This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: The Broken Soldier and the Maid of France
Author: Henry Van Dyke
Release Date: June 3, 2005 [eBook #15978]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK THE BROKEN SOLDIER AND THE MAID OF FRANCE***
The Meeting at the Spring |
The Green Confessional |
The Absolving Dream |
The Victorious Penance |
LONG the old Roman road that crosses the rolling hills from the upper waters of the Marne to the Meuse, a soldier of France was passing in the night.
In the broader pools of summer moonlight he showed as a hale and husky fellow of about thirty years, with dark hair and eyes and a handsome, downcast face. His uniform was faded and dusty; not a trace of the horizon-blue was left; only a gray shadow. He had no knapsack on his back, no gun on his shoulder. Wearily and doggedly he plodded his way, without eyes for the veiled beauty of the sleeping country. The quick, firm military step was gone. He trudged like a tramp, choosing always the darker side of the road.
He was a figure of flight, a broken soldier.
Presently the road led him into a thick forest of oaks and beeches, and so to the crest of a hill overlooking a long open valley with wooded heights beyond. Below him was the pointed spire of some temple or shrine, lying at the edge of the wood, with no houses near it. Farther down he could see a cluster of white houses with the tower of a church in the center. Other villages were dimly visible up and down the valley on either slope. The cattle were lowing from the barnyards. The cocks crowed for the dawn. Already the moon had sunk behind the western trees. But the valley was still bathed in its misty, vanishing light. Over the eastern ridge the gray glimmer of the little day was rising, faintly tinged with rose. It was time for the broken soldier to seek his covert and rest till night returned.
So he stepped aside from the road and found a little dell thick with underwoods, and in it a clear spring gurgling among the ferns and mosses. Around the opening grew wild gooseberries and golden broom and a few tall spires of purple foxglove. He drew off his dusty boots and socks and bathed his feet in a small pool, drying them with fern leaves. Then he took a slice of bread and a piece of cheese from his pocket and made his breakfast. Going to the edge of the thicket, he parted the branches and peered out over the vale.
Its eaves sloped gently to the level floor where the river loitered in loops and curves. The sun was just topping the eastern hills; the heads of the trees were dark against a primrose sky.
In the fields the hay had been cut and gathered. The aftermath was already greening the moist places. Cattle and sheep sauntered out to pasture. A thin silvery mist floated here and there, spreading in broad sheets over the wet ground and shredding into filmy scarves and ribbons as the breeze caught it among the pollard willows and poplars on the border of the stream. Far away the water glittered where the river made a sudden bend or a long smooth reach. It was like the flashing of distant shields. Overhead a few white clouds climbed up from the north. The rolling ridges, one after another, infolded the valley as far as eye could see; pale green set in dark green, with here and there an arm of forest running down on a sharp promontory to meet and turn the meandering stream.
"It must be the valley of the Meuse," said the soldier. "My faith, but France is beautiful and tranquil here!"
The northerly wind was rising. The clouds climbed more swiftly. The poplars shimmered, the willows glistened, the veils of mist vanished. From very far away there came a rumbling thunder, heavy, insistent, continuous, punctuated with louder crashes.
"It is the guns," muttered the soldier, shivering. "It is the guns around Verdun! Those damned Boches!"
He turned back into the thicket and dropped among the ferns beside the spring. Stretching himself with a gesture of abandon, he pillowed his face on his crossed arms to sleep.
A rustling in the bushes roused him. He sprang to his feet quickly. It was a priest, clad in a dusty cassock, his long black beard streaked with gray. He came slowly treading up beside the trickling rivulet, carrying a bag on a stick over his shoulder.
"Good morning, my son," he said. "You have chosen a pleasant spot to rest."
The soldier, startled, but not forgetting his manners learned from boyhood, stood up and lifted his hand to take off his cap. It was already lying on the ground. "Good morning, Father," he answered. "I did not choose the place, but stumbled on it by chance. It is pleasant enough, for I am very tired and have need of sleep."
"No doubt," said the priest. "I can see that you look weary, and I beg you to pardon me if I have interrupted your repose. But why do you say you came here 'by chance'? If you are a good Christian you know that nothing is by chance. All is ordered and designed by Providence."
"So they told me in church long ago," said the soldier, coldly; "but now it does not seem so true—at least not with me."
The first feeling of friendliness and respect into which he had been surprised was passing. He had fallen back into the mood of his journey—mistrust, secrecy, resentment.
The priest caught the tone. His gray eyes under their bushy brows looked kindly but searchingly at the soldier and smiled a little. He set down his bag and leaned on his stick. "Well," he said, "I can tell you one thing, my son. At all events it was not chance that brought me here. I came with a purpose."
The soldier started a little, stung by suspicion. "What then," he cried, roughly, "were you looking for me? What do you know of me? What is this talk of chance and purpose?"
"Come, come," said the priest, his smile spreading from his eyes to his lips, "do not be angry. I assure you that I know nothing of you whatever, not even your name nor why you are here. When I said that I came with a purpose I meant only that a certain thought, a wish, led me to this spot. Let us sit together awhile beside, the spring and make better acquaintance."
"I do not desire it," said the soldier, with a frown.
"But you will not refuse it?" queried the priest, gently. "It is not good to refuse the request of one old enough to be your father. Look, I have here some excellent tobacco and cigarette-papers. Let us sit down and smoke together. I will tell you who I am and the purpose that brought me here."
The soldier yielded grudgingly, not knowing what else to do. They sat down on a mossy bank beside the spring, and while the blue smoke of their cigarettes went drifting under the little trees the priest began:
"My name is Antoine Courcy. I am the cur of Darney, a village among the Reaping Hook Hills, a few leagues south from here. For twenty-five years I have reaped the harvest of heaven in that blessed little field. I am sorry to leave it. But now this war, this great battle for freedom and the life of France, calls me. It is a divine vocation. France has need of all her sons to-day, even the old ones. I cannot keep the love of God in my heart unless I follow the love of country in my life. My younger brother, who used to be the priest of the next parish to mine, was in the army. He has fallen. I am going to replace him. I am on my way to join the troops—as a chaplain, if they will; if not, then as a private. I must get into the army of France or be left out of the host of heaven."
The soldier had turned his face away and was plucking the lobes from a frond of fern. "A brave resolve, Father," he said, with an ironic note. "But you have not yet told me what brings you off your road, to this place."
"I will tell you," replied the priest, eagerly; "it is the love of Jeanne d'Arc, the Maid who saved France long ago. You know about her?"
"A little," nodded the soldier. "I have learned in the school. She was a famous saint."
"Not yet a saint," said the priest, earnestly; "the Pope has not yet pronounced her a saint. But it will be done soon. Already he has declared her among the Blessed Ones. To me she is the most blessed of all. She never thought of herself or of a saint's crown. She gave her life entire for France. And this is the place that she came from! Think of that—right here!"
"I did not know that," said the soldier.
"But yes," the priest went on, kindling. "I tell you it was here that the Maid of France received her visions and set out to work. You see that village below us—look out through the branches—that is Dom-remy, where she was born. That spire just at the edge of the wood—you saw that? It is the basilica they have built to her memory. It is full of pictures of her. It stands where the old beech-tree, 'Fair May,' used to grow. There she heard the voices and saw the saints who sent her on her mission. And this is the Gooseberry Spring, the Well of the Good Fairies. Here she came with the other children, at the festival of the well-dressing, to spread their garlands around it, and sing, and eat their supper on the green. Heavenly voices spoke to her, but the others did not hear them. Often did she drink of this water. It became a fountain of life springing up in her heart. I have come to drink at the same source. It will strengthen me as a sacrament. Come, son, let us take it together as we go to our duty in battle."
Father Courcy stood up and opened his old black bag. He took out a small metal cup. He filled it carefully at the spring. He made the sign of the cross over it.
"In the name of the Father, the Son, and the Holy Spirit," he murmured, "blessed and holy is this water." Then he held the cup toward the soldier. "Come, let us share it and make our vows together."
The bright drops trembled and fell from the bottom of the cup. The soldier sat still, his head in his hands.
"No," he answered, heavily, "I cannot take it. I am not worthy. Can a man take a sacrament without confessing his sins?"
Father Courcy looked at him with pitying eyes. "I see," he said, slowly; "I see, my son. You have a burden on your heart. Well, I will stay with you and try to lift it. But first I shall make my own vow."
He raised the cup toward the sky. A tiny brown wren sang canticles of rapture in the thicket. A great light came into the priest's face—a sun-ray from the east, far beyond the tree-tops.
"Blessed Jeanne d'Arc, I drink from thy fountain in thy name. I vow my life to thy cause. Aid me, aid this my son, to fight valiantly for freedom and for France. In the name of God, amen."
The soldier looked up at him. Wonder, admiration, and shame were struggling in the look. Father Courcy wiped the empty cup carefully and put it back in his bag. Then he sat down beside the soldier, laying a fatherly hand on his shoulder.
"Now, my son, you shall tell me what is on your heart."
OR a long time the soldier remained silent. His head was bowed. His shoulders drooped. His hands trembled between his knees. He was wrestling with himself.
"No," he cried, at last, "I cannot, I dare not tell you. Unless, perhaps"—his voice faltered—"you could receive it under the seal of confession? But no. How could you do that? Here in the green woods? In the open air, beside a spring? Here is no confessional."
"Why not?" asked Father Courcy. "It is a good place, a holy place. Heaven is over our heads and very near. I will receive your confession here."
The soldier knelt among the flowers. The priest pronounced the sacred words. The soldier began his confession:
"I, Pierre Duval, a great sinner, confess my fault, my most grievous fault, and pray for pardon." He stopped for a moment and then continued, "But first I must tell you, Father, just who I am and where I come from and what brings me here."
"Go on, Pierre Duval, go on. That is what I am waiting to hear. Be simple and very frank."
"Well, then, I am from the parish of Laucourt, in the pleasant country of the Barrois not far from Bar-sur-Aube. My faith, but that is a pretty land, full of orchards and berry-gardens! Our old farm there is one of the prettiest and one of the best, though it is small. It was hard to leave it when the call to the colors came, two years ago. But I was glad to go. My heart was high and strong for France. I was in the Nth Infantry. We were in the center division under General Foch at the battle of the Marne. Fichtre! but that was fierce fighting! And what a general! He did not know how to spell 'defeat.' He wrote it' victory.' Four times we went across that cursed Marsh of Saint-Gond. The dried mud was trampled full of dead bodies. The trickling streams of water ran red. Four times we were thrown back by the Boches. You would have thought that was enough. But the general did not think so. We went over again on the fifth day, and that time we stayed. The Germans could not stand against us. They broke and ran. The roads where we chased them were full of empty wine-bottles. In one village we caught three officers and a dozen men dead drunk. Bigre! what a fine joke!"
Pierre, leaning back upon his heels, was losing himself in his recital. His face lighted up, his hands were waving. Father Courcy bent forward with shining eyes.
"Continue," he cried. "This is a beautiful confession—no sin yet. Continue, Pierre."
"Well, then, after that we were fighting here and there, on the Aisne, on the Ailette, everywhere. Always the same story—Germans rolling down on us in flood, green-gray waves. But the foam on them was fire and steel. The shells of the barrage swept us like hailstones. We waited, waited in our trenches, till the green-gray mob was near enough. Then the word came. Sapristi! We let loose with mitrailleuse, rifle, field-gun, everything that would throw death. It did not seem like fighting with men. It was like trying to stop a monstrous thing, a huge, terrible mass that was rushing on to overwhelm us. The waves tumbled and broke before they reached us. Sometimes they fell flat. Sometimes they turned and rushed the other way. It was wild, wild, like a change of the wind and tide in a storm, everything torn and confused. Then perhaps the word came to go over the top and at them. That was furious. That was fighting with men, for sure—bayonet, revolver, rifle-butt, knife, anything that would kill. Often I sickened at the blood and the horror of it. But something inside of me shouted: 'Fight on! It is for France. It is for "L'Alouette," thy farm; for thy wife, thy little ones. Wilt thou let them be ruined by those beasts of Boches? What are they doing here on French soil? Brigands, butchers, Apaches! Drive them out; and if they will not go, kill them so they can do no more shameful deeds. Fight on!' So I killed all I could."
The priest nodded his head grimly. "You were right, Pierre; your voice spoke true. It was a dreadful duty that you were doing. The Gospel tells us, if we are smitten on one cheek we must turn the other. But it does not tell us to turn the cheek of a little child, of the woman we love, of the country we belong to. No! that would be disgraceful, wicked, un-Christian. It would be to betray the innocent! Continue, my son."
"Well, then," Pierre went on, his voice deepening and his face growing more tense, "then we were sent to Verdun. That was the hottest place of all. It was at the top of the big German drive. The whole sea rushed and fell on us—big guns, little guns, poison-gas, hand-grenades, liquid fire, bayonets, knives, and trench-clubs. Fort after fort went down. The whole pack of hell was loose and raging. I thought of that crazy, chinless Crown Prince sitting in his safe little cottage hidden in the woods somewhere—they say he had flowers and vines planted around it—drinking stolen champagne and sicking on his dogs of death. He was in no danger. I cursed him in my heart, that blood-lord! The shells rained on Verdun. The houses were riddled; the cathedral was pierced in a dozen places; a hundred fires broke out. The old citadel held good. The outer forts to the north and east were taken. Only the last ring was left. We common soldiers did not know much about what was happening. The big battle was beyond our horizon. But that General P tain, he knew it all. Ah, that is a wise man, I can tell you! He sent us to this place or that place where the defense was most needed. We went gladly, without fear or holding back. We were resolute that those mad dogs should not get through. 'They shall not pass! ' And they did not pass!"
"Glorious!" cried the priest, drinking the story in. "And you, Pierre? Where were you, what were you doing?"
"I was at Douaumont, that fort on the highest hill of all. The Germans took it. It cost them ten thousand men. The ground around it was like a wood-yard piled with logs. The big shell-holes were full of corpses. There were a few of us that got away. Then our company was sent to hold the third redoubt on the slope in front of Fort de Vaux. Perhaps you have heard of that redoubt. That was a bitter job. But we held it many days and nights. The Bodies pounded us from Douaumont and from the village of Vaux. They sent wave after wave up the slope to drive us out. But we stuck to it. That ravine of La Cail-lette was a boiling caldron of men. It bubbled over with smoke and 'fire. Once, when their second wave had broken just in front of us, we went out to hurry the fragments down the hill. Then the guns from Douaumont and the village of Vaux hammered us. Our men fell like nine-pins. Our lieutenant called to us to turn back. Just then a shell tore away his right leg at the knee. It hung by the skin and tendons. He was a brave lad. I could not leave him to die there. So I hoisted him on my back. Three shots struck me. They felt just like hard blows from a heavy fist. One of them made my left arm powerless. I sank my teeth in the sleeve of my lieutenant's coat as it hung over my shoulder. I must not let him fall off my back. Somehow—God knows how—I gritted through to our redoubt. They took my lieutenant from my shoulders. And then the light went out."
The priest leaned forward, his hands stretched out around the soldier. "But you are a hero," he cried. "Let me embrace you!"
The soldier drew back, shaking his head sadly. "No," he said, his voice breaking—"no, my father, you must not embrace me now. I may have been a brave man once. But now I am a coward. Let me tell you everything. My wounds were bad, but not desperate. The brancardiers carried me down to Verdun, at night, I suppose, but I was unconscious; and so to the hospital at Vaudelaincourt. There were days and nights of blankness mixed with pain. Then I came to my senses and had rest. It was wonderful. I thought that I had died and gone to heaven. Would God it had been so! Then I should have been with my lieutenant. They told me he had passed away in the redoubt. But that hospital was beautiful, so clean and quiet and friendly. Those white nurses were angels. They handled me like a baby. I would have liked to stay there. I had no desire to get better. But I did. One day several officers visited the hospital. They came to my cot, where I was sitting up. The highest of them brought out a Cross of War and pinned it on the breast of my nightshirt. 'There,' he said, 'you are decorated, Pierre Duval! You are one of the heroes of France. You are soon going to be perfectly well and to fight again bravely for your country.' I thanked him, but I knew better. My body might get perfectly well, but something in my soul was broken. It was worn out. The thin spring had snapped. I could never fight again. Any loud noise made me shake all over. I knew that I could never face a battle—impossible! I should certainly lose my nerve and run away. It is a damned feeling, that broken something inside of one. I can't describe it."
Pierre stopped for a moment and moistened his dry lips with the tip of his tongue.
"I know," said Father Courcy. "I understand perfectly what you want to say. It was like being lost and thinking that nothing could save you; a feeling that is piercing and dull at the same time, like a heavy weight pressing on you with sharp stabs in it. It was what they call shellshock, a terrible thing. Sometimes it drives men crazy for a while. But the doctors know what to do for that malady. It passes. You got over it."
"No," answered Pierre, "the doctors may not have known that I had it. At all events, they did not know what to do for it. It did not pass. It grew worse. But I hid it, talking very little, never telling anybody how I felt. They said I was depressed and needed cheering up. All the while there was that black snake coiled around my heart, squeezing tighter and tighter. But my body grew stronger every day. The wounds were all healed. I was walking around. In July the doctor-in-chief sent for me to his office. He said: 'You are cured, Pierre Duval, but you are not yet fit to fight. You are low in your mind. You need cheering up. You are to have a month's furlough and repose. You shall go home to your farm. How is it that you call it?' I suppose I had been babbling about it in my sleep and one of the nurses had told him. He was always that way, that little Doctor Roselly, taking an interest in the men, talking with them and acting friendly. I said the farm was called 'L'Alouette'—rather a foolish name. 'Not at all,' he answered; 'it is a fine name, with the song of a bird in it. Well, you are going back to "L'Alouette" to hear the lark sing for a month, to kiss your wife and your children, to pick gooseberries and currants. Eh, my boy, what do you think of that? Then, when the month is over, you will be a new man. You will be ready to fight again at Verdun. Remember, they have not passed and they shall not pass! Good luck to you, Pierre Duval.' So I went back to the farm as fast as I could go."
He was silent for a few moments, letting his thoughts wander through the pleasant paths of that little garden of repose. His eyes were dreaming, his lips almost smiled.
"It was sweet at 'L'Alouette,' very sweet, Father. The farm was in pretty good order and the kitchen-garden was all right, though the flowers had been a little neglected. You see, my wife, Jos phine, she is a very clever woman. She had kept up the things that were the most necessary. She had hired one of the old neighbors and a couple of boys to help her with the plowing and planting. The harvest she sold as it stood. Our yoke of cream-colored oxen and the roan horse were in good condition. Little Pierrot, who is five, and little Josette, who is three, were as brown as berries. They hugged me almost to death. But it was Jos phine herself who was the best of all. She is only twenty-six, Father, and so beautiful still, with her long chestnut hair and her eyes like brown stones shining under the waters of a brook. I tell you it was good to get her in my arms again and feel her lips on mine. And to wake in the early morning, while the birds were singing, and see her face beside me on the white pillow, sleeping like a child, that was a little bit of Paradise. But I do wrong to tell you of all this, Father."
"Proceed, my big boy," nodded the priest. "You are saying nothing wrong. I was a man before I was a priest. It is all natural, what you are saying, and all according to God's law—no sin in it. Proceed. Did your happiness do you good?"
Pierre shook his head doubtfully. The look of dejection came back to his face. He frowned as if something puzzled and hurt him. "Yes and no! That is the strange thing. It made me thankful—that goes without saying. But it did not make me any stronger in my heart. Perhaps it was too sweet. I thought too much of it. I could not bear to think of anything else. The idea of the war was hateful, horrible, disgusting. The noise and the dirt of it, the mud in the autumn and the bitter cold in the winter, the rats and the lice in the dugouts! And then the fury of the charge, and the everlasting killing, killing, or being killed! The danger had seemed little or nothing to me when I was there. But at a distance it was frightful, unendurable. I knew that I could never stand up to it again. Besides, already I had done my share—enough for two or three men. Why must I go back into that hell? It was not fair. Life was too dear to be risking it all the time. I could not endure it. France? France? Of course I love France. But my farm, and my life with Jos phine and the children mean more to me. The thing that made me a good soldier is broken inside me. It is beyond mending."
His voice sank lower and lower. Father Courcy looked at him gravely.
"But your farm is a part of France. You belong to France. He that saveth his life shall lose it!"
"Yes, yes, I know. But my farm is such a small part of France. I am only one man. What difference does one man make, except to himself? Moreover, I had done my part, that was certain. Twenty times, really, my life had been lost. Why must I throw it away again? Listen, Father. There is a village in the Vosges, near the Swiss border, where a relative of mine lives. If I could get to him he would take me in and give me some other clothes and help me over the frontier into Switzerland. There I could change my name and find work until the war is over. That was my plan. So I set out on my journey, following the less-traveled roads, tramping by night and sleeping by day. Thus I came to this spring at the same time as you by chance, by pure chance. Do you see?"
Father Courcy looked very stern and seemed about to speak in anger. Then he shook his head and said, quietly: "No, I do not see that at all. It remains to be seen whether it was by chance. But tell me more about your sin. Did you let your wife, Jos phine, know what you were going to do? Did you tell her good-by, parting for Switzerland?"
"Why, no! I did not dare. She would never have forgiven me. So I slipped down to the post-office at Bar-sur-Aube and stole a telegraph blank. It was ten days before my furlough was out. I wrote a message to myself calling me back to the colors at once. I showed it to her. Then I said good-by. I wept. She did not cry one tear. Her eyes were stars. She embraced me a dozen times. She lifted up each of the children to hug me. Then she cried: 'Go now, my brave man. Fight well. Drive the damned Boches out. It is for us and for France. God protect you. Au revoir!' I went down the road silent. I felt like a dog. But I could not help it."
"And you were a dog," said the priest, sternly. "That is what you were, and what you remain unless you can learn to help it. You lied to your wife. You forged; you tricked her who trusted you. You have done the thing which you yourself say she would never forgive. If she loves you and prays for you now, you have stolen that love and that prayer. You are a thief. A true daughter of France could never love a coward to-day."
"I know, I know," sobbed Pierre, burying his face in the weeds. "Yet I did it partly for her, and I could not do otherwise."
"Very little for her and a hundred times for yourself," said the priest, indignantly. "Be honest. If there was a little bit of love for her, it was the kind of love she did not want. She would spit upon it. If you are going to Switzerland now you are leaving her forever. You can never go back to Jos phine again. You are a deserter. She would cast you out, coward!"
The broken soldier lay very still, almost as if he were dead. Then he rose slowly to his feet, with a pale, set face. He put his hand behind his back and drew out a revolver. "It is true," he said, slowly, "I am a coward. But not altogether such a coward as you think, Father. It is not merely death that I fear. I could face that, I think. Here, take this pistol and shoot me now! No one will know. You can say that you shot a deserter, or that I attacked you. Shoot me now, Father, and let me out of this trouble."
Father Courcy looked at him with amazement. Then he took the pistol, uncocked it cautiously, and dropped it behind him. He turned to Pierre and regarded him curiously. "Go on with your confession, Pierre. Tell me about this strange kind of cowardice which can face death."
The soldier dropped on his knees again, and went on, in a low, shaken voice: "It is this, Father. By my broken soul, this is the very root of it. I am afraid of fear."
The priest thought for an instant. "But that is not reasonable, Pierre. It is nonsense. Fear cannot hurt you. If you fight it you can conquer it. At least you can disregard it, march through it, as if it were not there."
"Not this fear," argued the soldier, with a peasant's obstinacy. "This is something very big and dreadful. It has no shape, but a dead-white face and red, blazing eyes full of hate and scorn. I have seen it in the dark. It is stronger than I am. Since something is broken inside of me, I know I can never conquer it. No, it would wrap its shapeless arms around me and stab me to the heart with its fiery eyes. I should turn and run in the middle of the battle. I should trample on my wounded comrades. I should be shot in the back and die in disgrace. O my God! my God! who can save me from this? It is horrible. I cannot bear it."
The priest laid his hand gently on Pierre's quivering shoulder. "Courage, my son!"
"I have none."
"Then say to yourself that fear is nothing."
"It would be a lie. This fear is real."
"Then cease to tremble at it; kill it."
"Impossible. I am afraid of fear."
"Then carry it as your burden, your cross. Take it back to Verdun with you."
"I dare not. It would poison the others. It would bring me dishonor."
"Pray to God for help."
"He will not answer me. I am a wicked man. Father, I have made my confession. Will you give me a penance and absolve me?"
"Promise to go back to the army and fight as well as you can."
"Alas! that is what I cannot do. My mind is shaken to pieces. Whither shall I turn? I can decide nothing. I am broken. I repent of my great sin. Father, for the love of God, speak the word of absolution."
Pierre lay on his face, motionless, his arms stretched out. The priest rose and went to the spring. He scooped up a few drops in the hollow of his hand. He sprinkled it like holy water upon the soldier's head. A couple of tears fell with it.
"God have pity on you, my son, and bring you back to yourself. The word of absolution is not for me to speak while you think of forsaking France. Put that thought away from you, do penance for it, and you will be absolved from your great sin."
Pierre turned over and lay looking up at the priest's face and at the blue sky with white clouds drifting across it. He sighed. "Ah, if that could only be! But I have not the strength. It is impossible."
"All things are possible to him that believeth. Strength will come. Perhaps Jeanne d'Arc herself will help you."
"She would never speak to a man like me. She is a great saint, very high in heaven."
"She was a farmer's lass, a peasant like yourself. She would speak to you, gladly and kindly, if you saw her, and in your own language, too. Trust her."
"But I do not know enough about her."
"Listen, Pierre. I have thought for you. I will appoint the first part of your penance. You shall take the risk of being recognized and caught. You shall go down to that village there and visit the places that belong to her—her basilica, her house, her church. Then you shall come back here and wait until you know—until you surely know what you must do. Will you promise this?"
Pierre had risen and looked up at the priest with tear-stained face. But his eyes were quieter. "Yes, Father, I can promise you this much faithfully."
"Now I must go my way. Farewell, my son. Peace in war be with you." He held out his hand.
Pierre took it reverently. "And with you, Father," he murmured.
NTOINE COURCY was one of those who are fitted and trained by nature for the cure of souls. If you had spoken to him of psychiatry he would not have understood you. The long word would have been Greek to him. But the thing itself he knew well. The preliminary penance which he laid upon Pierre Duval was remedial. It belonged to the true healing art, which works first in the spirit.
When the broken soldier went down the hill, in the blaze of the mid-morning sunlight, towards Domr mey, there was much misgiving and confusion in his thoughts. He did not comprehend why he was going, except that he had promised. He was not sure that some one might not know him, or perhaps out of mere curiosity stop him and question him. It was a reluctant journey.
Yet it was in effect an unconscious pilgrimage to the one health-resort that his soul needed. For Domr my and the region round about are saturated with the most beautiful story of France. The life of Jeanne d'Arc, simple and mysterious, humble and glorious, most human and most heavenly, flows under that place like a hidden stream, rising at every turn in springs and fountains. The poor little village lives in and for her memory. Her presence haunts the ridges and the woods, treads the green pastures, follows the white road beside the river, and breathes in the never-resting valley-wind that marries the flowers in June and spreads their seed in August.
At the small basilica built to her memory on the place where her old beech-tree, "Fair May," used to stand there was an ancient caretaker who explained to Pierre the pictures from the life of the Maid with which the walls are decorated. They are stiff and conventional, but the old man found them wonderful and told with zest the story of La Pucelle—how she saw her first vision; how she recognized the Dauphin in his palace at Chinon; how she broke the siege of Orleans; how she saw Charles crowned in the cathedral at Rheims; how she was burned at the stake in Rouen. But they could not kill her soul. She saved France.
In the village church there was a priest from the border of Alsace, also a pilgrim like Pierre, but one who knew the shrine better. He showed the difference between the new and the old parts of the building. Certain things the Maid herself had seen and touched.
"Here is the old holy-water basin, an antique, broken column hollowed out on top. Here her fingers must have rested often. Before this ancient statue of Saint Michel she must have often knelt to say her prayers. The cure of the parish was a friend of hers and loved to talk with her. She was a good girl, devout and obedient, not learned, but a holy and great soul. She saved France."
In the house where she was born, and passed her childhood, a crippled old woman was custodian. It was a humble dwelling of plastered stone, standing between two tall fir-trees, with ivy growing over the walls, lilies and hollyhocks blooming in the garden. Pierre found it not half so good a house as "L'Alouette." But to the custodian it was more precious than a palace. In this upper room with its low mullioned window the Maid began her life. Here, in the larger room below, is the kneeling statue which the Princess Marie d'Orl ans made of her. Here, to the right, under the sloping roof, with its worm-eaten beams, she slept and prayed and worked.
"See, here is the bread-board between two timbers where she cut the bread for the cro te-au-pot. From this small window she looked at night and saw the sanctuary light burning in the church. Here, also, as well as in the garden and in the woods, her heavenly voices spoke to her and told her what she must do for the king and her country. She was not afraid or ashamed, though she lived in so small a house. Here in this very room she braided her hair and put on her red dress, and set forth on foot for her visit to Robert de Baudricourt at Vaucouleurs. He was a rough man and at first he received her roughly. But at last she convinced him. He gave her a horse and arms and sent her to the king. She saved France."
At the rustic inn Pierre at thick slices of dark bread and drank a stoup of thin red wine at noon. He sat at a bare table in the corner of the room. Behind him, at a table covered with a white cloth, two captains on furlough had already made their breakfast. They also were pilgrims, drawn by the love of Jeanne d'Arc to Domr my. They talked of nothing else but of her. Yet their points of view were absolutely different.
One of them, the younger, was short and swarthy, a Savoyard, the son of an Italian doctor at St. Jean de Maurienne. He was a skeptic; he believed in Jeanne, but not in the legends about her.
"I tell you," said he, eagerly, "she was one of the greatest among women. But all that about her 'voices' was illusion. The priests suggested it. She had hallucinations. Remember her age when they began—just thirteen. She was clever and strong; doubtless she was pretty; certainly she was very courageous. She was only a girl. But she had a big, brave idea which—the liberation of her country. Pure? Yes. I am sure she was virtuous. Otherwise the troops would not have followed and obeyed her as they did. Soldiers are very quick about those things. They recognize and respect an honest woman. Several men were in love with her, I think. But she was 'une nature froide.' The only thing that moved her was her big, brave idea—to save France. The Maid was a mother, but not of a mortal child. Her offspring was the patriotism of France."
The other captain was a man of middle age, from Lyons, the son of an architect. He was tall and pale and his large brown eyes had the tranquillity of a devout faith in them. He argued with quiet tenacity for his convictions.
"You are right to believe in her," said he, "but I think you are mistaken to deny her voices. They were as real as anything in her life. You credit her when she says that she was born here, that she went to Chinon and saw the king, that she delivered Orleans. Why not credit her when she says she heard God and the saints speaking to her? The proof of it was in what she did. Have you read the story of her trial? How clear and steady her answers were! The judges could not shake her. Yet at any moment she could have saved her life by denying the voices. It was because she knew, because she was sure, that she could not deny. Her vision was a part of her real life. She was the mother of French patriotism—yes. But she was also the daughter of true faith. That was her power."
"Well," said the younger man, "she sacrificed herself and she saved France. That was the great thing."
"Yes," said the elder man, stretching his hand across the table to clasp the hand of his companion, "there is nothing greater than that. If we do that, God will forgive us all."
They put on their caps to go. Pierre rose and stood at attention. They returned his salute with a friendly smile and passed out.
After a few moments he finished his bread and wine, paid his score, and followed them. He watched them going down the village street toward the railway station. Then he turned and walked slowly back to the spring in the dell.
The afternoon was hot, in spite of the steady breeze which came out of the north. The air felt as if it had passed through a furnace. The low, continuous thunder of the guns rolled up from Verdun, with now and then a sharper clap from St. Mihiel.
Pierre was very tired. His head was heavy, his heart troubled. He lay down among the ferns, looking idly at the foxglove spires above him and turning over in his mind the things he had heard and seen at Domr my. Presently he fell into a profound sleep.
How long it was he could not tell, but suddenly he became aware of some one near him. He sprang up. A girl was standing beside the spring.
She wore a bright-red dress and her feet were bare. Her black hair hung down her back. Her eyes were the color of a topaz. Her form was tall and straight. She carried a distaff under her arm and looked as if she had just come from following the sheep.
"Good day, shepherdess," said Pierre. Then a strange thought struck him and he fell on his knees. "Pardon, lady," he stammered. "Forgive my rudeness. You are of the high society of heaven, a saint. You are called Jeanne d'Arc?"
She nodded and smiled. "That is my name," said she. "Sometimes they call me La Pucelle, or the Maid of France. But you were right, I am a shepherdess, too. I have kept my father's sheep in the fields down there, and spun from the distaff while I watched them. I knew how to sew and spin as well as any girl in the Barrois or Lorraine. Will you not stand up and talk with me?"
Pierre rose, still abashed and confused. He did not quite understand how to take this strange experience—too simple for a heavenly apparition, too real for a common dream.
"Well, then," said he, "if you are a shepherdess why are you here? There are no sheep here."
"But yes. You are one of mine. I have come here to seek you."
"Do you know me, then? How can I be one of yours?"
"Because you are a soldier of France and you are in trouble."
Pierre's head drooped. "A broken soldier," he muttered, "not fit to speak to you. I am running away because I am afraid of fear."
She threw back her head and laughed. "You speak very bad French. There is no such thing as being afraid of fear. For if you are afraid of it, you hate it. If you hate it, you will have nothing to do with it. And if you have nothing to do with it, it cannot touch you; it is nothing."
"But for you, a saint, it is easy to say that. You had no fear when you fought. You knew you would not be killed."
"I was no more sure of that than the other soldiers. Besides, when they bound me to the stake at Rouen and kindled the fire around me I knew very well that I should be killed. But there was no fear in it. Only peace."
"Ah, you were strong, a warrior born. You were not wounded and broken."
"Four times I was wounded," she answered, gravely. "At Orl ans a bolt went through my right shoulder. At Paris a lance tore my thigh. I never saw the blood of Frenchmen flow without feeling my heart stand still. I was not a warrior born. I knew not how to ride or fight. But I did it. What we must needs do that we can do. Soldier, do not look on the ground. Look up."
Then a strange thing took place before his eyes. A wondrous radiance, a mist of light, enveloped and hid the shepherdess. When it melted she was clad in shining armor, sitting on a white horse, and lifting a bare sword in her left hand.
"God commands you," she cried. "It is for France. Be of good cheer. Do not retreat. The fort will soon be yours!"
How should Pierre know that this was the cry with which the Maid had rallied her broken men at Orl ans when the fort of Les Toutelles fell? What he did know was that something seemed to spring up within him to answer that call. He felt that he would rather die than desert such a leader.
The figure on the horse turned away as if to go.
"Do not leave me," he cried, stretching out his hands to her. "Stay with me. I will obey you joyfully."
She turned again and looked at him very earnestly. Her eyes shone deep into his heart. "Here I cannot stay," answered a low, sweet, womanly voice. "It is late, and my other children need me."
"But forgiveness? Can you give that to me—a coward?"
"You are no coward. Your only fault was to doubt a brave man."
"And my wife? May I go back and tell her?"
"No, surely. Would you make her hear slander of the man she loves? Be what she believes you and she will be satisfied."
"And the absolution, the word of peace? Will you speak that to me?"
Her eyes shone more clearly; the voice sounded sweeter and steadier than ever. "After the penance comes the absolution. You will find peace only at the lance's point. Son of France, go, go, go! I will help you. Go hardily to Verdun."
Pierre sprang forward after the receding figure, tried to clasp the knee, the foot of the Maid. As he fell to the ground something sharp pierced his hand. It must be her spur, thought he.
Then he was aware that his eyes were shut. He opened them and looked at his hand carefully. There was only a scratch on it, and a tiny drop of blood. He had torn it on the thorns of the wild-gooseberry bushes.
His head lay close to the clear pool of the spring. He buried his face in it, and drank deep. Then he sprang up, shaking the drops from his mustache, found his cap and pistol, and hurried up the glen toward the old Roman road.
"No more of that damned foolishness about Switzerland," he said, aloud. "I belong to France. I am going with the other boys to save her. I was born for that." He took off his cap and stood still for a moment. He spoke as if he were taking an oath. "By Jeanne d'Arc!"
T never occurred to Pierre Duval, as he trudged those long kilometers toward the front, that he was doing a penance.
The joy of a mind made up is a potent cordial.
The greetings of comrades on the road put gladness into his heart and strength into his legs.
It was a hot and dusty journey, and a sober one. But it was not a sad on. He was doing that which France asked of him, that which God told him to do. Jos phine would be proud of him. He would never be ashamed to meet her eyes. As he went, alone or in company with others, he whistled and sand a bit. He thought of "L'Alouette" a good deal. But not too much. He thought also of the forts of Douaumont and Vaux.
"Dame!" he cried to himself. "If I could help to win them back again! That would be fine! How sick that would make those cursed Bodies and their knock-kneed Crown Prince!"
At the little village of the headquarters behind Verdun he found many old friends and companions. They greeted him with cheerful irony.
"Behold the prodigal! You took your time about coming back, didn't you? Was the hospital to your taste, the nurses pretty? How is the wife? Any more children? How goes it, old man?"
"No more children yet," he answered, grinning; "but all goes well. I have come back from a far country, but I find the pigs are still grunting. What have you done to our old cook?"
"Nothing at all," was the joyous reply. "He tried to swim in his own soup and he was drowned."
When Pierre reported to the officer of the day, that busy functionary consulted the record.
"You are a day ahead of your time, Pierre Duval," he said, frowning slightly.
"Yes, sir," answered the soldier. "It costs less to be a day ahead than a day too late."
"That is well," said the officer, smiling in his red beard. "You will report to-morrow to your regiment at the citadel. You have a new colonel, but the regiment is busy in the old way."
As Pierre saluted and turned to go out his eye caught the look of a general officer who stood near, watching. He was a square, alert, vigorous man, his face bronzed by the suns of many African campaigns, his eyes full of intelligence, humor, and courage. It was Guillaumat, the new commander of the Army of Verdun.
"You are prompt, my son," said he, pleasantly, "but you must remember not to be in a hurry. You have been in hospital. Are you well again? Nothing broken?"
"Something was broken, my General," responded the soldier, gravely, "but it is mended."
"Good!" said the general. "Now for the front, to beat the Germans at their own game. 'We shall get them.' It may be long, but we shall get them!"
That was the autumn of the offensive of 1916, by which the French retook, in ten days, what it had cost the Germans many months to gain.
Pierre was there in that glorious charge in the end of October which carried the heights of Douaumont and took six thousand prisoners. He was there at the recapture of the Fort de Vaux which the Germans evacuated in the first week of November. In the last rush up the slope, where he had fought long ago, a stray shell, an inscrutable messenger of fate, coming from far away, no one knows whence, caught him and ripped him horribly across the body.
It was a desperate mass of wounds. But the men of his squad loved their corporal. He still breathed. They saw to it that he was carried back to the little transit hospital just behind the Fort de Souville.
It was a rude hut of logs, covered with sand-bags, on the slope of the hill. The ruined woods around it were still falling to the crash of far-thrown shells. In the close, dim shelter of the inner room Pierre came to himself.
He looked up into the face of Father Courcy. A light of recognition and gratitude flickered in his eyes. It was like finding an old friend in the dark.
"Welcome!—But the fort?" he gasped.
"It is ours," said the priest.
Something like a smile passed over the face of Pierre. He could not speak for a long time. The blood in his throat choked him. At last he whispered:
"Tell Josephine—love."
Father Courcy bowed his head and took Pierre's hand. "Surely," he said. "But now, my dear son Pierre, I must prepare you—"
The struggling voice from the cot broke in, whispering slowly, with long intervals: "Not necessary … I know it already … The penance … France … Jeanne d'Arc … It is done."
A few drops of blood gushed from the corner of his mouth. The look of peace that often comes to those who die of gunshot wounds settled on his face. His eyes grew still as the priest laid the sacred wafer on his lips. The broken soldier was made whole.
 
***END OF THE PROJECT GUTENBERG EBOOK THE BROKEN SOLDIER AND THE MAID OF FRANCE***
******* This file should be named 15978-h.txt or 15978-h.zip *******
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/5/9/7/15978
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://www.gutenberg.org/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://www.gutenberg.org/fundraising/pglaf While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others. Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year. https://www.gutenberg.org/dirs/etext06/ (Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at: https://www.gutenberg.org/dirs/1/0/2/3/10234 or filename 24689 would be found at: https://www.gutenberg.org/dirs/2/4/6/8/24689 An alternative method of locating eBooks: https://www.gutenberg.org/dirs/GUTINDEX.ALL *** END: FULL LICENSE ***