would scarcely find himself, out of opium dens and
gambling hells; they had the heat of the thieves' kitchens or
smelled of a strange smoke from cannibal incantations. These are
the kind of stories which discredit a person almost equally whether
they are believed or no. If Keith's tales were false he was a liar;
if they were true he had had, at any rate, every opportunity of
being a scamp.

He had just left the room in which I sat with Basil Grant and his
brother Rupert, the voluble amateur detective. And as I say was
invariably the case, we were all talking about him. Rupert Grant
was a clever young fellow, but he had that tendency which youth and
cleverness, when sharply combined, so often produce, a somewhat
extravagant scepticism. He saw doubt and guilt everywhere, and it
was meat and drink to him. I had often got irritated with this
boyish incredulity of his, but on this particular occasion I am
bound to say that I thought him so obviously right that I was
astounded at Basil's opposing him, however banteringly.

I could swallow a good deal, being naturally of a simple turn, but
I could not swallow Lieutenant Keith's autobiography.

"You don't seriously mean, Basil," I said, "that you think that
that fellow really did go as a stowaway with Nansen and pretend to
be the Mad Mullah and--"

"He has one fault," said Basil thoughtfully, "or virtue, as you
may happen to regard it. He tells the truth in too exact and bald
a style; he is too veracious."

"Oh! if you are going to be paradoxical," said Rupert
contemptuously, "be a bit funnier than that. Say, for instance,
that he has lived all his life in one ancestral manor."

"No, he's extremely fond of change of scene," replied Basil
dispassionately, "and of living in odd places. That doesn't
prevent his chief trait being verbal exactitude. What you people
don't understand is that telling a thing crudely and coarsely as
it happened makes it sound frightfully strange. The sort of things
Keith recounts are not the sort of things that a man would make up
to cover himself with honour; they are too absurd. But they are
the sort of things that a man would do if he were sufficiently
filled with the soul of skylarking."

"So far from paradox," said his brother, with something rather
like a sneer, "you seem to be going in for journalese proverbs. Do
you believe that truth is stranger than fiction?"

"Truth must of necessity be stranger than fiction," said Basil
placidly. "For fiction is the creation of the human mind, and
therefore is congenial to it."

"Well, your lieutenant's truth is stranger, if it is truth, than
anything I ever heard of," said Rupert, relapsing into flippancy.
"Do you, on your soul, believe in all that about the shark and the
camera?"

"I believe Keith's words," answered the other. "He is an honest
man."

"I should like to question a regiment of his landladies," said
Rupert cynically.

"I must say, I think you can hardly regard him as unimpeachable
merely in himself," I said mildly; "his mode of life--"

Before I could complete the sentence the door was flung open and
Drummond Keith appeared again on the threshold, his white Panama
on his head.

"I say, Grant," he said, knocking off his cigarette ash against
the door, "I've got no money in the world till next April. Could
you lend me a hundred pounds? There's a good chap."

Rupert and I looked at each other in an ironical silence. Basil,
who was sitting by his desk, swung the chair round idly on its
screw and picked up a quill-pen.

"Shall I cross it?" he asked, opening a cheque-book.

"Really," began Rupert, with a rather nervous loudness, "since
Lieutenant Keith has seen fit to make this suggestion to Basil
before his family, I--"

"Here you are, Ugly," said Basil, fluttering a cheque in the
direction of the quite nonchalant officer. "Are you in a hurry?"

"Yes," replied Keith, in a rather abrupt way. "As a matter of fact
I want it now. I want to see my--er--business man."

Rupert was eyeing him sarcastically, and I could see that it was
on the tip of his tongue to say, inquiringly, "Receiver of stolen
goods, perhaps." What he did say was:

"A business man? That's rather a general description, Lieutenant
Keith."

Keith looked at him sharply, and then said, with something rather
like ill-temper:

"He's a thingum-my-bob, a house-agent, say. I'm going to see him."

"Oh, you're going to see a house-agent, are you?" said Rupert Grant
grimly. "Do you know, Mr Keith, I think I should very much like to
go with you?"

Basil shook with his soundless laughter. Lieutenant Keith started
a little; his brow blackened sharply.

"I beg your pardon," he said. "What did you say?"

Rupert's face had been growing from stage to stage of ferocious
irony, and he answered:

"I was saying that I wondered whether you would mind our strolling
along with you to this house-agent's."

The visitor swung his stick with a sudden whirling violence.

"Oh, in God's name, come to my house-agent's! Come to my bedroom.
Look under my bed. Examine my dust-bin. Come along!" And with a
furious energy which took away our breath he banged his way out of
the room.

Rupert Grant, his restless blue eyes dancing with his detective
excitement, soon shouldered alongside him, talking to him with that
transparent camaraderie which he imagined to be appropriate from
the disguised policeman to the disguised criminal. His
interpretation was certainly corroborated by one particular detail,
the unmistakable unrest, annoyance, and nervousness of the man with
whom he walked. Basil and I tramped behind, and it was not
necessary for us to tell each other that we had both noticed this.

Lieutenant Drummond Keith led us through very extraordinary and
unpromising neighbourhoods in the search for his remarkable
house-agent. Neither of the brothers Grant failed to notice this
fact. As the streets grew closer and more crooked and the roofs
lower and the gutters grosser with mud, a darker curiosity deepened
on the brows of Basil, and the figure of Rupert seen from behind
seemed to fill the street with a gigantic swagger of success. At
length, at the end of the fourth or fifth lean grey street in that
sterile district, we came suddenly to a halt, the mysterious
lieutenant looking once more about him with a sort of sulky
desperation. Above a row of shutters and a door, all indescribably
dingy in appearance and in size scarce sufficient even for a penny
toyshop, ran the inscription: "P. Montmorency, House-Agent."

"This is the office of which I spoke," said Keith, in a cutting
voice. "Will you wait here a moment, or does your astonishing
tenderness about my welfare lead you to wish to overhear everything
I have to say to my business adviser?"

Rupert's face was white and shaking with excitement; nothing on
earth would have induced him now to have abandoned his prey.

"If you will excuse me," he said, clenching his hands behind his
back, "I think I should feel myself justified in--"

"Oh! Come along in," exploded the lieutenant. He made the same
gesture of savage surrender. And he slammed into the office, the
rest of us at his heels.

P. Montmorency, House-Agent, was a solitary old gentleman sitting
behind a bare brown counter. He had an egglike head, froglike jaws,
and a grey hairy fringe of aureole round the lower part of his
face; the whole combined with a reddish, aquiline nose. He wore a
shabby black frock-coat, a sort of semi-clerical tie worn at a very
unclerical angle, and looked, generally speaking, about as unlike a
house-agent as anything could look, short of something like a
sandwich man or a Scotch Highlander.

We stood inside the room for fully forty seconds, and the odd old
gentleman did not look at us. Neither, to tell the truth, odd as he
was, did we look at him. Our eyes were fixed, where his were fixed,
upon something that was crawling about on the counter in front of
him. It was a ferret.

The silence was broken by Rupert Grant. He spoke in that sweet and
steely voice which he reserved for great occasions and practised
for hours together in his bedroom. He said:

"Mr Montmorency, I think?"

The old gentleman started, lifted his eyes with a bland
bewilderment, picked up the ferret by the neck, stuffed it alive
into his trousers pocket, smiled apologetically, and said:

"Sir."

"You are a house-agent, are you not?" asked Rupert.

To the delight of that criminal investigator, Mr Montmorency's eyes
wandered unquietly towards Lieutenant Keith, the only man present
that he knew.

"A house-agent," cried Rupert again, bringing out the word as if it
were "burglar'.

"Yes . . . oh, yes," said the man, with a quavering and almost
coquettish smile. "I am a house-agent . . . oh, yes."

"Well, I think," said Rupert, with a sardonic sleekness, "that
Lieutenant Keith wants to speak to you. We have come in by his
request."

Lieutenant Keith was lowering gloomily, and now he spoke.

"I have come, Mr Montmorency, about that house of mine."

"Yes, sir," said Montmorency, spreading his fingers on the flat
counter. "It's all ready, sir. I've attended to all your
suggestions er--about the br--"

"Right," cried Keith, cutting the word short with the startling
neatness of a gunshot. "We needn't bother about all that. If
you've done what I told you, all right."

And he turned sharply towards the door.

Mr Montmorency, House-Agent, presented a picture of pathos. After
stammering a moment he said: "Excuse me . . . Mr Keith . . . there
was another matter . . . about which I wasn't quite sure. I tried
to get all the heating apparatus possible under the circumstances
. . . but in winter . . . at that elevation . . ."

"Can't expect much, eh?" said the lieutenant, cutting in with
the same sudden skill. "No, of course not. That's all right,
Montmorency. There can't be any more difficulties," and he put
his hand on the handle of the door.

"I think," said Rupert Grant, with a satanic suavity, "that Mr
Montmorency has something further to say to you, lieutenant."

"Only," said the house-agent, in desperation, "what about the
birds?"

"I beg your pardon," said Rupert, in a general blank.

"What about the birds?" said the house-agent doggedly.

Basil, who had remained throughout the procedings in a state of
Napoleonic calm, which might be more accurately described as a
state of Napoleonic stupidity, suddenly lifted his leonine head.

"Before you go, Lieutenant Keith," he said. "Come now. Really,
what about the birds?"

"I'll take care of them," said Lieutenant Keith, still with his
long back turned to us; "they shan't suffer."

"Thank you, sir, thank you," cried the incomprehensible
house-agent, with an air of ecstasy. "You'll excuse my concern,
sir. You know I'm wild on wild animals. I'm as wild as any of
them on that. Thank you, sir. But there's another thing. . ."

The lieutenant, with his back turned to us, exploded with an
indescribable laugh and swung round to face us. It was a laugh,
the purport of which was direct and essential, and yet which one
cannot exactly express. As near as it said anything, verbally
speaking, it said: "Well, if you must spoil it, you must. But you
don't know what you're spoiling."

"There is another thing," continued Mr Montmorency weakly. "Of
course, if you don't want to be visited you'll paint the house
green, but--"

"Green!" shouted Keith. "Green! Let it be green or nothing. I
won't have a house of another colour. Green!" and before we could
realize anything the door had banged between us and the street.

Rupert Grant seemed to take a little time to collect himself; but
he spoke before the echoes of the door died away.

"Your client, Lieutenant Keith, appears somewhat excited," he
said. "What is the matter with him? Is he unwell?"

"Oh, I should think not," said Mr Montmorency, in some confusion.
"The negotiations have been somewhat difficult--the house is
rather--"

"Green," said Rupert calmly. "That appears to be a very important
point. It must be rather green. May I ask you, Mr Montmorency,
before I rejoin my companion outside, whether, in your business,
it is usual to ask for houses by their colour? Do clients write
to a house-agent asking for a pink house or a blue house? Or, to
take another instance, for a green house?"

"Only," said Montmorency, trembling, "only to be inconspicuous."

Rupert had his ruthless smile. "Can you tell me any place on earth
in which a green house would be inconspicuous?"

The house-agent was fidgeting nervously in his pocket. Slowly
drawing out a couple of lizards and leaving them to run on the
counter, he said:

"No; I can't."

"You can't suggest an explanation?"

"No," said Mr Montmorency, rising slowly and yet in such a way as
to suggest a sudden situation, "I can't. And may I, as a busy man,
be excused if I ask you, gentlemen, if you have any demand to make
of me in connection with my business. What kind of house would you
desire me to get for you, sir?"

He opened his blank blue eyes on Rupert, who seemed for the second
staggered. Then he recovered himself with perfect common sense and
answered:

"I am sorry, Mr Montmorency. The fascination of your remarks has
unduly delayed us from joining our friend outside. Pray excuse my
apparent impertinence."

"Not at all, sir," said the house-agent, taking a South American
spider idly from his waistcoat pocket and letting it climb up the
slope of his desk. "Not at all, sir. I hope you will favour me
again."

Rupert Grant dashed out of the office in a gust of anger, anxious
to face Lieutenant Keith. He was gone. The dull, starlit street was
deserted.

"What do you say now?" cried Rupert to his brother. His brother
said nothing now.

We all three strode down the street in silence, Rupert feverish,
myself dazed, Basil, to all appearance, merely dull. We walked
through grey street after grey street, turning corners, traversing
squares, scarcely meeting anyone, except occasional drunken knots
of two or three.

In one small street, however, the knots of two or three began
abruptly to thicken into knots of five or six and then into great
groups and then into a crowd. The crowd was stirring very slightly.
But anyone with a knowledge of the eternal populace knows that if
the outside rim of a crowd stirs ever so slightly it means that
there is madness in the heart and core of the mob. It soon became
evident that something really important had happened in the centre
of this excitement. We wormed our way to the front, with the
cunning which is known only to cockneys, and once there we soon
learned the nature of the difficulty. There had been a brawl
concerned with some six men, and one of them lay almost dead on the
stones of the street. Of the other four, all interesting matters
were, as far as we were concerned, swallowed up in one stupendous
fact. One of the four survivors of the brutal and perhaps fatal
scuffle was the immaculate Lieutenant Keith, his clothes torn to
ribbons, his eyes blazing, blood on his knuckles. One other thing,
however, pointed at him in a worse manner. A short sword, or very
long knife, had been drawn out of his elegant walking-stick, and
lay in front of him upon the stones. It did not, however, appear to
be bloody.

The police had already pushed into the centre with their ponderous
omnipotence, and even as they did so, Rupert Grant sprang forward
with his incontrollable and intolerable secret.

"That is the man, constable," he shouted, pointing at the battered
lieutenant. "He is a suspicious character. He did the murder."

"There's been no murder done, sir," said the policeman, with his
automatic civility. "The poor man's only hurt. I shall only be
able to take the names and addresses of the men in the scuffle
and have a good eye kept on them."

"Have a good eye kept on that one," said Rupert, pale to the lips,
and pointing to the ragged Keith.

"All right, sir," said the policeman unemotionally, and went the
round of the people present, collecting the addresses. When he had
completed his task the dusk had fallen and most of the people not
immediately connected with the examination had gone away. He still
found, however, one eager-faced stranger lingering on the
outskirts of the affair. It was Rupert Grant.

"Constable," he said, "I have a very particular reason for asking
you a question. Would you mind telling me whether that military
fellow who dropped his sword-stick in the row gave you an address
or not?"

"Yes, sir," said the policeman, after a reflective pause; "yes, he
gave me his address."

"My name is Rupert Grant," said that individual, with some pomp.
"I have assisted the police on more than one occasion. I wonder
whether you would tell me, as a special favour, what address?"

The constable looked at him.

"Yes," he said slowly, "if you like. His address is: The Elms,
Buxton Common, near Purley, Surrey."

"Thank you," said Rupert, and ran home through the gathering night
as fast as his legs could carry him, repeating the address to
himself.

Rupert Grant generally came down late in a rather lordly way to
breakfast; he contrived, I don't know how, to achieve always the
attitude of the indulged younger brother. Next morning, however,
when Basil and I came down we found him ready and restless.

"Well," he said sharply to his brother almost before we sat down to
the meal. "What do you think of your Drummond Keith now?"

"What do I think of him?" inquired Basil slowly. "I don't think
anything of him."

"I'm glad to hear it," said Rupert, buttering his toast with an
energy that was somewhat exultant. "I thought you'd come round to
my view, but I own I was startled at your not seeing it from the
beginning. The man is a translucent liar and knave."

"I think," said Basil, in the same heavy monotone as before, "that
I did not make myself clear. When I said that I thought nothing of
him I meant grammatically what I said. I meant that I did not think
about him; that he did not occupy my mind. You, however, seem to me
to think a lot of him, since you think him a knave. I should say he
was glaringly good myself."

"I sometimes think you talk paradox for its own sake," said Rupert,
breaking an egg with unnecessary sharpness. "What the deuce is the
sense of it? Here's a man whose original position was, by our
common agreement, dubious. He's a wanderer, a teller of tall tales,
a man who doesn't conceal his acquaintance with all the blackest
and bloodiest scenes on earth. We take the trouble to follow him to
one of his appointments, and if ever two human beings were plotting
together and lying to every one else, he and that impossible
house-agent were doing it. We followed him home, and the very same
night he is in the thick of a fatal, or nearly fatal, brawl, in
which he is the only man armed. Really, if this is being glaringly
good, I must confess that the glare does not dazzle me."

Basil was quite unmoved. "I admit his moral goodness is of a
certain kind, a quaint, perhaps a casual kind. He is very fond of
change and experiment. But all the points you so ingeniously make
against him are mere coincidence or special pleading. It's true he
didn't want to talk about his house business in front of us. No
man would. It's true that he carries a sword-stick. Any man might.
It's true he drew it in the shock of a street fight. Any man
would. But there's nothing really dubious in all this. There's
nothing to confirm--"

As he spoke a knock came at the door.

"If you please, sir," said the landlady, with an alarmed air,
"there's a policeman wants to see you."

"Show him in," said Basil, amid the blank silence.

The heavy, handsome constable who appeared at the door spoke
almost as soon as he appeared there.

"I think one of you gentlemen," he said, curtly but respectfully,
"was present at the affair in Copper Street last night, and drew
my attention very strongly to a particular man."

Rupert half rose from his chair, with eyes like diamonds, but the
constable went on calmly, referring to a paper.

"A young man with grey hair. Had light grey clothes, very good, but
torn in the struggle. Gave his name as Drummond Keith."

"This is amusing," said Basil, laughing. "I was in the very act of
clearing that poor officer's character of rather fanciful
aspersions. What about him?"

"Well, sir," said the constable, "I took all the men's addresses
and had them all watched. It wasn't serious enough to do more than
that. All the other addresses are all right. But this man Keith
gave a false address. The place doesn't exist."

The breakfast table was nearly flung over as Rupert sprang up,
slapping both his thighs.

"Well, by all that's good," he cried. "This is a sign from heaven."

"It's certainly very extraordinary," said Basil quietly, with
knitted brows. "It's odd the fellow should have given a false
address, considering he was perfectly innocent in the--"

"Oh, you jolly old early Christian duffer," cried Rupert, in a
sort of rapture, "I don't wonder you couldn't be a judge. You
think every one as good as yourself. Isn't the thing plain enough
now? A doubtful acquaintance; rowdy stories, a most suspicious
conversation, mean streets, a concealed knife, a man nearly
killed, and, finally, a false address. That's what we call glaring
goodness."

"It's certainly very extraordinary," repeated Basil. And he
strolled moodily about the room. Then he said: "You are quite
sure, constable, that there's no mistake? You got the address
right, and the police have really gone to it and found it was a
fraud?"

"It was very simple, sir," said the policeman, chuckling. "The
place he named was a well-known common quite near London, and our
people were down there this morning before any of you were awake.
And there's no such house. In fact, there are hardly any houses at
all. Though it is so near London, it's a blank moor with hardly
five trees on it, to say nothing of Christians. Oh, no, sir, the
address was a fraud right enough. He was a clever rascal, and
chose one of those scraps of lost England that people know nothing
about. Nobody could say off-hand that there was not a particular
house dropped somewhere about the heath. But as a fact, there
isn't."

Basil's face during this sensible speech had been growing darker
and darker with a sort of desperate sagacity. He was cornered
almost for the first time since I had known him; and to tell the
truth I rather wondered at the almost childish obstinacy which kept
him so close to his original prejudice in favour of the wildly
questionable lieutenant. At length he said:

"You really searched the common? And the address was really not
known in the district--by the way, what was the address?"

The constable selected one of his slips of paper and consulted it,
but before he could speak Rupert Grant, who was leaning in the
window in a perfect posture of the quiet and triumphant detective,
struck in with the sharp and suave voice he loved so much to use.

"Why, I can tell you that, Basil," he said graciously as he idly
plucked leaves from a plant in the window. "I took the precaution
to get this man's address from the constable last night."

"And what was it?" asked his brother gruffly.

"The constable will correct me if I am wrong," said Rupert,
looking sweetly at the ceiling. "It was: The Elms, Buxton
Common, near Purley, Surrey."

"Right, sir," said the policeman, laughing and folding up his
papers.

There was a silence, and the blue eyes of Basil looked blindly for
a few seconds into the void. Then his head fell back in his chair
so suddenly that I started up, thinking him ill. But before I could
move further his lips had flown apart (I can use no other phrase)
and a peal of gigantic laughter struck and shook the ceiling--
laughter that shook the laughter, laughter redoubled, laughter
incurable, laughter that could not stop.

Two whole minutes afterwards it was still unended; Basil was ill
with laughter; but still he laughed. The rest of us were by this
time ill almost with terror.

"Excuse me," said the insane creature, getting at last to his feet.
"I am awfully sorry. It is horribly rude. And stupid, too. And also
unpractical, because we have not much time to lose if we're to get
down to that place. The train service is confoundedly bad, as I
happen to know. It's quite out of proportion to the comparatively
small distance."

"Get down to that place?" I repeated blankly. "Get down to what
place?"

"I have forgotten its name," said Basil vaguely, putting his hands
in his pockets as he rose. "Something Common near Purley. Has any
one got a timetable?"

"You don't seriously mean," cried Rupert, who had been staring in
a sort of confusion of emotions. "You don't mean that you want to
go to Buxton Common, do you? You can't mean that!"

"Why shouldn't I go to Buxton Common?" asked Basil, smiling.

"Why should you?" said his brother, catching hold again restlessly
of the plant in the window and staring at the speaker.

"To find our friend, the lieutenant, of course," said Basil Grant.
"I thought you wanted to find him?"

Rupert broke a branch brutally from the plant and flung it
impatiently on the floor. "And in order to find him," he said,
"you suggest the admirable expedient of going to the only place
on the habitable earth where we know he can't be."

The constable and I could not avoid breaking into a kind of
assenting laugh, and Rupert, who had family eloquence, was
encouraged to go on with a reiterated gesture:

"He may be in Buckingham Palace; he may be sitting astride the
cross of St Paul's; he may be in jail (which I think most likely);
he may be in the Great Wheel; he may be in my pantry; he may be in
your store cupboard; but out of all the innumerable points of
space, there is only one where he has just been systematically
looked for and where we know that he is not to be found--and that,
if I understand you rightly, is where you want us to go."

"Exactly," said Basil calmly, getting into his great-coat; "I
thought you might care to accompany me. If not, of course, make
yourselves jolly here till I come back."

It is our nature always to follow vanishing things and value them
if they really show a resolution to depart. We all followed Basil,
and I cannot say why, except that he was a vanishing thing, that
he vanished decisively with his great-coat and his stick. Rupert
ran after him with a considerable flurry of rationality.

"My dear chap," he cried, "do you really mean that you see any good
in going down to this ridiculous scrub, where there is nothing but
beaten tracks and a few twisted trees, simply because it was the
first place that came into a rowdy lieutenant's head when he wanted
to give a lying reference in a scrape?"

"Yes," said Basil, taking out his watch, "and, what's worse, we've
lost the train."

He paused a moment and then added: "As a matter of fact, I think
we may just as well go down later in the day. I have some writing
to do, and I think you told me, Rupert, that you thought of going
to the Dulwich Gallery. I was rather too impetuous. Very likely he
wouldn't be in. But if we get down by the 5.15, which gets to
Purley about 6, I expect we shall just catch him."

"Catch him!" cried his brother, in a kind of final anger. "I wish
we could. Where the deuce shall we catch him now?"

"I keep forgetting the name of the common," said Basil, as he
buttoned up his coat. "The Elms--what is it? Buxton Common, near
Purley. That's where we shall find him."

"But there is no such place," groaned Rupert; but he followed his
brother downstairs.

We all followed him. We snatched our hats from the hat-stand and
our sticks from the umbrella-stand; and why we followed him we did
not and do not know. But we always followed him, whatever was the
meaning of the fact, whatever was the nature of his mastery. And
the strange thing was that we followed him the more completely the
more nonsensical appeared the thing which he said. At bottom, I
believe, if he had risen from our breakfast table and said: "I am
going to find the Holy Pig with Ten Tails," we should have followed
him to the end of the world.

I don't know whether this mystical feeling of mine about Basil on
this occasion has got any of the dark and cloudy colour, so to
speak, of the strange journey that we made the same evening. It was
already very dense twilight when we struck southward from Purley.
Suburbs and things on the London border may be, in most cases,
commonplace and comfortable. But if ever by any chance they really
are empty solitudes they are to the human spirit more desolate and
dehumanized than any Yorkshire moors or Highland hills, because the
suddenness with which the traveller drops into that silence has
something about it as of evil elf-land. It seems to be one of the
ragged suburbs of the cosmos half-forgotten by God--such a place
was Buxton Common, near Purley.

There was certainly a sort of grey futility in the landscape
itself. But it was enormously increased by the sense of grey
futility in our expedition. The tracts of grey turf looked
useless, the occasional wind-stricken trees looked useless, but
we, the human beings, more useless than the hopeless turf or the
idle trees. We were maniacs akin to the foolish landscape, for we
were come to chase the wild goose which has led men and left men
in bogs from the beginning. We were three dazed men under the
captaincy of a madman going to look for a man whom we knew was not
there in a house that had no existence. A livid sunset seemed to
look at us with a sort of sickly smile before it died.

Basil went on in front with his coat collar turned up, looking in
the gloom rather like a grotesque Napoleon. We crossed swell after
swell of the windy common in increasing darkness and entire
silence. Suddenly Basil stopped and turned to us, his hands in his
pockets. Through the dusk I could just detect that he wore a broad
grin as of comfortable success.

"Well," he cried, taking his heavily gloved hands out of his
pockets and slapping them together, "here we are at last."

The wind swirled sadly over the homeless heath; two desolate elms
rocked above us in the sky like shapeless clouds of grey. There was
not a sign of man or beast to the sullen circle of the horizon, and
in the midst of that wilderness Basil Grant stood rubbing his hands
with the air of an innkeeper standing at an open door.

"How jolly it is," he cried, "to get back to civilization. That
notion that civilization isn't poetical is a civilised delusion.
Wait till you've really lost yourself in nature, among the devilish
woodlands and the cruel flowers. Then you'll know that there's no
star like the red star of man that he lights on his hearthstone; no
river like the red river of man, the good red wine, which you, Mr
Rupert Grant, if I have any knowledge of you, will be drinking in
two or three minutes in enormous quantities."

Rupert and I exchanged glances of fear. Basil went on heartily, as
the wind died in the dreary trees.

"You'll find our host a much more simple kind of fellow in his own
house. I did when I visited him when he lived in the cabin at
Yarmouth, and again in the loft at the city warehouse. He's really
a very good fellow. But his greatest virtue remains what I said
originally."

"What do you mean?" I asked, finding his speech straying towards a
sort of sanity. "What is his greatest virtue?"

"His greatest virtue," replied Basil, "is that he always tells the
literal truth."

"Well, really," cried Rupert, stamping about between cold and
anger, and slapping himself like a cabman, "he doesn't seem to have
been very literal or truthful in this case, nor you either. Why the
deuce, may I ask, have you brought us out to this infernal place?"

"He was too truthful, I confess," said Basil, leaning against the
tree; "too hardly veracious, too severely accurate. He should have
indulged in a little more suggestiveness and legitimate romance.
But come, it's time we went in. We shall be late for dinner."

Rupert whispered to me with a white face:

"Is it a hallucination, do you think? Does he really fancy he sees
a house?"

"I suppose so," I said. Then I added aloud, in what was meant to be
a cheery and sensible voice, but which sounded in my ears almost as
strange as the wind:

"Come, come, Basil, my dear fellow. Where do you want us to go?"

"Why, up here," cried Basil, and with a bound and a swing he was
above our heads, swarming up the grey column of the colossal tree.

"Come up, all of you," he shouted out of the darkness, with the
voice of a schoolboy. "Come up. You'll be late for dinner."

The two great elms stood so close together that there was scarcely
a yard anywhere, and in some places not more than a foot, between
them. Thus occasional branches and even bosses and boles formed a
series of footholds that almost amounted to a rude natural ladder.
They must, I supposed, have been some sport of growth, Siamese
twins of vegetation.

Why we did it I cannot think; perhaps, as I have said, the mystery
of the waste and dark had brought out and made primary something
wholly mystical in Basil's supremacy. But we only felt that there
was a giant's staircase going somewhere, perhaps to the stars; and
the victorious voice above called to us out of heaven. We hoisted
ourselves up after him.

Half-way up some cold tongue of the night air struck and sobered me
suddenly. The hypnotism of the madman above fell from me, and I saw
the whole map of our silly actions as clearly as if it were
printed. I saw three modern men in black coats who had begun with a
perfectly sensible suspicion of a doubtful adventurer and who had
ended, God knows how, half-way up a naked tree on a naked moorland,
far from that adventurer and all his works, that adventurer who was
at that moment, in all probability, laughing at us in some dirty
Soho restaurant. He had plenty to laugh at us about, and no doubt
he was laughing his loudest; but when I thought what his laughter
would be if he knew where we were at that moment, I nearly let go
of the tree and fell.

"Swinburne," said Rupert suddenly, from above, "what are we doing?
Let's get down again," and by the mere sound of his voice I knew
that he too felt the shock of wakening to reality.

"We can't leave poor Basil," I said. "Can't you call to him or get
hold of him by the leg?"

"He's too far ahead," answered Rupert; "he's nearly at the top
of the beastly thing. Looking for Lieutenant Keith in the rooks'
nests, I suppose."

We were ourselves by this time far on our frantic vertical
journey. The mighty trunks were beginning to sway and shake
slightly in the wind. Then I looked down and saw something which
made me feel that we were far from the world in a sense and to a
degree that I cannot easily describe. I saw that the almost
straight lines of the tall elm trees diminished a little in
perspective as they fell. I was used to seeing parallel lines
taper towards the sky. But to see them taper towards the earth
made me feel lost in space, like a falling star.

"Can nothing be done to stop Basil?" I called out.

"No," answered my fellow climber. "He's too far up. He must get
to the top, and when he finds nothing but wind and leaves he may
go sane again. Hark at him above there; you can just hear him
talking to himself."

"Perhaps he's talking to us," I said.

"No," said Rupert, "he'd shout if he was. I've never known him to
talk to himself before; I'm afraid he really is bad tonight; it's
a known sign of the brain going."

"Yes," I said sadly, and listened. Basil's voice certainly was
sounding above us, and not by any means in the rich and riotous
tones in which he had hailed us before. He was speaking quietly,
and laughing every now and then, up there among the leaves and
stars.

After a silence mingled with this murmur, Rupert Grant suddenly
said, "My God!" with a violent voice.

"What's the matter--are you hurt?" I cried, alarmed.

"No. Listen to Basil," said the other in a very strange voice.
"He's not talking to himself."

"Then he is talking to us," I cried.

"No," said Rupert simply, "he's talking to somebody else."

Great branches of the elm loaded with leaves swung about us in a
sudden burst of wind, but when it died down I could still hear
the conversational voice above. I could hear two voices.

Suddenly from aloft came Basil's boisterous hailing voice as
before: "Come up, you fellows. Here's Lieutenant Keith."

And a second afterwards came the half-American voice we had heard
in our chambers more than once. It called out:

"Happy to see you, gentlemen; pray come in."

Out of a hole in an enormous dark egg-shaped thing, pendent in
the branches like a wasps' nest, was protruding the pale face and
fierce moustache of the lieutenant, his teeth shining with that
slightly Southern air that belonged to him.

Somehow or other, stunned and speechless, we lifted ourselves
heavily into the opening. We fell into the full glow of a lamp-lit,
cushioned, tiny room, with a circular wall lined with books, a
circular table, and a circular seat around it. At this table sat
three people. One was Basil, who, in the instant after alighting
there, had fallen into an attitude of marmoreal ease as if he had
been there from boyhood; he was smoking a cigar with a slow
pleasure. The second was Lieutenant Drummond Keith, who looked
happy also, but feverish and doubtful compared with his granite
guest. The third was the little bald-headed house-agent with the
wild whiskers, who called himself Montmorency. The spears, the
green umbrella, and the cavalry sword hung in parallels on the
wall. The sealed jar of strange wine was on the mantelpiece, the
enormous rifle in the corner. In the middle of the table was a
magnum of champagne. Glasses were already set for us.

The wind of the night roared far below us, like an ocean at the
foot of a light-house. The room stirred slightly, as a cabin might
in a mild sea.

Our glasses were filled, and we still sat there dazed and dumb.
Then Basil spoke.

"You seem still a little doubtful, Rupert. Surely there is no
further question about the cold veracity of our injured host."

"I don't quite grasp it all," said Rupert, blinking still in the
sudden glare. "Lieutenant Keith said his address was--"

"It's really quite right, sir," said Keith, with an open smile.
"The bobby asked me where I lived. And I said, quite truthfully,
that I lived in the elms on Buxton Common, near Purley. So I do.
This gentleman, Mr Montmorency, whom I think you have met before,
is an agent for houses of this kind. He has a special line in
arboreal villas. It's being kept rather quiet at present, because
the people who want these houses don't want them to get too common.
But it's just the sort of thing a fellow like myself, racketing
about in all sorts of queer corners of London, naturally knocks up
against."

"Are you really an agent for arboreal villas?" asked Rupert
eagerly, recovering his ease with the romance of reality.

Mr Montmorency, in his embarrassment, fingered one of his pockets
and nervously pulled out a snake, which crawled about the table.

"W-well, yes, sir," he said. "The fact was--er--my people wanted me
very much to go into the house-agency business. But I never cared
myself for anything but natural history and botany and things like
that. My poor parents have been dead some years now, but--naturally
I like to respect their wishes. And I thought somehow that an
arboreal villa agency was a sort of--of compromise between being a
botanist and being a house-agent."

Rupert could not help laughing. "Do you have much custom?" he asked.

"N-not much," replied Mr Montmorency, and then he glanced at
Keith, who was (I am convinced) his only client. "But what there
is--very select."

"My dear friends," said Basil, puffing his cigar, "always remember
two facts. The first is that though when you are guessing about
any one who is sane, the sanest thing is the most likely; when you
are guessing about any one who is, like our host, insane, the
maddest thing is the most likely. The second is to remember that
very plain literal fact always seems fantastic. If Keith had taken
a little brick box of a house in Clapham with nothing but railings
in front of it and had written `The Elms' over it, you wouldn't
have thought there was anything fantastic about that. Simply
because it was a great blaring, swaggering lie you would have
believed it."

"Drink your wine, gentlemen," said Keith, laughing, "for this
confounded wind will upset it."

We drank, and as we did so, although the hanging house, by a
cunning mechanism, swung only slightly, we knew that the great
head of the elm tree swayed in the sky like a stricken thistle.

Chapter 5

The Noticeable Conduct of Professor Chadd

Basil Grant had comparatively few friends besides myself; yet he
was the reverse of an unsociable man. He would talk to any one
anywhere, and talk not only well but with perfectly genuine concern
and enthusiasm for that person's affairs. He went through the
world, as it were, as if he were always on the top of an omnibus or
waiting for a train. Most of these chance acquaintances, of course,
vanished into darkness out of his life. A few here and there got
hooked on to him, so to speak, and became his lifelong intimates,
but there was an accidental look about all of them as if they were
windfalls, samples taken at random, goods fallen from a goods train
or presents fished out of a bran-pie. One would be, let us say, a
veterinary surgeon with the appearance of a jockey; another, a mild
prebendary with a white beard and vague views; another, a young
captain in the Lancers, seemingly exactly like other captains in
the Lancers; another, a small dentist from Fulham, in all
reasonable certainty precisely like every other dentist from
Fulham. Major Brown, small, dry, and dapper, was one of these;
Basil had made his acquaintance over a discussion in a hotel
cloak-room about the right hat, a discussion which reduced the
little major almost to a kind of masculine hysterics, the compound
of the selfishness of an old bachelor and the scrupulosity of an
old maid. They had gone home in a cab together and then dined with
each other twice a week until they died. I myself was another. I
had met Grant while he was still a judge, on the balcony of the
National Liberal Club, and exchanged a few words about the weather.
Then we had talked for about an hour about politics and God; for
men always talk about the most important things to total strangers.
It is because in the total stranger we perceive man himself; the
image of God is not disguised by resemblances to an uncle or doubts
of the wisdom of a moustache.

One of the most interesting of Basil's motley group of
acquaintances was Professor Chadd. He was known to the ethnological
world (which is a very interesting world, but a long way off this
one) as the second greatest, if not the greatest, authority on the
relations of savages to language. He was known to the neighbourhood
of Hart Street, Bloomsbury, as a bearded man with a bald head,
spectacles, and a patient face, the face of an unaccountable
Nonconformist who had forgotten how to be angry. He went to and fro
between the British Museum and a selection of blameless tea-shops,
with an armful of books and a poor but honest umbrella. He was
never seen without the books and the umbrella, and was supposed (by
the lighter wits of the Persian MS. room) to go to bed with them in
his little brick villa in the neighbourhood of Shepherd's Bush.
There he lived with three sisters, ladies of solid goodness, but
sinister demeanour. His life was happy, as are almost all the lives
of methodical students, but one would not have called it
exhilarating. His only hours of exhilaration occurred when his
friend, Basil Grant, came into the house, late at night, a tornado
of conversation.

Basil, though close on sixty, had moods of boisterous babyishness,
and these seemed for some reason or other to descend upon him
particularly in the house of his studious and almost dingy friend.
I can remember vividly (for I was acquainted with both parties and
often dined with them) the gaiety of Grant on that particular
evening when the strange calamity fell upon the professor.
Professor Chadd was, like most of his particular class and type
(the class that is at once academic and middle-class), a Radical
of a solemn and old-fashioned type. Grant was a Radical himself,
but he was that more discriminating and not uncommon type of
Radical who passes most of his time in abusing the Radical party.
Chadd had just contributed to a magazine an article called "Zulu
Interests and the New Makango Frontier', in which a precise
scientific report of his study of the customs of the people of
T'Chaka was reinforced by a severe protest against certain
interferences with these customs both by the British and the
Germans. He-was sitting with the magazine in front of him, the
lamplight shining on his spectacles, a wrinkle in his forehead,
not of anger, but of perplexity, as Basil Grant strode up and down
the room, shaking it with his voice, with his high spirits and his
heavy tread.

"It's not your opinions that I object to, my esteemed Chadd," he
was saying, "it's you. You are quite right to champion the Zulus,
but for all that you do not sympathize with them. No doubt you
know the Zulu way of cooking tomatoes and the Zulu prayer before
blowing one's nose; but for all that you don't understand them as
well as I do, who don't know an assegai from an alligator. You are
more learned, Chadd, but I am more Zulu. Why is it that the jolly
old barbarians of this earth are always championed by people who
are their antithesis? Why is it? You are sagacious, you are
benevolent, you are well informed, but, Chadd, you are not savage.
Live no longer under that rosy illusion. Look in the glass. Ask
your sisters. Consult the librarian of the British Museum. Look at
this umbrella." And he held up that sad but still respectable
article. "Look at it. For ten mortal years to my certain knowledge
you have carried that object under your arm, and I have no sort of
doubt that you carried it at the age of eight months, and it never
occurred to you to give one wild yell and hurl it like a javelin--
thus--"

And he sent the umbrella whizzing past the professor's bald head,
so that it knocked over a pile of books with a crash and left a
vase rocking.

Professor Chadd appeared totally unmoved, with his face still
lifted to the lamp and the wrinkle cut in his forehead.

"Your mental processes," he said, "always go a little too fast.
And they are stated without method. There is no kind of
inconsistency"--and no words can convey the time he took to get to
the end of the word--"between valuing the right of the aborigines
to adhere to their stage in the evolutionary process, so long as
they find it congenial and requisite to do so. There is, I say, no
inconsistency between this concession which I have just described
to you and the view that the evolutionary stage in question is,
nevertheless, so far as we can form any estimate of values in the
variety of cosmic processes, definable in some degree as an
inferior evolutionary stage."

Nothing but his lips had moved as he spoke, and his glasses still
shone like two pallid moons.

Grant was shaking with laughter as he watched him.

"True," he said, "there is no inconsistency, my son of the red
spear. But there is a great deal of incompatibility of temper. I
am very far from being certain that the Zulu is on an inferior
evolutionary stage, whatever the blazes that may mean. I do not
think there is anything stupid or ignorant about howling at the
moon or being afraid of devils in the dark. It seems to me
perfectly philosophical. Why should a man be thought a sort of
idiot because he feels the mystery and peril of existence itself?
Suppose, my dear Chadd, suppose it is we who are the idiots
because we are not afraid of devils in the dark?"

Professor Chadd slit open a page of the magazine with a bone
paper-knife and the intent reverence of the bibliophile.

"Beyond all question," he said, "it is a tenable hypothesis. I
allude to the hypothesis which I understand you to entertain, that
our civilization is not or may not be an advance upon, and indeed
(if I apprehend you), is or may be a retrogression from states
identical with or analogous to the state of the Zulus. Moreover, I
shall be inclined to concede that such a proposition is of the
nature, in some degree at least, of a primary proposition, and
cannot adequately be argued, in the same sense, I mean, that the
primary proposition of pessimism, or the primary proposition of the
non-existence of matter, cannot adequately be argued. But I do not
conceive you to be under the impression that you have demonstrated
anything more concerning this proposition than that it is tenable,
which, after all, amounts to little more than the statement that it
is not a contradiction in terms."

Basil threw a book at his head and took out a cigar.

"You don't understand," he said, "but, on the other hand, as a
compensation, you don't mind smoking. Why you don't object to that
disgustingly barbaric rite I can't think. I can only say that I
began it when I began to be a Zulu, about the age of ten. What I
maintained was that although you knew more about Zulus in the sense
that you are a scientist, I know more about them in the sense that
I am a savage. For instance, your theory of the origin of language,
something about its having come from the formulated secret language
of some individual creature, though you knocked me silly with facts
and scholarship in its favour, still does not convince me, because
I have a feeling that that is not the way that things happen. If
you ask me why I think so I can only answer that I am a Zulu; and
if you ask me (as you most certainly will) what is my definition of
a Zulu, I can answer that also. He is one who has climbed a Sussex
apple-tree at seven and been afraid of a ghost in an English lane."

"Your process of thought--" began the immovable Chadd, but his
speech was interrupted. His sister, with that masculinity which
always in such families concentrates in sisters, flung open the
door with a rigid arm and said:

"James, Mr Bingham of the British Museum wants to see you again."

The philosopher rose with a dazed look, which always indicates in
such men the fact that they regard philosophy as a familiar thing,
but practical life as a weird and unnerving vision, and walked
dubiously out of the room.

"I hope you do not mind my being aware of it, Miss Chadd," said
Basil Grant, "but I hear that the British Museum has recognized
one of the men who have deserved well of their commonwealth. It is
true, is it not, that Professor Chadd is likely to be made keeper
of Asiatic manuscripts?"

The grim face of the spinster betrayed a great deal of pleasure and
a great deal of pathos also. "I believe it's true," she said. "If
it is, it will not only be great glory which women, I assure you,
feel a great deal, but great relief, which they feel more; relief
from worry from a lot of things. James' health has never been good,
and while we are as poor as we are he had to do journalism and
coaching, in addition to his own dreadful grinding notions and
discoveries, which he loves more than man, woman, or child. I have
often been afraid that unless something of this kind occurred we
should really have to be careful of his brain. But I believe it is
practically settled."

"I am delighted," began Basil, but with a worried face, "but these
red-tape negotiations are so terribly chancy that I really can't
advise you to build on hope, only to be hurled down into
bitterness. I've known men, and good men like your brother, come
nearer than this and be disappointed. Of course, if it is true--"

"If it is true," said the woman fiercely, "it means that people who
have never lived may make an attempt at living."

Even as she spoke the professor came into the room still with the
dazed look in his eyes.

"Is it true?" asked Basil, with burning eyes.

"Not a bit true," answered Chadd after a moment's bewilderment.
"Your argument was in three points fallacious."

"What do you mean?" demanded Grant.

"Well," said the professor slowly, "in saying that you could
possess a knowledge of the essence of Zulu life distinct from--"

"Oh! confound Zulu life," cried Grant, with a burst of laughter. "I
mean, have you got the post?"

"You mean the post of keeper of the Asiatic manuscripts," he said,
opening his eye with childlike wonder. "Oh, yes, I got that. But
the real objection to your argument, which has only, I admit,
occurred to me since I have been out of the room, is that it does
not merely presuppose a Zulu truth apart from the facts, but
infers that the discovery of it is absolutely impeded by the
facts."

"I am crushed," said Basil, and sat down to laugh, while the
professor's sister retired to her room, possibly, possibly not.

It was extremely late when we left the Chadds, and it is an
extremely long and tiresome journey from Shepherd's Bush to
Lambeth. This may be our excuse for the fact that we (for I was
stopping the night with Grant) got down to breakfast next day at a
time inexpressibly criminal, a time, in point of fact, close upon
noon. Even to that belated meal we came in a very lounging and
leisurely fashion. Grant, in particular, seemed so dreamy at table
that he scarcely saw the pile of letters by his plate, and I doubt
if he would have opened any of them if there had not lain on the
top that one thing which has succeeded amid modern carelessness in
being really urgent and coercive--a telegram. This he opened with
the same heavy distraction with which he broke his egg and drank
his tea. When he read it he did not stir a hair or say a word, but
something, I know not what, made me feel that the motionless figure
had been pulled together suddenly as strings are tightened on a
slack guitar. Though he said nothing and did not move, I knew that
he had been for an instant cleared and sharpened with a shock of
cold water. It was scarcely any surprise to me when a man who had
drifted sullenly to his seat and fallen into it, kicked it away
like a cur from under him and came round to me in two strides.

"What do you make of that?" he said, and flattened out the wire
in front of me.

It ran: "Please come at once. James' mental state dangerous.
Chadd."

"What does the woman mean?" I said after a pause, irritably.
"Those women have been saying that the poor old professor was mad
ever since he was born."

"You are mistaken," said Grant composedly. "It is true that all
sensible women think all studious men mad. It is true, for the
matter of that, all women of any kind think all men of any kind
mad. But they don't put it in telegrams, any more than they wire
to you that grass is green or God all-merciful. These things are
truisms, and often private ones at that. If Miss Chadd has written
down under the eye of a strange woman in a post-office that her
brother is off his head you may be perfectly certain that she did
it because it was a matter of life and death, and she can think of
no other way of forcing us to come promptly."

"It will force us of course," I said, smiling.

"Oh, yes," he replied; "there is a cab-rank near."

Basil scarcely said a word as we drove across Westminster Bridge,
through Trafalgar Square, along Piccadilly, and up the Uxbridge
Road. Only as he was opening the gate he spoke.

"I think you will take my word for it, my friend," he said; "this
is one of the most queer and complicated and astounding incidents
that ever happened in London or, for that matter, in any high
civilization."

"I confess with the greatest sympathy and reverence that I don't
quite see it," I said. "Is it so very extraordinary or complicated
that a dreamy somnambulant old invalid who has always walked on
the borders of the inconceivable should go mad under the shock of
great joy? Is it so very extraordinary that a man with a head like
a turnip and a soul like a spider's web should not find his
strength equal to a confounding change of fortunes? Is it, in
short, so very extraordinary that James Chadd should lose his wits
from excitement?"

"It would not be extraordinary in the least," answered Basil,
with placidity. "It would not be extraordinary in the least," he
repeated, "if the professor had gone mad. That was not the
extraordinary circumstance to which I referred."

"What," I asked, stamping my foot, "was the extraordinary thing?"

"The extraordinary thing," said Basil, ringing the bell, "is that
he has not gone mad from excitement."

The tall and angular figure of the eldest Miss Chadd blocked the
doorway as the door opened. Two other Miss Chadds seemed in the
same way to be blocking the narrow passage and the little parlour.
There was a general sense of their keeping something from view.
They seemed like three black-clad ladies in some strange play of
Maeterlinck, veiling the catastrophe from the audience in the
manner of the Greek chorus.

"Sit down, won't you?" said one of them, in a voice that was
somewhat rigid with pain. "I think you had better be told first
what has happened."

Then, with her bleak face looking unmeaningly out of the window,
she continued, in an even and mechanical voice:

"I had better state everything that occurred just as it occurred.
This morning I was clearing away the breakfast things, my sisters
were both somewhat unwell, and had not come down. My brother had
just gone out of the room, I believe, to fetch a book. He came back
again, however, without it, and stood for some time staring at the
empty grate. I said, `Were you looking for anything I could get?'
He did not answer, but this constantly happens, as he is often very
abstracted. I repeated my question, and still he did not answer.
Sometimes he is so wrapped up in his studies that nothing but a
touch on the shoulder would make him aware of one's presence, so I
came round the table towards him. I really do not know how to
describe the sensation which I then had. It seems simply silly, but
at the moment it seemed something enormous, upsetting one's brain.
The fact is, James was standing on one leg."

Grant smiled slowly and rubbed his hands with a kind of care.

"Standing on one leg?" I repeated.

"Yes," replied the dead voice of the woman without an inflection to
suggest that she felt the fantasticality of her statement. "He was
standing on the left leg and the right drawn up at a sharp angle,
the toe pointing downwards. I asked him if his leg hurt him. His
only answer was to shoot the leg straight at right angles to the
other, as if pointing to the other with his toe to the wall. He was
still looking quite gravely at the fireplace.

"`James, what is the matter?' I cried, for I was thoroughly
frightened. James gave three kicks in the air with the right leg,
flung up the other, gave three kicks in the air with it also and
spun round like a teetotum the other way. `Are you mad?' I cried.
`Why don't you answer me?' He had come to a standstill facing me,
and was looking at me as he always does, with his lifted eyebrows
and great spectacled eyes. When I had spoken he remained a second
or two motionless, and then his only reply was to lift his left
foot slowly from the floor and describe circles with it in the air.
I rushed to the door and shouted for Christina. I will not dwell on
the dreadful hours that followed. All three of us talked to him,
implored him to speak to us with appeals that might have brought
back the dead, but he has done nothing but hop and dance and kick
with a solemn silent face. It looks as if his legs belonged to some
one else or were possessed by devils. He has never spoken to us
from that time to this."

"Where is he now?" I said, getting up in some agitation. "We ought
not to leave him alone."

"Doctor Colman is with him," said Miss Chadd calmly. "They are in
the garden. Doctor Colman thought the air would do him good. And he
can scarcely go into the street."

Basil and I walked rapidly to the window which looked out on the
garden. It was a small and somewhat smug suburban garden; the
flower beds a little too neat and like the pattern of a coloured
carpet; but on this shining and opulent summer day even they had
the exuberance of something natural, I had almost said tropical.
In the middle of a bright and verdant but painfully circular lawn
stood two figures. One of them was a small, sharp-looking man with
black whiskers and a very polished hat (I presume Dr Colman), who
was talking very quietly and clearly, yet with a nervous twitch, as
it were, in his face. The other was our old friend, listening with
his old forbearing expression and owlish eyes, the strong sunlight
gleaming on his glasses as the lamplight had gleamed the night
before, when the boisterous Basil had rallied him on his studious
decorum. But for one thing the figure of this morning might have
been the identical figure of last night. That one thing was that
while the face listened reposefully the legs were industriously
dancing like the legs of a marionette. The neat flowers and the
sunny glitter of the garden lent an indescribable sharpness and
incredibility to the prodigy--the prodigy of the head of a hermit
and the legs of a harlequin. For miracles should always happen in
broad daylight. The night makes them credible and therefore
commonplace.

The second sister had by this time entered the room and came
somewhat drearily to the window.

"You know, Adelaide," she said, "that Mr Bingham from the Museum is
coming again at three."

"I know," said Adelaide Chadd bitterly. "I suppose we shall have to
tell him about this. I thought that no good fortune would ever come
easily to us."

Grant suddenly turned round. "What do you mean?" he said. "What
will you have to tell Mr Bingham?"

"You know what I shall have to tell him," said the professor's
sister, almost fiercely. "I don't know that we need give it its
wretched name. Do you think that the keeper of Asiatic manuscripts
will be allowed to go on like that?" And she pointed for an
instant at the figure in the garden, the shining, listening face
and the unresting feet.

Basil Grant took out his watch with an abrupt movement. "When did
you say the British Museum man was coming?" he said.

"Three o'clock," said Miss Chadd briefly.

"Then I have an hour before me," said Grant, and without another
word threw up the window and jumped out into the garden. He did
not walk straight up to the doctor and lunatic, but strolling
round the garden path drew near them cautiously and yet apparently
carelessly. He stood a couple of feet off them, seemingly counting
halfpence out of his trousers pocket, but, as I could see, looking
up steadily under the broad brim of his hat.

Suddenly he stepped up to Professor Chadd's elbow, and said, in a
loud familiar voice, "Well, my boy, do you still think the Zulus
our inferiors?"

The doctor knitted his brows and looked anxious, seeming to be
about to speak. The professor turned his bald and placid head
towards Grant in a friendly manner, but made no answer, idly
flinging his left leg about.

"Have you converted Dr Colman to your views?" Basil continued,
still in the same loud and lucid tone.

Chadd only shuffled his feet and kicked a little with the other
leg, his expression still benevolent and inquiring. The doctor cut
in rather sharply. "Shall we go inside, professor?" he said. "Now
you have shown me the garden. A beautiful garden. A most beautiful
garden. Let us go in," and he tried to draw the kicking
ethnologist by the elbow, at the same time whispering to Grant: "I
must ask you not to trouble him with questions. Most risky. He
must be soothed."

Basil answered in the same tone, with great coolness:

"Of course your directions must be followed out, doctor. I will
endeavour to do so, but I hope it will not be inconsistent with
them if you will leave me alone with my poor friend in this garden
for an hour. I want to watch him. I assure you, Dr Colman, that I
shall say very little to him, and that little shall be as soothing
as--as syrup."

The doctor wiped his eyeglass thoughtfully.

"It is rather dangerous for him," he said, "to be long in the
strong sun without his hat. With his bald head, too."

"That is soon settled," said Basil composedly, and took off his
own big hat and clapped it on the egglike skull of the professor.
The latter did not turn round but danced away with his eyes on the
horizon.

The doctor put on his glasses again, looked severely at the two
for some seconds, with his head on one side like a bird's, and
then saying, shortly, "All right," strutted away into the house,
where the three Misses Chadd were all looking out from the parlour
window on to the garden. They looked out on it with hungry eyes
for a full hour without moving, and they saw a sight which was
more extraordinary than madness itself.

Basil Grant addressed a few questions to the madman, without
succeeding in making him do anything but continue to caper, and
when he had done this slowly took a red note-book out of one
pocket and a large pencil out of another.

He began hurriedly to scribble notes. When the lunatic skipped
away from him he would walk a few yards in pursuit, stop, and
make notes again. Thus they followed each other round and round
the foolish circle of turf, the one writing in pencil with the
face of a man working out a problem, the other leaping and
playing like a child.

After about three-quarters of an hour of this imbecile scene,
Grant put the pencil in his pocket, but kept the note-book open
in his hand, and walking round the mad professor, planted himself
directly in front of him.

Then occurred something that even those already used to that wild
morning had not anticipated or dreamed. The professor, on finding
Basil in front of him, stared with a blank benignity for a few
seconds, and then drew up his left leg and hung it bent in the
attitude that his sister had described as being the first of all
his antics. And the moment he had done it Basil Grant lifted his
own leg and held it out rigid before him, confronting Chadd with
the flat sole of his boot. The professor dropped his bent leg,
and swinging his weight on to it kicked out the other behind,
like a man swimming. Basil crossed his feet like a saltire cross,
and then flung them apart again, giving a leap into the air. Then
before any of the spectators could say a word or even entertain a
thought about the matter, both of them were dancing a sort of jig
or hornpipe opposite each other; and the sun shone down on two
madmen instead of one.

They were so stricken with the deafness and blindness of
monomania that they did not see the eldest Miss Chadd come out
feverishly into the garden with gestures of entreaty, a gentleman
following her. Professor Chadd was in the wildest posture of a
pas-de-quatre, Basil Grant seemed about to turn a cart-wheel,
when they were frozen in their follies by the steely voice of
Adelaide Chadd saying, "Mr Bingham of the British Museum."

Mr Bingham was a slim, well-clad gentleman with a pointed and
slightly effeminate grey beard, unimpeachable gloves, and formal
but agreeable manners. He was the type of the over-civilized, as
Professor Chadd was of the uncivilized pedant. His formality and
agreeableness did him some credit under the circumstances. He had
a vast experience of books and a considerable experience of the
more dilettante fashionable salons. But neither branch of
knowledge had accustomed him to the spectacle of two grey-haired
middle-class gentlemen in modern costume throwing themselves
about like acrobats as a substitute for an after-dinner nap.

The professor continued his antics with perfect placidity, but
Grant stopped abruptly. The doctor had reappeared on the scene,
and his shiny black eyes, under his shiny black hat, moved
restlessly from one of them to the other.

"Dr Colman," said Basil, turning to him, "will you entertain
Professor Chadd again for a little while? I am sure that he needs
you. Mr Bingham, might I have the pleasure of a few moments'
private conversation? My name is Grant."

Mr Bingham, of the British Museum, bowed in a manner that was
respectful but a trifle bewildered.

"Miss Chadd will excuse me," continued Basil easily, "if I know
my way about the house." And he led the dazed librarian rapidly
through the back door into the parlour.

"Mr Bingham," said Basil, setting a chair for him, "I imagine that
Miss Chadd has told you of this distressing occurrence."

"She has, Mr Grant," said Bingham, looking at the table with a sort
of compassionate nervousness. "I am more pained than I can say by
this dreadful calamity. It seems quite heart-rending that the thing
should have happened just as we have decided to give your eminent
friend a position which falls far short of his merits. As it is, of
course--really, I don't know what to say. Professor Chadd may, of
course, retain--I sincerely trust he will--his extraordinarily
valuable intellect. But I am afraid--I am really afraid--that it
would not do to have the curator of the Asiatic
manuscripts--er--dancing about."

"I have a suggestion to make," said Basil, and sat down abruptly in
his chair, drawing it up to the table.

"I am delighted, of course," said the gentleman from the British
Museum, coughing and drawing up his chair also.

The clock on the mantelpiece ticked for just the moments required
for Basil to clear his throat and collect his words, and then he
said:

"My proposal is this. I do not know that in the strict use of words
you could altogether call it a compromise, still it has something
of that character. My proposal is that the Government (acting, as I
presume, through your Museum) should pay Professor Chadd L800 a
year until he stops dancing."

"Eight hundred a year!" said Mr Bingham, and for the first time
lifted his mild blue eyes to those of his interlocutor--and he
raised them with a mild blue stare. "I think I have not quite
understood you. Did I understand you to say that Professor Chadd
ought to be employed, in his present state, in the Asiatic
manuscript department at eight hundred a year?"

Grant shook his head resolutely.

"No," he said firmly. "No. Chadd is a friend of mine, and I would
say anything for him I could. But I do not say, I cannot say, that
he ought to take on the Asiatic manuscripts. I do not go so far as
that. I merely say that until he stops dancing you ought to pay
him L800 Surely you have some general fund for the endowment of
research."

Mr Bingham looked bewildered.

"I really don't know," he said, blinking his eyes, "what you are
talking about. Do you ask us to give this obvious lunatic nearly a
thousand a year for life?"

"Not at all," cried Basil, keenly and triumphantly. "I never said
for life. Not at all."

"What for, then?" asked the meek Bingham, suppressing an instinct
meekly to tear his hair. "How long is this endowment to run? Not
till his death? Till the Judgement day?"

"No," said Basil, beaming, "but just what I said. Till he has
stopped dancing." And he lay back with satisfaction and his hands
in his pockets.

Bingham had by this time fastened his eyes keenly on Basil Grant
and kept them there.

"Come, Mr Grant," he said. "Do I seriously understand you to
suggest that the Government pay Professor Chadd an extraordinarily
high salary simply on the ground that he has (pardon the phrase)
gone mad? That he should be paid more than four good clerks solely
on the ground that he is flinging his boots about in the back
yard?"

"Precisely," said Grant composedly.

"That this absurd payment is not only to run on with the absurd
dancing, but actually to stop with the absurd dancing?"

"One must stop somewhere," said Grant. "Of course."

Bingham rose and took up his perfect stick and gloves.

"There is really nothing more to be said, Mr Grant," he said
coldly. "What you are trying to explain to me may be a joke--a
slightly unfeeling joke. It may be your sincere view, in which case
I ask your pardon for the former suggestion. But, in any case, it
appears quite irrelevant to my duties. The mental morbidity, the
mental downfall, of Professor Chadd, is a thing so painful to me
that I cannot easily endure to speak of it. But it is clear there
is a limit to everything. And if the Archangel Gabriel went mad it
would sever his connection, I am sorry to say, with the British
Museum Library."

He was stepping towards the door, but Grant's hand, flung out in
dramatic warning, arrested him.

"Stop!" said Basil sternly. "Stop while there is yet time. Do you
want to take part in a great work, Mr Bingham? Do you want to help
in the glory of Europe--in the glory of science? Do you want to
carry your head in the air when it is bald or white because of the
part that you bore in a great discovery? Do you want--"

Bingham cut in sharply:

"And if I do want this, Mr Grant--"

"Then," said Basil lightly, "your task is easy. Get Chadd L800 a
year till he stops dancing."

With a fierce flap of his swinging gloves Bingham turned
impatiently to the door, but in passing out of it found it
blocked. Dr Colman was coming in.

"Forgive me, gentlemen," he said, in a nervous, confidential voice,
"the fact is, Mr Grant, I--er--have made a most disturbing
discovery about Mr Chadd."

Bingham looked at him with grave eyes.

"I was afraid so," he said. "Drink, I imagine."

"Drink!" echoed Colman, as if that were a much milder affair. "Oh,
no, it's not drink."

Mr Bingham became somewhat agitated, and his voice grew hurried and
vague. "Homicidal mania--" he began.

"No, no," said the medical man impatiently.

"Thinks he's made of glass," said Bingham feverishly, "or says he's
God--or--"

"No," said Dr Colman sharply; "the fact is, Mr Grant, my discovery
is of a different character. The awful thing about him is--"

"Oh, go on, sir," cried Bingham, in agony.

"The awful thing about him is," repeated Colman, with deliberation,
"that he isn't mad."

"Not mad!"

"There are quite well-known physical tests of lunacy," said the
doctor shortly; "he hasn't got any of them."

"But why does he dance?" cried the despairing Bingham. "Why doesn't
he answer us? Why hasn't he spoken to his family?"

"The devil knows," said Dr Colman coolly. "I'm paid to judge of
lunatics, but not of fools. The man's not mad."

"What on earth can it mean? Can't we make him listen?" said Mr
Bingham. "Can none get into any kind of communication with him?"

Grant's voice struck in sudden and clear, like a steel bell:

"I shall be very happy," he said, "to give him any message you like
to send."

Both men stared at him.

"Give him a message?" they cried simultaneously. "How will you give
him a message?"

Basil smiled in his slow way.

"If you really want to know how I shall give him your message," he
began, but Bingham cried:

"Of course, of course," with a sort of frenzy.

"Well," said Basil, "like this." And he suddenly sprang a foot
into the air, coming down with crashing boots, and then stood on
one leg.

His face was stern, though this effect was slightly spoiled by the
fact that one of his feet was making wild circles in the air.

"You drive me to it," he said. "You drive me to betray my friend.
And I will, for his own sake, betray him."

The sensitive face of Bingham took on an extra expression of
distress as of one anticipating some disgraceful disclosure.
"Anything painful, of course--" he began.

Basil let his loose foot fall on the carpet with a crash that
struck them all rigid in their feeble attitudes.

"Idiots!" he cried. "Have you seen the man? Have you looked at
James Chadd going dismally to and fro from his dingy house to
your miserable library, with his futile books and his confounded
umbrella, and never seen that he has the eyes of a fanatic? Have
you never noticed, stuck casually behind his spectacles and above
his seedy old collar, the face of a man who might have burned
heretics, or died for the philosopher's stone? It is all my
fault, in a way: I lit the dynamite of his deadly faith. I argued
against him on the score of his famous theory about language--the
theory that language was complete in certain individuals and was
picked up by others simply by watching them. I also chaffed him
about not understanding things in rough and ready practice. What
has this glorious bigot done? He has answered me. He has worked
out a system of language of his own (it would take too long to
explain); he has made up, I say, a language of his own. And he
has sworn that till people understand it, till he can speak to us
in this language, he will not speak in any other. And he shall
not. I have understood, by taking careful notice; and, by heaven,
so shall the others. This shall not be blown upon. He shall
finish his experiment. He shall have L800 a year from somewhere
till he has stopped dancing. To stop him now is an infamous war
on a great idea. It is religious persecution."

Mr Bingham held out his hand cordially.

"I thank you, Mr Grant," he said. "I hope I shall be able to answer
for the source of the L800 and I fancy that I shall. Will you come
in my cab?"

"No, thank you very much, Mr Bingham," said Grant heartily. "I
think I will go and have a chat with the professor in the garden."

The conversation between Chadd and Grant appeared to be personal
and friendly. They were still dancing when I left.

Chapter 6

The Eccentric Seclusion of the Old Lady

The conversation of Rupert Grant had two great elements of
interest--first, the long fantasias of detective deduction in
which he was engaged, and, second, his genuine romantic interest
in the life of London. His brother Basil said of him: "His
reasoning is particularly cold and clear, and invariably leads
him wrong. But his poetry comes in abruptly and leads him right."
Whether this was true of Rupert as a whole, or no, it was
certainly curiously supported by one story about him which I
think worth telling.

We were walking along a lonely terrace in Brompton together. The
street was full of that bright blue twilight which comes about
half past eight in summer, and which seems for the moment to be
not so much a coming of darkness as the turning on of a new azure
illuminator, as if the earth were lit suddenly by a sapphire sun.
In the cool blue the lemon tint of the lamps had already begun to
flame, and as Rupert and I passed them, Rupert talking excitedly,
one after another the pale sparks sprang out of the dusk. Rupert
was talking excitedly because he was trying to prove to me the
nine hundred and ninety-ninth of his amateur detective theories.
He would go about London, with this mad logic in his brain, seeing
a conspiracy in a cab accident, and a special providence in a
falling fusee. His suspicions at the moment were fixed upon an
unhappy milkman who walked in front of us. So arresting were the
incidents which afterwards overtook us that I am really afraid
that I have forgotten what were the main outlines of the milkman's
crime. I think it had something to do with the fact that he had
only one small can of milk to carry, and that of that he had left
the lid loose and walked so quickly that he spilled milk on the
pavement. This showed that he was not thinking of his small
burden, and this again showed that he anticipated some other than
lacteal business at the end of his walk, and this (taken in
conjunction with something about muddy boots) showed something
else that I have entirely forgotten. I am afraid that I derided
this detailed revelation unmercifully; and I am afraid that Rupert
Grant, who, though the best of fellows, had a good deal of the
sensitiveness of the artistic temperament, slightly resented my
derision. He endeavoured to take a whiff of his cigar, with the
placidity which he associated with his profession, but the cigar,
I think, was nearly bitten through.

"My dear fellow," he said acidly, "I'll bet you half a crown that
wherever that milkman comes to a real stop I'll find out something
curious."

"My resources are equal to that risk," I said, laughing. "Done."

We walked on for about a quarter of an hour in silence in the
trail of the mysterious milkman. He walked quicker and quicker,
and we had some ado to keep up with him; and every now and then he
left a splash of milk, silver in the lamplight. Suddenly, almost
before we could note it, he disappeared down the area steps of a
house. I believe Rupert really believed that the milkman was a
fairy; for a second he seemed to accept him as having vanished.
Then calling something to me which somehow took no hold on my
mind, he darted after the mystic milkman, and disappeared himself
into the area.

I waited for at least five minutes, leaning against a lamp-post
in the lonely street. Then the milkman came swinging up the steps
without his can and hurried off clattering down the road. Two or
three minutes more elapsed, and then Rupert came bounding up
also, his face pale but yet laughing; a not uncommon
contradiction in him, denoting excitement.

"My friend," he said, rubbing his hands, "so much for all your
scepticism. So much for your philistine ignorance of the
possibilities of a romantic city. Two and sixpence, my boy, is
the form in which your prosaic good nature will have to express
itself."

"What?" I said incredulously, "do you mean to say that you really
did find anything the matter with the poor milkman?"

His face fell.

"Oh, the milkman," he said, with a miserable affectation at having
misunderstood me. "No, I--I--didn't exactly bring anything home to
the milkman himself, I--"

"What did the milkman say and do?" I said, with inexorable
sternness.

"Well, to tell the truth," said Rupert, shifting restlessly from
one foot to another, "the milkman himself, as far as merely
physical appearances went, just said, `Milk, Miss,' and handed in
the can. That is not to say, of course, that he did not make some
secret sign or some--"

I broke into a violent laugh. "You idiot," I said, "why don't you
own yourself wrong and have done with it? Why should he have made
a secret sign any more than any one else? You own he said nothing
and did nothing worth mentioning. You own that, don't you?"

His face grew grave.

"Well, since you ask me, I must admit that I do. It is possible
that the milkman did not betray himself. It is even possible that
I was wrong about him."

"Then come along with you," I said, with a certain amicable anger,
"and remember that you owe me half a crown."

"As to that, I differ from you," said Rupert coolly. "The
milkman's remarks may have been quite innocent. Even the milkman
may have been. But I do not owe you half a crown. For the terms of
the bet were, I think, as follows, as I propounded them, that
wherever that milkman came to a real stop I should find out
something curious."

"Well?" I said.

"Well," he answered, "I jolly well have. You just come with me,"
and before I could speak he had turned tail once more and whisked
through the blue dark into the moat or basement of the house. I
followed almost before I made any decision.

When we got down into the area I felt indescribably foolish
literally, as the saying is, in a hole. There was nothing but a
closed door, shuttered windows, the steps down which we had come,
the ridiculous well in which I found myself, and the ridiculous
man who had brought me there, and who stood there with dancing
eyes. I was just about to turn back when Rupert caught me by the
elbow.

"Just listen to that," he said, and keeping my coat gripped in his
right hand, he rapped with the knuckles of his left on the shutters
of the basement window. His air was so definite that I paused and
even inclined my head for a moment towards it. From inside was
coming the murmur of an unmistakable human voice.

"Have you been talking to somebody inside?" I asked suddenly,
turning to Rupert.

"No, I haven't," he replied, with a grim smile, "but I should very
much like to. Do you know what somebody is saying in there?"

"No, of course not," I replied.

"Then I recommend you to listen," said Rupert sharply.

In the dead silence of the aristocratic street at evening, I stood
a moment and listened. From behind the wooden partition, in which
there was a long lean crack, was coming a continuous and moaning
sound which took the form of the words: "When shall I get out? When
shall I get out? Will they ever let me out?" or words to that
effect.

"Do you know anything about this?" I said, turning upon Rupert very
abruptly.

"Perhaps you think I am the criminal," he said sardonically,
"instead of being in some small sense the detective. I came into
this area two or three minutes ago, having told you that I knew
there was something funny going on, and this woman behind the
shutters (for it evidently is a woman) was moaning like mad. No,
my dear friend, beyond that I do not know anything about her. She
is not, startling as it may seem, my disinherited daughter, or a
member of my secret seraglio. But when I hear a human being wailing
that she can't get out, and talking to herself like a mad woman and
beating on the shutters with her fists, as she was doing two or
three minutes ago, I think it worth mentioning, that is all."

"My dear fellow," I said, "I apologize; this is no time for
arguing. What is to be done?"

Rupert Grant had a long clasp-knife naked and brilliant in his hand.

"First of all," he said, "house-breaking." And he forced the blade
into the crevice of the wood and broke away a huge splinter,
leaving a gap and glimpse of the dark window-pane inside. The room
within was entirely unlighted, so that for the first few seconds
the window seemed a dead and opaque surface, as dark as a strip of
slate. Then came a realization which, though in a sense gradual,
made us step back and catch our breath. Two large dim human eyes
were so close to us that the window itself seemed suddenly to be a
mask. A pale human face was pressed against the glass within, and
with increased distinctness, with the increase of the opening came
the words:

"When shall I get out?"

"What can all this be?" I said.

Rupert made no answer, but lifting his walking-stick and pointing
the ferrule like a fencing sword at the glass, punched a hole in
it, smaller and more accurate than I should have supposed possible.
The moment he had done so the voice spouted out of the hole, so to
speak, piercing and querulous and clear, making the same demand for
liberty.

"Can't you get out, madam?" I said, drawing near the hole in some
perturbation.

"Get out? Of course I can't," moaned the unknown female bitterly.
"They won't let me. I told them I would be let out. I told them
I'd call the police. But it's no good. Nobody knows, nobody comes.
They could keep me as long as they liked only--"

I was in the very act of breaking the window finally with my
stick, incensed with this very sinister mystery, when Rupert held
my arm hard, held it with a curious, still, and secret rigidity as
if he desired to stop me, but did not desire to be observed to do
so. I paused a moment, and in the act swung slightly round, so
that I was facing the supporting wall of the front door steps. The
act froze me into a sudden stillness like that of Rupert, for a
figure almost as motionless as the pillars of the portico, but
unmistakably human, had put his head out from between the
doorposts and was gazing down into the area. One of the lighted
lamps of the street was just behind his head, throwing it into
abrupt darkness. Consequently, nothing whatever could be seen of
his face beyond one fact, that he was unquestionably staring at
us. I must say I thought Rupert's calmness magnificent. He rang
the area bell quite idly, and went on talking to me with the easy
end of a conversation which had never had any beginning. The black
glaring figure in the portico did not stir. I almost thought it
was really a statue. In another moment the grey area was golden
with gaslight as the basement door was opened suddenly and a small
and decorous housemaid stood in it.

"Pray excuse me," said Rupert, in a voice which he contrived to
make somehow or other at once affable and underbred, "but we
thought perhaps that you might do something for the Waifs and
Strays. We don't expect--"

"Not here," said the small servant, with the incomparable severity
of the menial of the non-philanthropic, and slammed the door in
our faces.

"Very sad, very sad--the indifference of these people," said the
philanthropist with gravity, as we went together up the steps. As
we did so the motionless figure in the portico suddenly
disappeared.

"Well, what do you make of that?" asked Rupert, slapping his
gloves together when we got into the street.

I do not mind admitting that I was seriously upset. Under such
conditions I had but one thought.

"Don't you think," I said a trifle timidly, "that we had better
tell your brother?"

"Oh, if you like," said Rupert, in a lordly way. "He is quite
near, as I promised to meet him at Gloucester Road Station. Shall
we take a cab? Perhaps, as you say, it might amuse him."

Gloucester Road Station had, as if by accident, a somewhat
deserted look. After a little looking about we discovered Basil
Grant with his great head and his great white hat blocking the
ticket-office window. I thought at first that he was taking a
ticket for somewhere and being an astonishingly long time about
it. As a matter of fact, he was discussing religion with the
booking-office clerk, and had almost got his head through the hole
in his excitement. When we dragged him away it was some time
before he would talk of anything but the growth of an Oriental
fatalism in modern thought, which had been well typified by some
of the official's ingenious but perverse fallacies. At last we
managed to get him to understand that we had made an astounding
discovery. When he did listen, he listened attentively, walking
between us up and down the lamp-lit street, while we told him in a
rather feverish duet of the great house in South Kensington, of
the equivocal milkman, of the lady imprisoned in the basement, and
the man staring from the porch. At length he said:

"If you're thinking of going back to look the thing up, you must be
careful what you do. It's no good you two going there. To go twice
on the same pretext would look dubious. To go on a different
pretext would look worse. You may be quite certain that the
inquisitive gentleman who looked at you looked thoroughly, and will
wear, so to speak, your portraits next to his heart. If you want to
find out if there is anything in this without a police raid I fancy
you had better wait outside. I'll go in and see them."

His slow and reflective walk brought us at length within sight of
the house. It stood up ponderous and purple against the last pallor
of twilight. It looked like an ogre's castle. And so apparently it
was.

"Do you think it's safe, Basil," said his brother, pausing, a
little pale, under the lamp, "to go into that place alone? Of
course we shall be near enough to hear if you yell, but these
devils might do something--something sudden--or odd. I can't feel
it's safe."

"I know of nothing that is safe," said Basil composedly, "except,
possibly--death," and he went up the steps and rang at the bell.
When the massive respectable door opened for an instant, cutting a
square of gaslight in the gathering dark, and then closed with a
bang, burying our friend inside, we could not repress a shudder.
It had been like the heavy gaping and closing of the dim lips of
some evil leviathan. A freshening night breeze began to blow up
the street, and we turned up the collars of our coats. At the end
of twenty minutes, in which we had scarcely moved or spoken, we
were as cold as icebergs, but more, I think, from apprehension
than the atmosphere. Suddenly Rupert made an abrupt movement
towards the house.

"I can't stand this," he began, but almost as he spoke sprang back
into the shadow, for the panel of gold was again cut out of the
black house front, and the burly figure of Basil was silhouetted
against it coming out. He was roaring with laughter and talking so
loudly that you could have heard every syllable across the street.
Another voice, or, possibly, two voices, were laughing and talking
back at him from within.

"No, no, no," Basil was calling out, with a sort of hilarious
hostility. "That's quite wrong. That's the most ghastly heresy of
all. It's the soul, my dear chap, the soul that's the arbiter of
cosmic forces. When you see a cosmic force you don't like, trick
it, my boy. But I must really be off."

"Come and pitch into us again," came the laughing voice from out
of the house. "We still have some bones unbroken."

"Thanks very much, I will--good night," shouted Grant, who had by
this time reached the street.

"Good night," came the friendly call in reply, before the door
closed.

"Basil," said Rupert Grant, in a hoarse whisper, "what are we to
do?"

The elder brother looked thoughtfully from one of us to the other.

"What is to be done, Basil?" I repeated in uncontrollable
excitement.

"I'm not sure," said Basil doubtfully. "What do you say to getting
some dinner somewhere and going to the Court Theatre tonight? I
tried to get those fellows to come, but they couldn't."

We stared blankly.

"Go to the Court Theatre?" repeated Rupert. "What would be the good
of that?"

"Good? What do you mean?" answered Basil, staring also. "Have you
turned Puritan or Passive Resister, or something? For fun, of
course."

"But, great God in Heaven! What are we going to do, I mean!" cried
Rupert. "What about the poor woman locked up in that house? Shall I
go for the police?"

Basil's face cleared with immediate comprehension, and he laughed.

"Oh, that," he said. "I'd forgotten that. That's all right. Some
mistake, possibly. Or some quite trifling private affair. But I'm
sorry those fellows couldn't come with us. Shall we take one of
these green omnibuses? There is a restaurant in Sloane Square."

"I sometimes think you play the fool to frighten us," I said
irritably. "How can we leave that woman locked up? How can it be a
mere private affair? How can crime and kidnapping and murder, for
all I know, be private affairs? If you found a corpse in a man's
drawing-room, would you think it bad taste to talk about it just
as if it was a confounded dado or an infernal etching?"

Basil laughed heartily.

"That's very forcible," he said. "As a matter of fact, though, I
know it's all right in this case. And there comes the green
omnibus."

"How do you know it's all right in this ease?" persisted his
brother angrily.

"My dear chap, the thing's obvious," answered Basil, holding a
return ticket between his teeth while he fumbled in his waistcoat
pocket. "Those two fellows never committed a crime in their lives.
They're not the kind. Have either of you chaps got a halfpenny? I
want to get a paper before the omnibus comes."

"Oh, curse the paper!" cried Rupert, in a fury. "Do you mean to
tell me, Basil Grant, that you are going to leave a fellow
creature in pitch darkness in a private dungeon, because you've
had ten minutes' talk with the keepers of it and thought them
rather good men?"

"Good men do commit crimes sometimes," said Basil, taking the
ticket out of his mouth. "But this kind of good man doesn't
commit that kind of crime. Well, shall we get on this omnibus?"

The great green vehicle was indeed plunging and lumbering along
the dim wide street towards us. Basil had stepped from the curb,
and for an instant it was touch and go whether we should all have
leaped on to it and been borne away to the restaurant and the
theatre.

"Basil," I said, taking him firmly by the shoulder, "I simply
won't leave this street and this house."

"Nor will I," said Rupert, glaring at it and biting his fingers.
"There's some black work going on there. If I left it I should
never sleep again."

Basil Grant looked at us both seriously.

"Of course if you feel like that," he said, "we'll investigate
further. You'll find it's all right, though. They're only two
young Oxford fellows. Extremely nice, too, though rather infected
with this pseudo-Darwinian business. Ethics of evolution and all
that."

"I think," said Rupert darkly, ringing the bell, "that we shall
enlighten you further about their ethics."

"And may I ask," said Basil gloomily, "what it is that you propose
to do?"

"I propose, first of all," said Rupert, "to get into this house;
secondly, to have a look at these nice young Oxford men; thirdly,
to knock them down, bind them, gag them, and search the house."

Basil stared indignantly for a few minutes. Then he was shaken for
an instant with one of his sudden laughs.

"Poor little boys," he said. "But it almost serves them right for
holding such silly views, after all," and he quaked again with
amusement "there's something confoundedly Darwinian about it."

"I suppose you mean to help us?" said Rupert.

"Oh, yes, I'll be in it," answered Basil, "if it's only to prevent
your doing the poor chaps any harm."

He was standing in the rear of our little procession, looking
indifferent and sometimes even sulky, but somehow the instant the
door opened he stepped first into the hall, glowing with urbanity.

"So sorry to haunt you like this," he said. "I met two friends
outside who very much want to know you. May I bring them in?"

"Delighted, of course," said a young voice, the unmistakable voice
of the Isis, and I realized that the door had been opened, not by
the decorous little servant girl, but by one of our hosts in
person. He was a short, but shapely young gentleman, with curly
dark hair and a square, snub-nosed face. He wore slippers and a
sort of blazer of some incredible college purple.

"This way," he said; "mind the steps by the staircase. This house
is more crooked and old-fashioned than you would think from its
snobbish exterior. There are quite a lot of odd corners in the
place really."

"That," said Rupert, with a savage smile, "I can quite believe."

We were by this time in the study or back parlour, used by the
young inhabitants as a sitting-room, an apartment littered with
magazines and books ranging from Dante to detective stories. The
other youth, who stood with his back to the fire smoking a corncob,
was big and burly, with dead brown hair brushed forward and a
Norfolk jacket. He was that particular type of man whose every
feature and action is heavy and clumsy, and yet who is, you would
say, rather exceptionally a gentleman.

"Any more arguments?" he said, when introductions had been
effected. "I must say, Mr Grant, you were rather severe upon
eminent men of science such as we. I've half a mind to chuck
my D.Sc. and turn minor poet."

"Bosh," answered Grant. "I never said a word against eminent men
of science. What I complain of is a vague popular philosophy which
supposes itself to be scientific when it is really nothing but a
sort of new religion and an uncommonly nasty one. When people
talked about the fall of man they knew they were talking about a
mystery, a thing they didn't understand. Now that they talk about
the survival of the fittest they think they do understand it,
whereas they have not merely no notion, they have an elaborately
false notion of what the words mean. The Darwinian movement has
made no difference to mankind, except that, instead of talking
unphilosophically about philosophy, they now talk unscientifically
about science."

"That is all very well," said the big young man, whose name
appeared to be Burrows. "Of course, in a sense, science, like
mathematics or the violin, can only be perfectly understood by
specialists. Still, the rudiments may be of public use. Greenwood
here," indicating the little man in the blazer, "doesn't know one
note of music from another. Still, he knows something. He knows
enough to take off his hat when they play `God save the King'. He
doesn't take it off by mistake when they play `Oh, dem Golden
Slippers'. Just in the same way science--"

Here Mr Burrows stopped abruptly. He was interrupted by an argument
uncommon in philosophical controversy and perhaps not wholly
legitimate. Rupert Grant had bounded on him from behind, flung an
arm round his throat, and bent the giant backwards.

"Knock the other fellow down, Swinburne," he called out, and before
I knew where I was I was locked in a grapple with the man in the
purple blazer. He was a wiry fighter, who bent and sprang like a
whalebone, but I was heavier and had taken him utterly by surprise.
I twitched one of his feet from under him; he swung for a moment on
the single foot, and then we fell with a crash amid the litter of
newspapers, myself on top.

My attention for a moment released by victory, I could hear Basil's
voice finishing some long sentence of which I had not heard the
beginning.

". . . wholly, I must confess, unintelligible to me, my dear sir,
and I need not say unpleasant. Still one must side with one's old
friends against the most fascinating new ones. Permit me,
therefore, in tying you up in this antimacassar, to make it as
commodious as handcuffs can reasonably be while. . ."

I had staggered to my feet. The gigantic Burrows was toiling in the
garotte of Rupert, while Basil was striving to master his mighty
hands. Rupert and Basil were both particularly strong, but so was
Mr Burrows; how strong, we knew a second afterwards. His head was
held back by Rupert's arm, but a convulsive heave went over his
whole frame. An instant after his head plunged forward like a
bull's, and Rupert Grant was slung head over heels, a catherine
wheel of legs, on the floor in front of him. Simultaneously the
bull's head butted Basil in the chest, bringing him also to the
ground with a crash, and the monster, with a Berserker roar, leaped
at me and knocked me into the corner of the room, smashing the
waste-paper basket. The bewildered Greenwood sprang furiously to
his feet. Basil did the same. But they had the best of it now.

Greenwood dashed to the bell and pulled it violently, sending peals
through the great house. Before I could get panting to my feet, and
before Rupert, who had been literally stunned for a few moments,
could even lift his head from the floor, two footmen were in the
room. Defeated even when we were in a majority, we were now
outnumbered. Greenwood and one of the footmen flung themselves upon
me, crushing me back into the corner upon the wreck of the paper
basket. The other two flew at Basil, and pinned him against the
wall. Rupert lifted himself on his elbow, but he was still dazed.

In the strained silence of our helplessness I heard the voice of
Basil come with a loud incongruous cheerfulness.

"Now this," he said, "is what I call enjoying oneself."

I caught a glimpse of his face, flushed and forced against the
bookcase, from between the swaying limbs of my captors and his. To
my astonishment his eyes were really brilliant with pleasure, like
those of a child heated by a favourite game.

I made several apoplectic efforts to rise, but the servant was on
top of me so heavily that Greenwood could afford to leave me to
him. He turned quickly to come to reinforce the two who were
mastering Basil. The latter's head was already sinking lower and
lower, like a leaking ship, as his enemies pressed him down. He
flung up one hand just as I thought him falling and hung on to a
huge tome in the bookcase, a volume, I afterwards discovered, of
St Chrysostom's theology. Just as Greenwood bounded across the
room towards the group, Basil plucked the ponderous tome bodily
out of the shelf, swung it, and sent it spinning through the air,
so that it struck Greenwood flat in the face and knocked him over
like a rolling ninepin. At the same instant Basil's stiffness
broke, and he sank, his enemies closing over him.

Rupert's head was clear, but his body shaken; he was hanging as
best he could on to the half-prostrate Greenwood. They were rolling
over each other on the floor, both somewhat enfeebled by their
falls, but Rupert certainly the more so. I was still successfully
held down. The floor was a sea of torn and trampled papers and
magazines, like an immense waste-paper basket. Burrows and his
companion were almost up to the knees in them, as in a drift of
dead leaves. And Greenwood had his leg stuck right through a sheet
of the Pall Mall Gazette, which clung to it ludicrously, like some
fantastic trouser frill.

Basil, shut from me in a human prison, a prison of powerful bodies,
might be dead for all I knew. I fancied, however, that the broad
back of Mr Burrows, which was turned towards me, had a certain bend
of effort in it as if my friend still needed some holding down.
Suddenly that broad back swayed hither and thither. It was swaying
on one leg; Basil, somehow, had hold of the other. Burrows' huge
fists and those of the footman were battering Basil's sunken head
like an anvil, but nothing could get the giant's ankle out of his
sudden and savage grip. While his own head was forced slowly down
in darkness and great pain, the right leg of his captor was being
forced in the air. Burrows swung to and fro with a purple face.
Then suddenly the floor and the walls and the ceiling shook
together, as the colossus fell, all his length seeming to fill the
floor. Basil sprang up with dancing eyes, and with three blows like
battering-rams knocked the footman into a cocked hat. Then he
sprang on top of Burrows, with one antimacassar in his hand and
another in his teeth, and bound him hand and foot almost before he
knew clearly that his head had struck the floor. Then Basil sprang
at Greenwood, whom Rupert was struggling to hold down, and between
them they secured him easily. The man who had hold of me let go and
turned to his rescue, but I leaped up like a spring released, and,
to my infinite satisfaction, knocked the fellow down. The other
footman, bleeding at the mouth and quite demoralized, was stumbling
out of the room. My late captor, without a word, slunk after him,
seeing that the battle was won. Rupert was sitting astride the
pinioned Mr Greenwood, Basil astride the pinioned Mr Burrows.

To my surprise the latter gentleman, lying bound on his back, spoke
in a perfectly calm voice to the man who sat on top of him.

"And now, gentlemen," he said, "since you have got your own way,
perhaps you wouldn't mind telling us what the deuce all this is?"

"This," said Basil, with a radiant face, looking down at his
captive, "this is what we call the survival of the fittest."

Rupert, who had been steadily collecting himself throughout the
latter phases of the fight, was intellectually altogether himself
again at the end of it. Springing up from the prostrate Greenwood,
and knotting a handkerchief round his left hand, which was bleeding
from a blow, he sang out quite coolly:

"Basil, will you mount guard over the captive of your bow and spear
and antimacassar? Swinburne and I will clear out the prison
downstairs."

"All right," said Basil, rising also and seating himself in a
leisured way in an armchair. "Don't hurry for us," he said,
glancing round at the litter of the room, "we have all the
illustrated papers."

Rupert lurched thoughtfully out of the room, and I followed him
even more slowly; in fact, I lingered long enough to hear, as I
passed through the room, the passages and the kitchen stairs,
Basil's voice continuing conversationally:

"And now, Mr Burrows," he said, settling himself sociably in the
chair, "there's no reason why we shouldn't go on with that amusing
argument. I'm sorry that you have to express yourself lying on your
back on the floor, and, as I told you before, I've no more notion
why you are there than the man in the moon. A conversationalist
like yourself, however, can scarcely be seriously handicapped by
any bodily posture. You were saying, if I remember right, when this
incidental fracas occurred, that the rudiments of science might
with advantage be made public."

"Precisely," said the large man on the floor in an easy tone. "I
hold that nothing more than a rough sketch of the universe as seen
by science can be. . ."

And here the voices died away as we descended into the basement. I
noticed that Mr Greenwood did not join in the amicable controversy.
Strange as it may appear, I think he looked back upon our
proceedings with a slight degree of resentment. Mr Burrows,
however, was all philosophy and chattiness. We left them, as I say,
together, and sank deeper and deeper into the under-world of that
mysterious house, which, perhaps, appeared to us somewhat more
Tartarean than it really was, owing to our knowledge of its
semi-criminal mystery and of the human secret locked below.

The basement floor had several doors, as is usual in such a house;
doors that would naturally lead to the kitchen, the scullery, the
pantry, the servants' hall, and so on. Rupert flung open all the
doors with indescribable rapidity. Four out of the five opened on
entirely empty apartments. The fifth was locked. Rupert broke the
door in like a bandbox, and we fell into the sudden blackness of
the sealed, unlighted room.

Rupert stood on the threshold, and called out like a man calling
into an abyss:

"Whoever you are, come out. You are free. The people who held you
captive are captives themselves. We heard you crying and we came to
deliver you. We have bound your enemies upstairs hand and foot. You
are free."

For some seconds after he had spoken into the darkness there was
a dead silence in it. Then there came a kind of muttering and
moaning. We might easily have taken it for the wind or rats if we
had not happened to have heard it before. It was unmistakably the
voice of the imprisoned woman, drearily demanding liberty, just as
we had heard her demand it.

"Has anybody got a match?" said Rupert grimly. "I fancy we have
come pretty near the end of this business."

I struck a match and held it up. It revealed a large, bare,
yellow-papered apartment with a dark-clad figure at the other end
of it near the window. An instant after it burned my fingers and
dropped, leaving darkness. It had, however, revealed something
more practical--an iron gas bracket just above my head. I struck
another match and lit the gas. And we found ourselves suddenly and
seriously in the presence of the captive.

At a sort of workbox in the window of this subterranean
breakfast-room sat an elderly lady with a singularly high colour
and almost startling silver hair. She had, as if designedly to
relieve these effects, a pair of Mephistophelian black eyebrows
and a very neat black dress. The glare of the gas lit up her
piquant hair and face perfectly against the brown background of
the shutters. The background was blue and not brown in one place;
at the place where Rupert's knife had torn a great opening in the
wood about an hour before.

"Madam," said he, advancing with a gesture of the hat, "permit me
to have the pleasure of announcing to you that you are free. Your
complaints happened to strike our ears as we passed down the
street, and we have therefore ventured to come to your rescue."

The old lady with the red face and the black eyebrows looked at us
for a moment with something of the apoplectic stare of a parrot.
Then she said, with a sudden gust or breathing of relief:

"Rescue? Where is Mr Greenwood? Where is Mr Burrows? Did you say
you had rescued me?"

"Yes, madam," said Rupert, with a beaming condescension. "We have
very satisfactorily dealt with Mr Greenwood and Mr Burrows. We have
settled affairs with them very satisfactorily."

The old lady rose from her chair and came very quickly towards us.

"What did you say to them? How did you persuade them?" she cried.

"We persuaded them, my dear madam," said Rupert, laughing, "by
knocking them down and tying them up. But what is the matter?"

To the surprise of every one the old lady walked slowly back to
her seat by the window.

"Do I understand," she said, with the air of a person about to
begin knitting, "that you have knocked down Mr Burrows and tied
him up?"

"We have," said Rupert proudly; "we have resisted their oppression
and conquered it."

"Oh, thanks," answered the old lady, and sat down by the window.

A considerable pause followed.

"The road is quite clear for you, madam," said Rupert pleasantly.

The old lady rose, cocking her black eyebrows and her silver crest
at us for an instant.

"But what about Greenwood and Burrows?" she said. "What did I
understand you to say had become of them?"

"They are lying on the floor upstairs," said Rupert, chuckling.
"Tied hand and foot."

"Well, that settles it," said the old lady, coming with a kind of
bang into her seat again, "I must stop where I am."

Rupert looked bewildered.

"Stop where you are?" he said. "Why should you stop any longer
where you are? What power can force you now to stop in this
miserable cell?"

"The question rather is," said the old lady, with composure, "what
power can force me to go anywhere else?"

We both stared wildly at her and she stared tranquilly at us both.

At last I said, "Do you really mean to say that we are to leave
you here?"

"I suppose you don't intend to tie me up," she said, "and carry me
off? I certainly shall not go otherwise."

"But, my dear madam," cried out Rupert, in a radiant exasperation,
"we heard you with our own ears crying because you could not get
out."

"Eavesdroppers often hear rather misleading things," replied the
captive grimly. "I suppose I did break down a bit and lose my
temper and talk to myself. But I have some sense of honour for all
that."

"Some sense of honour?" repeated Rupert, and the last light of
intelligence died out of his face, leaving it the face of an idiot
with rolling eyes.

He moved vaguely towards the door and I followed. But I turned yet
once more in the toils of my conscience and curiosity. "Can we do
nothing for you, madam?" I said forlornly.

"Why," said the lady, "if you are particularly anxious to do me a
little favour you might untie the gentlemen upstairs."

Rupert plunged heavily up the kitchen staircase, shaking it with
his vague violence. With mouth open to speak he stumbled to the
door of the sitting-room and scene of battle.

"Theoretically speaking, that is no doubt true," Mr Burrows was
saying, lying on his back and arguing easily with Basil; "but we
must consider the matter as it appears to our sense. The origin
of morality. . ."

"Basil," cried Rupert, gasping, "she won't come out."

"Who won't come out?" asked Basil, a little cross at being
interrupted in an argument.

"The lady downstairs," replied Rupert. "The lady who was locked up.
She won't come out. And she says that all she wants is for us to
let these fellows loose."

"And a jolly sensible suggestion," cried Basil, and with a bound he
was on top of the prostrate Burrows once more and was unknotting
his bonds with hands and teeth.

"A brilliant idea. Swinburne, just undo Mr Greenwood."

In a dazed and automatic way I released the little gentleman in the
purple jacket, who did not seem to regard any of the proceedings as
particularly sensible or brilliant. The gigantic Burrows, on the
other hand, was heaving with herculean laughter.

"Well," said Basil, in his cheeriest way, "I think we must be
getting away. We've so much enjoyed our evening. Far too much
regard for you to stand on ceremony. If I may so express myself,
we've made ourselves at home. Good night. Thanks so much. Come
along, Rupert."

"Basil," said Rupert desperately, "for God's sake come and see what
you can make of the woman downstairs. I can't get the discomfort
out of my mind. I admit that things look as if we had made a
mistake. But these gentlemen won't mind perhaps. . ."

"No, no," cried Burrows, with a sort of Rabelaisian uproariousness.
"No, no, look in the pantry, gentlemen. Examine the coal-hole. Make
a tour of the chimneys. There are corpses all over the house, I
assure you."

This adventure of ours was destined to differ in one respect from
others which I have narrated. I had been through many wild days
with Basil Grant, days for the first half of which the sun and the
moon seemed to have gone mad. But it had almost invariably happened
that towards the end of the day and its adventure things had
cleared themselves like the sky after rain, and a luminous and
quiet meaning had gradually dawned upon me. But this day's work was
destined to end in confusion worse confounded. Before we left that
house, ten minutes afterwards, one half-witted touch was added
which rolled all our minds in cloud. If Rupert's head had suddenly
fallen off on the floor, if wings had begun to sprout out of
Greenwood's shoulders, we could scarcely have been more suddenly
stricken. And yet of this we had no explanation. We had to go to
bed that night with the prodigy and get up next morning with it and
let it stand in our memories for weeks and months. As will be seen,
it was not until months afterwards that by another accident and in
another way it was explained. For the present I only state what
happened.

When all five of us went down the kitchen stairs again, Rupert
leading, the two hosts bringing up the rear, we found the door of
the prison again closed. Throwing it open we found the place again
as black as pitch. The old lady, if she was still there, had turned
out the gas: she seemed to have a weird preference for sitting in
the dark.

Without another word Rupert lit the gas again. The little old lady
turned her bird-like head as we all stumbled forward in the strong
gaslight. Then, with a quickness that almost made me jump, she
sprang up and swept a sort of old-fashioned curtsey or reverence. I
looked quickly at Greenwood and Burrows, to whom it was natural to
suppose this subservience had been offered. I felt irritated at
what was implied in this subservience, and desired to see the faces
of the tyrants as they received it. To my surprise they did not
seem to have seen it at all: Burrows was paring his nails with a
small penknife. Greenwood was at the back of the group and had
hardly entered the room. And then an amazing fact became apparent.
It was Basil Grant who stood foremost of the group, the golden
gaslight lighting up his strong face and figure. His face wore an
expression indescribably conscious, with the suspicion of a very
grave smile. His head was slightly bent with a restrained bow. It
was he who had acknowledged the lady's obeisance. And it was he,
beyond any shadow of reasonable doubt, to whom it had really been
directed.

"So I hear," he said, in a kindly yet somehow formal voice, "I
hear, madam, that my friends have been trying to rescue you. But
without success."

"No one, naturally, knows my faults better than you," answered the
lady with a high colour. "But you have not found me guilty of
treachery."

"I willingly attest it, madam," replied Basil, in the same level
tones, "and the fact is that I am so much gratified with your
exhibition of loyalty that I permit myself the pleasure of
exercising some very large discretionary powers. You would not
leave this room at the request of these gentlemen. But you know
that you can safely leave it at mine."

The captive made another reverence. "I have never complained of
your injustice," she said. "I need scarcely say what I think of
your generosity."

And before our staring eyes could blink she had passed out of the
room, Basil holding the door open for her.

He turned to Greenwood with a relapse into joviality. "This will
be a relief to you," he said.

"Yes, it will," replied that immovable young gentleman with a face
like a sphinx.

We found ourselves outside in the dark blue night, shaken and dazed
as if we had fallen into it from some high tower.

"Basil," said Rupert at last, in a weak voice, "I always thought
you were my brother. But are you a man? I mean--are you only a
man?"

"At present," replied Basil, "my mere humanity is proved by one
of the most unmistakable symbols--hunger. We are too late for
the theatre in Sloane Square. But we are not too late for the
restaurant. Here comes the green omnibus!" and he had leaped on
it before we could speak.

------------------------------------------------------------------------

As I said, it was months after that Rupert Grant suddenly entered
my room, swinging a satchel in his hand and with a general air of
having jumped over the garden wall, and implored me to go with him
upon the latest and wildest of his expeditions. He proposed to
himself no less a thing than the discovery of the actual origin,
whereabouts, and headquarters of the source of all our joys and
sorrows--the Club of Queer Trades. I should expand this story for
ever if I explained how ultimately we ran this strange entity to
its lair. The process meant a hundred interesting things. The
tracking of a member, the bribing of a cabman, the fighting of
roughs, the lifting of a paving stone, the finding of a cellar,
the finding of a cellar below the cellar, the finding of the
subterranean passage, the finding of the Club of Queer Trades.

I have had many strange experiences in my life, but never a
stranger one than that I felt when I came out of those rambling,
sightless, and seemingly hopeless passages into the sudden
splendour of a sumptuous and hospitable dining-room, surrounded
upon almost every side by faces that I knew. There was Mr
Montmorency, the Arboreal House-Agent, seated between the two brisk
young men who were occasionally vicars, and always Professional
Detainers. There was Mr P. G. Northover, founder of the Adventure
and Romance Agency. There was Professor Chadd, who invented the
dancing Language.

As we entered, all the members seemed to sink suddenly into their
chairs, and with the very action the vacancy of the presidential
seat gaped at us like a missing tooth.

"The president's not here," said Mr P. G. Northover, turning
suddenly to Professor Chadd.

"N--no," said the philosopher, with more than his ordinary
vagueness. "I can't imagine where he is."

"Good heavens," said Mr Montmorency, jumping up, "I really feel a
little nervous. I'll go and see." And he ran out of the room.

An instant after he ran back again, twittering with a timid
ecstasy.

"He's there, gentlemen--he's there all right--he's coming in now,"
he cried, and sat down. Rupert and I could hardly help feeling the
beginnings of a sort of wonder as to who this person might be who
was the first member of this insane brotherhood. Who, we thought
indistinctly, could be maddest in this world of madmen: what
fantastic was it whose shadow filled all these fantastics with so
loyal an expectation?

Suddenly we were answered. The door flew open and the room was
filled and shaken with a shout, in the midst of which Basil Grant,
smiling and in evening dress, took his seat at the head of the
table.

How we ate that dinner I have no idea. In the common way I am a
person particularly prone to enjoy the long luxuriance of the club
dinner. But on this occasion it seemed a hopeless and endless
string of courses. Hors-d'oeuvre sardines seemed as big as
herrings, soup seemed a sort of ocean, larks were ducks, ducks
were ostriches until that dinner was over. The cheese course was
maddening. I had often heard of the moon being made of green
cheese. That night I thought the green cheese was made of the
moon. And all the time Basil Grant went on laughing and eating and
drinking, and never threw one glance at us to tell us why he was
there, the king of these capering idiots.

At last came the moment which I knew must in some way enlighten us,
the time of the club speeches and the club toasts. Basil Grant rose
to his feet amid a surge of songs and cheers.

"Gentlemen," he said, "it is a custom in this society that the
president for the year opens the proceedings not by any general
toast of sentiment, but by calling upon each member to give a brief
account of his trade. We then drink to that calling and to all who
follow it. It is my business, as the senior member, to open by
stating my claim to membership of this club. Years ago, gentlemen,
I was a judge; I did my best in that capacity to do justice and to
administer the law. But it gradually dawned on me that in my work,
as it was, I was not touching even the fringe of justice. I was
seated in the seat of the mighty, I was robed in scarlet and
ermine; nevertheless, I held a small and lowly and futile post. I
had to go by a mean rule as much as a postman, and my red and gold
was worth no more than his. Daily there passed before me taut and
passionate problems, the stringency of which I had to pretend to
relieve by silly imprisonments or silly damages, while I knew all
the time, by the light of my living common sense, that they would
have been far better relieved by a kiss or a thrashing, or a few
words of explanation, or a duel, or a tour in the West Highlands.
Then, as this grew on me, there grew on me continuously the sense
of a mountainous frivolity. Every word said in the court, a whisper
or an oath, seemed more connected with life than the words I had to
say. Then came the time when I publicly blasphemed the whole bosh,
was classed as a madman and melted from public life."

Something in the atmosphere told me that it was not only Rupert and
I who were listening with intensity to this statement.

"Well, I discovered that I could be of no real use. I offered
myself privately as a purely moral judge to settle purely moral
differences. Before very long these unofficial courts of honour
(kept strictly secret) had spread over the whole of society. People
were tried before me not for the practical trifles for which nobody
cares, such as committing a murder, or keeping a dog without a
licence. My criminals were tried for the faults which really make
social life impossible. They were tried before me for selfishness,
or for an impossible vanity, or for scandalmongering, or for
stinginess to guests or dependents. Of course these courts had no
sort of real coercive powers. The fulfilment of their punishments
rested entirely on the honour of the ladies and gentlemen involved,
including the honour of the culprits. But you would be amazed to
know how completely our orders were always obeyed. Only lately I
had a most pleasing example. A maiden lady in South Kensington whom
I had condemned to solitary confinement for being the means of
breaking off an engagement through backbiting, absolutely refused
to leave her prison, although some well-meaning persons had been
inopportune enough to rescue her."

Rupert Grant was staring at his brother, his mouth fallen agape.
So, for the matter of that, I expect, was I. This, then, was the
explanation of the old lady's strange discontent and her still
stranger content with her lot. She was one of the culprits of his
Voluntary Criminal Court. She was one of the clients of his Queer
Trade.

We were still dazed when we drank, amid a crash of glasses, the
health of Basil's new judiciary. We had only a confused sense of
everything having been put right, the sense men will have when
they come into the presence of God. We dimly heard Basil say:

"Mr P. G. Northover will now explain the Adventure and Romance
Agency."

And we heard equally dimly Northover beginning the statement he
had made long ago to Major Brown. Thus our epic ended where it
had begun, like a true cycle.

End of Project Gutenberg's The Club of Queer Trades, by G.K.Chesterton

*** END OF THE PROJECT GUTENBERG EBOOK THE CLUB OF QUEER TRADES ***

This file should be named tcoqt10h.htm or tcoqt10h.zip
Corrected EDITIONS of our eBooks get a new NUMBER, tcoqt11h.txt
VERSIONS based on separate sources get new LETTER, tcoqt10ha.txt

This HTM version was produced by Walter Debeuf

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart [[email protected]]

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
[email protected]

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*